1 00:00:00,920 --> 00:00:03,400 Speaker 1: This is gem Nation with Jonesy. 2 00:00:04,480 --> 00:00:07,080 Speaker 2: Our next guest burst into our lives on the very 3 00:00:07,080 --> 00:00:10,640 Speaker 2: first season of Australian Idol. All of Australia fell in 4 00:00:10,680 --> 00:00:15,480 Speaker 2: love with Rob Mills, and he has defied the odds. 5 00:00:15,520 --> 00:00:17,360 Speaker 2: I think how a lot of people might have felt 6 00:00:17,400 --> 00:00:19,599 Speaker 2: that people on Australian Idol are going to go. He 7 00:00:19,760 --> 00:00:24,680 Speaker 2: has become. He's built a fabulous career across television, across film, 8 00:00:24,760 --> 00:00:27,280 Speaker 2: across stage, across musicals. He's in here spray of the 9 00:00:27,360 --> 00:00:29,479 Speaker 2: musical at the moment, and he's got a new book 10 00:00:29,520 --> 00:00:32,040 Speaker 2: out looking at what it means to be an Australian man. 11 00:00:32,280 --> 00:00:34,279 Speaker 2: It's called putting on a Show and he joins us. 12 00:00:34,280 --> 00:00:37,120 Speaker 2: Now Hillo, Rob Mills, how are you hello? 13 00:00:37,240 --> 00:00:37,520 Speaker 1: Guys? 14 00:00:37,560 --> 00:00:41,120 Speaker 3: Thank you so much for that wonderful introduction. And yeah, 15 00:00:41,200 --> 00:00:44,680 Speaker 3: I also sometimes pinch myself to know that I'm still 16 00:00:44,680 --> 00:00:47,760 Speaker 3: working in the entertainment industry twenty years twenty years later. 17 00:00:47,800 --> 00:00:53,360 Speaker 3: It's crazy and now adding author to the list to 18 00:00:53,479 --> 00:00:53,960 Speaker 3: your quiver. 19 00:00:54,320 --> 00:00:57,480 Speaker 2: And it's a serious book, isn't it brought about by 20 00:00:57,520 --> 00:00:59,280 Speaker 2: the loss of a couple of friends. Tell us about 21 00:00:59,280 --> 00:01:01,400 Speaker 2: your thought pro to put this book together? 22 00:01:02,720 --> 00:01:05,240 Speaker 3: Yeah, so during twenty twenty I was living in Melbourne 23 00:01:05,319 --> 00:01:08,440 Speaker 3: and lost a few friends to cancer, young young friends 24 00:01:08,760 --> 00:01:13,720 Speaker 3: fifty and forty, and couldn't get to the funerals due 25 00:01:13,760 --> 00:01:19,600 Speaker 3: to either border closures or to just you know, lockdown laws. 26 00:01:20,560 --> 00:01:22,320 Speaker 3: And then we were coming out of the lockdowns, went 27 00:01:22,360 --> 00:01:26,520 Speaker 3: out drinking and celebrating, I suppose with friends or commiserating, 28 00:01:26,640 --> 00:01:29,840 Speaker 3: and I realized the alcohol was not great for my 29 00:01:30,440 --> 00:01:34,360 Speaker 3: mindset at all. So had a really good check checking 30 00:01:34,440 --> 00:01:38,319 Speaker 3: with my relationship with alcohol, wrote about it, and the 31 00:01:38,400 --> 00:01:40,760 Speaker 3: Age and City Morning Herald picked it up and printed it, 32 00:01:40,800 --> 00:01:42,800 Speaker 3: and then the firm press said, hey, this is really good. 33 00:01:42,840 --> 00:01:44,440 Speaker 3: This really struck a chord with a lot of people, 34 00:01:44,520 --> 00:01:46,679 Speaker 3: especially a lot of blokes. Is it something that you'd 35 00:01:46,959 --> 00:01:49,600 Speaker 3: want to write more about? And I said, yeah, I've 36 00:01:49,640 --> 00:01:53,000 Speaker 3: always been curious about identity, the identity of Australia. But 37 00:01:53,480 --> 00:01:55,040 Speaker 3: you know, I can only speak from the perspective of 38 00:01:55,080 --> 00:01:57,720 Speaker 3: a man, So like is who is the identity? What 39 00:01:57,840 --> 00:02:00,000 Speaker 3: is the identity of Australian man? Who is the average 40 00:02:00,080 --> 00:02:03,200 Speaker 3: JOSSI bloke? What does he look like? Now we don't 41 00:02:03,200 --> 00:02:07,120 Speaker 3: have the beach blonde bond I surf a bloken out 42 00:02:07,160 --> 00:02:10,040 Speaker 3: back kind of sheep share and bloke either we do 43 00:02:10,120 --> 00:02:13,520 Speaker 3: have them, but Jonesy, you're not that guy. I'm not 44 00:02:13,600 --> 00:02:16,160 Speaker 3: that guy. So who is he? And is there an average? 45 00:02:16,760 --> 00:02:18,920 Speaker 3: It turns out there's not, which is great. We're a 46 00:02:18,960 --> 00:02:25,200 Speaker 3: massive broad spectrum of immigrants and Aussie's alike. And whether 47 00:02:25,240 --> 00:02:28,480 Speaker 3: you're a religious background or just atheist or whatever, it's 48 00:02:28,800 --> 00:02:32,320 Speaker 3: it's a really beautiful, diverse country of good wills and 49 00:02:32,360 --> 00:02:34,840 Speaker 3: good natured humans exactly. So. Yeah, I took on the 50 00:02:34,880 --> 00:02:36,960 Speaker 3: task and interviewed a bunch of people who have been 51 00:02:37,000 --> 00:02:39,520 Speaker 3: working in this field of either mental health or just 52 00:02:39,760 --> 00:02:43,560 Speaker 3: good humans and tried to get there basically, to shine 53 00:02:43,560 --> 00:02:45,440 Speaker 3: a light on their thoughts and feelings. 54 00:02:46,160 --> 00:02:48,440 Speaker 2: Has the way we've perceived straight and men to be 55 00:02:48,639 --> 00:02:52,639 Speaker 2: led to mental health issues, That stoicism, that man who 56 00:02:52,639 --> 00:02:55,120 Speaker 2: doesn't share his feelings has that led to troubles? 57 00:02:56,120 --> 00:02:59,160 Speaker 3: I would say one, Amanda, you hit the nail on 58 00:02:59,160 --> 00:03:04,320 Speaker 3: the head. The I suppose the the things we learned 59 00:03:04,320 --> 00:03:07,079 Speaker 3: from our grandfathers and our fathers was, you know, the 60 00:03:07,200 --> 00:03:10,040 Speaker 3: tied upper lip that don't say, don't talk about your feelings, 61 00:03:10,080 --> 00:03:13,200 Speaker 3: don't talk about the war, don't talk about anything. Put 62 00:03:13,200 --> 00:03:16,519 Speaker 3: things in a box. The box has to be emptied. 63 00:03:16,560 --> 00:03:18,600 Speaker 3: At some stage, the rubbish has to go out, you know, 64 00:03:18,639 --> 00:03:20,680 Speaker 3: I mean, like you have to. You can't just leave 65 00:03:20,720 --> 00:03:24,200 Speaker 3: it there overflowing. Yes, So what are the things that 66 00:03:24,240 --> 00:03:26,760 Speaker 3: we can learn from our female friends? What are the 67 00:03:26,760 --> 00:03:28,239 Speaker 3: things that we can learn from our non gendered and 68 00:03:28,400 --> 00:03:32,239 Speaker 3: LGBT allies. What are they doing really well? And what 69 00:03:32,600 --> 00:03:35,240 Speaker 3: are we doing terribly as men? It is a bit 70 00:03:35,280 --> 00:03:38,960 Speaker 3: of a hangover from our colonial past or however you 71 00:03:39,000 --> 00:03:41,119 Speaker 3: see it, but we do need to be better. We are, 72 00:03:41,200 --> 00:03:43,320 Speaker 3: we are moving better. We are we are getting better. 73 00:03:43,360 --> 00:03:46,320 Speaker 3: We are moving towards a more progressive and talking about 74 00:03:46,360 --> 00:03:48,920 Speaker 3: our feelings and thoughts, which is great. I'm not saying 75 00:03:48,960 --> 00:03:52,400 Speaker 3: that we are stuck at all. We are shifting. I'm 76 00:03:52,400 --> 00:03:53,960 Speaker 3: just saying I think some blokes need a bit of 77 00:03:53,960 --> 00:03:55,880 Speaker 3: a hand, whether it's from another mate or whether it's 78 00:03:55,920 --> 00:04:00,320 Speaker 3: from from from women across Australia as well, because what 79 00:04:00,360 --> 00:04:02,160 Speaker 3: bloke's asking a lot of women. 80 00:04:02,040 --> 00:04:03,280 Speaker 1: That come on. 81 00:04:03,400 --> 00:04:05,560 Speaker 2: But I think we'll get more out of relationships or 82 00:04:05,600 --> 00:04:08,920 Speaker 2: workplaces if men do step up emotionally. 83 00:04:08,960 --> 00:04:12,000 Speaker 3: I think absolutely. I mean that's the most important thing. 84 00:04:12,040 --> 00:04:16,760 Speaker 3: Is this communication is key. We talk about men needed 85 00:04:16,800 --> 00:04:19,599 Speaker 3: to be more vulnerable, but what if we reframe it, 86 00:04:19,640 --> 00:04:22,800 Speaker 3: and vulnerable sounds it's too hard a word for men. 87 00:04:22,800 --> 00:04:24,800 Speaker 3: I don't want to be vulnerable. What if you change 88 00:04:24,839 --> 00:04:27,600 Speaker 3: it to open? What if you're just more open? All right, 89 00:04:27,680 --> 00:04:29,000 Speaker 3: I can get around open. 90 00:04:30,000 --> 00:04:32,240 Speaker 4: But I think that's a big deal, the vulnerable thing, 91 00:04:32,760 --> 00:04:36,080 Speaker 4: because I'm not a vulnerable person, but I'm probably open. 92 00:04:36,360 --> 00:04:38,440 Speaker 4: But what I've noticed is a lot of guys will 93 00:04:38,480 --> 00:04:40,760 Speaker 4: say all good, like I'm made of mine. His dad 94 00:04:40,839 --> 00:04:43,000 Speaker 4: died and at the funeral, I said, oh, mate, it's 95 00:04:43,000 --> 00:04:44,840 Speaker 4: just terrible. He says, ah, yeah, but you know, and 96 00:04:45,080 --> 00:04:47,240 Speaker 4: it's all good. I said, no, it's not all good. 97 00:04:47,240 --> 00:04:49,760 Speaker 4: It's dreadful. Your dad's died. It's dreadful. 98 00:04:50,120 --> 00:04:52,520 Speaker 1: And that's what we do. Men always do. 99 00:04:52,560 --> 00:04:55,520 Speaker 2: That interesting on all those dating shows like Married at 100 00:04:55,520 --> 00:04:57,360 Speaker 2: First Sight, I've got a real bug bear against those 101 00:04:57,440 --> 00:05:00,960 Speaker 2: kind of shows where women say they want an open man, 102 00:05:01,080 --> 00:05:03,360 Speaker 2: they want a vulnerable man, they want a man who 103 00:05:03,480 --> 00:05:06,640 Speaker 2: write them poetry, and the second the relationship gets a 104 00:05:06,680 --> 00:05:10,040 Speaker 2: bit rocky and the man gets emotional, the phrase man up, 105 00:05:10,560 --> 00:05:13,360 Speaker 2: stand up, step up comes up, and I think, no, 106 00:05:13,480 --> 00:05:15,920 Speaker 2: wonder young men. I've got two sons who are nineteen 107 00:05:15,960 --> 00:05:18,040 Speaker 2: and twenty one. No wonder men are confused. 108 00:05:18,960 --> 00:05:21,800 Speaker 3: Yeah, a man one hundred percent. This is the thing 109 00:05:21,839 --> 00:05:23,720 Speaker 3: I tried to get into the book, these kind of 110 00:05:23,800 --> 00:05:27,600 Speaker 3: conversations that there's so much expectations on blokes to be 111 00:05:27,760 --> 00:05:30,240 Speaker 3: the vulnerable guy, but also to still be masculine. I 112 00:05:30,360 --> 00:05:34,200 Speaker 3: talk about the ever popular Fifty Shades of Gray. This 113 00:05:34,360 --> 00:05:36,080 Speaker 3: is one of the most popular books in the last 114 00:05:36,240 --> 00:05:39,280 Speaker 3: decade or so. It's about a bloke who ties up 115 00:05:39,400 --> 00:05:44,040 Speaker 3: and pretty much is BDSM around women. So women want 116 00:05:44,120 --> 00:05:47,320 Speaker 3: this kind of masculine, kind of dominating bloke, but they 117 00:05:47,360 --> 00:05:49,960 Speaker 3: also want the guy to be super vulnerables. Like, which 118 00:05:50,000 --> 00:05:52,839 Speaker 3: one is it? I think it's all It's all things, 119 00:05:52,880 --> 00:05:55,600 Speaker 3: but also everyone is different. It's just about a spectrum 120 00:05:55,600 --> 00:05:57,479 Speaker 3: of the things, and it shifts all the time. Everything 121 00:05:57,560 --> 00:06:01,520 Speaker 3: is fluid, but you have the conversations. Everyone is different, 122 00:06:01,560 --> 00:06:04,680 Speaker 3: Everyone likes certain things or different things. So find out 123 00:06:04,720 --> 00:06:08,640 Speaker 3: the person that you're with and have those conversations with 124 00:06:08,720 --> 00:06:12,640 Speaker 3: them and don't rely on the social norms. I talked 125 00:06:12,640 --> 00:06:14,599 Speaker 3: to a great sex ologiers Georgia Grace, throughout the book, 126 00:06:14,640 --> 00:06:17,720 Speaker 3: and she talks about the gender norms in the bedroom 127 00:06:17,839 --> 00:06:20,680 Speaker 3: completely completely, completely different to what they are when you 128 00:06:20,920 --> 00:06:23,480 Speaker 3: live your day to day life in the workplace. So 129 00:06:23,960 --> 00:06:26,520 Speaker 3: but having the conversation is important. 130 00:06:27,240 --> 00:06:29,200 Speaker 1: Indeed, and I look at it, I look at how 131 00:06:29,240 --> 00:06:29,920 Speaker 1: far you've come. 132 00:06:30,120 --> 00:06:32,680 Speaker 4: Our one of the top people that works here at 133 00:06:32,720 --> 00:06:36,120 Speaker 4: our radio station, Millie Michael, which is married. 134 00:06:36,160 --> 00:06:38,400 Speaker 1: Now she's off the market, but she was such a 135 00:06:38,480 --> 00:06:38,880 Speaker 1: fan of you. 136 00:06:39,000 --> 00:06:39,520 Speaker 3: Thanks, thank you. 137 00:06:39,880 --> 00:06:41,480 Speaker 1: She just just letting you know she was such a 138 00:06:41,520 --> 00:06:43,240 Speaker 1: fan of yours. When she was young. She had a 139 00:06:43,279 --> 00:06:45,960 Speaker 1: post review from Australian Idol and she used to kiss it. 140 00:06:47,920 --> 00:06:51,680 Speaker 3: Okay, this is it's not We'm flat, I'm flattered. 141 00:06:52,120 --> 00:06:53,680 Speaker 2: And do you come across that kind of thing? A 142 00:06:53,720 --> 00:06:56,440 Speaker 2: lot people saying I passed your poster them and I 143 00:06:56,760 --> 00:06:59,880 Speaker 2: liked it. I wore a hole in the mouth area. 144 00:07:00,480 --> 00:07:02,400 Speaker 3: You know what's funny is when they say you used 145 00:07:02,400 --> 00:07:14,840 Speaker 3: to really like you like now now you're forty, you engaged. 146 00:07:15,840 --> 00:07:16,880 Speaker 1: I'm just getting the studio. 147 00:07:17,000 --> 00:07:20,160 Speaker 3: Can there's Milly, there's Milly Hilly. 148 00:07:21,560 --> 00:07:23,600 Speaker 2: Yes, she's mortified we've brought this up. But we did 149 00:07:23,640 --> 00:07:27,320 Speaker 2: a phone topic about who's posted in your pash and 150 00:07:28,120 --> 00:07:29,640 Speaker 2: and you were the one for her. 151 00:07:30,360 --> 00:07:31,000 Speaker 1: Oh that's great. 152 00:07:31,080 --> 00:07:33,600 Speaker 3: I had a Shane Crawford poster in my room leased 153 00:07:33,680 --> 00:07:34,080 Speaker 3: High five. 154 00:07:35,680 --> 00:07:37,080 Speaker 1: I was about to say, hang. 155 00:07:37,040 --> 00:07:42,440 Speaker 2: On, hang on, anything's okay, discover. 156 00:07:42,720 --> 00:07:45,760 Speaker 1: If you want to kiss Shane Crawford, that's okay, there's nothing. 157 00:07:45,560 --> 00:07:47,920 Speaker 3: Wrong with that. What a man. 158 00:07:48,040 --> 00:07:48,840 Speaker 1: This is a great man. 159 00:07:48,960 --> 00:07:49,320 Speaker 3: I love it. 160 00:07:49,480 --> 00:07:51,720 Speaker 1: He's a great man. You're a great man. This is 161 00:07:51,720 --> 00:07:52,800 Speaker 1: about you, not about him. 162 00:07:52,840 --> 00:07:55,040 Speaker 4: Putting on a show by Rob Mills, out now in 163 00:07:55,080 --> 00:07:56,680 Speaker 4: all good bookstores and online. 164 00:07:56,960 --> 00:07:59,960 Speaker 3: Rob Mills, thank you, Thank you so much, guys. And Yet, 165 00:08:00,160 --> 00:08:01,480 Speaker 3: as I said, I didn't set it out to be 166 00:08:01,520 --> 00:08:03,360 Speaker 3: a self help book, but it definitely helped me along 167 00:08:03,400 --> 00:08:05,840 Speaker 3: the way. So I'm hoping that the reader learns as 168 00:08:05,920 --> 00:08:07,960 Speaker 3: much as I do throughout the throughout the process. 169 00:08:08,640 --> 00:08:09,480 Speaker 1: Good on you, mate,