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Speaker 1: Powered by the iHeart Radio app from ninety six air

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Speaker 1: VM to where GARB You're listening today?

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Speaker 2: This is Clzy and Lisa's podcast.

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Speaker 3: Showing up on the podcast Today we delve into Clerzy's

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Speaker 3: Tragic Music Box to the year nineteen eighty eight.

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Speaker 1: Talked about breakup songs? Did we just do this phone

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Speaker 1: topic so you could play a bit of the cures

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Speaker 1: pictures of you?

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Speaker 2: I would have played it all if I could. I

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Speaker 2: got my text done, finally.

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Speaker 1: Finally, after how many years? Fifteen and of course I

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Speaker 1: struggled to get a coffee on Monday.

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Speaker 3: Told the story and Michelle Feiffer has broken her number

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Speaker 3: one rule, delving deep into.

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Speaker 2: The archives of Perth music history. Clzis Tragic Music Box.

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Speaker 2: I need a remix of just a you know.

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Speaker 1: Extended dancing man. Yeah, with that of just that way,

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Speaker 1: I'll arrange it for next time. Okay, are you ready?

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Speaker 2: Nineteen eighty eight?

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Speaker 1: Today, Lisa, as you mentioned earlier, let's start with live

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Speaker 1: music here in Perth. What a year it was with

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Speaker 1: tours from ac DC, Yes Turner, George Michael, thank you

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Speaker 1: very much, Bryan Ferry and John Farnham. FANSI played four

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Speaker 1: consecutive nights at the Entertainment Center in December of eighty

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Speaker 1: eight on his Age of Reason tour. It was almost

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Speaker 1: up there with something They Do eight or something you know,

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Speaker 1: across the River. The first ever concert at the Burswood

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Speaker 1: super Dome as it was known then, featured Mick Jagger

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Speaker 1: on his solo tour of Australia and New Zealand, and

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Speaker 1: Mick had a lookalike lead guitarist looked a little bit

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Speaker 1: like Keith keep wasn't happy. But the gig wasn't without controversy.

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Speaker 1: It was the domes first gig. The domes acoustics were

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Speaker 1: not quite up to scratch. So you're gonna feel for

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Speaker 1: the people who went to the first gig because it

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Speaker 1: was the first gig at the venue, the first mix show.

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Speaker 1: There were so many complaints. They put padding up on

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Speaker 1: the walls to stop the sound bouncing off the venue's

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Speaker 1: concrete wall. It was terrible, regular it was terrible, so sad.

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Speaker 2: Yeah, I remember it well.

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Speaker 1: I wonder if people got if anyone complained, if they

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Speaker 1: got their money back, because they were two.

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Speaker 2: Gigs's shut out the door at the end of the dome.

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Speaker 1: But after that, the sound in there we saw lots

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Speaker 1: of gigs there. Some that was good, that was pretty good.

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Speaker 1: I saw that the Pink Flowed Wall show there was brilliant.

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Speaker 1: Can you stop rubbing that in? I wouldn't have loved

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Speaker 1: to have seen that. And the movies in nineteen eighty

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Speaker 1: eight you got a Hoyt Cinema sitting in Hay Street

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Speaker 1: and see Bruce Willis in die Hard Paul Hogan's return

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Speaker 1: as Mick Dundee and Crocodile Dundee two. He was just

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Speaker 1: making more and more money. And the incredible Robin Williams

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Speaker 1: in this one good. No one else could have done.

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Speaker 2: That, right, Robin, What a great movie that was, What.

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Speaker 1: A movie, What a talent as Adrian Cronou. Nineteen eighty

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Speaker 1: eight was the second season for the West Coast Eagles

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Speaker 1: and at the end of the year they signed four

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Speaker 1: new players from South from Mantle, Peter Summitch and Scotty Waters.

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Speaker 2: That did well there, pretty handy.

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Speaker 1: The later football sex symbol West Perth's Craig Turley, Oh yeah,

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Speaker 1: turling monsters. And they swooped on Claremont's Don Pike as well.

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Speaker 1: Pretty handy footballer.

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Speaker 2: So I saw him on the news.

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Speaker 1: This is so here we are You're right? Thirty six

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Speaker 1: years later and Pikey, now a dual Premiership player with

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Speaker 1: the Eagles, is an Adelaide coach and all the rest

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Speaker 1: of it. He's the Eagle CEO and he's leading the

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Speaker 1: suit for their new coach. Come full circle, certainly has

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Speaker 1: we love a good price? Comparison from the Tragic Music Box.

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Speaker 1: Nineteen eighty eight, Perths median house price grew by sixty percent,

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Speaker 1: which sounds familiar, doesn't it, mind you, It was about

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Speaker 1: eighty grand to get into a three bed, one bathroom

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Speaker 1: house in the burbs in Perth. Petrol was about fifty

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Speaker 1: five cents a liter, which is you know, even this

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Speaker 1: week it's been cheap. I saw a dollar forty nine yesterday,

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Speaker 1: but it's a huge difference. A lofe for bread put

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Speaker 1: you back about a dollar thirty. In May of nineteen

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Speaker 1: eighty eight, Channel ten launched in Perth. Finally we got

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Speaker 1: Channel ten. The celebrations included a massive party at Berswick

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Speaker 1: Casino and the guests included young neighbour stars Jason Donovan

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Speaker 1: and Kylie Minogue, And of course there was the launch piece.

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Speaker 2: How good Its.

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Speaker 4: Yes?

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Speaker 2: Please? On Neighbours used to be under seventy to channel.

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Speaker 4: That's right, Yes, that's all. That's probably we do us.

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Speaker 4: Let's hear the whole thing, I reckon. That's probably enough.

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Speaker 4: There's probably about two minutes there.

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Speaker 1: Yeah, you're right. Actually later, you know, we don't need

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Speaker 1: that again. That was the launch song. But you're right

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Speaker 1: because Neighbors was on seven and what seven did, knowing

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Speaker 1: that ten were coming to Perth, they fiddled with the

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Speaker 1: timing of the scheduling of the show to mess with

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Speaker 1: people's heads a little bit, and then eventually just took

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Speaker 1: it off and didn't play it at all. It was

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Speaker 1: Yes and nineteen eighty eight feature album We Moved Today

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Speaker 1: to the fourteen million selling Rattle and Hum from you two.

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Speaker 1: But you've got to say they were the biggest band

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Speaker 1: in the world at the time. They had the international

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Speaker 1: success of that previous album, The Joshua Tree. But the

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Speaker 1: boys from Dublin wanted to do something a little different,

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Speaker 1: so they combined a double album what a Mix, a

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Speaker 1: double album of studio and live songs, and the documentary

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Speaker 1: that with it that was from their eighty seven US tour.

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Speaker 1: The doco was also called Rattle and Hut.

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Speaker 2: I didn't give it away for free when you get

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Speaker 2: a bit desperate Later.

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Speaker 1: The album was intended to be U two's tribute to

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Speaker 1: legendary musos, included contributions from the likes of Bob Dylan

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Speaker 1: and of course Blues Great bb King and When Love

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Speaker 1: Comes to Town. The first single, Desire, was the band's

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Speaker 1: first UK number one. After all those hits before that,

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Speaker 1: I hadn't gone to the top of the charts there

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Speaker 1: really yeah, and it won the Grammy for Best Rock

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Speaker 1: Performance by a Duo or Group.

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Speaker 2: Not even like with a Sunday Bloody sign.

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Speaker 1: Yeah I know, yeah, Yeah, I will follow. They weren't

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Speaker 1: number one in the UK. Other singles included the tribute

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Speaker 1: to Singing Great Billy Holiday, Angel of Harlem, Yep, Beauty

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Speaker 1: and the haunting All I Want Is You? Both helping

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Speaker 1: Rattle and Hum go to number one. It was number

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Speaker 1: one in Australia, the US, the UK. In fact, I

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Speaker 1: was to say everywhere the number one would be here

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Speaker 1: for about another one hundred years. It was a very

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Speaker 1: successful album. However, in Spain, Rattle and Humm went to

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Speaker 1: number seventy two. Okay, what the hell was going on?

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Speaker 1: So you're throwing covers? Manuel throwing covers at the Beatles

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Speaker 1: Helter Skelter and Dylan's all Along the Watchtowner, and you

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Speaker 1: had a bit of everything packed into seventy two and

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Speaker 1: a half minutes of music. Amazing out of the Tragic

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Speaker 1: Music Box from nineteen eighty eight.

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Speaker 2: So I finally did it yesterday. He did it.

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Speaker 3: You know that while we were on holiday last week,

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Speaker 3: I got up the courage to make an appointment yes,

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Speaker 3: and then yesterday I did it.

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Speaker 1: You finally went.

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Speaker 3: Yes, after five years of not doing it, I did

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Speaker 3: my tax So I am embarrassing.

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Speaker 2: That hadn't done it for five years.

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Speaker 1: You thought it was more than that year.

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Speaker 2: I thought it was.

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Speaker 3: Seven miscouted years. That's how See, that's how bad I felt.

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Speaker 3: It felt even heavier than it was. Five years is

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Speaker 3: bad enough. I'm not, you know, suggesting it's a good thing,

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Speaker 3: but I share this tale of embarrassment because I think

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Speaker 3: that it's something that can happen to the best of us. Yes,

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Speaker 3: you have these situations with something like attacks.

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Speaker 2: See, I don't like paperwork.

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Speaker 3: Anything that has anything to do with paperwork or some numbers,

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Speaker 3: finance numbers. My brain glazers over good at other things,

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Speaker 3: but not this. So anyway, I missed a year. I

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Speaker 3: just you know, there was stuff happening in my life.

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Speaker 3: It was a big going on and I got pushed

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Speaker 3: to the back, and then I missed another year.

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Speaker 2: So what it just well, because I was out of practice,

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Speaker 2: worry about it.

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Speaker 1: I've slipped again.

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Speaker 2: So I've slipped again.

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Speaker 3: And then next minute, as they say it's yeah, it

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Speaker 3: becomes by three. I'm thinking, oh, well, now I feel awkward.

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Speaker 3: Now I'm embarrassed.

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Speaker 1: It's starting to feel like the three like a bit

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Speaker 1: too hard, and you go, yes, future Lisa.

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Speaker 3: So then it gets to fall anythink, well, I can

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Speaker 3: never maybe you know, go and tell someone what an

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Speaker 3: idiot I am embarrassed. Then you get embarrassed, so it's

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Speaker 3: sort of it just you know, it's snowballs. And then

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Speaker 3: it goes from embarrassment to becoming a hoodoo thing on

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Speaker 3: your back. And then it's like it's on your mind

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Speaker 3: all the time, and you think, I just want a

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Speaker 3: clean slate.

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Speaker 2: So you've got to suck it up and do it.

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Speaker 2: And I did it, and I just feel so much better.

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Speaker 1: Was there a stage where you thought, you know, what,

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Speaker 1: if I keep going, that could be in the Guinness

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Speaker 1: Book A world reforge a few more years. I done

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Speaker 1: my text for twenty eight years.

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Speaker 2: No, no, no, And I tell myself, Becau's not.

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Speaker 3: Like I have a job where I'm like, oh they've

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Speaker 3: already taken I can blood from a stone.

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Speaker 2: But so but it's you know, I mean, you've got

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Speaker 2: to do it.

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Speaker 3: Yeah, it's part of being a member of you know, society,

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Speaker 3: text playing society. And so I went and the you know,

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Speaker 3: the account, and I went to he's fantastic, and he

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Speaker 3: said I've seen worse. And it got me all sorted.

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Speaker 3: But you know what really was amazing to me. This

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Speaker 3: shows how long I haven't done it for because you know,

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Speaker 3: it's all on my governor.

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Speaker 1: Yeah, of course it is know everything. Of course they do.

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Speaker 3: How come they know everything? See this is I hate paperwork.

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Speaker 3: So I already, you know, was panicking about the having

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Speaker 3: to source all the all the private health insurance, all

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Speaker 3: those bits and pieces and the you know in just

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Speaker 3: silly little amount of interest you might have made off

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Speaker 3: a savings bank account and I don't even use anymore

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Speaker 3: that you know, but it's all there.

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Speaker 1: So even those things like I got a level.

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Speaker 3: Level a name, I never told anyone that you know,

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Speaker 3: where that was.

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Speaker 2: It's all, how do they know everything about you?

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Speaker 1: They just do. They know exactly well, they know what

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Speaker 1: happened after.

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Speaker 3: You went something down that both made me happy and

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Speaker 3: freaked me out.

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Speaker 2: They tell me because of the I hate, you know,

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Speaker 2: gathering all that stuff.

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Speaker 3: So I was glad it was all there, but the

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Speaker 3: fact that it was all there freaked me out.

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Speaker 1: I would freak you out. Yeah, they were anything, Jane Citizen.

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Speaker 1: Now at one stage there's the accountant, because I'm sure

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Speaker 1: they get people, as your accountant said, I've seen worse.

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Speaker 1: They also get those people who have and done the

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Speaker 1: text for five, six, seven years and they walk in

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Speaker 1: with a box of receipts and go.

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Speaker 2: Sort that out. I had my tax phile number and

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Speaker 2: that was it. So that's what I loved you written

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Speaker 2: on the hand.

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Speaker 3: I did written number hand, but I literally like pretty

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Speaker 3: much all I had.

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Speaker 1: That's hilarious.

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Speaker 2: Oh and my my policy numbers for my.

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Speaker 1: Well, don you did do some research. I did do

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Speaker 1: some research.

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Speaker 2: I opened the filing cabinet.

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Speaker 1: You went prepped.

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Speaker 3: The funny thing about I have a filing cantec because

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Speaker 3: I'm my father's daughter and I have a filing cabinet

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Speaker 3: and it's jam packed full of fifty years of stuff.

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Speaker 2: But I keep everything now.

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Speaker 3: Of course, not so much, because they just send you

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Speaker 3: emails and say your whatever is available for what's it

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Speaker 3: at the what's it?

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Speaker 5: Yeah?

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Speaker 2: No, just send me, send me a favorite, got me place.

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Speaker 1: You don't need a finally canet when you've got my girls?

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Speaker 3: No, well apparently not, but I like that, you know,

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Speaker 3: for someone who hates paperwork, I've got a island cabinet

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Speaker 3: full of every piece of paper I've ever received in

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Speaker 3: my life, because I figure, I don't know what it means,

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Speaker 3: but I'll just filots I ever need it.

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Speaker 2: It's there.

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Speaker 1: You know you very well. You walked differently, you're walking differently.

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Speaker 2: Just had a spring in my steps like a tab

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Speaker 2: cor mat bouncing. Well done, So don't be put off.

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Speaker 1: Yeah yeah, good, good day.

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Speaker 2: Like me.

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Speaker 3: You've let something get away from you and snowball.

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Speaker 2: You'll feel so.

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Speaker 1: Much better to be rich, to get a big refunded.

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Speaker 2: I get a clean slate.

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Speaker 1: Happened for a line more clear more Lisa more podcasts.

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Speaker 3: Soon Go your own Way, according to a New List,

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Speaker 3: is the number one breakup song of all time.

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Speaker 1: Oh there you go.

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Speaker 2: Well, I mean, you know, they knew their way around

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Speaker 2: a breakup song.

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Speaker 3: Those were the master's break rumors. Was just a break

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Speaker 3: up album for the whole of Fleetwood.

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Speaker 2: Mac, wasn't it. Yeah, well I was breaking up.

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Speaker 1: With these Sean break up with Christine and the two

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Speaker 1: hot heads Stevie and Lindsay, and then Mick got involved

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Speaker 1: with Stevie.

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Speaker 2: Singers.

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Speaker 3: Songwriters have been writing about breakups since the beginning of time,

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Speaker 3: and there is, after all, a lot of varying emotions

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Speaker 3: when your heart gets broken, depending on the circumstances. Sadness, anger, relief, frustrating, jealousy, contempt,

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Speaker 3: all of the above, and they are very cathartic for

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Speaker 3: not just the writer of the song, but for us

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Speaker 3: the listener. As Phil Collins put it in his memoir,

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Speaker 3: people had a breakup, but they love a breakup song.

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Speaker 3: So the website Ultimate Classic Rock has made a list

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Speaker 3: of what it considers the top forty of all time

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Speaker 3: breakup songs, and as I said, go your Own Way

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Speaker 3: by Fleetwood Mac is number one.

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Speaker 2: Would you care to have a guess at what is

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Speaker 2: number two on the list.

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Speaker 1: I'm thinking of the whole back catalog of Air Supply

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Speaker 1: Love another bruises.

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Speaker 2: Every other one of theirs. Would you care to have

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Speaker 2: another guest?

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Speaker 1: I'm thinking maybe chic I go the Sorry.

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Speaker 2: That's yocht rock breakup.

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Speaker 1: There's still a breakup because you're on a yacht with

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Speaker 1: sensible shoes.

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Speaker 3: Nothing compares to you always Really, that's the number show

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Speaker 3: I see I will.

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Speaker 2: Though that was going to be number one now I

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Speaker 2: guess thought of that. Prince wrote it.

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Speaker 3: Shineido Kinnor made it famous, so famous, and yeah, I

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Speaker 3: think that's a that's a classic breakup song. Number three,

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Speaker 3: You're So Vain by Carl Simon. There's lots of songs

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Speaker 3: on the list. I won't go through them all because

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Speaker 3: you know we're probably going with this. What you think

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Speaker 3: is the best breakup song?

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Speaker 1: So many breakup songs and the text has been gone on.

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Speaker 2: So many of the text is going off.

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Speaker 3: David and Eastwick Park says the best breakup song is

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Speaker 3: You're going to Miss Me when I'm Gone by Anna Hendrick.

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Speaker 3: David in ridgewoods says always look on the bright side

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Speaker 3: of life like you work. David Christy in Westminster says

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Speaker 3: ugly Kid, Joe's hate everything about you. Dolly partons, I

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Speaker 3: will always love You as Sharon and san Remo's pick

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Speaker 3: Debbie from Forest Fields as my breakup song?

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Speaker 2: Is cher strong enough?

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Speaker 1: Okay?

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Speaker 2: Law text some beauties?

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Speaker 1: Yeah? Absolutely those coming through on seven six ninety six,

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Speaker 1: ninety six ninety six to the phones in Bedford, John,

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Speaker 1: you know.

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Speaker 2: Hey, guys, good what do you think is the best

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Speaker 2: breakup song? Well?

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Speaker 5: For me, it was a photograph by Ringo Star.

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Speaker 2: Oh really.

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Speaker 3: Got all I've got is a photograph?

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Speaker 2: Yeah, oh there you go after thirty years of marriage.

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Speaker 1: Just ato.

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Speaker 2: Yeah.

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Speaker 1: They can be tinged with sadness, but sometimes they help

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Speaker 1: you through as well, don't that John, That's all good.

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Speaker 2: It was all positive. That was the question that happened.

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Speaker 2: Probably as well.

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Speaker 1: That's the love of I've met, the love of my life.

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Speaker 2: The guy.

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Speaker 1: Nice second marriage. Yeah, good on your John, well done,

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Speaker 1: thank you. Sometimes they're tinged with a little bit of

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Speaker 1: anger and then.

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Speaker 2: Oh yeah what gets you through one? I love I Am.

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Speaker 2: That's a classic, isn't that?

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Speaker 1: Simple prop talking by my time? Yeah, that kind of stuff.

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Speaker 3: Well, Matt says, I'm ever going to see your face again?

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Speaker 3: No way, tho, lot how it goes lost, go away,

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Speaker 3: be gone.

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Speaker 1: A whole lot more be off with you. Do you

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Speaker 1: want to have a job for.

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Speaker 3: Getting lots of texts on your favorite breakup song? Simone

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Speaker 3: in Maranguru says Billy Fields, you went in love with me?

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Speaker 3: We got one for twist and sisters, We're not going

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Speaker 3: to take take it cold, Chisels, You've got nothing I

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Speaker 3: want is Donna in Serpentines Jealous by Christy Christy amflet classic,

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Speaker 3: says Christy.

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Speaker 2: Chris, I should say.

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Speaker 1: A few, Chrissy, a few angry ones thrown in there.

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Speaker 2: Definitely some angry ones.

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Speaker 1: Yeah, absolutely, what about you?

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Speaker 2: Jessin Byfort Jess, Good morning guys. Yeah, I'm going more

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Speaker 2: on the revenge.

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Speaker 3: Yeah, a lot of a lot of Morris that you

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Speaker 3: ought to know.

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Speaker 2: Absolutely, no surprise.

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Speaker 3: It comes in at number twenty three a list of

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Speaker 3: the top forty breakup songs of all time?

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Speaker 1: Was there any more of Jacket? Little Pill? Anymore songs

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Speaker 1: off that.

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Speaker 6: Through?

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Speaker 2: She does? And I like it?

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Speaker 7: Yeah, and im every time I scratch my nail somebody else,

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Speaker 7: I hope you feel it?

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Speaker 6: Yeah?

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Speaker 2: Actually right, actually says it to us, Yeah, hope I

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Speaker 2: feel it? Thanks?

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Speaker 1: Yes, right, yes, they're good order actually some yes, some

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Speaker 1: songwriters and singers I like that because Melissa Eridge was

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Speaker 1: like that too. She had a few features.

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Speaker 2: Somebody Bring Me Some Water?

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Speaker 3: Yeah, a similar features order in Orange Grove? Hello, or guy?

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Speaker 3: What gets your vote?

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Speaker 5: You weren't in love with me but Billy Field?

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Speaker 3: See yeah, that's a couple of second Billy Fields. Yeah,

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Speaker 3: very underrated.

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Speaker 1: There was a mushy one, wasn't it because it was

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Speaker 1: I was in love with you, but you were in

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Speaker 1: love with me?

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Speaker 2: Yep was the lyrics?

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Speaker 1: Yeah, okay, look that's a really it's a really sad

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Speaker 1: song from Billy.

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Speaker 5: Yeah does a.

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Speaker 7: Good version of it too, though.

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Speaker 3: Okay, all right, well that that is the second vote.

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Speaker 2: We've had songs there?

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Speaker 3: What about Barbar singing Don't Rain on My Parade? It's

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Speaker 3: quite a few bobs oh Babs loves. She makes no

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Speaker 3: apology for it in her concerts. She says, I love

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Speaker 3: a victim song.

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Speaker 2: Oh yeah, I'll bringing Neil Diamond Don't rain on my parade,

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Speaker 2: You don't.

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Speaker 1: Bring me flowers? You know that was Neil do it

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Speaker 1: to me?

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00:17:35,240 --> 00:17:35,280
Speaker 6: What?

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Speaker 1: It wasn't as cheery as Islands in the Stream, Let's

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Speaker 1: put it that way. She was not a breakup song

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00:17:41,000 --> 00:17:43,000
Speaker 1: leaning Mount Hawthorne. What have you got for us?

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Speaker 7: Hello, I've got last Christmas and I lived.

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Speaker 5: I lived with a friend that made her life miserable

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Speaker 5: every Christmas for about ten years.

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Speaker 2: Christlers let to be honest.

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00:18:09,680 --> 00:18:15,879
Speaker 1: The very next day you gave it away.

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Speaker 6: It was.

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Speaker 3: The song that you play the wam thing with Christmas time.

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Speaker 1: Once you hear it, Yeah, yeah you do. That's a classic.

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Speaker 3: A few more texts don't speak by no doubt according

400
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Speaker 3: to Carolyn in Banks, Your Grove, Missing You by John Waite,

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00:18:41,960 --> 00:18:46,679
Speaker 3: Linda Luca, Flowers by Miley Cyrus, carry from it because

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Speaker 3: you know, Miley Cyrus is my guilty pleasures voice.

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00:18:52,840 --> 00:18:55,679
Speaker 2: She can sing, she can sing a song. I like

404
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Speaker 2: Flowers too. It's really cute.

405
00:18:57,520 --> 00:18:58,959
Speaker 1: Do you go actually break up?

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Speaker 2: Song style?

407
00:19:00,040 --> 00:19:02,520
Speaker 1: We've done the wham think of George Michael, Don't careless whisper.

408
00:19:02,520 --> 00:19:04,440
Speaker 1: It was one of those. That was one of those

409
00:19:04,440 --> 00:19:04,920
Speaker 1: ones as well?

410
00:19:04,960 --> 00:19:05,119
Speaker 6: Was it.

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00:19:07,200 --> 00:19:08,199
Speaker 1: Take it the heart strings?

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00:19:08,880 --> 00:19:11,199
Speaker 3: I could never quite get past the guilty feet have

413
00:19:11,280 --> 00:19:11,960
Speaker 3: no rhythm line.

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00:19:12,840 --> 00:19:15,080
Speaker 2: I just find it too funny.

415
00:19:15,800 --> 00:19:20,240
Speaker 1: Yeah yeah, well he was young, young, all right?

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00:19:20,520 --> 00:19:22,760
Speaker 3: Love this one, Amanda and Kingsley says, I will survive

417
00:19:22,800 --> 00:19:25,800
Speaker 3: Gloria Againer, Yes, how did we not think of that

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00:19:25,840 --> 00:19:30,320
Speaker 3: one was Jackie also said I will survive Gloriagainer, Hello,

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00:19:30,359 --> 00:19:33,840
Speaker 3: goodbye by the Beatles, Thank you, rob a Queen. Another

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00:19:33,880 --> 00:19:36,520
Speaker 3: one bites the dust did not leave their name for

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00:19:36,640 --> 00:19:39,359
Speaker 3: that text. Take the all out of Lover, says Karen

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00:19:39,400 --> 00:19:42,920
Speaker 3: and wanneroos and lots of texts this morning. Yes it's

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00:19:42,960 --> 00:19:46,760
Speaker 3: a great song, Motels. Yes, yeah, Oh I'm so clever too.

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00:19:46,840 --> 00:19:48,399
Speaker 3: Take the all out of love and it's over it.

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Speaker 1: Yes, it's better than guilty for to got no rhythm,

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Speaker 1: isn't it? Thank you Martha Davis. Tomorrow, Hi, Hi, what's yours?

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00:19:57,800 --> 00:20:01,119
Speaker 1: Tomorrow breakup song? Well, my movie is Greef.

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Speaker 5: Okay, So my favorite song would be Sandy from from

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Speaker 5: John Vault and it's so sad when living in John

430
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Speaker 5: passed away. But Sandy, yeah, that's that's a really wicked song.

431
00:20:16,880 --> 00:20:19,040
Speaker 5: And you look at Grief Lightning and you go back

432
00:20:19,080 --> 00:20:21,359
Speaker 5: and you watch the moves and you think, oh gosh,

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Speaker 5: they are not exactly right.

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00:20:24,080 --> 00:20:24,920
Speaker 2: It's clear.

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00:20:26,200 --> 00:20:28,080
Speaker 5: But no, no, Sandy, that's a good song.

436
00:20:28,920 --> 00:20:29,119
Speaker 7: It was.

437
00:20:29,280 --> 00:20:34,120
Speaker 2: It was the underrated song from that movie. Really yeah. Yeah,

438
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Speaker 2: super lover and all of that.

439
00:20:37,119 --> 00:20:38,600
Speaker 1: I always love Russia Brush Bush.

440
00:20:41,359 --> 00:20:42,760
Speaker 5: Yeah from Greece.

441
00:20:42,880 --> 00:20:47,760
Speaker 1: Yeah, go back to Melbourne in Australia.

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00:20:49,640 --> 00:20:53,440
Speaker 3: I think Melbourne, Melbourne in Australia. Peter in y k Key,

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Speaker 3: what's your best breakup song?

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Speaker 7: Well, good morning.

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Speaker 2: It's an oldie but a goodie Neil breaking up is

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Speaker 2: that it is?

447
00:21:04,720 --> 00:21:04,920
Speaker 8: Peter?

448
00:21:06,080 --> 00:21:06,320
Speaker 2: Yeah?

449
00:21:06,560 --> 00:21:12,160
Speaker 3: Yeah, a bit of a catchy tune and a lot

450
00:21:12,160 --> 00:21:13,800
Speaker 3: of people might not know you wouldn't.

451
00:21:14,280 --> 00:21:14,720
Speaker 2: Yeah, I know.

452
00:21:16,240 --> 00:21:17,879
Speaker 1: I know the song because mom and dad had the album.

453
00:21:19,240 --> 00:21:19,920
Speaker 1: Quite a high voice.

454
00:21:20,000 --> 00:21:21,800
Speaker 2: Yeah, there was a nil Saka album in my house,

455
00:21:22,119 --> 00:21:23,440
Speaker 2: had last Yeah.

456
00:21:23,280 --> 00:21:26,160
Speaker 1: Yeah, so we knew all those songs. Yes, he did

457
00:21:26,200 --> 00:21:28,159
Speaker 1: have a high voice. It must have falsetto, didn't he.

458
00:21:29,640 --> 00:21:37,080
Speaker 3: Yea No, have a good day, Liz in tapping last Call.

459
00:21:37,320 --> 00:21:39,640
Speaker 2: What's your your best breakup song?

460
00:21:41,160 --> 00:21:47,439
Speaker 7: It's a powerhouse a gel someone like you? Yeah, you

461
00:21:47,480 --> 00:21:49,720
Speaker 7: know that hard love that you never quite got over,

462
00:21:49,960 --> 00:21:52,360
Speaker 7: but you know good memories. Yeah?

463
00:21:52,600 --> 00:21:55,240
Speaker 1: Did you see her at be Oval, Liz? Those incredible

464
00:21:55,280 --> 00:21:56,520
Speaker 1: minds I.

465
00:21:56,560 --> 00:21:58,760
Speaker 5: Had, But you know, one of my favorite things to do.

466
00:21:58,880 --> 00:21:59,960
Speaker 5: Air glass of wine.

467
00:22:00,200 --> 00:22:00,400
Speaker 6: Yep?

468
00:22:03,720 --> 00:22:04,840
Speaker 2: Nice, thanks Liz.

469
00:22:04,920 --> 00:22:08,720
Speaker 1: Thanks. We had the week off, which was likely. It

470
00:22:08,760 --> 00:22:11,400
Speaker 1: was nice, very nice. The weather was magnificent, and then

471
00:22:11,560 --> 00:22:14,280
Speaker 1: Monday I woke up and went, it's a public holiday,

472
00:22:14,320 --> 00:22:19,000
Speaker 1: Bonus Days day, so King, thank you, King Charles, even

473
00:22:19,000 --> 00:22:21,080
Speaker 1: though it's not really his birthday right in September. So

474
00:22:21,119 --> 00:22:23,160
Speaker 1: I said, Laurie, let's make the most about bonus day.

475
00:22:23,240 --> 00:22:25,359
Speaker 1: Let's go for a walk. Let's find somewhere nice to

476
00:22:25,359 --> 00:22:27,240
Speaker 1: go for a walk, because Perth was so beautiful on

477
00:22:27,320 --> 00:22:29,960
Speaker 1: the morning. So we go for a walk, and I said,

478
00:22:30,040 --> 00:22:31,960
Speaker 1: let's go somewhere. We'll find us some water. So I said,

479
00:22:32,000 --> 00:22:34,000
Speaker 1: let's go to the river. And we ended up we

480
00:22:34,080 --> 00:22:36,240
Speaker 1: ended up going somewhere we've never walked before. We walked

481
00:22:36,840 --> 00:22:40,200
Speaker 1: in Mount Pleasant. It's an exploer, was like a tourist

482
00:22:40,280 --> 00:22:42,800
Speaker 1: in my town. So we parked under the Mount Henry

483
00:22:42,800 --> 00:22:46,520
Speaker 1: Bridge in Mount Pleasant, the Mount Henry Bridge, under the bridge,

484
00:22:47,480 --> 00:22:49,359
Speaker 1: under the bridge. Well, there's a bridge in a parking

485
00:22:49,440 --> 00:22:52,480
Speaker 1: lot underneath, right, it's better than it sounds.

486
00:22:52,520 --> 00:22:54,160
Speaker 3: Okay, there is a parking there's a.

487
00:22:54,119 --> 00:22:55,600
Speaker 1: Park car park there and a park.

488
00:22:55,800 --> 00:22:55,960
Speaker 5: Right.

489
00:22:56,080 --> 00:22:58,600
Speaker 2: Picture you pulled up on the freeway under a bridge.

490
00:22:59,520 --> 00:23:02,600
Speaker 1: So we're under the Mount Henry Bridge in Mount Pleasant,

491
00:23:02,880 --> 00:23:06,520
Speaker 1: a very pleasant suburb about Pleasant. You and I can

492
00:23:06,560 --> 00:23:09,720
Speaker 1: buy now and I put our net wealth together. Would

493
00:23:09,760 --> 00:23:13,240
Speaker 1: never live there. Like beautiful homes. They are magnificent homes, right,

494
00:23:13,680 --> 00:23:19,200
Speaker 1: So I said, let's go for it, exactly, Richie rich

495
00:23:19,200 --> 00:23:21,840
Speaker 1: over there. So we start going for a bit of

496
00:23:21,880 --> 00:23:23,760
Speaker 1: a walk. And you know me, when I haven't eaten

497
00:23:23,800 --> 00:23:25,800
Speaker 1: for a while, all right, and you know how, I'll

498
00:23:25,800 --> 00:23:28,040
Speaker 1: get a bit angry, get a bit stoppy, and get

499
00:23:28,040 --> 00:23:29,800
Speaker 1: a little bit funny.

500
00:23:29,960 --> 00:23:30,280
Speaker 2: I do.

501
00:23:30,800 --> 00:23:32,480
Speaker 1: I'm a little bit like that by the time I

502
00:23:32,480 --> 00:23:35,400
Speaker 1: get to eleven o'clock when I haven't had a coffee,

503
00:23:36,000 --> 00:23:38,479
Speaker 1: And Laurie looks at me and goes, you're a slave

504
00:23:38,560 --> 00:23:41,520
Speaker 1: to the coffee. Yeah, the things that just happened to coffee.

505
00:23:41,560 --> 00:23:43,000
Speaker 2: Yet, that's all right, I can understand.

506
00:23:43,040 --> 00:23:46,280
Speaker 1: So we start walking and everyone I reckon everyone, including

507
00:23:46,280 --> 00:23:48,600
Speaker 1: tourists in Perth were in Mount Pleasant that day. There

508
00:23:48,600 --> 00:23:51,240
Speaker 1: were people, like thousands of people everywhere. Under the bridge

509
00:23:51,480 --> 00:23:54,480
Speaker 1: was crazy under the bridge. Yeah, there were dogs everywhere.

510
00:23:54,520 --> 00:23:57,040
Speaker 1: I'm sure everyone's got two dogs in our town.

511
00:23:57,200 --> 00:23:57,840
Speaker 2: Yeah.

512
00:23:57,880 --> 00:24:01,320
Speaker 1: There were jet boats or speedboat There were jet skis

513
00:24:01,400 --> 00:24:03,720
Speaker 1: on the water. There were people with things called body

514
00:24:03,760 --> 00:24:06,359
Speaker 1: glove toetubes. Because I was looking at this, what's a

515
00:24:06,400 --> 00:24:07,480
Speaker 1: body body gloves?

516
00:24:07,480 --> 00:24:10,040
Speaker 2: A brand of these water scares like piled up like you.

517
00:24:10,400 --> 00:24:12,960
Speaker 1: Yeah, absolutely, and then Phonsie jumped the shark.

518
00:24:13,000 --> 00:24:13,720
Speaker 2: It was amazing.

519
00:24:14,760 --> 00:24:18,080
Speaker 1: Everyone was in fact beautiful public holidays. Yeah, so we start.

520
00:24:18,119 --> 00:24:20,080
Speaker 1: We spent eleven o'clock. We start working and I'm walking

521
00:24:20,080 --> 00:24:25,280
Speaker 1: like Tony from Saturday Night Fever. Right it almost fin Yeah,

522
00:24:25,880 --> 00:24:28,000
Speaker 1: it's going to do the hushle anyway. So we're working

523
00:24:28,000 --> 00:24:30,480
Speaker 1: along and Lorrie goes, I know you need a coffee.

524
00:24:30,480 --> 00:24:32,359
Speaker 1: You can see the change, the changing shape of your

525
00:24:32,400 --> 00:24:35,800
Speaker 1: face is look a bit angry. So I go, oh, look,

526
00:24:35,800 --> 00:24:37,879
Speaker 1: and she goes, look there's a coffee van. So I

527
00:24:37,920 --> 00:24:40,359
Speaker 1: start strutting over to the coffee van until I see

528
00:24:40,520 --> 00:24:43,000
Speaker 1: there were twenty five people in the queue. Oh now,

529
00:24:43,320 --> 00:24:46,040
Speaker 1: I really love a coffee. But twenty five that's too much.

530
00:24:46,200 --> 00:24:48,800
Speaker 2: That's twenty five that have got to be made exactly.

531
00:24:48,880 --> 00:24:51,399
Speaker 1: And I'm looking like grabbing a can of fan room,

532
00:24:51,440 --> 00:24:53,800
Speaker 1: looking at the poor sweating barista, and he's in a caravan.

533
00:24:53,840 --> 00:24:56,359
Speaker 1: He's even hotter, poor bugger. And I go, look, let's

534
00:24:56,359 --> 00:24:58,119
Speaker 1: not worry about it. I'll get one at dome up

535
00:24:58,119 --> 00:24:59,800
Speaker 1: the road, because I've seen the dome on the way through.

536
00:25:00,320 --> 00:25:02,240
Speaker 1: So we go walking and that's when I was sorting

537
00:25:02,280 --> 00:25:04,240
Speaker 1: all the people on the river and people loving life

538
00:25:04,240 --> 00:25:05,960
Speaker 1: because it's perfect twenty five.

539
00:25:06,200 --> 00:25:08,920
Speaker 2: Everybody have a takeaway coffee cup man pretty much.

540
00:25:10,000 --> 00:25:11,960
Speaker 1: So as we approached the dome, I said, I'll just

541
00:25:11,960 --> 00:25:13,760
Speaker 1: get a coffee at dome, right, So we get to

542
00:25:13,800 --> 00:25:17,160
Speaker 1: the dome, Aunt Pleasant, We get to the Dome. The queue,

543
00:25:17,240 --> 00:25:20,000
Speaker 1: I'm kidding. I'm not kidding, Lise, I would have a lie.

544
00:25:20,080 --> 00:25:22,239
Speaker 1: There were fifty people queued up for a coffee at

545
00:25:22,240 --> 00:25:25,040
Speaker 1: the dome. Mount Pleasant, not so pleasant if you want

546
00:25:25,080 --> 00:25:27,000
Speaker 1: to que up for and I'm saying, I'm thinking, what's

547
00:25:27,040 --> 00:25:29,119
Speaker 1: the quickest they'll make a dough? If you ever make a

548
00:25:29,119 --> 00:25:31,760
Speaker 1: coffee here at Dome. Maybe for these people, I reckon

549
00:25:31,800 --> 00:25:33,439
Speaker 1: I'd be waiting at least twenty five minutes.

550
00:25:33,920 --> 00:25:34,280
Speaker 2: Easy.

551
00:25:35,520 --> 00:25:36,200
Speaker 1: Guess what I did?

552
00:25:36,600 --> 00:25:37,760
Speaker 2: You ateed twenty five minutes?

553
00:25:37,800 --> 00:25:37,840
Speaker 6: No?

554
00:25:38,160 --> 00:25:39,080
Speaker 2: Oh I did? I didn't.

555
00:25:39,119 --> 00:25:42,880
Speaker 1: I went home and had a pod Oh yeah, angry record.

556
00:25:43,000 --> 00:25:45,439
Speaker 1: By the time I got home, we're still strutting like

557
00:25:45,720 --> 00:25:47,080
Speaker 1: no angry.

558
00:25:47,080 --> 00:25:47,440
Speaker 2: I drove.

559
00:25:47,400 --> 00:25:48,199
Speaker 1: I'm really fast.

560
00:25:49,000 --> 00:25:50,760
Speaker 2: We have been hunched over by this stage.

561
00:25:50,880 --> 00:25:52,600
Speaker 1: Mount Pleasant, I love you, but for me it wasn't

562
00:25:52,640 --> 00:25:54,760
Speaker 1: the most pleasant daker. They couldn't get a bloody coffee,

563
00:25:55,160 --> 00:25:55,560
Speaker 1: did get it?

564
00:25:55,560 --> 00:25:55,800
Speaker 2: Apart.

565
00:25:56,080 --> 00:25:57,760
Speaker 1: I did get a part under the Bridge.

566
00:25:57,960 --> 00:26:01,960
Speaker 3: It's more Clezy, more Lisa, more podcasts soon.

567
00:26:04,960 --> 00:26:11,240
Speaker 2: The Sure Report. I'm ninety six Eva Michelle Pfeiffer.

568
00:26:11,800 --> 00:26:14,320
Speaker 3: One of the most beautiful women in the world, isn't she?

569
00:26:14,320 --> 00:26:18,480
Speaker 3: She's still as she's breaking her number one rule. She's

570
00:26:18,520 --> 00:26:22,560
Speaker 3: working with her husband, maker of TV Gold, David E. Kelly,

571
00:26:22,960 --> 00:26:26,919
Speaker 3: for the first time in thirty one years. I just

572
00:26:26,960 --> 00:26:28,920
Speaker 3: love that they've been married for thirty one years because

573
00:26:28,960 --> 00:26:29,680
Speaker 3: they are just my.

574
00:26:29,680 --> 00:26:33,119
Speaker 2: Favorite Hollywood couple ever. He is a genius.

575
00:26:33,400 --> 00:26:35,560
Speaker 3: Now she's breaking her rule to keep home and work

576
00:26:35,600 --> 00:26:38,520
Speaker 3: life separate to star in a new series called Margo's

577
00:26:38,520 --> 00:26:41,680
Speaker 3: Got Money Troubles for Apple TV, plus co stars Nicole

578
00:26:41,760 --> 00:26:43,280
Speaker 3: Kidman and Elle Fanny.

579
00:26:43,280 --> 00:26:45,120
Speaker 2: It's based on the book by Rufi Thorpe.

580
00:26:45,359 --> 00:26:48,639
Speaker 3: Peifer and Kelly have never worked together throughout their marriage

581
00:26:48,680 --> 00:26:51,720
Speaker 3: because they feared it would be too risky. After thirty

582
00:26:51,760 --> 00:26:54,400
Speaker 3: one years, though, they figured they'll be okay. They can

583
00:26:54,440 --> 00:26:58,480
Speaker 3: probably say whatever needed to say and not take it

584
00:26:58,640 --> 00:27:03,199
Speaker 3: too seriously. I've or personally, I've just watched the trailer

585
00:27:03,240 --> 00:27:08,400
Speaker 3: this morning for a beautiful new Nature docuseries coming to Netflix.

586
00:27:08,520 --> 00:27:12,679
Speaker 3: It's about the amazing things that live really deep below

587
00:27:12,760 --> 00:27:16,280
Speaker 3: us in the sea. It's called Our Oceans, and like

588
00:27:16,400 --> 00:27:19,119
Speaker 3: all good nature docks, it's narrated by someone with a

589
00:27:19,119 --> 00:27:22,879
Speaker 3: fabulous voice. It's not Morgan Freeman, it's not David Attenborough's

590
00:27:22,920 --> 00:27:23,359
Speaker 3: this guy.

591
00:27:23,880 --> 00:27:27,880
Speaker 1: The world will never be the same once you've seen

592
00:27:27,920 --> 00:27:28,679
Speaker 1: it from below.

593
00:27:29,480 --> 00:27:34,560
Speaker 3: America's former President Barack Obama helms this fascinating series, which

594
00:27:34,560 --> 00:27:37,320
Speaker 3: premiere is on Netflix on November twenty. It looks really

595
00:27:37,359 --> 00:27:39,760
Speaker 3: good because you know, people love to go into space.

596
00:27:40,240 --> 00:27:44,160
Speaker 3: I've always been way more fascinated by what's down there than.

597
00:27:44,000 --> 00:27:45,919
Speaker 1: By what's up there, as long as we don't have

598
00:27:45,920 --> 00:27:48,480
Speaker 1: to go in one of those little tub chefs dress.

599
00:27:48,560 --> 00:27:49,199
Speaker 2: I don't know.

600
00:27:49,880 --> 00:27:53,199
Speaker 3: I think they send unmanned, unpersoned yes and.

601
00:27:54,960 --> 00:27:55,280
Speaker 2: Whatever.

602
00:27:55,920 --> 00:27:59,240
Speaker 3: Speaking of trailers, there's one out today for the upcoming

603
00:27:59,320 --> 00:28:02,480
Speaker 3: Bruce springst In doc o. It's called Road Diary Bruce

604
00:28:02,520 --> 00:28:04,760
Speaker 3: Springsteen and the E Street Band. We get up close

605
00:28:04,760 --> 00:28:08,520
Speaker 3: and personal at rehearsals, backstage, and in interviews with the

606
00:28:08,520 --> 00:28:11,240
Speaker 3: Boss and the band on their most recent tour.

607
00:28:14,240 --> 00:28:14,440
Speaker 2: Too.

608
00:28:19,040 --> 00:28:21,720
Speaker 8: Since I was sixteen, playing live has been a deep

609
00:28:21,800 --> 00:28:25,480
Speaker 8: and lasting part of who I am and how I

610
00:28:25,640 --> 00:28:27,680
Speaker 8: justify my existence here on Earth.

611
00:28:31,040 --> 00:28:33,399
Speaker 2: Fifty Years and the Mighty Street Bad.

612
00:28:34,920 --> 00:28:37,240
Speaker 8: But when the world shut down, I made a promise

613
00:28:37,240 --> 00:28:39,560
Speaker 8: that if we got through this, I throw the biggest

614
00:28:39,560 --> 00:28:40,320
Speaker 8: party I could.

615
00:28:40,600 --> 00:28:42,840
Speaker 2: Can't disappoint the band. I can't do that.

616
00:28:43,760 --> 00:28:46,120
Speaker 3: It's a lot of Bruce stuff at the moment, isn't there?

617
00:28:46,120 --> 00:28:48,480
Speaker 3: Because I mean, there's the movie that they're making with

618
00:28:48,560 --> 00:28:50,840
Speaker 3: the guy from the Bear playing young Bruce.

619
00:28:50,880 --> 00:28:51,520
Speaker 1: It'll be brilliant.

620
00:28:51,800 --> 00:28:53,640
Speaker 3: Not too long to wait for this Stockoh it's out

621
00:28:53,640 --> 00:28:56,760
Speaker 3: on October twenty five, so one month from today, when

622
00:28:56,760 --> 00:28:58,960
Speaker 3: you can expect Smiley to say two months to Chris,

623
00:28:59,080 --> 00:29:02,880
Speaker 3: absolutely sorry, you've been playing along for me?

624
00:29:03,640 --> 00:29:06,400
Speaker 2: No, you know you're ear It's on Disney Plus.

625
00:29:06,480 --> 00:29:08,840
Speaker 1: Very good. He's not slowing down, Bruce, is he not?

626
00:29:08,960 --> 00:29:09,280
Speaker 2: At all?

627
00:29:09,800 --> 00:29:13,520
Speaker 3: Julian's Auctions held their Friend's thirtieth anniversary auction yesterday, where

628
00:29:13,520 --> 00:29:16,680
Speaker 3: a studio made reproduction of the iconic couch from the

629
00:29:16,720 --> 00:29:19,719
Speaker 3: opening credits sold from US thirty thousand dollars. It's not

630
00:29:19,800 --> 00:29:23,640
Speaker 3: even the actual couch, it's just a replica. It was

631
00:29:23,680 --> 00:29:29,000
Speaker 3: initially estimated to fetch two or three grand, but some gullible.

632
00:29:29,440 --> 00:29:32,360
Speaker 2: Some twitch with more money than he's going to try

633
00:29:32,400 --> 00:29:33,600
Speaker 2: to tell his mate.

634
00:29:33,560 --> 00:29:35,280
Speaker 3: This is the one that they sat in, you know,

635
00:29:35,360 --> 00:29:38,120
Speaker 3: in front of the water feature. It's not It's one

636
00:29:38,160 --> 00:29:40,600
Speaker 3: they got from Ikea. See where gin set and put

637
00:29:40,680 --> 00:29:45,800
Speaker 3: some fringe on it. The Perth International Burlesque Festival begins

638
00:29:45,800 --> 00:29:48,120
Speaker 3: this Friday and runs until the ninth of November. All

639
00:29:48,200 --> 00:29:52,080
Speaker 3: information and tickets through Perth Burlesque Festival dot com and

640
00:29:52,160 --> 00:29:55,240
Speaker 3: one of its stars is joining us right now.

641
00:30:00,680 --> 00:30:03,240
Speaker 2: This is a lot of the more we did there

642
00:30:03,280 --> 00:30:04,240
Speaker 2: already too young.

643
00:30:04,480 --> 00:30:07,040
Speaker 9: Oh, to be honest, I don't know what you did there.

644
00:30:08,600 --> 00:30:09,240
Speaker 1: We shoued.

645
00:30:12,320 --> 00:30:17,200
Speaker 6: Yes, I'm feeling fabulous. If only the listeners could see

646
00:30:17,200 --> 00:30:18,080
Speaker 6: how I look right now.

647
00:30:18,760 --> 00:30:19,600
Speaker 2: You look amazing.

648
00:30:19,840 --> 00:30:22,320
Speaker 9: Thank you so much. I did this time in the

649
00:30:22,360 --> 00:30:23,640
Speaker 9: morning because you did show.

650
00:30:23,560 --> 00:30:25,280
Speaker 3: Up a little early, and I'm just wondering if you

651
00:30:25,360 --> 00:30:27,560
Speaker 3: popped across the road and set outside the cafe and

652
00:30:28,080 --> 00:30:29,560
Speaker 3: it attracted any attention.

653
00:30:29,720 --> 00:30:30,680
Speaker 2: Prope their wife.

654
00:30:30,680 --> 00:30:34,440
Speaker 6: I think we were nine to five workers by a

655
00:30:34,440 --> 00:30:35,240
Speaker 6: little bit confused.

656
00:30:35,280 --> 00:30:39,840
Speaker 1: Maybe you're milling around too much. Probably spectacular.

657
00:30:40,560 --> 00:30:41,360
Speaker 9: Thank you so much.

658
00:30:41,360 --> 00:30:42,960
Speaker 2: I appreciate this is.

659
00:30:42,920 --> 00:30:46,960
Speaker 3: The eleventh year of the festival. How did you get

660
00:30:46,960 --> 00:30:48,600
Speaker 3: I mean, you haven't been doing it eleven years because

661
00:30:48,640 --> 00:30:49,200
Speaker 3: you're not that old.

662
00:30:49,240 --> 00:30:50,960
Speaker 2: But how did you get into burlesque?

663
00:30:51,400 --> 00:30:54,479
Speaker 6: So I used to be a Mula Moruge dancers dancing

664
00:30:54,480 --> 00:30:57,920
Speaker 6: in Paris for three years, and whilst I was over there,

665
00:30:58,000 --> 00:31:03,320
Speaker 6: Devontice was touring her show and I went and I

666
00:31:03,360 --> 00:31:05,280
Speaker 6: had a meet and greet ticket, so I got to

667
00:31:05,360 --> 00:31:08,920
Speaker 6: talk to her and she said, oh, you should do burlesque,

668
00:31:09,040 --> 00:31:12,000
Speaker 6: and I was like, really, maybe I should. And all

669
00:31:12,000 --> 00:31:15,160
Speaker 6: the performance were so incredible. I loved the individuality they

670
00:31:15,600 --> 00:31:18,720
Speaker 6: brought to all their performances and that's something that as

671
00:31:18,760 --> 00:31:20,479
Speaker 6: a chorus line dancer you can't really do.

672
00:31:20,800 --> 00:31:23,360
Speaker 2: I'm just trying. I'm just sort of breaking this all down.

673
00:31:23,800 --> 00:31:27,440
Speaker 3: I was with Moulin Rouge and I was pretty much

674
00:31:27,680 --> 00:31:29,160
Speaker 3: discovered by Dita Vontee.

675
00:31:30,400 --> 00:31:33,040
Speaker 2: I'm just trying to take that in as you just

676
00:31:33,320 --> 00:31:37,160
Speaker 2: casually talk about it, like you know, over across on the.

677
00:31:39,600 --> 00:31:39,840
Speaker 1: Path.

678
00:31:41,000 --> 00:31:43,280
Speaker 9: Well, you know, just a casual life from nineteen year old.

679
00:31:43,720 --> 00:31:46,960
Speaker 1: Really that's unreal. But three years of dancing, a lot

680
00:31:46,960 --> 00:31:47,760
Speaker 1: of hard work and.

681
00:31:48,040 --> 00:31:51,640
Speaker 6: Yes, extremely hard work, many a camp and it's twelve

682
00:31:51,640 --> 00:31:55,800
Speaker 6: shows a week, so one day off, you know, and.

683
00:31:55,760 --> 00:32:00,000
Speaker 10: A lot of sacrifice, lots of injuries to oh yes, yeah,

684
00:32:00,320 --> 00:32:06,000
Speaker 10: a lot of falling on stage two others.

685
00:32:08,040 --> 00:32:10,680
Speaker 2: But you were a ballet dancer, weren't you know about So?

686
00:32:12,000 --> 00:32:14,000
Speaker 9: I was a ballet dancer for sixteen years.

687
00:32:14,080 --> 00:32:15,480
Speaker 2: Yeah, so we've.

688
00:32:15,360 --> 00:32:16,200
Speaker 9: Been on a journey.

689
00:32:16,240 --> 00:32:17,080
Speaker 1: Is that when you were three?

690
00:32:17,680 --> 00:32:22,880
Speaker 6: Two just started walking and they're not going. Yes.

691
00:32:25,520 --> 00:32:28,480
Speaker 3: So you've been described as I don't know who describes

692
00:32:28,480 --> 00:32:30,640
Speaker 3: you as this, but as the Eiffel Tower crossed with

693
00:32:30,680 --> 00:32:34,880
Speaker 3: an eighties rock show, which is damn cool. What is

694
00:32:34,920 --> 00:32:38,080
Speaker 3: it about the Parisian style of burlesque that resonates with

695
00:32:38,200 --> 00:32:38,920
Speaker 3: you so much?

696
00:32:39,680 --> 00:32:39,920
Speaker 9: So?

697
00:32:40,280 --> 00:32:43,760
Speaker 6: While I was in Paris dancing at the Moulan Rouge,

698
00:32:43,840 --> 00:32:46,000
Speaker 6: I would go and see the other cabaret shows that

699
00:32:46,040 --> 00:32:49,560
Speaker 6: were there, For instance, the Crazy Horse in Paris. That

700
00:32:49,760 --> 00:32:53,280
Speaker 6: was my favorite show to go and watch. I loved

701
00:32:53,280 --> 00:32:55,640
Speaker 6: that all the dancers, well, they all had the bob

702
00:32:55,760 --> 00:32:59,960
Speaker 6: haircr they all looked really similar. They had these French

703
00:33:00,120 --> 00:33:03,960
Speaker 6: stage names, and I was just really jealous. I want

704
00:33:03,960 --> 00:33:06,240
Speaker 6: to do that. So then I came back to Perth

705
00:33:06,320 --> 00:33:08,560
Speaker 6: and originally I was like, I'm going to be perse

706
00:33:08,720 --> 00:33:12,960
Speaker 6: like Crazy Horse dancer. Ye had the bob haircut, had

707
00:33:12,960 --> 00:33:18,720
Speaker 6: the French name. But my music influences come from my dad.

708
00:33:18,920 --> 00:33:20,600
Speaker 6: So my dad's a rocker, he's.

709
00:33:20,400 --> 00:33:20,960
Speaker 2: In a band.

710
00:33:21,760 --> 00:33:23,840
Speaker 9: I've grown up with all of that.

711
00:33:23,960 --> 00:33:28,520
Speaker 6: Music, so I kind of fused the two the Parisian style,

712
00:33:28,720 --> 00:33:31,000
Speaker 6: but I do a lot of eighties rocks.

713
00:33:31,920 --> 00:33:32,640
Speaker 2: It works.

714
00:33:33,520 --> 00:33:35,959
Speaker 9: So that's kind of how branding came about.

715
00:33:37,280 --> 00:33:40,120
Speaker 6: So as you can both see sitting here, yes, addressed

716
00:33:40,120 --> 00:33:43,960
Speaker 6: as a show girl, but also covered in tattoo. That

717
00:33:44,120 --> 00:33:50,360
Speaker 6: is very much my style around there, Barb, we're talking

718
00:33:50,360 --> 00:33:52,200
Speaker 6: about I'm.

719
00:33:52,080 --> 00:33:56,360
Speaker 1: A huge Barb Barbara. When we were talking about breakup songs,

720
00:33:57,440 --> 00:33:59,760
Speaker 1: there's a couple of because we're Barbara.

721
00:34:00,080 --> 00:34:03,880
Speaker 3: As you would know, Barbara loves a victim song. And yes,

722
00:34:04,080 --> 00:34:06,600
Speaker 3: you know, so my man funny girl.

723
00:34:07,680 --> 00:34:08,919
Speaker 9: So this is a funny girl.

724
00:34:12,120 --> 00:34:14,319
Speaker 1: It must have been great to get out from, you know,

725
00:34:14,400 --> 00:34:16,680
Speaker 1: dancing with so many other people, to find your individuality

726
00:34:16,719 --> 00:34:17,240
Speaker 1: and going.

727
00:34:18,560 --> 00:34:20,360
Speaker 9: Yeah, because I'm a very creative person.

728
00:34:20,440 --> 00:34:22,960
Speaker 6: And that's the joy of burlesque is that everyone gets

729
00:34:23,000 --> 00:34:27,080
Speaker 6: to share their creativity. And it's amazing watching other burless

730
00:34:27,160 --> 00:34:30,040
Speaker 6: dancers perform and thinking how did they think of this concept?

731
00:34:30,520 --> 00:34:32,719
Speaker 6: How do they do this costume? And it's you're just

732
00:34:32,800 --> 00:34:35,560
Speaker 6: constantly inspired and you just want to keep creating, and

733
00:34:35,600 --> 00:34:37,200
Speaker 6: then you just keep spending lots of.

734
00:34:37,160 --> 00:34:39,000
Speaker 9: Money and you just don't stop.

735
00:34:40,719 --> 00:34:42,880
Speaker 3: I mean it does seem to be an area of

736
00:34:43,640 --> 00:34:46,839
Speaker 3: you know, stage that you definitely shared your inhibitions and

737
00:34:47,080 --> 00:34:48,000
Speaker 3: anything goes.

738
00:34:48,080 --> 00:34:49,960
Speaker 9: So that makes us very liberating.

739
00:34:50,400 --> 00:34:53,560
Speaker 2: Love it. Now I have to ask living in Paris,

740
00:34:53,640 --> 00:34:54,400
Speaker 2: was it like Emily?

741
00:34:56,360 --> 00:34:59,480
Speaker 6: When I was just talking about this, I'm going to say.

742
00:34:59,280 --> 00:35:03,760
Speaker 9: Emily in Paris, she lived a more glamorous life.

743
00:35:04,880 --> 00:35:08,200
Speaker 6: So I mean, you're Mulan Maruge is obviously still a

744
00:35:08,360 --> 00:35:13,120
Speaker 6: very glamorous lifestyle, VIP and all the clubs, free drinks,

745
00:35:13,200 --> 00:35:14,360
Speaker 6: invited to shows.

746
00:35:17,160 --> 00:35:19,399
Speaker 9: But yeah, Paris can be a bit grubby too.

747
00:35:20,080 --> 00:35:22,800
Speaker 1: You're not like me with my wife on the honeymoon.

748
00:35:23,280 --> 00:35:28,640
Speaker 6: Yeah, no, no, bit different. I was nineteen at the time.

749
00:35:28,719 --> 00:35:31,360
Speaker 6: I was having fun. Of course, I'm not a ballet

750
00:35:31,440 --> 00:35:33,080
Speaker 6: dancer anymore, that's loose.

751
00:35:33,880 --> 00:35:36,840
Speaker 2: Yeah, absolutely went in Paris.

752
00:35:37,040 --> 00:35:39,120
Speaker 3: Now the show's head out of Perth as well. You're

753
00:35:39,160 --> 00:35:41,319
Speaker 3: going to Gerylton, you're going to Albany. How do you

754
00:35:41,360 --> 00:35:44,239
Speaker 3: find the audiences different at all?

755
00:35:44,719 --> 00:35:48,120
Speaker 6: So I've done a couple of the regional shows the past.

756
00:35:48,200 --> 00:35:51,640
Speaker 9: I've done Gelton and I've done Calgooley and.

757
00:35:53,080 --> 00:35:55,759
Speaker 6: Yeah, like my Miller, Queen of the desert always like

758
00:35:55,880 --> 00:35:58,719
Speaker 6: burlest dancers and a little bus on their way to

759
00:35:58,840 --> 00:36:02,960
Speaker 6: the festival. The crowds love it because for them it's

760
00:36:03,040 --> 00:36:07,880
Speaker 6: so exciting to have these shows show love entertainments, especially

761
00:36:07,880 --> 00:36:11,600
Speaker 6: burless shows, because for some people this is still something

762
00:36:11,600 --> 00:36:16,920
Speaker 6: that can seem controversial. For us, it's probably yeah, But

763
00:36:17,239 --> 00:36:19,040
Speaker 6: so at first I was like, I wonder how this

764
00:36:19,160 --> 00:36:22,839
Speaker 6: like regional town is going to take it. They loved it. Oh,

765
00:36:22,880 --> 00:36:25,839
Speaker 6: they were screaming so loud. The theaters are beautiful there.

766
00:36:26,360 --> 00:36:30,200
Speaker 6: Some of my favorite performances I've done have been regional shows.

767
00:36:30,760 --> 00:36:32,279
Speaker 1: Diggers and Dealers that would have gone you would have

768
00:36:32,320 --> 00:36:33,000
Speaker 1: gone down very well.

769
00:36:33,360 --> 00:36:33,560
Speaker 8: Yeah.

770
00:36:33,600 --> 00:36:34,239
Speaker 9: Absolutely.

771
00:36:38,160 --> 00:36:39,680
Speaker 1: I was going to ask about the crowds. Do you

772
00:36:39,680 --> 00:36:41,400
Speaker 1: see a lot of like you see a lot of

773
00:36:41,400 --> 00:36:43,080
Speaker 1: men in the crowds as well as women when you're

774
00:36:43,120 --> 00:36:44,000
Speaker 1: doing normal shows.

775
00:36:44,200 --> 00:36:45,120
Speaker 2: What do you think.

776
00:36:47,560 --> 00:36:49,920
Speaker 6: We have a lot of like a lot of burlesque

777
00:36:49,960 --> 00:36:52,440
Speaker 6: husbands that come and watch, a lot of partners like

778
00:36:52,520 --> 00:36:54,400
Speaker 6: I wat, we do have a lot of men in

779
00:36:54,440 --> 00:36:58,560
Speaker 6: the audience. But I find that because burlesque is built

780
00:36:58,920 --> 00:37:05,440
Speaker 6: off feminism, Yeah, it is women predominantly, and it's actually

781
00:37:05,440 --> 00:37:08,239
Speaker 6: great because we have so many women come through and

782
00:37:08,280 --> 00:37:14,120
Speaker 6: because burlesque is so diverse. We have people from all

783
00:37:14,200 --> 00:37:18,480
Speaker 6: different backgrounds, different races, different body sizes, different sexualities, like

784
00:37:18,560 --> 00:37:22,200
Speaker 6: everyone's coming together. People come and watch burlesh shows and

785
00:37:22,239 --> 00:37:25,799
Speaker 6: they feel so represented because they see someone on stage

786
00:37:26,719 --> 00:37:29,240
Speaker 6: that looks like them, and then it makes them think,

787
00:37:29,520 --> 00:37:31,359
Speaker 6: I'm going to be able to do this because I'm

788
00:37:31,400 --> 00:37:35,160
Speaker 6: seeing myself on stage and that's something that's so incredible

789
00:37:35,200 --> 00:37:35,600
Speaker 6: about it.

790
00:37:35,640 --> 00:37:36,960
Speaker 9: Our community is beautiful.

791
00:37:37,040 --> 00:37:40,960
Speaker 3: Well, we thank you for your service because it's empowering.

792
00:37:41,040 --> 00:37:45,200
Speaker 3: The burbles Festival begins this Friday. It runs right through

793
00:37:45,239 --> 00:37:48,560
Speaker 3: to the ninth of November. Information and tickets can be

794
00:37:48,600 --> 00:37:51,440
Speaker 3: obtained through Perth Burlesque Festival dot com.

795
00:37:51,440 --> 00:37:52,080
Speaker 1: Thanks for joinings.

796
00:37:52,360 --> 00:37:53,200
Speaker 2: Thank you so much.

797
00:37:53,239 --> 00:37:54,680
Speaker 1: You at the coffee shop over the road. What you

798
00:37:54,680 --> 00:37:55,600
Speaker 1: to go back? Yeah?

799
00:37:55,719 --> 00:37:57,000
Speaker 9: I mean and green sign on it.

800
00:37:57,560 --> 00:38:01,160
Speaker 2: Let's go. Thank you, Thank you so much. Thank you,

801
00:38:01,880 --> 00:38:04,800
Speaker 2: Crazy and Lisa ninety six am