1 00:00:09,640 --> 00:00:11,600 Speaker 1: Hello, welcome to the end of the show. 2 00:00:13,080 --> 00:00:18,479 Speaker 2: Dun, dun to the night club, say, he say, someone 3 00:00:18,480 --> 00:00:19,000 Speaker 2: else singing that? 4 00:00:19,680 --> 00:00:22,000 Speaker 1: But nah, just me? 5 00:00:22,400 --> 00:00:24,320 Speaker 3: You know where on right? Yeah? 6 00:00:24,400 --> 00:00:26,400 Speaker 2: Yeah, and I got that, but I thought you someone 7 00:00:26,400 --> 00:00:28,160 Speaker 2: else started singing that song from anyway. 8 00:00:28,160 --> 00:00:28,680 Speaker 3: It doesn't matter. 9 00:00:28,840 --> 00:00:30,920 Speaker 1: So I was vindicated the other day. 10 00:00:32,240 --> 00:00:34,160 Speaker 3: I'm selfish, I am wrong. 11 00:00:34,320 --> 00:00:39,720 Speaker 1: We don't get that song. Yeah, when someone someone shouted out, 12 00:00:39,760 --> 00:00:44,800 Speaker 1: will at you yes, which is finally the Tables of Aaron. 13 00:00:45,040 --> 00:00:47,239 Speaker 2: And so she's she Actually she listens to us all 14 00:00:47,280 --> 00:00:48,879 Speaker 2: the time, so she might be listening to. 15 00:00:48,880 --> 00:00:50,680 Speaker 3: This wow, and walked down. 16 00:00:50,760 --> 00:00:52,159 Speaker 1: Is she one twenty? I surely not. 17 00:00:52,800 --> 00:00:55,040 Speaker 3: I don't think she's one twenty. She's played the quiz before. 18 00:00:55,440 --> 00:00:58,600 Speaker 1: Oh wow. Quiz players obviously didn't win, but she walked 19 00:00:58,600 --> 00:00:59,959 Speaker 1: and I didn't. She can't be one of the ten 20 00:01:00,120 --> 00:01:01,040 Speaker 1: in the last two years. 21 00:01:01,480 --> 00:01:03,280 Speaker 2: Remember she told me what the question was that she 22 00:01:03,320 --> 00:01:05,360 Speaker 2: got wrong, but I can't remember. But she walked up 23 00:01:05,400 --> 00:01:08,280 Speaker 2: to me and she said was it was? It was 24 00:01:08,280 --> 00:01:09,880 Speaker 2: tough for her. She walked up and she said, hey, 25 00:01:11,560 --> 00:01:14,640 Speaker 2: sorry to interrupt. And then are you will from Will 26 00:01:14,680 --> 00:01:15,080 Speaker 2: and Woody? 27 00:01:16,680 --> 00:01:17,679 Speaker 1: And where'd you go with? 28 00:01:18,400 --> 00:01:18,480 Speaker 4: This? 29 00:01:18,560 --> 00:01:22,200 Speaker 1: Is your chance to say yes? And then act like 30 00:01:22,240 --> 00:01:23,240 Speaker 1: a fucking tool. 31 00:01:23,680 --> 00:01:24,199 Speaker 3: No I wasn't. 32 00:01:24,440 --> 00:01:28,400 Speaker 1: That is your that was your moment, that was your 33 00:01:28,520 --> 00:01:31,240 Speaker 1: that was your ruber black moments. That's when you. 34 00:01:31,160 --> 00:01:32,759 Speaker 3: Could have I was waiting for a coffee. 35 00:01:32,959 --> 00:01:35,920 Speaker 2: I could have spat out the coffee and gone, oh sorry, 36 00:01:35,959 --> 00:01:36,919 Speaker 2: can you make that again? 37 00:01:40,040 --> 00:01:46,160 Speaker 3: But that was your chance, picked that was your chance. Yeah, 38 00:01:46,640 --> 00:01:47,960 Speaker 3: I felt, yeah, that's all. 39 00:01:47,960 --> 00:01:48,680 Speaker 1: Where were you? 40 00:01:49,040 --> 00:01:52,880 Speaker 2: I was outside a cafe called Pinky Pinky caf call 41 00:01:52,960 --> 00:01:53,640 Speaker 2: Pinky Beautifuls. 42 00:01:53,640 --> 00:01:56,280 Speaker 1: But I could have been as simple as have you 43 00:01:56,360 --> 00:01:58,720 Speaker 1: have you been inside? Yet? I owned the place. So 44 00:01:58,960 --> 00:02:02,320 Speaker 1: just get what you wants me anything. 45 00:02:02,800 --> 00:02:05,080 Speaker 3: I'll get her again, anything I know. I think she 46 00:02:05,160 --> 00:02:07,840 Speaker 3: lives close by. This was going to hang out it 47 00:02:07,880 --> 00:02:11,880 Speaker 3: pinky now, but you told her that you How. 48 00:02:11,720 --> 00:02:14,359 Speaker 1: Do you not understand how this works? You have a 49 00:02:14,480 --> 00:02:15,639 Speaker 1: lugic window. 50 00:02:16,520 --> 00:02:18,040 Speaker 3: Act like. 51 00:02:19,080 --> 00:02:19,359 Speaker 1: What you do? 52 00:02:19,560 --> 00:02:22,359 Speaker 3: No, no, no, no, it was your first case, Lise Will. 53 00:02:22,560 --> 00:02:25,200 Speaker 1: It is I will? Do you want to call it 54 00:02:25,280 --> 00:02:29,000 Speaker 1: one twenty? No? No, I don't want to ask those 55 00:02:29,000 --> 00:02:33,280 Speaker 1: poor people. I don't want to. We've got Jake Mitchell 56 00:02:33,720 --> 00:02:37,200 Speaker 1: absolutely no need. I think next time somebody thinks that 57 00:02:37,280 --> 00:02:40,360 Speaker 1: I again, I am very tempted to get myself a 58 00:02:40,360 --> 00:02:43,400 Speaker 1: blonde wig and put it in a ponytail and just 59 00:02:43,520 --> 00:02:47,760 Speaker 1: act like an absolute no. It's just so much freedom there. 60 00:02:47,800 --> 00:02:48,840 Speaker 3: It's it's yeah, it's rich. 61 00:02:49,000 --> 00:02:51,080 Speaker 1: It is. It is. You're in a little bit more 62 00:02:51,120 --> 00:02:54,000 Speaker 1: trouble though, unless you put a bathing cap on or 63 00:02:54,040 --> 00:02:54,560 Speaker 1: something like that. 64 00:02:54,560 --> 00:02:55,519 Speaker 3: I could do a bathing cap. 65 00:02:55,560 --> 00:02:57,240 Speaker 1: You just wear a hat and throw you throw your 66 00:02:57,240 --> 00:02:58,400 Speaker 1: hair up in that I suppose. 67 00:02:58,560 --> 00:02:59,919 Speaker 2: But then the other thing is you don't you don't 68 00:02:59,919 --> 00:03:02,000 Speaker 2: know when you're going to bump into somebody recognize. 69 00:03:02,080 --> 00:03:04,920 Speaker 1: It has to be in that moment that somebody says, hey, 70 00:03:05,800 --> 00:03:06,200 Speaker 1: I don't. 71 00:03:06,080 --> 00:03:07,480 Speaker 2: Think we need to worry about the hair though, because 72 00:03:07,520 --> 00:03:09,880 Speaker 2: clearly we're not changing my appearance, and people still walk 73 00:03:09,960 --> 00:03:11,960 Speaker 2: up and go like, oh hey, Will and it's like, ah, 74 00:03:12,400 --> 00:03:14,280 Speaker 2: that's the point. You just need to get that moment 75 00:03:14,320 --> 00:03:16,680 Speaker 2: and then go right, You've got ten seconds you to do 76 00:03:17,160 --> 00:03:18,720 Speaker 2: the most floggy thing. 77 00:03:18,760 --> 00:03:19,280 Speaker 3: You can do. 78 00:03:21,120 --> 00:03:23,400 Speaker 2: And then so you know, it's very damaging for both 79 00:03:23,440 --> 00:03:25,160 Speaker 2: of us though, because we're just going to get cold 80 00:03:25,680 --> 00:03:28,640 Speaker 2: the other biggest chickens with assholes. 81 00:03:29,560 --> 00:03:32,440 Speaker 1: Who you get, doesn't matter which one you get both 82 00:03:32,480 --> 00:03:35,440 Speaker 1: as bad as this is going to be, Wow, those 83 00:03:35,480 --> 00:03:43,880 Speaker 1: guys suck. It's just mud smearing. You're both doing it great. Well, 84 00:03:43,880 --> 00:03:46,160 Speaker 1: have you seen this in public? That's probably what's going on, 85 00:03:47,000 --> 00:03:49,520 Speaker 1: or is it maybe we're just assholes and don't forget 86 00:03:49,520 --> 00:03:52,240 Speaker 1: the chef's kiss if oh yeah, if you're seeing me, 87 00:03:52,520 --> 00:03:53,160 Speaker 1: no one's done that. 88 00:03:53,240 --> 00:03:55,920 Speaker 3: Yeat chef's kiss. 89 00:03:56,000 --> 00:03:59,119 Speaker 1: No. No. I was reminded of it the other day 90 00:03:59,120 --> 00:04:02,080 Speaker 1: as well, Like like I reminded myself of it. The 91 00:04:02,120 --> 00:04:03,840 Speaker 1: other people could be I could be. 92 00:04:03,840 --> 00:04:06,360 Speaker 3: Chef Kim just saying that people might be chef kissing me. 93 00:04:07,840 --> 00:04:10,600 Speaker 1: I walked out the door on your eyes pills. If 94 00:04:10,600 --> 00:04:12,680 Speaker 1: someone chef kisses you, then they remember you, they know 95 00:04:12,680 --> 00:04:15,320 Speaker 1: who you are. You are, but people don't know who 96 00:04:15,320 --> 00:04:17,279 Speaker 1: we are anyway, And then if they do, they don't 97 00:04:17,320 --> 00:04:20,240 Speaker 1: know that I'm not woody, so you might be looking 98 00:04:20,240 --> 00:04:23,000 Speaker 1: at me thinking I'm woody. The fact that I'm not 99 00:04:23,000 --> 00:04:26,159 Speaker 1: getting chef kissed tells me that people probably think that 100 00:04:26,200 --> 00:04:28,159 Speaker 1: I'm woody, and I should just act like a knob 101 00:04:28,240 --> 00:04:35,240 Speaker 1: all the time, and I'm outside, lean into top hat 102 00:04:35,279 --> 00:04:41,080 Speaker 1: and coattails everywhere everywhere I go because people always think 103 00:04:41,120 --> 00:04:41,680 Speaker 1: that I'm here. 104 00:04:42,440 --> 00:04:47,000 Speaker 2: You get woody more than will you get more wrongs 105 00:04:47,040 --> 00:04:48,240 Speaker 2: and never get will. 106 00:04:48,520 --> 00:04:52,560 Speaker 1: You never people assume that I'm woody? Do I look 107 00:04:52,640 --> 00:04:55,920 Speaker 1: like more of a woody? Maybe I've got more Woody 108 00:04:55,920 --> 00:04:57,480 Speaker 1: Harrelson going on because I'm bold. 109 00:04:58,320 --> 00:05:00,680 Speaker 3: Oh maybe maybe they'd throwing that link. 110 00:05:00,760 --> 00:05:02,479 Speaker 1: Do you know what I mean? Like you you could 111 00:05:02,520 --> 00:05:05,120 Speaker 1: you do? Maybe you just look like morever will You've 112 00:05:05,120 --> 00:05:06,600 Speaker 1: got more power will going on? 113 00:05:07,400 --> 00:05:08,600 Speaker 3: Do you think I look powerful? 114 00:05:08,760 --> 00:05:10,920 Speaker 1: I'm looking at our promo shots. Sorry, you've got your 115 00:05:10,920 --> 00:05:12,679 Speaker 1: hands down your pants and you were Yeah. 116 00:05:12,480 --> 00:05:15,240 Speaker 3: That's that's a very well it's just yeah, that's not me, 117 00:05:15,839 --> 00:05:16,680 Speaker 3: not powerful like that. 118 00:05:16,920 --> 00:05:18,760 Speaker 2: Well have you ever noticed in your promo shot that 119 00:05:18,760 --> 00:05:20,640 Speaker 2: you were in an elastic wise pent. 120 00:05:20,920 --> 00:05:23,320 Speaker 4: Yeah, I could have photo shot that out like they 121 00:05:23,360 --> 00:05:23,960 Speaker 4: had to get. 122 00:05:25,160 --> 00:05:31,119 Speaker 1: I went like gorgeous pant and I'm wearing trackies, wearing 123 00:05:31,320 --> 00:05:33,080 Speaker 1: like something that the Genie would wear wearing. 124 00:05:34,360 --> 00:05:35,279 Speaker 3: It's like cool tracking. 125 00:05:35,400 --> 00:05:39,480 Speaker 1: I think Genie is almost an upset there to the 126 00:05:39,680 --> 00:05:44,960 Speaker 1: cargo tracks. And they were hot. Yeah, they look at that. 127 00:05:45,080 --> 00:05:48,440 Speaker 1: You can see how it's wool. It was hot in there, 128 00:05:48,839 --> 00:05:49,880 Speaker 1: like really. 129 00:05:49,600 --> 00:05:53,120 Speaker 3: Hot, comfortable though you could lounge in that. That's a 130 00:05:53,160 --> 00:05:55,599 Speaker 3: power lounge and woods. You've got like pearls on your 131 00:05:55,640 --> 00:05:56,400 Speaker 3: shoulder and stuff. 132 00:05:56,480 --> 00:05:59,360 Speaker 1: Yeah, yeah, there's no doubt that you're definitely the Will 133 00:05:59,400 --> 00:06:01,680 Speaker 1: in that photo, am I really? 134 00:06:01,800 --> 00:06:02,000 Speaker 4: Yeah? 135 00:06:02,240 --> 00:06:03,720 Speaker 2: Hang on, so but what are we calling? So we're 136 00:06:03,760 --> 00:06:09,080 Speaker 2: calling the Will powerful? Powerful, and what fashionable? And what 137 00:06:09,240 --> 00:06:09,960 Speaker 2: are we calling woody? 138 00:06:10,640 --> 00:06:13,160 Speaker 3: Dregs and TRACKI is like, what do you mean? 139 00:06:13,200 --> 00:06:15,280 Speaker 1: Why is I don't know? I don't know. Well, it 140 00:06:15,320 --> 00:06:17,480 Speaker 1: doesn't It doesn't make any sense that I keep getting 141 00:06:17,480 --> 00:06:19,800 Speaker 1: recognized as Woody. I obviously look like more of a 142 00:06:19,800 --> 00:06:22,880 Speaker 1: Woody than you do. It has the only if people 143 00:06:23,040 --> 00:06:25,359 Speaker 1: if you don't know what people look like, but you 144 00:06:25,440 --> 00:06:27,480 Speaker 1: know that one of their names is Will and one 145 00:06:27,520 --> 00:06:30,480 Speaker 1: of their names is Woody, and people keep calling me Woody, 146 00:06:30,839 --> 00:06:32,320 Speaker 1: I must look like a Woody. 147 00:06:32,240 --> 00:06:35,360 Speaker 3: I don't like I Will get. Logically that makes I 148 00:06:35,360 --> 00:06:36,719 Speaker 3: will get woody more than Will though. 149 00:06:37,360 --> 00:06:39,840 Speaker 1: Oh yeah, but people actually do know who you are 150 00:06:39,920 --> 00:06:44,479 Speaker 1: though TV stuff, So people actually do know who you are. 151 00:06:44,839 --> 00:06:46,159 Speaker 1: The people that don't know who. 152 00:06:45,960 --> 00:06:50,200 Speaker 4: You are, they think that I'm here and this was this, 153 00:06:50,200 --> 00:06:52,760 Speaker 4: This was this girl because she was obviously a radio fan, 154 00:06:52,880 --> 00:06:56,080 Speaker 4: right right, Which is so that's like, I haven't really 155 00:06:56,160 --> 00:06:59,880 Speaker 4: seen you on a screen or in the flesh, So 156 00:07:00,160 --> 00:07:03,640 Speaker 4: if you only hear us, you assume that I'm will. Yeah, 157 00:07:03,839 --> 00:07:08,080 Speaker 4: that's we should do like this huge like focus group 158 00:07:08,279 --> 00:07:11,680 Speaker 4: where it's like we get twenty people probably from overseas 159 00:07:11,960 --> 00:07:14,720 Speaker 4: or maybe from like a town where it has never 160 00:07:14,760 --> 00:07:17,960 Speaker 4: listened to Will and Woody. Yeah, right, give them ten 161 00:07:17,960 --> 00:07:20,480 Speaker 4: hours of Will and Woody to listen to and then 162 00:07:20,600 --> 00:07:22,800 Speaker 4: just go put out two photos and go which ones 163 00:07:22,840 --> 00:07:23,600 Speaker 4: will which one's. 164 00:07:24,360 --> 00:07:28,040 Speaker 3: Actually we can do that on five or something fiver. 165 00:07:28,360 --> 00:07:29,760 Speaker 3: You know it cost five bucks. 166 00:07:29,960 --> 00:07:31,880 Speaker 2: Yeah, I think that'll cost a fair bit to do, 167 00:07:31,920 --> 00:07:32,920 Speaker 2: like a full on study. 168 00:07:33,040 --> 00:07:34,560 Speaker 3: No, you just put the add up on. 169 00:07:34,920 --> 00:07:39,880 Speaker 1: I think that's people will go, yeah, ten hours ago, 170 00:07:40,040 --> 00:07:44,000 Speaker 1: just listen to one one episode. 171 00:07:43,240 --> 00:07:43,920 Speaker 3: One full show. 172 00:07:44,200 --> 00:07:46,000 Speaker 1: This isn't a one full show on the podcast, tell. 173 00:07:45,920 --> 00:07:47,720 Speaker 2: Me which ones will which trans Woody. I actually love 174 00:07:47,760 --> 00:07:49,600 Speaker 2: to see the stats there. And then if they guess 175 00:07:49,760 --> 00:07:52,360 Speaker 2: if they think that I'm willing your Woody, yeah, I say, 176 00:07:52,400 --> 00:07:53,240 Speaker 2: we change. 177 00:07:53,040 --> 00:07:56,320 Speaker 3: Names and we need to lean into it. 178 00:07:56,360 --> 00:07:59,600 Speaker 1: This makes sense. There is a there's a strange logic 179 00:07:59,640 --> 00:08:01,600 Speaker 1: about that that I hate, but yeah, I think we 180 00:08:01,640 --> 00:08:02,120 Speaker 1: would have to. 181 00:08:02,200 --> 00:08:04,280 Speaker 2: Okay, let's do that. Actually, if you listen to this front, 182 00:08:04,400 --> 00:08:06,480 Speaker 2: oh no, you can't. You can't engage with this study. 183 00:08:07,080 --> 00:08:07,760 Speaker 3: It has to be a god. 184 00:08:09,120 --> 00:08:11,040 Speaker 2: They if you're listening to this, you listen to behind 185 00:08:11,080 --> 00:08:12,840 Speaker 2: the scenes, you've probably got an idea of who, what 186 00:08:12,880 --> 00:08:13,560 Speaker 2: you look like, and what. 187 00:08:13,520 --> 00:08:15,480 Speaker 1: I need impartial audience. 188 00:08:15,520 --> 00:08:17,560 Speaker 2: We need control one hundred percent. This needs to I 189 00:08:17,600 --> 00:08:19,080 Speaker 2: think going to go to the States. I say we 190 00:08:19,160 --> 00:08:22,800 Speaker 2: go like I'm thinking overseas, because they can't be. 191 00:08:22,840 --> 00:08:26,280 Speaker 1: Any everyone in Australia, people who would never know what 192 00:08:26,320 --> 00:08:27,960 Speaker 1: we look I'm pretty sure if someone in Australia is 193 00:08:27,960 --> 00:08:28,520 Speaker 1: going to be safe. 194 00:08:29,640 --> 00:08:32,600 Speaker 2: If we called any number in Australia, what strike rate 195 00:08:32,640 --> 00:08:34,360 Speaker 2: do you reckon we have of Have you heard of 196 00:08:34,400 --> 00:08:34,960 Speaker 2: Will and Woody? 197 00:08:36,840 --> 00:08:41,080 Speaker 1: I'm going to say five percent? No? Why yeah, twenty 198 00:08:41,800 --> 00:08:42,720 Speaker 1: twenty percent. 199 00:08:43,000 --> 00:08:44,480 Speaker 3: I'm saying any number in Australia. 200 00:08:44,600 --> 00:08:47,360 Speaker 2: Yeah, I think there's a twenty percent strike right, they 201 00:08:47,400 --> 00:08:49,240 Speaker 2: go they don want something, they know who we are. 202 00:08:49,320 --> 00:08:52,320 Speaker 2: But you go Will and Woody, They'll go, oh yeah, 203 00:08:52,440 --> 00:08:54,840 Speaker 2: radio show oven twenty percent. 204 00:08:54,880 --> 00:08:57,280 Speaker 3: You've got thirty two listened, thirty two people who listen 205 00:08:57,360 --> 00:09:01,280 Speaker 3: to you in Japan. There you go where everywhere, everybody, everywhere. 206 00:09:02,360 --> 00:09:03,960 Speaker 1: You say they can be the control audience. 207 00:09:05,120 --> 00:09:06,640 Speaker 2: You might you know what what if I am I 208 00:09:06,679 --> 00:09:08,400 Speaker 2: being ridiculous here by saying that if we called any 209 00:09:08,440 --> 00:09:10,440 Speaker 2: number in Australia we get a twenty percent strike rate. 210 00:09:10,520 --> 00:09:12,400 Speaker 2: I'm like, oh, yeah, I've heard of them. 211 00:09:12,800 --> 00:09:14,800 Speaker 1: You're putting me in a very hard position here because 212 00:09:14,800 --> 00:09:16,079 Speaker 1: I can't be. 213 00:09:16,000 --> 00:09:22,480 Speaker 3: Offended in Australia. Yeah, Australia, I'll probably touch under twenty. 214 00:09:22,520 --> 00:09:23,440 Speaker 1: I would say twenty is. 215 00:09:23,440 --> 00:09:24,559 Speaker 3: A high number, twenty high. 216 00:09:24,720 --> 00:09:27,480 Speaker 1: Well, we reckons fine, twenty percent is a really really 217 00:09:27,559 --> 00:09:28,040 Speaker 1: high number. 218 00:09:28,080 --> 00:09:30,439 Speaker 3: You know, thteen you take? 219 00:09:31,120 --> 00:09:31,840 Speaker 1: Do you really drop? 220 00:09:32,679 --> 00:09:33,319 Speaker 3: Do you want to try it? 221 00:09:33,440 --> 00:09:34,240 Speaker 1: That was a deep drop? 222 00:09:34,559 --> 00:09:37,600 Speaker 3: I kind of do we just called a random number 223 00:09:38,120 --> 00:09:38,439 Speaker 3: right now? 224 00:09:39,000 --> 00:09:40,600 Speaker 2: Have you heard of WILM? 225 00:09:40,840 --> 00:09:43,520 Speaker 1: I just think that totally random? You know something, Sometimes 226 00:09:43,559 --> 00:09:46,079 Speaker 1: you can be really into something and you think it's 227 00:09:46,080 --> 00:09:48,959 Speaker 1: the biggest thing in the world because that's in your world. 228 00:09:49,120 --> 00:09:51,680 Speaker 1: Oh no, but for somebody else, they have no idea, 229 00:09:51,760 --> 00:09:55,320 Speaker 1: And then you tap into underworlds like like Annales, right, 230 00:09:55,559 --> 00:09:59,040 Speaker 1: who is like lives in the same city as us, 231 00:09:59,160 --> 00:10:01,640 Speaker 1: not that much younger than us. Well she's fair, it's 232 00:10:01,640 --> 00:10:03,720 Speaker 1: like ten years younger than us. But either way, we 233 00:10:03,760 --> 00:10:07,080 Speaker 1: have no crossover apart from the music that we play 234 00:10:07,080 --> 00:10:09,200 Speaker 1: on this radio station. And even then, I don't know 235 00:10:09,280 --> 00:10:11,439 Speaker 1: the names of the artist that she knows. You're not 236 00:10:11,559 --> 00:10:14,320 Speaker 1: scared me. This year the lane Way Festival lineup came 237 00:10:14,320 --> 00:10:18,960 Speaker 1: out for the music festival, and I clocked two artists 238 00:10:19,160 --> 00:10:21,880 Speaker 1: you used to know that inside out and they would 239 00:10:21,920 --> 00:10:25,240 Speaker 1: be the biggest up and coming artists in the indie 240 00:10:25,320 --> 00:10:25,840 Speaker 1: music world. 241 00:10:25,840 --> 00:10:27,400 Speaker 3: And at least didn't know who Michael Kaine was and 242 00:10:27,440 --> 00:10:28,160 Speaker 3: at least hasn't. 243 00:10:27,960 --> 00:10:30,679 Speaker 1: Watched an episode of an episode of Harry Potter. 244 00:10:31,760 --> 00:10:37,199 Speaker 4: What's that mcain, you've done it again, Smain? 245 00:10:39,600 --> 00:10:42,559 Speaker 3: All right, Michael number, Yeah, randomumber, let us go. He 246 00:10:42,679 --> 00:10:43,600 Speaker 3: do you know who will and what he is? 247 00:10:47,360 --> 00:10:49,920 Speaker 1: We're sorry your call cannot be completed at this time. 248 00:10:51,160 --> 00:10:53,280 Speaker 3: And coming called, it's like a do you count that? 249 00:10:53,720 --> 00:10:57,840 Speaker 2: No, I'll tell count correct, Yeah, I do actually. 250 00:10:59,720 --> 00:11:05,280 Speaker 1: Call that's my mobile number, neighbor. That's cute. Can I 251 00:11:05,280 --> 00:11:08,920 Speaker 1: call mine? Sure? Okay, I'll find number. I'll put my 252 00:11:08,960 --> 00:11:09,600 Speaker 1: number on the screen. 253 00:11:10,080 --> 00:11:15,319 Speaker 2: You can just dial it from your neighbor number name. 254 00:11:15,400 --> 00:11:18,400 Speaker 1: And someone tried to call this number fifty three times 255 00:11:18,400 --> 00:11:22,800 Speaker 1: this time has been called the if my number nighbor, 256 00:11:24,400 --> 00:11:27,960 Speaker 1: that would be felt like, yeah, you will get my number? Nahbor? 257 00:11:28,600 --> 00:11:34,880 Speaker 3: Oh crazy, that would be scary. Do you always you 258 00:11:34,920 --> 00:11:39,480 Speaker 3: The next thing do we do go your other neighbor 259 00:11:39,559 --> 00:11:40,400 Speaker 3: go one under. 260 00:11:40,240 --> 00:11:41,680 Speaker 1: Or do you want to go your number number? Okay, 261 00:11:42,200 --> 00:11:42,520 Speaker 1: no matter? 262 00:11:44,080 --> 00:11:48,200 Speaker 2: Hello, Hello, sorry but I will get back you. 263 00:11:50,080 --> 00:11:59,480 Speaker 1: Fel good came from your number neighbor character. Turns out 264 00:11:59,600 --> 00:12:01,800 Speaker 1: Darling ran a number as much harder than we thought. Hince, 265 00:12:01,840 --> 00:12:04,160 Speaker 1: we might need to pay a focus group in Japan. 266 00:12:04,240 --> 00:12:04,760 Speaker 3: We should do that. 267 00:12:04,800 --> 00:12:06,079 Speaker 1: We'll do that before next time. See that