1 00:00:00,600 --> 00:00:03,800 Speaker 1: Already and this is the Daily ARS. This is the 2 00:00:03,880 --> 00:00:06,920 Speaker 1: Daily OS. Oh now it makes sense. 3 00:00:15,760 --> 00:00:18,720 Speaker 2: Good morning, and welcome to the Daily OS. It's Friday, 4 00:00:18,760 --> 00:00:21,439 Speaker 2: the twenty ninth of March. I'm Emma Gillespie. I'm the 5 00:00:21,560 --> 00:00:22,599 Speaker 2: editor of the Daily OS. 6 00:00:22,960 --> 00:00:24,760 Speaker 1: I'm Lucy Tassel, I'm the fact checker. 7 00:00:25,200 --> 00:00:28,200 Speaker 2: That's right, a different cast today, where the cat's away 8 00:00:28,240 --> 00:00:31,520 Speaker 2: the mice will play. Happy good Friday, A good Friday indeed, 9 00:00:31,640 --> 00:00:37,839 Speaker 2: because we're here to talk about Beyonce's new album dropping today, 10 00:00:37,960 --> 00:00:40,680 Speaker 2: the twenty ninth of March, and Lucy, you're joining me 11 00:00:40,920 --> 00:00:45,520 Speaker 2: to talk all things Beyonce's foray into country music, why 12 00:00:45,680 --> 00:00:49,360 Speaker 2: some country fans aren't as excited as we are about 13 00:00:49,360 --> 00:00:52,040 Speaker 2: the new album and what it all means and where 14 00:00:52,080 --> 00:00:55,360 Speaker 2: it's all come from. Yance has made history again or 15 00:00:55,400 --> 00:00:57,960 Speaker 2: for her new song Texas Hold'em the song his debut 16 00:00:58,080 --> 00:00:59,120 Speaker 2: in the number one spot. 17 00:00:59,320 --> 00:01:02,280 Speaker 3: And I just don't country music, beyoncew afied, I want 18 00:01:02,480 --> 00:01:04,520 Speaker 3: country music to go backwards, not forward. 19 00:01:04,720 --> 00:01:07,080 Speaker 1: That's right. M It's not just a good Friday, it's 20 00:01:07,160 --> 00:01:10,120 Speaker 1: the best Friday. But first, what's making headlines? 21 00:01:13,880 --> 00:01:17,280 Speaker 2: The Australian government has announced an inquiry into the nation's 22 00:01:17,480 --> 00:01:22,080 Speaker 2: live music industry will go ahead. It comes after Splendor 23 00:01:22,120 --> 00:01:25,000 Speaker 2: in the Grass confirmed the festival will not be going 24 00:01:25,000 --> 00:01:28,720 Speaker 2: ahead this year, just a week after tickets went on sale. 25 00:01:29,200 --> 00:01:32,800 Speaker 2: It follows a series of music festival cancelations due to 26 00:01:33,120 --> 00:01:37,240 Speaker 2: high costs and low ticket sales. Chair of the Communications 27 00:01:37,240 --> 00:01:40,320 Speaker 2: and Arts Committee, Brian Mitchell said the industry is facing 28 00:01:40,480 --> 00:01:46,200 Speaker 2: considerable operational challenges, particularly after COVID. The inquiry we'll look 29 00:01:46,240 --> 00:01:50,120 Speaker 2: into what's preventing the industry from growing and the potential 30 00:01:50,200 --> 00:01:54,720 Speaker 2: for more government funding to ensure future festivals can go ahead. 31 00:01:56,600 --> 00:01:59,840 Speaker 1: Many young Australians and low income households are now spending 32 00:01:59,840 --> 00:02:03,240 Speaker 1: around a quarter of their income on groceries, according to 33 00:02:03,280 --> 00:02:06,440 Speaker 1: a survey of over thirteen thousand people conducted by the 34 00:02:06,480 --> 00:02:10,720 Speaker 1: Australian Competition and Consumer Commission, the a Triple C. It 35 00:02:10,800 --> 00:02:14,440 Speaker 1: also found people are opting for frozen food over fresh produce. 36 00:02:15,040 --> 00:02:17,400 Speaker 1: The survey is part of the A Triple C's inquiry 37 00:02:17,440 --> 00:02:20,400 Speaker 1: into supermarkets and will continue to gather data until the 38 00:02:20,440 --> 00:02:21,240 Speaker 1: second of April. 39 00:02:23,120 --> 00:02:27,120 Speaker 2: Jetstar has announced it'll begin flights from Singapore directly to 40 00:02:27,240 --> 00:02:31,560 Speaker 2: Broom in Western Australia in an effort to encourage regional tourism. 41 00:02:32,040 --> 00:02:35,560 Speaker 2: The airline is expected to run two return flights per 42 00:02:35,600 --> 00:02:39,880 Speaker 2: week in a service supported by the WA government's Aviation Fund. 43 00:02:40,320 --> 00:02:42,920 Speaker 2: Flights will run from the twenty fifth of June to 44 00:02:43,200 --> 00:02:46,640 Speaker 2: late October in a seasonal service and will pick up 45 00:02:46,639 --> 00:02:50,639 Speaker 2: again in April twenty twenty five. WA Tourism Minister Rita 46 00:02:50,680 --> 00:02:54,000 Speaker 2: Safiotti said the new route offers an entirely new gateway 47 00:02:54,200 --> 00:02:56,120 Speaker 2: for tourists into the state. 48 00:02:57,639 --> 00:03:00,000 Speaker 1: And in some good news, a sixty four year old 49 00:03:00,120 --> 00:03:03,359 Speaker 1: man has become the first person to swim from Newcastle 50 00:03:03,400 --> 00:03:08,480 Speaker 1: to Sydney unassisted. Dean Summers swam for over thirty one hours, 51 00:03:08,639 --> 00:03:12,919 Speaker 1: enduring stings from swarms of blue bottled jellyfish. Newcastle is 52 00:03:12,960 --> 00:03:15,560 Speaker 1: about one hundred and seventy k's north of Sydney, or 53 00:03:15,680 --> 00:03:18,239 Speaker 1: two and a half hour drive. He said. The swim 54 00:03:18,280 --> 00:03:24,359 Speaker 1: aims to showcase our own coastal largely pristine waters. 55 00:03:26,120 --> 00:03:29,480 Speaker 2: Now any opportunity to talk about pop culture, but stay 56 00:03:29,480 --> 00:03:32,520 Speaker 2: with us. We promise there is a smart take on 57 00:03:32,560 --> 00:03:36,600 Speaker 2: this one today, very smart. Last month, Beyonce dropped to 58 00:03:37,280 --> 00:03:41,200 Speaker 2: pretty country singles during the Super Bowl or shortly after 59 00:03:41,240 --> 00:03:44,200 Speaker 2: the Super Bowl. We got Texas hold him. 60 00:03:44,520 --> 00:03:53,360 Speaker 1: Saints Texas hold them as are cut down, Down Down Now. 61 00:03:52,840 --> 00:03:55,120 Speaker 2: And sixteen carriages. 62 00:03:55,280 --> 00:04:02,080 Speaker 3: Sixteen characters driving away dreams. 63 00:04:01,800 --> 00:04:05,280 Speaker 1: Or two great songs. We loved them. But fast forward 64 00:04:05,320 --> 00:04:07,560 Speaker 1: a couple of weeks and Beyonce ended up saying she 65 00:04:07,640 --> 00:04:10,280 Speaker 1: hopes that quote years from now, the mention of an 66 00:04:10,360 --> 00:04:13,400 Speaker 1: artist's race as it relates to releasing genres of music 67 00:04:13,480 --> 00:04:17,320 Speaker 1: will be irrelevant. So pretty interesting comment to make as 68 00:04:17,360 --> 00:04:21,599 Speaker 1: you're beginning to make country music. Where could this have 69 00:04:21,680 --> 00:04:23,239 Speaker 1: come from? So lucy. 70 00:04:23,240 --> 00:04:25,520 Speaker 2: We're going to get into how we got to a 71 00:04:25,560 --> 00:04:28,440 Speaker 2: place where Beyonce was making a statement of that nature, 72 00:04:28,760 --> 00:04:31,760 Speaker 2: But first I wanted to touch on this relationship between 73 00:04:31,880 --> 00:04:35,800 Speaker 2: politics and country music. It's not the first time we've 74 00:04:35,880 --> 00:04:39,320 Speaker 2: seen an artist kind of caught up in a political 75 00:04:39,360 --> 00:04:43,760 Speaker 2: debate about the genre, but interestingly, that's tended to happen 76 00:04:44,040 --> 00:04:46,920 Speaker 2: in the opposite direction when an artist who is known 77 00:04:46,920 --> 00:04:50,200 Speaker 2: as a country musician leaves the genre and transitions into 78 00:04:50,279 --> 00:04:53,279 Speaker 2: making different kinds of music exactly. 79 00:04:53,720 --> 00:04:57,560 Speaker 1: Well, we've seen Miss Taylor Swift move towards pop around 80 00:04:57,600 --> 00:05:01,400 Speaker 1: the same time as she took her first political stances 81 00:05:01,480 --> 00:05:05,200 Speaker 1: in the mid twenty tens, and actually just last year, 82 00:05:05,320 --> 00:05:08,960 Speaker 1: Maren Morris, who's a huge country star, recently said she 83 00:05:09,040 --> 00:05:12,160 Speaker 1: was actually moving away from country music. She wanted to 84 00:05:12,480 --> 00:05:16,599 Speaker 1: leave the quote toxic parts of the industry behind her, 85 00:05:16,839 --> 00:05:18,799 Speaker 1: and she's someone who is quite political. 86 00:05:19,200 --> 00:05:22,120 Speaker 2: But back to Beyonce Lucy, who, as you mentioned, has 87 00:05:22,200 --> 00:05:26,080 Speaker 2: made this shift towards country music, a move that's managed 88 00:05:26,080 --> 00:05:30,080 Speaker 2: to really stir up controversy about the genre and what 89 00:05:30,120 --> 00:05:33,400 Speaker 2: it means in its identity. The title of this new album, 90 00:05:33,720 --> 00:05:39,480 Speaker 2: Cowboy Carter reference of course, to Beyonce's marriage name yea 91 00:05:39,480 --> 00:05:42,320 Speaker 2: about what you would call it, her marital surname, her 92 00:05:42,360 --> 00:05:47,800 Speaker 2: married name Sean Carter, akaj Z, Queen Bee, Beyonce Knowles, 93 00:05:47,839 --> 00:05:51,359 Speaker 2: whoever she is to you, the undisputed FACTSA. She reigns 94 00:05:51,440 --> 00:05:56,080 Speaker 2: from Houston, Texas, a state in America's South where country 95 00:05:56,160 --> 00:06:00,240 Speaker 2: music has thrived for decades. So it shouldn't really be 96 00:06:00,360 --> 00:06:03,360 Speaker 2: that surprising that this is an artist who wanted to 97 00:06:03,480 --> 00:06:06,560 Speaker 2: make music that sounded like the music she grew up with. 98 00:06:06,720 --> 00:06:09,800 Speaker 1: Right and yet people were surprised. 99 00:06:10,080 --> 00:06:13,000 Speaker 3: Only eight of the one hundred and fifty stations that 100 00:06:13,120 --> 00:06:18,000 Speaker 3: report to Billboard's Country Airplay chart reported having play Texas 101 00:06:18,000 --> 00:06:21,000 Speaker 3: hold them in its first day, and none said they 102 00:06:21,000 --> 00:06:24,279 Speaker 3: had put her other single sixteen carriages on the air. 103 00:06:24,600 --> 00:06:28,080 Speaker 1: The lefties in the entertainment industry just won't leave any 104 00:06:28,160 --> 00:06:30,760 Speaker 1: area alone, right, They just have to seize control over 105 00:06:31,120 --> 00:06:32,400 Speaker 1: every aspect, don't they. 106 00:06:32,640 --> 00:06:35,400 Speaker 2: I think a few of us probably saw at least 107 00:06:35,440 --> 00:06:39,279 Speaker 2: one of those grubs on our Instagram feeds some viral 108 00:06:39,440 --> 00:06:44,320 Speaker 2: conservative news moments that maybe took us by surprise, but 109 00:06:44,360 --> 00:06:49,760 Speaker 2: it's opened up a bigger conversation about this political identity 110 00:06:49,839 --> 00:06:53,880 Speaker 2: that is associated with country music. Then there was this 111 00:06:54,000 --> 00:06:58,000 Speaker 2: backlash to that backlash, people talking about how black people 112 00:06:58,080 --> 00:07:00,320 Speaker 2: are really integral to the history of the Jean of 113 00:07:00,360 --> 00:07:03,279 Speaker 2: country music. What do they mean? Can you explain a 114 00:07:03,279 --> 00:07:04,320 Speaker 2: bit of the history to us? 115 00:07:04,720 --> 00:07:08,200 Speaker 1: Well, you wouldn't necessarily know that this is true were 116 00:07:08,240 --> 00:07:11,640 Speaker 1: you to look at a country chart. You know, if 117 00:07:11,640 --> 00:07:14,080 Speaker 1: we list country music stars all day, we're going to 118 00:07:14,120 --> 00:07:16,720 Speaker 1: be here for hours before we name a non white person. 119 00:07:16,840 --> 00:07:17,119 Speaker 3: Right. 120 00:07:17,320 --> 00:07:20,480 Speaker 1: There's one really amazing black country artist that I can 121 00:07:20,520 --> 00:07:22,400 Speaker 1: think of off the top of my head. Her name's 122 00:07:22,440 --> 00:07:26,000 Speaker 1: Mickey Geiton, and she's had to really fight for legitimacy. 123 00:07:26,680 --> 00:07:29,280 Speaker 1: When you think of country music, what kind of instruments 124 00:07:29,320 --> 00:07:29,840 Speaker 1: do you think of? 125 00:07:30,280 --> 00:07:38,840 Speaker 2: I'm thinking banjos, fiddles, maybe even a violin, strings, stomping barns. 126 00:07:39,920 --> 00:07:43,760 Speaker 1: Well, the banjo was actually developed by enslaved people in 127 00:07:43,840 --> 00:07:47,160 Speaker 1: America who'd been brought over, generally from West Africa during 128 00:07:47,160 --> 00:07:49,920 Speaker 1: the hundreds of years of the Atlantic slave trade. So 129 00:07:50,080 --> 00:07:53,400 Speaker 1: per the Smithsonian Museum, from the earliest references in the 130 00:07:53,400 --> 00:07:56,680 Speaker 1: seventeenth century and throughout the eighteen thirties, the banjo was 131 00:07:56,720 --> 00:08:01,280 Speaker 1: exclusively known as an African American tradition with a African heritage. 132 00:08:02,040 --> 00:08:04,680 Speaker 2: I thought it was Irish. I think, you know, maybe 133 00:08:04,680 --> 00:08:07,440 Speaker 2: that's because of like Mumford and Sons, who are British. 134 00:08:07,480 --> 00:08:11,960 Speaker 1: Wow, well, there's still a European influence, right, because it's 135 00:08:12,040 --> 00:08:17,200 Speaker 1: kind of melding traditional West African instruments with European instruments 136 00:08:17,200 --> 00:08:20,440 Speaker 1: like guitars that had been developed specifically in Europe. The 137 00:08:20,480 --> 00:08:24,000 Speaker 1: banjo is kind of a physical representation of the country genre, right, 138 00:08:24,160 --> 00:08:26,560 Speaker 1: Like it's this melting pot. It comes out of all 139 00:08:26,560 --> 00:08:29,760 Speaker 1: these different strands and influences over these hundreds of years. 140 00:08:30,160 --> 00:08:33,600 Speaker 1: Really reflects the nature of American history in the South. 141 00:08:33,679 --> 00:08:37,640 Speaker 1: You've got enslaved people forced to come to America, you 142 00:08:37,679 --> 00:08:40,280 Speaker 1: have people coming from Europe seeking a better life. You 143 00:08:40,280 --> 00:08:43,520 Speaker 1: have people already established from that first wave of colonization. 144 00:08:43,960 --> 00:08:46,480 Speaker 1: All of these people have their own musical traditions and 145 00:08:46,520 --> 00:08:49,280 Speaker 1: their own musical instruments, and their own stories that kind 146 00:08:49,320 --> 00:08:53,960 Speaker 1: of come together in this mixed up genre of country. 147 00:08:54,480 --> 00:08:57,520 Speaker 2: How do we get from the idea of country music 148 00:08:57,640 --> 00:09:02,360 Speaker 2: being so richly diverse to being a place where today 149 00:09:02,640 --> 00:09:07,360 Speaker 2: we know it's a genre dominated by white artists, a 150 00:09:07,360 --> 00:09:12,120 Speaker 2: place where a global superstar like Beyonce exploring their country 151 00:09:12,160 --> 00:09:15,560 Speaker 2: heritage becomes this huge political issue. 152 00:09:16,120 --> 00:09:18,320 Speaker 1: I want to shout out an article I read. It's 153 00:09:18,440 --> 00:09:23,160 Speaker 1: by a musician and self described armchair historian called Rhiannon Giddons, 154 00:09:23,360 --> 00:09:25,960 Speaker 1: who is the one who actually plays the banjo on 155 00:09:26,240 --> 00:09:30,600 Speaker 1: Texas Hold'em Wow So good trivia, great trivia, great person. 156 00:09:30,880 --> 00:09:33,720 Speaker 1: So she draws this connection in this article between the 157 00:09:33,760 --> 00:09:37,120 Speaker 1: beginning of music being recorded and the selling of those 158 00:09:37,160 --> 00:09:41,800 Speaker 1: recordings and the disenfranchisement of non white people from country. 159 00:09:42,120 --> 00:09:46,600 Speaker 1: So in the nineteen twenties, that's when recorded music and 160 00:09:46,640 --> 00:09:50,800 Speaker 1: the sale of recorded music becomes like a viable economic proposition. 161 00:09:51,320 --> 00:09:53,880 Speaker 1: That is a time when there are many many places 162 00:09:53,920 --> 00:09:57,719 Speaker 1: that black people in America are barred from legally or 163 00:09:57,880 --> 00:10:04,080 Speaker 1: otherwise just not welcome. So music became incredibly segregated, and 164 00:10:04,760 --> 00:10:07,600 Speaker 1: country music ends up being a genre that is more 165 00:10:07,679 --> 00:10:11,440 Speaker 1: dominated by white artists just at an inflection point in 166 00:10:11,800 --> 00:10:12,920 Speaker 1: music recording history. 167 00:10:13,640 --> 00:10:16,280 Speaker 2: I'm thinking about the history and the story of someone 168 00:10:16,360 --> 00:10:21,000 Speaker 2: like Elvis in this who very famously he was a 169 00:10:21,160 --> 00:10:23,880 Speaker 2: very palatable white artist of the day. 170 00:10:24,400 --> 00:10:26,160 Speaker 1: Yeah. I mean the story of rock and roll is 171 00:10:26,240 --> 00:10:29,240 Speaker 1: like a hyper condensed version of the story of country 172 00:10:29,240 --> 00:10:33,080 Speaker 1: where it's like very explicitly black and white. Literally of 173 00:10:33,160 --> 00:10:35,640 Speaker 1: like this was an art form by one group of 174 00:10:35,679 --> 00:10:39,520 Speaker 1: people and then another group of people just skimmed off 175 00:10:39,559 --> 00:10:42,800 Speaker 1: the top and made money off that basically, So. 176 00:10:42,840 --> 00:10:46,080 Speaker 2: Jumping forward to the twenty first century, I want to 177 00:10:46,120 --> 00:10:48,679 Speaker 2: talk about how that history of segregation has kind of 178 00:10:48,720 --> 00:10:52,199 Speaker 2: impacted the country world that we see today. I have 179 00:10:52,320 --> 00:10:56,160 Speaker 2: one specific event in mind, and it's back when Beyonce 180 00:10:56,320 --> 00:11:00,640 Speaker 2: actually first dipped her toe into country music. Song Daddy 181 00:11:00,720 --> 00:11:04,640 Speaker 2: Lessons of the absolutely iconic album Lemonade. 182 00:11:04,840 --> 00:11:10,480 Speaker 1: Great album, so Daddy Lessons really really country song. Lemonade 183 00:11:10,600 --> 00:11:14,679 Speaker 1: is probably her most political album. I think she's responding 184 00:11:14,720 --> 00:11:18,160 Speaker 1: to the first wave of Black Lives Matter protests. It's 185 00:11:18,200 --> 00:11:20,040 Speaker 1: coming out in twenty sixteen, in the lead up to 186 00:11:20,040 --> 00:11:24,480 Speaker 1: Trump's election. Music videos to accompany that album really had 187 00:11:24,480 --> 00:11:28,199 Speaker 1: some very strong political statements and the response to it, which, 188 00:11:28,480 --> 00:11:32,520 Speaker 1: in my opinion, it's an incredibly country song. But a 189 00:11:32,679 --> 00:11:35,720 Speaker 1: source told the Associated Press at the time that the Grammys, 190 00:11:35,760 --> 00:11:39,559 Speaker 1: so the music industry awards, didn't consider that song country 191 00:11:39,679 --> 00:11:41,960 Speaker 1: enough to be nominated in country categories. 192 00:11:42,640 --> 00:11:47,640 Speaker 2: She actually performed that song Daddy Lessons at the Country 193 00:11:47,720 --> 00:11:51,480 Speaker 2: Music Awards with the Chicks then the Dixie Chicks, very 194 00:11:51,720 --> 00:11:56,239 Speaker 2: iconic country music group. What happened at that performance. 195 00:11:56,840 --> 00:11:59,800 Speaker 1: That's a lightning rod moment, you know, for those who 196 00:11:59,800 --> 00:12:02,720 Speaker 1: don't know, the Chicks basically had to disappear off the 197 00:12:02,720 --> 00:12:04,400 Speaker 1: face of the earth for a couple of years in 198 00:12:04,440 --> 00:12:07,840 Speaker 1: the early two thousands. I mean, it's hard to overstate 199 00:12:07,920 --> 00:12:10,439 Speaker 1: how big of a deal this was. So lead singer 200 00:12:10,520 --> 00:12:14,680 Speaker 1: Natalie Mains on stage said the group were unhappy with 201 00:12:14,760 --> 00:12:17,920 Speaker 1: America's upcoming war in Iraq. This is two thousand and three, 202 00:12:18,440 --> 00:12:21,160 Speaker 1: and she also said that she was not proud that 203 00:12:21,200 --> 00:12:24,400 Speaker 1: then President George W. Bush was from Texas like she is, 204 00:12:25,000 --> 00:12:25,880 Speaker 1: like Beyonce is. 205 00:12:26,480 --> 00:12:29,880 Speaker 2: So she basically came out and said, I'm not proud 206 00:12:30,080 --> 00:12:32,680 Speaker 2: that our president is from the place I call home. 207 00:12:32,760 --> 00:12:34,960 Speaker 2: I'm not proud of what our country is doing, and 208 00:12:35,000 --> 00:12:39,640 Speaker 2: I disagree with this conflict in Iraq. It was a 209 00:12:39,679 --> 00:12:43,440 Speaker 2: really really big deal. Like if you've ever heard the 210 00:12:43,440 --> 00:12:58,160 Speaker 2: bridge to this song and wondered why so angry or upset, 211 00:13:00,000 --> 00:13:02,920 Speaker 2: this is what that was talking about. So the Chicks 212 00:13:02,960 --> 00:13:07,679 Speaker 2: got death threats, people burning their CDs, country radio stations 213 00:13:07,720 --> 00:13:11,080 Speaker 2: refused to play their songs. This is a version of 214 00:13:11,160 --> 00:13:14,800 Speaker 2: kind of when Taylor Swift began to upset country music 215 00:13:14,920 --> 00:13:18,320 Speaker 2: by talking about politics or kind of becoming more of 216 00:13:18,360 --> 00:13:22,760 Speaker 2: a publicly facing ally. This reaction to the Chicks was 217 00:13:23,440 --> 00:13:27,160 Speaker 2: in tense. Basically, a lot of people never forgave them. 218 00:13:27,600 --> 00:13:29,960 Speaker 2: So for Beyonce to say, not only am I coming 219 00:13:29,960 --> 00:13:33,679 Speaker 2: to your awards show, I'm going to perform with your 220 00:13:33,800 --> 00:13:38,000 Speaker 2: most controversial act, that was pretty major. 221 00:13:38,600 --> 00:13:42,199 Speaker 1: So interestingly, last week, in a post promoting Cowboy Carter, 222 00:13:42,320 --> 00:13:45,800 Speaker 1: Beyonce said, quote, this album has been over five years 223 00:13:45,800 --> 00:13:47,840 Speaker 1: in the making. It was born out of an experience 224 00:13:47,880 --> 00:13:50,280 Speaker 1: I had years ago where I did not feel welcomed 225 00:13:50,360 --> 00:13:53,480 Speaker 1: and it was very clear that I wasn't. But because 226 00:13:53,520 --> 00:13:56,040 Speaker 1: of that experience, I did a deeper dive into the 227 00:13:56,120 --> 00:13:59,800 Speaker 1: history of country music and studied our rich musical archive. 228 00:14:00,440 --> 00:14:03,000 Speaker 1: So people have read this. Certainly, I read this as 229 00:14:03,120 --> 00:14:06,400 Speaker 1: referring to that performance at the CMAS, and I think 230 00:14:06,400 --> 00:14:09,079 Speaker 1: it's interesting that at the end of that post she says, 231 00:14:09,240 --> 00:14:12,559 Speaker 1: this ain't a country album, this is a Beyonce album, 232 00:14:12,840 --> 00:14:15,240 Speaker 1: and that almost feels like she's trying to get ahead 233 00:14:15,280 --> 00:14:18,480 Speaker 1: of the idea that she's trying to court country music's approval. 234 00:14:18,559 --> 00:14:20,920 Speaker 1: She's just like, this is what I'm doing, and Beyonce, 235 00:14:20,960 --> 00:14:22,240 Speaker 1: I can do what I want, and I want to 236 00:14:22,280 --> 00:14:24,400 Speaker 1: dive into the country music archive. 237 00:14:24,240 --> 00:14:28,200 Speaker 2: Which I think art is subjective and art is fluid, 238 00:14:28,240 --> 00:14:31,200 Speaker 2: and whether you're a musician or any other kind of artist, 239 00:14:31,760 --> 00:14:36,600 Speaker 2: I think to say that your music transcends one genre 240 00:14:36,840 --> 00:14:41,440 Speaker 2: makes perfect sense. So we've got this context for the controversy, 241 00:14:41,920 --> 00:14:46,840 Speaker 2: the inspiration maybe for Cowboy Carter, Beyonce as the country 242 00:14:46,960 --> 00:14:49,600 Speaker 2: artist and all that that means. But in terms of 243 00:14:49,640 --> 00:14:52,680 Speaker 2: the success of these new releases, it's not as though 244 00:14:52,720 --> 00:14:56,760 Speaker 2: any of this controversy has slowed her down. Beyonce became 245 00:14:56,800 --> 00:14:59,440 Speaker 2: the first black woman to have a number one song 246 00:14:59,520 --> 00:15:02,800 Speaker 2: on the country charts with Texas Hold Them. So, like 247 00:15:02,840 --> 00:15:05,200 Speaker 2: I said, it hasn't slowed her down, Lucy, does that 248 00:15:05,320 --> 00:15:08,200 Speaker 2: tell us anything about the genre. Do you think that 249 00:15:08,320 --> 00:15:13,120 Speaker 2: maybe country music has welcomed her more than these headlines suggest. 250 00:15:14,120 --> 00:15:16,920 Speaker 1: I wish I could say that, but I just don't 251 00:15:17,040 --> 00:15:20,120 Speaker 1: think so. And the reason why is about how the 252 00:15:20,200 --> 00:15:24,280 Speaker 1: charts work. So for about ten years give or take, 253 00:15:24,800 --> 00:15:27,239 Speaker 1: the Billboard Charts in the US, so that's the organization 254 00:15:27,320 --> 00:15:33,400 Speaker 1: that manages the music charts has included streaming and YouTube plays. 255 00:15:33,800 --> 00:15:38,120 Speaker 1: So that to me says more about the fact that 256 00:15:38,280 --> 00:15:41,960 Speaker 1: the hive, the Beyonce fans are you know, pressing plays. 257 00:15:41,960 --> 00:15:44,880 Speaker 1: Certainly Texas hold them has been on very high rotation 258 00:15:45,200 --> 00:15:48,240 Speaker 1: in the TDA office. Oh yeah, all of those Spotify 259 00:15:48,320 --> 00:15:51,200 Speaker 1: streams are adding up to boost her up the charts. 260 00:15:51,440 --> 00:15:54,440 Speaker 1: I don't necessarily think that it means that country music 261 00:15:54,560 --> 00:15:58,000 Speaker 1: radio stations are like, oh my god, amazing, so excited 262 00:15:58,000 --> 00:16:01,600 Speaker 1: for this established artist to jump into our precious genre. 263 00:16:01,760 --> 00:16:03,880 Speaker 1: I think probably it has more to do. I mean, 264 00:16:03,920 --> 00:16:08,000 Speaker 1: it can't solely be streams, because streams and YouTube plays 265 00:16:08,000 --> 00:16:11,720 Speaker 1: only make up us certain percentage of the chart calculations. 266 00:16:12,400 --> 00:16:15,880 Speaker 1: But I just don't know that that necessarily says country 267 00:16:16,000 --> 00:16:19,520 Speaker 1: music has welcomed Beyonce with open arms. And you know, 268 00:16:19,600 --> 00:16:23,320 Speaker 1: the charts historically have not been very kind to black 269 00:16:23,360 --> 00:16:27,320 Speaker 1: female country artists, and in fact, interestingly, that's something that 270 00:16:27,360 --> 00:16:31,560 Speaker 1: Beyonce seems to be referencing on this album. So one 271 00:16:31,640 --> 00:16:34,800 Speaker 1: of the tracks on this album is called the Linda 272 00:16:34,800 --> 00:16:37,880 Speaker 1: Martel Show. Do you know who Linda Martel is? I didn't. 273 00:16:37,880 --> 00:16:38,600 Speaker 1: I had to look her up. 274 00:16:38,680 --> 00:16:40,360 Speaker 2: Okay, I'm relieved that you said that. 275 00:16:40,840 --> 00:16:44,360 Speaker 1: Who is she? Well? I discovered she was the first 276 00:16:44,400 --> 00:16:47,840 Speaker 1: black country pop star. So Linda Martel broke out in 277 00:16:47,880 --> 00:16:51,240 Speaker 1: the late sixties and she had a moderately successful album 278 00:16:51,280 --> 00:16:54,720 Speaker 1: called Color Me Country, but it never charted as high 279 00:16:54,760 --> 00:16:57,640 Speaker 1: as Beyonce, you know, not even number ten, not even 280 00:16:57,720 --> 00:17:01,600 Speaker 1: number twenty. And her career was really cut short by racism. 281 00:17:02,080 --> 00:17:05,200 Speaker 1: So in twenty twenty, she told magazine Rolling Stone that 282 00:17:05,280 --> 00:17:08,080 Speaker 1: when she played one of her first shows, she started 283 00:17:08,119 --> 00:17:11,960 Speaker 1: singing and quote, they'd shout out names. You felt pretty awful. 284 00:17:12,760 --> 00:17:15,880 Speaker 1: After her first album came out, her label basically stopped 285 00:17:15,880 --> 00:17:19,040 Speaker 1: promoting her in favor of their white artists. If you 286 00:17:19,040 --> 00:17:21,040 Speaker 1: feel like listening to any of her songs, I would 287 00:17:21,040 --> 00:17:23,840 Speaker 1: say San Francisco is a lonely town or the wedding 288 00:17:23,920 --> 00:17:25,400 Speaker 1: Cake were the ones that I liked. 289 00:17:25,840 --> 00:17:29,240 Speaker 2: The track listers you mentioned Beyonce dropped in advance of 290 00:17:29,359 --> 00:17:33,840 Speaker 2: Cowboy Carter. There are a lot of tracks on this album, 291 00:17:34,040 --> 00:17:36,160 Speaker 2: whether or not all of those will be full tracks 292 00:17:36,280 --> 00:17:41,399 Speaker 2: or interludes. I'm sure there is another track that caught 293 00:17:41,480 --> 00:17:43,639 Speaker 2: your eye. I think I can guess. 294 00:17:44,440 --> 00:17:47,080 Speaker 1: Well, yes, I mean there was a track called Joline, 295 00:17:47,119 --> 00:17:50,520 Speaker 1: and obviously I freaked out, like so Dolly Till We 296 00:17:50,560 --> 00:17:55,280 Speaker 1: Die Dolly Parton actually a couple of weeks ago said 297 00:17:55,440 --> 00:17:58,680 Speaker 1: that Beyonce had recorded a cover of her song Joline. 298 00:17:59,119 --> 00:18:02,760 Speaker 1: So frankly, if one of country music's greatest ever songwriters 299 00:18:02,760 --> 00:18:05,560 Speaker 1: and performers gave Beyonce the go ahead to cover her 300 00:18:05,880 --> 00:18:11,280 Speaker 1: most iconic song, who cares what anyone else thinks? Okay, 301 00:18:11,400 --> 00:18:13,879 Speaker 1: she has a jolly button steal of approval. That's all 302 00:18:13,920 --> 00:18:14,720 Speaker 1: that matters to me. 303 00:18:15,359 --> 00:18:19,800 Speaker 2: Well, Lucy, I'm sure the listeners are unclear about how 304 00:18:19,840 --> 00:18:24,359 Speaker 2: you feel about Beyonce. Lucy, thank you so much for 305 00:18:24,400 --> 00:18:27,560 Speaker 2: breaking all of that down for us today a fascinating 306 00:18:27,920 --> 00:18:31,400 Speaker 2: introduction to the history of country music. If you learn 307 00:18:31,440 --> 00:18:34,520 Speaker 2: something from today's episode, please feel free to send it 308 00:18:34,560 --> 00:18:37,000 Speaker 2: on to someone who you think might enjoy it or 309 00:18:37,160 --> 00:18:39,479 Speaker 2: leave us a review and make sure you are following 310 00:18:39,520 --> 00:18:41,840 Speaker 2: The Daily os so there's an episode waiting for you 311 00:18:41,920 --> 00:18:44,960 Speaker 2: every weekday mornings. We'll be back on Monday, but until then, 312 00:18:45,160 --> 00:18:46,440 Speaker 2: have a fabulous Easter. 313 00:18:49,600 --> 00:18:51,880 Speaker 1: My name is Lily Maddon and I'm a proud Adunda 314 00:18:52,119 --> 00:18:56,280 Speaker 1: bunge Lung Chalcotin woman from Gadigl Country. The Daily oz 315 00:18:56,359 --> 00:18:59,119 Speaker 1: acknowledges that this podcast is recorded on the lands of 316 00:18:59,119 --> 00:19:02,439 Speaker 1: the Gadighl people and pays respect to all Aboriginal and 317 00:19:02,480 --> 00:19:05,679 Speaker 1: Torrestrate island and nations. We pay our respects to the 318 00:19:05,680 --> 00:19:08,479 Speaker 1: first peoples of these countries, both past and present,