WEBVTT - UNPACKED REALITY - MASTERCHEF AUSTRALIA - SUMEET

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<v Speaker 1>It's in the news today, but it was actually on

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<v Speaker 1>TV Reload the podcast last week Neylight. Hey guys, welcome

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<v Speaker 1>back to TV Reload. I want to thank you for

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<v Speaker 1>clicking and downloading on today's episode with Semat, the fifteenth

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<v Speaker 1>eliminated contestant on Mastership Australia for twenty twenty four, which,

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<v Speaker 1>by the way, guys, is still on Network ten from

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<v Speaker 1>Sunday through to Wednesday nights at seven thirty and boy

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<v Speaker 1>is the competition starting to look very tight. Our love

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<v Speaker 1>of food is in Semite's blood, embedded deep in her

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<v Speaker 1>Pujabi culture and ingrained in her family upbringing. Growing up

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<v Speaker 1>in India, Sumit has fond memories of her parents throwing

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<v Speaker 1>parties when she and her brother would be keenly watching

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<v Speaker 1>the preparation and the planning process. Her late mother was

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<v Speaker 1>a warm and welcoming hostess, and Samait would always step

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<v Speaker 1>up to help whenever the party needed her. After studying

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<v Speaker 1>hotel management, Semat forged a career in sales, but had

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<v Speaker 1>always known deep down that food is where she belongs.

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<v Speaker 1>The kitchen is a mediative space for Sami. A stressful

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<v Speaker 1>day is remedied by some time cooking. I think Australian

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<v Speaker 1>audiences have fallen in love with Semite. I can imagine

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<v Speaker 1>her brand being on my shopping list for a very

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<v Speaker 1>long time to come. Samite will unpack everything from bacon

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<v Speaker 1>and eggs, the pressure to cook within her cultural heritage,

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<v Speaker 1>and why she believes Jean Christov is her favorite judge.

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<v Speaker 1>We will also unpack the Master Chef kitchen in terms

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<v Speaker 1>of the dynamics between the cast and if there were

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<v Speaker 1>any jealousy or overly competitive contestants this year. Who will

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<v Speaker 1>ask Semite about her journey to Master Chef and why

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<v Speaker 1>she felt confident in any color apron once the cameras

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<v Speaker 1>started rolling. We will also discuss why she brought two

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<v Speaker 1>fish to look after during the filming of this season,

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<v Speaker 1>and if she does actually love drinking Scotch and whiskey,

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<v Speaker 1>which I heard as a rumor. There is so much

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<v Speaker 1>to unpack with Semeat, So sit back and relax, guys,

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<v Speaker 1>as we unpack her wonderful time in the Master Chef

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<v Speaker 1>Australian Kitchen. Hi, Semite, how are you high?

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<v Speaker 2>Good morning, n How you doing.

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<v Speaker 1>I'm doing very well. I have been very disappointed, a

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<v Speaker 1>lot of tears from the calf last night and I

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<v Speaker 1>can only look at the silver lining of the fact

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<v Speaker 1>that I get this joyful experience of being able to

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<v Speaker 1>talk to you this morning.

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<v Speaker 2>Oh you're so beautiful. Thank you for the kind words.

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<v Speaker 2>I appreciate it.

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<v Speaker 1>Yeah, I think that, you know, a lot of people

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<v Speaker 1>thought you were going to take this competition out, you know,

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<v Speaker 1>with the confidence that you seem to come at with

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<v Speaker 1>this competition. I think, yeah, it was easy to believe that.

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<v Speaker 1>But I guess that's the nature of this show, is

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<v Speaker 1>that if Sashi can go, this is what I say

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<v Speaker 1>to everybody, Sash can go on this show. Anybody can go.

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<v Speaker 2>I know, I know it's pretty incredible, right, and exactly

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<v Speaker 2>what you said it is, you know, it is the

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<v Speaker 2>nature of the competition. You're only as good as your

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<v Speaker 2>last book, essentially.

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<v Speaker 1>But there's nothing predictable of bet the show, because then

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<v Speaker 1>that's why it's on TV sixteen seasons later, is because

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<v Speaker 1>you won't know, you don't know, you could be the

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<v Speaker 1>best of the best, and then you have this bad

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<v Speaker 1>cook and then you're gone.

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<v Speaker 2>Absolutely, you know, I think it's we've seen it enough, right,

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<v Speaker 2>I've watched enough many you know, Master Chef seasons previously

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<v Speaker 2>to know that that's the case. And yeah, it was

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<v Speaker 2>just my time to leave. You know, that's the only

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<v Speaker 2>way you can sorder, you know, I guess come to

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<v Speaker 2>terms with it.

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<v Speaker 1>Did you make bacon and eggs for breakfast this morning?

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<v Speaker 1>That's what I want to know.

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<v Speaker 2>No chance, not at the minute I think it's going

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<v Speaker 2>to be. It's going to be a little bit before

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<v Speaker 2>I make bigger at eggs.

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<v Speaker 1>No one's getting breakfast at my house for a long time.

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<v Speaker 2>Cereal and orange and boring stuff we beneat And you're

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<v Speaker 2>not going to get bigger and eggs for sure. No, no, no,

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<v Speaker 2>nothing like that, but definitely not this morning.

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<v Speaker 1>My partner can make coach eggs really well, that is

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<v Speaker 1>to perfection. So when people come over and stay with us,

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<v Speaker 1>people always say to him, you know you should go

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<v Speaker 1>master chef. And I was thinking about your credibility with

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<v Speaker 1>your knowledge on cooking what you already were armed with.

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<v Speaker 1>Surely you've had people saying that to you over the years.

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<v Speaker 1>How many times have you heard you should go on mastershif?

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<v Speaker 2>Oh my gosh, I could I would be a millionaire

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<v Speaker 2>find you if I could, you know, get get a

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<v Speaker 2>dollar for every time I've been told that. So you know, yes,

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<v Speaker 2>there's been many, many years that people have always said

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<v Speaker 2>to me, my friends, have my beautiful children, have my

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<v Speaker 2>you know, my partner has family has everyone who's always

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<v Speaker 2>said that to me, My work colleagues have you know,

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<v Speaker 2>They're like, well, aren't you doing it? You should still

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<v Speaker 2>be there, And it's like, oh, yeah, you know, maybe

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<v Speaker 2>maybe I don't know, I don't know, you know, so

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<v Speaker 2>as you know, one year goes, the other year goes,

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<v Speaker 2>and you know, it's just just been like that. But yes,

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<v Speaker 2>absolutely been told that very often before.

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<v Speaker 1>Well, how has the experience then stacked up? Because I mean,

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<v Speaker 1>if that has been a conversation that's been floated around

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<v Speaker 1>amongst your friends, your work colleagues and in your own mind,

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<v Speaker 1>I wanted to know about your expectations versus the experience.

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<v Speaker 2>Oh my gosh, oh wow. So yes, how vastly different

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<v Speaker 2>the expectation from what it actually is. But so how

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<v Speaker 2>you know, so beautifully vastly different. So you know, you go,

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<v Speaker 2>you watch the show and I've been watching it for

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<v Speaker 2>so many years, and you sort of see it you think,

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<v Speaker 2>oh my god, this is incredible. But when you actually

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<v Speaker 2>walk through those doors and see that clock, and you know,

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<v Speaker 2>the just that whole the vibe of that kitchen and

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<v Speaker 2>charges in front of you, and those workstations, you know,

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<v Speaker 2>the kitchens that we have, and the whole experience, you know,

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<v Speaker 2>the whole filming experience. Oh my god, exponentially much much

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<v Speaker 2>more magical than you can ever imagine it to be.

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<v Speaker 2>That's the truth. It's it's actually almost unbelievable how much

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<v Speaker 2>better it is to actually be in it than watch it.

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<v Speaker 1>That makes a lot of sense, right, you know, it

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<v Speaker 1>makes a lot of sense to be able to want

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<v Speaker 1>to put yourself into that situation. I mean, I can

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<v Speaker 1>imagine though this could easily flow, people could easily intimidate people.

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<v Speaker 1>So it does take a certain type of person to

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<v Speaker 1>say I'm going to take this on and then be

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<v Speaker 1>able to be in front of those cameras to be,

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<v Speaker 1>you know, under that kind of pressure. But now that

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<v Speaker 1>we're at this point, and I might be the first

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<v Speaker 1>person to ask you this, but what have you learned

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<v Speaker 1>about yourself? Not necessarily from the experience as you were

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<v Speaker 1>there day to day, but today, like now, looking back,

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<v Speaker 1>you've watched your season of Master Chef, what have you

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<v Speaker 1>learned about yourself?

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<v Speaker 2>Oh? Yeah, you know, a really good question. Ben, because

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<v Speaker 2>it's true. I've been you know, sort of mulling over

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<v Speaker 2>that last night, going, oh, you know, how do I feel,

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<v Speaker 2>and actually really introspecting into you know, I guess, do

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<v Speaker 2>my checks and balances within myself to see what I've

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<v Speaker 2>gained and how I've you know, how I see myself now.

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<v Speaker 2>You know, I've always been someone that's you know, had

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<v Speaker 2>to be very I guess centered in a storm, and

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<v Speaker 2>that's you know, that's that's just generally me. I tend

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<v Speaker 2>to be very when there's a storm happening around me.

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<v Speaker 2>I really go inside and find that piece of cup

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<v Speaker 2>place of calm and you know, just work from there

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<v Speaker 2>and really keep it very rock solid. But this was

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<v Speaker 2>so different to see it in this environment because you

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<v Speaker 2>sort of removed from your regular life, you know, you

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<v Speaker 2>don't have your regular distruction that you have at home,

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<v Speaker 2>and you're really sort of insulated in a space where

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<v Speaker 2>you're actually just deeply immersed in your passion. So it

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<v Speaker 2>really is a very good litmus test to see, you know,

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<v Speaker 2>how deep that passion truly is. And so it just

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<v Speaker 2>solidified that for me so much. I was really well

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<v Speaker 2>aware of whether it was a black apron or white,

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<v Speaker 2>apron orange, no matter what color I wore, how aligned

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<v Speaker 2>I felt with my center, like with my calling, I guess,

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<v Speaker 2>you know, with my passion. Yeah, it was deeply revealing

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<v Speaker 2>for me. So it just solidified the fact that, you know,

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<v Speaker 2>I mean I also do a copper job before, and

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<v Speaker 2>I could not even I cannot even imagine how I

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<v Speaker 2>did that. Like even just the thought of it just

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<v Speaker 2>brings me down. So you know, it's like it just

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<v Speaker 2>really solidifies that. So definitely that's something that I absolutely learned.

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<v Speaker 2>But also with the cameras, it was so interesting. You know,

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<v Speaker 2>I was I was worried about you know, my gosh,

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<v Speaker 2>I hope I'm not conscious in front of it or

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<v Speaker 2>you know, I'm not well.

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<v Speaker 1>You know, that's other thing they do say. You know,

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<v Speaker 1>introverted people can become extra verted. Extroverted people can become

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<v Speaker 1>introverted by being around camera like that. So it absolutely

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<v Speaker 1>is a different dynamic that not everyone would necessarily understand

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<v Speaker 1>and what that is going to do to you, you.

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<v Speaker 2>Know, that's right, absolutely, But I think I just felt

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<v Speaker 2>so comfortable. I didn't feel like it was you know,

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<v Speaker 2>it didn't just there with me. I just I thrived.

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<v Speaker 2>I just loved it, you know, and it didn't distract

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<v Speaker 2>me at all. I just because when you go in

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<v Speaker 2>there and the clock starts, like, oh my god godcause

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<v Speaker 2>it's just like seventy five minutes, and you forget about

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<v Speaker 2>the cameras. You just like so focused and so zero

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<v Speaker 2>in on what you're doing, is that it sort of

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<v Speaker 2>takes over.

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<v Speaker 1>I wanted to mention to you at this early stage about,

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<v Speaker 1>you know, the thoughts and feelings that other people had

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<v Speaker 1>about you during this season. I think you must be

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<v Speaker 1>like miscongeniality or something, because so many people brought up

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<v Speaker 1>their time with you and how much they appreciated you

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<v Speaker 1>as well. I think they appreciated your sentedness and your wisdom,

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<v Speaker 1>and I think people were surprised by you, a little

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<v Speaker 1>bit surprised. Is this correct to say that someone told

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<v Speaker 1>me that you enjoy a good scotch or a whiskey.

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<v Speaker 1>I can't remember who it was. Someone stopped it.

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<v Speaker 2>Oh my god, oh secrets revealed. Yeah. I do. I

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<v Speaker 2>do enjoy you know, a good whiskey, A good single made,

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<v Speaker 2>a good scott you know it is it is such

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<v Speaker 2>an indulgent drink and it is so it's a real

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<v Speaker 2>experience to have it. I love it. I do enjoy

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<v Speaker 2>my whiskey nines.

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<v Speaker 1>And when I heard about that, I just was like,

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<v Speaker 1>I didn't expect that and now and I said to

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<v Speaker 1>the person at the time, I was like, you know,

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<v Speaker 1>samit to me, he's not the sort of person who's

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<v Speaker 1>going to be smashing a bottle of this stuff. She'd

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<v Speaker 1>find a really good one and she would, you know,

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<v Speaker 1>one glass and tell your really good story. And that

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<v Speaker 1>has been on my mind ever since I've thought about it.

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<v Speaker 1>I'm like, hmm, I just want to be a yeah house,

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<v Speaker 1>having the food and hearing your stories with a scotch always.

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<v Speaker 2>Yeah, absolutely, absolutely that. I love doing that. You know,

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<v Speaker 2>my husband may really enjoy that, so we both have

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<v Speaker 2>a you know, shared passion for it. And it is

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<v Speaker 2>really a little you know, and you're right, just savor

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<v Speaker 2>the whiskey, you know, you know, actually really enjoy it

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<v Speaker 2>and you know, mull over it and hold it and

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<v Speaker 2>it's just beautiful. Yes, it's a good it's a good

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<v Speaker 2>experience to have everyone to do it.

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<v Speaker 1>Oh, I'm up for it. I'm up for it. That's

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<v Speaker 1>my dream. That is my dream. But you know, with

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<v Speaker 1>reality shows, there's this urban legend that if you win

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<v Speaker 1>a car, or if you win them any challenge, like

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<v Speaker 1>having your source put in calls, it means that you

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<v Speaker 1>don't win the show. It can sometimes mean that that's

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<v Speaker 1>a sign that you might not come out on top.

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<v Speaker 1>Did you know about the urban legend? Did you worry

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<v Speaker 1>once you won the source that Master Chef had given

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<v Speaker 1>you something and that you may now not win.

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<v Speaker 2>I did not know about that urban legend, but I

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<v Speaker 2>did have someone from the crew say, you know that

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<v Speaker 2>is basically say that after top ten you sort of

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<v Speaker 2>see the motivation sort of drop off. And I was

0:10:57.160 --> 0:10:59.400
<v Speaker 2>very surprised when I heard that, because actually the win

0:10:59.520 --> 0:11:02.160
<v Speaker 2>of the sauce sort of powered me even more because

0:11:02.240 --> 0:11:04.520
<v Speaker 2>it sort of made me feel like if I can

0:11:04.559 --> 0:11:07.520
<v Speaker 2>do this, I can do that, you know. So yes,

0:11:07.800 --> 0:11:10.800
<v Speaker 2>it actually the opposite for me. But yeah, you know,

0:11:10.920 --> 0:11:13.800
<v Speaker 2>who knows. Maybe the universe does work it a way

0:11:13.840 --> 0:11:15.280
<v Speaker 2>of balance. I don't know.

0:11:15.760 --> 0:11:17.640
<v Speaker 1>I don't know whether or not it's something that happens

0:11:17.679 --> 0:11:21.280
<v Speaker 1>consciously from behind the scenes, like whether it's coordinated by producers.

0:11:21.360 --> 0:11:23.480
<v Speaker 1>They're like, you know, with your children. I mean, I

0:11:23.520 --> 0:11:25.280
<v Speaker 1>don't have any children, but I can imagine, you know,

0:11:25.400 --> 0:11:27.480
<v Speaker 1>you give one thing to one child, then it's by

0:11:27.640 --> 0:11:31.000
<v Speaker 1>human nature to balance it out and give something to another.

0:11:31.280 --> 0:11:33.720
<v Speaker 1>I wondered whether or not there's something quiet.

0:11:33.960 --> 0:11:36.520
<v Speaker 2>No, I doubt it, Ben, you know, I think in

0:11:36.559 --> 0:11:39.480
<v Speaker 2>that regard, I have to say it was. It was

0:11:39.520 --> 0:11:42.800
<v Speaker 2>really I doubt there was any any sort of agenda

0:11:42.880 --> 0:11:45.480
<v Speaker 2>like that, you know, because I remember, you know, even

0:11:45.520 --> 0:11:47.160
<v Speaker 2>when I went walked into the show, you know, you

0:11:47.280 --> 0:11:49.720
<v Speaker 2>had a sort of save in me very similar sort

0:11:49.720 --> 0:11:53.920
<v Speaker 2>of you know, flavor profiles. But I really found that

0:11:54.120 --> 0:11:55.960
<v Speaker 2>and I was bored. Sort I hoped it owns, you know,

0:11:56.760 --> 0:11:58.600
<v Speaker 2>judge her curry to my curry. And there was a

0:11:58.600 --> 0:12:01.160
<v Speaker 2>situation where Dash and I meet sort of like a

0:12:01.200 --> 0:12:03.320
<v Speaker 2>Trifley type of a dessert when he met it with

0:12:03.400 --> 0:12:05.240
<v Speaker 2>Durian and I meet it with Starr andes. You know,

0:12:05.360 --> 0:12:07.560
<v Speaker 2>it was they similar, and you obviously get those thoughts like,

0:12:07.559 --> 0:12:08.960
<v Speaker 2>oh my gosh, I hope they don't, you know, sort

0:12:09.000 --> 0:12:11.640
<v Speaker 2>of compare us. But they don't, you know. So I

0:12:11.679 --> 0:12:13.480
<v Speaker 2>was really impressed with the fact that they actually just

0:12:13.679 --> 0:12:16.560
<v Speaker 2>see your dish as Yordish and their dish as their dish,

0:12:16.600 --> 0:12:20.240
<v Speaker 2>Like each individual is judged on their own the dish

0:12:20.240 --> 0:12:22.880
<v Speaker 2>that they meet on the day as an individual dish,

0:12:23.000 --> 0:12:25.240
<v Speaker 2>which is a good thing to do, so yeah, yet

0:12:25.480 --> 0:12:26.360
<v Speaker 2>no agenda there.

0:12:26.760 --> 0:12:30.040
<v Speaker 1>I wonder whether or not the ability to do that

0:12:30.120 --> 0:12:33.000
<v Speaker 1>with the dishes and be very separate and to not

0:12:33.640 --> 0:12:36.360
<v Speaker 1>pit people against each other is the reason why we

0:12:36.480 --> 0:12:40.760
<v Speaker 1>don't feel as a viewer any jealousy or segregation or

0:12:41.160 --> 0:12:44.960
<v Speaker 1>any kind of animosity amongst the cast, because yeah, that

0:12:45.080 --> 0:12:48.600
<v Speaker 1>kind of ability has been ingrained into the processes to

0:12:48.640 --> 0:12:53.120
<v Speaker 1>make sure that aren't competing or feeling that competition. I mean,

0:12:53.200 --> 0:12:54.760
<v Speaker 1>is it as sweet and lovely as we see it

0:12:54.760 --> 0:12:56.960
<v Speaker 1>to be? I mean, have they edited out the Melrose

0:12:57.000 --> 0:12:59.600
<v Speaker 1>Place kitchen where I don't know? Is it a sweet

0:12:59.640 --> 0:13:01.360
<v Speaker 1>and lovely as we are led to believe.

0:13:01.720 --> 0:13:04.839
<v Speaker 2>I think it's sweeter and lovelier than it actually led

0:13:04.880 --> 0:13:07.320
<v Speaker 2>to believe because at the edge sometimes you don't see

0:13:07.360 --> 0:13:09.320
<v Speaker 2>the beautiful friendships that are there because it's you know,

0:13:09.360 --> 0:13:11.720
<v Speaker 2>the time is so short. But yeah, absolutely, the green

0:13:11.800 --> 0:13:15.600
<v Speaker 2>room was a fun, happy, safe space and you know

0:13:15.640 --> 0:13:17.760
<v Speaker 2>that was a really and you're right, you know that's

0:13:17.800 --> 0:13:19.880
<v Speaker 2>the beauty of the show. And I think, you know,

0:13:19.960 --> 0:13:23.600
<v Speaker 2>copper culture is so can be so hard, can be toxic,

0:13:23.640 --> 0:13:25.720
<v Speaker 2>can be they can be jealousy, they can be you know,

0:13:25.760 --> 0:13:27.960
<v Speaker 2>all of those things, and everybody wants to rise above

0:13:28.040 --> 0:13:30.240
<v Speaker 2>the other. There's that, you know, the vibe. But I

0:13:30.280 --> 0:13:32.360
<v Speaker 2>think it's because it is a top down type of

0:13:32.360 --> 0:13:35.560
<v Speaker 2>a situation in a Master Chef kitchen. Everybody in the

0:13:35.800 --> 0:13:40.600
<v Speaker 2>crew is incredibly well bonded and so beautiful. They share

0:13:40.640 --> 0:13:44.640
<v Speaker 2>such a beautiful friendship and energy and that comes across

0:13:44.640 --> 0:13:47.600
<v Speaker 2>and flows through to the contestants. And I think because

0:13:47.720 --> 0:13:49.720
<v Speaker 2>all of us that you know, sort of part of it,

0:13:49.880 --> 0:13:51.640
<v Speaker 2>have had some sort of a sense of what the

0:13:51.679 --> 0:13:54.520
<v Speaker 2>show was, give or take a some more, some less.

0:13:54.800 --> 0:13:57.480
<v Speaker 2>But you walk into an environment that has that sort

0:13:57.480 --> 0:13:59.600
<v Speaker 2>of a culture and you sort of almost imbbe that

0:13:59.720 --> 0:14:02.440
<v Speaker 2>you and it sort of flows through. So you know,

0:14:02.840 --> 0:14:06.000
<v Speaker 2>culture is top to bottom and this is truly the

0:14:06.000 --> 0:14:08.080
<v Speaker 2>way it is. But yeah, the green room was a

0:14:08.120 --> 0:14:10.800
<v Speaker 2>really safe space. You know, people could really I mean,

0:14:10.800 --> 0:14:13.000
<v Speaker 2>you know, if there was something I didn't know, I

0:14:13.000 --> 0:14:15.120
<v Speaker 2>could ask someone that knew, Like I say, for example,

0:14:15.440 --> 0:14:18.800
<v Speaker 2>fish right, So Harry is the fish lord in the

0:14:18.800 --> 0:14:21.760
<v Speaker 2>group and he really knows everything fish related. And I

0:14:21.880 --> 0:14:24.240
<v Speaker 2>am gosh, I was so afraid of even chopping the

0:14:24.280 --> 0:14:27.120
<v Speaker 2>head off of the issue in a few episodes, but

0:14:27.160 --> 0:14:29.120
<v Speaker 2>he was so generous with his you know, sharing his

0:14:29.200 --> 0:14:32.440
<v Speaker 2>knowledge with me. And there really is that camarade race.

0:14:32.600 --> 0:14:34.440
<v Speaker 2>All of that happens behind the scenes that you don't

0:14:34.440 --> 0:14:34.920
<v Speaker 2>see on the.

0:14:34.840 --> 0:14:37.680
<v Speaker 1>Cameras, which I love because like Master Chef plays during

0:14:37.720 --> 0:14:41.640
<v Speaker 1>winter and it is the winter warmer of television that

0:14:41.720 --> 0:14:46.480
<v Speaker 1>Australia needs. You could have easily pigeonholed yourself with curry dishes.

0:14:46.520 --> 0:14:49.560
<v Speaker 1>And I remember very early on when we got introduced

0:14:49.560 --> 0:14:53.480
<v Speaker 1>to your profile. Yeah, I could have easily imagined that

0:14:53.640 --> 0:14:56.400
<v Speaker 1>you wouldn't want to step outside of that box watching

0:14:56.400 --> 0:14:57.920
<v Speaker 1>you on the show, you could have easily leant into

0:14:58.200 --> 0:15:00.680
<v Speaker 1>just your skill set, but you really pushed yourself because

0:15:00.680 --> 0:15:03.160
<v Speaker 1>that's what the competition needs. But then now for you

0:15:03.240 --> 0:15:05.480
<v Speaker 1>to succeed in a market, you really need to own

0:15:05.520 --> 0:15:08.040
<v Speaker 1>a particular space, and you're now kind of having to

0:15:08.080 --> 0:15:09.800
<v Speaker 1>do the opposite of what you need to do to

0:15:09.840 --> 0:15:11.400
<v Speaker 1>survive in a show like this.

0:15:11.720 --> 0:15:13.880
<v Speaker 2>It's interesting because you know, people sort of do you

0:15:13.920 --> 0:15:16.080
<v Speaker 2>know pigeonhole you to say, oh, she looks like this,

0:15:16.160 --> 0:15:19.560
<v Speaker 2>so she must be that. But it's interesting because I actually,

0:15:20.000 --> 0:15:23.440
<v Speaker 2>you know before like my my husband now needs to

0:15:23.600 --> 0:15:25.680
<v Speaker 2>eat his Indian food and I make it often, but

0:15:25.880 --> 0:15:28.400
<v Speaker 2>before I met him, I would probably cook curry once

0:15:28.440 --> 0:15:30.800
<v Speaker 2>in six months because it was not something I would

0:15:30.880 --> 0:15:32.480
<v Speaker 2>make all the time, and I would only do it

0:15:32.560 --> 0:15:34.720
<v Speaker 2>like if my friends just, oh please, can you make

0:15:34.840 --> 0:15:36.400
<v Speaker 2>us like you know, and I was like, all right,

0:15:36.440 --> 0:15:38.400
<v Speaker 2>then I'll make an Indian you know, curry night. But

0:15:38.640 --> 0:15:43.840
<v Speaker 2>it was not something I do actually generally eat, very

0:15:44.080 --> 0:15:47.080
<v Speaker 2>very simple food. You know, it's usually grilled meats and

0:15:47.160 --> 0:15:50.360
<v Speaker 2>vegetables and bakes. And you know, I do a little

0:15:50.440 --> 0:15:52.560
<v Speaker 2>lot of baking at home, so there's a lot. I

0:15:52.600 --> 0:15:55.840
<v Speaker 2>do roast dinners, a lot, we do steaks. I'm the

0:15:55.840 --> 0:15:58.320
<v Speaker 2>barbecue person at home my husband, so I'm the one

0:15:58.320 --> 0:16:00.480
<v Speaker 2>that you know, does all the barbecued meats, so I

0:16:00.520 --> 0:16:02.600
<v Speaker 2>do a lot of that. In fact, just the other

0:16:02.640 --> 0:16:04.360
<v Speaker 2>day we made a cattleman steak. So it's like we

0:16:04.480 --> 0:16:07.400
<v Speaker 2>actually do a lot of other foods, but in the

0:16:07.480 --> 0:16:09.920
<v Speaker 2>kitchen it was. It did take me a little while

0:16:09.960 --> 0:16:12.360
<v Speaker 2>to break out of that stereotype because you know, it

0:16:12.440 --> 0:16:14.360
<v Speaker 2>was almost like we were typecast and I felt like

0:16:14.400 --> 0:16:16.080
<v Speaker 2>I needed to do it because that was what was

0:16:16.120 --> 0:16:19.520
<v Speaker 2>expected of me. Almost I struggled that first couple of weeks.

0:16:19.520 --> 0:16:20.960
<v Speaker 2>And that's why you told me like sort of going

0:16:21.120 --> 0:16:23.560
<v Speaker 2>you know, black white top dish, bottom dish, you know,

0:16:23.600 --> 0:16:26.720
<v Speaker 2>ilimination pressure tests because it was just where I couldn't

0:16:26.720 --> 0:16:29.080
<v Speaker 2>find my feet. I was like, do I go the

0:16:29.080 --> 0:16:31.400
<v Speaker 2>Indian route because that's what they're expecting me to do,

0:16:31.640 --> 0:16:34.120
<v Speaker 2>or do I do my style, which is this But

0:16:34.520 --> 0:16:36.680
<v Speaker 2>you know, sauce has always been my thing, so and

0:16:36.760 --> 0:16:39.720
<v Speaker 2>because it's a fusion sort of sauce area that I'm

0:16:39.760 --> 0:16:43.560
<v Speaker 2>looking at actually gives me a lot of creative license

0:16:44.160 --> 0:16:47.240
<v Speaker 2>to play with different cuisines and different flavors and match

0:16:47.280 --> 0:16:50.560
<v Speaker 2>them up. So yeah, no, I think quite the opposite.

0:16:50.600 --> 0:16:54.239
<v Speaker 1>Actually, I love the idea of you being not pigeonholed

0:16:54.360 --> 0:16:57.280
<v Speaker 1>into something like that, and I think that Australians need

0:16:57.280 --> 0:17:00.359
<v Speaker 1>to step outside of pigeon holing people absolutely.

0:17:00.400 --> 0:17:02.400
<v Speaker 2>In fact, my Indian friends tell me that my food

0:17:02.440 --> 0:17:04.640
<v Speaker 2>is not typical Indians. So they're like, oh, yes, there's

0:17:04.680 --> 0:17:06.639
<v Speaker 2>a little bit fusion, a little bit modern, it's a

0:17:06.680 --> 0:17:09.639
<v Speaker 2>little bit different from what we would stop. Yeah, so

0:17:09.760 --> 0:17:11.679
<v Speaker 2>that's true, but you know that's all of us, right,

0:17:11.720 --> 0:17:14.120
<v Speaker 2>we're all learning growing Absolutely life.

0:17:14.400 --> 0:17:16.399
<v Speaker 1>You had to we should talk about this dish from

0:17:16.480 --> 0:17:18.840
<v Speaker 1>last night just a little bit. But yeah, because you

0:17:18.920 --> 0:17:21.760
<v Speaker 1>really kept doing this thing where you were reinvented dishes,

0:17:21.880 --> 0:17:24.159
<v Speaker 1>and I thought that it was really admirable how you

0:17:24.200 --> 0:17:26.840
<v Speaker 1>pushed yourself to always reinvent stuff. And then of course

0:17:26.880 --> 0:17:28.399
<v Speaker 1>you were going to do that because you wanted to

0:17:28.440 --> 0:17:31.040
<v Speaker 1>have the most original dish and win, you know, and

0:17:31.080 --> 0:17:34.159
<v Speaker 1>you said that was last night the time to play safe.

0:17:34.280 --> 0:17:35.280
<v Speaker 1>Should you have done that?

0:17:35.520 --> 0:17:38.080
<v Speaker 2>Oh? No, I no, I don't think I should have

0:17:38.080 --> 0:17:40.320
<v Speaker 2>played it safe at all. I feel like, you know,

0:17:40.359 --> 0:17:43.400
<v Speaker 2>once you get to this point in the competition, you've

0:17:43.400 --> 0:17:46.240
<v Speaker 2>got to really push yourself because you need to back

0:17:46.240 --> 0:17:48.920
<v Speaker 2>yourself better. You know, like you've gotten to a point

0:17:48.960 --> 0:17:51.840
<v Speaker 2>now where you should be. You know, playing it's safe

0:17:51.920 --> 0:17:55.960
<v Speaker 2>probably would have taken me through last night possibly, but

0:17:56.119 --> 0:17:58.640
<v Speaker 2>then I probably would not have been true to myself,

0:17:58.840 --> 0:18:02.680
<v Speaker 2>and I think that is far more important than anything

0:18:02.720 --> 0:18:05.600
<v Speaker 2>else for anybody. I mean, you know, that really should

0:18:05.600 --> 0:18:07.800
<v Speaker 2>be the thing. But yeah, I know I did not

0:18:07.960 --> 0:18:10.560
<v Speaker 2>want to play safe, definitely not not at this point

0:18:10.560 --> 0:18:12.400
<v Speaker 2>in the competition. I really didn't. You know, I could

0:18:12.400 --> 0:18:15.560
<v Speaker 2>have whipped up something, you know, Curry style or something

0:18:15.600 --> 0:18:17.000
<v Speaker 2>like that, which it would have been easy for me

0:18:17.080 --> 0:18:20.639
<v Speaker 2>to do, but I didn't want to. I wanted to

0:18:20.680 --> 0:18:22.679
<v Speaker 2>do something different, so I did stay with you know,

0:18:22.760 --> 0:18:25.720
<v Speaker 2>my heritage being Indian, sort of said, you know, it's

0:18:25.760 --> 0:18:28.119
<v Speaker 2>my take on your Yeah, you know, baking an en

0:18:28.160 --> 0:18:30.399
<v Speaker 2>year old type of thing, but using blue cheese, but

0:18:30.520 --> 0:18:34.320
<v Speaker 2>using banando so and then also, oh my god, it

0:18:34.440 --> 0:18:36.680
<v Speaker 2>was pretty tasty. But I can understand where they came

0:18:36.680 --> 0:18:39.600
<v Speaker 2>from about the egg issue, right, because that's the tricky

0:18:39.640 --> 0:18:42.000
<v Speaker 2>part of it. A nan is a double cooked dough

0:18:42.119 --> 0:18:44.239
<v Speaker 2>and you rested twice and it's all there's a lot

0:18:44.280 --> 0:18:46.640
<v Speaker 2>of things happening with it. So if I just made

0:18:46.680 --> 0:18:49.240
<v Speaker 2>a blue cheese and bacon nan and probably put an

0:18:49.240 --> 0:18:51.399
<v Speaker 2>egg on top of it, that is probably the hindsight

0:18:51.440 --> 0:18:53.200
<v Speaker 2>that I've hadn't said, or maybe I could have unpacked

0:18:53.200 --> 0:18:55.320
<v Speaker 2>the way I did it probably would have stuck with

0:18:55.480 --> 0:18:58.080
<v Speaker 2>what I did, but maybe done the egg component a

0:18:58.160 --> 0:19:01.119
<v Speaker 2>little bit differently. Possibly mean I've just flipped.

0:19:00.840 --> 0:19:02.920
<v Speaker 1>An egg on top. Someone else just put their little

0:19:02.960 --> 0:19:04.720
<v Speaker 1>egg on top, and you know that they're still in

0:19:04.760 --> 0:19:07.080
<v Speaker 1>the competition. Maybe that's what it can fun as well.

0:19:06.960 --> 0:19:09.119
<v Speaker 2>You know, good on them. Actually, that's that's the thing

0:19:09.200 --> 0:19:11.840
<v Speaker 2>is about having that presence of mind at that moment

0:19:12.000 --> 0:19:14.240
<v Speaker 2>to say, oh, yeah, you know, what maybe, And good

0:19:14.240 --> 0:19:16.240
<v Speaker 2>on them for doing that, because that's the whole presence

0:19:16.240 --> 0:19:18.040
<v Speaker 2>of mind thing that needs to happen. And you know,

0:19:18.160 --> 0:19:21.280
<v Speaker 2>that's seventy five minutes, which gets you, you know, one

0:19:21.280 --> 0:19:24.320
<v Speaker 2>step further and one step further and finally to the trophy, right,

0:19:24.359 --> 0:19:27.280
<v Speaker 2>because it's not just about making the dishes, but it's

0:19:27.280 --> 0:19:29.840
<v Speaker 2>also having the presence of mind at the moment to

0:19:29.920 --> 0:19:30.600
<v Speaker 2>make it happen.

0:19:31.240 --> 0:19:35.320
<v Speaker 1>We have been doing this the whole season with asking

0:19:35.440 --> 0:19:38.080
<v Speaker 1>this annoying question to mat who do you think deserves

0:19:38.119 --> 0:19:41.080
<v Speaker 1>to win? And who is your favorite judge? And it's

0:19:41.200 --> 0:19:44.080
<v Speaker 1>very hard to do this, and I completely understand. I

0:19:44.119 --> 0:19:46.440
<v Speaker 1>think one of these questions can be hard, but I'm

0:19:46.440 --> 0:19:49.560
<v Speaker 1>not taking business. I want to know who do you think?

0:19:49.560 --> 0:19:51.679
<v Speaker 1>All right, now that we've got who we've got left,

0:19:52.000 --> 0:19:53.160
<v Speaker 1>who's going to win?

0:19:53.400 --> 0:19:58.040
<v Speaker 2>Oh my gosh. I love them all and you know that,

0:19:58.320 --> 0:20:01.399
<v Speaker 2>of course, but you know I have a soft spot

0:20:01.480 --> 0:20:06.240
<v Speaker 2>obviously for my best see my roomy, my darling, Natty goal.

0:20:06.600 --> 0:20:10.160
<v Speaker 2>So I'm going to see nat for the win. Yeah.

0:20:10.160 --> 0:20:12.880
<v Speaker 2>I just had an amazing experience bonding with her, So yeah,

0:20:12.960 --> 0:20:15.520
<v Speaker 2>I just would love to see how big the trophy.

0:20:15.520 --> 0:20:17.320
<v Speaker 2>I think. She's so beautifully talented.

0:20:17.720 --> 0:20:20.200
<v Speaker 1>You're amazing. That's probably the easiest answer that I've got

0:20:20.240 --> 0:20:22.120
<v Speaker 1>so far out of any of the other people so far.

0:20:22.240 --> 0:20:24.479
<v Speaker 1>So thank you. I didn't have to harass you. Well,

0:20:24.520 --> 0:20:27.200
<v Speaker 1>who do you think? Though? We have four new judges,

0:20:27.600 --> 0:20:29.440
<v Speaker 1>and you know, I wouldn't want to be any of

0:20:29.480 --> 0:20:33.080
<v Speaker 1>these judges because whilst they're judging you, Australia is judging them,

0:20:33.160 --> 0:20:35.679
<v Speaker 1>and they are under a lot of pressure being new judges. Like,

0:20:35.920 --> 0:20:38.320
<v Speaker 1>don't even go on Creddit. Don't even go on Reddit

0:20:38.359 --> 0:20:40.080
<v Speaker 1>to read the comments about what people have to say

0:20:40.119 --> 0:20:42.080
<v Speaker 1>about those judges. But I want to know from you,

0:20:42.240 --> 0:20:46.080
<v Speaker 1>from your experience, who has been the hard one. This

0:20:46.160 --> 0:20:47.600
<v Speaker 1>is so hard, it really is.

0:20:47.760 --> 0:20:50.640
<v Speaker 2>It's very hard. This is not a fair question. Come on,

0:20:50.960 --> 0:20:51.560
<v Speaker 2>you know what I mean.

0:20:51.760 --> 0:20:54.720
<v Speaker 1>No, I want to know. I'm collecting a Dorsier. I'm

0:20:54.920 --> 0:20:56.760
<v Speaker 1>trying to write it all down to see who we

0:20:56.800 --> 0:20:58.520
<v Speaker 1>have as we may have a winner at the end

0:20:58.520 --> 0:20:59.760
<v Speaker 1>of the season about who gets picked.

0:21:00.080 --> 0:21:02.160
<v Speaker 2>Oh my god, this is this is actually tougher because

0:21:02.160 --> 0:21:04.879
<v Speaker 2>it's like they were also beautiful and different in so

0:21:04.920 --> 0:21:07.400
<v Speaker 2>many ways, and I got so much from each one

0:21:07.440 --> 0:21:11.879
<v Speaker 2>of them. You know, Oh god, this is hard. But

0:21:11.920 --> 0:21:17.640
<v Speaker 2>I'm gonna have to say, beautiful Chef show. Christophe Novelle

0:21:17.720 --> 0:21:21.199
<v Speaker 2>is so beautiful. He's such a you know, such a

0:21:21.440 --> 0:21:24.240
<v Speaker 2>humble man. For all the things that he's achieved in

0:21:24.240 --> 0:21:26.840
<v Speaker 2>his life and you know, his personal life and his

0:21:26.960 --> 0:21:31.480
<v Speaker 2>professional life, he's just the most humble man, the most

0:21:31.560 --> 0:21:36.160
<v Speaker 2>generous person, a thorough gentleman. And yeah, it's just really

0:21:36.240 --> 0:21:39.520
<v Speaker 2>wants everyone to succeed. He actually couldn't care less about,

0:21:39.960 --> 0:21:41.719
<v Speaker 2>you know what, the rules of the show, and he's

0:21:41.760 --> 0:21:44.000
<v Speaker 2>just like, I want everyone to succeed. That's this sort

0:21:44.000 --> 0:21:47.399
<v Speaker 2>of missions. Yeah, he just is beautiful, generous with his praise,

0:21:47.520 --> 0:21:50.960
<v Speaker 2>generous with his advice. Yeah, just humble, beautiful man.

0:21:51.160 --> 0:21:53.399
<v Speaker 1>He also looks a little frozen in time. And I

0:21:53.440 --> 0:21:55.280
<v Speaker 1>know people are going to think I'm big, man, but

0:21:55.359 --> 0:21:57.600
<v Speaker 1>you know, like he's here. It's like you'd have that

0:21:57.680 --> 0:22:00.600
<v Speaker 1>hair in the eighties, the nineties today, you know what

0:22:00.640 --> 0:22:03.000
<v Speaker 1>I mean, Like I could imagine that in a Yeah,

0:22:03.440 --> 0:22:06.439
<v Speaker 1>Jean Christoff is still alive and still critiquing people in

0:22:06.440 --> 0:22:09.480
<v Speaker 1>the Master Chef kitchen and looks exactly Oh, he looks frozen.

0:22:09.640 --> 0:22:13.680
<v Speaker 2>Absolutely. He does not have a wrinkle on his face.

0:22:13.760 --> 0:22:16.840
<v Speaker 2>That man, he's just got flawless skin and a head

0:22:16.840 --> 0:22:18.880
<v Speaker 2>full of hair in his age, and he's just, yeah,

0:22:18.920 --> 0:22:21.800
<v Speaker 2>he looks so dapper. He's really a handsome man, you know,

0:22:21.960 --> 0:22:25.000
<v Speaker 2>and but also so beautiful. Yeah, absolutely right.

0:22:24.920 --> 0:22:26.720
<v Speaker 1>I'm into that. I think that's a good answer. Before

0:22:26.800 --> 0:22:29.879
<v Speaker 1>you go, everyone who joins the podcast gets asked this question,

0:22:29.960 --> 0:22:32.919
<v Speaker 1>which is, what is something from behind the scenes, And

0:22:32.960 --> 0:22:36.960
<v Speaker 1>I'm curious about your behind the scenes Okay, something that

0:22:36.960 --> 0:22:38.440
<v Speaker 1>we didn't get a chance to see. Now that you've

0:22:38.480 --> 0:22:40.679
<v Speaker 1>watched it all back, you know, maybe it's something that

0:22:40.720 --> 0:22:43.240
<v Speaker 1>you've been thinking are they going to show that, or

0:22:43.800 --> 0:22:47.119
<v Speaker 1>maybe something of a smate secret you know about you.

0:22:48.760 --> 0:22:52.400
<v Speaker 2>Yeah, so you know, obviously my first room is Sue

0:22:52.440 --> 0:22:55.639
<v Speaker 2>and I. We were just so you know, we just

0:22:55.880 --> 0:22:58.520
<v Speaker 2>bonded so beautifully. We have the most We feel so

0:22:58.600 --> 0:23:00.600
<v Speaker 2>lucky we have met on the show and just a

0:23:00.600 --> 0:23:06.280
<v Speaker 2>beautifully talented person and I and we actually became fish moms.

0:23:06.320 --> 0:23:09.199
<v Speaker 2>So we bought two little you know, goldfish that we

0:23:09.280 --> 0:23:12.719
<v Speaker 2>used to have in our little you know, you know, apartment,

0:23:12.840 --> 0:23:15.360
<v Speaker 2>which we loved, and so so yeah, I don't think

0:23:15.440 --> 0:23:17.360
<v Speaker 2>you know, we didn't at that point. We just did

0:23:17.359 --> 0:23:19.040
<v Speaker 2>it out of the pure love of, you know, a

0:23:19.040 --> 0:23:21.080
<v Speaker 2>commitment to the show, and we were like, yes, you know,

0:23:21.119 --> 0:23:24.120
<v Speaker 2>we're gonna commit ourselves to you know, making it really

0:23:24.160 --> 0:23:26.119
<v Speaker 2>far in it, and this is our commitment to it.

0:23:26.200 --> 0:23:28.480
<v Speaker 2>And it was these two beautiful goldfish that we had

0:23:28.760 --> 0:23:30.880
<v Speaker 2>and one was called Gil and the other was called

0:23:31.000 --> 0:23:32.880
<v Speaker 2>Sin And what.

0:23:32.840 --> 0:23:35.520
<v Speaker 1>Are those names? Then? What have your named them after?

0:23:35.800 --> 0:23:37.920
<v Speaker 2>So Gil as in you know, the gils of a

0:23:38.000 --> 0:23:40.400
<v Speaker 2>fish and Finn as in thins of a.

0:23:40.320 --> 0:23:42.240
<v Speaker 1>F I should have worked that out for everyone listening

0:23:42.280 --> 0:23:44.680
<v Speaker 1>to the podcast. Yes I am that's duper pripp. Thank

0:23:44.720 --> 0:23:45.520
<v Speaker 1>you for playing silly.

0:23:45.600 --> 0:23:47.840
<v Speaker 2>That be silly. And I think it was Finn came

0:23:47.920 --> 0:23:50.280
<v Speaker 2>from even I think Dash may have suggested because we

0:23:50.320 --> 0:23:51.639
<v Speaker 2>told them, you know, we told the group of a

0:23:51.720 --> 0:23:53.840
<v Speaker 2>game fish and they were like, I think Dash suggested,

0:23:53.960 --> 0:23:55.760
<v Speaker 2>Oh how about Spin? And then we were I think

0:23:55.760 --> 0:23:57.840
<v Speaker 2>it was Alex and Dash or you know that happened,

0:23:57.840 --> 0:23:59.840
<v Speaker 2>and then Gil obviously comes you know g I double

0:24:00.000 --> 0:24:02.879
<v Speaker 2>well as Juliana's deal as well, and you know selpe

0:24:02.920 --> 0:24:05.119
<v Speaker 2>for you. So that was that was fun. So that

0:24:05.240 --> 0:24:07.359
<v Speaker 2>was really good behind the scenes, which I wish i'd

0:24:07.400 --> 0:24:09.320
<v Speaker 2>sort of taken more photos off and made it like

0:24:09.359 --> 0:24:11.119
<v Speaker 2>a storyline, but we didn't think of it like that.

0:24:11.200 --> 0:24:12.920
<v Speaker 2>We just did it for the love of the fish.

0:24:12.960 --> 0:24:15.880
<v Speaker 2>But man, they're filthy. The amount of time we clean

0:24:15.960 --> 0:24:19.520
<v Speaker 2>that there was a clean dust and it was this crazy.

0:24:19.880 --> 0:24:21.280
<v Speaker 1>You know, I've got to go because I've got to

0:24:21.320 --> 0:24:24.359
<v Speaker 1>go to Coals and buy your saws. I'm going to

0:24:24.400 --> 0:24:25.880
<v Speaker 1>have to bring them in advance to make sure they've

0:24:25.880 --> 0:24:28.080
<v Speaker 1>got it, because if they don't have it, I'm going

0:24:28.119 --> 0:24:31.400
<v Speaker 1>to another Coals. So I want to see. I've got

0:24:31.400 --> 0:24:33.200
<v Speaker 1>to rush, But I just want to say thank you

0:24:33.760 --> 0:24:36.920
<v Speaker 1>for everything that you put into this season of Mastership.

0:24:37.119 --> 0:24:40.680
<v Speaker 1>You have really left your mark on the show, your integrity,

0:24:40.960 --> 0:24:43.840
<v Speaker 1>your ability to tell story. I could literally listen to

0:24:43.920 --> 0:24:46.120
<v Speaker 1>you read me bedtime stories to go to sleep at night,

0:24:46.119 --> 0:24:48.879
<v Speaker 1>but that might be a bit creepy. I have loved it.

0:24:48.960 --> 0:24:51.359
<v Speaker 1>I've loved you and I've loved watching you on the show.

0:24:51.400 --> 0:24:52.080
<v Speaker 1>So thank you.

0:24:52.960 --> 0:24:55.280
<v Speaker 2>Thank you so much. Ben. I've really enjoyed speaking to

0:24:55.280 --> 0:24:56.760
<v Speaker 2>you as well. Thank you so much.