WEBVTT - Do You Have To Pay For Spilt Drinks?🍸 🥴

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<v Speaker 1>The Flex and Rooms Daily podcast brought to.

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<v Speaker 2>You, coming to you with quite a sum of mood.

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<v Speaker 3>Yeah, no, pick it up? What's that?

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<v Speaker 2>Just wave a tightness came over me. I think I

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<v Speaker 2>need a coffee, fie.

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<v Speaker 3>What are you?

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<v Speaker 4>Your chocolate, your chocolates, the chocolates you bought just for

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<v Speaker 4>this chockets.

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<v Speaker 2>No, I don't feel like chocolate. I haven't felt like

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<v Speaker 2>chocolate that much this week.

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<v Speaker 3>What's going on for me?

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<v Speaker 2>I think I'm like finding excitement elsewhere. Oh it'll come back.

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<v Speaker 2>Eight half a block yesterday? Okay, tasted pretty good. Gotta

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<v Speaker 2>get the craving out. I'm on my marble bent lately,

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<v Speaker 2>cadbritty quality marble with a Cara milk flavorway. Well, you

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<v Speaker 2>know you don't like it. You don't like Cara milk.

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<v Speaker 2>The caramelk in the marble is called because it takes

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<v Speaker 2>away the absolute sacchereneness of the caramel. It's your favorite chocolate.

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<v Speaker 4>I don't have a favorite chocolate, but if I had

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<v Speaker 4>to pick, it would be no kick, no bounty or

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<v Speaker 4>tim tam if it had double the filling and less

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<v Speaker 4>of the biscuit.

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<v Speaker 2>Oh wait, double the coating.

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<v Speaker 4>No, double the filling like that Ganashi whipped moosey more

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<v Speaker 4>of that and then less of the biscuit between the

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<v Speaker 4>chocolate coating.

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<v Speaker 2>I don't think that exists.

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<v Speaker 4>Say yeah it doesn't because I thought double coat. I

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<v Speaker 4>just like herd double double filling. Double coat is not

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<v Speaker 4>what I want either.

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<v Speaker 2>I love the double coat. They're very satisfying.

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<v Speaker 1>I disagree Fleck and Foms.

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<v Speaker 2>I was perusing the gram but a few days ago

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<v Speaker 2>and one of my friends, he's a new friend, put

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<v Speaker 2>on his story a picture of him with an ice cream.

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<v Speaker 2>It was a Sunday, so he had little Sunday ice

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<v Speaker 2>cream moment. Great and I wanted to reply, oh my god,

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<v Speaker 2>that looks delicious, because he was saying he got Boys

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<v Speaker 2>and Berry and he said that Messina is better than

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<v Speaker 2>Peter Pipo.

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<v Speaker 3>What's Peter Pipo.

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<v Speaker 2>It's a Melbourne ice cream but small business, so they're

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<v Speaker 2>both fantastic. So Peter Pepper has this some like Ntella

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<v Speaker 2>stuff that they put over the top. That's warm, delicious,

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<v Speaker 2>and then click on the next slide. What is it?

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<v Speaker 2>It's the ice cream on the ground. He's dropped his

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<v Speaker 2>ice cream.

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<v Speaker 4>A shame, but it happens often. I see that on Instagram.

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<v Speaker 4>A lot more than you'd think.

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<v Speaker 2>It's like a bird shooting on you. But it doesn't

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<v Speaker 2>give you any good luck. No, So I replied to him,

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<v Speaker 2>Oh my god, I was excited for you. I'm so sorry. Yeah,

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<v Speaker 2>because he looked really it was like a pig and

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<v Speaker 2>shit in the first picture. He replied, Yeah, and the

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<v Speaker 2>guy that bought me that, the guy that knocked me

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<v Speaker 2>this was one of those. It was an attack, bought

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<v Speaker 2>me another one, but only brought me one scoop.

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<v Speaker 3>Aha, it's cutting caught that a dog behavior.

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<v Speaker 4>If you're knocking someone's whatever, they drink, their ice, their

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<v Speaker 4>food out of their hand, you have to double up.

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<v Speaker 4>It's you replace with interest. You don't just replace what

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<v Speaker 4>I lost, because what about the emotional impact of losing

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<v Speaker 4>it in the first place.

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<v Speaker 2>Embarrassment?

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<v Speaker 3>Many two scoops.

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<v Speaker 2>Add a little something, a little flake in it. Yeah,

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<v Speaker 2>so this is the perfect Am I the asshole in

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<v Speaker 2>real time art?

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<v Speaker 3>Next?

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<v Speaker 2>I want to know, does the guy is it the

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<v Speaker 2>guy's let's let's make it.

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<v Speaker 4>Yeah.

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<v Speaker 2>I don't think if you knock someone do you have

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<v Speaker 2>to buy them a drink or an ice cream? Do

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<v Speaker 2>you give them money? Or do you just say, look,

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<v Speaker 2>it's your fault.

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<v Speaker 4>And let's put some more parameters out there so people

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<v Speaker 4>can't be like, well, it just depends on the situation.

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<v Speaker 3>Shut up.

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<v Speaker 4>Parameters are you are you are walking down a main

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<v Speaker 4>road and you've knocked somebody's boost juice their little messina

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<v Speaker 4>because you were on your phone. Like if clearly you're

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<v Speaker 4>in the wrong, no two ways about it. It's it's

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<v Speaker 4>a shame it's happened, but it's on the floor. There's

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<v Speaker 4>no recovering it. You're looking at them, You're looking at

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<v Speaker 4>what you've done.

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<v Speaker 3>What is the next protocol?

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<v Speaker 2>Listen, I think that's pretty obvious. What about this one? Okay,

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<v Speaker 2>they walk into you accidentally, they don't on their phone.

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<v Speaker 2>They just like you just both bump each other, so

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<v Speaker 2>it's we don't know, it's a mutual Oh yeah, classic, classic.

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<v Speaker 4>I think depending on how upset they are, you know,

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<v Speaker 4>if immediately they're hitting you, you would like, oh god,

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<v Speaker 4>you know, then you definitely got to offer a little something,

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<v Speaker 4>you know, because it's gonna be a confrontation. If they're like, oh,

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<v Speaker 4>you know, it happens, it's so fine, they just leave

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<v Speaker 4>it because there's nothing worse than going back and forth.

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<v Speaker 4>Be like, oh, no, I'm gonna like no, no, no, no,

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<v Speaker 4>I'm not doing it. Okay, it's mutual, let's just let

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<v Speaker 4>it go.

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<v Speaker 2>See, I'm the opposite if they were really nice and

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<v Speaker 2>say listen, no more. If so, I'm gonna go get one.

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<v Speaker 2>Whereas if they're shitty with me, I'd say listen, I'm

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<v Speaker 2>sorry because they're already shitty. Oh okay, and I don't

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<v Speaker 2>want to go out of my way and buy them

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<v Speaker 2>two double deck of ice cream for them. You'd be

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<v Speaker 2>like yeah, thanks and still be shitty. I was in

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<v Speaker 2>a similar situation last weekend when mate my mates at

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<v Speaker 2>a bar and there was this new friend who literally

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<v Speaker 2>just got in from London, like he literally like a

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<v Speaker 2>long haul fly, and he sits down at the pub

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<v Speaker 2>and everybody wanted to leave because they're going to a gieg.

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<v Speaker 2>So my mate, who's friends of them, was like, go

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<v Speaker 2>have his beer. He's out having a cigarette, have his

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<v Speaker 2>beer because we're gonna leave. I sit down, I'm having

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<v Speaker 2>the beer. He comes in and goes, where's my beer?

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<v Speaker 4>You're knocking it back, and I look at the fact

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<v Speaker 4>that you took it as well. You didn't wait to

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<v Speaker 4>verify the information was true. You're like, oh yeah, it

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<v Speaker 4>seems about right.

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<v Speaker 2>They literally were just like, yeah, you have it, you

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<v Speaker 2>have it.

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<v Speaker 3>There, we're gonna go. And then so what happened. There

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<v Speaker 3>was a confrontation.

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<v Speaker 2>Oh my god, Oh my god, I'm sorry. And before that,

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<v Speaker 2>i'd introduced myself to him, like five minutes before before

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<v Speaker 2>he went out, and like I walked into the table

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<v Speaker 2>and I was we hung over, so I was like

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<v Speaker 2>acting weird. Yeah, you weren't giving and I was like,

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<v Speaker 2>oh my god, hey I'm Lucinda, and he kind of

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<v Speaker 2>looked at me like why are you just introducing yourself

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<v Speaker 2>to me?

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<v Speaker 3>I was already well, what do you mean? Is this

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<v Speaker 3>the social anxiety coming through?

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<v Speaker 5>No?

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<v Speaker 2>Na, No, it was a weird vibe.

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<v Speaker 4>Ah.

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<v Speaker 3>And then you drank his drinking make sure you really

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<v Speaker 3>didn't like me, And then what happened?

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<v Speaker 2>Then they went off for agig and I just said, look,

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<v Speaker 2>next time, I won't, I won't drink.

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<v Speaker 3>You drink next time. There was no next time, it's

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<v Speaker 3>too much. I can't. Yeah, yeah, you're silly, babe.

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<v Speaker 4>They set you up. I don't know that was a trap,

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<v Speaker 4>and I don't like set ups at all. So let

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<v Speaker 4>me fight those friends on behalf of you, just for

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<v Speaker 4>the principal's.

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<v Speaker 1>Sake, flex and frooms.

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<v Speaker 4>It has, in fact been a little while since I've

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<v Speaker 4>slandered the Internet's new favorite application, be Real. It is

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<v Speaker 4>not a social media app, they say, it's just a

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<v Speaker 4>little daily habit, a little critt rule to keep your

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<v Speaker 4>screen tim up. Now, we don't need to get into

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<v Speaker 4>the reasons why we like or dislike be Real. It

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<v Speaker 4>is second to the fact that when I logged onto

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<v Speaker 4>TikTok about I would say two weeks ago, now there

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<v Speaker 4>was a new feature, And TikTok always has new features.

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<v Speaker 4>Some of them bop, some of them don't. But I

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<v Speaker 4>usually don't pay attention because what am I trying to do?

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<v Speaker 4>And it was called the now tap. So at the

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<v Speaker 4>bottom where you can click your notifications, you're for you

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<v Speaker 4>page your friends only, it.

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<v Speaker 3>Says now, I'm thinking, what's that mean?

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<v Speaker 4>I click on to now and it literally has a

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<v Speaker 4>graphic that looks just like be real of the blurred background,

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<v Speaker 4>and then an icon that says post to view. And

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<v Speaker 4>if you don't know, the thing that really shoots me

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<v Speaker 4>about be Real is that in order to access content

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<v Speaker 4>that my friends have posted, I physically have to post

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<v Speaker 4>and I don't want to post more on the Internet

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<v Speaker 4>to engage with my own people. Now TikTok has the

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<v Speaker 4>same function where in order to view the posts of

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<v Speaker 4>your mutual friends who post this, now platform you have

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<v Speaker 4>to post something.

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<v Speaker 3>To which I said, where is the decorum?

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<v Speaker 4>Because back in the days, at least platforms would wait

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<v Speaker 4>a little while before they copied.

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<v Speaker 3>Now it's blatant. Now it's literally like, oh that's a

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<v Speaker 3>cute thing, let me steal that in three months. It's bizarre.

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<v Speaker 3>And to think you haven't are you still using? Be real?

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<v Speaker 5>You are?

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<v Speaker 4>Yeah, you got a little daily streak happening or no,

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<v Speaker 4>yeah do fascinating, But then you haven't in the TikTok update.

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<v Speaker 2>Nah, I don't go on TikTok that much.

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<v Speaker 3>Interesting.

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<v Speaker 2>Yeah, I probably go on TikTok once a week.

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<v Speaker 3>What, Yeah, you're interesting.

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<v Speaker 2>I haven't gotten addicted to it. It's quite nice. Actually,

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<v Speaker 2>yeah's a big sash.

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<v Speaker 3>As you know, yeah, as we know, we know, we

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<v Speaker 3>know the routine. But this is what I'm saying.

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<v Speaker 4>The thing, the great issue with the Internet is that

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<v Speaker 4>like trend cycles don't exist. Everything just reaches maximum optimization

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<v Speaker 4>and then dies. So you know, if you want to

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<v Speaker 4>post on social media. Let's give you an app with

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<v Speaker 4>the most advanced algorithm ever, and then you get sick

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<v Speaker 4>of it. Let's say you like a certain trend, Let's

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<v Speaker 4>make sure that trend is oversaturated, and then nobody wears it.

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<v Speaker 4>This is what's happening with be Real at the moment.

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<v Speaker 4>I think TikTok will be the demise of be Real,

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<v Speaker 4>not Instagram, because people thought when Instagram released it to

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<v Speaker 4>dual camera function, got'd be the great demise.

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<v Speaker 6>It was not.

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<v Speaker 4>TikTok, though, has a lot more power than Instagram does

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<v Speaker 4>in terms of deciding what is and is not cool.

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<v Speaker 4>Now TikTok is stolen, relatantly stolen the b real function.

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<v Speaker 4>I'm so sorry. I'm so sorry. Your days are numbered.

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<v Speaker 2>I am a purist and I really love what b

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<v Speaker 2>Real did. They came out of the gates, tried something new,

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<v Speaker 2>so I will continue to use their platform. I don't like.

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<v Speaker 2>I don't want random seeing my TikTok thing. I want

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<v Speaker 2>my friends.

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<v Speaker 4>Well this is I have used it, I haven't used it,

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<v Speaker 4>and again, like I would love another place on the internet.

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<v Speaker 3>No, you know what I want.

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<v Speaker 4>I don't want another place on the internet to hang

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<v Speaker 4>with my own friends. I already know where they are.

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<v Speaker 4>I want a place on the Internet where the algorithm

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<v Speaker 4>recommends me people that I'm bound to get along with,

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<v Speaker 4>who are in my vicinity. I want to see more

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<v Speaker 4>like minded people so I can expand my actual social networks,

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<v Speaker 4>not my fake Internet digital footprint like in real life

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<v Speaker 4>social networks. Oh you too, like Drake and Cafe Freeds

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<v Speaker 4>and and you know, chihuahuas meet and then we meet.

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<v Speaker 1>I guess, I guess this is Flex and frooms on Kada.

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<v Speaker 2>As always, I'm out in the community finding content for

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<v Speaker 2>our show, looking for little tiny things that I can

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<v Speaker 2>add and share with you Flex And this one comes

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<v Speaker 2>exactly from my bedroom.

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<v Speaker 3>The other day.

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<v Speaker 2>My housemate was hanging out with me in bed and

0:10:23.240 --> 0:10:26.480
<v Speaker 2>she said something really beautiful about when you are grieving

0:10:26.600 --> 0:10:30.240
<v Speaker 2>something and beat a relationship, a friend, a job, and

0:10:30.559 --> 0:10:34.559
<v Speaker 2>she gave this analogy. Like me, sometimes it's difficult to

0:10:34.600 --> 0:10:36.120
<v Speaker 2>get the thought out, I.

0:10:36.240 --> 0:10:39.760
<v Speaker 3>Don't say that. Well, we had to do it like

0:10:39.920 --> 0:10:41.280
<v Speaker 3>twice a bit of feedback.

0:10:43.080 --> 0:10:50.719
<v Speaker 6>So Lucinda and I are talking about heartbreak and one

0:10:50.760 --> 0:10:54.480
<v Speaker 6>of my friends gave me this really great analogy about

0:10:54.559 --> 0:10:58.640
<v Speaker 6>a box and the memory is a little ball and

0:10:59.720 --> 0:11:02.280
<v Speaker 6>your mind is a box and.

0:11:04.559 --> 0:11:06.120
<v Speaker 2>The ball never.

0:11:07.480 --> 0:11:09.520
<v Speaker 6>Changes, is what I miss.

0:11:10.080 --> 0:11:12.679
<v Speaker 3>I can't remember now I'm trying to say it.

0:11:12.800 --> 0:11:15.920
<v Speaker 2>Well, you said that the ball.

0:11:16.000 --> 0:11:16.280
<v Speaker 5>I love.

0:11:16.360 --> 0:11:18.560
<v Speaker 2>This is the inception of the voices of the ball.

0:11:18.960 --> 0:11:22.160
<v Speaker 2>The ball is like a piece of grief, and it's

0:11:22.240 --> 0:11:25.080
<v Speaker 2>in a box, and every time it hits the side

0:11:25.120 --> 0:11:26.280
<v Speaker 2>of the box, it hurts.

0:11:27.040 --> 0:11:29.760
<v Speaker 6>But then as you go on, the box gets bigger

0:11:30.040 --> 0:11:31.079
<v Speaker 6>because that's time.

0:11:31.520 --> 0:11:31.720
<v Speaker 2>Yeah.

0:11:31.880 --> 0:11:35.760
<v Speaker 6>Yeah, So the box gets bigger, and it means that

0:11:35.840 --> 0:11:37.959
<v Speaker 6>the ball hits the sides of the box less and

0:11:38.040 --> 0:11:41.959
<v Speaker 6>less often. And the ball doesn't change. And every time

0:11:42.040 --> 0:11:44.600
<v Speaker 6>the ball hits the side of the box it hurts,

0:11:44.760 --> 0:11:47.760
<v Speaker 6>but because the box is getting bigger, it hits the

0:11:47.840 --> 0:11:50.120
<v Speaker 6>side of the box less and less. Yeah.

0:11:51.720 --> 0:11:51.920
<v Speaker 5>Is that.

0:11:54.200 --> 0:11:54.720
<v Speaker 2>That's perfect?

0:11:55.320 --> 0:11:55.600
<v Speaker 3>Okay?

0:11:55.720 --> 0:11:59.160
<v Speaker 4>Christopher Nolan the new inception. I was hearing Bowl the

0:11:59.200 --> 0:12:00.959
<v Speaker 4>whole time. I was like, okay, so there's a bowl

0:12:01.160 --> 0:12:04.600
<v Speaker 4>in a box, so let me you know it makes sense.

0:12:05.040 --> 0:12:05.319
<v Speaker 3>Listen.

0:12:05.440 --> 0:12:07.199
<v Speaker 2>It was late at night when we're talking about this,

0:12:07.880 --> 0:12:09.520
<v Speaker 2>so the brain was ticking.

0:12:09.960 --> 0:12:12.520
<v Speaker 3>It always is. But but I like what you I

0:12:12.760 --> 0:12:13.959
<v Speaker 3>like the point. Yeah.

0:12:14.000 --> 0:12:17.280
<v Speaker 2>So it's talking about how things will always hurt, painful

0:12:17.280 --> 0:12:19.480
<v Speaker 2>things that have happened to you will always hurt, but

0:12:19.880 --> 0:12:21.319
<v Speaker 2>they hurt less.

0:12:21.440 --> 0:12:24.520
<v Speaker 4>Often, or perhaps it's not they're hurting less, but the

0:12:24.679 --> 0:12:28.120
<v Speaker 4>impact of them is perhaps less noticeable because you've had

0:12:28.240 --> 0:12:32.959
<v Speaker 4>time to like expand your mind, expand your life. You know,

0:12:33.960 --> 0:12:36.839
<v Speaker 4>She's like, because I think hurting less that you try

0:12:36.880 --> 0:12:39.400
<v Speaker 4>to quantify it, like how much does it hurt?

0:12:39.480 --> 0:12:40.240
<v Speaker 3>Is it makes me cry?

0:12:40.400 --> 0:12:43.600
<v Speaker 4>Still it might always make you cry, you know, does

0:12:43.720 --> 0:12:46.440
<v Speaker 4>make me you know reminisce. Well, it might always make

0:12:46.480 --> 0:12:48.800
<v Speaker 4>you reminisce. So then instead of being like how much

0:12:48.920 --> 0:12:51.839
<v Speaker 4>or how little, it's like it'll always just you just

0:12:51.880 --> 0:12:52.880
<v Speaker 4>won't think about it as much.

0:12:53.400 --> 0:12:56.840
<v Speaker 2>Just how often I really thought it's beautiful?

0:12:57.120 --> 0:12:57.840
<v Speaker 3>It is beautiful?

0:12:58.000 --> 0:13:00.600
<v Speaker 4>So whereas who whose concept is this? It came from

0:13:00.600 --> 0:13:02.880
<v Speaker 4>a friend of a friend. Yeah, not us, spreading rumors.

0:13:02.920 --> 0:13:04.800
<v Speaker 4>We always to A friend of mine told me that

0:13:04.840 --> 0:13:08.040
<v Speaker 4>a friend said so, never referencing the original people.

0:13:08.840 --> 0:13:10.760
<v Speaker 3>Literally, have we found this person?

0:13:10.840 --> 0:13:11.040
<v Speaker 5>Yeah?

0:13:11.120 --> 0:13:13.439
<v Speaker 2>I was with nipple story the woman who told me

0:13:13.600 --> 0:13:17.959
<v Speaker 2>it on Friday night, and she's still insistent that it's

0:13:17.960 --> 0:13:18.559
<v Speaker 2>a real person.

0:13:18.880 --> 0:13:21.360
<v Speaker 3>Yeah, but you would if you're the person who we

0:13:21.440 --> 0:13:23.440
<v Speaker 3>can who we can tie the room about.

0:13:23.720 --> 0:13:25.000
<v Speaker 2>She doesn't want it to be her though, because she

0:13:25.080 --> 0:13:28.280
<v Speaker 2>had mad anxiety that like she told someone else's story.

0:13:29.080 --> 0:13:31.640
<v Speaker 4>Oh yeah, well I did ask you about this, whether

0:13:31.720 --> 0:13:35.920
<v Speaker 4>or not you feel like the people, whether or not

0:13:36.120 --> 0:13:38.960
<v Speaker 4>you threw me feel like the people who you talk

0:13:39.040 --> 0:13:40.400
<v Speaker 4>about and their stories.

0:13:40.960 --> 0:13:42.000
<v Speaker 3>Fuck, I can't even phrase this.

0:13:42.240 --> 0:13:43.760
<v Speaker 2>I know what you mean, Like, if I'm going to

0:13:43.840 --> 0:13:45.040
<v Speaker 2>rush about someone, if you're going.

0:13:45.000 --> 0:13:46.560
<v Speaker 4>To write or speak on behalf of someone, are they

0:13:46.600 --> 0:13:49.720
<v Speaker 4>prepared for the story exceeding you and your personal network

0:13:49.760 --> 0:13:52.400
<v Speaker 4>and then reaching the hand and the minds and the

0:13:52.480 --> 0:13:54.880
<v Speaker 4>brains of random people who don't have the context.

0:13:55.080 --> 0:13:57.640
<v Speaker 2>And you know what I mean, that's part of being

0:13:57.960 --> 0:14:00.760
<v Speaker 2>an artist. And I've told you previously. I once spoke

0:14:00.760 --> 0:14:04.880
<v Speaker 2>to Becky Lucas on my newsletter really fantastic comedian, successful

0:14:04.880 --> 0:14:07.840
<v Speaker 2>Australian comedian, and she I asked her, you know, because

0:14:07.840 --> 0:14:10.040
<v Speaker 2>she wrote a book and it's about people. It's called

0:14:10.760 --> 0:14:13.520
<v Speaker 2>Acknowledgments by Becky Lucas. It's a colorful boy where she

0:14:13.679 --> 0:14:17.040
<v Speaker 2>thanks people for certain lessons that they've given her own life.

0:14:17.080 --> 0:14:19.920
<v Speaker 2>And she she's like, you know, that's part of art.

0:14:20.640 --> 0:14:23.280
<v Speaker 2>It's doctoring people her words.

0:14:24.960 --> 0:14:27.440
<v Speaker 4>Look, maybe it is, but I find that the more

0:14:27.480 --> 0:14:29.480
<v Speaker 4>time I hang on the internet, the less I want

0:14:29.560 --> 0:14:33.560
<v Speaker 4>to share because I used to be really naive about

0:14:33.600 --> 0:14:35.800
<v Speaker 4>the internet being a safe place. I was just like,

0:14:35.880 --> 0:14:38.080
<v Speaker 4>I don't know, when you're self interested, you don't really

0:14:38.080 --> 0:14:39.640
<v Speaker 4>think about what happens outside of the way you see

0:14:39.640 --> 0:14:41.920
<v Speaker 4>the world, right, So I was like, it's fine. Everything

0:14:42.040 --> 0:14:45.160
<v Speaker 4>I say do express on the internet is being received

0:14:45.200 --> 0:14:47.080
<v Speaker 4>as intended because I mean it to be that way.

0:14:47.640 --> 0:14:50.080
<v Speaker 4>And then one or two times you get misunderstood and

0:14:50.120 --> 0:14:51.920
<v Speaker 4>it kind of hurts you, like whatever, And then one

0:14:52.000 --> 0:14:53.800
<v Speaker 4>or two times you tell a story on behalf of

0:14:53.840 --> 0:14:57.320
<v Speaker 4>somebody else, or you share information where the stakes are

0:14:57.360 --> 0:14:59.840
<v Speaker 4>so low for you, not considering that it's high for

0:15:00.080 --> 0:15:03.160
<v Speaker 4>them because they're not built to withstand it all. There's

0:15:03.240 --> 0:15:07.160
<v Speaker 4>no incentive to withstand the critique and you know, the

0:15:07.320 --> 0:15:10.480
<v Speaker 4>observations and all that stuff. So I think it's fascinating.

0:15:10.520 --> 0:15:14.560
<v Speaker 4>But in this instance, the heartbreak grief thing is fascinating.

0:15:15.240 --> 0:15:16.200
<v Speaker 2>Do you like the analogy?

0:15:16.360 --> 0:15:19.120
<v Speaker 4>I like the analogy a lot because I used to

0:15:20.280 --> 0:15:24.240
<v Speaker 4>be really detached, bitch over emotional family.

0:15:24.600 --> 0:15:25.160
<v Speaker 2>It is what it is.

0:15:25.800 --> 0:15:27.960
<v Speaker 4>And then I started feeling my feelings after therapy, and

0:15:28.000 --> 0:15:30.000
<v Speaker 4>I was like, you people do this all the time.

0:15:30.240 --> 0:15:33.680
<v Speaker 3>Because everything hurts. Why everything gotta hurt?

0:15:34.320 --> 0:15:37.520
<v Speaker 4>The life I was living beforehand, from zero to twenty

0:15:37.720 --> 0:15:41.400
<v Speaker 4>four A breeze, a breeze, because I was like nothing,

0:15:41.560 --> 0:15:45.040
<v Speaker 4>I feel nothing. Everything is like the same amount of

0:15:45.160 --> 0:15:47.040
<v Speaker 4>nothing that's in the best way possible, and like everything

0:15:47.120 --> 0:15:50.560
<v Speaker 4>is good, nothing bad ever happens. My luck is amazing.

0:15:50.840 --> 0:15:53.560
<v Speaker 4>And then I turn twenty five and I get humbled.

0:15:54.120 --> 0:15:57.360
<v Speaker 4>I'm like, damn, the world is really scary. And then

0:15:57.400 --> 0:15:59.600
<v Speaker 4>you gotta live with the things you've felt. You can't

0:15:59.640 --> 0:16:00.560
<v Speaker 4>just press them.

0:16:00.880 --> 0:16:03.760
<v Speaker 3>Yeah it hurts, Yeah, it's not for me, Bob.

0:16:05.600 --> 0:16:08.200
<v Speaker 1>This is flex and frooms on Kita.

0:16:08.480 --> 0:16:10.000
<v Speaker 2>It is the summer of getting near it.

0:16:10.080 --> 0:16:10.760
<v Speaker 3>What does that mean?

0:16:10.800 --> 0:16:15.320
<v Speaker 2>Everybody asks, It means going out flirting, going near the

0:16:15.600 --> 0:16:18.680
<v Speaker 2>person that you attracted to, giving off a sexy vibe because,

0:16:18.760 --> 0:16:20.920
<v Speaker 2>as they know, when you get near it, you get

0:16:20.960 --> 0:16:21.680
<v Speaker 2>even closer to it.

0:16:22.120 --> 0:16:24.960
<v Speaker 4>I would also say getting near it is just prioritizing

0:16:25.080 --> 0:16:27.920
<v Speaker 4>pleasure and leisure and ease, whatever that looks like for

0:16:28.080 --> 0:16:29.520
<v Speaker 4>you in your current predicament.

0:16:29.840 --> 0:16:33.600
<v Speaker 2>Do that fantastic facts a bit of a gear change.

0:16:34.720 --> 0:16:38.480
<v Speaker 2>But the other day I was out at Cafe Freighters

0:16:38.680 --> 0:16:41.520
<v Speaker 2>Now their dinner before going to Groove Armada. I will

0:16:41.640 --> 0:16:43.640
<v Speaker 2>say I spent ten minutes with Groove Armada, went home

0:16:44.080 --> 0:16:45.560
<v Speaker 2>really had a tummy ache.

0:16:45.840 --> 0:16:48.800
<v Speaker 3>Really, yeah, you got a power through na.

0:16:48.920 --> 0:16:49.560
<v Speaker 2>It wasn't good.

0:16:51.040 --> 0:16:52.600
<v Speaker 3>Wasn't good? Or the tummy ache. Look, it wasn't good.

0:16:52.720 --> 0:16:54.440
<v Speaker 2>The tummy ache wasn't good. And when I was there,

0:16:54.560 --> 0:16:57.120
<v Speaker 2>the sound was really low. But then when I left,

0:16:57.160 --> 0:16:59.040
<v Speaker 2>they turned it up and the vibe kicked up a notch.

0:17:00.400 --> 0:17:03.360
<v Speaker 3>Did you pay to go? Yeah? Whoa, and you gave

0:17:03.440 --> 0:17:04.080
<v Speaker 3>it easily.

0:17:05.040 --> 0:17:09.280
<v Speaker 2>Yeah, I'm in my frivolous spending era. Yeah, I'm like you,

0:17:09.680 --> 0:17:12.000
<v Speaker 2>frivol spending on social outings just because I want to

0:17:12.400 --> 0:17:14.840
<v Speaker 2>push myself to go. But also if I'm not feeling it,

0:17:14.880 --> 0:17:16.760
<v Speaker 2>I'm not feeling it or I've already spent the money.

0:17:16.760 --> 0:17:18.560
<v Speaker 3>Who did you go with? Were they find with you leaving?

0:17:19.080 --> 0:17:19.280
<v Speaker 5>Yeah?

0:17:20.000 --> 0:17:20.400
<v Speaker 6>Like four?

0:17:20.800 --> 0:17:21.520
<v Speaker 2>Like eight mates?

0:17:21.840 --> 0:17:23.520
<v Speaker 3>Oh okay, so you're just like the odd one out.

0:17:23.680 --> 0:17:24.760
<v Speaker 3>Yeah they were happy to have you go.

0:17:25.240 --> 0:17:30.040
<v Speaker 2>Yeah, very keen. Actually, But at the dinner I was

0:17:30.080 --> 0:17:33.320
<v Speaker 2>talking to one friend whose sister has had a baby.

0:17:34.280 --> 0:17:36.920
<v Speaker 2>God knows how we got here, but apparently when you

0:17:37.000 --> 0:17:40.359
<v Speaker 2>get pregnant, your bush grows back. If you had laser,

0:17:41.200 --> 0:17:44.600
<v Speaker 2>if you don't know. Laser hair removal is a technique

0:17:45.000 --> 0:17:49.639
<v Speaker 2>where a laser is Yeah, a laser is directed right

0:17:49.720 --> 0:17:54.239
<v Speaker 2>into your pussoirs. Oh, the LaBier majurer. If we want

0:17:54.280 --> 0:17:56.680
<v Speaker 2>to get technical, we do. It's important to name you

0:17:56.720 --> 0:17:59.640
<v Speaker 2>of a jewels. Yeah, we do. It's not little what else?

0:17:59.720 --> 0:18:05.119
<v Speaker 2>People call it muffin muffin. You can use your imagination

0:18:05.800 --> 0:18:07.680
<v Speaker 2>so as somebody would laser.

0:18:08.440 --> 0:18:09.000
<v Speaker 3>Oh okay.

0:18:09.560 --> 0:18:11.960
<v Speaker 2>There's sometimes times where I wish that I had not

0:18:12.000 --> 0:18:14.520
<v Speaker 2>gotten rid of the bush. Oh okay. I'm getting older

0:18:14.520 --> 0:18:18.000
<v Speaker 2>now and I'm realizing perhaps having a completely hair free

0:18:18.080 --> 0:18:20.520
<v Speaker 2>situation down there isn't actually the life I want to

0:18:20.520 --> 0:18:24.040
<v Speaker 2>live anymore. I have always liked, in terms of looks,

0:18:24.640 --> 0:18:27.919
<v Speaker 2>the synergy and symmetry of a woman.

0:18:27.720 --> 0:18:28.200
<v Speaker 1>With a bush.

0:18:28.440 --> 0:18:30.200
<v Speaker 2>Yeah, because you got the two nipples and then the

0:18:30.240 --> 0:18:31.719
<v Speaker 2>bush in the middle. It's a triangle and it can

0:18:31.760 --> 0:18:34.480
<v Speaker 2>be quite nice. It's good for balance, it's really nice

0:18:34.480 --> 0:18:35.040
<v Speaker 2>for balance.

0:18:35.880 --> 0:18:37.479
<v Speaker 3>But obviously you're gona have a kid just to get

0:18:37.520 --> 0:18:38.080
<v Speaker 3>your bush back.

0:18:40.160 --> 0:18:41.920
<v Speaker 2>But what I did is I message a friend of

0:18:41.960 --> 0:18:44.639
<v Speaker 2>mine who's pregnant actually, and who's also a midwife, so

0:18:44.720 --> 0:18:46.760
<v Speaker 2>she sees forgets all the time, and.

0:18:46.800 --> 0:18:48.000
<v Speaker 3>She's just that we need to name it.

0:18:48.080 --> 0:18:56.760
<v Speaker 2>And apparently it's not true. Oh because like certain when

0:18:56.800 --> 0:19:00.600
<v Speaker 2>you have certain hormones, certain things happen to your hair. Like,

0:19:00.680 --> 0:19:02.240
<v Speaker 2>for example, my mom had cancer when I was in

0:19:02.359 --> 0:19:02.840
<v Speaker 2>high school.

0:19:03.119 --> 0:19:06.280
<v Speaker 3>Same really yeah, breast, yeah, sleigh.

0:19:07.640 --> 0:19:09.479
<v Speaker 2>We are so much in co that moms are okay, now,

0:19:09.680 --> 0:19:11.840
<v Speaker 2>yeah they are. My mom got chemos so all her

0:19:11.880 --> 0:19:16.040
<v Speaker 2>hair was gone. Oh my god. Really I sometimes mom

0:19:16.119 --> 0:19:17.480
<v Speaker 2>would sleep in my bed and had to wake up

0:19:17.520 --> 0:19:19.600
<v Speaker 2>in the middle of the night she had no hair,

0:19:19.640 --> 0:19:22.880
<v Speaker 2>and like freak out, thinking it was a little gremlin

0:19:22.960 --> 0:19:26.440
<v Speaker 2>in my bed. Anyway, she took it very well, and

0:19:26.520 --> 0:19:29.920
<v Speaker 2>when her hair grew back, it grew back like fool ringlets,

0:19:30.640 --> 0:19:33.879
<v Speaker 2>like a curly, curly hair, and she'd always had like

0:19:34.040 --> 0:19:35.080
<v Speaker 2>straight hair.

0:19:35.960 --> 0:19:38.000
<v Speaker 3>Humans are weird that so I have to say about it.

0:19:38.080 --> 0:19:39.840
<v Speaker 2>We get to see if the bush will come back

0:19:39.960 --> 0:19:42.639
<v Speaker 2>when I do create a human in my stomach.

0:19:44.119 --> 0:19:48.320
<v Speaker 4>Solo project. You're incubating on your own when you create

0:19:48.359 --> 0:19:50.280
<v Speaker 4>a human. Keep us posted. I'd love to know how

0:19:50.320 --> 0:19:52.399
<v Speaker 4>that goes for you. And up until then, there are

0:19:52.440 --> 0:19:55.879
<v Speaker 4>things that you can get. There are exactly as if

0:19:55.920 --> 0:19:57.680
<v Speaker 4>any lace front bush.

0:19:58.080 --> 0:20:00.200
<v Speaker 2>Simulators, oh really they're lace front.

0:20:00.200 --> 0:20:01.000
<v Speaker 3>You can get lace front one.

0:20:01.080 --> 0:20:01.959
<v Speaker 2>Yeah, how do they attach?

0:20:02.640 --> 0:20:05.000
<v Speaker 4>Well, you use glue like you would a lace front wig,

0:20:06.440 --> 0:20:08.120
<v Speaker 4>so it looks really beautiful and seamless.

0:20:08.920 --> 0:20:11.040
<v Speaker 2>I might try it. Yeah, that's genius.

0:20:11.160 --> 0:20:12.320
<v Speaker 3>It is, Oh my god.

0:20:12.400 --> 0:20:14.040
<v Speaker 2>Okay, I've always thought they were a joke because on

0:20:14.200 --> 0:20:15.600
<v Speaker 2>Row of Live Fucking I was a kid the so

0:20:15.680 --> 0:20:17.080
<v Speaker 2>joke about mercant So it's real.

0:20:17.119 --> 0:20:17.840
<v Speaker 3>It's very real.

0:20:18.280 --> 0:20:20.480
<v Speaker 4>Honestly, nothing is a joke if you really think about it.

0:20:21.000 --> 0:20:24.760
<v Speaker 4>Just lies told in various tones of voice. I mean truths.

0:20:26.280 --> 0:20:27.600
<v Speaker 2>Jokes are truths on they here, aren't they?

0:20:27.800 --> 0:20:27.919
<v Speaker 6>Now?

0:20:27.960 --> 0:20:30.200
<v Speaker 2>If you're listening and your bush has grown back after

0:20:30.320 --> 0:20:33.359
<v Speaker 2>having a child, please DM me at froom so three o's.

0:20:33.800 --> 0:20:34.720
<v Speaker 2>I need to hear your story.

0:20:34.840 --> 0:20:37.720
<v Speaker 1>You're listening to flex and frooms. OK.

0:20:38.200 --> 0:20:38.480
<v Speaker 2>For me?

0:20:38.680 --> 0:20:42.119
<v Speaker 4>Is yawning? Somebody talks your energy out of you? Is

0:20:42.160 --> 0:20:45.040
<v Speaker 4>it the poltergeist? Potentially? Are you coming into your powers?

0:20:45.119 --> 0:20:47.720
<v Speaker 2>Maybe dreams? I'm gonna go have one for myself. Who've

0:20:47.720 --> 0:20:48.240
<v Speaker 2>inspired me?

0:20:48.920 --> 0:20:49.639
<v Speaker 1>Join me, babes.

0:20:49.640 --> 0:20:51.639
<v Speaker 3>I'm telling you we could sync up all right.

0:20:52.920 --> 0:20:56.240
<v Speaker 4>We are talking to world renowned psychic media Marina d

0:20:56.800 --> 0:21:01.280
<v Speaker 4>about dreams and dream interpretations. Just before hand, I went

0:21:01.359 --> 0:21:04.000
<v Speaker 4>to my Instagram story and asked people have followed me

0:21:04.119 --> 0:21:05.720
<v Speaker 4>what questions they want to have asked?

0:21:05.840 --> 0:21:06.800
<v Speaker 3>And it's very interesting.

0:21:07.080 --> 0:21:10.080
<v Speaker 4>I feel like what people keep to themselves unless they're

0:21:10.119 --> 0:21:13.200
<v Speaker 4>given the permission to share. Because I was like, babes,

0:21:13.280 --> 0:21:15.440
<v Speaker 4>this feels like you should go to therapy for this one.

0:21:15.560 --> 0:21:17.920
<v Speaker 4>This doesn't feel like a you know, a five minute

0:21:18.000 --> 0:21:21.000
<v Speaker 4>chit chat with Marina's gonna help you. But nonetheless, I

0:21:21.119 --> 0:21:24.880
<v Speaker 4>appreciate all openness in all forms, and I do think

0:21:25.200 --> 0:21:27.240
<v Speaker 4>that by the end of this conversation we're gonna have

0:21:27.400 --> 0:21:30.600
<v Speaker 4>actual actionable tasks to.

0:21:30.680 --> 0:21:31.600
<v Speaker 3>Do when we get to bed.

0:21:32.400 --> 0:21:32.919
<v Speaker 2>I hope so.

0:21:35.920 --> 0:21:40.760
<v Speaker 3>Speak Marina. It's flex and through me. Hi, how are

0:21:40.840 --> 0:21:42.359
<v Speaker 3>you so good?

0:21:42.680 --> 0:21:45.919
<v Speaker 4>It's not every day we get a world renowned psychic

0:21:46.040 --> 0:21:49.000
<v Speaker 4>medium on the phone, but we're glad you're taking the

0:21:49.080 --> 0:21:51.360
<v Speaker 4>time out because we have questions that need answers.

0:21:52.200 --> 0:21:52.919
<v Speaker 5>Yeah, it's a.

0:21:55.520 --> 0:21:56.119
<v Speaker 3>Phenomenal.

0:21:56.280 --> 0:21:58.920
<v Speaker 2>We feel good today. I keep having dreams about my

0:21:59.040 --> 0:22:01.000
<v Speaker 2>mum betraying me. Every time I have a dream and

0:22:01.080 --> 0:22:03.720
<v Speaker 2>my mom's in it, she's either like running away from

0:22:03.760 --> 0:22:06.560
<v Speaker 2>me or she's done something that is betraying me, like

0:22:06.680 --> 0:22:10.280
<v Speaker 2>quite hurtful. But in the real world, we've never had

0:22:10.320 --> 0:22:13.600
<v Speaker 2>a fight. She always does everything for me and we're very,

0:22:13.800 --> 0:22:16.240
<v Speaker 2>very very close, So I'm trying to figure out why

0:22:16.480 --> 0:22:18.479
<v Speaker 2>in all of my dreams she's betraying me and I'm

0:22:18.520 --> 0:22:19.320
<v Speaker 2>getting angry at her.

0:22:19.480 --> 0:22:22.720
<v Speaker 5>It doesn't always necessarily mean it's about the mom, though.

0:22:23.040 --> 0:22:27.080
<v Speaker 5>It could just be through what she's feeling herself, that

0:22:27.240 --> 0:22:31.240
<v Speaker 5>she might be going through something herself. But usually when

0:22:31.280 --> 0:22:34.440
<v Speaker 5>a betrayal comes through a dream means it's something that

0:22:34.600 --> 0:22:37.479
<v Speaker 5>you could be secure about or something that you need

0:22:37.560 --> 0:22:41.520
<v Speaker 5>to change in your life. It's not necessarily about the mum.

0:22:41.960 --> 0:22:44.399
<v Speaker 5>It can also be that the mom needs to do

0:22:44.600 --> 0:22:46.160
<v Speaker 5>some changes in her life.

0:22:46.480 --> 0:22:50.840
<v Speaker 4>Wow, Okay, we are already making it happen. Is there

0:22:51.160 --> 0:22:54.520
<v Speaker 4>or are there some fail safe ways for everybody to

0:22:54.640 --> 0:22:57.080
<v Speaker 4>interpret their dream If you track them and.

0:22:57.160 --> 0:22:59.840
<v Speaker 5>If you go back on your dreams, say for example,

0:23:00.440 --> 0:23:03.880
<v Speaker 5>maybe three months back, we see things have either happened

0:23:04.600 --> 0:23:07.959
<v Speaker 5>or that they're warned you about things. You'll start realizing

0:23:08.080 --> 0:23:11.200
<v Speaker 5>what your symbols can repeat in your dreams as well

0:23:11.359 --> 0:23:14.320
<v Speaker 5>that you can learn then how to give yourself a reading.

0:23:14.600 --> 0:23:15.199
<v Speaker 3>Fascinating.

0:23:15.560 --> 0:23:18.639
<v Speaker 4>I had a few questions in here from people I

0:23:18.720 --> 0:23:21.320
<v Speaker 4>asked on Instagram what they wanted me to ask you.

0:23:22.040 --> 0:23:25.600
<v Speaker 4>One of the most prominent questions is should I be

0:23:25.760 --> 0:23:29.040
<v Speaker 4>looking for how I'm feeling when I'm dreaming to interpret

0:23:29.080 --> 0:23:30.960
<v Speaker 4>what's happening or what I'm seeing.

0:23:31.480 --> 0:23:35.239
<v Speaker 5>So it's what you're seeing depends on the dream as well,

0:23:35.240 --> 0:23:38.440
<v Speaker 5>because sometimes you can actually have an out of body experience,

0:23:38.480 --> 0:23:41.119
<v Speaker 5>which happens to me. Now this can be with me

0:23:41.320 --> 0:23:44.840
<v Speaker 5>where I do a bit of work with investigations and stuff.

0:23:44.880 --> 0:23:47.040
<v Speaker 5>I'm trying to find an item and be with the

0:23:47.119 --> 0:23:49.960
<v Speaker 5>police as well that I actually go out of my

0:23:50.119 --> 0:23:54.000
<v Speaker 5>body with the dream. So I'm visualizing that I can

0:23:54.080 --> 0:23:57.080
<v Speaker 5>be feeling things as well, So you both you take

0:23:57.200 --> 0:23:58.160
<v Speaker 5>both in account.

0:23:58.520 --> 0:24:02.080
<v Speaker 3>WHOA Okay, another one? Why do we dream?

0:24:02.359 --> 0:24:04.960
<v Speaker 5>I can just go on a spiritual path that I

0:24:05.160 --> 0:24:07.679
<v Speaker 5>feel like going by what I get through my dreams

0:24:07.680 --> 0:24:10.200
<v Speaker 5>and the readings that I get for myself, my kids,

0:24:10.320 --> 0:24:13.119
<v Speaker 5>or even for clients that they come through to be

0:24:13.240 --> 0:24:15.240
<v Speaker 5>able to give us some kind of guidance.

0:24:15.920 --> 0:24:16.360
<v Speaker 3>Amazing.

0:24:16.840 --> 0:24:19.720
<v Speaker 4>Jess wants to know why do we have reoccurring dreams

0:24:19.760 --> 0:24:22.400
<v Speaker 4>with the same people and the same storyline over years.

0:24:22.760 --> 0:24:25.640
<v Speaker 5>Yeah, because you haven't learned the lesson from that person.

0:24:25.760 --> 0:24:28.880
<v Speaker 5>There's something that you haven't brought closure to as well.

0:24:29.480 --> 0:24:33.440
<v Speaker 5>Things will repeat themselves, not just in dreams, but also

0:24:33.640 --> 0:24:37.359
<v Speaker 5>in reality until you learn the lesson or that you

0:24:37.520 --> 0:24:40.720
<v Speaker 5>take that message of what you need to learn from it.

0:24:42.280 --> 0:24:42.560
<v Speaker 3>Okay.

0:24:42.760 --> 0:24:46.520
<v Speaker 4>Talia wants to know can we influence what we dream about?

0:24:47.000 --> 0:24:49.760
<v Speaker 4>She'd prefer to have fun dreams and not nightmares.

0:24:50.640 --> 0:24:53.560
<v Speaker 5>No, no, it's all in the self conscience mind what

0:24:53.720 --> 0:24:55.600
<v Speaker 5>needs to be delivered, all right?

0:24:55.880 --> 0:24:57.040
<v Speaker 3>And Tiana wants to know.

0:24:57.440 --> 0:24:59.560
<v Speaker 4>Is it true that when you dream of someone it's

0:24:59.600 --> 0:25:01.360
<v Speaker 4>because they were thinking of you recently?

0:25:01.920 --> 0:25:05.520
<v Speaker 5>There can be a telepastic yes, can be?

0:25:06.359 --> 0:25:08.040
<v Speaker 3>Can we put a percentage to that? Is that like

0:25:08.119 --> 0:25:08.720
<v Speaker 3>every time?

0:25:10.000 --> 0:25:11.000
<v Speaker 2>Not every time?

0:25:11.240 --> 0:25:14.239
<v Speaker 5>No, you can be so. For example, if you've had

0:25:14.280 --> 0:25:17.480
<v Speaker 5>a dream about someone and they call you the next

0:25:17.600 --> 0:25:20.240
<v Speaker 5>day or they text you that day, so that could

0:25:20.280 --> 0:25:22.960
<v Speaker 5>be obviously they've been thinking about you. But if you

0:25:23.040 --> 0:25:25.480
<v Speaker 5>get a dream and they don't call, you, don't text,

0:25:25.520 --> 0:25:28.360
<v Speaker 5>you don't hear from them. No, not necessarily all the time.

0:25:28.760 --> 0:25:32.880
<v Speaker 3>Okay, thank you so much, Marina, Thanks Saka.

0:25:32.640 --> 0:25:33.560
<v Speaker 5>Not a problem guy.

0:25:34.640 --> 0:25:37.200
<v Speaker 1>You've been listening to the Flex and Frooms Daily podcast.

0:25:37.400 --> 0:25:41.360
<v Speaker 1>For more, tune edict on DAB or stream it on iHeartRadio.