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Speaker 1: The Chris Jian O'Connell Breakfast Show Podcast, Melbourn's Gold one

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Speaker 1: oh four point three Live from Level two, twenty one

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Speaker 1: to thirty one, good Wood Street, Wrichmen.

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Speaker 2: This is the Chris.

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Speaker 1: Jian o'condinal Breakfast Show on Melbourn's Gold one oh four

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Speaker 1: point three.

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Speaker 2: Good morning, as to Christian O'Connor Breakfast Show Thursday morning,

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Speaker 2: four minutes past six on today's show. Then Patsy, you

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Speaker 2: went three without getting anything. I'm seven. She got how

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Speaker 2: many right? Jack? One question right out of seven? We're

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Speaker 2: talking about the Brian Adams quiz. When Patsy's Brian Adams tickets.

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Speaker 2: Pats has told us led us to believe she's a

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Speaker 2: massive Brian Adams fan. We build a quiz around it.

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Speaker 2: We thought this gon to be embarrassing. We probably won't

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Speaker 2: even get three shows out of it because pats will

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Speaker 2: win it on day one. Didn't win it day one

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Speaker 2: day till day three. Just all you actually guess fifty

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Speaker 2: to fifty chants real Mad Adams lyrics?

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Speaker 3: One out of seven? What do you say on against you?

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Speaker 4: I didn't guess the right answer.

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Speaker 3: Is, but it's against you. Odds are the same for

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Speaker 3: everyone playing, aren't they.

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Speaker 4: Yeah, I think the tone of your voice is different.

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Speaker 5: To fifty fifty. Honestly, it couldn't be more.

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Speaker 2: Even listen, we know that she's wabbled.

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Speaker 3: She's already having a problem about the tone of my voice.

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Speaker 2: What have you got some sort of tone analyzer there

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Speaker 2: from the FBI sitting in my studio. So listen, I'm

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Speaker 2: trying to build. I've come back today. Don't worry about

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Speaker 2: the last three awful melting. Don't worry about those collapses.

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Speaker 4: Well, we've got a different.

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Speaker 2: Don't worry about those collapses you get in the tone

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Speaker 2: of my voice. Now, I've got your brand new choice.

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Speaker 2: Because you said that you always look for you, you always

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Speaker 2: smash Jack in the Facebook market based game. The price

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Speaker 2: is right, I've built one around that about Brian Adams tag.

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Speaker 2: This is your wheelhouse. You will be taking a listener

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Speaker 2: on at seven thirty Pats, But this is in your wheelhouse.

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Speaker 5: Okay, I've got it, and.

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Speaker 2: I'm afraid there are no more games I can build

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Speaker 2: for you. It's this. It is this and only this,

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Speaker 2: and we're not going to play it part two tomorrow.

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Speaker 2: It's all on this, all right, my lifeline.

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Speaker 3: All right?

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Speaker 2: So go for it this morning at seventh thirty, will

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Speaker 2: be yesterday evening. Then it was the opening night of

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Speaker 2: my twelve year old daughter's school production of Aladdin.

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Speaker 3: Well, the play was was brilliant.

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Speaker 2: My wife to put the tickets, so she's going Saturday

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Speaker 2: night with a couple of the moms. So I went

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Speaker 2: last time. My wife had put the tickets. As a

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Speaker 2: walking in this little theater. I think an A three.

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Speaker 2: She really hasn't a three. Now it is front row,

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Speaker 2: this middle of the it's right in the middle of

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Speaker 2: the stage. Yeah, right from their thumbs up. When she

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Speaker 2: comes on stage. My daughter looks horrified. The old man

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Speaker 2: sat and I look at her, trying to convey meaning

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Speaker 2: with my eyes. I didn't got the ticket, have that.

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Speaker 2: I don't want to be here, but I am here.

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Speaker 2: We're just going to have to deal with me being this.

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Speaker 2: I'm actually I could easily just reached out as little

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Speaker 2: Patado and No.

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Speaker 3: They were all brilliant.

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Speaker 2: The kids were amazing, really really great. All all the

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Speaker 2: songs were really good. Although I did miss her, I don't.

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Speaker 2: I thought it was like an Australian version of Aladdin.

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Speaker 3: I thought it was.

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Speaker 2: One of the songs that were singing about Billy Ali

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Speaker 2: Prince Aally. I said, you know, they obviously astralize it

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Speaker 2: and make it. Yeah, you know Billy Alia, she's got

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Speaker 2: the old lady. He's got a lamp home mate. So

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Speaker 2: I said, my daughter.

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Speaker 3: They changed the lyrics then to Billy Arlie and she's like, what.

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Speaker 2: Do you want about Billy Arli? She's got Prince.

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Speaker 3: Ari google it.

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Speaker 2: So, yeah, I didn't know. I thought it was Billy

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Speaker 2: Arlie they were singing about.

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Speaker 5: But even the movie version, what did you think that was?

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Speaker 6: Well?

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Speaker 2: I knew that was Prince but I thought, I know,

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Speaker 2: you know, you kind of have a bit fun with

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Speaker 2: the language over here.

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Speaker 5: A problem Prince aly.

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Speaker 3: It now.

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Speaker 2: But all these kids, they worked so hard, Pats, Yeah, no,

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Speaker 2: it was this back on there tonight and the rest

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Speaker 2: of the kids, and tomorrow night and that Saturday night

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Speaker 2: as well.

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Speaker 5: And they said you said it, Pharo. Of the set,

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Speaker 5: it looked amazing.

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Speaker 3: Not there was no wobbly set.

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Speaker 2: I remember going to see what's it called Lushaw Horrors

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Speaker 2: last year. The set fell on this kid.

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Speaker 3: Actually the wall just fell on him.

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Speaker 2: He had to hold it a one hand and carry

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Speaker 2: on with his lines while the drama teacher legged it

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Speaker 2: from behind some sort of sound desk and making repairs

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Speaker 2: to it.

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Speaker 3: They were all great.

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Speaker 2: It was a ten out of ten school production. However,

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Speaker 2: there was one major problem. I said to you the

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Speaker 2: other day on the show how my wife had kindly

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Speaker 2: volunteered me to help run the refreshments before the show

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Speaker 2: and during the interval. This was a huge mistake. I

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Speaker 2: tell you what happened next.

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Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: So my track record with being volunteered for things isn't great.

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Speaker 2: There was a classic one where years ago my kids

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Speaker 2: used to have this pony and I was volunteered to

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Speaker 2: run some kind of national pony eventing competition the car

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Speaker 2: park with a couple of other guys in high visibility

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Speaker 2: and there's lots of people turn up with their ponies

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Speaker 2: in these what do you call them? They carry them

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Speaker 2: on the pony mate this thing. I hated it, absolutely

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Speaker 2: hated this thing. They absolutely loved it. Right. They are dangerous,

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Speaker 2: angry pooing motorbikes. Basically, have you ever been on a

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Speaker 2: horse a long time? You're thinking I'm going to die,

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Speaker 2: I'm going to die. What a crazy, unpredictable animal that

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Speaker 2: at any moment might just bowl off because it sees

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Speaker 2: a crisp packet just blowing in the winds, or a

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Speaker 2: bag or something through Lowest Soft broke up through Ruby off, sorry,

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Speaker 2: broke a arm with three places, so they took it

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Speaker 2: out for We enter these tournaments where you go jumping over.

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Speaker 4: Lots like pony clubs, the the it's a.

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Speaker 3: Real mix of people that do it.

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Speaker 2: Okay, if you think like the races, how that attracts

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Speaker 2: a very broad spectrum of people. Same with ponies. You've

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Speaker 2: got very rich people with ponies, and then you've got

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Speaker 2: very interesting people with ponies. So it's to run the

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Speaker 2: car park at event with all these different characters with

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Speaker 2: strong opinions, right, was a nightmare for a day.

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Speaker 3: I hated.

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Speaker 2: It was awful because I go, you can't part there,

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Speaker 2: and some people who were from tough backgrounds, but just

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Speaker 2: park it where they won't go yeah or yeah, actually

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Speaker 2: it's a perfect place. They just dump it there that

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Speaker 2: horse box where it's going to block everyone in a

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Speaker 2: couple of hours time. People are going to be angry

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Speaker 2: with me for on this. So anyway, yesterday at the

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Speaker 2: school production of a lad in. My wife had volunteered

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Speaker 2: me to help run the refreshments before the show and

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Speaker 2: during the interval. I get then and realize this is

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Speaker 2: going to be a cluster, this is going to be

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Speaker 2: a nightmare. They've put me in front of and with

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Speaker 2: a desk with a menu with all the soft drinks,

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Speaker 2: the chok tops, lollies and all this, and straight away

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Speaker 2: I start getting a panic attack. I see I'm going

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Speaker 2: to be expected to add things up. I failed maths

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Speaker 2: at school. I'm terblet at maths. Then I see the

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Speaker 2: old cash till you know that float thing, and I'm like,

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Speaker 2: oh god, oh no, I.

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Speaker 5: Thought you were just pouring the free like orange juice.

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Speaker 2: That's what my wife said to me. I just be like,

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Speaker 2: you know, chopping up hot watering and making tea like

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Speaker 2: put the pommetad on from the English breakfast.

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Speaker 3: It you're shopkeeper now, yeah.

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Speaker 2: And there were two other women and they go, we

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Speaker 2: just thought you'd be great front of house wind and

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Speaker 2: I'm terrible at maths.

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Speaker 3: What are you two doing?

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Speaker 2: We're what we're going to be putting the hot water

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Speaker 2: in the tea bags and I'll just do the popcorn cups.

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Speaker 2: They get well, can I can we swap? And I

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Speaker 2: know we thought it's best if you do this work.

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Speaker 2: I'm terrible at maths. And then suddenly old people start

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Speaker 2: turning up, you know, to see their granddaughter, and they

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Speaker 2: pull out it's bay side. No one's going anything less

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Speaker 2: than fifty. There you get asked to need bayside. Can

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Speaker 2: I have a soft drink? It's two dollars fifty. I've

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Speaker 2: only got a fifty. Oh no, I haven't got the

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Speaker 2: change for this. And then plus, at one point I

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Speaker 2: felt like crying. Someone has me a twenty dollar note, right,

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Speaker 2: and they want three chop tops. Chop tops. Chop tops

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Speaker 2: are three dollars fifty each. It takes me a couple

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Speaker 2: of minutes. This guy has to tell me how much

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Speaker 2: it is. There's no way to add it up. Three

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Speaker 2: dollars fifty, ten, ten, fifty fifty. I was going three

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Speaker 2: to nine. I sat I could go nine. Actually looked

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Speaker 2: at it and I went three is nine, And I

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Speaker 2: actually said the other bits fifty, one hundred and fifty,

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Speaker 2: I need nine and one hundred and fifteen, and he

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Speaker 2: looked at me, it's ten dollars fifty. I went great.

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Speaker 2: Then he hands me the twenty dollars. Now I went

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Speaker 2: a change.

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Speaker 4: Start again.

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Speaker 2: You so you don't you get no, I've got ten,

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Speaker 2: you have less than ten. I actually said called it ten.

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Speaker 2: He went, you sure, just called it ten? Fat have

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Speaker 2: all it. Don't give me that. Don't worry about the

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Speaker 2: money side. It just won yourself three three chuck clubs.

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Speaker 2: Oh god, it was a nightmare. Then I didn't understand

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Speaker 2: the difference between the two dollar coin and the one

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Speaker 2: dollar coin. Where I come from, it makes sense the

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Speaker 2: two the two dollar coin in the UK is bigger

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Speaker 2: because it's worth more. That denotes the significance of curry

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Speaker 2: currency is what you That's it's been for centuries all

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Speaker 2: over the world.

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Speaker 3: A bigger, heavier coin denotes is worth more.

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Speaker 7: Here.

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Speaker 3: You just had to flip that that's on its head

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Speaker 3: for fun.

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Speaker 2: So I'm giving people coins back that I think is

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Speaker 2: two dollars now it's a one dollar coin, and giving

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Speaker 2: people back thinking it's a one dollar coin, it's two

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Speaker 2: dollar coin. So depending on what side the equation you are,

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Speaker 2: you're either happy or you're coming back to complain.

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Speaker 3: And this poor kid came back and went, you've over.

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Speaker 3: You didn't give me enough, And I went how do's

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Speaker 3: that one?

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Speaker 2: There? She went, No, this is too this is only

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Speaker 2: a dollar, is it? Are you sure? And then this

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Speaker 2: woman that one of the cowards at the back you

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Speaker 2: were just filling out horse to go, oh, how long

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Speaker 2: have you do? And that went since I got it

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Speaker 2: fifteen minutes ago. So many people came and complained. Someone complained.

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Speaker 2: I also thought. I looked at the menu. The tariff there, right,

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Speaker 2: soft drinks two dollars fifty? Yep, would you consider somebody

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Speaker 2: wanted a bottle of water? I changed them two dollars fifty.

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Speaker 2: They come back five minutes later to complain that I've

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Speaker 2: ever changed in my fifty cents.

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Speaker 5: Yeah, in sausage, shizsels and and nights like that. You always,

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Speaker 5: as seen in the water is at the same price

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Speaker 5: as the soft.

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Speaker 2: Drink classified as softening. Not so apparently that was just

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Speaker 2: two dollars. Some old biddy complained about fifty cents.

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Speaker 3: She had a chanelle.

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Speaker 2: I found it really hard. I don't know how people

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Speaker 2: who do jobs dealing with the public right do that.

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Speaker 2: I'd last five minutes before I just have a go

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Speaker 2: at someone. You've got a chanel handbag? You worried about

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Speaker 2: fifty They really had to bite my tongue wearing this.

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Speaker 2: I had to wear an apron as well. Have we

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Speaker 2: got that bit out there yet? I had to wear

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Speaker 2: an apron as well. So anyway, don't volunteer for anything.

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Speaker 1: The Christian O'Connell breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: So last night the school production of Aladdin. It was

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Speaker 2: already slick, it's very good, enjoyed it, tat and they're

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Speaker 2: all great. It was a little bit tearful at the end.

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Speaker 5: How did Lois personally go?

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Speaker 2: Because she was one of the narrators and she also

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Speaker 2: had a song to sing solo, and she did.

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Speaker 5: She did really well well the narrated things.

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Speaker 2: Yeah, not just that, mate, They dance. It's not it's

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Speaker 2: not someone stood on stage. They it's more kind of

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Speaker 2: fluid that these five girls who would eat sort of

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Speaker 2: say bits throughout the whole thing, and then they would

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Speaker 2: start dancing and singing.

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Speaker 5: And yeah, i' tho actually be up in a booth somewhere,

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Speaker 5: so I thought you'g geing into.

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Speaker 3: A left turn or something, you know, But no, none

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Speaker 3: of that.

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Speaker 2: Then the one bit where suddenly it was back to

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Speaker 2: being the school productions. We grew up with less kind

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Speaker 2: of high production budget. Prince Sali goes to the princess.

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Speaker 2: Let's go on the magic carpet, right, and this.

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Speaker 7: Is why we came.

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Speaker 2: You can buy a good looking set and great props.

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Speaker 2: Sure how they're going to fly a carpet in this

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Speaker 2: little room we're in And I suddenly waken up. Oh no,

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Speaker 2: this is gonna be great. Out two boys from each.

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Speaker 2: Two boys the wings come right, so there's four boys

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Speaker 2: meet in the middle. As soon as I see these lads,

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Speaker 2: that's you and I. You know you didn't get the

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Speaker 2: major role.

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Speaker 3: Don't worry.

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Speaker 2: Any great production is teamwork. There's no iron teamwork. Great,

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Speaker 2: am I Aladdin? No, you're going to help a lad

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Speaker 2: and fly? Oh great, I'll be like, it's a system. No,

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Speaker 2: you'll be in black, okay, with some string. Each lad

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Speaker 2: comes on right with a piece of string. I'm going,

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Speaker 2: this is great what they're taking the string to and

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Speaker 2: they sort of attach it whils they're doing some lines.

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Speaker 3: We can all see them, especially me. I'm in front row.

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Speaker 3: I'm actually on the stage. I could pick up Arli

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Speaker 3: and probably carrying around my head. It's only a looking that.

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Speaker 2: It's only ten They go and sit on this kind

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Speaker 2: of trolley that's got wheels, okay, with a rug over it,

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Speaker 2: probably from deco rugs, and each one then sort of

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Speaker 2: ties their piece of string to a corner of it.

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Speaker 2: There's obviously some kind of eye hole there, and then

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Speaker 2: they all start moving it around. So the trolleys. You

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Speaker 2: couldn't hear the little.

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Speaker 5: One of those tries where the wheels never line up.

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Speaker 3: Yeah, they've gone down to Bunnings.

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Speaker 2: He's gonna on the move, move the prince and the

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Speaker 2: princesses it more over that way.

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Speaker 3: So they had to do this twice.

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Speaker 2: So the second half I don't know whether one of

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Speaker 2: the lads was a bit tired or something of that.

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Speaker 2: He comes out and he's having trouble knotting his up

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Speaker 2: and so there's no there've obviously no contingency of this.

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Speaker 2: It takes far too long and the other lads are

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Speaker 2: starting to giggle.

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Speaker 3: Look at him.

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Speaker 2: I'm starting to giggle. You can hear other people starting

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Speaker 2: to giggle. It was the highlight of the play to

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Speaker 2: me was the trolley ride car right the Christian.

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Speaker 1: O'Connell breakfast show on Gold one oh four point three.

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Speaker 2: Then you BMW X five has arrived at South Yer

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Speaker 2: a BMW.

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Speaker 8: Most radio hosts start their show at six am except one.

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Speaker 8: Not Happy Pang. Why does Sam Pang refuse to give

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Speaker 8: us that crucial morning hour? Not Happy Pang at early

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Speaker 8: rising Melbournians deserve your comedy too, Not Happy Pang Nova

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Speaker 8: is trying to rip the guts out of the six

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Speaker 8: am hour. Not Happy Pang. This Saturday, vote for the

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Speaker 8: Christian O'Connell Breakfast Show and Gold one oh four point

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Speaker 8: three and keep the six am hour alive. Also Pang

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Speaker 8: rhymes with Wang, just saying.

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Speaker 3: I'm Christian O'Connell and I approved this message.

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Speaker 1: The Christian o'connall Breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: I'm doing that thing right now where Obviously I'm I'm

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Speaker 2: on AM talking to you and doing the radio show,

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Speaker 2: but I'm also doing something else.

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Speaker 3: I'm on AIRBMB nothing to do with the show.

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Speaker 2: I just only realize coming in this morning, I haven't

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Speaker 2: booked any accommodation. Can I have alaide for first time

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Speaker 2: next weekend for the UFC as they're colling it hashtag

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Speaker 2: badelaid really because of some bad, dangerous fightings fighting next

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Speaker 2: week Aid No Oh no, that's quite a good one

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Speaker 2: as well. But that feels like more like a fight

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Speaker 2: charity fundraising, be more a fight but for charity. But

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Speaker 2: I stupidly haven't booked any accommodation and everyone's booked up

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Speaker 2: because you've got like thousands of fight fans. Small Lob

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Speaker 2: Australia got a couple of Kiwi fighters as well fighting

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Speaker 2: on the card as well, So it's all booked up

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Speaker 2: and I'm having a on AIRBMME but I'm at work.

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Speaker 3: I should only be focused on doing the show.

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Speaker 2: And sometimes in life there's that thing between what you

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Speaker 2: are doing versus what you should be doing. And you

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Speaker 2: might be in a similar situation right now. You might

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Speaker 2: be supposed to be getting ready for work or doing

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Speaker 2: the kids lunches today for the school run, but you're

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Speaker 2: loafing around either listening to us, looking on Facebook. Who knows?

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Speaker 2: So what are you doing right now versus what should

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Speaker 2: you be doing right now?

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Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: What can I expect from Adelaide going for the first time?

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Speaker 2: Not this weekend, next weekend for the big UFC fight card.

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Speaker 2: Very very excited, whoever never been to Adelaide.

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Speaker 5: It's pleasant?

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Speaker 3: And what does that mean?

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Speaker 2: If you ask to ask you about someone here in

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Speaker 2: the office and I went, what's peatlight? You went pleasant?

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Speaker 5: He's pleasant?

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Speaker 2: I think, all right, what's the story?

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Speaker 5: I like Adelaide. I just nothing really comes to mind

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Speaker 5: for me.

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Speaker 9: Beautiful beaches, gorgeous beaches, Christian really pretty architecture, a lot

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Speaker 9: of sandstone in the houses, really pretty.

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Speaker 2: Oh to make sure that I find time other than

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Speaker 2: seeing people locked in a cage and fighting to check

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Speaker 2: out the local architect binoculars.

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Speaker 5: Stone, sandstone built houses.

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Speaker 2: As soon as I get in a taxi, I go,

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Speaker 2: kind gentlemen, please could you escort me around your suburbs.

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Speaker 3: I'm looking for the finest dis base of Sandstone.

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Speaker 9: But it's very small compared to Melbourne. And you've got

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Speaker 9: Harndolf up in the Hills, which is a little German

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Speaker 9: village which is quite pretty, just out of tech White.

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Speaker 2: Michael Palin, I don't know that we had Williams Foster

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Speaker 2: in the new You know so much about Adelaide, Pats.

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Speaker 9: I've been a few times and I used to do

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Speaker 9: news for Adelaide. They're one of our affiliates and I

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Speaker 9: used to do news for them, so I had to know.

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Speaker 2: Well I didn't know. What did you know that one

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Speaker 2: of our affiliates, Christian?

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Speaker 5: Are you still traveling with Rob?

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Speaker 7: I am.

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Speaker 2: I'm not traveling with the I am going with other men. Okay,

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Speaker 2: I'm going with my boxing coach. He's coming from Melbourne

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Speaker 2: with me, right, and there's our big, big boss. He's

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Speaker 2: flying from Sydney. We're all you know he's going. He's

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Speaker 2: meeting me there from Sydney. He's checked himself. Kind of

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Speaker 2: him to do this on this company's money. I'm guessing

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Speaker 2: he's checked himself into a five star hotel. I thought

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Speaker 2: he might, seeing as I've got us free caide side.

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Speaker 2: I've got the tickets are free from UFC because I've

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Speaker 2: done stuff for them before, so I provided that. I

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Speaker 2: just thought he might, you know, expenses here, not in

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Speaker 2: this room, but just book another five star, you know,

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Speaker 2: for the guy who's see you know, doing the job

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Speaker 2: in Melbourne.

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Speaker 5: You can get one of those trolley beds they will

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Speaker 5: in for.

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Speaker 2: Well, you'll be sleeping, Christener, foot of my bed. We

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Speaker 2: can stay up and put torches under the covers.

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Speaker 5: So will you have to be room Christian?

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Speaker 2: What's your favorite sandstone that you saw today? What about

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Speaker 2: Joman Village or the lad.

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Speaker 5: So your boxing coach sleep with you then, I don't know.

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Speaker 2: I haven't worried about him at the moment. I'm just

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Speaker 2: suddenly panicing this morning. Everyone's booked up and I have

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Speaker 2: a proper tone because I'm ablsos doing the show. But

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Speaker 2: I need to I need to book something like a

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Speaker 2: sap and adelaide.

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Speaker 5: The only thing that stands out for me having a

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Speaker 5: quick google on Airbnb over that song was the this

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Speaker 5: little paddle steamer where you stay on a boat on

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Speaker 5: the river.

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Speaker 4: Oh, that'll be fun.

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Speaker 2: No, not really on the I'm going on the I'm

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Speaker 2: going Saturday afternoon, so we're having a Saturday night out.

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Speaker 2: I don't think after a skinful, it's a good idea

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Speaker 2: for me to start clambering through the I go over

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Speaker 2: the other side and that's the last do you see?

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Speaker 2: What are you just trying to get rid of me?

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Speaker 2: Is that what you're trying to do? Now?

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Speaker 3: Back to drawn Board Jack.

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Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

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Speaker 1: point three.

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Speaker 2: I've heard so sorry for you yesterday. I know after

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Speaker 2: the show we had our meeting and then you were

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Speaker 2: heading off to Ikea.

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Speaker 3: Yeah, I felt sorry for you.

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Speaker 2: And two points really one, you spent two and a

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Speaker 2: half hours in Ikea and left with nothing but wrapping paper.

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Speaker 2: You poor people.

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Speaker 5: You went in to get cupboards wardrobes, So I just

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Speaker 5: get it going in there and picking up the wardrobes.

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Speaker 5: You got to do the configurations of.

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Speaker 2: You just well, I just goed to alert you to

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Speaker 2: checkspody language. You know, when you record a trauma, you

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Speaker 2: close your eyes, you go back in the way.

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Speaker 1: It was like.

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Speaker 2: Revisiting the scene of a crying in your mind. You

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Speaker 2: actually grimace and close your eyes. Is not just getting

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Speaker 2: the wardrobes. It is just like Tetris, isn't it. It's

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Speaker 2: like Lego Slott in morning. If that one goes there,

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Speaker 2: do we want the bully out thing there for the

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Speaker 2: shoes and the nickers.

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Speaker 5: We would have left with nothing except you have to

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Speaker 5: buy something to get the free packing. So we bought

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Speaker 5: some wrapping paper.

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Speaker 2: On the way. God, it's depressing. So if you've got

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Speaker 2: to go back to go back, it's just unresolved.

441
00:19:03,840 --> 00:19:06,320
Speaker 5: Yeah. Part two will I don't know coming up in

442
00:19:06,400 --> 00:19:07,199
Speaker 5: the near future.

443
00:19:07,320 --> 00:19:09,479
Speaker 2: Well, listen I was back here at the office all

444
00:19:09,560 --> 00:19:11,960
Speaker 2: day doing a shift playing the Golden Ticket because I

445
00:19:12,000 --> 00:19:18,119
Speaker 2: didn't want you know, if you weren't around, and I

446
00:19:18,320 --> 00:19:22,320
Speaker 2: know that everyone listening between ten a m with Hargee

447
00:19:22,359 --> 00:19:24,040
Speaker 2: and five is also in the sinerta try and win

448
00:19:24,119 --> 00:19:26,119
Speaker 2: this golden ticket. We're talking about the gold one I

449
00:19:26,200 --> 00:19:28,040
Speaker 2: four point three Golden Ticket. It's a ticket. It's not

450
00:19:28,119 --> 00:19:29,760
Speaker 2: just one ticket. Do you want to MAKEE get your

451
00:19:29,920 --> 00:19:33,679
Speaker 2: all the big shows next year? Brian Adams, Phil Collins,

452
00:19:33,760 --> 00:19:37,360
Speaker 2: the Tennis, the Eagles, Melbourne Cup, Carnival, Brian Faery, Red Hot,

453
00:19:37,440 --> 00:19:41,240
Speaker 2: Summer Talk, Kylie Grand Prix and loads more. That's what

454
00:19:41,320 --> 00:19:43,240
Speaker 2: it's called the golden ticket. If you win the Brian

455
00:19:43,280 --> 00:19:45,240
Speaker 2: Adams tickets, you go forward into the draw to also

456
00:19:45,359 --> 00:19:47,400
Speaker 2: win that, so you could be winning again. But you're

457
00:19:47,400 --> 00:19:49,639
Speaker 2: listening out for the Golden Song that starts at ten

458
00:19:49,720 --> 00:19:52,480
Speaker 2: o'clock right through the Gavin Miller at five o'clock every

459
00:19:52,640 --> 00:19:53,840
Speaker 2: single hour, good Luck, the.

460
00:19:53,920 --> 00:19:57,840
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's gold one oh four point three.

461
00:19:57,960 --> 00:20:01,000
Speaker 2: So it is a stack show time. We've got another

462
00:20:01,040 --> 00:20:03,919
Speaker 2: brilliant isolated vocal, the naked vocal. What we just isolate

463
00:20:04,000 --> 00:20:06,720
Speaker 2: a vocal track brilliant on today. It's an eighties one,

464
00:20:07,040 --> 00:20:08,440
Speaker 2: a song you would have heard a many times in

465
00:20:08,520 --> 00:20:10,639
Speaker 2: this radio station and a couple of times in movies

466
00:20:10,640 --> 00:20:13,680
Speaker 2: as well. But it is a brilliant, brilliant vocal performance. Also,

467
00:20:14,119 --> 00:20:18,320
Speaker 2: two great prizes Brian Adams tickets. Will Pats finally hang

468
00:20:18,400 --> 00:20:22,240
Speaker 2: on to these precious Brian Adams tickets. A game today

469
00:20:22,320 --> 00:20:24,119
Speaker 2: that she sent came to me after the show. Yes,

470
00:20:24,200 --> 00:20:28,280
Speaker 2: I said, I'm always great on the Facebook marketplace. Please

471
00:20:28,400 --> 00:20:31,520
Speaker 2: big guy, put me back in the game. Okay, So, okay,

472
00:20:31,760 --> 00:20:34,800
Speaker 2: We've got a Brian Adams special edition of the Facebook

473
00:20:34,880 --> 00:20:37,600
Speaker 2: Marketplace built and designed to try and help you win bats.

474
00:20:37,800 --> 00:20:38,040
Speaker 10: Thank you.

475
00:20:38,160 --> 00:20:39,760
Speaker 2: But that was a game with the lyrics this week

476
00:20:39,800 --> 00:20:42,520
Speaker 2: and you lost three versions of that. It's all on

477
00:20:42,640 --> 00:20:44,840
Speaker 2: that so we'll find outut what happens in twenty minutes time.

478
00:20:45,480 --> 00:20:47,959
Speaker 2: And also someone's going to win. This is great. We're

479
00:20:47,960 --> 00:20:49,640
Speaker 2: starting this big thing today because we've only got twelve

480
00:20:49,720 --> 00:20:53,680
Speaker 2: shows left of the year, twelve days of Christmas. Thanks

481
00:20:53,720 --> 00:20:57,080
Speaker 2: to Chapel Street where someone this smaller. The big prizes

482
00:20:57,680 --> 00:21:01,320
Speaker 2: is a free burger every single week for a year.

483
00:21:01,960 --> 00:21:03,560
Speaker 2: I don't know about you, but I would generally love

484
00:21:03,640 --> 00:21:06,960
Speaker 2: to win that a free burger every single week for

485
00:21:07,000 --> 00:21:09,320
Speaker 2: a year now. We did have an idea. And then

486
00:21:09,440 --> 00:21:12,320
Speaker 2: yesterday evening, okay, just while I'm going off to see

487
00:21:12,359 --> 00:21:13,960
Speaker 2: my daughters school, blo over Ladd and I get a

488
00:21:14,200 --> 00:21:17,119
Speaker 2: voice and message from our producer, the world's already producer,

489
00:21:17,119 --> 00:21:20,960
Speaker 2: who goes by straight way. I know there's a problem.

490
00:21:21,520 --> 00:21:22,800
Speaker 3: What has broken blowing up?

491
00:21:22,880 --> 00:21:23,000
Speaker 11: Now?

492
00:21:23,040 --> 00:21:23,840
Speaker 3: What has Jack done?

493
00:21:23,880 --> 00:21:27,680
Speaker 2: What's Pat's done by? And he tells me that they

494
00:21:28,200 --> 00:21:30,439
Speaker 2: we can't do the original idea and then he signs

495
00:21:30,440 --> 00:21:32,200
Speaker 2: off with this. So, if you've got any of the

496
00:21:32,240 --> 00:21:35,760
Speaker 2: burger ideas, can you let me know? Oh, Sean, it's

497
00:21:35,800 --> 00:21:38,680
Speaker 2: kind of my filing cabinet and I'm at.

498
00:21:38,640 --> 00:21:39,680
Speaker 1: B and B.

499
00:21:39,800 --> 00:21:43,040
Speaker 2: You burger ideas, bring my dossier out right now. Although

500
00:21:43,280 --> 00:21:45,680
Speaker 2: these well hilled burger ideas I don't know. In fact,

501
00:21:45,720 --> 00:21:47,720
Speaker 2: the reason Nay hired means ship me over here. I'm

502
00:21:47,800 --> 00:21:51,919
Speaker 2: very much known as the UK as the burger guy anyway,

503
00:21:52,080 --> 00:21:54,280
Speaker 2: and we have got something for the burgers. Here's what

504
00:21:54,359 --> 00:21:56,760
Speaker 2: I want to do for the next twenty minutes is

505
00:21:57,000 --> 00:22:00,480
Speaker 2: sometimes you'll see your job and whenever it's in a

506
00:22:00,600 --> 00:22:03,840
Speaker 2: scene on TV or in a movie, they always get

507
00:22:03,880 --> 00:22:06,119
Speaker 2: it wrong. There's somebody detail about you know about your

508
00:22:06,200 --> 00:22:08,119
Speaker 2: job that there's no way in real life you'd be

509
00:22:08,160 --> 00:22:10,280
Speaker 2: able to do it like that. For us, whenever I

510
00:22:10,359 --> 00:22:13,040
Speaker 2: see radio on TV or movies, it's always the same.

511
00:22:13,560 --> 00:22:17,000
Speaker 2: The DJs will start speaking and their talk on air,

512
00:22:17,400 --> 00:22:19,760
Speaker 2: but they will never ever have the headphones on. And

513
00:22:19,880 --> 00:22:21,679
Speaker 2: if we did that, we'd know you'd get this horrible

514
00:22:21,720 --> 00:22:23,600
Speaker 2: thing called a howl around. It was just start whistling.

515
00:22:23,600 --> 00:22:25,720
Speaker 2: I don't even know technically what is happening there, but

516
00:22:25,840 --> 00:22:27,760
Speaker 2: you would you get that thing. But they always do

517
00:22:27,920 --> 00:22:30,080
Speaker 2: that where the headphones are just round their neck.

518
00:22:30,400 --> 00:22:32,560
Speaker 5: And the other thing you'll see them do on movies

519
00:22:32,600 --> 00:22:35,040
Speaker 5: and TV is speak off mike, so the mic might

520
00:22:35,119 --> 00:22:37,960
Speaker 5: be in the middle of a desk somewhere and Hi, Yeah,

521
00:22:38,040 --> 00:22:39,880
Speaker 5: that's it trives me nuts, all right.

522
00:22:39,960 --> 00:22:42,600
Speaker 2: So what do they get wrong about your job when

523
00:22:42,640 --> 00:22:44,280
Speaker 2: you see it on TV or in a movie? What

524
00:22:44,320 --> 00:22:46,160
Speaker 2: do they always get wrong about your job? We want

525
00:22:46,200 --> 00:22:46,720
Speaker 2: the details?

526
00:22:46,840 --> 00:22:50,200
Speaker 1: The Christian O'Connell breakfast Show, Melbourne's Gold one oh four

527
00:22:50,240 --> 00:22:50,720
Speaker 1: point three.

528
00:22:51,200 --> 00:22:53,520
Speaker 2: So what do they always get wrong about your job

529
00:22:53,640 --> 00:22:56,359
Speaker 2: whenever you see it on TV or in a movie?

530
00:22:56,880 --> 00:22:57,200
Speaker 3: Let me know?

531
00:22:57,359 --> 00:23:00,400
Speaker 2: Nine four one four, one oh four three. Good morning Greg,

532
00:23:01,240 --> 00:23:03,840
Speaker 2: Good morning, Good morning mate. That's a good show. So Greg,

533
00:23:03,920 --> 00:23:05,600
Speaker 2: what is it about your job they get wrong on

534
00:23:05,920 --> 00:23:06,919
Speaker 2: TV or in movies?

535
00:23:07,880 --> 00:23:11,440
Speaker 12: Well, I'm a painter and decorators, so the block's probably

536
00:23:11,480 --> 00:23:13,480
Speaker 12: the main the main instigator.

537
00:23:13,800 --> 00:23:14,720
Speaker 3: I bet a lot of time.

538
00:23:15,400 --> 00:23:17,840
Speaker 2: Yeah, yeah, what do they get wrong about your painting

539
00:23:17,880 --> 00:23:19,359
Speaker 2: and decorating? Then on the block when you see it

540
00:23:19,400 --> 00:23:19,920
Speaker 2: on TV.

541
00:23:19,840 --> 00:23:22,760
Speaker 12: Mate, just when you see him grab a roller and

542
00:23:22,960 --> 00:23:25,200
Speaker 12: no pole and they're going up and down, left and

543
00:23:25,359 --> 00:23:29,399
Speaker 12: right sideways, you just now, as a painter, of you

544
00:23:29,640 --> 00:23:31,560
Speaker 12: to do that, it's going to end up looking crap.

545
00:23:33,560 --> 00:23:36,680
Speaker 2: I'm making Greg, I'm making notes there. So when you

546
00:23:36,760 --> 00:23:38,600
Speaker 2: get the pole and you're doing it with the rollers,

547
00:23:38,640 --> 00:23:40,240
Speaker 2: what should you be doing? Just vertical up and.

548
00:23:40,240 --> 00:23:41,000
Speaker 12: It down, happened down.

549
00:23:42,240 --> 00:23:44,560
Speaker 5: Okay, I'm actually painting my house at the moment, Greg,

550
00:23:44,640 --> 00:23:45,919
Speaker 5: So I'm just yeah, I'm running this down.

551
00:23:46,320 --> 00:23:48,480
Speaker 2: We found out yesterday you've got out with that. You

552
00:23:48,560 --> 00:23:51,760
Speaker 2: know we heard from Clintos yesterday that crying Mexican guy

553
00:23:51,800 --> 00:23:53,880
Speaker 2: at the other end of the line. I'm not mixed

554
00:23:53,880 --> 00:23:56,240
Speaker 2: a jack. Don't hit with the pole for the roller.

555
00:23:58,160 --> 00:24:00,240
Speaker 5: Greg, I've got quite a bendy pole show have a

556
00:24:00,320 --> 00:24:07,920
Speaker 5: more sturdy podcastos because every time I go to Greg

557
00:24:08,040 --> 00:24:09,520
Speaker 5: let them carry on. But every time I go to

558
00:24:09,560 --> 00:24:12,000
Speaker 5: paint the walls, the pole bends a lot. Should it

559
00:24:12,080 --> 00:24:13,560
Speaker 5: be bending? Or if I got to cheat one?

560
00:24:14,400 --> 00:24:15,320
Speaker 12: You've got to cheat one?

561
00:24:15,400 --> 00:24:15,600
Speaker 7: Mate?

562
00:24:16,240 --> 00:24:18,000
Speaker 2: You need you need a sort of poll for that. Yeah,

563
00:24:18,040 --> 00:24:20,520
Speaker 2: anyone knows about that, all right, Greg the painter, thank

564
00:24:20,560 --> 00:24:24,280
Speaker 2: you very much for giving us a call. Jess, good morning,

565
00:24:25,040 --> 00:24:28,399
Speaker 2: Good morning. Suggest you're a nurse, Yes, that's all right

566
00:24:28,640 --> 00:24:30,240
Speaker 2: right now. My mum was a nurse and whenever she

567
00:24:30,320 --> 00:24:32,160
Speaker 2: used to watch a lot of medical dramas on TV,

568
00:24:32,240 --> 00:24:34,520
Speaker 2: I'd get the running commentaries. If you do that, the

569
00:24:34,640 --> 00:24:39,080
Speaker 2: patient would die. So yes, Jess, what's it? What's it

570
00:24:39,119 --> 00:24:40,600
Speaker 2: for you that when you see a nurse or any

571
00:24:40,680 --> 00:24:41,400
Speaker 2: kind of medical drama?

572
00:24:41,440 --> 00:24:42,080
Speaker 3: What do they get wrong?

573
00:24:43,240 --> 00:24:50,560
Speaker 13: Everything? But yeah, the most is there the three doctors

574
00:24:50,600 --> 00:24:53,119
Speaker 13: helping the patient get out of bed. You never see that.

575
00:24:53,600 --> 00:24:55,280
Speaker 3: We are the doctors know where there? They kind of

576
00:24:56,160 --> 00:24:57,080
Speaker 3: drifted off by then.

577
00:24:57,840 --> 00:25:00,640
Speaker 13: Yeah, if the doctor comes in the room, the doctor

578
00:25:00,680 --> 00:25:03,600
Speaker 13: pretty much tells the nurse what he wants the nurse

579
00:25:03,880 --> 00:25:06,080
Speaker 13: and if the patient needs to get up the bed.

580
00:25:06,160 --> 00:25:08,320
Speaker 13: It's usually the two nurses that help the patient up,

581
00:25:08,359 --> 00:25:10,119
Speaker 13: not three doctors. You never see that.

582
00:25:10,520 --> 00:25:12,600
Speaker 2: I see. So you were saying that the doctors won't

583
00:25:12,640 --> 00:25:15,200
Speaker 2: get their hands dirty. Their doctors, they don't do stuff

584
00:25:15,280 --> 00:25:15,440
Speaker 2: like that.

585
00:25:16,240 --> 00:25:24,359
Speaker 13: Yeah, that's right, just quietly. And also with the yanked

586
00:25:24,440 --> 00:25:27,359
Speaker 13: sucker as well, take to their arm for an IVY line.

587
00:25:27,640 --> 00:25:29,760
Speaker 13: That's that's a big gone as well.

588
00:25:30,280 --> 00:25:30,880
Speaker 5: What's it called.

589
00:25:31,520 --> 00:25:35,679
Speaker 13: It's called a yankee suckers to get secretions out of the.

590
00:25:37,200 --> 00:25:40,480
Speaker 5: Sorry, Yeah, so they do what do they have on TV?

591
00:25:42,480 --> 00:25:44,720
Speaker 13: So it's a yeah, that's what they have on TV.

592
00:25:44,960 --> 00:25:50,399
Speaker 13: So they tape it to the arm for an IVY tube. Yeah, instead, but.

593
00:25:50,480 --> 00:25:51,320
Speaker 5: It's been to be on the neck.

594
00:25:52,400 --> 00:25:54,480
Speaker 13: No, it's like it's like a little.

595
00:25:54,600 --> 00:25:55,480
Speaker 2: Are you actually nurse?

596
00:25:55,600 --> 00:25:55,719
Speaker 14: Yes?

597
00:25:57,520 --> 00:25:59,080
Speaker 3: I think it one of these people that goes around.

598
00:25:59,160 --> 00:26:01,159
Speaker 3: Jessica was a nurse in hospitals.

599
00:26:01,200 --> 00:26:01,920
Speaker 2: I read about people.

600
00:26:02,040 --> 00:26:04,400
Speaker 3: It's a condition. Okay, let's go back.

601
00:26:05,560 --> 00:26:08,520
Speaker 13: It's like, okay, so the yank is sucker? Ye is

602
00:26:08,560 --> 00:26:10,480
Speaker 13: what they take to the patient's.

603
00:26:10,200 --> 00:26:13,640
Speaker 5: Arm for an IV line in real life or on TV?

604
00:26:14,960 --> 00:26:15,440
Speaker 13: On TV?

605
00:26:16,040 --> 00:26:17,120
Speaker 5: And what are you do in real life?

606
00:26:17,840 --> 00:26:21,920
Speaker 13: In real life? You put an IV needle into the arm,

607
00:26:22,240 --> 00:26:24,440
Speaker 13: like you can you yep, and then you hook it

608
00:26:24,520 --> 00:26:25,120
Speaker 13: up to the drop.

609
00:26:25,400 --> 00:26:28,000
Speaker 5: So they invented something called yanker sucker only for TV.

610
00:26:28,800 --> 00:26:31,440
Speaker 13: No, No, that's the real thing as well. So a

611
00:26:31,560 --> 00:26:35,920
Speaker 13: yanker sucker is like a vacuum to suck out secretions.

612
00:26:37,200 --> 00:26:38,720
Speaker 3: And where does that go on the backside?

613
00:26:39,720 --> 00:26:40,840
Speaker 15: That goes down the throat?

614
00:26:41,320 --> 00:26:43,520
Speaker 5: Right it went first.

615
00:26:46,760 --> 00:26:47,000
Speaker 4: TV.

616
00:26:47,200 --> 00:26:49,360
Speaker 2: They take it to the arm along with the old

617
00:26:49,760 --> 00:26:52,160
Speaker 2: along with the needles for the IV drip.

618
00:26:52,880 --> 00:26:54,239
Speaker 13: Yes, are you with me now?

619
00:26:54,800 --> 00:26:55,920
Speaker 4: Replacement, isn't it?

620
00:26:56,680 --> 00:27:01,560
Speaker 2: Yes? You now saying it's a very busy junction in

621
00:27:01,600 --> 00:27:03,320
Speaker 2: the army. You wouldn't have that many things coming in.

622
00:27:03,359 --> 00:27:05,600
Speaker 13: And out of the arm No, and you wouldn't take

623
00:27:05,640 --> 00:27:06,960
Speaker 13: a Yankee soucker to an arm.

624
00:27:07,359 --> 00:27:12,440
Speaker 2: Bloody knew that wrong, Buddy suck come on, scoreboy era right, yes,

625
00:27:13,240 --> 00:27:15,240
Speaker 2: hashtag nurse banter all right.

626
00:27:15,280 --> 00:27:18,400
Speaker 3: Jack, Yes, we got there in the end. Good work everyone.

627
00:27:22,320 --> 00:27:26,239
Speaker 2: Okay, she's drunk. Okay, gons go What do they get

628
00:27:26,280 --> 00:27:28,720
Speaker 2: wrong about your job? On TV nine four one four,

629
00:27:28,760 --> 00:27:29,120
Speaker 2: one oh.

630
00:27:29,119 --> 00:27:33,439
Speaker 1: Four three, The Christian O'Connell Breakfast Show Gold one oh

631
00:27:33,520 --> 00:27:34,280
Speaker 1: four point three.

632
00:27:34,640 --> 00:27:39,560
Speaker 2: Then you BMW X five has arrived at Yarrow BMW.

633
00:27:39,520 --> 00:27:42,360
Speaker 8: This Saturday is your last chance to stop Eddie McGuire

634
00:27:42,400 --> 00:27:45,520
Speaker 8: and Triple M from making cuts. Cuts to mc molloy

635
00:27:45,640 --> 00:27:49,280
Speaker 8: on Breakfast, cuts to music that isn't nickelback, and cuts

636
00:27:49,320 --> 00:27:53,040
Speaker 8: to mentions of non Collingwood football teams. They're even cutting

637
00:27:53,080 --> 00:27:56,520
Speaker 8: the amount of shows they actually broadcast in Melbourne. They

638
00:27:56,600 --> 00:27:59,720
Speaker 8: were in Hawaii the other week. They were practically broadcasting

639
00:27:59,760 --> 00:28:03,760
Speaker 8: from holiday. Eddie was live from his hot tub sipping Margarita's,

640
00:28:03,880 --> 00:28:07,120
Speaker 8: while Christian O'Connell was live from Richmond, where the only

641
00:28:07,200 --> 00:28:10,560
Speaker 8: Margarita in sight was Margarita the overly friendly girl on

642
00:28:10,680 --> 00:28:14,040
Speaker 8: Reception with the funny eye. And that Hawaii trip was

643
00:28:14,040 --> 00:28:17,000
Speaker 8: all paid for by your taxpayer dollars. Well not really,

644
00:28:17,080 --> 00:28:20,520
Speaker 8: it's a commercial radio station, but your taxpayer dollars helped

645
00:28:20,560 --> 00:28:23,080
Speaker 8: fund the roads and the airports that allowed them to

646
00:28:23,200 --> 00:28:26,520
Speaker 8: leave the country This Saturday, both for the Christian O'Connell

647
00:28:26,520 --> 00:28:28,879
Speaker 8: Breakfast Show and Gold one oh four point three, and

648
00:28:29,040 --> 00:28:31,000
Speaker 8: keep breakfast shows in Melbourne.

649
00:28:31,200 --> 00:28:33,760
Speaker 2: I'm Christian O'Connell and I approved this message.

650
00:28:34,880 --> 00:28:36,960
Speaker 5: The Christian O'Connell Breakfast Shows.

651
00:28:36,840 --> 00:28:38,440
Speaker 7: Ten weeks of tickets.

652
00:28:38,800 --> 00:28:39,520
Speaker 3: Every morning at.

653
00:28:39,440 --> 00:28:41,560
Speaker 2: Seven thirty am you'll chance to win tickets to the

654
00:28:41,640 --> 00:28:45,320
Speaker 2: biggest shows in town. Ten weeks became eleven weeks and

655
00:28:45,400 --> 00:28:47,440
Speaker 2: we found out the great nears that Brian Adams is

656
00:28:47,480 --> 00:28:50,080
Speaker 2: coming to town. Someone who's very excited on this show

657
00:28:50,400 --> 00:28:53,240
Speaker 2: was see Brian Adams residence Supervan Betrina Jones.

658
00:28:53,840 --> 00:28:54,680
Speaker 3: So we did a quiz.

659
00:28:55,520 --> 00:28:58,920
Speaker 2: But when Pat says Brian Adams tickets, it's a simple one,

660
00:28:59,440 --> 00:29:01,960
Speaker 2: real made up Brian Adams lyrics. We called it line

661
00:29:02,040 --> 00:29:05,680
Speaker 2: or Brian Adams Monday. Pat's got how many rights?

662
00:29:05,840 --> 00:29:06,040
Speaker 5: Zero?

663
00:29:06,520 --> 00:29:07,440
Speaker 3: What about Tuesday?

664
00:29:07,720 --> 00:29:08,720
Speaker 5: You got one out of three?

665
00:29:09,080 --> 00:29:09,960
Speaker 2: What about yesterday?

666
00:29:10,280 --> 00:29:14,560
Speaker 5: Zero out of seven total questions? How many one correct answer?

667
00:29:15,480 --> 00:29:15,640
Speaker 7: Oh?

668
00:29:16,280 --> 00:29:17,040
Speaker 3: I remember now?

669
00:29:19,800 --> 00:29:20,320
Speaker 4: Hilarious.

670
00:29:20,600 --> 00:29:23,400
Speaker 2: So Pat said to us yesterday after show. Look, you

671
00:29:23,480 --> 00:29:26,720
Speaker 2: know Facebook Marketplace game. The price is right. I'm great

672
00:29:26,760 --> 00:29:29,520
Speaker 2: at that, and you are Facebook Marketplace the price is

673
00:29:29,600 --> 00:29:31,480
Speaker 2: right as well. We ask you to look for the

674
00:29:31,600 --> 00:29:33,920
Speaker 2: veryt tap the people are selling here in Melbourne and

675
00:29:33,920 --> 00:29:36,360
Speaker 2: Australia on Facebook Marketplace and it's a lot.

676
00:29:37,160 --> 00:29:38,600
Speaker 3: Pat knows about this kind of.

677
00:29:38,600 --> 00:29:42,880
Speaker 4: Stuff, you know, with my trailer park background, don't want.

678
00:29:42,720 --> 00:29:45,120
Speaker 2: To say any when it comes to tap, you go

679
00:29:45,240 --> 00:29:47,280
Speaker 2: to Pat. She's Tap Pat. That's what we call her

680
00:29:47,280 --> 00:29:50,200
Speaker 2: in the office here, all right. So This one is

681
00:29:50,240 --> 00:29:53,800
Speaker 2: a Brian Adams special edition of Facebook Marketplace. The price

682
00:29:53,920 --> 00:29:57,680
Speaker 2: is right. You've all been furtively looking on Facebook Marketplace

683
00:29:57,720 --> 00:30:01,560
Speaker 2: for Brian Adams memorabiliy and various Adam's tap and I've

684
00:30:01,600 --> 00:30:03,600
Speaker 2: got a whole load of stuff from all over the world.

685
00:30:04,080 --> 00:30:06,160
Speaker 2: Ninety nine percent of it. I'm not making this up

686
00:30:06,400 --> 00:30:11,280
Speaker 2: is on cell in Canada, Ontario. He's Canada's very own.

687
00:30:11,280 --> 00:30:13,360
Speaker 2: They're very proud of him, all right. So to take

688
00:30:13,560 --> 00:30:17,080
Speaker 2: Pats on call now nine four one four one oh

689
00:30:17,200 --> 00:30:20,000
Speaker 2: four three prediction parts. Are you going to win this course?

690
00:30:20,040 --> 00:30:20,280
Speaker 14: I am.

691
00:30:20,320 --> 00:30:22,680
Speaker 4: I've got to redeem myself today or I'm not going

692
00:30:22,880 --> 00:30:24,880
Speaker 4: That's it. Everything's on the line.

693
00:30:24,800 --> 00:30:26,760
Speaker 2: All right, So you fantasy trying to win nine four

694
00:30:26,760 --> 00:30:28,040
Speaker 2: one four one oh four three.

695
00:30:29,600 --> 00:30:33,120
Speaker 1: The Christian O'Connell Breakfast Show Gold one oh four point three.

696
00:30:33,320 --> 00:30:36,640
Speaker 3: Go to sleep, Go to sleep, Go to sleep.

697
00:30:37,240 --> 00:30:39,720
Speaker 8: It's time, smooth. The FM stop treating us like a

698
00:30:39,800 --> 00:30:43,840
Speaker 8: baby who hasn't had their nap. We as Melbournians, have

699
00:30:43,960 --> 00:30:47,640
Speaker 8: had enough of the forced narcolepsy with constant double shots

700
00:30:47,680 --> 00:30:52,360
Speaker 8: of Michael Boublay and Enya Only. The Christian Iconnall Breakfast

701
00:30:52,400 --> 00:30:56,520
Speaker 8: Show is tough on Michael Boublay. Christian thinks you should

702
00:30:56,600 --> 00:30:59,120
Speaker 8: decide what time you go to sleep as you're a

703
00:30:59,200 --> 00:31:02,040
Speaker 8: grown up. This Saturday, vote one for Gold one A

704
00:31:02,080 --> 00:31:05,400
Speaker 8: four point three and stop soft sleepy music.

705
00:31:05,680 --> 00:31:08,640
Speaker 3: I'm Christian O'Connell and I approved this message.

706
00:31:08,440 --> 00:31:11,800
Speaker 1: For Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

707
00:31:11,840 --> 00:31:12,320
Speaker 1: point three.

708
00:31:12,520 --> 00:31:16,320
Speaker 2: Brian Adams is back rod Laver Arena Thursday, March twenty one.

709
00:31:16,440 --> 00:31:18,320
Speaker 2: Tickets on sale tomorrow.

710
00:31:17,960 --> 00:31:19,440
Speaker 3: Morning ten a m.

711
00:31:19,600 --> 00:31:21,840
Speaker 2: Write this down, patsy is the only way you're going.

712
00:31:21,800 --> 00:31:22,720
Speaker 4: Oh stop it now.

713
00:31:23,160 --> 00:31:27,480
Speaker 2: Need tickets on sell ten am tomorrow morning through ticker Tech.

714
00:31:28,120 --> 00:31:28,720
Speaker 2: It is time.

715
00:31:29,920 --> 00:31:32,800
Speaker 5: It's the Facebook Marketplace price.

716
00:31:34,320 --> 00:31:38,000
Speaker 7: Right. Hoor Ryan Adams Special Edition.

717
00:31:39,640 --> 00:31:45,640
Speaker 9: Pats Trouble Down, Play Today's My Day, trouble Down.

718
00:31:45,760 --> 00:31:46,480
Speaker 2: Good luck Sean.

719
00:31:48,280 --> 00:31:51,200
Speaker 5: Cute twisting condle.

720
00:31:52,000 --> 00:31:55,000
Speaker 2: Good luck Pats, Good luck Sean. So let's meet Sean

721
00:31:55,040 --> 00:31:57,000
Speaker 2: firstival Seawn, you met Brian Adams fan mate?

722
00:31:57,600 --> 00:31:59,800
Speaker 16: Yes, I am absolutely superstar fan.

723
00:32:00,560 --> 00:32:03,680
Speaker 2: Excellent. Okay, he says, we'll see So you said we

724
00:32:03,840 --> 00:32:08,720
Speaker 2: saw you, Sean. How many times you seen them live?

725
00:32:09,960 --> 00:32:11,120
Speaker 16: I actually I haven't seen them live.

726
00:32:11,280 --> 00:32:12,280
Speaker 12: I haven't had the opportunity.

727
00:32:12,320 --> 00:32:13,720
Speaker 16: I've never been at the same place.

728
00:32:13,560 --> 00:32:16,120
Speaker 2: Where he's been, so I've got the opportunity for You've

729
00:32:16,160 --> 00:32:17,680
Speaker 2: got I've got Patsy's tickets.

730
00:32:18,640 --> 00:32:21,520
Speaker 4: Here, that's going to continue. I'm afraid do you want.

731
00:32:21,440 --> 00:32:23,680
Speaker 16: My postal address now to send those tickets?

732
00:32:24,800 --> 00:32:25,800
Speaker 4: I get too excited.

733
00:32:25,920 --> 00:32:30,240
Speaker 2: You won't need it. Nicely done, Sean, Good luck both

734
00:32:30,320 --> 00:32:33,360
Speaker 2: of you. Good luck, pats Good luck, Sean. Thank you. Okay,

735
00:32:33,440 --> 00:32:36,520
Speaker 2: So I local was with the pray Facebook marketplace prices, right.

736
00:32:36,600 --> 00:32:39,239
Speaker 2: I read out the tat the description that someone has

737
00:32:39,280 --> 00:32:42,520
Speaker 2: typed out and posted to the world's biggest website, and

738
00:32:42,800 --> 00:32:45,080
Speaker 2: you got to guess how much it is in dollars?

739
00:32:45,600 --> 00:32:49,760
Speaker 2: Here's the first items Brian Adams from the eleven album.

740
00:32:49,840 --> 00:32:53,800
Speaker 2: It's the c D Brian Adams eleven CD. How much

741
00:32:53,840 --> 00:32:55,719
Speaker 2: do you think this is going? For the description here?

742
00:32:55,920 --> 00:32:56,560
Speaker 2: Brought an error?

743
00:32:57,240 --> 00:32:59,400
Speaker 3: How all right?

744
00:32:59,640 --> 00:33:03,040
Speaker 4: So never never used, never played, brought in error?

745
00:33:03,440 --> 00:33:05,400
Speaker 2: So how much? Let's go to Sean? First of all,

746
00:33:05,400 --> 00:33:07,560
Speaker 2: how much do you think, Sean I'm gonna go?

747
00:33:08,800 --> 00:33:11,960
Speaker 3: I'm probably like seven dollars, that's what do you reckon?

748
00:33:12,080 --> 00:33:18,240
Speaker 2: Fifteen two dollars? Which Sean takes the early winds.

749
00:33:21,560 --> 00:33:25,320
Speaker 3: Come on Sean hi hy, here we are. This is

750
00:33:25,360 --> 00:33:27,600
Speaker 3: a tough one. Here I Am.

751
00:33:27,960 --> 00:33:32,200
Speaker 2: Horse Arts Wood war Art, Central Coast, New South Wales.

752
00:33:32,800 --> 00:33:34,760
Speaker 2: Inspired by the Brian Adams song.

753
00:33:34,760 --> 00:33:35,320
Speaker 3: Here I Am.

754
00:33:35,560 --> 00:33:38,160
Speaker 2: It's a beautiful song, beautiful song. Someone's done a beautiful

755
00:33:38,200 --> 00:33:40,080
Speaker 2: picture of a horse on a beach.

756
00:33:40,120 --> 00:33:42,160
Speaker 5: You should say it's just a horse. No, Brian Adams?

757
00:33:44,200 --> 00:33:46,280
Speaker 2: Is it would it's on a it's on a wood

758
00:33:46,440 --> 00:33:51,160
Speaker 2: sort of canvas, isn't it frame? It's a beautiful technicolor horse. No,

759
00:33:51,280 --> 00:33:54,480
Speaker 2: Brian Adams in picture, just inspired by his song Here

760
00:33:54,600 --> 00:33:58,320
Speaker 2: I Am and the movie Spirit Stallion of the Camera

761
00:33:58,560 --> 00:33:59,440
Speaker 2: that was in that movie.

762
00:34:00,160 --> 00:34:03,600
Speaker 3: Okay, first, yeah, Patsy go first.

763
00:34:04,040 --> 00:34:07,080
Speaker 4: I can't think of the price. Let me think, what's

764
00:34:07,120 --> 00:34:07,440
Speaker 4: the game?

765
00:34:07,480 --> 00:34:08,200
Speaker 3: What you've been doing?

766
00:34:09,520 --> 00:34:10,160
Speaker 4: Forty bucks?

767
00:34:13,040 --> 00:34:18,440
Speaker 2: I'll go seventy three hundred and eighty the winner. It's

768
00:34:18,520 --> 00:34:23,480
Speaker 2: the quickest class the week. She can't beat the count,

769
00:34:23,719 --> 00:34:25,759
Speaker 2: ripped off? How dare you've got the same thing as

770
00:34:25,800 --> 00:34:26,359
Speaker 2: shorty boy?

771
00:34:26,440 --> 00:34:26,640
Speaker 7: Dude?

772
00:34:26,680 --> 00:34:27,960
Speaker 4: Hey, Sean, have you got a girlfriend?

773
00:34:29,239 --> 00:34:29,279
Speaker 7: No?

774
00:34:29,480 --> 00:34:31,520
Speaker 16: Unfortunately my wife has secured.

775
00:34:33,239 --> 00:34:35,759
Speaker 2: Oh this is desperate. She's now chatting up. This is

776
00:34:35,840 --> 00:34:39,920
Speaker 2: trying to get there. Tricks of tickets. Paul Christian husband.

777
00:34:40,040 --> 00:34:42,080
Speaker 4: Hey, you know what, in all honesty, Sean, you've never

778
00:34:42,200 --> 00:34:43,000
Speaker 4: seen him live.

779
00:34:43,200 --> 00:34:45,880
Speaker 9: I am thrilled for you, because once you've seen him live,

780
00:34:46,719 --> 00:34:49,040
Speaker 9: you will have an all new appreciation.

781
00:34:49,840 --> 00:34:52,600
Speaker 2: Fuming, passive, aggressive.

782
00:34:52,239 --> 00:34:55,680
Speaker 5: No, Christian goes pats you know what, you're such a

783
00:34:55,680 --> 00:34:58,279
Speaker 5: good sport. Why don't you have some We got those

784
00:34:58,360 --> 00:34:59,480
Speaker 5: last tickets to give away to borrow.

785
00:34:59,480 --> 00:35:05,240
Speaker 2: Don't forget those ticket's gone sell ten am tomorrow through tickets. Hey, Sean,

786
00:35:05,480 --> 00:35:08,200
Speaker 2: enjoy Brian Adam as well done, Sean, well done, Sean,

787
00:35:08,480 --> 00:35:10,560
Speaker 2: thanks so much, Patsy one out of nine.

788
00:35:10,680 --> 00:35:12,400
Speaker 16: Sorry, yeah, good on.

789
00:35:12,520 --> 00:35:14,839
Speaker 4: You have a miserable, miserable time.

790
00:35:16,760 --> 00:35:18,440
Speaker 2: Sure, I'm going to give you an exerprise for that.

791
00:35:18,520 --> 00:35:19,879
Speaker 2: I'll find something for you mate.

792
00:35:19,920 --> 00:35:20,680
Speaker 7: That was funny.

793
00:35:20,719 --> 00:35:24,320
Speaker 2: Well done, Sean, Thank you Brown Sean.

794
00:35:24,400 --> 00:35:28,840
Speaker 4: Everyone, I'll just I've got my keys, I might just sleep.

795
00:35:29,400 --> 00:35:33,279
Speaker 2: I thought you're going to kiy his car. Then all right,

796
00:35:33,360 --> 00:35:35,879
Speaker 2: So did Sean win the tickets. He's also go sort

797
00:35:35,920 --> 00:35:37,440
Speaker 2: of find out he's going to win gold one a

798
00:35:37,560 --> 00:35:41,319
Speaker 2: four point three. He's big Golden ticket. Listen every hour

799
00:35:41,400 --> 00:35:43,640
Speaker 2: from ten a m with Huggy right through Gavin Miller

800
00:35:43,719 --> 00:35:45,960
Speaker 2: at five. One ticket gets you and makes all the

801
00:35:46,000 --> 00:35:48,400
Speaker 2: big shows, so Brian Emsfield, Collins, the Tennis, the Eagles,

802
00:35:48,480 --> 00:35:51,640
Speaker 2: Melbourne Cup, Carnival, Brian Ferry, Loads Morris While we call

803
00:35:51,680 --> 00:35:53,680
Speaker 2: it the Golden Ticket. You just listened out for the

804
00:35:53,760 --> 00:35:54,399
Speaker 2: Golden Song.

805
00:35:54,520 --> 00:35:57,719
Speaker 1: Every hour from ten the Christian O'Connell Breakfast Show Melbourne's

806
00:35:57,800 --> 00:35:59,239
Speaker 1: gold one oh four point three.

807
00:35:59,480 --> 00:36:01,759
Speaker 2: Ali's time for this. So one of my favorite things

808
00:36:01,800 --> 00:36:03,560
Speaker 2: to do on the show. We do this every Thursday

809
00:36:03,600 --> 00:36:05,319
Speaker 2: morning right after the Age of Coot News. We call

810
00:36:05,360 --> 00:36:08,800
Speaker 2: it the Naked Vocal. It's where we isolate a vocal track,

811
00:36:09,040 --> 00:36:10,799
Speaker 2: which means when they go in the studio and they're

812
00:36:10,800 --> 00:36:14,080
Speaker 2: recording it, it's just everything they do with their voice.

813
00:36:14,400 --> 00:36:16,440
Speaker 2: And the last couple months of doing this, we've heard

814
00:36:16,520 --> 00:36:19,200
Speaker 2: some amazing performances and it makes you hear the song

815
00:36:19,239 --> 00:36:21,120
Speaker 2: in a totally different way. It might be a song

816
00:36:21,160 --> 00:36:24,040
Speaker 2: you're even over familiar with with so much radio airplaying,

817
00:36:24,120 --> 00:36:26,520
Speaker 2: various movies and TV shows, that when you strip back

818
00:36:26,719 --> 00:36:29,120
Speaker 2: to one person going in and just nailing it and

819
00:36:29,200 --> 00:36:32,200
Speaker 2: they do something extraordinary and it makes you feel something,

820
00:36:32,280 --> 00:36:34,680
Speaker 2: You really go somewhere when you just hear what a

821
00:36:34,800 --> 00:36:37,080
Speaker 2: human being can do with a voice, it's incredible. This

822
00:36:37,160 --> 00:36:39,280
Speaker 2: one's a really different one, right, so from the eighties,

823
00:36:39,719 --> 00:36:43,400
Speaker 2: Take on me, Aha, Morton hark It Now. Morton Harket

824
00:36:43,440 --> 00:36:45,680
Speaker 2: has got an amazing voice, and a couple of years ago,

825
00:36:45,719 --> 00:36:47,799
Speaker 2: when I was interviewing Coldplayer and I was asking Chris

826
00:36:47,880 --> 00:36:50,279
Speaker 2: Martin about who his favorite singers of all time were,

827
00:36:50,520 --> 00:36:52,800
Speaker 2: he mentioned just this guy, and he actually told me

828
00:36:52,800 --> 00:36:54,759
Speaker 2: about this isolated vocal track. He said, you need to

829
00:36:54,800 --> 00:36:56,800
Speaker 2: hear what he can do with his vocal range in

830
00:36:56,880 --> 00:36:59,680
Speaker 2: the melody of this song. It's almost unhuman what he does.

831
00:37:00,120 --> 00:37:03,720
Speaker 2: So this has taken me from nineteen eighty four Morton Harkitt,

832
00:37:03,719 --> 00:37:05,640
Speaker 2: the lead singer of Aha. You remember the song for

833
00:37:05,719 --> 00:37:08,600
Speaker 2: the video with the pencil drawings, But what about this performance?

834
00:37:08,640 --> 00:37:09,320
Speaker 2: Have I listened to this?

835
00:37:15,320 --> 00:37:20,399
Speaker 7: Talking away? I don't know what I'm to say.

836
00:37:20,560 --> 00:37:22,279
Speaker 2: I'll say anyway.

837
00:37:23,560 --> 00:37:29,960
Speaker 7: Today's an loveday to find you shine away, Oh, I'll

838
00:37:30,000 --> 00:37:31,560
Speaker 7: be coming for your lovel ok.

839
00:37:37,160 --> 00:37:43,760
Speaker 5: Only only.

840
00:37:55,239 --> 00:37:57,399
Speaker 2: Now this this is two moreton with the song as well.

841
00:37:57,560 --> 00:38:00,600
Speaker 2: Take on Me, Martin Harkit. This week's Naked Vocal on

842
00:38:00,719 --> 00:38:02,160
Speaker 2: Gold one oh four point three.

843
00:38:03,680 --> 00:38:07,040
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

844
00:38:07,120 --> 00:38:07,800
Speaker 1: point three.

845
00:38:16,640 --> 00:38:19,600
Speaker 2: Ah take on me. Mon Harket lead sing of AHA

846
00:38:19,760 --> 00:38:22,600
Speaker 2: star this week's Naked Vocal. I've got a brilliant one

847
00:38:22,640 --> 00:38:24,520
Speaker 2: line up for the next two weeks as well. If

848
00:38:24,560 --> 00:38:26,720
Speaker 2: you ever see any they're all up there on YouTube.

849
00:38:26,760 --> 00:38:28,439
Speaker 2: You can spend hours doing a deep die and finding

850
00:38:28,520 --> 00:38:31,480
Speaker 2: these isolated vocals they call them. It's about standing ones.

851
00:38:31,640 --> 00:38:32,920
Speaker 2: If you love any, you'd love to hear it on

852
00:38:32,960 --> 00:38:34,920
Speaker 2: this just email me. I'd love to hear them. Christian

853
00:38:34,960 --> 00:38:37,440
Speaker 2: at Gold one I four three dot com dot au.

854
00:38:38,120 --> 00:38:40,600
Speaker 2: I also when he does that that amazing thing with

855
00:38:40,680 --> 00:38:43,800
Speaker 2: his voice, this emails other little flourishes, those kind of

856
00:38:43,880 --> 00:38:47,319
Speaker 2: little kind of what's that? But it's amazing. It all

857
00:38:47,360 --> 00:38:50,600
Speaker 2: adds to the imperfect perfect. I was looking a couple

858
00:38:50,600 --> 00:38:52,160
Speaker 2: of years ago. I saw them lie but it's quite

859
00:38:52,160 --> 00:38:54,680
Speaker 2: an unusual gig, right. It was an award ceremony, Radio

860
00:38:54,719 --> 00:38:58,360
Speaker 2: awards ceremony and radio award ceremonies. We all know what designy.

861
00:38:58,480 --> 00:39:02,839
Speaker 2: The audience is jaded, dead eyed people. I was hosting it, right,

862
00:39:02,960 --> 00:39:05,920
Speaker 2: so so you know I had to stare out of

863
00:39:06,000 --> 00:39:09,360
Speaker 2: those empty, jaded, angry, bitter faces for three hours and

864
00:39:09,760 --> 00:39:11,480
Speaker 2: at the end of the night ago and uh, you

865
00:39:11,640 --> 00:39:14,399
Speaker 2: start turn tonight and I bring on Ahart. That's I'm

866
00:39:14,440 --> 00:39:17,760
Speaker 2: walking past the band. They're all tracksing on right, Moe Harket,

867
00:39:18,760 --> 00:39:22,000
Speaker 2: mister moves, we're passing each other. He goes and get

868
00:39:22,040 --> 00:39:24,600
Speaker 2: on with it and paint a face smile and this,

869
00:39:24,719 --> 00:39:26,960
Speaker 2: and get on with this and drops a really bad

870
00:39:27,040 --> 00:39:27,480
Speaker 2: swell word.

871
00:39:27,680 --> 00:39:28,400
Speaker 3: So get on with this.

872
00:39:29,160 --> 00:39:31,040
Speaker 2: It says that as he's walking past me. Then picks

873
00:39:31,120 --> 00:39:33,879
Speaker 2: up the mic and goes straight into and amazing before

874
00:39:33,960 --> 00:39:36,360
Speaker 2: he does that live, you know those high notes his

875
00:39:36,480 --> 00:39:38,320
Speaker 2: voice are still wears a smile on his face the

876
00:39:38,360 --> 00:39:42,399
Speaker 2: whole time to the worst gig of their life, Dead

877
00:39:42,440 --> 00:39:45,560
Speaker 2: eyed radio people. All right, then, Patsy, just a quick ruling,

878
00:39:45,600 --> 00:39:47,000
Speaker 2: by the way, you know, we said that today was

879
00:39:47,000 --> 00:39:49,600
Speaker 2: going to be the last chance. Yeah, the tickets. It's

880
00:39:49,640 --> 00:39:53,200
Speaker 2: been so much fun hearing you lose. I think it's

881
00:39:53,320 --> 00:39:55,560
Speaker 2: nice to give you another chance to lose against.

882
00:39:55,480 --> 00:39:59,479
Speaker 4: He got another chance to win lose the only reason

883
00:39:59,520 --> 00:39:59,719
Speaker 4: we do.

884
00:40:00,120 --> 00:40:02,200
Speaker 2: Yes, So we're scrapping the idea that we are going

885
00:40:02,239 --> 00:40:03,440
Speaker 2: to do. We don't even know what we're going to

886
00:40:03,480 --> 00:40:06,120
Speaker 2: do yet, but it's another game. When another round of

887
00:40:06,239 --> 00:40:08,600
Speaker 2: when Patsy's Brian Adams tickets tomorrow morning.

888
00:40:08,960 --> 00:40:12,000
Speaker 4: If it was a drinking game on win we can't

889
00:40:12,080 --> 00:40:12,680
Speaker 4: do that Saturday.

890
00:40:12,680 --> 00:40:13,359
Speaker 2: It's breakfast time.

891
00:40:13,400 --> 00:40:13,680
Speaker 3: Okay.

892
00:40:13,960 --> 00:40:17,319
Speaker 2: So at the moment you're one from nine, Jack's worked out.

893
00:40:17,320 --> 00:40:19,000
Speaker 2: I said to Jack, please work out the PERCENTA. Just

894
00:40:19,120 --> 00:40:22,440
Speaker 2: imagine this. So if you went, if you went to

895
00:40:22,520 --> 00:40:24,880
Speaker 2: the dictionary, looked up the word super fan, which is

896
00:40:24,920 --> 00:40:27,400
Speaker 2: what you told me you were Brian Adams, it wouldn't

897
00:40:27,440 --> 00:40:29,759
Speaker 2: say we'd only get one out of nine in a

898
00:40:29,840 --> 00:40:32,160
Speaker 2: quiz on the thing that they're a super fan of.

899
00:40:32,640 --> 00:40:34,080
Speaker 2: So if it was a school report, she did a

900
00:40:34,120 --> 00:40:37,200
Speaker 2: school test, she'd been swatting up her entire adult life

901
00:40:37,280 --> 00:40:41,640
Speaker 2: on decades on Bryan Adams, what was she scored eleven percent?

902
00:40:42,239 --> 00:40:43,920
Speaker 2: You wouldn't write if you were a teacher, wouldn't write

903
00:40:44,120 --> 00:40:50,399
Speaker 2: clearly super fan. Yeah, so there will be another round

904
00:40:50,440 --> 00:40:52,560
Speaker 2: tomorrow when Pats is Brian Adams.

905
00:40:52,640 --> 00:40:56,279
Speaker 1: Tickets the Christian O'Connell breakfast Show, Melbourne's Gold one oh

906
00:40:56,400 --> 00:40:57,080
Speaker 1: four point three.

907
00:40:57,600 --> 00:41:00,239
Speaker 2: We've we've thought up the game for tomorrow. Pan see

908
00:41:00,239 --> 00:41:01,080
Speaker 2: for the Brian Adams ticket.

909
00:41:01,160 --> 00:41:04,760
Speaker 4: Oh yeah, what is it? Something against my favor?

910
00:41:04,840 --> 00:41:08,040
Speaker 2: No doubt, no doubt, it's it's we've actually just brainstorm

911
00:41:08,120 --> 00:41:11,560
Speaker 2: it during that song a game that you it's the

912
00:41:11,600 --> 00:41:13,560
Speaker 2: best chance you've got a winning this week. I mean

913
00:41:13,600 --> 00:41:15,600
Speaker 2: that really, Jack, that's right.

914
00:41:15,680 --> 00:41:17,040
Speaker 5: Yeah, you can't get to the end of it and

915
00:41:17,239 --> 00:41:19,680
Speaker 5: argue that no, Nicole had a better chance than you know.

916
00:41:19,920 --> 00:41:22,560
Speaker 4: Right, Okay, So I'll be interested to hear what that

917
00:41:22,680 --> 00:41:23,319
Speaker 4: is In the post show.

918
00:41:23,360 --> 00:41:25,160
Speaker 2: I'll speak to you. No no, no, no, no no,

919
00:41:25,280 --> 00:41:27,640
Speaker 2: it's complete radio silence. I will tell you what it

920
00:41:27,800 --> 00:41:30,759
Speaker 2: is at seven thirty four and thirty.

921
00:41:30,520 --> 00:41:32,560
Speaker 4: Four seconds to find out till the day.

922
00:41:32,680 --> 00:41:34,799
Speaker 2: You'll find out to my like the listener will take

923
00:41:34,920 --> 00:41:36,160
Speaker 2: you on put.

924
00:41:36,000 --> 00:41:36,680
Speaker 4: On the spot again.

925
00:41:37,560 --> 00:41:40,200
Speaker 2: Well, what he wants to do? Do you want me

926
00:41:40,280 --> 00:41:41,359
Speaker 2: to email them to you today?

927
00:41:41,520 --> 00:41:43,280
Speaker 4: You can preferably with the answers.

928
00:41:44,320 --> 00:41:46,880
Speaker 5: What example do you You're going to do a lot

929
00:41:46,920 --> 00:41:48,360
Speaker 5: of stuff about the first fleet.

930
00:41:48,239 --> 00:41:53,640
Speaker 2: So your phone out now, yeah, no worries, all right

931
00:41:53,760 --> 00:41:55,920
Speaker 2: over this week, you're smarter than Google. This is what

932
00:41:56,040 --> 00:41:58,000
Speaker 2: we try and work the answer out to a question,

933
00:41:58,520 --> 00:42:00,400
Speaker 2: and you're not actually go on to Google. Let's try

934
00:42:00,400 --> 00:42:02,600
Speaker 2: and use our collective brain power with the bow the

935
00:42:02,680 --> 00:42:05,040
Speaker 2: what we used to do before we had instant access

936
00:42:05,120 --> 00:42:08,719
Speaker 2: to Google. So no consulting the internet. It's really hard

937
00:42:09,080 --> 00:42:10,879
Speaker 2: because even last night, when I think about this question,

938
00:42:10,920 --> 00:42:12,600
Speaker 2: I wanted to jump online just to read up a

939
00:42:12,640 --> 00:42:14,440
Speaker 2: bit and find out what the technical terms were for

940
00:42:14,480 --> 00:42:16,480
Speaker 2: what I'm about to talk about. So we're all going

941
00:42:16,560 --> 00:42:19,560
Speaker 2: toless blind. Some of you would have some ideas. That's

942
00:42:19,600 --> 00:42:20,920
Speaker 2: what I want to hear about. We're trying and work

943
00:42:21,000 --> 00:42:23,719
Speaker 2: towards an answer on nine four one four one oh

944
00:42:23,840 --> 00:42:27,160
Speaker 2: four three. Here's this week's question for You're smarter than Google.

945
00:42:27,719 --> 00:42:32,120
Speaker 2: Why do our fingers vary in length? Yeah? Why is

946
00:42:32,160 --> 00:42:34,880
Speaker 2: that middle one, that big old et one? Why is

947
00:42:34,960 --> 00:42:38,600
Speaker 2: it longer than the pinky, the thumb, the little stubby one?

948
00:42:38,680 --> 00:42:39,040
Speaker 3: The thumb?

949
00:42:39,719 --> 00:42:42,200
Speaker 2: Thumb doesn't even sound like a medical part, does it?

950
00:42:42,400 --> 00:42:45,799
Speaker 5: And then would you say ring and index finger are

951
00:42:45,920 --> 00:42:48,439
Speaker 5: sore of the same length? Just trying to my hands now, Yeah,

952
00:42:48,480 --> 00:42:52,080
Speaker 5: but there's a there's different differentiating. I think there's different

953
00:42:52,120 --> 00:42:54,560
Speaker 5: between men and women. It's due to the amount of

954
00:42:54,600 --> 00:42:57,719
Speaker 5: testosterone you're exposed to in the wounder and brad gestation.

955
00:42:58,239 --> 00:42:59,319
Speaker 2: But again that's what I hear.

956
00:43:00,120 --> 00:43:00,960
Speaker 3: Do you know by the way, I do?

957
00:43:01,120 --> 00:43:01,600
Speaker 7: I do know this?

958
00:43:01,719 --> 00:43:03,480
Speaker 2: Maybe it's something works. Insurance can back me up if

959
00:43:03,480 --> 00:43:05,120
Speaker 2: you lose your thumb in an accident, you get the

960
00:43:05,160 --> 00:43:07,080
Speaker 2: biggest payout if you lose any of the digits.

961
00:43:07,440 --> 00:43:10,799
Speaker 5: Oh yeah, that makes sense. Pinky should be the least

962
00:43:10,800 --> 00:43:13,440
Speaker 5: because really pinky is a bit besides doing that thing

963
00:43:13,520 --> 00:43:14,920
Speaker 5: that English people do when they drink tea.

964
00:43:15,080 --> 00:43:16,480
Speaker 2: I always do. It's not enough just that you know,

965
00:43:16,800 --> 00:43:18,600
Speaker 2: you obvious haven't seen me in a pub. Sometimes I

966
00:43:19,080 --> 00:43:21,919
Speaker 2: get really nervous around Australians when I go and drink

967
00:43:22,000 --> 00:43:24,040
Speaker 2: a pint and I don't. I don't drink parts because

968
00:43:24,040 --> 00:43:25,920
Speaker 2: I'm a man. When I drink a pint, that pinky

969
00:43:26,000 --> 00:43:27,960
Speaker 2: goes up like it's a phone china cup of teas.

970
00:43:29,239 --> 00:43:31,239
Speaker 2: I saw a guy who applelightes. Do want to say anything,

971
00:43:31,239 --> 00:43:34,439
Speaker 2: but I saw and check it. Go Jesus, Oh lord

972
00:43:34,560 --> 00:43:39,399
Speaker 2: fontoy over there all right then? So what do you think?

973
00:43:39,600 --> 00:43:42,920
Speaker 2: Why do our fingers very in length nine four one

974
00:43:43,040 --> 00:43:44,440
Speaker 2: four one oh four three.

975
00:43:44,400 --> 00:43:47,719
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

976
00:43:47,800 --> 00:43:48,239
Speaker 1: point three.

977
00:43:49,480 --> 00:43:50,120
Speaker 3: Do you remember a.

978
00:43:50,160 --> 00:43:51,200
Speaker 2: Time before Google?

979
00:43:51,400 --> 00:43:52,359
Speaker 3: Was it really that long ago?

980
00:43:52,400 --> 00:43:55,080
Speaker 2: When we have try and work stuff out using our brains,

981
00:43:55,160 --> 00:43:56,520
Speaker 2: That's what we're trying to do every week on You're

982
00:43:56,520 --> 00:43:58,360
Speaker 2: Smarter than Google. We try and work out the answer

983
00:43:58,440 --> 00:44:01,200
Speaker 2: together to question. This week's question is look at ham.

984
00:44:01,239 --> 00:44:03,080
Speaker 2: When was the last time we actually looked at your palm?

985
00:44:03,360 --> 00:44:07,439
Speaker 2: And those five fingers? Why do they all vary in length?

986
00:44:08,000 --> 00:44:11,560
Speaker 2: Quick question to you, Patsy if you had your palm read, Yes,

987
00:44:11,680 --> 00:44:14,080
Speaker 2: I have, I said, I said to you, I said,

988
00:44:14,120 --> 00:44:15,080
Speaker 2: phats She said Tom.

989
00:44:16,400 --> 00:44:17,080
Speaker 3: I have it as well.

990
00:44:17,239 --> 00:44:17,640
Speaker 2: Any good?

991
00:44:18,680 --> 00:44:20,800
Speaker 4: Yeah, it was pretty positive from what I remember.

992
00:44:21,680 --> 00:44:24,440
Speaker 2: Ben's on the line one it Ben, Hey, there you

993
00:44:24,560 --> 00:44:25,319
Speaker 2: go pretty good.

994
00:44:25,600 --> 00:44:25,799
Speaker 3: Ben.

995
00:44:25,880 --> 00:44:28,600
Speaker 2: What do you think then, why do fingers vary in length?

996
00:44:29,280 --> 00:44:29,400
Speaker 6: Well?

997
00:44:29,400 --> 00:44:32,359
Speaker 16: I think it's just over in my hand. And then

998
00:44:32,360 --> 00:44:35,160
Speaker 16: I found my fingers and they all sort of came

999
00:44:35,239 --> 00:44:39,440
Speaker 16: to the same length. So I reckon, sort of like

1000
00:44:39,520 --> 00:44:42,479
Speaker 16: a racetrack, like a running race, how they all start

1001
00:44:42,560 --> 00:44:43,080
Speaker 16: off set.

1002
00:44:43,040 --> 00:44:47,160
Speaker 5: Around the corner, made to raise the stag of the starters.

1003
00:44:48,360 --> 00:44:51,040
Speaker 16: Yeah, so, and I reckon it might be like because

1004
00:44:51,040 --> 00:44:55,000
Speaker 16: of evolution, when we were all timpandees and stuff like that,

1005
00:44:55,080 --> 00:44:57,720
Speaker 16: and they used to swing around the branches, they'd always

1006
00:44:57,719 --> 00:44:59,799
Speaker 16: be rab an onto it. Just that's when it gave

1007
00:44:59,880 --> 00:45:01,560
Speaker 16: you an.

1008
00:45:00,840 --> 00:45:06,000
Speaker 2: Equal And Ben, this is a great theory. I love

1009
00:45:06,040 --> 00:45:09,440
Speaker 2: the race track, But then why aren't they the same length? Normally?

1010
00:45:14,160 --> 00:45:15,400
Speaker 3: This is what we're trying to work out.

1011
00:45:15,440 --> 00:45:16,000
Speaker 2: Right, This is what.

1012
00:45:17,760 --> 00:45:20,640
Speaker 16: When you're using the hill the same way when you're

1013
00:45:20,640 --> 00:45:23,520
Speaker 16: actually using it, but when you glasp onto something.

1014
00:45:23,880 --> 00:45:25,719
Speaker 5: If I grasp on the drink bottle bener go in

1015
00:45:25,760 --> 00:45:27,160
Speaker 5: front of me, they don't come out of the same

1016
00:45:27,239 --> 00:45:28,680
Speaker 5: length the long ones.

1017
00:45:29,120 --> 00:45:30,520
Speaker 16: Maybe you need to get a new drink.

1018
00:45:32,120 --> 00:45:36,000
Speaker 3: Hand chat. Ben, thank you very much. Like a little

1019
00:45:36,000 --> 00:45:37,000
Speaker 3: bit tough there with the science.

1020
00:45:37,560 --> 00:45:41,160
Speaker 2: Michelle, Hello, how are you? I'm pretty good, Michelle, howe

1021
00:45:41,200 --> 00:45:43,000
Speaker 2: you well this morning? So what's your theory why do

1022
00:45:43,080 --> 00:45:44,239
Speaker 2: our fingers vary in length?

1023
00:45:44,920 --> 00:45:47,360
Speaker 15: Well, my theory is that the when you want to

1024
00:45:47,400 --> 00:45:49,719
Speaker 15: pick something up, you need to be able to sort

1025
00:45:49,760 --> 00:45:52,319
Speaker 15: of especially like pincer grips, you need to be able

1026
00:45:52,360 --> 00:45:55,600
Speaker 15: to connect your thumb to all your fingers. So if

1027
00:45:55,640 --> 00:45:58,719
Speaker 15: you actually go across your hand with your thumb, the

1028
00:45:58,840 --> 00:46:00,759
Speaker 15: middle thing is the easiest one, It been the most

1029
00:46:00,840 --> 00:46:04,040
Speaker 15: that's what's the longest, and like it's the least strain

1030
00:46:04,080 --> 00:46:05,600
Speaker 15: on your thumb. Then if you go all the way

1031
00:46:05,640 --> 00:46:07,640
Speaker 15: over to the pinky, if that was as long as

1032
00:46:07,760 --> 00:46:11,480
Speaker 15: the middle finger, the Indian Yeah, the middle finger is

1033
00:46:11,520 --> 00:46:14,160
Speaker 15: being a massive strain on that last finger plus on

1034
00:46:14,239 --> 00:46:16,560
Speaker 15: your sum. So they're sort of designed so that the

1035
00:46:16,640 --> 00:46:19,720
Speaker 15: sum will actually meet the end of each finger without

1036
00:46:19,719 --> 00:46:21,360
Speaker 15: it being a strain on ours as a finger or

1037
00:46:21,400 --> 00:46:24,200
Speaker 15: the thumb, so you can actually pick up in griep beautiful.

1038
00:46:24,239 --> 00:46:26,520
Speaker 2: Theory actually makes a lot of sense to create the

1039
00:46:26,520 --> 00:46:27,560
Speaker 2: perfect Yeah.

1040
00:46:27,640 --> 00:46:29,440
Speaker 5: Actually, but now that I'm thinking about, if I had

1041
00:46:29,480 --> 00:46:32,600
Speaker 5: a long pinky, I would find that quite easy to

1042
00:46:32,680 --> 00:46:33,400
Speaker 5: touch my thumb with it.

1043
00:46:33,600 --> 00:46:35,680
Speaker 2: Plus, why Et had one, didn't he had a massive.

1044
00:46:37,719 --> 00:46:38,000
Speaker 12: Than us.

1045
00:46:38,040 --> 00:46:38,600
Speaker 15: That's different.

1046
00:46:38,719 --> 00:46:42,000
Speaker 3: Yeah, Hi, Michelle, that's a good one. Thank you very much.

1047
00:46:42,040 --> 00:46:42,279
Speaker 7: Thank you.

1048
00:46:42,520 --> 00:46:45,879
Speaker 1: The Christian O'Connell Breakfast Show, Melbourne's Gold one oh four

1049
00:46:45,960 --> 00:46:46,399
Speaker 1: point three.

1050
00:46:46,719 --> 00:46:48,880
Speaker 2: Quick question to everyone. If you had to come up

1051
00:46:48,920 --> 00:46:53,319
Speaker 2: with your top three favorite world famous entertainment precincts.

1052
00:46:53,360 --> 00:46:55,920
Speaker 3: What do you go for, Pat Oh g.

1053
00:46:58,000 --> 00:46:58,960
Speaker 4: Mcg number one?

1054
00:46:59,320 --> 00:47:02,399
Speaker 2: No, I go straight away Chapel Street, which is why

1055
00:47:02,400 --> 00:47:05,400
Speaker 2: I'm excited about the next twelve shows twelve days of

1056
00:47:05,480 --> 00:47:09,120
Speaker 2: Christmas We've got together with the world famous entertainment precinct

1057
00:47:09,760 --> 00:47:12,560
Speaker 2: Chapel Street. Let me ask you again, Pats, if you're

1058
00:47:12,600 --> 00:47:14,360
Speaker 2: going to form a top three of your world famous

1059
00:47:14,560 --> 00:47:17,120
Speaker 2: favorite world famous entertainment precincts, what's the number one.

1060
00:47:17,239 --> 00:47:18,440
Speaker 4: Oh, definitely Chapel Street.

1061
00:47:18,520 --> 00:47:20,719
Speaker 2: Yeah number two have MCG but it's always at number

1062
00:47:20,719 --> 00:47:23,759
Speaker 2: one Chapel Street. So over the next twelve shows. These

1063
00:47:23,800 --> 00:47:25,960
Speaker 2: are the last twelve shows of this year from US

1064
00:47:26,360 --> 00:47:30,440
Speaker 2: Twelve Days of Christmas Big prizes are worth one thousand

1065
00:47:30,520 --> 00:47:33,720
Speaker 2: dollars every single day thanks to that world famous entertainment

1066
00:47:33,719 --> 00:47:38,520
Speaker 2: precinct Chapel Street. Today it's a year's worth of burgers

1067
00:47:38,880 --> 00:47:42,480
Speaker 2: from Betty's Burgers and Concrete Co, which opens Monday on

1068
00:47:42,719 --> 00:47:45,440
Speaker 2: Chapel Street. I met Betty the other day. Yeah, lovely

1069
00:47:45,480 --> 00:47:49,160
Speaker 2: old lady and those hands love to make patties like

1070
00:47:49,360 --> 00:47:51,560
Speaker 2: no one else can. She does.

1071
00:47:51,640 --> 00:47:53,759
Speaker 3: Yeah at home, brings them all in every single morning

1072
00:47:53,840 --> 00:47:57,200
Speaker 3: on the little bus. Couple of days.

1073
00:47:57,239 --> 00:47:59,520
Speaker 2: Then you've got one thousand dollar bar tab for your

1074
00:47:59,520 --> 00:48:02,200
Speaker 2: own part see at La La Lane on Chapel Street. Thousand.

1075
00:48:02,239 --> 00:48:04,560
Speaker 2: I love this thousand dollars worth of old school vinyl.

1076
00:48:05,440 --> 00:48:08,680
Speaker 2: Also you'd love this Jack you love mister Maggie's a

1077
00:48:08,800 --> 00:48:13,120
Speaker 2: thousand dollars worth of d doublets. I mean where are

1078
00:48:13,120 --> 00:48:15,200
Speaker 2: you gonna keep them? Up in the loft down the shed?

1079
00:48:15,360 --> 00:48:18,920
Speaker 2: I mean dumplings everywhere you can use them as Christmas baubles,

1080
00:48:18,960 --> 00:48:20,879
Speaker 2: maybe on your Christmas tree. All right, So what we're

1081
00:48:20,920 --> 00:48:24,040
Speaker 2: gonna do? You know the song on the twelfth Christmas

1082
00:48:24,160 --> 00:48:26,600
Speaker 2: my true Love game to me. So over the next

1083
00:48:26,680 --> 00:48:29,520
Speaker 2: twelve shows, twelve days Christmas, I'd like you to keep

1084
00:48:29,520 --> 00:48:31,600
Speaker 2: a running tally of the prices we're given away to

1085
00:48:32,040 --> 00:48:35,319
Speaker 2: and who to. Yep, all right, so this is gonna this.

1086
00:48:35,360 --> 00:48:36,840
Speaker 3: Is it's gonna get hard regards.

1087
00:48:37,600 --> 00:48:40,240
Speaker 2: It should be easy, all right, So you ready ready,

1088
00:48:40,760 --> 00:48:43,040
Speaker 2: By the way, just sort of warn everyone, don't get scared.

1089
00:48:43,040 --> 00:48:45,399
Speaker 3: If you've got young kids, moved them away from the radio.

1090
00:48:45,520 --> 00:48:49,080
Speaker 2: Now we've got Huggy to be Father Christmas in this production,

1091
00:48:49,200 --> 00:48:52,000
Speaker 2: and it sounds like he's just had root canal and

1092
00:48:52,200 --> 00:48:53,160
Speaker 2: is heavily sedated.

1093
00:48:53,560 --> 00:48:56,560
Speaker 3: Here's Santa. If he was heavily sedated.

1094
00:48:59,239 --> 00:49:02,960
Speaker 7: It's Chris What Christmas?

1095
00:49:03,960 --> 00:49:07,719
Speaker 11: On the first day of Christmas, Christian gave to you

1096
00:49:08,719 --> 00:49:11,239
Speaker 11: free burgers for a whole year.

1097
00:49:14,280 --> 00:49:17,960
Speaker 2: Very good, Okay, So how are we going to play

1098
00:49:17,960 --> 00:49:20,600
Speaker 2: it today? To give away Betty's Burgers for a year?

1099
00:49:20,920 --> 00:49:21,600
Speaker 2: You call it now?

1100
00:49:21,719 --> 00:49:24,560
Speaker 3: To play put it in a decade baby.

1101
00:49:24,719 --> 00:49:28,520
Speaker 2: A Christmas Festive edition. Because also when you think about Christmas,

1102
00:49:29,200 --> 00:49:32,440
Speaker 2: you think beef burgers, It's the perfect way to start with,

1103
00:49:32,520 --> 00:49:32,800
Speaker 2: isn't it.

1104
00:49:33,200 --> 00:49:34,719
Speaker 3: Beef Burgers three year?

1105
00:49:35,120 --> 00:49:38,680
Speaker 2: Thank you Betty and the Concrete co all right, so Jack,

1106
00:49:38,719 --> 00:49:40,440
Speaker 2: it's a festive edition. How does this work for? Put

1107
00:49:40,480 --> 00:49:41,280
Speaker 2: it in a decade?

1108
00:49:41,800 --> 00:49:45,719
Speaker 5: Baby, I'll just say a movie, a book, or a

1109
00:49:46,080 --> 00:49:48,920
Speaker 5: Christmas drop the book pick well, I have got a

1110
00:49:48,920 --> 00:49:51,719
Speaker 5: book in the Christmas I'm not gonna, okay, give it away.

1111
00:49:51,800 --> 00:49:56,200
Speaker 5: Can you'll google it? Or a Christmas song. You have

1112
00:49:56,320 --> 00:50:00,680
Speaker 5: to put it in the correct decade that it was released, baby, Baby.

1113
00:50:00,440 --> 00:50:01,959
Speaker 3: All right, cool it into play now baby.

1114
00:50:02,120 --> 00:50:05,480
Speaker 1: The Christian O'Connell Breakfast Show Melbourne's Gold one oh four

1115
00:50:05,520 --> 00:50:06,000
Speaker 1: point three.

1116
00:50:06,200 --> 00:50:09,000
Speaker 2: The Countdown of Christmas starts right now. The next twelve

1117
00:50:09,080 --> 00:50:12,279
Speaker 2: shows are twelve Days of Christmas. Big Price is every

1118
00:50:12,320 --> 00:50:15,080
Speaker 2: single day worth over one thousand dollars thanks to the

1119
00:50:15,200 --> 00:50:20,080
Speaker 2: world famous entertainment precinct Chapel Street. Well done, seems so good.

1120
00:50:20,120 --> 00:50:22,200
Speaker 2: I'm going to go and get a tattoo day. Today's

1121
00:50:22,280 --> 00:50:24,480
Speaker 2: actually saying all of that, it would be really nice.

1122
00:50:24,480 --> 00:50:26,320
Speaker 5: I thought that tatoo that you had that was already

1123
00:50:26,360 --> 00:50:27,080
Speaker 5: Chapel Straight.

1124
00:50:26,880 --> 00:50:28,080
Speaker 2: It just say Chapel Stree. At the moment, I just

1125
00:50:28,160 --> 00:50:29,320
Speaker 2: want to get one on the other side that I

1126
00:50:29,400 --> 00:50:31,279
Speaker 2: can put together on my other inside risk it says

1127
00:50:31,320 --> 00:50:34,800
Speaker 2: world famous entertainment precinct. Okay, because I think precinct in

1128
00:50:35,120 --> 00:50:38,040
Speaker 2: like Thai language will look really good, really nice.

1129
00:50:38,640 --> 00:50:40,880
Speaker 3: Left by step. All right, let's play you ready to

1130
00:50:40,920 --> 00:50:41,399
Speaker 3: sing again?

1131
00:50:41,560 --> 00:50:41,799
Speaker 2: I am.

1132
00:50:45,600 --> 00:50:49,280
Speaker 7: It's Christen O'Connell's cool Christmas.

1133
00:50:50,239 --> 00:50:54,080
Speaker 11: On the first day of Christmas, Christian gave to you

1134
00:50:55,080 --> 00:50:57,600
Speaker 11: free burgers for a whole year.

1135
00:50:58,120 --> 00:51:01,439
Speaker 2: That's today's price above a week for a year thanks

1136
00:51:01,480 --> 00:51:05,080
Speaker 2: to Betty's Burgers opens Monday on Champel.

1137
00:51:04,840 --> 00:51:05,440
Speaker 3: Street pop in.

1138
00:51:05,560 --> 00:51:10,080
Speaker 2: So we sent you playing this morning Andy, Good morning Andy.

1139
00:51:10,239 --> 00:51:11,839
Speaker 2: Did you ever think in your life you'd be lucky

1140
00:51:11,920 --> 00:51:13,799
Speaker 2: enough one day to get through to a radio show

1141
00:51:13,840 --> 00:51:16,400
Speaker 2: to possibly win yourself a burger week for a.

1142
00:51:16,480 --> 00:51:18,319
Speaker 6: Year, Not in a million years.

1143
00:51:18,520 --> 00:51:21,080
Speaker 3: Wall we lead to this, my friends, this moment, all

1144
00:51:21,160 --> 00:51:25,560
Speaker 3: right Andy? Good luck? Andy?

1145
00:51:26,400 --> 00:51:26,640
Speaker 16: Thank you?

1146
00:51:26,880 --> 00:51:28,719
Speaker 3: Yeah, yes, second, we're all good.

1147
00:51:28,800 --> 00:51:30,440
Speaker 2: Often it's polite there to fill the gap with a

1148
00:51:30,480 --> 00:51:32,840
Speaker 2: little thank you or I'm ready to play. Christian So

1149
00:51:33,120 --> 00:51:35,520
Speaker 2: burger for a year, Burger a week for a year, mate,

1150
00:51:35,520 --> 00:51:37,640
Speaker 2: good luck. We're going to play put it in a decade, baby.

1151
00:51:37,680 --> 00:51:39,719
Speaker 2: So when you give Jack the decade. If you could

1152
00:51:39,760 --> 00:51:41,439
Speaker 2: just put a little baby at the end, that helped

1153
00:51:41,560 --> 00:51:44,880
Speaker 2: play the game along. Andy, Sure, put it in.

1154
00:51:44,920 --> 00:51:46,120
Speaker 5: A Christmas decade?

1155
00:51:46,200 --> 00:51:46,520
Speaker 2: Baby?

1156
00:51:47,320 --> 00:51:51,600
Speaker 5: What decade was National Lampoon's Christmas Vacation released?

1157
00:51:54,080 --> 00:51:56,200
Speaker 16: I would It's a favorite of mine. We watch it

1158
00:51:56,280 --> 00:51:56,680
Speaker 16: every year.

1159
00:51:58,920 --> 00:51:59,800
Speaker 2: Yeah, brilliant.

1160
00:52:00,480 --> 00:52:05,320
Speaker 16: I would have to say, my hat's telling me nineties.

1161
00:52:05,360 --> 00:52:11,479
Speaker 5: But I'm going to go with eighties nineteen eighty nine, right,

1162
00:52:11,640 --> 00:52:12,320
Speaker 5: great movie.

1163
00:52:12,400 --> 00:52:14,960
Speaker 2: So it's Clark Grizzwold. Also movies Chevy Chase.

1164
00:52:16,239 --> 00:52:18,399
Speaker 3: Baby, It's very happy, well done.

1165
00:52:18,680 --> 00:52:19,280
Speaker 2: No sorry.

1166
00:52:21,000 --> 00:52:21,239
Speaker 4: Question.

1167
00:52:21,640 --> 00:52:25,480
Speaker 2: Listen, the road to Betty's Burgers is not one question, right,

1168
00:52:25,520 --> 00:52:27,600
Speaker 2: and you unknock and get a year's worth the Burger's

1169
00:52:27,600 --> 00:52:30,040
Speaker 2: my friend. You've got to get three out of five, right, Andy, No,

1170
00:52:30,280 --> 00:52:30,719
Speaker 2: that's okay.

1171
00:52:30,840 --> 00:52:31,680
Speaker 16: I'm just excited.

1172
00:52:32,080 --> 00:52:32,919
Speaker 3: That's okay, Okay.

1173
00:52:33,760 --> 00:52:37,640
Speaker 5: In what decade was Mariah Carey's All I Want for Christmas?

1174
00:52:37,920 --> 00:52:38,160
Speaker 1: Is You?

1175
00:52:38,560 --> 00:52:39,000
Speaker 5: Released?

1176
00:52:39,080 --> 00:52:39,200
Speaker 6: Oh?

1177
00:52:39,320 --> 00:52:40,320
Speaker 2: I did he? No decade?

1178
00:52:40,360 --> 00:52:42,279
Speaker 6: But yeah, yeah, I agree.

1179
00:52:42,520 --> 00:52:44,040
Speaker 16: Let's go with nineties.

1180
00:52:44,239 --> 00:52:45,320
Speaker 5: Nineteen ninety four.

1181
00:52:47,320 --> 00:52:50,359
Speaker 2: To get this next one, right, Andy, need to put

1182
00:52:50,440 --> 00:52:53,120
Speaker 2: baby at the end of it, though, Andy, please, it's.

1183
00:52:52,960 --> 00:52:55,279
Speaker 5: The must anticipated book edition.

1184
00:52:56,160 --> 00:52:56,800
Speaker 2: I'd warn you.

1185
00:52:56,880 --> 00:52:59,600
Speaker 3: I don't want to hear this baby, written.

1186
00:52:59,320 --> 00:53:02,520
Speaker 5: In illustrated by Doctor Sus. The book version of How

1187
00:53:02,800 --> 00:53:06,920
Speaker 5: the Grinch Stole Christmas was released in What Decade Baby

1188
00:53:07,160 --> 00:53:07,720
Speaker 5: Good one.

1189
00:53:09,120 --> 00:53:10,080
Speaker 16: The seven.

1190
00:53:11,719 --> 00:53:17,920
Speaker 5: Nineteen fifty seven. That old Grinch trying to ruin your Christmas?

1191
00:53:18,000 --> 00:53:20,280
Speaker 2: Andy and my tummies?

1192
00:53:20,760 --> 00:53:22,719
Speaker 5: Still two more questions ago? You only need one more

1193
00:53:22,760 --> 00:53:27,120
Speaker 5: correct answer? What decade was Tim Burtons The Nightmare Before Christmas?

1194
00:53:27,239 --> 00:53:33,600
Speaker 5: Released nineties Baby nineteen ninety.

1195
00:53:36,000 --> 00:53:38,239
Speaker 2: Say it to a Burger a week and say it

1196
00:53:38,480 --> 00:53:42,439
Speaker 2: to Betty's Burgers and Concrete Co opens Monday on Chapel Street.

1197
00:53:42,640 --> 00:53:45,480
Speaker 14: Why don't mate, that's amazing, Thank you very much.

1198
00:53:45,640 --> 00:53:47,160
Speaker 3: Okay, So what I need to do just for a

1199
00:53:47,239 --> 00:53:49,840
Speaker 3: bit of tight you said Jack? Can I get you

1200
00:53:50,080 --> 00:53:55,280
Speaker 3: then to say? Just update your and Andy?

1201
00:53:56,840 --> 00:54:01,000
Speaker 11: On the first day of Christmas, Christian gave to Andy

1202
00:54:01,600 --> 00:54:04,040
Speaker 11: three burgers for a whole year.

1203
00:54:04,280 --> 00:54:09,520
Speaker 7: Why this Christmas shop? Play and stay in the world

1204
00:54:09,640 --> 00:54:15,680
Speaker 7: famous entertainment precinct Chapel Street, The.

1205
00:54:15,760 --> 00:54:19,520
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point three.

1206
00:54:22,320 --> 00:54:25,120
Speaker 2: Seeing that advert for Jim's Mowing, It's got all kinds

1207
00:54:25,120 --> 00:54:27,320
Speaker 2: of different spin offs. Do you know that Jim's Cleaning

1208
00:54:27,360 --> 00:54:30,200
Speaker 2: and I saw a new one yesterday. Vang drove past

1209
00:54:30,280 --> 00:54:36,000
Speaker 2: me for Jim's sewing. Okay, today's at work time waste.

1210
00:54:36,120 --> 00:54:38,160
Speaker 5: I didn't know to get prepared for comedy.

1211
00:54:39,440 --> 00:54:43,040
Speaker 2: Oh, we haven't heard your at work time waste as

1212
00:54:43,120 --> 00:54:44,880
Speaker 2: yet today.

1213
00:54:44,920 --> 00:54:45,880
Speaker 5: I'm not happy with them.

1214
00:54:46,040 --> 00:54:48,000
Speaker 2: I knew. I think they had come up with good

1215
00:54:48,000 --> 00:54:50,080
Speaker 2: stuff today. This is interesting. I heard Pats mentioned this

1216
00:54:50,160 --> 00:54:53,440
Speaker 2: in primetime mus at five point thirty. Uh, poor Pats

1217
00:54:53,480 --> 00:54:55,520
Speaker 2: has to start half an hour before her. She said,

1218
00:54:55,760 --> 00:54:57,480
Speaker 2: have you heard it though? That read at five thirty?

1219
00:54:57,760 --> 00:54:59,839
Speaker 3: Oh, come no, I said, have you heard? It's great?

1220
00:55:00,000 --> 00:55:00,759
Speaker 3: It's really good.

1221
00:55:00,880 --> 00:55:02,520
Speaker 4: It's a bit dusty somehow, it's not.

1222
00:55:02,960 --> 00:55:06,480
Speaker 2: Air Tasker has a real the laziest suburbs here in Melbourne.

1223
00:55:07,000 --> 00:55:11,160
Speaker 2: I was stunned that Richmond's at number one. Really yeah,

1224
00:55:12,040 --> 00:55:14,279
Speaker 2: I thought like Brighton would be higher, because even last

1225
00:55:14,320 --> 00:55:15,799
Speaker 2: Frida in the show I was talking, you guys were

1226
00:55:15,800 --> 00:55:16,800
Speaker 2: telling about Air Tasker.

1227
00:55:17,160 --> 00:55:18,040
Speaker 3: So anyway, today, with.

1228
00:55:18,160 --> 00:55:20,440
Speaker 2: All this, Richmond's at number one, south Yarra two, sin

1229
00:55:20,520 --> 00:55:23,240
Speaker 2: Kid at three, Brighton's only number ten. All right, today

1230
00:55:23,280 --> 00:55:27,239
Speaker 2: it's make a song lazy I've got. When I think

1231
00:55:27,280 --> 00:55:34,080
Speaker 2: about you, I couch myself. I would walk five hundred feet,

1232
00:55:34,120 --> 00:55:39,399
Speaker 2: but no more than that. I don't know if you'll

1233
00:55:39,440 --> 00:55:42,560
Speaker 2: know this song, Jack Perats, you remember this I want

1234
00:55:42,640 --> 00:55:44,560
Speaker 2: to have already sexed you up? Do you remember this song?

1235
00:55:44,600 --> 00:55:47,080
Speaker 2: I want to sex you tired? Can you please be

1236
00:55:47,160 --> 00:55:50,320
Speaker 2: already sexed up? Don't wake me up before you go

1237
00:55:50,440 --> 00:55:55,759
Speaker 2: go knackered. Nobody was kung fu fighting? Do they know?

1238
00:55:55,880 --> 00:55:59,640
Speaker 2: It's Christmas? And everything I do I do it for you,

1239
00:55:59,760 --> 00:56:01,600
Speaker 2: but not right now, maybe tomorrow. Get back to it,

1240
00:56:03,080 --> 00:56:05,120
Speaker 2: all right, Jack? What have you got there from? Make

1241
00:56:05,239 --> 00:56:06,200
Speaker 2: a song lazy?

1242
00:56:07,040 --> 00:56:10,000
Speaker 5: Instead of eight days a week, eight days a year.

1243
00:56:15,440 --> 00:56:17,000
Speaker 3: One open the window for these I think we're into

1244
00:56:17,040 --> 00:56:17,640
Speaker 3: a stinky one.

1245
00:56:18,880 --> 00:56:20,600
Speaker 5: Walk to paradise instead of run.

1246
00:56:20,719 --> 00:56:24,280
Speaker 2: You walk because you're lazy, absolutely strong, strong to paradise.

1247
00:56:24,800 --> 00:56:29,239
Speaker 5: This one's not bad. Working nine to five past nine.

1248
00:56:30,320 --> 00:56:30,719
Speaker 3: That's good.

1249
00:56:30,800 --> 00:56:39,759
Speaker 5: That's a good working day. Finished at the grease, all right?

1250
00:56:39,840 --> 00:56:40,000
Speaker 7: Then?

1251
00:56:40,040 --> 00:56:41,960
Speaker 2: What a great prize today? Then for make a Song

1252
00:56:42,040 --> 00:56:43,880
Speaker 2: lays as well? You were saying the other day. Wouldn't

1253
00:56:43,880 --> 00:56:46,000
Speaker 2: be great if we could get some passes for to

1254
00:56:46,080 --> 00:56:48,719
Speaker 2: go to vic Zoo? Yes, I've got the mate. Yeah,

1255
00:56:48,760 --> 00:56:51,040
Speaker 2: you're off to Victoria Zoo. And it's a close up

1256
00:56:51,280 --> 00:56:54,000
Speaker 2: encounter and I was chating to him yesterday. It doesn't

1257
00:56:54,000 --> 00:56:59,680
Speaker 2: involve hopping up the packs. No, it's a close ever

1258
00:56:59,760 --> 00:57:02,440
Speaker 2: enco at Victoria Zoo. And let me tell you this

1259
00:57:02,600 --> 00:57:05,759
Speaker 2: age hour as a proud partner of Zoo Victorias all

1260
00:57:05,800 --> 00:57:06,640
Speaker 2: great stuff, all right?

1261
00:57:06,680 --> 00:57:09,040
Speaker 3: Then text in, then make a song Lazy The.

1262
00:57:09,080 --> 00:57:12,839
Speaker 1: Christian O'Connell Breakfast Show Melbourne's Gold one oh four point three.

1263
00:57:25,640 --> 00:57:27,920
Speaker 2: Time now for us to mark your at work time

1264
00:57:27,960 --> 00:57:30,040
Speaker 2: wasters and Gold one oh four point three is something

1265
00:57:30,080 --> 00:57:32,080
Speaker 2: to do every day on the Breadfast Show. You can

1266
00:57:32,120 --> 00:57:33,919
Speaker 2: still a game with a show. You can be at work,

1267
00:57:34,360 --> 00:57:36,160
Speaker 2: don't need to call in, just texting. We designed it

1268
00:57:36,200 --> 00:57:39,240
Speaker 2: for that chatwork time waster. Today after air taskers have

1269
00:57:39,320 --> 00:57:43,720
Speaker 2: build the laziest suburbs in Melbourne, make a song lazy Jack.

1270
00:57:43,760 --> 00:57:44,560
Speaker 2: Are you ready to mark?

1271
00:57:44,680 --> 00:57:48,960
Speaker 5: I'll be awarding a golden slug for the laziest entries,

1272
00:57:49,200 --> 00:57:49,680
Speaker 5: all right.

1273
00:57:49,640 --> 00:57:52,320
Speaker 2: And one person gets a family entry and a close

1274
00:57:52,400 --> 00:57:56,520
Speaker 2: up in counterpass into Victoria Zoo. Let's not get physical,

1275
00:57:57,440 --> 00:58:00,560
Speaker 2: Olivia Newton John, Let's get filed that for Jason Sleepy

1276
00:58:00,600 --> 00:58:07,600
Speaker 2: class Man Gold Joe Worlder. We are the champions of

1277
00:58:07,720 --> 00:58:12,400
Speaker 2: sleeping Silver Brennan. I want to sit down, not dance

1278
00:58:12,480 --> 00:58:18,920
Speaker 2: with somebody. Silver Sarah in Fitzroy Horn to crawl, silverl

1279
00:58:18,960 --> 00:58:25,240
Speaker 2: Plus smells like teen sleeping gold Escalator to heaven.

1280
00:58:26,360 --> 00:58:27,640
Speaker 5: That's good Gold.

1281
00:58:30,920 --> 00:58:35,920
Speaker 2: Get this party, but comes get this party finished. Bronze, Yeah, yeah,

1282
00:58:35,960 --> 00:58:41,440
Speaker 2: not subtle. I don't want to dance with anybody. Andrea

1283
00:58:42,480 --> 00:58:44,160
Speaker 2: silvil plus doors all this way.

1284
00:58:46,600 --> 00:58:48,760
Speaker 5: I like the use of the word gold.

1285
00:58:48,960 --> 00:58:51,480
Speaker 2: With a muzzard in Cranbourne, can't get you out of

1286
00:58:51,520 --> 00:58:56,640
Speaker 2: my bed. Nice Gold, Rebecca Wonder All sleep till Brooklyn

1287
00:58:56,920 --> 00:59:01,800
Speaker 2: based on the first Golden Sla and Tyler bohem this

1288
00:59:02,000 --> 00:59:07,000
Speaker 2: is a great one. Bohemian Napsody, Golden Sla, Amanda and

1289
00:59:07,120 --> 00:59:10,040
Speaker 2: Rosebud take about drive like an Egyptian genius.

1290
00:59:11,440 --> 00:59:15,440
Speaker 3: Very very clever, Steve, I have the pillow. We're back down.

1291
00:59:15,520 --> 00:59:17,240
Speaker 3: Joel the guy and give us that stinky one earliest.

1292
00:59:18,520 --> 00:59:23,960
Speaker 2: So Joel, I have the die is bad. He's the

1293
00:59:24,040 --> 00:59:25,600
Speaker 2: one that sent ERUs to get this party started. But

1294
00:59:25,680 --> 00:59:29,800
Speaker 2: comes get this point finished. I would drive five hundred miles.

1295
00:59:30,800 --> 00:59:31,680
Speaker 5: They borrowed your one.

1296
00:59:32,280 --> 00:59:35,160
Speaker 2: Silver Sad time to see you with work like that.

1297
00:59:35,240 --> 00:59:41,760
Speaker 2: Stratos's back living on a bed. That's good Gold shady Okay,

1298
00:59:41,840 --> 00:59:44,960
Speaker 2: Who's who's winning, Who's getting the up closer encounter with

1299
00:59:45,000 --> 00:59:46,840
Speaker 2: the lions? You actually are riding.

1300
00:59:46,600 --> 00:59:48,600
Speaker 5: A line Bohemian, nasty.

1301
00:59:48,480 --> 00:59:50,760
Speaker 2: Bohemian Naziti goes to you, Amanda.

1302
00:59:50,960 --> 00:59:52,040
Speaker 3: Here rosebud Well.

1303
00:59:51,920 --> 00:59:55,400
Speaker 1: Done the Christian O'Connell Breakfast Show, Melbourne's Gold one oh

1304
00:59:55,520 --> 00:59:56,240
Speaker 1: four point.

1305
00:59:56,040 --> 00:59:58,919
Speaker 2: Three, so not long ago. Now for Bungalow, our winning

1306
00:59:59,000 --> 01:00:01,520
Speaker 2: man for one stream until they take the big stage

1307
01:00:01,920 --> 01:00:04,360
Speaker 2: Sunday now talk about that. It is completely sold out

1308
01:00:04,400 --> 01:00:06,400
Speaker 2: one electric day rightly. So it's an amazing line and

1309
01:00:06,440 --> 01:00:09,680
Speaker 2: we've got Jimmy Barnes, the Angels and loads more. Gates

1310
01:00:09,720 --> 01:00:12,320
Speaker 2: open at ten thirty. I know I'm hoping right now

1311
01:00:12,560 --> 01:00:15,560
Speaker 2: there are people listening. You've got your tickets. It'll be amazing.

1312
01:00:15,560 --> 01:00:17,240
Speaker 2: I know a lot of you I've never been before,

1313
01:00:17,280 --> 01:00:18,840
Speaker 2: but I imagine it'd want to get They're ready to

1314
01:00:18,880 --> 01:00:19,560
Speaker 2: get a good spot.

1315
01:00:19,800 --> 01:00:22,120
Speaker 4: Yeah, it's pat right from the get go. They line

1316
01:00:22,160 --> 01:00:23,120
Speaker 4: up at the gates.

1317
01:00:22,960 --> 01:00:25,400
Speaker 2: Do they Yeah, they are all big festivals and you're

1318
01:00:25,440 --> 01:00:28,160
Speaker 2: piling and you've got your spot for the day.

1319
01:00:28,400 --> 01:00:28,640
Speaker 6: Yeah.

1320
01:00:28,760 --> 01:00:31,040
Speaker 2: So what we wanted to do is when Bungalow come on,

1321
01:00:31,160 --> 01:00:32,840
Speaker 2: they are the first band they know that that's the

1322
01:00:32,880 --> 01:00:35,000
Speaker 2: big price. They're going to be on eleven thirty and

1323
01:00:35,120 --> 01:00:37,280
Speaker 2: then all the bands start the moment they've done their

1324
01:00:37,320 --> 01:00:40,080
Speaker 2: twenty minute set, so hopefully they're going to I thought

1325
01:00:40,080 --> 01:00:41,560
Speaker 2: they're only going to get like two or three songs.

1326
01:00:41,600 --> 01:00:44,120
Speaker 2: They're going to do about five songs, which is amazing

1327
01:00:44,440 --> 01:00:47,840
Speaker 2: half the album. So please, if you are going get

1328
01:00:47,920 --> 01:00:50,320
Speaker 2: there early. I'll be bringing them on stage at eleven thirty,

1329
01:00:50,320 --> 01:00:52,360
Speaker 2: and I'm really hoping that there's a couple of thousand

1330
01:00:52,440 --> 01:00:54,520
Speaker 2: people there. They're going to really want to hear this

1331
01:00:54,680 --> 01:00:57,040
Speaker 2: band when they hear the story and why it's going

1332
01:00:57,080 --> 01:00:59,440
Speaker 2: to be such an amazing performance on so gates open

1333
01:00:59,440 --> 01:01:01,440
Speaker 2: at ten thirty. I'd love it if you could be

1334
01:01:01,560 --> 01:01:05,080
Speaker 2: there at eleven thirty when we bring on Bungalow. Now,

1335
01:01:05,360 --> 01:01:08,440
Speaker 2: yesterday we spoke to the band and I asked him

1336
01:01:08,480 --> 01:01:11,080
Speaker 2: to let us know what they would want on their rider.

1337
01:01:12,320 --> 01:01:13,320
Speaker 2: What would you want a rider?

1338
01:01:14,160 --> 01:01:18,600
Speaker 5: I would have a massus backstage massage table and maybe

1339
01:01:18,680 --> 01:01:19,920
Speaker 5: some of those Asaii bowls.

1340
01:01:19,960 --> 01:01:24,720
Speaker 3: I like, perhaps what would you have?

1341
01:01:24,880 --> 01:01:27,800
Speaker 4: What would I have? I'd have some shampas, no it's shampas.

1342
01:01:27,840 --> 01:01:29,560
Speaker 2: Maybe some Brian Adams trivia to read up.

1343
01:01:29,440 --> 01:01:31,080
Speaker 4: On no, I'd have Brian Adams.

1344
01:01:33,360 --> 01:01:40,280
Speaker 2: Just his head or something his eyes. All right, let's

1345
01:01:40,280 --> 01:01:42,240
Speaker 2: find out then, what did Dow they did see the

1346
01:01:42,280 --> 01:01:45,080
Speaker 2: Bungalow want on his rider this Sunday. Hey, this is Dale.

1347
01:01:45,280 --> 01:01:48,640
Speaker 10: I'd like six bottles of deionized spring water, a bottle

1348
01:01:48,640 --> 01:01:51,600
Speaker 10: of crystal Champagne. He's changed, and if possible, one cute

1349
01:01:51,680 --> 01:01:54,960
Speaker 10: bulldog French bulldog. You don't get this Indian or other

1350
01:01:55,080 --> 01:01:58,000
Speaker 10: cute animals such as a chinchilla or a Pekinese to

1351
01:01:58,160 --> 01:01:59,040
Speaker 10: visit and hang out.

1352
01:01:59,120 --> 01:02:01,560
Speaker 2: But he gets to leave before too much loud noise

1353
01:02:01,640 --> 01:02:03,680
Speaker 2: is heard so that he or she does not hurt

1354
01:02:03,720 --> 01:02:04,160
Speaker 2: their ears.

1355
01:02:04,520 --> 01:02:07,120
Speaker 10: It's important that if said animile visits, they have a

1356
01:02:07,200 --> 01:02:08,240
Speaker 10: safe home to return to.

1357
01:02:08,600 --> 01:02:12,040
Speaker 3: Thanks Christian, Thank you Dale. Let's go to Matt the guitarist.

1358
01:02:12,640 --> 01:02:14,720
Speaker 14: Hi, it's Matt from Bungalow and my request for a

1359
01:02:14,840 --> 01:02:17,680
Speaker 14: rider is as follows. I love a bottle of eighteen

1360
01:02:17,800 --> 01:02:22,320
Speaker 14: sixty nine Chateau Lafitte ROI sprinkled in truffles, sniffed out

1361
01:02:22,360 --> 01:02:25,680
Speaker 14: by what French wilderness. And we need to top it

1362
01:02:25,720 --> 01:02:28,360
Speaker 14: off with what I think should be the national dish,

1363
01:02:28,560 --> 01:02:32,480
Speaker 14: which is barbie cue banana wrapped in bacon one of.

1364
01:02:32,480 --> 01:02:33,640
Speaker 2: Betty's Berger's.

1365
01:02:35,560 --> 01:02:39,800
Speaker 6: Jay the Drama Hi there j from Bungalow, currently halfway

1366
01:02:39,800 --> 01:02:43,520
Speaker 6: across Bastrade on a rock and ship for my rider. Oh,

1367
01:02:43,600 --> 01:02:48,000
Speaker 6: it'd like a wig, like a good eighties hairband hair

1368
01:02:48,160 --> 01:02:52,080
Speaker 6: rock wig, because my head got up and left me

1369
01:02:52,200 --> 01:02:54,040
Speaker 6: some time ago and I don't think it's coming back.

1370
01:02:56,280 --> 01:03:00,880
Speaker 2: And then finally Judiant as Julian from Bungalow for my rider,

1371
01:03:01,440 --> 01:03:04,480
Speaker 2: we're going to need a dust pan and broom chucks, wipees,

1372
01:03:04,600 --> 01:03:07,360
Speaker 2: spray and wipe. That should do us. I think everything

1373
01:03:07,360 --> 01:03:09,600
Speaker 2: will be fine after that. Okay, so we need to

1374
01:03:09,600 --> 01:03:11,080
Speaker 2: get a chapel strink out of that stuff. Today.

1375
01:03:11,200 --> 01:03:13,640
Speaker 5: I can't believe Jay, the guy our baggy channel is

1376
01:03:13,720 --> 01:03:16,200
Speaker 5: coming from Hobart is going on the spirit of Tasmania.

1377
01:03:16,240 --> 01:03:19,600
Speaker 5: Shouldn't he get free or discounted airfares for working at

1378
01:03:19,640 --> 01:03:20,080
Speaker 5: the airport.

1379
01:03:21,480 --> 01:03:23,760
Speaker 2: I'll walk you around this office. You're not the like

1380
01:03:23,800 --> 01:03:26,320
Speaker 2: with budgets here. I mean he's lucky we're not making

1381
01:03:26,400 --> 01:03:29,720
Speaker 2: him swim across. Yes, in an ideal world we should

1382
01:03:29,720 --> 01:03:32,520
Speaker 2: have flown him over, but you know he could have

1383
01:03:32,640 --> 01:03:34,840
Speaker 2: just stowed away. Yes, I think that's what he has done.

1384
01:03:34,840 --> 01:03:35,640
Speaker 2: We haven't even paid for that.

1385
01:03:35,960 --> 01:03:38,120
Speaker 3: We haven't paid for the very sick ket All right,

1386
01:03:38,120 --> 01:03:39,240
Speaker 3: we'll catch up the boys.

1387
01:03:39,040 --> 01:03:42,680
Speaker 1: Tomorrow the Christian O'Connell Breakfast Show, Melbourne's gold one oh

1388
01:03:42,800 --> 01:03:43,720
Speaker 1: four point three.

1389
01:03:43,760 --> 01:03:45,320
Speaker 3: Big show tomorrow for Patsy.

1390
01:03:45,520 --> 01:03:49,320
Speaker 2: It's your final chance to keep your Brian Adams tickets

1391
01:03:49,920 --> 01:03:51,720
Speaker 2: for shows so far.

1392
01:03:53,320 --> 01:03:55,720
Speaker 5: You didn't even have them yet. Desperate because there's a

1393
01:03:55,760 --> 01:03:57,320
Speaker 5: fifty to fifty chance for you to win every day.

1394
01:03:57,360 --> 01:03:58,680
Speaker 5: I can't believe you don't have them yet.

1395
01:03:59,160 --> 01:04:00,960
Speaker 2: But they're still going to leave her with a good fee.

1396
01:04:01,280 --> 01:04:03,680
Speaker 3: Okay, that's a brand new show.

1397
01:04:04,360 --> 01:04:06,680
Speaker 5: Is brand new d I think change your attitude you

1398
01:04:06,880 --> 01:04:09,240
Speaker 5: every day you've come in confident like a world beat

1399
01:04:09,440 --> 01:04:09,880
Speaker 5: to give up?

1400
01:04:10,160 --> 01:04:13,400
Speaker 2: Yeah, and that is the Jack Post way. In fact,

1401
01:04:13,400 --> 01:04:14,880
Speaker 2: that's a tell his his new self help book. It's

1402
01:04:14,920 --> 01:04:19,920
Speaker 2: called just give Up, Just give up, Try, never try,

1403
01:04:20,080 --> 01:04:22,440
Speaker 2: just give up. Fail your ways to success with me

1404
01:04:22,480 --> 01:04:25,040
Speaker 2: and Jack Post. Right then, Ty of today's show is

1405
01:04:25,240 --> 01:04:28,160
Speaker 2: God any burger ideas? And what are you guys up

1406
01:04:28,200 --> 01:04:28,680
Speaker 2: to today?

1407
01:04:29,080 --> 01:04:30,960
Speaker 4: I'm listening out for the golden ticket? What about you?

1408
01:04:31,080 --> 01:04:31,280
Speaker 2: Check?

1409
01:04:31,400 --> 01:04:31,760
Speaker 5: Of course?

1410
01:04:31,880 --> 01:04:34,160
Speaker 2: Yeah, every single day, listen up for the Golden song,

1411
01:04:34,320 --> 01:04:36,200
Speaker 2: every single hour and you could be winning Gold. One

1412
01:04:36,240 --> 01:04:39,360
Speaker 2: oh four point three Huge Golden ticket starts with Huggy

1413
01:04:39,520 --> 01:04:39,560
Speaker 2: the

1414
01:04:39,680 --> 01:04:43,120
Speaker 1: Christian O'Connell Breakfast Show, Melbourne's Gold one oh four point

1415
01:04:43,200 --> 01:04:43,400
Speaker 1: three