1 00:00:00,600 --> 00:00:04,320 Speaker 1: Christ Yeah, welcome friends to the Christian O'Connell Show podcast. 2 00:00:07,960 --> 00:00:09,639 Speaker 1: Why did you have dragons in your bedroom? 3 00:00:10,520 --> 00:00:11,000 Speaker 2: We're all a. 4 00:00:10,960 --> 00:00:13,360 Speaker 3: Little bogan and I know I am come for a 5 00:00:13,240 --> 00:00:15,680 Speaker 3: long line. 6 00:00:14,800 --> 00:00:16,320 Speaker 4: That feels more like Italian Daddy. 7 00:00:16,440 --> 00:00:18,439 Speaker 1: I want this Christian O'Connell show. 8 00:00:20,280 --> 00:00:22,759 Speaker 4: Thank good morning, Christian O'Connell's show. Come on, and Jack 9 00:00:22,800 --> 00:00:26,639 Speaker 4: Marny Christian Patsy not here today. She's been on a 10 00:00:26,840 --> 00:00:30,800 Speaker 4: two day pokes and goon bag mender. So hopefully I 11 00:00:30,840 --> 00:00:33,080 Speaker 4: spent her husband yesterday. I haven't seen her in two days. 12 00:00:33,760 --> 00:00:34,720 Speaker 3: Usually takes three days. 13 00:00:34,880 --> 00:00:38,879 Speaker 4: Endicular say, it's like the seventh two hour Patsy Ben 14 00:00:39,280 --> 00:00:41,479 Speaker 4: so she only nody does it five times a year, 15 00:00:41,520 --> 00:00:44,600 Speaker 4: but she's already done five by May, I think it was. 16 00:00:44,680 --> 00:00:47,760 Speaker 4: So hopefully she's back on the show Friday. I can't 17 00:00:47,800 --> 00:00:50,479 Speaker 4: sit because she'll probably go into the weekends. Yeah, so 18 00:00:50,920 --> 00:00:53,240 Speaker 4: at the moment she's in Vegas. So that's the last 19 00:00:53,240 --> 00:00:56,440 Speaker 4: we heard of her. So hopefully back tomorrow, but if not, 20 00:00:56,560 --> 00:01:00,960 Speaker 4: hopefully Tuesday after the long weekend. Now came into the 21 00:01:00,960 --> 00:01:06,080 Speaker 4: studio this morning with questions about hearse Etica as only 22 00:01:06,160 --> 00:01:06,920 Speaker 4: Jamppost could have. 23 00:01:07,080 --> 00:01:10,160 Speaker 3: Well, I got stopped by a funeral director on the 24 00:01:10,240 --> 00:01:11,200 Speaker 3: road yesterday. 25 00:01:11,319 --> 00:01:12,759 Speaker 4: So what kind of road is this? So we all 26 00:01:12,760 --> 00:01:13,320 Speaker 4: know the scene? 27 00:01:14,280 --> 00:01:15,280 Speaker 3: Medium? 28 00:01:15,319 --> 00:01:19,840 Speaker 4: Sorry you a medium? A strong road yesterday. 29 00:01:19,959 --> 00:01:22,039 Speaker 3: Well it's not a heavy flow traffic, but it's. 30 00:01:21,920 --> 00:01:24,520 Speaker 4: Not a three lane freeway. 31 00:01:24,560 --> 00:01:28,000 Speaker 3: Two lane only. So like back and forth and somebody 32 00:01:28,000 --> 00:01:33,120 Speaker 3: coming out of a lapine funeral home. Dead body in 33 00:01:33,160 --> 00:01:33,960 Speaker 3: the back of a hearse. 34 00:01:34,800 --> 00:01:38,160 Speaker 4: But let's just go easy with the bedside man case 35 00:01:38,240 --> 00:01:41,280 Speaker 4: someone has lost somebody. Sorry, sorry, we know what that is. 36 00:01:41,400 --> 00:01:42,440 Speaker 4: Someone's passing over. 37 00:01:42,400 --> 00:01:43,840 Speaker 3: Yes, well I know because I don't want to get 38 00:01:43,880 --> 00:01:46,040 Speaker 3: confused with it. Could have been a hearse, I guess 39 00:01:46,480 --> 00:01:47,000 Speaker 3: off duty. 40 00:01:48,200 --> 00:01:51,160 Speaker 4: So where they going to the surfo to fill up 41 00:01:51,240 --> 00:01:53,320 Speaker 4: or something? What are they doing? Get their tires done? 42 00:01:53,480 --> 00:01:56,880 Speaker 4: Tire power free type our checks. 43 00:01:56,680 --> 00:01:59,560 Speaker 3: Anyway, So the funerals finished and I made. Of course, 44 00:01:59,560 --> 00:02:01,720 Speaker 3: I'll give respect to the hearse. I just didn't know 45 00:02:01,720 --> 00:02:05,639 Speaker 3: a funeral director had the ability and powers to step 46 00:02:05,680 --> 00:02:08,440 Speaker 3: onto the road stop traffic. I've seen them do that 47 00:02:08,480 --> 00:02:09,320 Speaker 3: and wave the hearst. 48 00:02:09,400 --> 00:02:11,560 Speaker 4: Through, because I think if a family are in mourning, 49 00:02:11,560 --> 00:02:13,680 Speaker 4: they're already suffering up. They shouldn't have to do with 50 00:02:13,720 --> 00:02:16,000 Speaker 4: the older Oh oh god, No one's let me out 51 00:02:16,040 --> 00:02:18,440 Speaker 4: right now while they're sat there weeping and they're just 52 00:02:18,480 --> 00:02:19,800 Speaker 4: trying to edge into the traffic. 53 00:02:19,880 --> 00:02:22,600 Speaker 3: But does he technically have that? Did he go to 54 00:02:22,680 --> 00:02:25,680 Speaker 3: some classes like I know, these stop go signs, that's 55 00:02:25,720 --> 00:02:26,920 Speaker 3: an eight hour course that. 56 00:02:27,240 --> 00:02:29,680 Speaker 4: It doesn't look like it. I mean, they're sat on 57 00:02:29,720 --> 00:02:32,200 Speaker 4: their phones, on their graps. There's no way that's an 58 00:02:32,200 --> 00:02:32,919 Speaker 4: all day course. 59 00:02:33,080 --> 00:02:36,120 Speaker 3: So police officers obviously allowed to stop traffic, the stop 60 00:02:36,160 --> 00:02:37,040 Speaker 3: go signs are allowed to. 61 00:02:37,000 --> 00:02:41,880 Speaker 4: Stop Trafficine ambulances as well, so all the triples triple 62 00:02:41,960 --> 00:02:42,720 Speaker 4: zero services. 63 00:02:42,720 --> 00:02:43,440 Speaker 3: Funeral director. 64 00:02:43,480 --> 00:02:48,880 Speaker 4: I don't think it's respectfully respectfully Lose the word technically 65 00:02:49,000 --> 00:02:52,239 Speaker 4: and replace it with respectfully. It's us sort of you know, 66 00:02:52,280 --> 00:02:54,720 Speaker 4: when you're meant to sort of lower your head as 67 00:02:54,760 --> 00:02:58,080 Speaker 4: the dead come by. Yes, but what's your problem? 68 00:02:58,200 --> 00:03:00,720 Speaker 3: No, I'm just saying I didn't think he had that 69 00:03:00,800 --> 00:03:04,280 Speaker 3: in his repertoire of things he's technically allowed to do. 70 00:03:04,480 --> 00:03:06,799 Speaker 4: You now are growing into what I will call a 71 00:03:06,840 --> 00:03:10,080 Speaker 4: three A W Mitchell caller. What powers do they have? 72 00:03:10,160 --> 00:03:12,320 Speaker 4: Why does he need our powers? It's just about respect. 73 00:03:12,400 --> 00:03:14,959 Speaker 3: It's an odd thing to see and if somebody is 74 00:03:14,960 --> 00:03:16,560 Speaker 3: standing in front of you on the road with a 75 00:03:16,639 --> 00:03:18,720 Speaker 3: palm up, you have to start. I'm obviously not going 76 00:03:18,760 --> 00:03:21,040 Speaker 3: to run over the funeral director or try to squeeze around. 77 00:03:21,040 --> 00:03:23,200 Speaker 4: Thank you for doing that. What a citizen you are 78 00:03:23,240 --> 00:03:23,760 Speaker 4: as well. 79 00:03:23,800 --> 00:03:25,600 Speaker 3: It did make me wonder as I sat there and 80 00:03:25,680 --> 00:03:28,800 Speaker 3: let the hearst pass. Technically, do you have that or 81 00:03:28,880 --> 00:03:30,560 Speaker 3: you thought? 82 00:03:30,800 --> 00:03:33,000 Speaker 4: I always think there but for the grace of God, 83 00:03:33,080 --> 00:03:34,960 Speaker 4: go I one day that'll be me. Don't you have 84 00:03:35,000 --> 00:03:37,880 Speaker 4: those thoughts? Or the poor family that's someone's dad, brother. 85 00:03:38,200 --> 00:03:40,560 Speaker 3: But also, what's the hurry to get to the cemetery? 86 00:03:40,720 --> 00:03:45,680 Speaker 4: Oh, my goodness, what's your hurry? What goodness knows what 87 00:03:45,720 --> 00:03:48,800 Speaker 4: you've got to get to some new chicken robot rubbish 88 00:03:48,920 --> 00:03:52,080 Speaker 4: that we're get hear about and Dole thumbs up a 89 00:03:52,200 --> 00:03:53,000 Speaker 4: Japanese cown. 90 00:03:53,920 --> 00:03:55,680 Speaker 3: It's not like, okay, he's going to get out of 91 00:03:55,720 --> 00:03:58,800 Speaker 3: that intersection with a free kick from the funeral director. 92 00:03:58,840 --> 00:04:00,520 Speaker 3: But it's not like the funeral director go down to 93 00:04:00,560 --> 00:04:02,680 Speaker 3: the traffic lights and let him through there and then. 94 00:04:03,480 --> 00:04:06,240 Speaker 4: Around this town. They have all of that. They should 95 00:04:06,240 --> 00:04:15,480 Speaker 4: have a special mournful siren that they it should be 96 00:04:15,520 --> 00:04:16,719 Speaker 4: like they should have that power. 97 00:04:16,800 --> 00:04:18,160 Speaker 3: No, I don't think that is. 98 00:04:19,640 --> 00:04:22,159 Speaker 4: What was there was the. 99 00:04:21,560 --> 00:04:23,840 Speaker 3: Coffin in the back, yes, and the flowers. 100 00:04:23,880 --> 00:04:27,480 Speaker 4: And this is even worse an empty one where they 101 00:04:27,480 --> 00:04:30,080 Speaker 4: just want to get back to base to restock and 102 00:04:30,080 --> 00:04:32,400 Speaker 4: start against. Because when I was at my father in 103 00:04:32,480 --> 00:04:37,080 Speaker 4: law's r Ip David funeral last year, seriously, there was 104 00:04:37,120 --> 00:04:40,799 Speaker 4: a landing place. There were two weather horses parked up ready. 105 00:04:40,880 --> 00:04:43,120 Speaker 4: Then then when I h you're over now, it's like, how 106 00:04:43,160 --> 00:04:45,400 Speaker 4: you've got your hour? Can you now go to the wake, 107 00:04:45,520 --> 00:04:50,320 Speaker 4: they were like slowly creeping forward like planes circling the sky. Okay, yeah, 108 00:04:50,800 --> 00:04:53,080 Speaker 4: so I think it's so they can get to where 109 00:04:53,080 --> 00:04:53,520 Speaker 4: they need to be. 110 00:04:53,720 --> 00:04:56,400 Speaker 3: Now now I'm thinking, if they're that busy, it is 111 00:04:56,560 --> 00:04:58,560 Speaker 3: just a hurry thing, and it's not a respect thing. 112 00:04:58,800 --> 00:04:59,480 Speaker 3: I reckon they just. 113 00:04:59,440 --> 00:05:02,000 Speaker 4: Get Aitlyn was putting a hand up there, Maca, what 114 00:05:02,040 --> 00:05:03,680 Speaker 4: have you found out? No, no, no, I. 115 00:05:03,640 --> 00:05:05,679 Speaker 3: Haven't found out anything. I just think it's an absolute 116 00:05:05,720 --> 00:05:08,640 Speaker 3: respect thing. So I was raising my hands to say respect. 117 00:05:11,560 --> 00:05:14,400 Speaker 4: I saw hand go up, so I thought she must 118 00:05:14,400 --> 00:05:22,359 Speaker 4: have found he's an asshole. Interject at that anytime, I 119 00:05:22,360 --> 00:05:24,520 Speaker 4: think you were speaking for everyone listening right now. 120 00:05:25,080 --> 00:05:26,760 Speaker 1: The Christian O'Connell show. 121 00:05:26,680 --> 00:05:31,240 Speaker 4: Podcast Jack Post is coming this morning. Querying like no 122 00:05:31,279 --> 00:05:35,239 Speaker 4: one else could query why funeral directors can just pause 123 00:05:35,279 --> 00:05:38,839 Speaker 4: the traffic to respectfully let out the hearse quickly to 124 00:05:38,920 --> 00:05:39,799 Speaker 4: continue their morning. 125 00:05:40,040 --> 00:05:42,919 Speaker 3: And I don't know when people confuse I'm still respectful 126 00:05:43,279 --> 00:05:44,359 Speaker 3: to the procession. 127 00:05:44,560 --> 00:05:47,520 Speaker 4: Then why have you said? What right have they got 128 00:05:46,640 --> 00:05:48,279 Speaker 4: to stop? Get into my chicken? 129 00:05:48,360 --> 00:05:51,599 Speaker 3: I just said, I thought it funny that the funeral 130 00:05:51,600 --> 00:05:52,560 Speaker 3: director could stop. 131 00:05:52,839 --> 00:05:54,800 Speaker 4: Looks at a hearse where they dead posted out, and 132 00:05:54,839 --> 00:05:56,599 Speaker 4: go funny thoughts are coming to me right now. 133 00:05:57,680 --> 00:06:00,880 Speaker 3: I didn't know that they technically had that in their arsenal, 134 00:06:00,920 --> 00:06:04,280 Speaker 3: that they could step onto a road as a. 135 00:06:04,240 --> 00:06:08,479 Speaker 4: Funeral when they're in their funeral director's bow. Riah, what 136 00:06:08,520 --> 00:06:09,840 Speaker 4: have you found out online? 137 00:06:10,120 --> 00:06:10,240 Speaker 5: Well? 138 00:06:10,279 --> 00:06:12,920 Speaker 6: The article starts off by saying, it's one of society's 139 00:06:12,960 --> 00:06:15,560 Speaker 6: well known unwritten laws that you must be respectful of 140 00:06:15,600 --> 00:06:15,920 Speaker 6: the dead. 141 00:06:16,000 --> 00:06:18,559 Speaker 4: This is the keyword here, respectful. 142 00:06:18,839 --> 00:06:21,560 Speaker 3: But also a keyword in their unwritten so but it's 143 00:06:21,600 --> 00:06:24,680 Speaker 3: also written, what do you mean a driver must not 144 00:06:24,720 --> 00:06:27,720 Speaker 3: interfere with or interrupt the free passage of any funeral 145 00:06:27,960 --> 00:06:32,600 Speaker 3: cortege okay, no, no, let me speak. Though I'm not interrupted. 146 00:06:32,680 --> 00:06:35,120 Speaker 3: It's not like I'm overtaking the hearst and like slamming 147 00:06:35,160 --> 00:06:36,320 Speaker 3: on my brakes in front of him. 148 00:06:36,320 --> 00:06:37,760 Speaker 4: But it feels like you had a problem with him 149 00:06:37,760 --> 00:06:38,200 Speaker 4: being able to. 150 00:06:38,200 --> 00:06:41,320 Speaker 3: Just get into the he's at the giveaway time, I'm 151 00:06:41,360 --> 00:06:43,560 Speaker 3: at the right of way, so no, But they also 152 00:06:43,600 --> 00:06:47,040 Speaker 3: have right of way at any time, Yes, a time. 153 00:06:47,160 --> 00:06:49,040 Speaker 3: Can you go through a red light? They have? 154 00:06:49,240 --> 00:06:51,960 Speaker 6: Well, no, but at rule seventy seven A in the 155 00:06:52,279 --> 00:06:54,640 Speaker 6: road traffic rules in Victorious is they have right of 156 00:06:54,680 --> 00:06:56,400 Speaker 6: way over general motorists. 157 00:06:56,480 --> 00:06:58,160 Speaker 3: Okay, okay, fair enough. 158 00:06:58,000 --> 00:07:04,440 Speaker 4: And you shall, but not from a moral point of 159 00:07:04,520 --> 00:07:06,680 Speaker 4: view or anything like that. What's the right thing and 160 00:07:06,720 --> 00:07:07,520 Speaker 4: fair respectful thing? 161 00:07:07,839 --> 00:07:08,880 Speaker 3: Isn't that interesting to know? 162 00:07:08,960 --> 00:07:09,159 Speaker 4: Now? 163 00:07:09,400 --> 00:07:12,120 Speaker 6: No, So it hurts because you can't just write every 164 00:07:12,240 --> 00:07:14,200 Speaker 6: rule for everything. At some point you just have to 165 00:07:14,200 --> 00:07:15,680 Speaker 6: be a good person off your own bat. 166 00:07:15,760 --> 00:07:17,760 Speaker 4: You should have your own strong moral company. 167 00:07:17,840 --> 00:07:19,840 Speaker 3: Yes, and I thought it would feel like you've been 168 00:07:19,880 --> 00:07:22,480 Speaker 3: demagnetized in the moment I thought, you know what, this 169 00:07:22,680 --> 00:07:23,480 Speaker 3: is probably right. 170 00:07:23,600 --> 00:07:27,880 Speaker 4: I just wonder, be honest, were you irritated that this 171 00:07:27,920 --> 00:07:30,640 Speaker 4: guy could just stop the traffic a little bit? We've 172 00:07:30,680 --> 00:07:31,120 Speaker 4: got to it. 173 00:07:31,680 --> 00:07:33,920 Speaker 1: Look Christian Connell Show Podcast. 174 00:07:34,200 --> 00:07:36,600 Speaker 4: If you're wondering where the extra time time wetter is, 175 00:07:37,600 --> 00:07:42,600 Speaker 4: because Boga Movies were so big yesterday. It's been promoted. 176 00:07:42,680 --> 00:07:46,440 Speaker 4: It's primetime this morning, Boga Movies. I'm sorry, six our friends, 177 00:07:46,640 --> 00:07:48,600 Speaker 4: it's been promoted. You need to listen to a show 178 00:07:48,640 --> 00:07:51,000 Speaker 4: for longer. It to be after seven o'clock. However, we 179 00:07:51,040 --> 00:07:53,320 Speaker 4: do need your songs right now for this week's Naked Hour. 180 00:07:53,560 --> 00:07:56,080 Speaker 3: Oh Christian, we've got no songs for the whole hour. 181 00:07:58,000 --> 00:08:04,640 Speaker 3: Nick Nike Nig Naked our Naked Hour. 182 00:08:05,800 --> 00:08:07,160 Speaker 4: Oh Nick Nig Nig. 183 00:08:08,720 --> 00:08:13,120 Speaker 5: Nig Nigg Naked our Naked. 184 00:08:12,920 --> 00:08:17,120 Speaker 4: Hour, Naked Hour every Thursday morning, the show from seven 185 00:08:17,160 --> 00:08:19,200 Speaker 4: to eight o'clock. I joined the show. Whole hour of 186 00:08:19,240 --> 00:08:21,080 Speaker 4: music picked by you. We give you the theme. You 187 00:08:21,120 --> 00:08:25,160 Speaker 4: pick all the songs today. Bedtime bangers, so women in 188 00:08:25,160 --> 00:08:29,120 Speaker 4: bedtime songs about the night's dream, sleep, waking up. There 189 00:08:29,120 --> 00:08:31,680 Speaker 4: are so many amazing songs for this night in the title. 190 00:08:31,880 --> 00:08:33,880 Speaker 4: So it's got to have someone do were the bedtime 191 00:08:34,000 --> 00:08:36,600 Speaker 4: in the title? Jackie boy? What do we have to play? 192 00:08:36,760 --> 00:08:39,680 Speaker 3: I've chosen Semi Sonic closing time banger. 193 00:08:46,480 --> 00:08:50,040 Speaker 4: This is a great song, good band Semisnic two. You've 194 00:08:50,040 --> 00:08:50,840 Speaker 4: got any facts? 195 00:08:51,040 --> 00:08:55,920 Speaker 3: Fun fact. In twenty sixteen, Texas Bace Alternative Radio stations. 196 00:08:55,960 --> 00:08:59,520 Speaker 3: He Dge played a continuous loop of closing time for 197 00:08:59,600 --> 00:09:02,319 Speaker 3: two d to mark the transition from a rock station 198 00:09:02,720 --> 00:09:04,440 Speaker 3: to an adult contemporary station. 199 00:09:04,920 --> 00:09:08,080 Speaker 4: I just realized, when we do Naked Our Patsy's song 200 00:09:08,240 --> 00:09:12,360 Speaker 4: is always a the one that she offers up normally here, 201 00:09:12,880 --> 00:09:16,120 Speaker 4: it's always a how can we put this? It's always 202 00:09:16,480 --> 00:09:18,680 Speaker 4: it's there. Do you know what I mean? It's you know, 203 00:09:18,720 --> 00:09:20,400 Speaker 4: a song. As you do a Google search, the very 204 00:09:20,440 --> 00:09:21,840 Speaker 4: first thing at the top of the page. You don't 205 00:09:21,840 --> 00:09:23,440 Speaker 4: go down a page till even down the bottom. That's 206 00:09:23,480 --> 00:09:25,720 Speaker 4: what we get. I just realized playing Sweet Dreams, that 207 00:09:25,800 --> 00:09:28,160 Speaker 4: is the sort of thing Patsy would have said, No, 208 00:09:28,200 --> 00:09:29,880 Speaker 4: it's not mine. I just felt that Patsy's spirit was 209 00:09:29,920 --> 00:09:31,960 Speaker 4: with us there with playing that earlier. I'm gonna go, 210 00:09:32,000 --> 00:09:40,120 Speaker 4: there's a couple this. This is a great beat of song. 211 00:09:44,280 --> 00:09:46,840 Speaker 4: I also love this song. This is from the seventies 212 00:09:46,840 --> 00:09:49,320 Speaker 4: Patty Smith. I didn't know this is actually written with 213 00:09:49,360 --> 00:09:51,760 Speaker 4: Bruce Springsteen. Because of night. This is a great song. 214 00:10:01,840 --> 00:10:03,800 Speaker 4: I'm surprised you didn't go for a green day wake 215 00:10:03,840 --> 00:10:06,600 Speaker 4: me up when September ends. It is a good song. 216 00:10:09,080 --> 00:10:10,000 Speaker 3: Reved up for the day. 217 00:10:10,440 --> 00:10:22,040 Speaker 4: Uh, this does wake up by the Boo Radley's all right, 218 00:10:22,120 --> 00:10:25,080 Speaker 4: so we're looking for bedtime banger's nine four one four 219 00:10:25,120 --> 00:10:27,520 Speaker 4: one o four three must have anything to do with 220 00:10:27,600 --> 00:10:30,160 Speaker 4: bedtime in the time, So who could be night dreams, sleep, 221 00:10:30,480 --> 00:10:32,559 Speaker 4: waking up? Am I missing nightmares? 222 00:10:34,440 --> 00:10:35,719 Speaker 3: A cup of tea before. 223 00:10:35,520 --> 00:10:41,959 Speaker 4: Bedt We're with the King of impropergated. I'm sorry, it's 224 00:10:42,080 --> 00:10:50,000 Speaker 4: Ryan Styles here from you actually had ut fear in 225 00:10:50,040 --> 00:10:52,480 Speaker 4: your eyes when I threw to you, which is the 226 00:10:52,559 --> 00:10:59,520 Speaker 4: whole he's talking. Yeah, you know those songs insurance guys, 227 00:11:00,200 --> 00:11:02,679 Speaker 4: cup of tea in the title, you're calling in now 228 00:11:02,720 --> 00:11:04,600 Speaker 4: with all of them, all those tea songs. 229 00:11:05,200 --> 00:11:08,439 Speaker 1: Christian Connells Show podcast Naked Out. 230 00:11:08,480 --> 00:11:11,000 Speaker 4: This week we strip all the music away. You pick 231 00:11:11,000 --> 00:11:13,360 Speaker 4: all the songs. We give you the theme. It's songs 232 00:11:13,400 --> 00:11:15,240 Speaker 4: to do at bedtime. So in the title of the song, 233 00:11:15,240 --> 00:11:17,920 Speaker 4: it's gotta be something to do with bedtime, like Jackie 234 00:11:18,080 --> 00:11:20,559 Speaker 4: gave you that really helpful exhaustive lifts. Listen there of 235 00:11:20,559 --> 00:11:21,880 Speaker 4: once more just in case we're going through it. 236 00:11:21,880 --> 00:11:24,480 Speaker 3: Well, this is in addition to the obvious ones like night. 237 00:11:24,679 --> 00:11:27,920 Speaker 4: Sleep, waking up, the obvious ones. But then you've got. 238 00:11:27,800 --> 00:11:32,760 Speaker 3: Your b team pajamas pillow, Lullaby, moon Stars sand. 239 00:11:32,679 --> 00:11:38,840 Speaker 4: Starman, there's a star man. Okay on, no one joining me, 240 00:11:38,880 --> 00:11:42,880 Speaker 4: but thank you reopen doing harmonies. Jack, You're very startled today. 241 00:11:42,880 --> 00:11:45,400 Speaker 3: You didn't know we were going to see like a 242 00:11:45,400 --> 00:11:47,360 Speaker 3: lot today, Like why does he keep talking to me? 243 00:11:47,960 --> 00:11:51,559 Speaker 4: Is this a new thing? All right? So Lisa suggested 244 00:11:51,720 --> 00:11:54,920 Speaker 4: this the line sleep tonight. This is a bedtime banger. 245 00:12:02,440 --> 00:12:04,839 Speaker 4: I guess chat would cate crisis to do with the 246 00:12:05,000 --> 00:12:05,959 Speaker 4: bedtime lines. 247 00:12:07,800 --> 00:12:14,480 Speaker 3: I sung this at a Fox him Christmas Bunny karaoke Funa, 248 00:12:14,880 --> 00:12:15,320 Speaker 3: I love it. 249 00:12:15,480 --> 00:12:17,880 Speaker 4: I love it. Was everyone singing a song or you 250 00:12:17,960 --> 00:12:21,680 Speaker 4: just got up to do this David Brent style, go 251 00:12:21,760 --> 00:12:26,680 Speaker 4: get my goods. We're doing some warts chat for people 252 00:12:26,760 --> 00:12:34,000 Speaker 4: work really hard. Meghan wants us to play this sue 253 00:12:34,040 --> 00:12:37,319 Speaker 4: the boss in her own words, anytime we play a 254 00:12:37,480 --> 00:12:39,080 Speaker 4: C d C Melbourne turns off. 255 00:12:43,360 --> 00:12:52,320 Speaker 7: Good bye, little bye bye. 256 00:12:51,120 --> 00:12:53,520 Speaker 4: All right? So naked our songs to do at bedtime? 257 00:12:53,760 --> 00:12:55,720 Speaker 4: Anything to do a bedtime in the title nine four 258 00:12:55,760 --> 00:12:59,400 Speaker 4: one four one O four three David, good morning, good morning, 259 00:12:59,480 --> 00:13:01,640 Speaker 4: Hey going, I'm good David. So what song do you 260 00:13:01,679 --> 00:13:02,760 Speaker 4: think we have to play this morning? 261 00:13:03,320 --> 00:13:03,560 Speaker 3: God? 262 00:13:03,679 --> 00:13:07,679 Speaker 8: I reckon, I have to be Greens, bar Fleetwood Macune. 263 00:13:13,000 --> 00:13:20,200 Speaker 4: Very much in the eighteen Gee Long click to listen 264 00:13:20,240 --> 00:13:23,240 Speaker 4: to it. We got the song, David, that's a great one. 265 00:13:23,280 --> 00:13:28,120 Speaker 4: Thank you very much. Brillant on by Jason. Good morning, 266 00:13:29,080 --> 00:13:29,800 Speaker 4: Good morning girds. 267 00:13:30,360 --> 00:13:31,000 Speaker 3: I'm Jason. 268 00:13:31,040 --> 00:13:32,440 Speaker 4: Ho have you having a good week so far? What 269 00:13:32,480 --> 00:13:33,760 Speaker 4: do you think we have to play this morning? 270 00:13:35,440 --> 00:13:37,120 Speaker 5: I have been having a good work here. Thank you, 271 00:13:37,160 --> 00:13:40,280 Speaker 5: hope you guys have been too. I was thinking of 272 00:13:40,360 --> 00:13:42,640 Speaker 5: kiss rock and roll all night love it. 273 00:13:49,920 --> 00:13:51,439 Speaker 4: Oh no, you haven't done this at another Fox, but 274 00:13:51,600 --> 00:13:51,920 Speaker 4: have you? 275 00:13:52,000 --> 00:13:52,080 Speaker 5: No? 276 00:13:52,520 --> 00:13:54,559 Speaker 3: I was going to say this is technically it's like 277 00:13:54,600 --> 00:13:57,040 Speaker 3: an anti bedtime song because he's saying I'm not going 278 00:13:57,080 --> 00:13:59,160 Speaker 3: to go to bed, I'm going to be rocking, rolling 279 00:13:59,200 --> 00:13:59,680 Speaker 3: all night. 280 00:14:01,000 --> 00:14:03,120 Speaker 5: It's kind of a bit of a pump me up number. 281 00:14:03,200 --> 00:14:04,680 Speaker 4: You're right right? Is that in a cup of tea? 282 00:14:04,720 --> 00:14:09,800 Speaker 4: Is it before bedtime? Jason is still having a good week, Jason, 283 00:14:09,840 --> 00:14:11,640 Speaker 4: thanks to cool the show mate. There's got a Chris 284 00:14:11,640 --> 00:14:15,920 Speaker 4: come on and Chris guy, I'm good Chris. What the 285 00:14:16,040 --> 00:14:17,720 Speaker 4: song do we have to play to do with bedtime? 286 00:14:18,640 --> 00:14:21,720 Speaker 5: Beastie Boys, No sleep till Brooklyn. 287 00:14:27,800 --> 00:14:28,520 Speaker 4: A song. 288 00:14:30,320 --> 00:14:32,280 Speaker 3: Technically no, technically. 289 00:14:32,840 --> 00:14:35,840 Speaker 4: Technicalities have nothing to do with the radio, shove them 290 00:14:35,880 --> 00:14:38,920 Speaker 4: up your backside, no technicalities. 291 00:14:39,240 --> 00:14:41,920 Speaker 3: It's another anti bedtime song in my eyes. 292 00:14:41,640 --> 00:14:43,360 Speaker 4: But it is to do with the theme with bedtime. 293 00:14:43,560 --> 00:14:45,800 Speaker 3: No, they're not going to sleep actually. 294 00:14:45,600 --> 00:14:47,320 Speaker 4: So while those beastive boys. 295 00:14:47,120 --> 00:14:48,840 Speaker 3: A middle finger to bedtime. 296 00:14:48,520 --> 00:14:51,200 Speaker 4: Come on, Adam Horovitz, go to sleep and be tired 297 00:14:51,240 --> 00:14:51,800 Speaker 4: in the morning. 298 00:14:52,040 --> 00:14:53,680 Speaker 3: When you get to Brooklyn, you won't put on a 299 00:14:53,680 --> 00:14:55,440 Speaker 3: good show because you've rather had a week. 300 00:14:56,440 --> 00:14:59,800 Speaker 4: Good point. All right, let's go to Benjamin. Come on in, 301 00:14:59,800 --> 00:15:02,240 Speaker 4: ben Jim, good Mine Gang. 302 00:15:02,640 --> 00:15:03,560 Speaker 5: I've got two for you. 303 00:15:03,920 --> 00:15:07,360 Speaker 8: I've got Jane Police by Cheap Trick. 304 00:15:07,680 --> 00:15:07,880 Speaker 3: Great. 305 00:15:10,320 --> 00:15:18,080 Speaker 4: This has to be played one out of one so far? 306 00:15:18,160 --> 00:15:19,440 Speaker 4: What's your second one, Benny Boy? 307 00:15:19,680 --> 00:15:22,800 Speaker 8: And my second one is not Moves by Bob Saga. 308 00:15:23,080 --> 00:15:32,080 Speaker 4: Oh wow, two for two. My mom and Daddy used 309 00:15:32,080 --> 00:15:36,120 Speaker 4: to play the song. I think this was their cute 310 00:15:36,160 --> 00:15:38,880 Speaker 4: to go and get some night movies on. I love 311 00:15:38,920 --> 00:15:41,480 Speaker 4: this song. I hear it now. It's slightly creeped out. 312 00:15:41,360 --> 00:15:43,560 Speaker 3: In I don't want to have a bedroom door closed, 313 00:15:44,080 --> 00:15:44,960 Speaker 3: Like I said, I don't. 314 00:15:44,800 --> 00:15:48,480 Speaker 4: Want to go that joke. I want to play no 315 00:15:48,560 --> 00:15:52,480 Speaker 4: seat to a book. Then an anti night move song Benjamin. 316 00:15:52,520 --> 00:15:54,400 Speaker 4: Two great ones there, Thank you very much. Let's got 317 00:15:54,400 --> 00:15:57,960 Speaker 4: a Craig now going to Craig good Christian here going, 318 00:15:58,040 --> 00:15:59,760 Speaker 4: I'm good mate. So what's a song to do a 319 00:15:59,760 --> 00:16:01,560 Speaker 4: bed time? You think it'd be great to play this morning? 320 00:16:02,040 --> 00:16:05,160 Speaker 8: Well, seeing Patty's not there, I thought i'd nominate a 321 00:16:05,240 --> 00:16:09,120 Speaker 8: song in her honor, and that is Cape Sobrano's bid remise. 322 00:16:09,520 --> 00:16:20,320 Speaker 4: This is actually I feel you've honored her. Well, I'll 323 00:16:20,320 --> 00:16:21,520 Speaker 4: be honest with you. Ain't playing that. 324 00:16:22,440 --> 00:16:25,960 Speaker 1: This is the Christian O'Connell show podcast. 325 00:16:26,320 --> 00:16:28,160 Speaker 4: You pick all the songs. We do us every Thursday 326 00:16:28,160 --> 00:16:30,280 Speaker 4: we call the Naked Hour. We give you the theme. 327 00:16:30,320 --> 00:16:32,720 Speaker 4: You pick all the songs today. It's anything to do 328 00:16:32,800 --> 00:16:35,680 Speaker 4: with bedtime. In the titles, some are coming in from 329 00:16:35,720 --> 00:16:38,880 Speaker 4: people listening to text in this morning, All Night Long 330 00:16:39,000 --> 00:16:42,840 Speaker 4: line l Ritchie Lullaby by Sean Mudains. I love that song. 331 00:16:43,200 --> 00:16:46,840 Speaker 4: Lullabye by Nickelback. That's not a great song. Heart these 332 00:16:46,960 --> 00:16:52,080 Speaker 4: Dreams betromize Wigfield. I didn't know Wigfield had another song 333 00:16:52,920 --> 00:16:54,120 Speaker 4: other than Saturday Night? 334 00:16:54,120 --> 00:16:55,040 Speaker 3: Who's Wigfield? 335 00:16:55,240 --> 00:16:57,640 Speaker 4: I do remember that Saturday? Ain't I you know this? 336 00:16:57,640 --> 00:16:59,920 Speaker 4: This station painted Bank Bank Bang. 337 00:17:01,400 --> 00:17:03,280 Speaker 3: Any song I've ever heard? 338 00:17:03,960 --> 00:17:08,199 Speaker 4: The intro is Bank that sounds like something, and then 339 00:17:08,240 --> 00:17:11,640 Speaker 4: she does this, she goes eat a lad Saturday night 340 00:17:11,840 --> 00:17:19,879 Speaker 4: and see a baby. Get the clip. That is exactly 341 00:17:19,960 --> 00:17:25,000 Speaker 4: how it is. Well, I think I've gone mad, Christian. 342 00:17:25,040 --> 00:17:28,200 Speaker 4: What about Don McClain Starry starry Night. That's a great change. 343 00:17:28,240 --> 00:17:29,879 Speaker 3: You know that that's actually called Vincent. 344 00:17:29,960 --> 00:17:34,080 Speaker 4: I think that's it's Vincent brackets, starry storry night, starry 345 00:17:34,160 --> 00:17:37,040 Speaker 4: starry about the great Vincent van Go. That's it. Yeah, 346 00:17:37,200 --> 00:17:39,959 Speaker 4: all right, let's take some more here. Jenny, Good morning, Jenny, 347 00:17:40,880 --> 00:17:43,240 Speaker 4: Good morning, Christian, Good morning Jenny. You know that wig 348 00:17:43,240 --> 00:17:44,480 Speaker 4: Field song that I'm talking about. 349 00:17:44,480 --> 00:17:49,240 Speaker 3: The begins out out, Jenny, don't let himdrag you. 350 00:17:50,320 --> 00:17:53,479 Speaker 4: Get the Jenny, what I think we have to play? Then? 351 00:17:53,520 --> 00:17:54,639 Speaker 4: Songs to do with bedtime? 352 00:17:55,960 --> 00:17:57,919 Speaker 5: He's on my pillow by Karli men Eric. 353 00:17:57,960 --> 00:18:13,680 Speaker 4: Beautiful, Jenny, great one. Thank you very much. You call Jenny, 354 00:18:13,680 --> 00:18:14,240 Speaker 4: have a good. 355 00:18:14,040 --> 00:18:16,800 Speaker 2: Morning, no worries, cakes, the laughs up. 356 00:18:17,080 --> 00:18:19,560 Speaker 4: Thank you very much. Felt like an order we do 357 00:18:19,600 --> 00:18:21,480 Speaker 4: our best. I heard she's I haven't heard any in 358 00:18:21,480 --> 00:18:23,439 Speaker 4: the last hours, so let me get them up. 359 00:18:23,720 --> 00:18:26,199 Speaker 5: What the Hellen, Allen? 360 00:18:27,520 --> 00:18:32,639 Speaker 4: You didn't breaking the speed record right now? Alan Combine Harvester, 361 00:18:32,760 --> 00:18:34,800 Speaker 4: Alan where are we hell? 362 00:18:34,960 --> 00:18:35,200 Speaker 5: Allan? 363 00:18:35,240 --> 00:18:37,720 Speaker 9: Where are you working? 364 00:18:38,240 --> 00:18:39,120 Speaker 5: And what's great? 365 00:18:39,200 --> 00:18:39,480 Speaker 4: Okay? 366 00:18:39,480 --> 00:18:41,800 Speaker 9: Well what are you doing in the background? I'll get 367 00:18:41,840 --> 00:18:42,520 Speaker 9: rid of it one. 368 00:18:42,400 --> 00:18:48,840 Speaker 4: S thanks mate for sure? Wait you go live on it? No, no, no, no, 369 00:18:48,880 --> 00:18:51,160 Speaker 4: you take your time mate. Hit the laughs up? Guys? 370 00:18:51,320 --> 00:18:52,560 Speaker 3: Are we shutting down some. 371 00:18:55,240 --> 00:18:59,159 Speaker 4: Boring machine? Oh my god? How do you? How do you? 372 00:18:59,320 --> 00:19:03,800 Speaker 4: How do you coat with that noise? Alan? Shut me down? Down? 373 00:19:04,840 --> 00:19:10,280 Speaker 4: Does it fall into that? Has it? We need to 374 00:19:10,280 --> 00:19:13,679 Speaker 4: go to Lavator worries? We've lost Alan. Let's go to 375 00:19:15,760 --> 00:19:21,000 Speaker 4: I'm actually genuinely is he okay? Al? Andrew? Andrew? There 376 00:19:21,040 --> 00:19:24,880 Speaker 4: you go? What's the song? Thank you? And what song 377 00:19:24,920 --> 00:19:25,480 Speaker 4: do you want to hear? 378 00:19:26,240 --> 00:19:28,040 Speaker 5: I sing it to my daughter every night. Not favorite 379 00:19:28,040 --> 00:19:28,720 Speaker 5: by the bays. 380 00:19:28,720 --> 00:19:39,879 Speaker 4: Guys, great song now, and you when you say you 381 00:19:39,920 --> 00:19:41,520 Speaker 4: sing that to your daughter? How old is she? 382 00:19:42,400 --> 00:19:42,960 Speaker 8: Five months? 383 00:19:43,000 --> 00:19:43,160 Speaker 4: Man? 384 00:19:44,400 --> 00:19:44,600 Speaker 5: Love? 385 00:19:45,520 --> 00:19:45,760 Speaker 4: Yeah? 386 00:19:45,800 --> 00:19:47,800 Speaker 9: So I don't understand it too much, but it's pretty 387 00:19:47,800 --> 00:19:48,520 Speaker 9: excited when she hears. 388 00:19:48,560 --> 00:19:52,480 Speaker 4: It's so lovely. Good song, Andrew, Thank you very much? Cool. 389 00:19:52,480 --> 00:19:53,080 Speaker 4: I have a good day. 390 00:19:53,080 --> 00:19:53,919 Speaker 8: Thanks guys. 391 00:19:54,640 --> 00:19:58,480 Speaker 4: Let's go to Al now, Good morning, old morning, all right? 392 00:19:58,560 --> 00:20:01,280 Speaker 4: Songs to do a bedtime? What do you fancy waking 393 00:20:01,359 --> 00:20:03,840 Speaker 4: up before you go go weaken. 394 00:20:06,400 --> 00:20:06,560 Speaker 10: Me. 395 00:20:12,760 --> 00:20:15,160 Speaker 4: Great song, Thank you very much, Alan as the way, 396 00:20:15,200 --> 00:20:17,320 Speaker 4: Al have we got Alan back? This is Ellen, Alan. 397 00:20:19,600 --> 00:20:22,200 Speaker 4: We're worried about you'd fall into that noisy old machine 398 00:20:22,200 --> 00:20:25,320 Speaker 4: in the background. We gotcha, Alan, We got you. Now 399 00:20:25,359 --> 00:20:26,040 Speaker 4: what do you want to hear? 400 00:20:27,240 --> 00:20:28,639 Speaker 9: Try and catch me Newton Fortner? 401 00:20:28,760 --> 00:20:30,320 Speaker 4: Oh my god, brilliant you. I mean you won't get 402 00:20:30,359 --> 00:20:32,240 Speaker 4: to hear it through the speakers with all that noise there. 403 00:20:36,280 --> 00:20:42,920 Speaker 4: This sorts a great shot, huge everywhere, good song. 404 00:20:42,800 --> 00:20:46,760 Speaker 11: As song come back and. 405 00:20:45,880 --> 00:20:47,640 Speaker 4: We should definitely play this. Alan. We're going to play 406 00:20:47,680 --> 00:20:49,840 Speaker 4: this in the next hour if you okay? Now, Alan, 407 00:20:49,960 --> 00:20:53,000 Speaker 4: what are you doing? What was that horrendous noise? A cacophony. 408 00:20:53,080 --> 00:20:55,600 Speaker 9: I'm a truck driver and I was a stack of 409 00:20:55,680 --> 00:20:56,600 Speaker 9: light in me track up. 410 00:20:56,600 --> 00:20:57,879 Speaker 5: That was why I was lay up. 411 00:20:58,640 --> 00:21:00,240 Speaker 4: Do you have to wear that hear you for this 412 00:21:00,480 --> 00:21:01,719 Speaker 4: or anything like that? How do you? 413 00:21:01,840 --> 00:21:02,119 Speaker 3: How do you? 414 00:21:03,119 --> 00:21:03,439 Speaker 5: Usually? 415 00:21:03,440 --> 00:21:06,199 Speaker 9: I'm away from it, but this time here I had 416 00:21:06,200 --> 00:21:09,880 Speaker 9: to open up me me sidelighter so I can play. 417 00:21:09,680 --> 00:21:12,000 Speaker 4: A bust and you know what to say to chat? 418 00:21:12,280 --> 00:21:13,840 Speaker 4: It sounds like a sideloader. 419 00:21:14,560 --> 00:21:15,680 Speaker 3: How many wheels you got there? 420 00:21:15,720 --> 00:21:17,480 Speaker 4: Thirty six or you got thirty two? 421 00:21:18,320 --> 00:21:19,560 Speaker 9: Ah, thirty. 422 00:21:21,560 --> 00:21:22,080 Speaker 8: Thirty six. 423 00:21:22,720 --> 00:21:26,760 Speaker 4: Yeah, my favorite, that's all. It's my favorite too. And 424 00:21:26,880 --> 00:21:28,960 Speaker 4: then thank you very much you call mate, Stay safe there, 425 00:21:30,240 --> 00:21:31,760 Speaker 4: have a good day, and you don't forget close that 426 00:21:31,880 --> 00:21:34,000 Speaker 4: sideloader up, mate, Carl Brager. 427 00:21:34,280 --> 00:21:37,119 Speaker 1: You're listening to the Christian Know Carl's Show podcast. 428 00:21:37,400 --> 00:21:39,360 Speaker 4: All the songs between now and ain't picked my ear 429 00:21:39,440 --> 00:21:41,560 Speaker 4: to the theme of bedtime. We got some brilliant ones 430 00:21:41,720 --> 00:21:42,240 Speaker 4: lined up. 431 00:21:44,480 --> 00:21:44,680 Speaker 11: Mate. 432 00:21:44,680 --> 00:21:45,160 Speaker 3: What are you doing? 433 00:21:45,160 --> 00:21:47,560 Speaker 4: You seem so tired today? Why are you so tired? 434 00:21:47,720 --> 00:21:50,520 Speaker 3: Sorry, Christian, I couldn't hold in the yawn. I beat 435 00:21:50,600 --> 00:21:53,800 Speaker 3: up all di just thinking and worrying about what winnd 436 00:21:53,800 --> 00:21:56,520 Speaker 3: about bank and I have always loved the idea of 437 00:21:56,520 --> 00:21:58,600 Speaker 3: going on a cruise, but we just haven't saved enough 438 00:21:58,680 --> 00:22:01,239 Speaker 3: money to go, so it's probably off the cards for us. 439 00:22:01,520 --> 00:22:05,560 Speaker 3: Well this information, I'm sorry, and to go back. I 440 00:22:05,600 --> 00:22:08,440 Speaker 3: was yawning a second about it all night, we said 441 00:22:08,520 --> 00:22:10,679 Speaker 3: two minutes ago. But anyway, we'll get it right back tomorrow. 442 00:22:10,920 --> 00:22:13,080 Speaker 4: Well, what I've got here your not the head is 443 00:22:13,080 --> 00:22:14,680 Speaker 4: going to hit that pillow tonight. Now we're going to 444 00:22:14,800 --> 00:22:17,840 Speaker 4: have a great sleep. You're gonna believe this if you 445 00:22:17,880 --> 00:22:21,600 Speaker 4: book now at Royal Caribbean dot com DoD Au forty 446 00:22:21,640 --> 00:22:24,680 Speaker 4: percent off your next cruise holiday. 447 00:22:24,760 --> 00:22:25,760 Speaker 3: I have to give on my wife. 448 00:22:25,840 --> 00:22:29,040 Speaker 4: Yeah, dug out the studio right now for sure. Holiday 449 00:22:29,160 --> 00:22:31,760 Speaker 4: in every way aboard Rod Caribbean has saved up to 450 00:22:31,760 --> 00:22:33,600 Speaker 4: forty percent of the next holiday if you book now. 451 00:22:33,680 --> 00:22:36,520 Speaker 4: Royalcarribbean dot com dot Au Teas and Sees a play 452 00:22:36,600 --> 00:22:39,280 Speaker 4: Tomorrow on the show, We're giving away a cruise for two. 453 00:22:39,320 --> 00:22:42,719 Speaker 4: You get two thousand dollars spending money. All your meals 454 00:22:42,760 --> 00:22:45,439 Speaker 4: are paid for. You're off to the South Pacific. How 455 00:22:45,480 --> 00:22:47,360 Speaker 4: do you win this? You sing for. 456 00:22:47,320 --> 00:23:11,000 Speaker 7: It, Bay, you can say away to the South Pacify. 457 00:23:11,040 --> 00:23:13,760 Speaker 4: All right, tomorrow there we give a cruise for two 458 00:23:13,800 --> 00:23:17,080 Speaker 4: of you. You got to sing for the cruise. Now, 459 00:23:18,000 --> 00:23:22,240 Speaker 4: this is not a singing competition. We've played quite a 460 00:23:22,240 --> 00:23:25,840 Speaker 4: few entries but proved that time and time again. Yeah, however, 461 00:23:26,400 --> 00:23:28,520 Speaker 4: is it time Jack to play a good entry? I 462 00:23:28,560 --> 00:23:31,639 Speaker 4: would love to How we've got one here from Matilda 463 00:23:31,760 --> 00:23:34,200 Speaker 4: who's thirteen. Now she doesn't want to go on the cruise, 464 00:23:34,359 --> 00:23:36,520 Speaker 4: but she would really like her parents to go away 465 00:23:36,600 --> 00:23:37,280 Speaker 4: on a cruise. 466 00:23:39,640 --> 00:23:44,080 Speaker 12: Say my parents, far away, far away, far away, love. 467 00:23:45,920 --> 00:23:47,760 Speaker 13: Take them away, take them away. 468 00:23:48,840 --> 00:23:49,639 Speaker 6: The last during the. 469 00:23:49,680 --> 00:23:54,080 Speaker 13: Day, during the day, during the day, party on Lewis 470 00:23:54,320 --> 00:23:57,879 Speaker 13: PARTI and Lewis Partty on the way. Lots of police hide. 471 00:23:58,160 --> 00:24:01,560 Speaker 13: If you could take them as well, they're swiming in 472 00:24:01,680 --> 00:24:05,480 Speaker 13: the fool. I would be staying first. I perceived that 473 00:24:05,720 --> 00:24:08,639 Speaker 13: and they do, won't They were lessing away. 474 00:24:08,840 --> 00:24:10,480 Speaker 4: Well, the buffet is full for. 475 00:24:10,600 --> 00:24:15,200 Speaker 13: Mate, I've been eating take away. 476 00:24:14,160 --> 00:24:15,159 Speaker 2: Take them. 477 00:24:17,119 --> 00:24:18,800 Speaker 11: Right, take. 478 00:24:21,720 --> 00:24:22,000 Speaker 3: Come on? 479 00:24:23,160 --> 00:24:26,439 Speaker 4: Is the gold standard the best so far from thirteen 480 00:24:26,520 --> 00:24:29,520 Speaker 4: year old Matilda Smith taking on an your's sail away. 481 00:24:29,880 --> 00:24:32,880 Speaker 4: Now to the yin you must have the yang. Okay, 482 00:24:32,960 --> 00:24:35,440 Speaker 4: if that's one of the best we've had, the gold standard, 483 00:24:35,760 --> 00:24:39,560 Speaker 4: Let's go to the other end of the spectrum and yeah, 484 00:24:39,720 --> 00:24:42,159 Speaker 4: let's go for let's go for this one. Don't we 485 00:24:42,200 --> 00:24:42,920 Speaker 4: love Billy Joel? 486 00:24:43,480 --> 00:24:44,440 Speaker 3: We love Billy. 487 00:24:44,240 --> 00:24:48,520 Speaker 4: Fairly Joel love piano man as does this? Wow? 488 00:24:51,080 --> 00:24:52,280 Speaker 1: I heard Christians? 489 00:24:52,359 --> 00:25:01,240 Speaker 11: Sorry, girl radio that is giving away is breaked right 490 00:25:01,400 --> 00:25:03,040 Speaker 11: up at the sound of it. 491 00:25:04,160 --> 00:25:10,119 Speaker 14: And I went straight to honey to say. 492 00:25:09,960 --> 00:25:14,320 Speaker 4: There's a bell by a harmonica as well, hats. 493 00:25:19,240 --> 00:25:25,240 Speaker 14: I said, I trying to win a honeymoon seventeen years 494 00:25:28,160 --> 00:25:32,000 Speaker 14: with three strapping kids in their early teens. 495 00:25:32,640 --> 00:25:34,480 Speaker 11: You need some time just me. 496 00:25:34,640 --> 00:25:38,520 Speaker 4: Honey, not the piano man. There's a sad story in there. 497 00:25:38,560 --> 00:25:42,000 Speaker 4: No honeymoon for seventeen years for bell Shields. 498 00:25:41,720 --> 00:25:43,760 Speaker 3: Just sunging it difficult to hear register. 499 00:25:44,000 --> 00:25:46,480 Speaker 4: I don't know what you're talking about. Those headphones mustn't matter. 500 00:25:46,560 --> 00:25:52,199 Speaker 4: I heard that very very cleanly, chack. But what a 501 00:25:52,200 --> 00:25:57,800 Speaker 4: great start I heard, Christian speakers, favorite start of any 502 00:25:57,800 --> 00:26:01,120 Speaker 4: of the entries so far. Let's go to Francis. Who 503 00:26:01,200 --> 00:26:04,399 Speaker 4: the han She's taking on this party song agad by 504 00:26:04,440 --> 00:26:05,280 Speaker 4: black lace. 505 00:26:05,600 --> 00:26:06,080 Speaker 5: Armed. 506 00:26:07,440 --> 00:26:11,240 Speaker 3: CRUs cruise, cruise on the quantum of the seas, tapping 507 00:26:11,320 --> 00:26:15,760 Speaker 3: fun in the sun and kicking up on nicht. 508 00:26:15,880 --> 00:26:16,560 Speaker 15: On a ship. 509 00:26:16,880 --> 00:26:20,840 Speaker 1: How exciting that would be? Costacoasts, stuff comers, what she 510 00:26:21,000 --> 00:26:21,680 Speaker 1: loved put on. 511 00:26:21,720 --> 00:26:29,000 Speaker 4: TV, Elvis Presley be Ninja's taking on blue sweight shoes. 512 00:26:29,160 --> 00:26:31,880 Speaker 11: Well it's one for the watchers, two for the couture. 513 00:26:32,200 --> 00:26:34,760 Speaker 1: Three father Spaw, Now go on that too. But why 514 00:26:34,760 --> 00:26:36,399 Speaker 1: don't you get on my. 515 00:26:36,440 --> 00:26:38,560 Speaker 4: Bootsfield Crew boos Field Cruise. 516 00:26:39,320 --> 00:26:42,040 Speaker 16: Well you can do anything, so get on my boos 517 00:26:42,040 --> 00:26:42,760 Speaker 16: Build cruise. 518 00:26:44,280 --> 00:26:46,960 Speaker 1: Alt's up Booze Booze Boozfield Cruise. 519 00:26:46,960 --> 00:26:47,359 Speaker 5: A baby. 520 00:26:49,520 --> 00:26:53,160 Speaker 4: I mean, there's lots of other stuff to do. All right, 521 00:26:53,280 --> 00:26:54,320 Speaker 4: so you. 522 00:26:54,800 --> 00:26:57,640 Speaker 11: Can do any thing, So get on my boots field. 523 00:26:57,480 --> 00:27:00,960 Speaker 3: Pooh and it's just like no. 524 00:27:02,760 --> 00:27:05,119 Speaker 4: All right. So to enter you go to the Christian 525 00:27:05,119 --> 00:27:08,639 Speaker 4: o'connells Show dot com. We're giving away the cruise tomorrow 526 00:27:08,640 --> 00:27:11,040 Speaker 4: on the show and another cruise next week, so you 527 00:27:11,160 --> 00:27:12,880 Speaker 4: got plenty of time. But heads to the Christian o'connells 528 00:27:12,880 --> 00:27:14,040 Speaker 4: Show dot com dot au. 529 00:27:14,080 --> 00:27:18,120 Speaker 1: Why don't everyone the Christian O'Connell show podcast. 530 00:27:17,920 --> 00:27:20,400 Speaker 4: Now, yesterday we did the time Waster and every day 531 00:27:20,400 --> 00:27:22,439 Speaker 4: on the Time Waster, we're blessed we get hundreds of 532 00:27:22,480 --> 00:27:25,680 Speaker 4: you taking part, pitching in your jokes for us. Yesterday 533 00:27:25,880 --> 00:27:29,680 Speaker 4: was like nothing we've seen before because the topic we 534 00:27:29,680 --> 00:27:32,600 Speaker 4: were doing was We're looking for your Bogan movies. It 535 00:27:32,680 --> 00:27:36,000 Speaker 4: was huge. Jack and I actually afterwards when we said goodbye, 536 00:27:36,359 --> 00:27:39,480 Speaker 4: actually my face was aching from laughing. I was laughing 537 00:27:39,520 --> 00:27:41,960 Speaker 4: so much at your Boga movies. So we've never done 538 00:27:41,960 --> 00:27:44,720 Speaker 4: this before. Often we do a part two in the 539 00:27:44,920 --> 00:27:47,160 Speaker 4: first half hour of the show, but because Bogan movies 540 00:27:47,200 --> 00:27:49,439 Speaker 4: are so big, yesterday a lot of people are actually 541 00:27:49,440 --> 00:27:51,119 Speaker 4: emailing and can we have the clip? I want to 542 00:27:51,119 --> 00:27:52,840 Speaker 4: hear them again. We're going to give you a second 543 00:27:52,960 --> 00:27:55,240 Speaker 4: chance if you missed it yesterday, to take part in 544 00:27:55,359 --> 00:27:58,439 Speaker 4: Bogan movies. But you Si Rio got this from. I 545 00:27:58,440 --> 00:28:01,640 Speaker 4: didn't know this was even a website called boganmania dot com. 546 00:28:02,160 --> 00:28:05,760 Speaker 4: It's their top ten list of Bogan traits. You've got 547 00:28:05,760 --> 00:28:09,280 Speaker 4: a car as your Facebook profile picture. Two degrees of 548 00:28:09,320 --> 00:28:13,320 Speaker 4: separation from someone on maps. You treat board shorts like 549 00:28:13,560 --> 00:28:17,320 Speaker 4: regular shorts. Huggy interior decorating your house. 550 00:28:18,440 --> 00:28:21,200 Speaker 3: Again, didn't he come in yourself to he doesn't? 551 00:28:25,040 --> 00:28:27,280 Speaker 4: This is Patsy this one. Interior decorating your. 552 00:28:27,160 --> 00:28:29,399 Speaker 3: House with the came on catigs probably there now. 553 00:28:29,680 --> 00:28:34,160 Speaker 4: Patting the donation dog at Bullward's. That's not that's just 554 00:28:34,280 --> 00:28:39,160 Speaker 4: teacher Mahala wearing compression wear just to go to the shops. 555 00:28:39,200 --> 00:28:43,360 Speaker 4: I do that, ordering spring rolls from the local Chinese restaurant. 556 00:28:43,840 --> 00:28:47,760 Speaker 4: Referred to your significant other as your partner in crime, 557 00:28:49,120 --> 00:28:54,320 Speaker 4: misspelling your child child's name, I E Riley r h 558 00:28:54,480 --> 00:28:57,200 Speaker 4: y a double E. And then I don't know this one. 559 00:28:57,600 --> 00:28:59,440 Speaker 4: Listen to commercial radio. I don't know what you're talking 560 00:28:59,440 --> 00:29:01,800 Speaker 4: about there. Now. You brought in this song today, said 561 00:29:01,800 --> 00:29:05,560 Speaker 4: this is a great funny song. Chris Franklin, bloke to 562 00:29:05,560 --> 00:29:06,440 Speaker 4: do with Bocans. 563 00:29:07,280 --> 00:29:09,760 Speaker 3: This was I loved this song. When I was a kid, 564 00:29:09,760 --> 00:29:11,560 Speaker 3: a ten years old, I had the CD single of 565 00:29:11,640 --> 00:29:12,280 Speaker 3: Chris Flank. 566 00:29:12,240 --> 00:29:13,640 Speaker 4: So did parody songs. 567 00:29:13,760 --> 00:29:15,200 Speaker 3: I don't know if he even did any more of 568 00:29:15,280 --> 00:29:18,400 Speaker 3: this new and far so this well could be his 569 00:29:18,520 --> 00:29:21,640 Speaker 3: one hit. Wonder this was my first introduction. I didn't 570 00:29:21,640 --> 00:29:24,280 Speaker 3: even know parody songs were a thing, and I love this. 571 00:29:24,480 --> 00:29:27,520 Speaker 3: I played this so often and now I hear it back. 572 00:29:27,560 --> 00:29:29,920 Speaker 3: I'm worried that it's going to be of its time. 573 00:29:30,040 --> 00:29:33,600 Speaker 4: Well, I know tom Our producers taking out the word knockers. 574 00:29:34,200 --> 00:29:39,120 Speaker 4: So this is the Knockolus remix and the. 575 00:29:43,000 --> 00:29:49,640 Speaker 7: Red dress is blue, throwing. 576 00:29:52,800 --> 00:29:59,840 Speaker 4: Any out the way. This is this well, this snippet 577 00:29:59,840 --> 00:30:04,200 Speaker 4: we've that's the fund all right, Bogan movies. Let's do 578 00:30:04,320 --> 00:30:12,200 Speaker 4: it all right, Bogan movies. Carrying on from Saturday night 579 00:30:12,320 --> 00:30:14,200 Speaker 4: for Vola. What are the Bogans watching? I'll tell you 580 00:30:14,360 --> 00:30:19,400 Speaker 4: Jack the hills hoist have eyes. Sil plus Bathurstman, said 581 00:30:19,400 --> 00:30:23,640 Speaker 4: a Batman, bathhurst Man. Gold, I married my cousin Vinnie. 582 00:30:25,000 --> 00:30:31,560 Speaker 4: What silver girl with the Barley tattoo. Silver plus Kontiki 583 00:30:31,680 --> 00:30:36,840 Speaker 4: Air Gold, Toothless in Seattle, Silva and Life of Python 584 00:30:37,720 --> 00:30:40,479 Speaker 4: Gold all right, Jackie, Well what have you got? Bogan Movies. 585 00:30:40,840 --> 00:30:43,720 Speaker 3: Man Scorcese made a great film with Robert de Niro 586 00:30:43,800 --> 00:30:46,720 Speaker 3: called The King of Comedy. Well, Martin's back to make 587 00:30:47,000 --> 00:30:48,200 Speaker 3: the King of Commodoes. 588 00:30:50,520 --> 00:30:52,880 Speaker 4: Yep, okay, yep. Silver. 589 00:30:54,840 --> 00:30:57,480 Speaker 3: Jason Momoa is a bit Bogan. Oh yeah, he's not Aquaman, 590 00:30:57,760 --> 00:30:58,440 Speaker 3: He's Okaman. 591 00:30:58,600 --> 00:30:59,520 Speaker 4: Oh that's very good. 592 00:30:59,600 --> 00:31:08,760 Speaker 3: Gold, How shas I got her groove back? Silver, and 593 00:31:08,880 --> 00:31:11,320 Speaker 3: the Devil Wears Target Yeah Silver. 594 00:31:11,840 --> 00:31:14,280 Speaker 1: Christian Connell Show podcast. 595 00:31:14,360 --> 00:31:22,080 Speaker 4: Right now though a special time waste stuff after the 596 00:31:22,480 --> 00:31:26,000 Speaker 4: unpresident amount yesterday. For Bogan Movies, we're doing a part two. 597 00:31:26,080 --> 00:31:26,960 Speaker 4: Jack you're ready to mark. 598 00:31:27,080 --> 00:31:27,360 Speaker 3: Let's go. 599 00:31:27,560 --> 00:31:30,920 Speaker 4: Let's go to Bogansville. When Harry tattooed Sammie here, Gold, 600 00:31:31,600 --> 00:31:34,760 Speaker 4: the Good, the Bad, and the Uggies Silver pluff ferries 601 00:31:34,840 --> 00:31:41,640 Speaker 4: viewed as thongs off Gold Lady the Trampstone, gold Mark, 602 00:31:41,760 --> 00:31:45,600 Speaker 4: well done, Bongo and Stash instead of tango Cash, Bongo 603 00:31:45,720 --> 00:31:52,800 Speaker 4: and Stash, Silver, full flannel jacket, Silva Bogan, Biggelow, mullet jigglow, 604 00:31:52,880 --> 00:31:56,080 Speaker 4: gold Mark and Seaford take a bow. That's best for 605 00:31:56,160 --> 00:32:00,000 Speaker 4: the dollars for the pokies, Gold some Sammy for Stubbies 606 00:32:00,040 --> 00:32:07,640 Speaker 4: and the Dark Silver Grand Turana Silver Girl with a 607 00:32:07,720 --> 00:32:13,240 Speaker 4: dozen tattoos Gold dudes were, dude, where's my goombag? Broaden, 608 00:32:13,440 --> 00:32:17,080 Speaker 4: Silence of the Slabs, Silva, The Wizard of the Ossy 609 00:32:17,120 --> 00:32:24,960 Speaker 4: Ossy Ossy Guy, broke back Moccasin Gold, Hooning, Miss Daisy, 610 00:32:25,640 --> 00:32:31,280 Speaker 4: Silva Me and v B Silver plus Smoker at Tiffany's Gold. 611 00:32:32,800 --> 00:32:37,480 Speaker 4: I loved this one from Roger, Dude, where's my rats tail? 612 00:32:39,400 --> 00:32:39,680 Speaker 5: Gold? 613 00:32:40,120 --> 00:32:44,320 Speaker 4: Oh, Roger Rodom, Harry Potthead and the Order of the 614 00:32:44,480 --> 00:32:48,320 Speaker 4: four x Gold, Chris World and Gary Potter and the 615 00:32:48,360 --> 00:32:53,760 Speaker 4: Philosophers Stones Silver, Days of Chunder Silver when Huggy met 616 00:32:53,840 --> 00:32:58,160 Speaker 4: Sheida not my words, I just reading them out, That's 617 00:32:58,200 --> 00:33:01,120 Speaker 4: all I do. Nicholas, I sure saying they don't stand it. 618 00:33:01,600 --> 00:33:07,800 Speaker 4: Pitbull dumb the Bull, Durham Pitbull Durham Silver Spider Bogan, 619 00:33:07,880 --> 00:33:11,840 Speaker 4: no way bro said, no way back. Spider Man, Dude, 620 00:33:11,880 --> 00:33:16,960 Speaker 4: where's my cargo shorts? Silver Bus, The Bogans of Madison 621 00:33:17,000 --> 00:33:21,400 Speaker 4: County Gold, twelve Angry Mullets silver and three men in 622 00:33:21,440 --> 00:33:24,120 Speaker 4: a Tarana Gold? Well down, everyone, Thank you very much. 623 00:33:24,160 --> 00:33:25,200 Speaker 4: Headlines on the Way. 624 00:33:25,520 --> 00:33:28,680 Speaker 1: Well Christian Connell's show podcasts. 625 00:33:28,960 --> 00:33:31,320 Speaker 4: Yesterday was a great story from Barbara, and we thought 626 00:33:31,360 --> 00:33:34,560 Speaker 4: we'd use Barbara's story about setting off an alarmed to 627 00:33:34,640 --> 00:33:36,760 Speaker 4: see if you've got more stories about when you set 628 00:33:36,840 --> 00:33:37,640 Speaker 4: off unarmed. 629 00:33:37,800 --> 00:33:39,960 Speaker 15: When I had my first son, it was about a 630 00:33:40,000 --> 00:33:42,720 Speaker 15: twenty nine and a half hour labor and I spent 631 00:33:43,000 --> 00:33:46,840 Speaker 15: quite a long time in a hot shower in the hospital, 632 00:33:46,960 --> 00:33:48,920 Speaker 15: the steam on my back that had actually set off 633 00:33:48,960 --> 00:33:52,760 Speaker 15: the alarms and caused an evacuation. Best part was my 634 00:33:53,400 --> 00:33:56,720 Speaker 15: dad was a volunteer firefighter and it was his station 635 00:33:56,920 --> 00:33:58,480 Speaker 15: that turned up and burst into my room. 636 00:33:58,680 --> 00:34:01,720 Speaker 4: Guys and Barbara, so when did you set off the alarm? 637 00:34:01,840 --> 00:34:04,000 Speaker 4: On nine four one four one o four three. Now 638 00:34:04,080 --> 00:34:06,200 Speaker 4: we've got sound effects, red Jacks, was they call in? 639 00:34:06,600 --> 00:34:09,200 Speaker 4: I can illustrate the stories. It's like four K storytelling 640 00:34:09,239 --> 00:34:11,920 Speaker 4: on this show. So the team that producers got some 641 00:34:12,360 --> 00:34:16,000 Speaker 4: alarm sound effects. So some might call in tell setting 642 00:34:16,040 --> 00:34:18,960 Speaker 4: off alarm, and then I would go, we're not that 643 00:34:19,120 --> 00:34:22,440 Speaker 4: or that. That's a bedside clock. When you set that off? 644 00:34:22,520 --> 00:34:26,840 Speaker 4: When I set it that night before, that's me this morning? 645 00:34:29,600 --> 00:34:33,480 Speaker 4: All right? Then there's this at a smoke alarm and 646 00:34:33,560 --> 00:34:35,400 Speaker 4: they only go off at two am in the morning, 647 00:34:35,840 --> 00:34:38,359 Speaker 4: never when there's daylight, there's this God the moment you're 648 00:34:38,400 --> 00:34:43,759 Speaker 4: in real deep r em sleep. You hear this, you go, oh, 649 00:34:44,840 --> 00:34:47,600 Speaker 4: I just hit it exactly. I actually actually broke one once. 650 00:34:47,680 --> 00:34:50,040 Speaker 4: I actually got a brim hand and smashed it into beasts. 651 00:34:50,120 --> 00:34:52,600 Speaker 3: I actually think it doesn't do itself any favors because 652 00:34:52,640 --> 00:34:53,880 Speaker 3: in the middle of the night, where you do is 653 00:34:53,960 --> 00:34:55,600 Speaker 3: you get it, you yank it down, you pull the 654 00:34:55,640 --> 00:34:58,239 Speaker 3: battery out, and you leave it. Yes, and because you 655 00:34:58,320 --> 00:35:00,279 Speaker 3: meant to replace the battery, but you just leave it done. 656 00:35:00,320 --> 00:35:02,160 Speaker 3: And then it can say like that for weeks. I 657 00:35:02,200 --> 00:35:03,400 Speaker 3: will point out you shouldn't do that. 658 00:35:03,560 --> 00:35:06,120 Speaker 4: No, absolutely, Jack, let it ring out. 659 00:35:07,239 --> 00:35:09,200 Speaker 3: Can I give you a story and you can use 660 00:35:09,239 --> 00:35:10,560 Speaker 3: one of your sound effects to illustrate it. 661 00:35:10,600 --> 00:35:12,680 Speaker 4: Oh yeah, I've got two more carqueued up. Yeah, come on. 662 00:35:12,760 --> 00:35:15,120 Speaker 3: When Bianca first moved to Australia, her job. 663 00:35:15,239 --> 00:35:18,560 Speaker 4: Was no, no, off the alarm, be premature, there's somebody 664 00:35:18,600 --> 00:35:20,800 Speaker 4: carry on because she was scratching your hair and I 665 00:35:20,840 --> 00:35:21,520 Speaker 4: thought it was a signal. 666 00:35:22,600 --> 00:35:26,080 Speaker 3: I'll give you a signal already. Biank's first job was 667 00:35:26,120 --> 00:35:28,440 Speaker 3: at a pizza place and she accidentally put one of 668 00:35:28,480 --> 00:35:31,360 Speaker 3: the tea towels through the pizza up and he caught fire. 669 00:35:31,640 --> 00:35:33,000 Speaker 3: She set off the smoke alarmed. 670 00:35:33,960 --> 00:35:39,000 Speaker 4: You said, you tap your nose. That's that's the alarm clock. 671 00:35:39,680 --> 00:35:41,240 Speaker 4: Tell us again, get to punch on again. 672 00:35:41,080 --> 00:35:42,640 Speaker 3: It says, well, it's not a punch flse, it's just 673 00:35:42,719 --> 00:35:43,080 Speaker 3: a story. 674 00:35:43,920 --> 00:35:44,200 Speaker 4: Get to. 675 00:35:46,280 --> 00:35:50,319 Speaker 3: She puts. Realized after five years, she put a tea 676 00:35:50,400 --> 00:35:53,759 Speaker 3: towel in the pizza to be kicking. Caught fire, set 677 00:35:53,800 --> 00:35:59,520 Speaker 3: off the smoke alarm. Everybody you vacuated. Vacuate people around 678 00:35:59,560 --> 00:36:04,160 Speaker 3: the street. It's ambulance fire drug. She gets arrested, drag 679 00:36:04,239 --> 00:36:06,200 Speaker 3: from the building. What no, Now, I'm just trying to 680 00:36:06,239 --> 00:36:06,560 Speaker 3: make it more. 681 00:36:08,080 --> 00:36:10,320 Speaker 4: That's a sad story, all right. So when did you 682 00:36:10,440 --> 00:36:11,279 Speaker 4: set the alarm off? 683 00:36:12,080 --> 00:36:16,120 Speaker 1: This is the Christian o'common show podcast. 684 00:36:16,000 --> 00:36:18,640 Speaker 4: Looking for your stories. When did you accidentally set off 685 00:36:18,719 --> 00:36:22,480 Speaker 4: the alarm? Chrissy? Good morning, Hi Christian, how are you? 686 00:36:22,800 --> 00:36:25,399 Speaker 4: I'm going Chrissy, Welcome to the show. So what happened? Mate? 687 00:36:27,000 --> 00:36:27,680 Speaker 5: We were in. 688 00:36:27,960 --> 00:36:31,560 Speaker 2: Italy and I was doing my washing in the bathroom 689 00:36:31,600 --> 00:36:32,960 Speaker 2: and I thought where am I going to hang out 690 00:36:33,040 --> 00:36:36,279 Speaker 2: this washing? And I saw this lead and I thought, oh, 691 00:36:36,440 --> 00:36:39,880 Speaker 2: that must be a retractable clothesline. So I pulled that 692 00:36:40,040 --> 00:36:46,200 Speaker 2: clothesliner and the alarm started blaring. Yeah exactly. 693 00:36:47,040 --> 00:36:49,560 Speaker 4: So what was it like a distress or a panic thing? 694 00:36:49,920 --> 00:36:50,160 Speaker 17: Yes? 695 00:36:50,440 --> 00:36:53,399 Speaker 2: I think in Italy they have it so that if 696 00:36:53,440 --> 00:36:55,759 Speaker 2: you fall in the shower, it's like an alarm that 697 00:36:55,880 --> 00:36:59,360 Speaker 2: sets off. But we didn't know how to stop this alarm. 698 00:36:59,600 --> 00:37:03,240 Speaker 2: So my husband rang up reception and they didn't speak 699 00:37:03,360 --> 00:37:04,520 Speaker 2: very good English. 700 00:37:04,200 --> 00:37:05,879 Speaker 4: And I just came thank you, Well you did speak 701 00:37:05,960 --> 00:37:11,680 Speaker 4: very good Italian. Which was it? You know, racism alarm? 702 00:37:13,719 --> 00:37:16,279 Speaker 4: And the worst amount alarm was when no one, no 703 00:37:16,360 --> 00:37:19,960 Speaker 4: one ever knows how to turn the dog. Horrible, aren't they? 704 00:37:20,160 --> 00:37:22,560 Speaker 4: And you can't stand that straight. I always find myself 705 00:37:22,600 --> 00:37:24,880 Speaker 4: crouching when there's an alarm going off. It's horrible. 706 00:37:25,320 --> 00:37:27,799 Speaker 2: Well, well we finally worked out you had to open 707 00:37:27,880 --> 00:37:29,800 Speaker 2: the door on the outside, pressed the alarm and it 708 00:37:29,880 --> 00:37:32,839 Speaker 2: went off. So my husband said, don't press any more 709 00:37:32,880 --> 00:37:33,840 Speaker 2: buttons anymore. 710 00:37:34,239 --> 00:37:35,200 Speaker 4: I don't touch anything. 711 00:37:35,680 --> 00:37:36,600 Speaker 5: A touch. 712 00:37:38,520 --> 00:37:42,080 Speaker 4: Gressie, lovely stuff. Have a good day you thank you, Christian, 713 00:37:42,200 --> 00:37:45,919 Speaker 4: thank you, Chrissy, Catherine good Onning, good morning. 714 00:37:46,000 --> 00:37:46,520 Speaker 12: How are you all? 715 00:37:47,000 --> 00:37:49,680 Speaker 4: We're good. So you accidentally set off the alarm? 716 00:37:50,440 --> 00:37:51,040 Speaker 15: I did? 717 00:37:51,200 --> 00:37:51,600 Speaker 5: I did? 718 00:37:51,719 --> 00:37:53,800 Speaker 16: My husband and I had been upgraded to a suite 719 00:37:53,920 --> 00:37:56,120 Speaker 16: on a cruise, and so he went off to do 720 00:37:56,320 --> 00:37:58,480 Speaker 16: something and I'm going to have a long soak in 721 00:37:58,560 --> 00:38:02,000 Speaker 16: the tub and on laying there, just minding my own business, 722 00:38:02,160 --> 00:38:03,800 Speaker 16: and I see this cord and I went, oh, that 723 00:38:03,920 --> 00:38:07,960 Speaker 16: must be the exhaust fan. So I'm pulling. Nothing happens. 724 00:38:08,080 --> 00:38:09,879 Speaker 16: I wonder what that does. I pulled it a few 725 00:38:09,960 --> 00:38:12,000 Speaker 16: more times and I thought, oh, well, it must be broken. 726 00:38:12,040 --> 00:38:15,480 Speaker 16: I'll report it later. The next thing I know, bang 727 00:38:15,560 --> 00:38:17,640 Speaker 16: bang bang bang bang on the door and I'm like what. 728 00:38:18,360 --> 00:38:20,400 Speaker 16: My husband's not there, and I'm thinking, what is it 729 00:38:20,680 --> 00:38:22,919 Speaker 16: They've got the time I ramble out of the tub 730 00:38:23,400 --> 00:38:26,400 Speaker 16: throw on a bathrobe, these people, whole bunch of them 731 00:38:26,480 --> 00:38:29,440 Speaker 16: have come belting into the room and I'm like what. 732 00:38:29,960 --> 00:38:32,800 Speaker 16: And they're going, You've signed the distress alarm and I 733 00:38:32,880 --> 00:38:35,760 Speaker 16: went what, And yeah, that cord that I've been pulling 734 00:38:35,840 --> 00:38:38,879 Speaker 16: was a distress alarm. Let's just come to my own 735 00:38:39,480 --> 00:38:42,359 Speaker 16: woman in distress in a bathtuble. I'm really distressed there, 736 00:38:42,400 --> 00:38:46,040 Speaker 16: I say, yes, Yes, I was a little bit sheepish, 737 00:38:46,080 --> 00:38:48,360 Speaker 16: and I learned not to pull cords again, not to 738 00:38:48,400 --> 00:38:49,200 Speaker 16: play with things. 739 00:38:49,040 --> 00:38:52,520 Speaker 4: That I don't know what they do, all right, Katherine 740 00:38:52,520 --> 00:38:56,720 Speaker 4: lovely stuff that actually kill my Have a good day, Tony, 741 00:38:57,880 --> 00:39:02,680 Speaker 4: modern Christian. Yeah, good, Tony, he actually set off the 742 00:39:02,800 --> 00:39:05,040 Speaker 4: fire alarm. What's your story, Toney. 743 00:39:05,480 --> 00:39:08,040 Speaker 5: Yeah, mate, it wasn't It wasn't quite a fire alarm. 744 00:39:08,239 --> 00:39:12,600 Speaker 8: We went into the bank to sign the paperwork for 745 00:39:12,680 --> 00:39:15,360 Speaker 8: the home loan and their three year old son went missing. 746 00:39:16,040 --> 00:39:19,279 Speaker 8: Sure enough, the next thing, there's an alarm. All the 747 00:39:19,400 --> 00:39:23,080 Speaker 8: fly window or all the security windows fly up. Couldn't 748 00:39:23,600 --> 00:39:26,279 Speaker 8: find the sun anywhere here he is sitting under the 749 00:39:26,320 --> 00:39:28,720 Speaker 8: bench and impressing the juress button. 750 00:39:29,680 --> 00:39:32,000 Speaker 4: I know. So did the police obviously went to shutdown? 751 00:39:32,040 --> 00:39:32,960 Speaker 4: Then the police turned up. 752 00:39:33,800 --> 00:39:37,600 Speaker 8: No, the police didn't turn up. Fortunately, were they. 753 00:39:41,239 --> 00:39:41,920 Speaker 5: Having coffee. 754 00:39:43,400 --> 00:39:46,920 Speaker 8: Fortunately the bank got onto it quick enough. But we 755 00:39:47,080 --> 00:39:49,520 Speaker 8: were all locked in there for about twenty minutes until 756 00:39:49,600 --> 00:39:52,880 Speaker 8: they could reset everything and put all the taller windows 757 00:39:52,960 --> 00:39:54,120 Speaker 8: down again and rested. 758 00:39:56,040 --> 00:39:56,239 Speaker 1: Yeah. 759 00:39:56,360 --> 00:39:57,240 Speaker 5: Correct, correct. 760 00:39:57,480 --> 00:39:59,719 Speaker 8: We didn't get away with any money though, unfortunately. 761 00:40:00,080 --> 00:40:01,280 Speaker 4: Oh right, So it was a part of a bigger 762 00:40:01,280 --> 00:40:10,120 Speaker 4: plan that was a dry rup master criminal. What a team, Tony. 763 00:40:10,200 --> 00:40:13,480 Speaker 4: Love this story. Thank you very much, mate. Awesome, Thanks guys, 764 00:40:13,719 --> 00:40:16,920 Speaker 4: have a good day and you Razann good morning, Good 765 00:40:16,960 --> 00:40:17,560 Speaker 4: morning team. 766 00:40:18,160 --> 00:40:20,920 Speaker 2: My story is we're living in Germany and my fifteen 767 00:40:20,960 --> 00:40:24,200 Speaker 2: year old son was working in a supermarket cleaning to 768 00:40:24,239 --> 00:40:27,640 Speaker 2: get pocket money. And he was in the manager's office 769 00:40:27,680 --> 00:40:29,360 Speaker 2: and he saw this button. Then he pressed it and 770 00:40:29,480 --> 00:40:34,760 Speaker 2: nothing happened, so he said, that's okay, yeah at fifteen 771 00:40:34,800 --> 00:40:35,160 Speaker 2: year old. 772 00:40:35,560 --> 00:40:37,040 Speaker 15: So he picked packed up. 773 00:40:37,080 --> 00:40:39,840 Speaker 2: It was lunchtime. They closed at lunchtime, so we packed 774 00:40:39,920 --> 00:40:43,000 Speaker 2: up and on his way home on his bike and 775 00:40:43,440 --> 00:40:45,920 Speaker 2: as he was on his way home, I biked all 776 00:40:45,960 --> 00:40:49,720 Speaker 2: the pois went fine, passed three cars from six cops 777 00:40:49,800 --> 00:40:55,600 Speaker 2: and he realized. He realized. Later we rang the supervisor 778 00:40:55,640 --> 00:40:58,280 Speaker 2: of the cleaning company and what had happened. He pressed 779 00:40:58,320 --> 00:41:00,560 Speaker 2: the silent armed rob re button. 780 00:41:02,280 --> 00:41:04,120 Speaker 4: They got a whole button for that. You must be 781 00:41:04,160 --> 00:41:05,680 Speaker 4: pretty rough in that super market. 782 00:41:08,920 --> 00:41:11,200 Speaker 3: As well, if you're getting on the shop floor getting 783 00:41:11,239 --> 00:41:14,360 Speaker 3: rubbed at gunpoint this second, I'll just tell the manager something. 784 00:41:18,880 --> 00:41:23,920 Speaker 4: Must protect their manager, the ile shell stackers, goodness, middle 785 00:41:24,000 --> 00:41:25,400 Speaker 4: manager room must be safe. 786 00:41:30,920 --> 00:41:31,120 Speaker 18: It was. 787 00:41:31,320 --> 00:41:33,760 Speaker 4: It was priceless, lovely stuff. 788 00:41:34,719 --> 00:41:37,600 Speaker 1: Carl Brighter, you're listening to the Question you Know Kyle's 789 00:41:37,600 --> 00:41:38,400 Speaker 1: Show podcast. 790 00:41:38,840 --> 00:41:43,160 Speaker 4: This week on the show, let's go to Jess. Jess, 791 00:41:45,200 --> 00:41:49,640 Speaker 4: it's a true one off, only one in her field. 792 00:41:49,760 --> 00:41:51,799 Speaker 4: Have her listened to this from earlier in the week 793 00:41:51,840 --> 00:41:52,239 Speaker 4: on the show. 794 00:41:52,400 --> 00:41:55,720 Speaker 16: I'm a honey Samelia. So when people go for wine 795 00:41:55,800 --> 00:41:58,960 Speaker 16: tastings and know all the different colors and the slavers 796 00:41:59,000 --> 00:42:01,520 Speaker 16: of wine, I do that with I trained in America 797 00:42:01,680 --> 00:42:02,320 Speaker 16: and Italy. 798 00:42:02,880 --> 00:42:07,680 Speaker 4: But I'm Australia's only honey. That is some claim to 799 00:42:07,800 --> 00:42:11,560 Speaker 4: be the only their Melbourne's only something. But to be 800 00:42:11,760 --> 00:42:14,960 Speaker 4: this entire country, this shoes country, to be the only 801 00:42:15,200 --> 00:42:18,400 Speaker 4: honey Samelia in Australia is incredible. 802 00:42:19,400 --> 00:42:21,800 Speaker 3: I thought we could word the segment they're about to 803 00:42:21,880 --> 00:42:25,839 Speaker 3: do is complete the sentence I am the only dot 804 00:42:25,920 --> 00:42:29,279 Speaker 3: dot dot That way, it can be I am the 805 00:42:29,400 --> 00:42:32,239 Speaker 3: only sword swallower in Melbourne, or you can go as 806 00:42:32,280 --> 00:42:33,800 Speaker 3: big as the world, I am the only. 807 00:42:33,760 --> 00:42:36,879 Speaker 4: Pope in the world, which is true, there is only 808 00:42:36,960 --> 00:42:38,839 Speaker 4: one pope in the world. But yes, so we're looking 809 00:42:38,880 --> 00:42:41,040 Speaker 4: for you could be Melbourne's only or you can go 810 00:42:41,080 --> 00:42:46,120 Speaker 4: a smaller suburb of Cobugs only. Yeah, okay, all right, 811 00:42:46,200 --> 00:42:48,080 Speaker 4: let's see what you get then. So we're looking for 812 00:42:48,200 --> 00:42:50,719 Speaker 4: a one off in your field. Whatever it is, like, Jess, 813 00:42:50,760 --> 00:42:54,080 Speaker 4: who is Australia's only honey Samelia? What are you well? 814 00:42:54,160 --> 00:42:56,600 Speaker 4: One off in and the phrase we want them to say. 815 00:42:56,680 --> 00:42:59,960 Speaker 3: Is complete the sentence I am the only dot. 816 00:43:00,080 --> 00:43:03,640 Speaker 4: Dot dot dot dot in Australia or Melbourne or my suburbs, 817 00:43:04,440 --> 00:43:06,919 Speaker 4: all the street, oh my house. 818 00:43:07,120 --> 00:43:09,880 Speaker 1: The Christian Connell Show podcast. 819 00:43:10,120 --> 00:43:13,040 Speaker 4: What are you? The one and only of Jackie Boy? 820 00:43:13,080 --> 00:43:14,719 Speaker 4: The phrase at pays this morning. 821 00:43:14,520 --> 00:43:17,960 Speaker 3: With this complete the sentence I am the only dot 822 00:43:18,000 --> 00:43:18,560 Speaker 3: dot dot. 823 00:43:18,840 --> 00:43:23,880 Speaker 4: Dot nine for one for one oh four three Fiona. 824 00:43:23,480 --> 00:43:26,160 Speaker 5: Good morning, good morning, Christian? How are you? 825 00:43:26,440 --> 00:43:30,640 Speaker 4: I'm good, so please complete the following sentence, jack I 826 00:43:30,760 --> 00:43:31,640 Speaker 4: am the only. 827 00:43:33,840 --> 00:43:38,040 Speaker 18: Mastive powerlift in the top fifteen in the world from Australia. 828 00:43:37,880 --> 00:43:41,960 Speaker 4: Your powerlifter. Yes, that is incredible. You're lifting right now. 829 00:43:43,080 --> 00:43:44,839 Speaker 18: No, I'm in my car. I just dropped my son 830 00:43:44,880 --> 00:43:45,800 Speaker 18: off for his last. 831 00:43:45,560 --> 00:43:48,160 Speaker 4: Exam for sounds like you're in the chitty chitty bang 832 00:43:48,239 --> 00:43:54,000 Speaker 4: bang car flapping around now. So, Fiona, what are you 833 00:43:54,040 --> 00:43:55,120 Speaker 4: doing like deadlifts? 834 00:43:56,239 --> 00:43:58,600 Speaker 18: You do a squat, so my top squat was one 835 00:43:58,680 --> 00:44:00,640 Speaker 18: hundred and fifteen kilo bloody hell. 836 00:44:01,480 --> 00:44:02,400 Speaker 10: And you do a bench. 837 00:44:03,280 --> 00:44:05,920 Speaker 18: So my last competition bench with sixty seven and a 838 00:44:05,960 --> 00:44:07,200 Speaker 18: half kilos. 839 00:44:07,080 --> 00:44:07,960 Speaker 4: And how much do you wait? 840 00:44:08,160 --> 00:44:08,320 Speaker 16: Are you? 841 00:44:08,560 --> 00:44:11,040 Speaker 4: Are you in weight? Categories. Is that how ages? 842 00:44:11,920 --> 00:44:15,240 Speaker 18: Well, don category, I'm sixty seven years old, blady. 843 00:44:15,280 --> 00:44:21,239 Speaker 4: How good for you? And it's very hard to because 844 00:44:21,239 --> 00:44:23,080 Speaker 4: this is all amazing what you're saying, but it wouldn't 845 00:44:23,480 --> 00:44:25,560 Speaker 4: like you're in a cup of paddles and flats and 846 00:44:25,680 --> 00:44:28,239 Speaker 4: walls that you're on top of the car and the 847 00:44:28,400 --> 00:44:31,640 Speaker 4: metal is bending beneath the weight of you. Compete the 848 00:44:31,680 --> 00:44:43,439 Speaker 4: following sharing Saki Stones a day after tomorrow. Sorry, Fion, Okay, 849 00:44:43,520 --> 00:44:47,040 Speaker 4: so you're benching about sixty five yep? And what's your 850 00:44:47,080 --> 00:44:47,760 Speaker 4: weight category? 851 00:44:48,880 --> 00:44:52,000 Speaker 10: I weigh I'm under seventy five bloody. 852 00:44:52,080 --> 00:44:54,200 Speaker 4: Almost you almost benching? Then your own body weight? 853 00:44:55,040 --> 00:44:55,239 Speaker 5: Yep? 854 00:44:55,680 --> 00:44:57,600 Speaker 4: And when did you get into this? This is incredible. 855 00:44:58,840 --> 00:45:01,840 Speaker 18: I started training it the age of nineteen, and I'm natural, 856 00:45:01,920 --> 00:45:05,399 Speaker 18: so I'm a natty athlete and I've always just gone 857 00:45:05,440 --> 00:45:07,880 Speaker 18: to the gym and done weight training. There's just always 858 00:45:07,920 --> 00:45:10,680 Speaker 18: been something that's been constant in my life. 859 00:45:11,920 --> 00:45:13,600 Speaker 4: Are you being shot at what? 860 00:45:14,400 --> 00:45:15,719 Speaker 18: I'm going to turn my engine. 861 00:45:15,440 --> 00:45:17,879 Speaker 10: Off and I'm going to say if it makes it better, 862 00:45:17,920 --> 00:45:19,280 Speaker 10: and I'll talk straight in to my phone. 863 00:45:20,920 --> 00:45:22,880 Speaker 4: I've not been funny twenty five years speaking to me 864 00:45:23,000 --> 00:45:24,440 Speaker 4: on the road. I've never heard it can't make that 865 00:45:24,560 --> 00:45:27,120 Speaker 4: noise other than some sort of chugger bug. 866 00:45:31,239 --> 00:45:31,719 Speaker 5: Is that better? 867 00:45:32,320 --> 00:45:32,680 Speaker 3: That's better? 868 00:45:32,840 --> 00:45:35,360 Speaker 4: Yeah, So therefore it's not the rain, it's the engine. 869 00:45:36,719 --> 00:45:39,960 Speaker 4: The engine you need to bench it a bench press 870 00:45:40,040 --> 00:45:42,000 Speaker 4: of car. Having look under that, they'll be easy for you. 871 00:45:42,520 --> 00:45:45,480 Speaker 4: You max rep and so do you go around the 872 00:45:45,520 --> 00:45:47,120 Speaker 4: world for you on a competing. 873 00:45:48,280 --> 00:45:51,160 Speaker 10: I have competed just in Australia for the moment, and 874 00:45:51,320 --> 00:45:54,080 Speaker 10: the new federation USAPL has just come out, which is 875 00:45:54,120 --> 00:45:57,560 Speaker 10: a worldwide federation. Yeah, and they dragged tests, so it's 876 00:45:57,600 --> 00:45:59,480 Speaker 10: very important if you're a natural athlete to make sure 877 00:45:59,520 --> 00:46:04,680 Speaker 10: you're in the tested competition and they if I now 878 00:46:04,800 --> 00:46:07,799 Speaker 10: can probably go around the world and jump into other competitions. 879 00:46:08,080 --> 00:46:10,320 Speaker 10: But I'm just I'm not actually at the top of 880 00:46:10,320 --> 00:46:12,280 Speaker 10: where I can go yet. So I'm going to compete 881 00:46:12,280 --> 00:46:15,040 Speaker 10: again in September at their nationals and I'm hoping I 882 00:46:15,120 --> 00:46:18,640 Speaker 10: can put even more on the bar and eventually like 883 00:46:18,680 --> 00:46:20,480 Speaker 10: it to be awesome moving just to get to number one. 884 00:46:22,280 --> 00:46:24,520 Speaker 4: Let us know when you're getting nearer the nationals. We'd 885 00:46:24,560 --> 00:46:26,080 Speaker 4: love to get you back on the show and wish 886 00:46:26,080 --> 00:46:26,560 Speaker 4: you good luck. 887 00:46:27,080 --> 00:46:28,480 Speaker 10: Oh, thank you, that would be wonderful. 888 00:46:28,680 --> 00:46:30,440 Speaker 4: No, I think it's amazing. All right, far up the 889 00:46:30,480 --> 00:46:33,160 Speaker 4: old chuggerbug again now and fly your way your way 890 00:46:33,239 --> 00:46:36,040 Speaker 4: to work. Thanks Christian, pleasure, love your chance to you. 891 00:46:36,840 --> 00:46:39,279 Speaker 3: That make it sound like there was one competition for 892 00:46:39,920 --> 00:46:41,320 Speaker 3: natural athletes, then another. 893 00:46:41,080 --> 00:46:47,040 Speaker 4: Competition for the rest of us. Juices, let's kind of 894 00:46:47,160 --> 00:46:51,680 Speaker 4: rob it now. Good morning, Robert, Good Robert. What's your 895 00:46:51,680 --> 00:46:53,759 Speaker 4: story then, so we're looking for one offs today. You 896 00:46:53,800 --> 00:46:55,879 Speaker 4: think you're the one and only in an area? What's yours? 897 00:46:55,920 --> 00:46:58,960 Speaker 5: Robert? I'm then only person in the world who has 898 00:46:59,080 --> 00:47:05,120 Speaker 5: been through air hijacking rehearsal twice and then being in 899 00:47:05,320 --> 00:47:07,560 Speaker 5: actual aircraft hijacking. 900 00:47:08,440 --> 00:47:11,399 Speaker 4: Robert, this is incredible. So first of all, then before 901 00:47:11,400 --> 00:47:13,600 Speaker 4: we get into that, actually you've experienced and survived in 902 00:47:13,640 --> 00:47:16,800 Speaker 4: aircraft hijacking. So why were you being trained? Are you 903 00:47:17,000 --> 00:47:17,960 Speaker 4: like an air marshal law? 904 00:47:18,880 --> 00:47:20,839 Speaker 5: Now, I was in the Army Reserve and we were 905 00:47:20,920 --> 00:47:25,920 Speaker 5: volunteering to help the police. So three o'clock in the morning, 906 00:47:26,080 --> 00:47:28,120 Speaker 5: for two mornings in a row, we're up at Tallamarine 907 00:47:28,120 --> 00:47:33,080 Speaker 5: Airport and acting as passages on an aircraft so that 908 00:47:33,200 --> 00:47:37,719 Speaker 5: the police could practice the getting hijackers off. 909 00:47:38,480 --> 00:47:41,760 Speaker 4: Wow, that must have incredible. And then then you're actually 910 00:47:41,800 --> 00:47:43,480 Speaker 4: involved in a real life hijacking. 911 00:47:43,800 --> 00:47:46,520 Speaker 5: Yeah, well, yeah, I did that rehearsal. We did have 912 00:47:46,600 --> 00:47:48,879 Speaker 5: two nights in a row. And then eight years ago 913 00:47:49,160 --> 00:47:52,760 Speaker 5: out of Tallomarine there's a Malaysian Airline flight to London 914 00:47:52,840 --> 00:47:56,279 Speaker 5: that got hijacked and I was on that flight. 915 00:47:57,600 --> 00:47:59,680 Speaker 4: So what happened, if you don't mind, I was asking again. 916 00:48:00,080 --> 00:48:05,560 Speaker 5: Well, the guy ended up being just been released out 917 00:48:05,560 --> 00:48:08,680 Speaker 5: of a psychiatric hospital. He'd just gone to the airport, 918 00:48:08,800 --> 00:48:13,360 Speaker 5: bought a ticket, bought a ghetto blaster and then walked 919 00:48:13,640 --> 00:48:16,200 Speaker 5: and took it on the plane. And as the plane 920 00:48:16,320 --> 00:48:18,799 Speaker 5: was taking off, about four or five minutes into the flight, 921 00:48:19,400 --> 00:48:21,880 Speaker 5: he's walked up to the front of the aircraft and 922 00:48:22,080 --> 00:48:23,960 Speaker 5: was telling the staff that he wanted to talk to 923 00:48:24,800 --> 00:48:28,800 Speaker 5: the pilot and he had a bomb, and so we 924 00:48:28,920 --> 00:48:30,800 Speaker 5: ended up having a circle for a while. This is 925 00:48:30,840 --> 00:48:33,920 Speaker 5: one o'clock in the morning. We were in the air 926 00:48:34,040 --> 00:48:36,919 Speaker 5: for about two hours. Then we landed in the middle 927 00:48:36,960 --> 00:48:39,640 Speaker 5: of nowhere at the airport. We're on the tarmac for 928 00:48:41,200 --> 00:48:45,480 Speaker 5: about three hours, and then because we'd left the country officially, 929 00:48:46,160 --> 00:48:48,799 Speaker 5: we're put into one of those the empty fingers at 930 00:48:48,840 --> 00:48:51,800 Speaker 5: the airport and we're there for another three hours. 931 00:48:52,680 --> 00:48:54,960 Speaker 4: That was what an ordeal for you. All people must 932 00:48:55,000 --> 00:48:56,040 Speaker 4: have been terrified. 933 00:48:57,320 --> 00:49:01,160 Speaker 5: Well, I had the problem because what the process was. 934 00:49:01,320 --> 00:49:04,240 Speaker 5: So I was a little bit flippant about it because 935 00:49:04,880 --> 00:49:06,920 Speaker 5: I know, I just work in the airlines, and I 936 00:49:07,040 --> 00:49:10,520 Speaker 5: know it's it's impossible to get anything bad on talk 937 00:49:10,600 --> 00:49:13,640 Speaker 5: play in these days. So I wasn't particularly worried. But 938 00:49:13,719 --> 00:49:16,640 Speaker 5: it was just the fact that I'd been through that 939 00:49:16,840 --> 00:49:18,040 Speaker 5: process twice before. 940 00:49:19,239 --> 00:49:21,240 Speaker 4: But everybody else on the plane, it wasn't being flipping. 941 00:49:21,320 --> 00:49:24,319 Speaker 4: Must have been terrified. There must have been. And you're 942 00:49:24,320 --> 00:49:26,280 Speaker 4: obviously there with your friends on watching a movie. 943 00:49:26,080 --> 00:49:29,000 Speaker 3: And can you put Big Bang theory back on the 944 00:49:29,360 --> 00:49:29,799 Speaker 3: last day. 945 00:49:30,280 --> 00:49:33,160 Speaker 5: Yeah, well they they weren't really aware of what was 946 00:49:33,200 --> 00:49:35,400 Speaker 5: happening because it wasn't as there was a government or 947 00:49:35,440 --> 00:49:36,239 Speaker 5: anything else. It was. 948 00:49:37,760 --> 00:49:39,520 Speaker 4: Ghetto blasters saying he's got a bomb. 949 00:49:40,440 --> 00:49:41,000 Speaker 5: Yeah, well he was. 950 00:49:41,120 --> 00:49:41,320 Speaker 14: He was. 951 00:49:41,400 --> 00:49:42,520 Speaker 5: He wasn't telling everybody that. 952 00:49:42,640 --> 00:49:46,560 Speaker 4: He told M, keep it yourself. You need to keep 953 00:49:46,600 --> 00:49:48,440 Speaker 4: this on the life. Can I trust you? Okay? 954 00:49:50,239 --> 00:49:52,200 Speaker 3: Wow, Robin, what a story. 955 00:49:52,920 --> 00:49:54,160 Speaker 4: And everyone got off safe. 956 00:49:55,040 --> 00:49:58,560 Speaker 5: Everyone got off safe, and you got to have a 957 00:49:58,680 --> 00:50:01,680 Speaker 5: flight ladder on that day, which threw everybody out because 958 00:50:01,680 --> 00:50:03,520 Speaker 5: you don't want to have fine tables everything else. But 959 00:50:04,800 --> 00:50:06,719 Speaker 5: it was Yeah, there are a lot of a lot 960 00:50:06,760 --> 00:50:09,359 Speaker 5: of a lot of scared people on there because we're 961 00:50:09,440 --> 00:50:13,600 Speaker 5: not aware of what was going on because at one 962 00:50:13,600 --> 00:50:15,799 Speaker 5: o'clock in the morning, two o'clock in the morning, there's 963 00:50:15,880 --> 00:50:18,879 Speaker 5: nothing happening at the airport. So even when even when 964 00:50:18,880 --> 00:50:20,839 Speaker 5: they tried to provide us food, well, the food they 965 00:50:20,960 --> 00:50:23,160 Speaker 5: provided us were frozen muffins. 966 00:50:26,760 --> 00:50:29,000 Speaker 3: Memory you said it like, that's the scariest part of 967 00:50:29,040 --> 00:50:32,080 Speaker 3: the stay when I almost lost the finish. 968 00:50:32,160 --> 00:50:33,760 Speaker 5: You try eating your frozen muffin. 969 00:50:34,280 --> 00:50:36,560 Speaker 4: Yeah, I don't want to try. It's been in a 970 00:50:36,640 --> 00:50:41,200 Speaker 4: hijacked plane. Muff Rather take that than the plane some 971 00:50:41,280 --> 00:50:42,200 Speaker 4: springles instead. 972 00:50:44,080 --> 00:50:45,960 Speaker 5: Most of the problem that most of us had was 973 00:50:46,040 --> 00:50:48,719 Speaker 5: that we were on the plane on the tarmac for 974 00:50:48,760 --> 00:50:53,080 Speaker 5: about three hours. We can see all the police cars 975 00:50:53,160 --> 00:50:55,920 Speaker 5: and the lights flashing and all that, but we're sitting 976 00:50:55,960 --> 00:50:58,920 Speaker 5: there for three hours with nothing happening. So that was 977 00:50:59,000 --> 00:51:02,080 Speaker 5: the worst part because, yeah, we didn't know whether it 978 00:51:02,360 --> 00:51:05,880 Speaker 5: was a bomb or or what was really happening, and 979 00:51:06,040 --> 00:51:09,319 Speaker 5: so we're all sitting there, obviously stuck in our seats 980 00:51:09,360 --> 00:51:11,960 Speaker 5: for three hours. We're just nothing unusual going to London. 981 00:51:12,440 --> 00:51:15,560 Speaker 5: But it was just the fact that we could see 982 00:51:15,600 --> 00:51:17,600 Speaker 5: the police there and nothing was happening. 983 00:51:17,800 --> 00:51:19,680 Speaker 4: So were you trying to console people and go, look, 984 00:51:19,719 --> 00:51:21,200 Speaker 4: you're going to be all right, this is okay, it's 985 00:51:21,200 --> 00:51:22,040 Speaker 4: probably not a bomb. 986 00:51:23,120 --> 00:51:26,359 Speaker 5: Well, we weren't really allowed to move around because yeah, 987 00:51:26,840 --> 00:51:29,560 Speaker 5: the police want to know where everybody was. That's what 988 00:51:29,680 --> 00:51:30,520 Speaker 5: the staff was saying. 989 00:51:30,760 --> 00:51:33,440 Speaker 4: Stay in your seats, the police where everybody is. 990 00:51:35,719 --> 00:51:36,279 Speaker 5: Ourselves. 991 00:51:36,840 --> 00:51:37,560 Speaker 4: Yeah, gotcha. 992 00:51:38,280 --> 00:51:41,120 Speaker 5: It was just the unknown, like, oh, it's just the 993 00:51:41,560 --> 00:51:45,040 Speaker 5: the unknown. You don't know, you know whether there is 994 00:51:45,080 --> 00:51:48,439 Speaker 5: a real bombs bo or oh yeah, what's what's the bad? 995 00:51:48,520 --> 00:51:49,719 Speaker 5: But it's actually going to happen. 996 00:51:50,160 --> 00:51:52,279 Speaker 4: I'll tell you what. You're the most casual, laid back 997 00:51:52,400 --> 00:51:57,239 Speaker 4: man I have ever met if I had survived a hijacking. 998 00:51:57,560 --> 00:52:02,000 Speaker 4: At what we're talking about, mister Muffley. But I love 999 00:52:02,040 --> 00:52:03,560 Speaker 4: the fact that it's the muffin You've got the most 1000 00:52:03,600 --> 00:52:06,400 Speaker 4: to say about Robert. Incredible story. Thank you very much 1001 00:52:06,440 --> 00:52:09,879 Speaker 4: for sharing it with us this morning. Thank you very much. 1002 00:52:10,239 --> 00:52:13,760 Speaker 3: So once again, Jack, complete after me, Yes, complete the sentence. 1003 00:52:13,880 --> 00:52:17,640 Speaker 4: I am the only person to come through a hijacking 1004 00:52:17,880 --> 00:52:19,040 Speaker 4: and had a terrible muffet. 1005 00:52:19,640 --> 00:52:21,799 Speaker 1: Christian Connell's Show podcast. 1006 00:52:22,719 --> 00:52:25,680 Speaker 4: Today is Thank You Baker Day, So pop in thank 1007 00:52:25,719 --> 00:52:28,960 Speaker 4: you guys, join that party at Ferguson Player and say 1008 00:52:29,040 --> 00:52:33,760 Speaker 4: thank you Ferguson Player for thirty years of Tiddley oggies. 1009 00:52:34,000 --> 00:52:37,000 Speaker 4: Ohy yoggy yogy hye. That's what you can ser in 1010 00:52:37,040 --> 00:52:40,800 Speaker 4: the office that complete after me the following sentence, oggie 1011 00:52:40,800 --> 00:52:41,440 Speaker 4: oggy oggie. 1012 00:52:41,640 --> 00:52:43,879 Speaker 3: Oh there we go, there we go, all. 1013 00:52:43,880 --> 00:52:46,120 Speaker 4: Right, no energy on that. It's almost nine Joe, you 1014 00:52:46,120 --> 00:52:48,280 Speaker 4: already did it once, but it doesn't matter. It's a repetition. 1015 00:52:49,160 --> 00:52:56,080 Speaker 4: Bakery bands. Who's on stage at Bakefest Fleetwood Bap gold 1016 00:52:56,320 --> 00:52:59,560 Speaker 4: nice flower? Yeah me too, but a rall soft flowery bap? 1017 00:53:00,080 --> 00:53:02,920 Speaker 3: Remember that time? Who was one of your daughter's boyfriends 1018 00:53:02,960 --> 00:53:05,239 Speaker 3: who ate your bap? Then you came in the next day. 1019 00:53:05,360 --> 00:53:10,200 Speaker 4: You really seen changed missed his building in me because 1020 00:53:10,239 --> 00:53:12,200 Speaker 4: the rest of them were gluten free and I'd hidden 1021 00:53:12,360 --> 00:53:14,840 Speaker 4: a normal one, right and then an exbot is an 1022 00:53:14,960 --> 00:53:16,800 Speaker 4: X now and I think it's because of this he 1023 00:53:17,080 --> 00:53:21,160 Speaker 4: ate my one got a story? Huh? Make that the 1024 00:53:21,239 --> 00:53:28,520 Speaker 4: primo bun jovie. That's what passage on Sadilver job. He's 1025 00:53:28,600 --> 00:53:31,000 Speaker 4: on stage at bake Fest. Who's this all that. 1026 00:53:31,520 --> 00:53:31,920 Speaker 11: Who is there? 1027 00:53:31,960 --> 00:53:37,440 Speaker 4: It's bread Shearon cold Oh my god. From the eighties 1028 00:53:37,480 --> 00:53:40,719 Speaker 4: and nineties. They're rapping away on stage like them rappers. Yes, 1029 00:53:40,840 --> 00:53:45,080 Speaker 4: the Yeasty Boys Gold this one I did in the 1030 00:53:45,160 --> 00:53:47,080 Speaker 4: last couple of seconds of the song. I mean trying 1031 00:53:47,080 --> 00:53:49,600 Speaker 4: to get a Tiddley Augie one in. What I got 1032 00:53:49,719 --> 00:53:57,480 Speaker 4: is tiggy oggy pop extra. Anyone who can get the 1033 00:53:57,520 --> 00:54:00,239 Speaker 4: Tiddley Oggie in Jackie Boy who has on stage bake 1034 00:54:00,320 --> 00:54:03,520 Speaker 4: Fest twenty three mumpet and buns. Oh, yes, very good, 1035 00:54:03,600 --> 00:54:05,200 Speaker 4: yeap gold Chumber. 1036 00:54:05,320 --> 00:54:08,279 Speaker 3: Wonder why wonder? 1037 00:54:08,320 --> 00:54:15,120 Speaker 4: Why wonder why they're life here? That's gone sign Sometimes I. 1038 00:54:15,120 --> 00:54:16,799 Speaker 3: Look down and I'm like, I thought that was good. 1039 00:54:16,840 --> 00:54:22,200 Speaker 3: Why did I underline it self raising flow rider instead 1040 00:54:22,239 --> 00:54:23,240 Speaker 3: of self raising flowers? 1041 00:54:23,239 --> 00:54:24,640 Speaker 4: You're all wondering, We're all wondering. 1042 00:54:25,239 --> 00:54:28,280 Speaker 3: But I'll bring it back with this Chris Crosshof. 1043 00:54:29,000 --> 00:54:32,640 Speaker 4: Oh fairy god. He brought it back, and. 1044 00:54:32,680 --> 00:54:35,080 Speaker 3: I've gone for Tiddley Ouggy as well in the last seconds. 1045 00:54:35,840 --> 00:54:39,680 Speaker 3: Not very good snoop og no, no, no no. 1046 00:54:40,000 --> 00:54:41,040 Speaker 4: No, You've lost this again. 1047 00:54:41,560 --> 00:54:44,279 Speaker 1: The Christian O'Connell Show podcast. 1048 00:54:44,520 --> 00:54:48,840 Speaker 4: Christian O'Connell's show Time Wasted Today Bakery bands up for 1049 00:54:48,920 --> 00:54:51,600 Speaker 4: grants for the best in Show two hundred and fifty 1050 00:54:51,640 --> 00:54:55,520 Speaker 4: dollars in cash and thanks to focusing player. Tidley Oggie 1051 00:54:55,560 --> 00:54:57,040 Speaker 4: is delivered to your office. 1052 00:54:56,800 --> 00:54:59,960 Speaker 3: If you get Tiddley Oggy into your bakery band extra point. 1053 00:55:00,640 --> 00:55:01,399 Speaker 4: There's some good ones. 1054 00:55:02,000 --> 00:55:04,440 Speaker 3: I'm sad that I didn't get I had a great movie, 1055 00:55:05,040 --> 00:55:06,080 Speaker 3: Tiddly Uggy movie. 1056 00:55:06,200 --> 00:55:07,160 Speaker 4: What's you done? What's you done? 1057 00:55:07,239 --> 00:55:10,600 Speaker 3: Instead a talented mister Ripley the Tiddley mister Oggy. 1058 00:55:10,719 --> 00:55:15,880 Speaker 4: Gold, thank you all right. Bakery bands Puff Pastry, Daddy Gold, 1059 00:55:16,400 --> 00:55:20,520 Speaker 4: Daniel well done, Vinina Slice sliced Baby. Wayne was the 1060 00:55:20,560 --> 00:55:25,720 Speaker 4: first one. Weld and Wayne Gold, Bun dmc gold, Tiddley 1061 00:55:25,760 --> 00:55:29,960 Speaker 4: Ougy Osbourne Go. That's really good. Daniel, well done, Bun 1062 00:55:30,120 --> 00:55:36,080 Speaker 4: Direction Silver, Pearl Jam Donuts Silver plus, Freda Claire, He's 1063 00:55:36,080 --> 00:55:46,120 Speaker 4: tap dancing up Claire lie Back Sabbath Silver plus, uh 1064 00:55:46,480 --> 00:55:51,279 Speaker 4: Bo Tiddley Oggie Bo Diddley Yes go Andy at Nab 1065 00:55:51,440 --> 00:55:56,040 Speaker 4: well done, Pat Bennettart Gold. That's from Judy working for 1066 00:55:56,200 --> 00:56:00,440 Speaker 4: Australian Disability Daycare Center North. Good on you, Baghetti Mercury 1067 00:56:00,880 --> 00:56:09,439 Speaker 4: Baghetti Mercury Silver, Marianne James Bunt Gold, Kelly that's very good. 1068 00:56:09,640 --> 00:56:12,800 Speaker 4: New Kids on the snot Block Gold Willow Cafe Q 1069 00:56:13,040 --> 00:56:18,600 Speaker 4: shout out Mark There, pumpa nickelback Silver, Danish Monogue Silver, 1070 00:56:19,120 --> 00:56:26,040 Speaker 4: j Loaf Gold, Libby well done, the Notorious Pie Gold 1071 00:56:26,840 --> 00:56:33,240 Speaker 4: metallic Cacre Silva. That's Andrew at Oh Jocklin's snop block Party. 1072 00:56:33,440 --> 00:56:36,359 Speaker 4: Oh that's the gold party reference on gold Hello, Mark, 1073 00:56:37,760 --> 00:56:44,080 Speaker 4: the Doeclaimers, the Doclaimers brand Sorry, Benny Boy, Bicky Minash anyone, 1074 00:56:44,280 --> 00:56:49,640 Speaker 4: Bicky Manag Darren well done in carum Down's Banana Rama 1075 00:56:49,719 --> 00:56:55,600 Speaker 4: bread Silver, fleetwood back Lava Bronz calling rat Street Boys, 1076 00:56:56,000 --> 00:56:59,760 Speaker 4: you know, calling Racking Bakery. Yeah, Silver Stan at eSchool Foods, 1077 00:57:00,800 --> 00:57:09,680 Speaker 4: Tiddley Oggie Newton John is not almost coast. Tiddley's moving 1078 00:57:09,719 --> 00:57:16,160 Speaker 4: on Ferguson Player supply Gold. That's very good, Andy madoa Gold, 1079 00:57:17,160 --> 00:57:23,600 Speaker 4: Kelly thirty seconds to Marzipan silver and Keith Sherbury, Oh God, 1080 00:57:23,920 --> 00:57:27,240 Speaker 4: that's Keith Shermy is really good. Amanda at First National Westward, 1081 00:57:27,400 --> 00:57:29,480 Speaker 4: all right, who's getting the two and fifty dollars? And 1082 00:57:29,560 --> 00:57:31,200 Speaker 4: then Tiddy Orgies for their office. 1083 00:57:30,960 --> 00:57:32,840 Speaker 3: Right down to Andy on behalf of his team at 1084 00:57:32,920 --> 00:57:34,680 Speaker 3: NAB they're getting it for bo Tiddley. 1085 00:57:34,800 --> 00:57:37,080 Speaker 4: Yeah, very good, well done. Last song for us this morning. 1086 00:57:38,040 --> 00:57:42,080 Speaker 1: This is the Christian O'Connell Show Podcast. 1087 00:57:41,840 --> 00:57:46,120 Speaker 4: Tomorrow on the show, giving someone great news that they've 1088 00:57:46,200 --> 00:57:49,560 Speaker 4: won a Royal Caribbean cruise for two. You get two 1089 00:57:49,560 --> 00:57:52,440 Speaker 4: thousand dollars spending money. You're off to the South Pacific 1090 00:57:52,600 --> 00:57:56,080 Speaker 4: holiday in everywhere broad Royal Caribbean. Save up to forty 1091 00:57:56,640 --> 00:58:00,200 Speaker 4: next holiday. Book now at Royalcarribbean dot com dot you, 1092 00:58:00,440 --> 00:58:12,880 Speaker 4: t's and c supply. You sing for your cruise Christian 1093 00:58:15,920 --> 00:58:24,280 Speaker 4: Baky all right, so going to be one tomorrow. Another 1094 00:58:24,480 --> 00:58:26,200 Speaker 4: cruise next week on the show, but the first one 1095 00:58:26,280 --> 00:58:28,640 Speaker 4: to be one for two of you tomorrow. You enter 1096 00:58:29,120 --> 00:58:33,400 Speaker 4: at the Christian O'Connell show dot com dot au. We 1097 00:58:33,640 --> 00:58:36,120 Speaker 4: loved earlier Matilda, who's thirteen, made this. 1098 00:58:38,640 --> 00:58:45,240 Speaker 12: Say my parents far away, far away, far away, take. 1099 00:58:45,160 --> 00:58:46,760 Speaker 13: Them away, Take them away. 1100 00:58:47,120 --> 00:58:50,680 Speaker 4: Very good for Matilda. Some new ones then Simone shotting 1101 00:58:51,440 --> 00:58:53,920 Speaker 4: with this take on teenage dirt bag by Wheetas. 1102 00:58:54,120 --> 00:58:58,800 Speaker 14: Okay, I'm just as cruizaby. 1103 00:58:59,640 --> 00:59:03,800 Speaker 1: Don't know what it's like outside, Lady. 1104 00:59:04,480 --> 00:59:13,480 Speaker 4: My husband's the cruiser. Baby like me cheeky, it's cheeky. 1105 00:59:13,600 --> 00:59:17,160 Speaker 4: I like that's some I'm very good, Bill Medley, time 1106 00:59:17,240 --> 00:59:21,720 Speaker 4: of my life being murdered now by Ken Now. I've 1107 00:59:21,760 --> 00:59:25,200 Speaker 4: never really want to sing out of their notes. It's 1108 00:59:25,240 --> 00:59:29,280 Speaker 4: like Jackie Boy, lots of week, Now you've got me. 1109 00:59:29,440 --> 00:59:30,280 Speaker 4: Ken Now. 1110 00:59:32,680 --> 00:59:37,520 Speaker 19: Had the cruise of my life. No, I never felt 1111 00:59:37,720 --> 00:59:43,680 Speaker 19: this for before breakfast, lunch and tea, lacking in between, 1112 00:59:45,120 --> 00:59:48,120 Speaker 19: and I owe it all to you. Royal Caribbee was 1113 00:59:48,240 --> 00:59:50,840 Speaker 19: one and the. 1114 00:59:50,960 --> 00:59:55,840 Speaker 4: Cruise of my life. Here we get the idea, why 1115 00:59:55,960 --> 00:59:56,880 Speaker 4: put too much effort? 1116 00:59:57,200 --> 00:59:57,360 Speaker 10: Huh? 1117 00:59:57,720 --> 00:59:59,160 Speaker 4: Why put too much of it into. 1118 00:59:59,000 --> 01:00:00,520 Speaker 3: Wins free cruise rehearsal? 1119 01:00:02,200 --> 01:00:04,520 Speaker 4: First take, only take, That's what we say on the show. 1120 01:00:04,960 --> 01:00:11,880 Speaker 4: Darren's taking on Prince Kiss. Just sleep, wait, ambitious before 1121 01:00:12,880 --> 01:00:14,240 Speaker 4: and say I love this. 1122 01:00:15,800 --> 01:00:21,919 Speaker 20: You don't need to kick leave, Yes, these brats first ten, 1123 01:00:24,880 --> 01:00:30,480 Speaker 20: just leave it home to me. I'll help you understand 1124 01:00:31,120 --> 01:00:32,400 Speaker 20: what Darren Gunny. 1125 01:00:34,000 --> 01:00:36,400 Speaker 4: There was another minute and a half and sadly rub 1126 01:00:36,440 --> 01:00:39,560 Speaker 4: against the time. But if we if we weren't Dwayne Clark, 1127 01:00:39,720 --> 01:00:46,920 Speaker 4: Phil Collins, great song, Billy, don't lose my number. I 1128 01:00:47,000 --> 01:00:48,400 Speaker 4: think the best time to do this is when you've 1129 01:00:48,400 --> 01:00:51,440 Speaker 4: got a skin fill down the local pub. Get out 1130 01:00:51,480 --> 01:01:00,640 Speaker 4: that microphone he's bringing with beer, can seek her. 1131 01:01:01,400 --> 01:01:03,200 Speaker 1: Marry knew it found. 1132 01:01:04,680 --> 01:01:08,440 Speaker 4: Tickets to be fu all right, tell you what combination tomorrow? 1133 01:01:08,600 --> 01:01:09,360 Speaker 4: What's he saying? 1134 01:01:10,280 --> 01:01:14,360 Speaker 17: Seeing a toddler four grands? 1135 01:01:15,920 --> 01:01:17,720 Speaker 1: Marry knew it found. 1136 01:01:18,080 --> 01:01:22,120 Speaker 4: Where to find you, tickets to be found and give 1137 01:01:22,200 --> 01:01:22,919 Speaker 4: it a crack. 1138 01:01:26,280 --> 01:01:29,360 Speaker 17: You believe me, that would been on a horridy so 1139 01:01:33,680 --> 01:01:37,120 Speaker 17: so Christian Christian blues Man number. 1140 01:01:37,240 --> 01:01:40,880 Speaker 4: I will actually we must. You don't come tomorrow. Sorry, 1141 01:01:42,280 --> 01:01:48,880 Speaker 4: you can call me. What a quite ending? Oh my god, 1142 01:01:48,960 --> 01:01:53,800 Speaker 4: Dwayne Clark, what a stop? That's my number? How that 1143 01:01:53,840 --> 01:01:56,440 Speaker 4: we're gonna find it? Given the cruise to tomorrow? You 1144 01:01:56,520 --> 01:01:58,800 Speaker 4: can enter today The Christian okond of show dot com 1145 01:01:58,840 --> 01:02:01,400 Speaker 4: dot au. Everybody who has entered, thank you so much. 1146 01:02:01,440 --> 01:02:03,680 Speaker 4: It's great. On playing these back. Tune in from one 1147 01:02:03,760 --> 01:02:04,640 Speaker 4: from six for about them. 1148 01:02:05,120 --> 01:02:07,280 Speaker 1: The Christian O'Connell Show podcast