WEBVTT - FULL: Hearse Etiquette

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<v Speaker 1>Christ Yeah, welcome friends to the Christian O'Connell Show podcast.

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<v Speaker 1>Why did you have dragons in your bedroom?

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<v Speaker 2>We're all a.

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<v Speaker 3>Little bogan and I know I am come for a

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<v Speaker 3>long line.

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<v Speaker 4>That feels more like Italian Daddy.

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<v Speaker 1>I want this Christian O'Connell show.

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<v Speaker 4>Thank good morning, Christian O'Connell's show. Come on, and Jack

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<v Speaker 4>Marny Christian Patsy not here today. She's been on a

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<v Speaker 4>two day pokes and goon bag mender. So hopefully I

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<v Speaker 4>spent her husband yesterday. I haven't seen her in two days.

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<v Speaker 3>Usually takes three days.

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<v Speaker 4>Endicular say, it's like the seventh two hour Patsy Ben

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<v Speaker 4>so she only nody does it five times a year,

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<v Speaker 4>but she's already done five by May, I think it was.

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<v Speaker 4>So hopefully she's back on the show Friday. I can't

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<v Speaker 4>sit because she'll probably go into the weekends. Yeah, so

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<v Speaker 4>at the moment she's in Vegas. So that's the last

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<v Speaker 4>we heard of her. So hopefully back tomorrow, but if not,

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<v Speaker 4>hopefully Tuesday after the long weekend. Now came into the

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<v Speaker 4>studio this morning with questions about hearse Etica as only

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<v Speaker 4>Jamppost could have.

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<v Speaker 3>Well, I got stopped by a funeral director on the

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<v Speaker 3>road yesterday.

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<v Speaker 4>So what kind of road is this? So we all

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<v Speaker 4>know the scene?

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<v Speaker 3>Medium?

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<v Speaker 4>Sorry you a medium? A strong road yesterday.

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<v Speaker 3>Well it's not a heavy flow traffic, but it's.

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<v Speaker 4>Not a three lane freeway.

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<v Speaker 3>Two lane only. So like back and forth and somebody

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<v Speaker 3>coming out of a lapine funeral home. Dead body in

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<v Speaker 3>the back of a hearse.

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<v Speaker 4>But let's just go easy with the bedside man case

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<v Speaker 4>someone has lost somebody. Sorry, sorry, we know what that is.

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<v Speaker 4>Someone's passing over.

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<v Speaker 3>Yes, well I know because I don't want to get

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<v Speaker 3>confused with it. Could have been a hearse, I guess

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<v Speaker 3>off duty.

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<v Speaker 4>So where they going to the surfo to fill up

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<v Speaker 4>or something? What are they doing? Get their tires done?

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<v Speaker 4>Tire power free type our checks.

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<v Speaker 3>Anyway, So the funerals finished and I made. Of course,

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<v Speaker 3>I'll give respect to the hearse. I just didn't know

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<v Speaker 3>a funeral director had the ability and powers to step

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<v Speaker 3>onto the road stop traffic. I've seen them do that

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<v Speaker 3>and wave the hearst.

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<v Speaker 4>Through, because I think if a family are in mourning,

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<v Speaker 4>they're already suffering up. They shouldn't have to do with

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<v Speaker 4>the older Oh oh god, No one's let me out

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<v Speaker 4>right now while they're sat there weeping and they're just

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<v Speaker 4>trying to edge into the traffic.

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<v Speaker 3>But does he technically have that? Did he go to

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<v Speaker 3>some classes like I know, these stop go signs, that's

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<v Speaker 3>an eight hour course that.

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<v Speaker 4>It doesn't look like it. I mean, they're sat on

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<v Speaker 4>their phones, on their graps. There's no way that's an

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<v Speaker 4>all day course.

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<v Speaker 3>So police officers obviously allowed to stop traffic, the stop

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<v Speaker 3>go signs are allowed to.

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<v Speaker 4>Stop Trafficine ambulances as well, so all the triples triple

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<v Speaker 4>zero services.

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<v Speaker 3>Funeral director.

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<v Speaker 4>I don't think it's respectfully respectfully Lose the word technically

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<v Speaker 4>and replace it with respectfully. It's us sort of you know,

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<v Speaker 4>when you're meant to sort of lower your head as

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<v Speaker 4>the dead come by. Yes, but what's your problem?

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<v Speaker 3>No, I'm just saying I didn't think he had that

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<v Speaker 3>in his repertoire of things he's technically allowed to do.

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<v Speaker 4>You now are growing into what I will call a

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<v Speaker 4>three A W Mitchell caller. What powers do they have?

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<v Speaker 4>Why does he need our powers? It's just about respect.

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<v Speaker 3>It's an odd thing to see and if somebody is

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<v Speaker 3>standing in front of you on the road with a

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<v Speaker 3>palm up, you have to start. I'm obviously not going

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<v Speaker 3>to run over the funeral director or try to squeeze around.

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<v Speaker 4>Thank you for doing that. What a citizen you are

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<v Speaker 4>as well.

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<v Speaker 3>It did make me wonder as I sat there and

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<v Speaker 3>let the hearst pass. Technically, do you have that or

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<v Speaker 3>you thought?

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<v Speaker 4>I always think there but for the grace of God,

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<v Speaker 4>go I one day that'll be me. Don't you have

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<v Speaker 4>those thoughts? Or the poor family that's someone's dad, brother.

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<v Speaker 3>But also, what's the hurry to get to the cemetery?

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<v Speaker 4>Oh, my goodness, what's your hurry? What goodness knows what

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<v Speaker 4>you've got to get to some new chicken robot rubbish

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<v Speaker 4>that we're get hear about and Dole thumbs up a

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<v Speaker 4>Japanese cown.

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<v Speaker 3>It's not like, okay, he's going to get out of

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<v Speaker 3>that intersection with a free kick from the funeral director.

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<v Speaker 3>But it's not like the funeral director go down to

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<v Speaker 3>the traffic lights and let him through there and then.

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<v Speaker 4>Around this town. They have all of that. They should

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<v Speaker 4>have a special mournful siren that they it should be

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<v Speaker 4>like they should have that power.

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<v Speaker 3>No, I don't think that is.

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<v Speaker 4>What was there was the.

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<v Speaker 3>Coffin in the back, yes, and the flowers.

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<v Speaker 4>And this is even worse an empty one where they

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<v Speaker 4>just want to get back to base to restock and

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<v Speaker 4>start against. Because when I was at my father in

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<v Speaker 4>law's r Ip David funeral last year, seriously, there was

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<v Speaker 4>a landing place. There were two weather horses parked up ready.

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<v Speaker 4>Then then when I h you're over now, it's like, how

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<v Speaker 4>you've got your hour? Can you now go to the wake,

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<v Speaker 4>they were like slowly creeping forward like planes circling the sky. Okay, yeah,

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<v Speaker 4>so I think it's so they can get to where

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<v Speaker 4>they need to be.

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<v Speaker 3>Now now I'm thinking, if they're that busy, it is

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<v Speaker 3>just a hurry thing, and it's not a respect thing.

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<v Speaker 3>I reckon they just.

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<v Speaker 4>Get Aitlyn was putting a hand up there, Maca, what

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<v Speaker 4>have you found out? No, no, no, I.

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<v Speaker 3>Haven't found out anything. I just think it's an absolute

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<v Speaker 3>respect thing. So I was raising my hands to say respect.

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<v Speaker 4>I saw hand go up, so I thought she must

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<v Speaker 4>have found he's an asshole. Interject at that anytime, I

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<v Speaker 4>think you were speaking for everyone listening right now.

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<v Speaker 1>The Christian O'Connell show.

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<v Speaker 4>Podcast Jack Post is coming this morning. Querying like no

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<v Speaker 4>one else could query why funeral directors can just pause

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<v Speaker 4>the traffic to respectfully let out the hearse quickly to

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<v Speaker 4>continue their morning.

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<v Speaker 3>And I don't know when people confuse I'm still respectful

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<v Speaker 3>to the procession.

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<v Speaker 4>Then why have you said? What right have they got

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<v Speaker 4>to stop? Get into my chicken?

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<v Speaker 3>I just said, I thought it funny that the funeral

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<v Speaker 3>director could stop.

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<v Speaker 4>Looks at a hearse where they dead posted out, and

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<v Speaker 4>go funny thoughts are coming to me right now.

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<v Speaker 3>I didn't know that they technically had that in their arsenal,

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<v Speaker 3>that they could step onto a road as a.

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<v Speaker 4>Funeral when they're in their funeral director's bow. Riah, what

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<v Speaker 4>have you found out online?

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<v Speaker 5>Well?

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<v Speaker 6>The article starts off by saying, it's one of society's

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<v Speaker 6>well known unwritten laws that you must be respectful of

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<v Speaker 6>the dead.

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<v Speaker 4>This is the keyword here, respectful.

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<v Speaker 3>But also a keyword in their unwritten so but it's

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<v Speaker 3>also written, what do you mean a driver must not

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<v Speaker 3>interfere with or interrupt the free passage of any funeral

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<v Speaker 3>cortege okay, no, no, let me speak. Though I'm not interrupted.

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<v Speaker 3>It's not like I'm overtaking the hearst and like slamming

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<v Speaker 3>on my brakes in front of him.

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<v Speaker 4>But it feels like you had a problem with him

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<v Speaker 4>being able to.

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<v Speaker 3>Just get into the he's at the giveaway time, I'm

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<v Speaker 3>at the right of way, so no, But they also

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<v Speaker 3>have right of way at any time, Yes, a time.

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<v Speaker 3>Can you go through a red light? They have?

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<v Speaker 6>Well, no, but at rule seventy seven A in the

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<v Speaker 6>road traffic rules in Victorious is they have right of

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<v Speaker 6>way over general motorists.

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<v Speaker 3>Okay, okay, fair enough.

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<v Speaker 4>And you shall, but not from a moral point of

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<v Speaker 4>view or anything like that. What's the right thing and

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<v Speaker 4>fair respectful thing?

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<v Speaker 3>Isn't that interesting to know?

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<v Speaker 4>Now?

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<v Speaker 6>No, So it hurts because you can't just write every

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<v Speaker 6>rule for everything. At some point you just have to

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<v Speaker 6>be a good person off your own bat.

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<v Speaker 4>You should have your own strong moral company.

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<v Speaker 3>Yes, and I thought it would feel like you've been

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<v Speaker 3>demagnetized in the moment I thought, you know what, this

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<v Speaker 3>is probably right.

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<v Speaker 4>I just wonder, be honest, were you irritated that this

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<v Speaker 4>guy could just stop the traffic a little bit? We've

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<v Speaker 4>got to it.

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<v Speaker 1>Look Christian Connell Show Podcast.

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<v Speaker 4>If you're wondering where the extra time time wetter is,

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<v Speaker 4>because Boga Movies were so big yesterday. It's been promoted.

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<v Speaker 4>It's primetime this morning, Boga Movies. I'm sorry, six our friends,

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<v Speaker 4>it's been promoted. You need to listen to a show

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<v Speaker 4>for longer. It to be after seven o'clock. However, we

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<v Speaker 4>do need your songs right now for this week's Naked Hour.

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<v Speaker 3>Oh Christian, we've got no songs for the whole hour.

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<v Speaker 3>Nick Nike Nig Naked our Naked Hour.

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<v Speaker 4>Oh Nick Nig Nig.

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<v Speaker 5>Nig Nigg Naked our Naked.

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<v Speaker 4>Hour, Naked Hour every Thursday morning, the show from seven

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<v Speaker 4>to eight o'clock. I joined the show. Whole hour of

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<v Speaker 4>music picked by you. We give you the theme. You

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<v Speaker 4>pick all the songs today. Bedtime bangers, so women in

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<v Speaker 4>bedtime songs about the night's dream, sleep, waking up. There

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<v Speaker 4>are so many amazing songs for this night in the title.

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<v Speaker 4>So it's got to have someone do were the bedtime

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<v Speaker 4>in the title? Jackie boy? What do we have to play?

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<v Speaker 3>I've chosen Semi Sonic closing time banger.

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<v Speaker 4>This is a great song, good band Semisnic two. You've

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<v Speaker 4>got any facts?

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<v Speaker 3>Fun fact. In twenty sixteen, Texas Bace Alternative Radio stations.

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<v Speaker 3>He Dge played a continuous loop of closing time for

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<v Speaker 3>two d to mark the transition from a rock station

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<v Speaker 3>to an adult contemporary station.

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<v Speaker 4>I just realized, when we do Naked Our Patsy's song

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<v Speaker 4>is always a the one that she offers up normally here,

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<v Speaker 4>it's always a how can we put this? It's always

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<v Speaker 4>it's there. Do you know what I mean? It's you know,

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<v Speaker 4>a song. As you do a Google search, the very

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<v Speaker 4>first thing at the top of the page. You don't

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<v Speaker 4>go down a page till even down the bottom. That's

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<v Speaker 4>what we get. I just realized playing Sweet Dreams, that

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<v Speaker 4>is the sort of thing Patsy would have said, No,

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<v Speaker 4>it's not mine. I just felt that Patsy's spirit was

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<v Speaker 4>with us there with playing that earlier. I'm gonna go,

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<v Speaker 4>there's a couple this. This is a great beat of song.

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<v Speaker 4>I also love this song. This is from the seventies

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<v Speaker 4>Patty Smith. I didn't know this is actually written with

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<v Speaker 4>Bruce Springsteen. Because of night. This is a great song.

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<v Speaker 4>I'm surprised you didn't go for a green day wake

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<v Speaker 4>me up when September ends. It is a good song.

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<v Speaker 3>Reved up for the day.

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<v Speaker 4>Uh, this does wake up by the Boo Radley's all right,

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<v Speaker 4>so we're looking for bedtime banger's nine four one four

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<v Speaker 4>one o four three must have anything to do with

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<v Speaker 4>bedtime in the time, So who could be night dreams, sleep,

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<v Speaker 4>waking up? Am I missing nightmares?

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<v Speaker 3>A cup of tea before.

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<v Speaker 4>Bedt We're with the King of impropergated. I'm sorry, it's

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<v Speaker 4>Ryan Styles here from you actually had ut fear in

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<v Speaker 4>your eyes when I threw to you, which is the

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<v Speaker 4>whole he's talking. Yeah, you know those songs insurance guys,

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<v Speaker 4>cup of tea in the title, you're calling in now

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<v Speaker 4>with all of them, all those tea songs.

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<v Speaker 1>Christian Connells Show podcast Naked Out.

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<v Speaker 4>This week we strip all the music away. You pick

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<v Speaker 4>all the songs. We give you the theme. It's songs

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<v Speaker 4>to do at bedtime. So in the title of the song,

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<v Speaker 4>it's gotta be something to do with bedtime, like Jackie

0:11:18.080 --> 0:11:20.559
<v Speaker 4>gave you that really helpful exhaustive lifts. Listen there of

0:11:20.559 --> 0:11:21.880
<v Speaker 4>once more just in case we're going through it.

0:11:21.880 --> 0:11:24.480
<v Speaker 3>Well, this is in addition to the obvious ones like night.

0:11:24.679 --> 0:11:27.920
<v Speaker 4>Sleep, waking up, the obvious ones. But then you've got.

0:11:27.800 --> 0:11:32.760
<v Speaker 3>Your b team pajamas pillow, Lullaby, moon Stars sand.

0:11:32.679 --> 0:11:38.840
<v Speaker 4>Starman, there's a star man. Okay on, no one joining me,

0:11:38.880 --> 0:11:42.880
<v Speaker 4>but thank you reopen doing harmonies. Jack, You're very startled today.

0:11:42.880 --> 0:11:45.400
<v Speaker 3>You didn't know we were going to see like a

0:11:45.400 --> 0:11:47.360
<v Speaker 3>lot today, Like why does he keep talking to me?

0:11:47.960 --> 0:11:51.559
<v Speaker 4>Is this a new thing? All right? So Lisa suggested

0:11:51.720 --> 0:11:54.920
<v Speaker 4>this the line sleep tonight. This is a bedtime banger.

0:12:02.440 --> 0:12:04.839
<v Speaker 4>I guess chat would cate crisis to do with the

0:12:05.000 --> 0:12:05.959
<v Speaker 4>bedtime lines.

0:12:07.800 --> 0:12:14.480
<v Speaker 3>I sung this at a Fox him Christmas Bunny karaoke Funa,

0:12:14.880 --> 0:12:15.320
<v Speaker 3>I love it.

0:12:15.480 --> 0:12:17.880
<v Speaker 4>I love it. Was everyone singing a song or you

0:12:17.960 --> 0:12:21.680
<v Speaker 4>just got up to do this David Brent style, go

0:12:21.760 --> 0:12:26.680
<v Speaker 4>get my goods. We're doing some warts chat for people

0:12:26.760 --> 0:12:34.000
<v Speaker 4>work really hard. Meghan wants us to play this sue

0:12:34.040 --> 0:12:37.319
<v Speaker 4>the boss in her own words, anytime we play a

0:12:37.480 --> 0:12:39.080
<v Speaker 4>C d C Melbourne turns off.

0:12:43.360 --> 0:12:52.320
<v Speaker 7>Good bye, little bye bye.

0:12:51.120 --> 0:12:53.520
<v Speaker 4>All right? So naked our songs to do at bedtime?

0:12:53.760 --> 0:12:55.720
<v Speaker 4>Anything to do a bedtime in the title nine four

0:12:55.760 --> 0:12:59.400
<v Speaker 4>one four one O four three David, good morning, good morning,

0:12:59.480 --> 0:13:01.640
<v Speaker 4>Hey going, I'm good David. So what song do you

0:13:01.679 --> 0:13:02.760
<v Speaker 4>think we have to play this morning?

0:13:03.320 --> 0:13:03.560
<v Speaker 3>God?

0:13:03.679 --> 0:13:07.679
<v Speaker 8>I reckon, I have to be Greens, bar Fleetwood Macune.

0:13:13.000 --> 0:13:20.200
<v Speaker 4>Very much in the eighteen Gee Long click to listen

0:13:20.240 --> 0:13:23.240
<v Speaker 4>to it. We got the song, David, that's a great one.

0:13:23.280 --> 0:13:28.120
<v Speaker 4>Thank you very much. Brillant on by Jason. Good morning,

0:13:29.080 --> 0:13:29.800
<v Speaker 4>Good morning girds.

0:13:30.360 --> 0:13:31.000
<v Speaker 3>I'm Jason.

0:13:31.040 --> 0:13:32.440
<v Speaker 4>Ho have you having a good week so far? What

0:13:32.480 --> 0:13:33.760
<v Speaker 4>do you think we have to play this morning?

0:13:35.440 --> 0:13:37.120
<v Speaker 5>I have been having a good work here. Thank you,

0:13:37.160 --> 0:13:40.280
<v Speaker 5>hope you guys have been too. I was thinking of

0:13:40.360 --> 0:13:42.640
<v Speaker 5>kiss rock and roll all night love it.

0:13:49.920 --> 0:13:51.439
<v Speaker 4>Oh no, you haven't done this at another Fox, but

0:13:51.600 --> 0:13:51.920
<v Speaker 4>have you?

0:13:52.000 --> 0:13:52.080
<v Speaker 5>No?

0:13:52.520 --> 0:13:54.559
<v Speaker 3>I was going to say this is technically it's like

0:13:54.600 --> 0:13:57.040
<v Speaker 3>an anti bedtime song because he's saying I'm not going

0:13:57.080 --> 0:13:59.160
<v Speaker 3>to go to bed, I'm going to be rocking, rolling

0:13:59.200 --> 0:13:59.680
<v Speaker 3>all night.

0:14:01.000 --> 0:14:03.120
<v Speaker 5>It's kind of a bit of a pump me up number.

0:14:03.200 --> 0:14:04.680
<v Speaker 4>You're right right? Is that in a cup of tea?

0:14:04.720 --> 0:14:09.800
<v Speaker 4>Is it before bedtime? Jason is still having a good week, Jason,

0:14:09.840 --> 0:14:11.640
<v Speaker 4>thanks to cool the show mate. There's got a Chris

0:14:11.640 --> 0:14:15.920
<v Speaker 4>come on and Chris guy, I'm good Chris. What the

0:14:16.040 --> 0:14:17.720
<v Speaker 4>song do we have to play to do with bedtime?

0:14:18.640 --> 0:14:21.720
<v Speaker 5>Beastie Boys, No sleep till Brooklyn.

0:14:27.800 --> 0:14:28.520
<v Speaker 4>A song.

0:14:30.320 --> 0:14:32.280
<v Speaker 3>Technically no, technically.

0:14:32.840 --> 0:14:35.840
<v Speaker 4>Technicalities have nothing to do with the radio, shove them

0:14:35.880 --> 0:14:38.920
<v Speaker 4>up your backside, no technicalities.

0:14:39.240 --> 0:14:41.920
<v Speaker 3>It's another anti bedtime song in my eyes.

0:14:41.640 --> 0:14:43.360
<v Speaker 4>But it is to do with the theme with bedtime.

0:14:43.560 --> 0:14:45.800
<v Speaker 3>No, they're not going to sleep actually.

0:14:45.600 --> 0:14:47.320
<v Speaker 4>So while those beastive boys.

0:14:47.120 --> 0:14:48.840
<v Speaker 3>A middle finger to bedtime.

0:14:48.520 --> 0:14:51.200
<v Speaker 4>Come on, Adam Horovitz, go to sleep and be tired

0:14:51.240 --> 0:14:51.800
<v Speaker 4>in the morning.

0:14:52.040 --> 0:14:53.680
<v Speaker 3>When you get to Brooklyn, you won't put on a

0:14:53.680 --> 0:14:55.440
<v Speaker 3>good show because you've rather had a week.

0:14:56.440 --> 0:14:59.800
<v Speaker 4>Good point. All right, let's go to Benjamin. Come on in,

0:14:59.800 --> 0:15:02.240
<v Speaker 4>ben Jim, good Mine Gang.

0:15:02.640 --> 0:15:03.560
<v Speaker 5>I've got two for you.

0:15:03.920 --> 0:15:07.360
<v Speaker 8>I've got Jane Police by Cheap Trick.

0:15:07.680 --> 0:15:07.880
<v Speaker 3>Great.

0:15:10.320 --> 0:15:18.080
<v Speaker 4>This has to be played one out of one so far?

0:15:18.160 --> 0:15:19.440
<v Speaker 4>What's your second one, Benny Boy?

0:15:19.680 --> 0:15:22.800
<v Speaker 8>And my second one is not Moves by Bob Saga.

0:15:23.080 --> 0:15:32.080
<v Speaker 4>Oh wow, two for two. My mom and Daddy used

0:15:32.080 --> 0:15:36.120
<v Speaker 4>to play the song. I think this was their cute

0:15:36.160 --> 0:15:38.880
<v Speaker 4>to go and get some night movies on. I love

0:15:38.920 --> 0:15:41.480
<v Speaker 4>this song. I hear it now. It's slightly creeped out.

0:15:41.360 --> 0:15:43.560
<v Speaker 3>In I don't want to have a bedroom door closed,

0:15:44.080 --> 0:15:44.960
<v Speaker 3>Like I said, I don't.

0:15:44.800 --> 0:15:48.480
<v Speaker 4>Want to go that joke. I want to play no

0:15:48.560 --> 0:15:52.480
<v Speaker 4>seat to a book. Then an anti night move song Benjamin.

0:15:52.520 --> 0:15:54.400
<v Speaker 4>Two great ones there, Thank you very much. Let's got

0:15:54.400 --> 0:15:57.960
<v Speaker 4>a Craig now going to Craig good Christian here going,

0:15:58.040 --> 0:15:59.760
<v Speaker 4>I'm good mate. So what's a song to do a

0:15:59.760 --> 0:16:01.560
<v Speaker 4>bed time? You think it'd be great to play this morning?

0:16:02.040 --> 0:16:05.160
<v Speaker 8>Well, seeing Patty's not there, I thought i'd nominate a

0:16:05.240 --> 0:16:09.120
<v Speaker 8>song in her honor, and that is Cape Sobrano's bid remise.

0:16:09.520 --> 0:16:20.320
<v Speaker 4>This is actually I feel you've honored her. Well, I'll

0:16:20.320 --> 0:16:21.520
<v Speaker 4>be honest with you. Ain't playing that.

0:16:22.440 --> 0:16:25.960
<v Speaker 1>This is the Christian O'Connell show podcast.

0:16:26.320 --> 0:16:28.160
<v Speaker 4>You pick all the songs. We do us every Thursday

0:16:28.160 --> 0:16:30.280
<v Speaker 4>we call the Naked Hour. We give you the theme.

0:16:30.320 --> 0:16:32.720
<v Speaker 4>You pick all the songs today. It's anything to do

0:16:32.800 --> 0:16:35.680
<v Speaker 4>with bedtime. In the titles, some are coming in from

0:16:35.720 --> 0:16:38.880
<v Speaker 4>people listening to text in this morning, All Night Long

0:16:39.000 --> 0:16:42.840
<v Speaker 4>line l Ritchie Lullaby by Sean Mudains. I love that song.

0:16:43.200 --> 0:16:46.840
<v Speaker 4>Lullabye by Nickelback. That's not a great song. Heart these

0:16:46.960 --> 0:16:52.080
<v Speaker 4>Dreams betromize Wigfield. I didn't know Wigfield had another song

0:16:52.920 --> 0:16:54.120
<v Speaker 4>other than Saturday Night?

0:16:54.120 --> 0:16:55.040
<v Speaker 3>Who's Wigfield?

0:16:55.240 --> 0:16:57.640
<v Speaker 4>I do remember that Saturday? Ain't I you know this?

0:16:57.640 --> 0:16:59.920
<v Speaker 4>This station painted Bank Bank Bang.

0:17:01.400 --> 0:17:03.280
<v Speaker 3>Any song I've ever heard?

0:17:03.960 --> 0:17:08.199
<v Speaker 4>The intro is Bank that sounds like something, and then

0:17:08.240 --> 0:17:11.640
<v Speaker 4>she does this, she goes eat a lad Saturday night

0:17:11.840 --> 0:17:19.879
<v Speaker 4>and see a baby. Get the clip. That is exactly

0:17:19.960 --> 0:17:25.000
<v Speaker 4>how it is. Well, I think I've gone mad, Christian.

0:17:25.040 --> 0:17:28.200
<v Speaker 4>What about Don McClain Starry starry Night. That's a great change.

0:17:28.240 --> 0:17:29.879
<v Speaker 3>You know that that's actually called Vincent.

0:17:29.960 --> 0:17:34.080
<v Speaker 4>I think that's it's Vincent brackets, starry storry night, starry

0:17:34.160 --> 0:17:37.040
<v Speaker 4>starry about the great Vincent van Go. That's it. Yeah,

0:17:37.200 --> 0:17:39.959
<v Speaker 4>all right, let's take some more here. Jenny, Good morning, Jenny,

0:17:40.880 --> 0:17:43.240
<v Speaker 4>Good morning, Christian, Good morning Jenny. You know that wig

0:17:43.240 --> 0:17:44.480
<v Speaker 4>Field song that I'm talking about.

0:17:44.480 --> 0:17:49.240
<v Speaker 3>The begins out out, Jenny, don't let himdrag you.

0:17:50.320 --> 0:17:53.479
<v Speaker 4>Get the Jenny, what I think we have to play? Then?

0:17:53.520 --> 0:17:54.639
<v Speaker 4>Songs to do with bedtime?

0:17:55.960 --> 0:17:57.919
<v Speaker 5>He's on my pillow by Karli men Eric.

0:17:57.960 --> 0:18:13.680
<v Speaker 4>Beautiful, Jenny, great one. Thank you very much. You call Jenny,

0:18:13.680 --> 0:18:14.240
<v Speaker 4>have a good.

0:18:14.040 --> 0:18:16.800
<v Speaker 2>Morning, no worries, cakes, the laughs up.

0:18:17.080 --> 0:18:19.560
<v Speaker 4>Thank you very much. Felt like an order we do

0:18:19.600 --> 0:18:21.480
<v Speaker 4>our best. I heard she's I haven't heard any in

0:18:21.480 --> 0:18:23.439
<v Speaker 4>the last hours, so let me get them up.

0:18:23.720 --> 0:18:26.199
<v Speaker 5>What the Hellen, Allen?

0:18:27.520 --> 0:18:32.639
<v Speaker 4>You didn't breaking the speed record right now? Alan Combine Harvester,

0:18:32.760 --> 0:18:34.800
<v Speaker 4>Alan where are we hell?

0:18:34.960 --> 0:18:35.200
<v Speaker 5>Allan?

0:18:35.240 --> 0:18:37.720
<v Speaker 9>Where are you working?

0:18:38.240 --> 0:18:39.120
<v Speaker 5>And what's great?

0:18:39.200 --> 0:18:39.480
<v Speaker 4>Okay?

0:18:39.480 --> 0:18:41.800
<v Speaker 9>Well what are you doing in the background? I'll get

0:18:41.840 --> 0:18:42.520
<v Speaker 9>rid of it one.

0:18:42.400 --> 0:18:48.840
<v Speaker 4>S thanks mate for sure? Wait you go live on it? No, no, no, no,

0:18:48.880 --> 0:18:51.160
<v Speaker 4>you take your time mate. Hit the laughs up? Guys?

0:18:51.320 --> 0:18:52.560
<v Speaker 3>Are we shutting down some.

0:18:55.240 --> 0:18:59.159
<v Speaker 4>Boring machine? Oh my god? How do you? How do you?

0:18:59.320 --> 0:19:03.800
<v Speaker 4>How do you coat with that noise? Alan? Shut me down? Down?

0:19:04.840 --> 0:19:10.280
<v Speaker 4>Does it fall into that? Has it? We need to

0:19:10.280 --> 0:19:13.679
<v Speaker 4>go to Lavator worries? We've lost Alan. Let's go to

0:19:15.760 --> 0:19:21.000
<v Speaker 4>I'm actually genuinely is he okay? Al? Andrew? Andrew? There

0:19:21.040 --> 0:19:24.880
<v Speaker 4>you go? What's the song? Thank you? And what song

0:19:24.920 --> 0:19:25.480
<v Speaker 4>do you want to hear?

0:19:26.240 --> 0:19:28.040
<v Speaker 5>I sing it to my daughter every night. Not favorite

0:19:28.040 --> 0:19:28.720
<v Speaker 5>by the bays.

0:19:28.720 --> 0:19:39.879
<v Speaker 4>Guys, great song now, and you when you say you

0:19:39.920 --> 0:19:41.520
<v Speaker 4>sing that to your daughter? How old is she?

0:19:42.400 --> 0:19:42.960
<v Speaker 8>Five months?

0:19:43.000 --> 0:19:43.160
<v Speaker 4>Man?

0:19:44.400 --> 0:19:44.600
<v Speaker 5>Love?

0:19:45.520 --> 0:19:45.760
<v Speaker 4>Yeah?

0:19:45.800 --> 0:19:47.800
<v Speaker 9>So I don't understand it too much, but it's pretty

0:19:47.800 --> 0:19:48.520
<v Speaker 9>excited when she hears.

0:19:48.560 --> 0:19:52.480
<v Speaker 4>It's so lovely. Good song, Andrew, Thank you very much? Cool.

0:19:52.480 --> 0:19:53.080
<v Speaker 4>I have a good day.

0:19:53.080 --> 0:19:53.919
<v Speaker 8>Thanks guys.

0:19:54.640 --> 0:19:58.480
<v Speaker 4>Let's go to Al now, Good morning, old morning, all right?

0:19:58.560 --> 0:20:01.280
<v Speaker 4>Songs to do a bedtime? What do you fancy waking

0:20:01.359 --> 0:20:03.840
<v Speaker 4>up before you go go weaken.

0:20:06.400 --> 0:20:06.560
<v Speaker 10>Me.

0:20:12.760 --> 0:20:15.160
<v Speaker 4>Great song, Thank you very much, Alan as the way,

0:20:15.200 --> 0:20:17.320
<v Speaker 4>Al have we got Alan back? This is Ellen, Alan.

0:20:19.600 --> 0:20:22.200
<v Speaker 4>We're worried about you'd fall into that noisy old machine

0:20:22.200 --> 0:20:25.320
<v Speaker 4>in the background. We gotcha, Alan, We got you. Now

0:20:25.359 --> 0:20:26.040
<v Speaker 4>what do you want to hear?

0:20:27.240 --> 0:20:28.639
<v Speaker 9>Try and catch me Newton Fortner?

0:20:28.760 --> 0:20:30.320
<v Speaker 4>Oh my god, brilliant you. I mean you won't get

0:20:30.359 --> 0:20:32.240
<v Speaker 4>to hear it through the speakers with all that noise there.

0:20:36.280 --> 0:20:42.920
<v Speaker 4>This sorts a great shot, huge everywhere, good song.

0:20:42.800 --> 0:20:46.760
<v Speaker 11>As song come back and.

0:20:45.880 --> 0:20:47.640
<v Speaker 4>We should definitely play this. Alan. We're going to play

0:20:47.680 --> 0:20:49.840
<v Speaker 4>this in the next hour if you okay? Now, Alan,

0:20:49.960 --> 0:20:53.000
<v Speaker 4>what are you doing? What was that horrendous noise? A cacophony.

0:20:53.080 --> 0:20:55.600
<v Speaker 9>I'm a truck driver and I was a stack of

0:20:55.680 --> 0:20:56.600
<v Speaker 9>light in me track up.

0:20:56.600 --> 0:20:57.879
<v Speaker 5>That was why I was lay up.

0:20:58.640 --> 0:21:00.240
<v Speaker 4>Do you have to wear that hear you for this

0:21:00.480 --> 0:21:01.719
<v Speaker 4>or anything like that? How do you?

0:21:01.840 --> 0:21:02.119
<v Speaker 3>How do you?

0:21:03.119 --> 0:21:03.439
<v Speaker 5>Usually?

0:21:03.440 --> 0:21:06.199
<v Speaker 9>I'm away from it, but this time here I had

0:21:06.200 --> 0:21:09.880
<v Speaker 9>to open up me me sidelighter so I can play.

0:21:09.680 --> 0:21:12.000
<v Speaker 4>A bust and you know what to say to chat?

0:21:12.280 --> 0:21:13.840
<v Speaker 4>It sounds like a sideloader.

0:21:14.560 --> 0:21:15.680
<v Speaker 3>How many wheels you got there?

0:21:15.720 --> 0:21:17.480
<v Speaker 4>Thirty six or you got thirty two?

0:21:18.320 --> 0:21:19.560
<v Speaker 9>Ah, thirty.

0:21:21.560 --> 0:21:22.080
<v Speaker 8>Thirty six.

0:21:22.720 --> 0:21:26.760
<v Speaker 4>Yeah, my favorite, that's all. It's my favorite too. And

0:21:26.880 --> 0:21:28.960
<v Speaker 4>then thank you very much you call mate, Stay safe there,

0:21:30.240 --> 0:21:31.760
<v Speaker 4>have a good day, and you don't forget close that

0:21:31.880 --> 0:21:34.000
<v Speaker 4>sideloader up, mate, Carl Brager.

0:21:34.280 --> 0:21:37.119
<v Speaker 1>You're listening to the Christian Know Carl's Show podcast.

0:21:37.400 --> 0:21:39.360
<v Speaker 4>All the songs between now and ain't picked my ear

0:21:39.440 --> 0:21:41.560
<v Speaker 4>to the theme of bedtime. We got some brilliant ones

0:21:41.720 --> 0:21:42.240
<v Speaker 4>lined up.

0:21:44.480 --> 0:21:44.680
<v Speaker 11>Mate.

0:21:44.680 --> 0:21:45.160
<v Speaker 3>What are you doing?

0:21:45.160 --> 0:21:47.560
<v Speaker 4>You seem so tired today? Why are you so tired?

0:21:47.720 --> 0:21:50.520
<v Speaker 3>Sorry, Christian, I couldn't hold in the yawn. I beat

0:21:50.600 --> 0:21:53.800
<v Speaker 3>up all di just thinking and worrying about what winnd

0:21:53.800 --> 0:21:56.520
<v Speaker 3>about bank and I have always loved the idea of

0:21:56.520 --> 0:21:58.600
<v Speaker 3>going on a cruise, but we just haven't saved enough

0:21:58.680 --> 0:22:01.239
<v Speaker 3>money to go, so it's probably off the cards for us.

0:22:01.520 --> 0:22:05.560
<v Speaker 3>Well this information, I'm sorry, and to go back. I

0:22:05.600 --> 0:22:08.440
<v Speaker 3>was yawning a second about it all night, we said

0:22:08.520 --> 0:22:10.679
<v Speaker 3>two minutes ago. But anyway, we'll get it right back tomorrow.

0:22:10.920 --> 0:22:13.080
<v Speaker 4>Well, what I've got here your not the head is

0:22:13.080 --> 0:22:14.680
<v Speaker 4>going to hit that pillow tonight. Now we're going to

0:22:14.800 --> 0:22:17.840
<v Speaker 4>have a great sleep. You're gonna believe this if you

0:22:17.880 --> 0:22:21.600
<v Speaker 4>book now at Royal Caribbean dot com DoD Au forty

0:22:21.640 --> 0:22:24.680
<v Speaker 4>percent off your next cruise holiday.

0:22:24.760 --> 0:22:25.760
<v Speaker 3>I have to give on my wife.

0:22:25.840 --> 0:22:29.040
<v Speaker 4>Yeah, dug out the studio right now for sure. Holiday

0:22:29.160 --> 0:22:31.760
<v Speaker 4>in every way aboard Rod Caribbean has saved up to

0:22:31.760 --> 0:22:33.600
<v Speaker 4>forty percent of the next holiday if you book now.

0:22:33.680 --> 0:22:36.520
<v Speaker 4>Royalcarribbean dot com dot Au Teas and Sees a play

0:22:36.600 --> 0:22:39.280
<v Speaker 4>Tomorrow on the show, We're giving away a cruise for two.

0:22:39.320 --> 0:22:42.719
<v Speaker 4>You get two thousand dollars spending money. All your meals

0:22:42.760 --> 0:22:45.439
<v Speaker 4>are paid for. You're off to the South Pacific. How

0:22:45.480 --> 0:22:47.360
<v Speaker 4>do you win this? You sing for.

0:22:47.320 --> 0:23:11.000
<v Speaker 7>It, Bay, you can say away to the South Pacify.

0:23:11.040 --> 0:23:13.760
<v Speaker 4>All right, tomorrow there we give a cruise for two

0:23:13.800 --> 0:23:17.080
<v Speaker 4>of you. You got to sing for the cruise. Now,

0:23:18.000 --> 0:23:22.240
<v Speaker 4>this is not a singing competition. We've played quite a

0:23:22.240 --> 0:23:25.840
<v Speaker 4>few entries but proved that time and time again. Yeah, however,

0:23:26.400 --> 0:23:28.520
<v Speaker 4>is it time Jack to play a good entry? I

0:23:28.560 --> 0:23:31.639
<v Speaker 4>would love to How we've got one here from Matilda

0:23:31.760 --> 0:23:34.200
<v Speaker 4>who's thirteen. Now she doesn't want to go on the cruise,

0:23:34.359 --> 0:23:36.520
<v Speaker 4>but she would really like her parents to go away

0:23:36.600 --> 0:23:37.280
<v Speaker 4>on a cruise.

0:23:39.640 --> 0:23:44.080
<v Speaker 12>Say my parents, far away, far away, far away, love.

0:23:45.920 --> 0:23:47.760
<v Speaker 13>Take them away, take them away.

0:23:48.840 --> 0:23:49.639
<v Speaker 6>The last during the.

0:23:49.680 --> 0:23:54.080
<v Speaker 13>Day, during the day, during the day, party on Lewis

0:23:54.320 --> 0:23:57.879
<v Speaker 13>PARTI and Lewis Partty on the way. Lots of police hide.

0:23:58.160 --> 0:24:01.560
<v Speaker 13>If you could take them as well, they're swiming in

0:24:01.680 --> 0:24:05.480
<v Speaker 13>the fool. I would be staying first. I perceived that

0:24:05.720 --> 0:24:08.639
<v Speaker 13>and they do, won't They were lessing away.

0:24:08.840 --> 0:24:10.480
<v Speaker 4>Well, the buffet is full for.

0:24:10.600 --> 0:24:15.200
<v Speaker 13>Mate, I've been eating take away.

0:24:14.160 --> 0:24:15.159
<v Speaker 2>Take them.

0:24:17.119 --> 0:24:18.800
<v Speaker 11>Right, take.

0:24:21.720 --> 0:24:22.000
<v Speaker 3>Come on?

0:24:23.160 --> 0:24:26.439
<v Speaker 4>Is the gold standard the best so far from thirteen

0:24:26.520 --> 0:24:29.520
<v Speaker 4>year old Matilda Smith taking on an your's sail away.

0:24:29.880 --> 0:24:32.880
<v Speaker 4>Now to the yin you must have the yang. Okay,

0:24:32.960 --> 0:24:35.440
<v Speaker 4>if that's one of the best we've had, the gold standard,

0:24:35.760 --> 0:24:39.560
<v Speaker 4>Let's go to the other end of the spectrum and yeah,

0:24:39.720 --> 0:24:42.159
<v Speaker 4>let's go for let's go for this one. Don't we

0:24:42.200 --> 0:24:42.920
<v Speaker 4>love Billy Joel?

0:24:43.480 --> 0:24:44.440
<v Speaker 3>We love Billy.

0:24:44.240 --> 0:24:48.520
<v Speaker 4>Fairly Joel love piano man as does this? Wow?

0:24:51.080 --> 0:24:52.280
<v Speaker 1>I heard Christians?

0:24:52.359 --> 0:25:01.240
<v Speaker 11>Sorry, girl radio that is giving away is breaked right

0:25:01.400 --> 0:25:03.040
<v Speaker 11>up at the sound of it.

0:25:04.160 --> 0:25:10.119
<v Speaker 14>And I went straight to honey to say.

0:25:09.960 --> 0:25:14.320
<v Speaker 4>There's a bell by a harmonica as well, hats.

0:25:19.240 --> 0:25:25.240
<v Speaker 14>I said, I trying to win a honeymoon seventeen years

0:25:28.160 --> 0:25:32.000
<v Speaker 14>with three strapping kids in their early teens.

0:25:32.640 --> 0:25:34.480
<v Speaker 11>You need some time just me.

0:25:34.640 --> 0:25:38.520
<v Speaker 4>Honey, not the piano man. There's a sad story in there.

0:25:38.560 --> 0:25:42.000
<v Speaker 4>No honeymoon for seventeen years for bell Shields.

0:25:41.720 --> 0:25:43.760
<v Speaker 3>Just sunging it difficult to hear register.

0:25:44.000 --> 0:25:46.480
<v Speaker 4>I don't know what you're talking about. Those headphones mustn't matter.

0:25:46.560 --> 0:25:52.199
<v Speaker 4>I heard that very very cleanly, chack. But what a

0:25:52.200 --> 0:25:57.800
<v Speaker 4>great start I heard, Christian speakers, favorite start of any

0:25:57.800 --> 0:26:01.120
<v Speaker 4>of the entries so far. Let's go to Francis. Who

0:26:01.200 --> 0:26:04.399
<v Speaker 4>the han She's taking on this party song agad by

0:26:04.440 --> 0:26:05.280
<v Speaker 4>black lace.

0:26:05.600 --> 0:26:06.080
<v Speaker 5>Armed.

0:26:07.440 --> 0:26:11.240
<v Speaker 3>CRUs cruise, cruise on the quantum of the seas, tapping

0:26:11.320 --> 0:26:15.760
<v Speaker 3>fun in the sun and kicking up on nicht.

0:26:15.880 --> 0:26:16.560
<v Speaker 15>On a ship.

0:26:16.880 --> 0:26:20.840
<v Speaker 1>How exciting that would be? Costacoasts, stuff comers, what she

0:26:21.000 --> 0:26:21.680
<v Speaker 1>loved put on.

0:26:21.720 --> 0:26:29.000
<v Speaker 4>TV, Elvis Presley be Ninja's taking on blue sweight shoes.

0:26:29.160 --> 0:26:31.880
<v Speaker 11>Well it's one for the watchers, two for the couture.

0:26:32.200 --> 0:26:34.760
<v Speaker 1>Three father Spaw, Now go on that too. But why

0:26:34.760 --> 0:26:36.399
<v Speaker 1>don't you get on my.

0:26:36.440 --> 0:26:38.560
<v Speaker 4>Bootsfield Crew boos Field Cruise.

0:26:39.320 --> 0:26:42.040
<v Speaker 16>Well you can do anything, so get on my boos

0:26:42.040 --> 0:26:42.760
<v Speaker 16>Build cruise.

0:26:44.280 --> 0:26:46.960
<v Speaker 1>Alt's up Booze Booze Boozfield Cruise.

0:26:46.960 --> 0:26:47.359
<v Speaker 5>A baby.

0:26:49.520 --> 0:26:53.160
<v Speaker 4>I mean, there's lots of other stuff to do. All right,

0:26:53.280 --> 0:26:54.320
<v Speaker 4>so you.

0:26:54.800 --> 0:26:57.640
<v Speaker 11>Can do any thing, So get on my boots field.

0:26:57.480 --> 0:27:00.960
<v Speaker 3>Pooh and it's just like no.

0:27:02.760 --> 0:27:05.119
<v Speaker 4>All right. So to enter you go to the Christian

0:27:05.119 --> 0:27:08.639
<v Speaker 4>o'connells Show dot com. We're giving away the cruise tomorrow

0:27:08.640 --> 0:27:11.040
<v Speaker 4>on the show and another cruise next week, so you

0:27:11.160 --> 0:27:12.880
<v Speaker 4>got plenty of time. But heads to the Christian o'connells

0:27:12.880 --> 0:27:14.040
<v Speaker 4>Show dot com dot au.

0:27:14.080 --> 0:27:18.120
<v Speaker 1>Why don't everyone the Christian O'Connell show podcast.

0:27:17.920 --> 0:27:20.400
<v Speaker 4>Now, yesterday we did the time Waster and every day

0:27:20.400 --> 0:27:22.439
<v Speaker 4>on the Time Waster, we're blessed we get hundreds of

0:27:22.480 --> 0:27:25.680
<v Speaker 4>you taking part, pitching in your jokes for us. Yesterday

0:27:25.880 --> 0:27:29.680
<v Speaker 4>was like nothing we've seen before because the topic we

0:27:29.680 --> 0:27:32.600
<v Speaker 4>were doing was We're looking for your Bogan movies. It

0:27:32.680 --> 0:27:36.000
<v Speaker 4>was huge. Jack and I actually afterwards when we said goodbye,

0:27:36.359 --> 0:27:39.480
<v Speaker 4>actually my face was aching from laughing. I was laughing

0:27:39.520 --> 0:27:41.960
<v Speaker 4>so much at your Boga movies. So we've never done

0:27:41.960 --> 0:27:44.720
<v Speaker 4>this before. Often we do a part two in the

0:27:44.920 --> 0:27:47.160
<v Speaker 4>first half hour of the show, but because Bogan movies

0:27:47.200 --> 0:27:49.439
<v Speaker 4>are so big, yesterday a lot of people are actually

0:27:49.440 --> 0:27:51.119
<v Speaker 4>emailing and can we have the clip? I want to

0:27:51.119 --> 0:27:52.840
<v Speaker 4>hear them again. We're going to give you a second

0:27:52.960 --> 0:27:55.240
<v Speaker 4>chance if you missed it yesterday, to take part in

0:27:55.359 --> 0:27:58.439
<v Speaker 4>Bogan movies. But you Si Rio got this from. I

0:27:58.440 --> 0:28:01.640
<v Speaker 4>didn't know this was even a website called boganmania dot com.

0:28:02.160 --> 0:28:05.760
<v Speaker 4>It's their top ten list of Bogan traits. You've got

0:28:05.760 --> 0:28:09.280
<v Speaker 4>a car as your Facebook profile picture. Two degrees of

0:28:09.320 --> 0:28:13.320
<v Speaker 4>separation from someone on maps. You treat board shorts like

0:28:13.560 --> 0:28:17.320
<v Speaker 4>regular shorts. Huggy interior decorating your house.

0:28:18.440 --> 0:28:21.200
<v Speaker 3>Again, didn't he come in yourself to he doesn't?

0:28:25.040 --> 0:28:27.280
<v Speaker 4>This is Patsy this one. Interior decorating your.

0:28:27.160 --> 0:28:29.399
<v Speaker 3>House with the came on catigs probably there now.

0:28:29.680 --> 0:28:34.160
<v Speaker 4>Patting the donation dog at Bullward's. That's not that's just

0:28:34.280 --> 0:28:39.160
<v Speaker 4>teacher Mahala wearing compression wear just to go to the shops.

0:28:39.200 --> 0:28:43.360
<v Speaker 4>I do that, ordering spring rolls from the local Chinese restaurant.

0:28:43.840 --> 0:28:47.760
<v Speaker 4>Referred to your significant other as your partner in crime,

0:28:49.120 --> 0:28:54.320
<v Speaker 4>misspelling your child child's name, I E Riley r h

0:28:54.480 --> 0:28:57.200
<v Speaker 4>y a double E. And then I don't know this one.

0:28:57.600 --> 0:28:59.440
<v Speaker 4>Listen to commercial radio. I don't know what you're talking

0:28:59.440 --> 0:29:01.800
<v Speaker 4>about there. Now. You brought in this song today, said

0:29:01.800 --> 0:29:05.560
<v Speaker 4>this is a great funny song. Chris Franklin, bloke to

0:29:05.560 --> 0:29:06.440
<v Speaker 4>do with Bocans.

0:29:07.280 --> 0:29:09.760
<v Speaker 3>This was I loved this song. When I was a kid,

0:29:09.760 --> 0:29:11.560
<v Speaker 3>a ten years old, I had the CD single of

0:29:11.640 --> 0:29:12.280
<v Speaker 3>Chris Flank.

0:29:12.240 --> 0:29:13.640
<v Speaker 4>So did parody songs.

0:29:13.760 --> 0:29:15.200
<v Speaker 3>I don't know if he even did any more of

0:29:15.280 --> 0:29:18.400
<v Speaker 3>this new and far so this well could be his

0:29:18.520 --> 0:29:21.640
<v Speaker 3>one hit. Wonder this was my first introduction. I didn't

0:29:21.640 --> 0:29:24.280
<v Speaker 3>even know parody songs were a thing, and I love this.

0:29:24.480 --> 0:29:27.520
<v Speaker 3>I played this so often and now I hear it back.

0:29:27.560 --> 0:29:29.920
<v Speaker 3>I'm worried that it's going to be of its time.

0:29:30.040 --> 0:29:33.600
<v Speaker 4>Well, I know tom Our producers taking out the word knockers.

0:29:34.200 --> 0:29:39.120
<v Speaker 4>So this is the Knockolus remix and the.

0:29:43.000 --> 0:29:49.640
<v Speaker 7>Red dress is blue, throwing.

0:29:52.800 --> 0:29:59.840
<v Speaker 4>Any out the way. This is this well, this snippet

0:29:59.840 --> 0:30:04.200
<v Speaker 4>we've that's the fund all right, Bogan movies. Let's do

0:30:04.320 --> 0:30:12.200
<v Speaker 4>it all right, Bogan movies. Carrying on from Saturday night

0:30:12.320 --> 0:30:14.200
<v Speaker 4>for Vola. What are the Bogans watching? I'll tell you

0:30:14.360 --> 0:30:19.400
<v Speaker 4>Jack the hills hoist have eyes. Sil plus Bathurstman, said

0:30:19.400 --> 0:30:23.640
<v Speaker 4>a Batman, bathhurst Man. Gold, I married my cousin Vinnie.

0:30:25.000 --> 0:30:31.560
<v Speaker 4>What silver girl with the Barley tattoo. Silver plus Kontiki

0:30:31.680 --> 0:30:36.840
<v Speaker 4>Air Gold, Toothless in Seattle, Silva and Life of Python

0:30:37.720 --> 0:30:40.479
<v Speaker 4>Gold all right, Jackie, Well what have you got? Bogan Movies.

0:30:40.840 --> 0:30:43.720
<v Speaker 3>Man Scorcese made a great film with Robert de Niro

0:30:43.800 --> 0:30:46.720
<v Speaker 3>called The King of Comedy. Well, Martin's back to make

0:30:47.000 --> 0:30:48.200
<v Speaker 3>the King of Commodoes.

0:30:50.520 --> 0:30:52.880
<v Speaker 4>Yep, okay, yep. Silver.

0:30:54.840 --> 0:30:57.480
<v Speaker 3>Jason Momoa is a bit Bogan. Oh yeah, he's not Aquaman,

0:30:57.760 --> 0:30:58.440
<v Speaker 3>He's Okaman.

0:30:58.600 --> 0:30:59.520
<v Speaker 4>Oh that's very good.

0:30:59.600 --> 0:31:08.760
<v Speaker 3>Gold, How shas I got her groove back? Silver, and

0:31:08.880 --> 0:31:11.320
<v Speaker 3>the Devil Wears Target Yeah Silver.

0:31:11.840 --> 0:31:14.280
<v Speaker 1>Christian Connell Show podcast.

0:31:14.360 --> 0:31:22.080
<v Speaker 4>Right now though a special time waste stuff after the

0:31:22.480 --> 0:31:26.000
<v Speaker 4>unpresident amount yesterday. For Bogan Movies, we're doing a part two.

0:31:26.080 --> 0:31:26.960
<v Speaker 4>Jack you're ready to mark.

0:31:27.080 --> 0:31:27.360
<v Speaker 3>Let's go.

0:31:27.560 --> 0:31:30.920
<v Speaker 4>Let's go to Bogansville. When Harry tattooed Sammie here, Gold,

0:31:31.600 --> 0:31:34.760
<v Speaker 4>the Good, the Bad, and the Uggies Silver pluff ferries

0:31:34.840 --> 0:31:41.640
<v Speaker 4>viewed as thongs off Gold Lady the Trampstone, gold Mark,

0:31:41.760 --> 0:31:45.600
<v Speaker 4>well done, Bongo and Stash instead of tango Cash, Bongo

0:31:45.720 --> 0:31:52.800
<v Speaker 4>and Stash, Silver, full flannel jacket, Silva Bogan, Biggelow, mullet jigglow,

0:31:52.880 --> 0:31:56.080
<v Speaker 4>gold Mark and Seaford take a bow. That's best for

0:31:56.160 --> 0:32:00.000
<v Speaker 4>the dollars for the pokies, Gold some Sammy for Stubbies

0:32:00.040 --> 0:32:07.640
<v Speaker 4>and the Dark Silver Grand Turana Silver Girl with a

0:32:07.720 --> 0:32:13.240
<v Speaker 4>dozen tattoos Gold dudes were, dude, where's my goombag? Broaden,

0:32:13.440 --> 0:32:17.080
<v Speaker 4>Silence of the Slabs, Silva, The Wizard of the Ossy

0:32:17.120 --> 0:32:24.960
<v Speaker 4>Ossy Ossy Guy, broke back Moccasin Gold, Hooning, Miss Daisy,

0:32:25.640 --> 0:32:31.280
<v Speaker 4>Silva Me and v B Silver plus Smoker at Tiffany's Gold.

0:32:32.800 --> 0:32:37.480
<v Speaker 4>I loved this one from Roger, Dude, where's my rats tail?

0:32:39.400 --> 0:32:39.680
<v Speaker 5>Gold?

0:32:40.120 --> 0:32:44.320
<v Speaker 4>Oh, Roger Rodom, Harry Potthead and the Order of the

0:32:44.480 --> 0:32:48.320
<v Speaker 4>four x Gold, Chris World and Gary Potter and the

0:32:48.360 --> 0:32:53.760
<v Speaker 4>Philosophers Stones Silver, Days of Chunder Silver when Huggy met

0:32:53.840 --> 0:32:58.160
<v Speaker 4>Sheida not my words, I just reading them out, That's

0:32:58.200 --> 0:33:01.120
<v Speaker 4>all I do. Nicholas, I sure saying they don't stand it.

0:33:01.600 --> 0:33:07.800
<v Speaker 4>Pitbull dumb the Bull, Durham Pitbull Durham Silver Spider Bogan,

0:33:07.880 --> 0:33:11.840
<v Speaker 4>no way bro said, no way back. Spider Man, Dude,

0:33:11.880 --> 0:33:16.960
<v Speaker 4>where's my cargo shorts? Silver Bus, The Bogans of Madison

0:33:17.000 --> 0:33:21.400
<v Speaker 4>County Gold, twelve Angry Mullets silver and three men in

0:33:21.440 --> 0:33:24.120
<v Speaker 4>a Tarana Gold? Well down, everyone, Thank you very much.

0:33:24.160 --> 0:33:25.200
<v Speaker 4>Headlines on the Way.

0:33:25.520 --> 0:33:28.680
<v Speaker 1>Well Christian Connell's show podcasts.

0:33:28.960 --> 0:33:31.320
<v Speaker 4>Yesterday was a great story from Barbara, and we thought

0:33:31.360 --> 0:33:34.560
<v Speaker 4>we'd use Barbara's story about setting off an alarmed to

0:33:34.640 --> 0:33:36.760
<v Speaker 4>see if you've got more stories about when you set

0:33:36.840 --> 0:33:37.640
<v Speaker 4>off unarmed.

0:33:37.800 --> 0:33:39.960
<v Speaker 15>When I had my first son, it was about a

0:33:40.000 --> 0:33:42.720
<v Speaker 15>twenty nine and a half hour labor and I spent

0:33:43.000 --> 0:33:46.840
<v Speaker 15>quite a long time in a hot shower in the hospital,

0:33:46.960 --> 0:33:48.920
<v Speaker 15>the steam on my back that had actually set off

0:33:48.960 --> 0:33:52.760
<v Speaker 15>the alarms and caused an evacuation. Best part was my

0:33:53.400 --> 0:33:56.720
<v Speaker 15>dad was a volunteer firefighter and it was his station

0:33:56.920 --> 0:33:58.480
<v Speaker 15>that turned up and burst into my room.

0:33:58.680 --> 0:34:01.720
<v Speaker 4>Guys and Barbara, so when did you set off the alarm?

0:34:01.840 --> 0:34:04.000
<v Speaker 4>On nine four one four one o four three. Now

0:34:04.080 --> 0:34:06.200
<v Speaker 4>we've got sound effects, red Jacks, was they call in?

0:34:06.600 --> 0:34:09.200
<v Speaker 4>I can illustrate the stories. It's like four K storytelling

0:34:09.239 --> 0:34:11.920
<v Speaker 4>on this show. So the team that producers got some

0:34:12.360 --> 0:34:16.000
<v Speaker 4>alarm sound effects. So some might call in tell setting

0:34:16.040 --> 0:34:18.960
<v Speaker 4>off alarm, and then I would go, we're not that

0:34:19.120 --> 0:34:22.440
<v Speaker 4>or that. That's a bedside clock. When you set that off?

0:34:22.520 --> 0:34:26.840
<v Speaker 4>When I set it that night before, that's me this morning?

0:34:29.600 --> 0:34:33.480
<v Speaker 4>All right? Then there's this at a smoke alarm and

0:34:33.560 --> 0:34:35.400
<v Speaker 4>they only go off at two am in the morning,

0:34:35.840 --> 0:34:38.359
<v Speaker 4>never when there's daylight, there's this God the moment you're

0:34:38.400 --> 0:34:43.759
<v Speaker 4>in real deep r em sleep. You hear this, you go, oh,

0:34:44.840 --> 0:34:47.600
<v Speaker 4>I just hit it exactly. I actually actually broke one once.

0:34:47.680 --> 0:34:50.040
<v Speaker 4>I actually got a brim hand and smashed it into beasts.

0:34:50.120 --> 0:34:52.600
<v Speaker 3>I actually think it doesn't do itself any favors because

0:34:52.640 --> 0:34:53.880
<v Speaker 3>in the middle of the night, where you do is

0:34:53.960 --> 0:34:55.600
<v Speaker 3>you get it, you yank it down, you pull the

0:34:55.640 --> 0:34:58.239
<v Speaker 3>battery out, and you leave it. Yes, and because you

0:34:58.320 --> 0:35:00.279
<v Speaker 3>meant to replace the battery, but you just leave it done.

0:35:00.320 --> 0:35:02.160
<v Speaker 3>And then it can say like that for weeks. I

0:35:02.200 --> 0:35:03.400
<v Speaker 3>will point out you shouldn't do that.

0:35:03.560 --> 0:35:06.120
<v Speaker 4>No, absolutely, Jack, let it ring out.

0:35:07.239 --> 0:35:09.200
<v Speaker 3>Can I give you a story and you can use

0:35:09.239 --> 0:35:10.560
<v Speaker 3>one of your sound effects to illustrate it.

0:35:10.600 --> 0:35:12.680
<v Speaker 4>Oh yeah, I've got two more carqueued up. Yeah, come on.

0:35:12.760 --> 0:35:15.120
<v Speaker 3>When Bianca first moved to Australia, her job.

0:35:15.239 --> 0:35:18.560
<v Speaker 4>Was no, no, off the alarm, be premature, there's somebody

0:35:18.600 --> 0:35:20.800
<v Speaker 4>carry on because she was scratching your hair and I

0:35:20.840 --> 0:35:21.520
<v Speaker 4>thought it was a signal.

0:35:22.600 --> 0:35:26.080
<v Speaker 3>I'll give you a signal already. Biank's first job was

0:35:26.120 --> 0:35:28.440
<v Speaker 3>at a pizza place and she accidentally put one of

0:35:28.480 --> 0:35:31.360
<v Speaker 3>the tea towels through the pizza up and he caught fire.

0:35:31.640 --> 0:35:33.000
<v Speaker 3>She set off the smoke alarmed.

0:35:33.960 --> 0:35:39.000
<v Speaker 4>You said, you tap your nose. That's that's the alarm clock.

0:35:39.680 --> 0:35:41.240
<v Speaker 4>Tell us again, get to punch on again.

0:35:41.080 --> 0:35:42.640
<v Speaker 3>It says, well, it's not a punch flse, it's just

0:35:42.719 --> 0:35:43.080
<v Speaker 3>a story.

0:35:43.920 --> 0:35:44.200
<v Speaker 4>Get to.

0:35:46.280 --> 0:35:50.319
<v Speaker 3>She puts. Realized after five years, she put a tea

0:35:50.400 --> 0:35:53.759
<v Speaker 3>towel in the pizza to be kicking. Caught fire, set

0:35:53.800 --> 0:35:59.520
<v Speaker 3>off the smoke alarm. Everybody you vacuated. Vacuate people around

0:35:59.560 --> 0:36:04.160
<v Speaker 3>the street. It's ambulance fire drug. She gets arrested, drag

0:36:04.239 --> 0:36:06.200
<v Speaker 3>from the building. What no, Now, I'm just trying to

0:36:06.239 --> 0:36:06.560
<v Speaker 3>make it more.

0:36:08.080 --> 0:36:10.320
<v Speaker 4>That's a sad story, all right. So when did you

0:36:10.440 --> 0:36:11.279
<v Speaker 4>set the alarm off?

0:36:12.080 --> 0:36:16.120
<v Speaker 1>This is the Christian o'common show podcast.

0:36:16.000 --> 0:36:18.640
<v Speaker 4>Looking for your stories. When did you accidentally set off

0:36:18.719 --> 0:36:22.480
<v Speaker 4>the alarm? Chrissy? Good morning, Hi Christian, how are you?

0:36:22.800 --> 0:36:25.399
<v Speaker 4>I'm going Chrissy, Welcome to the show. So what happened? Mate?

0:36:27.000 --> 0:36:27.680
<v Speaker 5>We were in.

0:36:27.960 --> 0:36:31.560
<v Speaker 2>Italy and I was doing my washing in the bathroom

0:36:31.600 --> 0:36:32.960
<v Speaker 2>and I thought where am I going to hang out

0:36:33.040 --> 0:36:36.279
<v Speaker 2>this washing? And I saw this lead and I thought, oh,

0:36:36.440 --> 0:36:39.880
<v Speaker 2>that must be a retractable clothesline. So I pulled that

0:36:40.040 --> 0:36:46.200
<v Speaker 2>clothesliner and the alarm started blaring. Yeah exactly.

0:36:47.040 --> 0:36:49.560
<v Speaker 4>So what was it like a distress or a panic thing?

0:36:49.920 --> 0:36:50.160
<v Speaker 17>Yes?

0:36:50.440 --> 0:36:53.399
<v Speaker 2>I think in Italy they have it so that if

0:36:53.440 --> 0:36:55.759
<v Speaker 2>you fall in the shower, it's like an alarm that

0:36:55.880 --> 0:36:59.360
<v Speaker 2>sets off. But we didn't know how to stop this alarm.

0:36:59.600 --> 0:37:03.240
<v Speaker 2>So my husband rang up reception and they didn't speak

0:37:03.360 --> 0:37:04.520
<v Speaker 2>very good English.

0:37:04.200 --> 0:37:05.879
<v Speaker 4>And I just came thank you, Well you did speak

0:37:05.960 --> 0:37:11.680
<v Speaker 4>very good Italian. Which was it? You know, racism alarm?

0:37:13.719 --> 0:37:16.279
<v Speaker 4>And the worst amount alarm was when no one, no

0:37:16.360 --> 0:37:19.960
<v Speaker 4>one ever knows how to turn the dog. Horrible, aren't they?

0:37:20.160 --> 0:37:22.560
<v Speaker 4>And you can't stand that straight. I always find myself

0:37:22.600 --> 0:37:24.880
<v Speaker 4>crouching when there's an alarm going off. It's horrible.

0:37:25.320 --> 0:37:27.799
<v Speaker 2>Well, well we finally worked out you had to open

0:37:27.880 --> 0:37:29.800
<v Speaker 2>the door on the outside, pressed the alarm and it

0:37:29.880 --> 0:37:32.839
<v Speaker 2>went off. So my husband said, don't press any more

0:37:32.880 --> 0:37:33.840
<v Speaker 2>buttons anymore.

0:37:34.239 --> 0:37:35.200
<v Speaker 4>I don't touch anything.

0:37:35.680 --> 0:37:36.600
<v Speaker 5>A touch.

0:37:38.520 --> 0:37:42.080
<v Speaker 4>Gressie, lovely stuff. Have a good day you thank you, Christian,

0:37:42.200 --> 0:37:45.919
<v Speaker 4>thank you, Chrissy, Catherine good Onning, good morning.

0:37:46.000 --> 0:37:46.520
<v Speaker 12>How are you all?

0:37:47.000 --> 0:37:49.680
<v Speaker 4>We're good. So you accidentally set off the alarm?

0:37:50.440 --> 0:37:51.040
<v Speaker 15>I did?

0:37:51.200 --> 0:37:51.600
<v Speaker 5>I did?

0:37:51.719 --> 0:37:53.800
<v Speaker 16>My husband and I had been upgraded to a suite

0:37:53.920 --> 0:37:56.120
<v Speaker 16>on a cruise, and so he went off to do

0:37:56.320 --> 0:37:58.480
<v Speaker 16>something and I'm going to have a long soak in

0:37:58.560 --> 0:38:02.000
<v Speaker 16>the tub and on laying there, just minding my own business,

0:38:02.160 --> 0:38:03.800
<v Speaker 16>and I see this cord and I went, oh, that

0:38:03.920 --> 0:38:07.960
<v Speaker 16>must be the exhaust fan. So I'm pulling. Nothing happens.

0:38:08.080 --> 0:38:09.879
<v Speaker 16>I wonder what that does. I pulled it a few

0:38:09.960 --> 0:38:12.000
<v Speaker 16>more times and I thought, oh, well, it must be broken.

0:38:12.040 --> 0:38:15.480
<v Speaker 16>I'll report it later. The next thing I know, bang

0:38:15.560 --> 0:38:17.640
<v Speaker 16>bang bang bang bang on the door and I'm like what.

0:38:18.360 --> 0:38:20.400
<v Speaker 16>My husband's not there, and I'm thinking, what is it

0:38:20.680 --> 0:38:22.919
<v Speaker 16>They've got the time I ramble out of the tub

0:38:23.400 --> 0:38:26.400
<v Speaker 16>throw on a bathrobe, these people, whole bunch of them

0:38:26.480 --> 0:38:29.440
<v Speaker 16>have come belting into the room and I'm like what.

0:38:29.960 --> 0:38:32.800
<v Speaker 16>And they're going, You've signed the distress alarm and I

0:38:32.880 --> 0:38:35.760
<v Speaker 16>went what, And yeah, that cord that I've been pulling

0:38:35.840 --> 0:38:38.879
<v Speaker 16>was a distress alarm. Let's just come to my own

0:38:39.480 --> 0:38:42.359
<v Speaker 16>woman in distress in a bathtuble. I'm really distressed there,

0:38:42.400 --> 0:38:46.040
<v Speaker 16>I say, yes, Yes, I was a little bit sheepish,

0:38:46.080 --> 0:38:48.360
<v Speaker 16>and I learned not to pull cords again, not to

0:38:48.400 --> 0:38:49.200
<v Speaker 16>play with things.

0:38:49.040 --> 0:38:52.520
<v Speaker 4>That I don't know what they do, all right, Katherine

0:38:52.520 --> 0:38:56.720
<v Speaker 4>lovely stuff that actually kill my Have a good day, Tony,

0:38:57.880 --> 0:39:02.680
<v Speaker 4>modern Christian. Yeah, good, Tony, he actually set off the

0:39:02.800 --> 0:39:05.040
<v Speaker 4>fire alarm. What's your story, Toney.

0:39:05.480 --> 0:39:08.040
<v Speaker 5>Yeah, mate, it wasn't It wasn't quite a fire alarm.

0:39:08.239 --> 0:39:12.600
<v Speaker 8>We went into the bank to sign the paperwork for

0:39:12.680 --> 0:39:15.360
<v Speaker 8>the home loan and their three year old son went missing.

0:39:16.040 --> 0:39:19.279
<v Speaker 8>Sure enough, the next thing, there's an alarm. All the

0:39:19.400 --> 0:39:23.080
<v Speaker 8>fly window or all the security windows fly up. Couldn't

0:39:23.600 --> 0:39:26.279
<v Speaker 8>find the sun anywhere here he is sitting under the

0:39:26.320 --> 0:39:28.720
<v Speaker 8>bench and impressing the juress button.

0:39:29.680 --> 0:39:32.000
<v Speaker 4>I know. So did the police obviously went to shutdown?

0:39:32.040 --> 0:39:32.960
<v Speaker 4>Then the police turned up.

0:39:33.800 --> 0:39:37.600
<v Speaker 8>No, the police didn't turn up. Fortunately, were they.

0:39:41.239 --> 0:39:41.920
<v Speaker 5>Having coffee.

0:39:43.400 --> 0:39:46.920
<v Speaker 8>Fortunately the bank got onto it quick enough. But we

0:39:47.080 --> 0:39:49.520
<v Speaker 8>were all locked in there for about twenty minutes until

0:39:49.600 --> 0:39:52.880
<v Speaker 8>they could reset everything and put all the taller windows

0:39:52.960 --> 0:39:54.120
<v Speaker 8>down again and rested.

0:39:56.040 --> 0:39:56.239
<v Speaker 1>Yeah.

0:39:56.360 --> 0:39:57.240
<v Speaker 5>Correct, correct.

0:39:57.480 --> 0:39:59.719
<v Speaker 8>We didn't get away with any money though, unfortunately.

0:40:00.080 --> 0:40:01.280
<v Speaker 4>Oh right, So it was a part of a bigger

0:40:01.280 --> 0:40:10.120
<v Speaker 4>plan that was a dry rup master criminal. What a team, Tony.

0:40:10.200 --> 0:40:13.480
<v Speaker 4>Love this story. Thank you very much, mate. Awesome, Thanks guys,

0:40:13.719 --> 0:40:16.920
<v Speaker 4>have a good day and you Razann good morning, Good

0:40:16.960 --> 0:40:17.560
<v Speaker 4>morning team.

0:40:18.160 --> 0:40:20.920
<v Speaker 2>My story is we're living in Germany and my fifteen

0:40:20.960 --> 0:40:24.200
<v Speaker 2>year old son was working in a supermarket cleaning to

0:40:24.239 --> 0:40:27.640
<v Speaker 2>get pocket money. And he was in the manager's office

0:40:27.680 --> 0:40:29.360
<v Speaker 2>and he saw this button. Then he pressed it and

0:40:29.480 --> 0:40:34.760
<v Speaker 2>nothing happened, so he said, that's okay, yeah at fifteen

0:40:34.800 --> 0:40:35.160
<v Speaker 2>year old.

0:40:35.560 --> 0:40:37.040
<v Speaker 15>So he picked packed up.

0:40:37.080 --> 0:40:39.840
<v Speaker 2>It was lunchtime. They closed at lunchtime, so we packed

0:40:39.920 --> 0:40:43.000
<v Speaker 2>up and on his way home on his bike and

0:40:43.440 --> 0:40:45.920
<v Speaker 2>as he was on his way home, I biked all

0:40:45.960 --> 0:40:49.720
<v Speaker 2>the pois went fine, passed three cars from six cops

0:40:49.800 --> 0:40:55.600
<v Speaker 2>and he realized. He realized. Later we rang the supervisor

0:40:55.640 --> 0:40:58.280
<v Speaker 2>of the cleaning company and what had happened. He pressed

0:40:58.320 --> 0:41:00.560
<v Speaker 2>the silent armed rob re button.

0:41:02.280 --> 0:41:04.120
<v Speaker 4>They got a whole button for that. You must be

0:41:04.160 --> 0:41:05.680
<v Speaker 4>pretty rough in that super market.

0:41:08.920 --> 0:41:11.200
<v Speaker 3>As well, if you're getting on the shop floor getting

0:41:11.239 --> 0:41:14.360
<v Speaker 3>rubbed at gunpoint this second, I'll just tell the manager something.

0:41:18.880 --> 0:41:23.920
<v Speaker 4>Must protect their manager, the ile shell stackers, goodness, middle

0:41:24.000 --> 0:41:25.400
<v Speaker 4>manager room must be safe.

0:41:30.920 --> 0:41:31.120
<v Speaker 18>It was.

0:41:31.320 --> 0:41:33.760
<v Speaker 4>It was priceless, lovely stuff.

0:41:34.719 --> 0:41:37.600
<v Speaker 1>Carl Brighter, you're listening to the Question you Know Kyle's

0:41:37.600 --> 0:41:38.400
<v Speaker 1>Show podcast.

0:41:38.840 --> 0:41:43.160
<v Speaker 4>This week on the show, let's go to Jess. Jess,

0:41:45.200 --> 0:41:49.640
<v Speaker 4>it's a true one off, only one in her field.

0:41:49.760 --> 0:41:51.799
<v Speaker 4>Have her listened to this from earlier in the week

0:41:51.840 --> 0:41:52.239
<v Speaker 4>on the show.

0:41:52.400 --> 0:41:55.720
<v Speaker 16>I'm a honey Samelia. So when people go for wine

0:41:55.800 --> 0:41:58.960
<v Speaker 16>tastings and know all the different colors and the slavers

0:41:59.000 --> 0:42:01.520
<v Speaker 16>of wine, I do that with I trained in America

0:42:01.680 --> 0:42:02.320
<v Speaker 16>and Italy.

0:42:02.880 --> 0:42:07.680
<v Speaker 4>But I'm Australia's only honey. That is some claim to

0:42:07.800 --> 0:42:11.560
<v Speaker 4>be the only their Melbourne's only something. But to be

0:42:11.760 --> 0:42:14.960
<v Speaker 4>this entire country, this shoes country, to be the only

0:42:15.200 --> 0:42:18.400
<v Speaker 4>honey Samelia in Australia is incredible.

0:42:19.400 --> 0:42:21.800
<v Speaker 3>I thought we could word the segment they're about to

0:42:21.880 --> 0:42:25.839
<v Speaker 3>do is complete the sentence I am the only dot

0:42:25.920 --> 0:42:29.279
<v Speaker 3>dot dot That way, it can be I am the

0:42:29.400 --> 0:42:32.239
<v Speaker 3>only sword swallower in Melbourne, or you can go as

0:42:32.280 --> 0:42:33.800
<v Speaker 3>big as the world, I am the only.

0:42:33.760 --> 0:42:36.879
<v Speaker 4>Pope in the world, which is true, there is only

0:42:36.960 --> 0:42:38.839
<v Speaker 4>one pope in the world. But yes, so we're looking

0:42:38.880 --> 0:42:41.040
<v Speaker 4>for you could be Melbourne's only or you can go

0:42:41.080 --> 0:42:46.120
<v Speaker 4>a smaller suburb of Cobugs only. Yeah, okay, all right,

0:42:46.200 --> 0:42:48.080
<v Speaker 4>let's see what you get then. So we're looking for

0:42:48.200 --> 0:42:50.719
<v Speaker 4>a one off in your field. Whatever it is, like, Jess,

0:42:50.760 --> 0:42:54.080
<v Speaker 4>who is Australia's only honey Samelia? What are you well?

0:42:54.160 --> 0:42:56.600
<v Speaker 4>One off in and the phrase we want them to say.

0:42:56.680 --> 0:42:59.960
<v Speaker 3>Is complete the sentence I am the only dot.

0:43:00.080 --> 0:43:03.640
<v Speaker 4>Dot dot dot dot in Australia or Melbourne or my suburbs,

0:43:04.440 --> 0:43:06.919
<v Speaker 4>all the street, oh my house.

0:43:07.120 --> 0:43:09.880
<v Speaker 1>The Christian Connell Show podcast.

0:43:10.120 --> 0:43:13.040
<v Speaker 4>What are you? The one and only of Jackie Boy?

0:43:13.080 --> 0:43:14.719
<v Speaker 4>The phrase at pays this morning.

0:43:14.520 --> 0:43:17.960
<v Speaker 3>With this complete the sentence I am the only dot

0:43:18.000 --> 0:43:18.560
<v Speaker 3>dot dot.

0:43:18.840 --> 0:43:23.880
<v Speaker 4>Dot nine for one for one oh four three Fiona.

0:43:23.480 --> 0:43:26.160
<v Speaker 5>Good morning, good morning, Christian? How are you?

0:43:26.440 --> 0:43:30.640
<v Speaker 4>I'm good, so please complete the following sentence, jack I

0:43:30.760 --> 0:43:31.640
<v Speaker 4>am the only.

0:43:33.840 --> 0:43:38.040
<v Speaker 18>Mastive powerlift in the top fifteen in the world from Australia.

0:43:37.880 --> 0:43:41.960
<v Speaker 4>Your powerlifter. Yes, that is incredible. You're lifting right now.

0:43:43.080 --> 0:43:44.839
<v Speaker 18>No, I'm in my car. I just dropped my son

0:43:44.880 --> 0:43:45.800
<v Speaker 18>off for his last.

0:43:45.560 --> 0:43:48.160
<v Speaker 4>Exam for sounds like you're in the chitty chitty bang

0:43:48.239 --> 0:43:54.000
<v Speaker 4>bang car flapping around now. So, Fiona, what are you

0:43:54.040 --> 0:43:55.120
<v Speaker 4>doing like deadlifts?

0:43:56.239 --> 0:43:58.600
<v Speaker 18>You do a squat, so my top squat was one

0:43:58.680 --> 0:44:00.640
<v Speaker 18>hundred and fifteen kilo bloody hell.

0:44:01.480 --> 0:44:02.400
<v Speaker 10>And you do a bench.

0:44:03.280 --> 0:44:05.920
<v Speaker 18>So my last competition bench with sixty seven and a

0:44:05.960 --> 0:44:07.200
<v Speaker 18>half kilos.

0:44:07.080 --> 0:44:07.960
<v Speaker 4>And how much do you wait?

0:44:08.160 --> 0:44:08.320
<v Speaker 16>Are you?

0:44:08.560 --> 0:44:11.040
<v Speaker 4>Are you in weight? Categories. Is that how ages?

0:44:11.920 --> 0:44:15.240
<v Speaker 18>Well, don category, I'm sixty seven years old, blady.

0:44:15.280 --> 0:44:21.239
<v Speaker 4>How good for you? And it's very hard to because

0:44:21.239 --> 0:44:23.080
<v Speaker 4>this is all amazing what you're saying, but it wouldn't

0:44:23.480 --> 0:44:25.560
<v Speaker 4>like you're in a cup of paddles and flats and

0:44:25.680 --> 0:44:28.239
<v Speaker 4>walls that you're on top of the car and the

0:44:28.400 --> 0:44:31.640
<v Speaker 4>metal is bending beneath the weight of you. Compete the

0:44:31.680 --> 0:44:43.439
<v Speaker 4>following sharing Saki Stones a day after tomorrow. Sorry, Fion, Okay,

0:44:43.520 --> 0:44:47.040
<v Speaker 4>so you're benching about sixty five yep? And what's your

0:44:47.080 --> 0:44:47.760
<v Speaker 4>weight category?

0:44:48.880 --> 0:44:52.000
<v Speaker 10>I weigh I'm under seventy five bloody.

0:44:52.080 --> 0:44:54.200
<v Speaker 4>Almost you almost benching? Then your own body weight?

0:44:55.040 --> 0:44:55.239
<v Speaker 5>Yep?

0:44:55.680 --> 0:44:57.600
<v Speaker 4>And when did you get into this? This is incredible.

0:44:58.840 --> 0:45:01.840
<v Speaker 18>I started training it the age of nineteen, and I'm natural,

0:45:01.920 --> 0:45:05.399
<v Speaker 18>so I'm a natty athlete and I've always just gone

0:45:05.440 --> 0:45:07.880
<v Speaker 18>to the gym and done weight training. There's just always

0:45:07.920 --> 0:45:10.680
<v Speaker 18>been something that's been constant in my life.

0:45:11.920 --> 0:45:13.600
<v Speaker 4>Are you being shot at what?

0:45:14.400 --> 0:45:15.719
<v Speaker 18>I'm going to turn my engine.

0:45:15.440 --> 0:45:17.879
<v Speaker 10>Off and I'm going to say if it makes it better,

0:45:17.920 --> 0:45:19.280
<v Speaker 10>and I'll talk straight in to my phone.

0:45:20.920 --> 0:45:22.880
<v Speaker 4>I've not been funny twenty five years speaking to me

0:45:23.000 --> 0:45:24.440
<v Speaker 4>on the road. I've never heard it can't make that

0:45:24.560 --> 0:45:27.120
<v Speaker 4>noise other than some sort of chugger bug.

0:45:31.239 --> 0:45:31.719
<v Speaker 5>Is that better?

0:45:32.320 --> 0:45:32.680
<v Speaker 3>That's better?

0:45:32.840 --> 0:45:35.360
<v Speaker 4>Yeah, So therefore it's not the rain, it's the engine.

0:45:36.719 --> 0:45:39.960
<v Speaker 4>The engine you need to bench it a bench press

0:45:40.040 --> 0:45:42.000
<v Speaker 4>of car. Having look under that, they'll be easy for you.

0:45:42.520 --> 0:45:45.480
<v Speaker 4>You max rep and so do you go around the

0:45:45.520 --> 0:45:47.120
<v Speaker 4>world for you on a competing.

0:45:48.280 --> 0:45:51.160
<v Speaker 10>I have competed just in Australia for the moment, and

0:45:51.320 --> 0:45:54.080
<v Speaker 10>the new federation USAPL has just come out, which is

0:45:54.120 --> 0:45:57.560
<v Speaker 10>a worldwide federation. Yeah, and they dragged tests, so it's

0:45:57.600 --> 0:45:59.480
<v Speaker 10>very important if you're a natural athlete to make sure

0:45:59.520 --> 0:46:04.680
<v Speaker 10>you're in the tested competition and they if I now

0:46:04.800 --> 0:46:07.799
<v Speaker 10>can probably go around the world and jump into other competitions.

0:46:08.080 --> 0:46:10.320
<v Speaker 10>But I'm just I'm not actually at the top of

0:46:10.320 --> 0:46:12.280
<v Speaker 10>where I can go yet. So I'm going to compete

0:46:12.280 --> 0:46:15.040
<v Speaker 10>again in September at their nationals and I'm hoping I

0:46:15.120 --> 0:46:18.640
<v Speaker 10>can put even more on the bar and eventually like

0:46:18.680 --> 0:46:20.480
<v Speaker 10>it to be awesome moving just to get to number one.

0:46:22.280 --> 0:46:24.520
<v Speaker 4>Let us know when you're getting nearer the nationals. We'd

0:46:24.560 --> 0:46:26.080
<v Speaker 4>love to get you back on the show and wish

0:46:26.080 --> 0:46:26.560
<v Speaker 4>you good luck.

0:46:27.080 --> 0:46:28.480
<v Speaker 10>Oh, thank you, that would be wonderful.

0:46:28.680 --> 0:46:30.440
<v Speaker 4>No, I think it's amazing. All right, far up the

0:46:30.480 --> 0:46:33.160
<v Speaker 4>old chuggerbug again now and fly your way your way

0:46:33.239 --> 0:46:36.040
<v Speaker 4>to work. Thanks Christian, pleasure, love your chance to you.

0:46:36.840 --> 0:46:39.279
<v Speaker 3>That make it sound like there was one competition for

0:46:39.920 --> 0:46:41.320
<v Speaker 3>natural athletes, then another.

0:46:41.080 --> 0:46:47.040
<v Speaker 4>Competition for the rest of us. Juices, let's kind of

0:46:47.160 --> 0:46:51.680
<v Speaker 4>rob it now. Good morning, Robert, Good Robert. What's your

0:46:51.680 --> 0:46:53.759
<v Speaker 4>story then, so we're looking for one offs today. You

0:46:53.800 --> 0:46:55.879
<v Speaker 4>think you're the one and only in an area? What's yours?

0:46:55.920 --> 0:46:58.960
<v Speaker 5>Robert? I'm then only person in the world who has

0:46:59.080 --> 0:47:05.120
<v Speaker 5>been through air hijacking rehearsal twice and then being in

0:47:05.320 --> 0:47:07.560
<v Speaker 5>actual aircraft hijacking.

0:47:08.440 --> 0:47:11.399
<v Speaker 4>Robert, this is incredible. So first of all, then before

0:47:11.400 --> 0:47:13.600
<v Speaker 4>we get into that, actually you've experienced and survived in

0:47:13.640 --> 0:47:16.800
<v Speaker 4>aircraft hijacking. So why were you being trained? Are you

0:47:17.000 --> 0:47:17.960
<v Speaker 4>like an air marshal law?

0:47:18.880 --> 0:47:20.839
<v Speaker 5>Now, I was in the Army Reserve and we were

0:47:20.920 --> 0:47:25.920
<v Speaker 5>volunteering to help the police. So three o'clock in the morning,

0:47:26.080 --> 0:47:28.120
<v Speaker 5>for two mornings in a row, we're up at Tallamarine

0:47:28.120 --> 0:47:33.080
<v Speaker 5>Airport and acting as passages on an aircraft so that

0:47:33.200 --> 0:47:37.719
<v Speaker 5>the police could practice the getting hijackers off.

0:47:38.480 --> 0:47:41.760
<v Speaker 4>Wow, that must have incredible. And then then you're actually

0:47:41.800 --> 0:47:43.480
<v Speaker 4>involved in a real life hijacking.

0:47:43.800 --> 0:47:46.520
<v Speaker 5>Yeah, well, yeah, I did that rehearsal. We did have

0:47:46.600 --> 0:47:48.879
<v Speaker 5>two nights in a row. And then eight years ago

0:47:49.160 --> 0:47:52.760
<v Speaker 5>out of Tallomarine there's a Malaysian Airline flight to London

0:47:52.840 --> 0:47:56.279
<v Speaker 5>that got hijacked and I was on that flight.

0:47:57.600 --> 0:47:59.680
<v Speaker 4>So what happened, if you don't mind, I was asking again.

0:48:00.080 --> 0:48:05.560
<v Speaker 5>Well, the guy ended up being just been released out

0:48:05.560 --> 0:48:08.680
<v Speaker 5>of a psychiatric hospital. He'd just gone to the airport,

0:48:08.800 --> 0:48:13.360
<v Speaker 5>bought a ticket, bought a ghetto blaster and then walked

0:48:13.640 --> 0:48:16.200
<v Speaker 5>and took it on the plane. And as the plane

0:48:16.320 --> 0:48:18.799
<v Speaker 5>was taking off, about four or five minutes into the flight,

0:48:19.400 --> 0:48:21.880
<v Speaker 5>he's walked up to the front of the aircraft and

0:48:22.080 --> 0:48:23.960
<v Speaker 5>was telling the staff that he wanted to talk to

0:48:24.800 --> 0:48:28.800
<v Speaker 5>the pilot and he had a bomb, and so we

0:48:28.920 --> 0:48:30.800
<v Speaker 5>ended up having a circle for a while. This is

0:48:30.840 --> 0:48:33.920
<v Speaker 5>one o'clock in the morning. We were in the air

0:48:34.040 --> 0:48:36.919
<v Speaker 5>for about two hours. Then we landed in the middle

0:48:36.960 --> 0:48:39.640
<v Speaker 5>of nowhere at the airport. We're on the tarmac for

0:48:41.200 --> 0:48:45.480
<v Speaker 5>about three hours, and then because we'd left the country officially,

0:48:46.160 --> 0:48:48.799
<v Speaker 5>we're put into one of those the empty fingers at

0:48:48.840 --> 0:48:51.800
<v Speaker 5>the airport and we're there for another three hours.

0:48:52.680 --> 0:48:54.960
<v Speaker 4>That was what an ordeal for you. All people must

0:48:55.000 --> 0:48:56.040
<v Speaker 4>have been terrified.

0:48:57.320 --> 0:49:01.160
<v Speaker 5>Well, I had the problem because what the process was.

0:49:01.320 --> 0:49:04.240
<v Speaker 5>So I was a little bit flippant about it because

0:49:04.880 --> 0:49:06.920
<v Speaker 5>I know, I just work in the airlines, and I

0:49:07.040 --> 0:49:10.520
<v Speaker 5>know it's it's impossible to get anything bad on talk

0:49:10.600 --> 0:49:13.640
<v Speaker 5>play in these days. So I wasn't particularly worried. But

0:49:13.719 --> 0:49:16.640
<v Speaker 5>it was just the fact that I'd been through that

0:49:16.840 --> 0:49:18.040
<v Speaker 5>process twice before.

0:49:19.239 --> 0:49:21.240
<v Speaker 4>But everybody else on the plane, it wasn't being flipping.

0:49:21.320 --> 0:49:24.319
<v Speaker 4>Must have been terrified. There must have been. And you're

0:49:24.320 --> 0:49:26.280
<v Speaker 4>obviously there with your friends on watching a movie.

0:49:26.080 --> 0:49:29.000
<v Speaker 3>And can you put Big Bang theory back on the

0:49:29.360 --> 0:49:29.799
<v Speaker 3>last day.

0:49:30.280 --> 0:49:33.160
<v Speaker 5>Yeah, well they they weren't really aware of what was

0:49:33.200 --> 0:49:35.400
<v Speaker 5>happening because it wasn't as there was a government or

0:49:35.440 --> 0:49:36.239
<v Speaker 5>anything else. It was.

0:49:37.760 --> 0:49:39.520
<v Speaker 4>Ghetto blasters saying he's got a bomb.

0:49:40.440 --> 0:49:41.000
<v Speaker 5>Yeah, well he was.

0:49:41.120 --> 0:49:41.320
<v Speaker 14>He was.

0:49:41.400 --> 0:49:42.520
<v Speaker 5>He wasn't telling everybody that.

0:49:42.640 --> 0:49:46.560
<v Speaker 4>He told M, keep it yourself. You need to keep

0:49:46.600 --> 0:49:48.440
<v Speaker 4>this on the life. Can I trust you? Okay?

0:49:50.239 --> 0:49:52.200
<v Speaker 3>Wow, Robin, what a story.

0:49:52.920 --> 0:49:54.160
<v Speaker 4>And everyone got off safe.

0:49:55.040 --> 0:49:58.560
<v Speaker 5>Everyone got off safe, and you got to have a

0:49:58.680 --> 0:50:01.680
<v Speaker 5>flight ladder on that day, which threw everybody out because

0:50:01.680 --> 0:50:03.520
<v Speaker 5>you don't want to have fine tables everything else. But

0:50:04.800 --> 0:50:06.719
<v Speaker 5>it was Yeah, there are a lot of a lot

0:50:06.760 --> 0:50:09.359
<v Speaker 5>of a lot of scared people on there because we're

0:50:09.440 --> 0:50:13.600
<v Speaker 5>not aware of what was going on because at one

0:50:13.600 --> 0:50:15.799
<v Speaker 5>o'clock in the morning, two o'clock in the morning, there's

0:50:15.880 --> 0:50:18.879
<v Speaker 5>nothing happening at the airport. So even when even when

0:50:18.880 --> 0:50:20.839
<v Speaker 5>they tried to provide us food, well, the food they

0:50:20.960 --> 0:50:23.160
<v Speaker 5>provided us were frozen muffins.

0:50:26.760 --> 0:50:29.000
<v Speaker 3>Memory you said it like, that's the scariest part of

0:50:29.040 --> 0:50:32.080
<v Speaker 3>the stay when I almost lost the finish.

0:50:32.160 --> 0:50:33.760
<v Speaker 5>You try eating your frozen muffin.

0:50:34.280 --> 0:50:36.560
<v Speaker 4>Yeah, I don't want to try. It's been in a

0:50:36.640 --> 0:50:41.200
<v Speaker 4>hijacked plane. Muff Rather take that than the plane some

0:50:41.280 --> 0:50:42.200
<v Speaker 4>springles instead.

0:50:44.080 --> 0:50:45.960
<v Speaker 5>Most of the problem that most of us had was

0:50:46.040 --> 0:50:48.719
<v Speaker 5>that we were on the plane on the tarmac for

0:50:48.760 --> 0:50:53.080
<v Speaker 5>about three hours. We can see all the police cars

0:50:53.160 --> 0:50:55.920
<v Speaker 5>and the lights flashing and all that, but we're sitting

0:50:55.960 --> 0:50:58.920
<v Speaker 5>there for three hours with nothing happening. So that was

0:50:59.000 --> 0:51:02.080
<v Speaker 5>the worst part because, yeah, we didn't know whether it

0:51:02.360 --> 0:51:05.880
<v Speaker 5>was a bomb or or what was really happening, and

0:51:06.040 --> 0:51:09.319
<v Speaker 5>so we're all sitting there, obviously stuck in our seats

0:51:09.360 --> 0:51:11.960
<v Speaker 5>for three hours. We're just nothing unusual going to London.

0:51:12.440 --> 0:51:15.560
<v Speaker 5>But it was just the fact that we could see

0:51:15.600 --> 0:51:17.600
<v Speaker 5>the police there and nothing was happening.

0:51:17.800 --> 0:51:19.680
<v Speaker 4>So were you trying to console people and go, look,

0:51:19.719 --> 0:51:21.200
<v Speaker 4>you're going to be all right, this is okay, it's

0:51:21.200 --> 0:51:22.040
<v Speaker 4>probably not a bomb.

0:51:23.120 --> 0:51:26.359
<v Speaker 5>Well, we weren't really allowed to move around because yeah,

0:51:26.840 --> 0:51:29.560
<v Speaker 5>the police want to know where everybody was. That's what

0:51:29.680 --> 0:51:30.520
<v Speaker 5>the staff was saying.

0:51:30.760 --> 0:51:33.440
<v Speaker 4>Stay in your seats, the police where everybody is.

0:51:35.719 --> 0:51:36.279
<v Speaker 5>Ourselves.

0:51:36.840 --> 0:51:37.560
<v Speaker 4>Yeah, gotcha.

0:51:38.280 --> 0:51:41.120
<v Speaker 5>It was just the unknown, like, oh, it's just the

0:51:41.560 --> 0:51:45.040
<v Speaker 5>the unknown. You don't know, you know whether there is

0:51:45.080 --> 0:51:48.439
<v Speaker 5>a real bombs bo or oh yeah, what's what's the bad?

0:51:48.520 --> 0:51:49.719
<v Speaker 5>But it's actually going to happen.

0:51:50.160 --> 0:51:52.279
<v Speaker 4>I'll tell you what. You're the most casual, laid back

0:51:52.400 --> 0:51:57.239
<v Speaker 4>man I have ever met if I had survived a hijacking.

0:51:57.560 --> 0:52:02.000
<v Speaker 4>At what we're talking about, mister Muffley. But I love

0:52:02.040 --> 0:52:03.560
<v Speaker 4>the fact that it's the muffin You've got the most

0:52:03.600 --> 0:52:06.400
<v Speaker 4>to say about Robert. Incredible story. Thank you very much

0:52:06.440 --> 0:52:09.879
<v Speaker 4>for sharing it with us this morning. Thank you very much.

0:52:10.239 --> 0:52:13.760
<v Speaker 3>So once again, Jack, complete after me, Yes, complete the sentence.

0:52:13.880 --> 0:52:17.640
<v Speaker 4>I am the only person to come through a hijacking

0:52:17.880 --> 0:52:19.040
<v Speaker 4>and had a terrible muffet.

0:52:19.640 --> 0:52:21.799
<v Speaker 1>Christian Connell's Show podcast.

0:52:22.719 --> 0:52:25.680
<v Speaker 4>Today is Thank You Baker Day, So pop in thank

0:52:25.719 --> 0:52:28.960
<v Speaker 4>you guys, join that party at Ferguson Player and say

0:52:29.040 --> 0:52:33.760
<v Speaker 4>thank you Ferguson Player for thirty years of Tiddley oggies.

0:52:34.000 --> 0:52:37.000
<v Speaker 4>Ohy yoggy yogy hye. That's what you can ser in

0:52:37.040 --> 0:52:40.800
<v Speaker 4>the office that complete after me the following sentence, oggie

0:52:40.800 --> 0:52:41.440
<v Speaker 4>oggy oggie.

0:52:41.640 --> 0:52:43.879
<v Speaker 3>Oh there we go, there we go, all.

0:52:43.880 --> 0:52:46.120
<v Speaker 4>Right, no energy on that. It's almost nine Joe, you

0:52:46.120 --> 0:52:48.280
<v Speaker 4>already did it once, but it doesn't matter. It's a repetition.

0:52:49.160 --> 0:52:56.080
<v Speaker 4>Bakery bands. Who's on stage at Bakefest Fleetwood Bap gold

0:52:56.320 --> 0:52:59.560
<v Speaker 4>nice flower? Yeah me too, but a rall soft flowery bap?

0:53:00.080 --> 0:53:02.920
<v Speaker 3>Remember that time? Who was one of your daughter's boyfriends

0:53:02.960 --> 0:53:05.239
<v Speaker 3>who ate your bap? Then you came in the next day.

0:53:05.360 --> 0:53:10.200
<v Speaker 4>You really seen changed missed his building in me because

0:53:10.239 --> 0:53:12.200
<v Speaker 4>the rest of them were gluten free and I'd hidden

0:53:12.360 --> 0:53:14.840
<v Speaker 4>a normal one, right and then an exbot is an

0:53:14.960 --> 0:53:16.800
<v Speaker 4>X now and I think it's because of this he

0:53:17.080 --> 0:53:21.160
<v Speaker 4>ate my one got a story? Huh? Make that the

0:53:21.239 --> 0:53:28.520
<v Speaker 4>primo bun jovie. That's what passage on Sadilver job. He's

0:53:28.600 --> 0:53:31.000
<v Speaker 4>on stage at bake Fest. Who's this all that.

0:53:31.520 --> 0:53:31.920
<v Speaker 11>Who is there?

0:53:31.960 --> 0:53:37.440
<v Speaker 4>It's bread Shearon cold Oh my god. From the eighties

0:53:37.480 --> 0:53:40.719
<v Speaker 4>and nineties. They're rapping away on stage like them rappers. Yes,

0:53:40.840 --> 0:53:45.080
<v Speaker 4>the Yeasty Boys Gold this one I did in the

0:53:45.160 --> 0:53:47.080
<v Speaker 4>last couple of seconds of the song. I mean trying

0:53:47.080 --> 0:53:49.600
<v Speaker 4>to get a Tiddley Augie one in. What I got

0:53:49.719 --> 0:53:57.480
<v Speaker 4>is tiggy oggy pop extra. Anyone who can get the

0:53:57.520 --> 0:54:00.239
<v Speaker 4>Tiddley Oggie in Jackie Boy who has on stage bake

0:54:00.320 --> 0:54:03.520
<v Speaker 4>Fest twenty three mumpet and buns. Oh, yes, very good,

0:54:03.600 --> 0:54:05.200
<v Speaker 4>yeap gold Chumber.

0:54:05.320 --> 0:54:08.279
<v Speaker 3>Wonder why wonder?

0:54:08.320 --> 0:54:15.120
<v Speaker 4>Why wonder why they're life here? That's gone sign Sometimes I.

0:54:15.120 --> 0:54:16.799
<v Speaker 3>Look down and I'm like, I thought that was good.

0:54:16.840 --> 0:54:22.200
<v Speaker 3>Why did I underline it self raising flow rider instead

0:54:22.239 --> 0:54:23.240
<v Speaker 3>of self raising flowers?

0:54:23.239 --> 0:54:24.640
<v Speaker 4>You're all wondering, We're all wondering.

0:54:25.239 --> 0:54:28.280
<v Speaker 3>But I'll bring it back with this Chris Crosshof.

0:54:29.000 --> 0:54:32.640
<v Speaker 4>Oh fairy god. He brought it back, and.

0:54:32.680 --> 0:54:35.080
<v Speaker 3>I've gone for Tiddley Ouggy as well in the last seconds.

0:54:35.840 --> 0:54:39.680
<v Speaker 3>Not very good snoop og no, no, no no.

0:54:40.000 --> 0:54:41.040
<v Speaker 4>No, You've lost this again.

0:54:41.560 --> 0:54:44.279
<v Speaker 1>The Christian O'Connell Show podcast.

0:54:44.520 --> 0:54:48.840
<v Speaker 4>Christian O'Connell's show Time Wasted Today Bakery bands up for

0:54:48.920 --> 0:54:51.600
<v Speaker 4>grants for the best in Show two hundred and fifty

0:54:51.640 --> 0:54:55.520
<v Speaker 4>dollars in cash and thanks to focusing player. Tidley Oggie

0:54:55.560 --> 0:54:57.040
<v Speaker 4>is delivered to your office.

0:54:56.800 --> 0:54:59.960
<v Speaker 3>If you get Tiddley Oggy into your bakery band extra point.

0:55:00.640 --> 0:55:01.399
<v Speaker 4>There's some good ones.

0:55:02.000 --> 0:55:04.440
<v Speaker 3>I'm sad that I didn't get I had a great movie,

0:55:05.040 --> 0:55:06.080
<v Speaker 3>Tiddly Uggy movie.

0:55:06.200 --> 0:55:07.160
<v Speaker 4>What's you done? What's you done?

0:55:07.239 --> 0:55:10.600
<v Speaker 3>Instead a talented mister Ripley the Tiddley mister Oggy.

0:55:10.719 --> 0:55:15.880
<v Speaker 4>Gold, thank you all right. Bakery bands Puff Pastry, Daddy Gold,

0:55:16.400 --> 0:55:20.520
<v Speaker 4>Daniel well done, Vinina Slice sliced Baby. Wayne was the

0:55:20.560 --> 0:55:25.720
<v Speaker 4>first one. Weld and Wayne Gold, Bun dmc gold, Tiddley

0:55:25.760 --> 0:55:29.960
<v Speaker 4>Ougy Osbourne Go. That's really good. Daniel, well done, Bun

0:55:30.120 --> 0:55:36.080
<v Speaker 4>Direction Silver, Pearl Jam Donuts Silver plus, Freda Claire, He's

0:55:36.080 --> 0:55:46.120
<v Speaker 4>tap dancing up Claire lie Back Sabbath Silver plus, uh

0:55:46.480 --> 0:55:51.279
<v Speaker 4>Bo Tiddley Oggie Bo Diddley Yes go Andy at Nab

0:55:51.440 --> 0:55:56.040
<v Speaker 4>well done, Pat Bennettart Gold. That's from Judy working for

0:55:56.200 --> 0:56:00.440
<v Speaker 4>Australian Disability Daycare Center North. Good on you, Baghetti Mercury

0:56:00.880 --> 0:56:09.439
<v Speaker 4>Baghetti Mercury Silver, Marianne James Bunt Gold, Kelly that's very good.

0:56:09.640 --> 0:56:12.800
<v Speaker 4>New Kids on the snot Block Gold Willow Cafe Q

0:56:13.040 --> 0:56:18.600
<v Speaker 4>shout out Mark There, pumpa nickelback Silver, Danish Monogue Silver,

0:56:19.120 --> 0:56:26.040
<v Speaker 4>j Loaf Gold, Libby well done, the Notorious Pie Gold

0:56:26.840 --> 0:56:33.240
<v Speaker 4>metallic Cacre Silva. That's Andrew at Oh Jocklin's snop block Party.

0:56:33.440 --> 0:56:36.359
<v Speaker 4>Oh that's the gold party reference on gold Hello, Mark,

0:56:37.760 --> 0:56:44.080
<v Speaker 4>the Doeclaimers, the Doclaimers brand Sorry, Benny Boy, Bicky Minash anyone,

0:56:44.280 --> 0:56:49.640
<v Speaker 4>Bicky Manag Darren well done in carum Down's Banana Rama

0:56:49.719 --> 0:56:55.600
<v Speaker 4>bread Silver, fleetwood back Lava Bronz calling rat Street Boys,

0:56:56.000 --> 0:56:59.760
<v Speaker 4>you know, calling Racking Bakery. Yeah, Silver Stan at eSchool Foods,

0:57:00.800 --> 0:57:09.680
<v Speaker 4>Tiddley Oggie Newton John is not almost coast. Tiddley's moving

0:57:09.719 --> 0:57:16.160
<v Speaker 4>on Ferguson Player supply Gold. That's very good, Andy madoa Gold,

0:57:17.160 --> 0:57:23.600
<v Speaker 4>Kelly thirty seconds to Marzipan silver and Keith Sherbury, Oh God,

0:57:23.920 --> 0:57:27.240
<v Speaker 4>that's Keith Shermy is really good. Amanda at First National Westward,

0:57:27.400 --> 0:57:29.480
<v Speaker 4>all right, who's getting the two and fifty dollars? And

0:57:29.560 --> 0:57:31.200
<v Speaker 4>then Tiddy Orgies for their office.

0:57:30.960 --> 0:57:32.840
<v Speaker 3>Right down to Andy on behalf of his team at

0:57:32.920 --> 0:57:34.680
<v Speaker 3>NAB they're getting it for bo Tiddley.

0:57:34.800 --> 0:57:37.080
<v Speaker 4>Yeah, very good, well done. Last song for us this morning.

0:57:38.040 --> 0:57:42.080
<v Speaker 1>This is the Christian O'Connell Show Podcast.

0:57:41.840 --> 0:57:46.120
<v Speaker 4>Tomorrow on the show, giving someone great news that they've

0:57:46.200 --> 0:57:49.560
<v Speaker 4>won a Royal Caribbean cruise for two. You get two

0:57:49.560 --> 0:57:52.440
<v Speaker 4>thousand dollars spending money. You're off to the South Pacific

0:57:52.600 --> 0:57:56.080
<v Speaker 4>holiday in everywhere broad Royal Caribbean. Save up to forty

0:57:56.640 --> 0:58:00.200
<v Speaker 4>next holiday. Book now at Royalcarribbean dot com dot you,

0:58:00.440 --> 0:58:12.880
<v Speaker 4>t's and c supply. You sing for your cruise Christian

0:58:15.920 --> 0:58:24.280
<v Speaker 4>Baky all right, so going to be one tomorrow. Another

0:58:24.480 --> 0:58:26.200
<v Speaker 4>cruise next week on the show, but the first one

0:58:26.280 --> 0:58:28.640
<v Speaker 4>to be one for two of you tomorrow. You enter

0:58:29.120 --> 0:58:33.400
<v Speaker 4>at the Christian O'Connell show dot com dot au. We

0:58:33.640 --> 0:58:36.120
<v Speaker 4>loved earlier Matilda, who's thirteen, made this.

0:58:38.640 --> 0:58:45.240
<v Speaker 12>Say my parents far away, far away, far away, take.

0:58:45.160 --> 0:58:46.760
<v Speaker 13>Them away, Take them away.

0:58:47.120 --> 0:58:50.680
<v Speaker 4>Very good for Matilda. Some new ones then Simone shotting

0:58:51.440 --> 0:58:53.920
<v Speaker 4>with this take on teenage dirt bag by Wheetas.

0:58:54.120 --> 0:58:58.800
<v Speaker 14>Okay, I'm just as cruizaby.

0:58:59.640 --> 0:59:03.800
<v Speaker 1>Don't know what it's like outside, Lady.

0:59:04.480 --> 0:59:13.480
<v Speaker 4>My husband's the cruiser. Baby like me cheeky, it's cheeky.

0:59:13.600 --> 0:59:17.160
<v Speaker 4>I like that's some I'm very good, Bill Medley, time

0:59:17.240 --> 0:59:21.720
<v Speaker 4>of my life being murdered now by Ken Now. I've

0:59:21.760 --> 0:59:25.200
<v Speaker 4>never really want to sing out of their notes. It's

0:59:25.240 --> 0:59:29.280
<v Speaker 4>like Jackie Boy, lots of week, Now you've got me.

0:59:29.440 --> 0:59:30.280
<v Speaker 4>Ken Now.

0:59:32.680 --> 0:59:37.520
<v Speaker 19>Had the cruise of my life. No, I never felt

0:59:37.720 --> 0:59:43.680
<v Speaker 19>this for before breakfast, lunch and tea, lacking in between,

0:59:45.120 --> 0:59:48.120
<v Speaker 19>and I owe it all to you. Royal Caribbee was

0:59:48.240 --> 0:59:50.840
<v Speaker 19>one and the.

0:59:50.960 --> 0:59:55.840
<v Speaker 4>Cruise of my life. Here we get the idea, why

0:59:55.960 --> 0:59:56.880
<v Speaker 4>put too much effort?

0:59:57.200 --> 0:59:57.360
<v Speaker 10>Huh?

0:59:57.720 --> 0:59:59.160
<v Speaker 4>Why put too much of it into.

0:59:59.000 --> 1:00:00.520
<v Speaker 3>Wins free cruise rehearsal?

1:00:02.200 --> 1:00:04.520
<v Speaker 4>First take, only take, That's what we say on the show.

1:00:04.960 --> 1:00:11.880
<v Speaker 4>Darren's taking on Prince Kiss. Just sleep, wait, ambitious before

1:00:12.880 --> 1:00:14.240
<v Speaker 4>and say I love this.

1:00:15.800 --> 1:00:21.919
<v Speaker 20>You don't need to kick leave, Yes, these brats first ten,

1:00:24.880 --> 1:00:30.480
<v Speaker 20>just leave it home to me. I'll help you understand

1:00:31.120 --> 1:00:32.400
<v Speaker 20>what Darren Gunny.

1:00:34.000 --> 1:00:36.400
<v Speaker 4>There was another minute and a half and sadly rub

1:00:36.440 --> 1:00:39.560
<v Speaker 4>against the time. But if we if we weren't Dwayne Clark,

1:00:39.720 --> 1:00:46.920
<v Speaker 4>Phil Collins, great song, Billy, don't lose my number. I

1:00:47.000 --> 1:00:48.400
<v Speaker 4>think the best time to do this is when you've

1:00:48.400 --> 1:00:51.440
<v Speaker 4>got a skin fill down the local pub. Get out

1:00:51.480 --> 1:01:00.640
<v Speaker 4>that microphone he's bringing with beer, can seek her.

1:01:01.400 --> 1:01:03.200
<v Speaker 1>Marry knew it found.

1:01:04.680 --> 1:01:08.440
<v Speaker 4>Tickets to be fu all right, tell you what combination tomorrow?

1:01:08.600 --> 1:01:09.360
<v Speaker 4>What's he saying?

1:01:10.280 --> 1:01:14.360
<v Speaker 17>Seeing a toddler four grands?

1:01:15.920 --> 1:01:17.720
<v Speaker 1>Marry knew it found.

1:01:18.080 --> 1:01:22.120
<v Speaker 4>Where to find you, tickets to be found and give

1:01:22.200 --> 1:01:22.919
<v Speaker 4>it a crack.

1:01:26.280 --> 1:01:29.360
<v Speaker 17>You believe me, that would been on a horridy so

1:01:33.680 --> 1:01:37.120
<v Speaker 17>so Christian Christian blues Man number.

1:01:37.240 --> 1:01:40.880
<v Speaker 4>I will actually we must. You don't come tomorrow. Sorry,

1:01:42.280 --> 1:01:48.880
<v Speaker 4>you can call me. What a quite ending? Oh my god,

1:01:48.960 --> 1:01:53.800
<v Speaker 4>Dwayne Clark, what a stop? That's my number? How that

1:01:53.840 --> 1:01:56.440
<v Speaker 4>we're gonna find it? Given the cruise to tomorrow? You

1:01:56.520 --> 1:01:58.800
<v Speaker 4>can enter today The Christian okond of show dot com

1:01:58.840 --> 1:02:01.400
<v Speaker 4>dot au. Everybody who has entered, thank you so much.

1:02:01.440 --> 1:02:03.680
<v Speaker 4>It's great. On playing these back. Tune in from one

1:02:03.760 --> 1:02:04.640
<v Speaker 4>from six for about them.

1:02:05.120 --> 1:02:07.280
<v Speaker 1>The Christian O'Connell Show podcast