1 00:00:01,240 --> 00:00:05,200 Speaker 1: Powered by the iHeartRadio app from ninety six AIRVM to 2 00:00:05,280 --> 00:00:06,960 Speaker 1: where Hebb You're listening today? 3 00:00:07,320 --> 00:00:10,800 Speaker 2: This is Cleesy and Lisa's podcast coming off. 4 00:00:10,800 --> 00:00:13,360 Speaker 3: On the podcast today we asked the question are you 5 00:00:13,440 --> 00:00:15,640 Speaker 3: still living together after a breakup? 6 00:00:15,920 --> 00:00:19,040 Speaker 4: Can be awkward. Our pub crawl continued with great memories 7 00:00:19,079 --> 00:00:21,079 Speaker 4: of bands in Perth in the eighties and Neil Randall, 8 00:00:21,120 --> 00:00:22,640 Speaker 4: former owner of the Shantz, joined us. 9 00:00:22,760 --> 00:00:25,919 Speaker 3: Ben o'het reviews Long Legs been a big hit in 10 00:00:25,960 --> 00:00:26,480 Speaker 3: the US. 11 00:00:26,720 --> 00:00:28,680 Speaker 4: Lisa had the Emmy nominations and the Shore. 12 00:00:28,480 --> 00:00:31,320 Speaker 3: Report and Clarsy's Tale of a Man stuck in a 13 00:00:31,400 --> 00:00:33,080 Speaker 3: lift for forty two hours. 14 00:00:33,200 --> 00:00:34,920 Speaker 4: Like you said, that's a lot of lyft music. We 15 00:00:35,040 --> 00:00:37,400 Speaker 4: would be singing a men at Work song to twelve 16 00:00:37,440 --> 00:00:39,519 Speaker 4: hundred people. The men at Work began the road. I 17 00:00:39,520 --> 00:00:41,320 Speaker 4: don't need to the people party in the venue, but 18 00:00:41,479 --> 00:00:41,880 Speaker 4: the bands. 19 00:00:41,880 --> 00:00:42,440 Speaker 5: It was a wave. 20 00:00:42,560 --> 00:00:46,200 Speaker 4: Lio Colezy and Lisa's p Pub Crawl twenty six AFM 21 00:00:46,280 --> 00:00:48,880 Speaker 4: Claresy and Lisa and Lisa our continued trek through the 22 00:00:49,040 --> 00:00:50,519 Speaker 4: We're doing the Perth pub Crawl, aren't we? 23 00:00:50,600 --> 00:00:51,000 Speaker 2: Yeah? 24 00:00:51,040 --> 00:00:53,559 Speaker 4: And when you throw in names like the Paddo, the 25 00:00:53,600 --> 00:00:55,920 Speaker 4: Shentz and the Warwick, we speak of the Paddington Aale House, 26 00:00:56,080 --> 00:00:58,560 Speaker 4: the Shenton Park Hotel and the Warrick Hotel. You're talking 27 00:00:58,560 --> 00:01:01,280 Speaker 4: about some great live music venuse and we're going this 28 00:01:01,360 --> 00:01:03,279 Speaker 4: time off stage into the other side of the bar, 29 00:01:03,400 --> 00:01:05,720 Speaker 4: or at least into the manager's office and the man 30 00:01:05,760 --> 00:01:08,600 Speaker 4: who had a lot of those those businesses. Neil Randall 31 00:01:08,680 --> 00:01:09,720 Speaker 4: joins as Neil welcome. 32 00:01:10,680 --> 00:01:12,039 Speaker 6: Thanks, Clarzy, great to be. 33 00:01:12,319 --> 00:01:14,399 Speaker 2: Thanks for coming into reminiscent with us. 34 00:01:14,560 --> 00:01:18,319 Speaker 3: Neil is such it was such an active live scene 35 00:01:18,760 --> 00:01:21,000 Speaker 3: at this in this period during the eighties when you 36 00:01:21,040 --> 00:01:24,240 Speaker 3: were at the thick of it owning these clubs, pubs. 37 00:01:24,760 --> 00:01:28,000 Speaker 1: Yeah, I look it was. I wished every deck and 38 00:01:28,080 --> 00:01:30,000 Speaker 1: it could be like the eighties. Yeah, well, he just 39 00:01:30,120 --> 00:01:32,800 Speaker 1: used to have so much fun. Yeah, in Osex rock 40 00:01:32,840 --> 00:01:37,400 Speaker 1: and roll, the beers flowed and everyone just had fun. 41 00:01:37,440 --> 00:01:40,319 Speaker 1: There's plenty of money around. I mean that era that 42 00:01:40,440 --> 00:01:44,039 Speaker 1: decade we won the Americas can't West Coast Eagles came 43 00:01:44,080 --> 00:01:48,920 Speaker 1: in and Clarzy SF you won two Premiers Blood Lions. 44 00:01:49,280 --> 00:01:51,680 Speaker 6: That the rock and roll scene was incredible. 45 00:01:51,880 --> 00:01:53,320 Speaker 2: I used to pour over that gig. 46 00:01:53,360 --> 00:01:55,600 Speaker 3: Guy that had come out on it came out on 47 00:01:55,640 --> 00:01:57,840 Speaker 3: Wednesday afternoon or Thursday morning, I'd pour over it like 48 00:01:57,880 --> 00:02:00,960 Speaker 3: a gambler. With the tab guide it you would map 49 00:02:01,000 --> 00:02:04,320 Speaker 3: out your Thursday night, Friday night, Saturday night, and Sunday night. 50 00:02:04,720 --> 00:02:08,000 Speaker 1: Absolutely, there was so much choice. I remember in the 51 00:02:08,120 --> 00:02:12,920 Speaker 1: day there was a raffles going off the Windsories, the 52 00:02:13,000 --> 00:02:18,200 Speaker 1: Other Fly was just starting at Scares. Yeah, incredible, and 53 00:02:18,360 --> 00:02:21,320 Speaker 1: we were lucky to have such a great room at 54 00:02:21,360 --> 00:02:24,239 Speaker 1: the Shens and only fee at about four or five hundred. 55 00:02:24,320 --> 00:02:26,200 Speaker 6: But Jesus used to stack them in there. 56 00:02:26,320 --> 00:02:28,440 Speaker 4: Yeah, and we were part of it. We were in 57 00:02:28,480 --> 00:02:29,880 Speaker 4: the crowd that was usually of it. 58 00:02:29,800 --> 00:02:31,600 Speaker 2: It was just the right size crowd. 59 00:02:32,520 --> 00:02:38,120 Speaker 3: Hub Gig was the acoustics there, sensation absolute and it 60 00:02:38,280 --> 00:02:38,920 Speaker 3: just abounded. 61 00:02:38,960 --> 00:02:40,639 Speaker 6: It was a great place to work. 62 00:02:40,720 --> 00:02:40,919 Speaker 5: Yeah. 63 00:02:41,080 --> 00:02:43,840 Speaker 3: Some of the bands that performed there gurus of course 64 00:02:43,840 --> 00:02:46,840 Speaker 3: in excess, Pages and Dockers, cruel see Paul Kelly Off 65 00:02:46,880 --> 00:02:50,680 Speaker 3: the Dye, the Stems, the Triffords, the jam Tarts. We 66 00:02:50,880 --> 00:02:54,080 Speaker 3: I mean, even back then in the eighties we had 67 00:02:54,160 --> 00:02:56,639 Speaker 3: such a healthy scene of local music. 68 00:02:56,720 --> 00:02:58,960 Speaker 6: It was not a need touring bands. 69 00:02:59,040 --> 00:03:00,920 Speaker 2: Yeah, at the locals. 70 00:03:00,919 --> 00:03:03,840 Speaker 6: You know, Dave Warner and the Suburbs comes to mind. 71 00:03:03,680 --> 00:03:06,519 Speaker 4: Absolutely fantastic. The Suburban Boy himself. 72 00:03:06,600 --> 00:03:10,200 Speaker 1: Yes, exactly, And I'll tell you just a little added 73 00:03:10,560 --> 00:03:14,840 Speaker 1: to this. My son Ben where we lived at the sheds, 74 00:03:14,880 --> 00:03:17,200 Speaker 1: my wife and our two boys at the stage. Yeah, 75 00:03:17,440 --> 00:03:20,040 Speaker 1: we went down there one sad diva. I could hear 76 00:03:20,040 --> 00:03:25,040 Speaker 1: this tingering and there was Ben and excess as drums. 77 00:03:27,240 --> 00:03:31,240 Speaker 4: Four its. 78 00:03:32,760 --> 00:03:36,000 Speaker 2: You lived at the sheds, you mean literally, okay. 79 00:03:38,520 --> 00:03:43,360 Speaker 4: To escape work there for the world made. I remember 80 00:03:43,400 --> 00:03:44,920 Speaker 4: when I was too young to get into the Warrick, 81 00:03:45,000 --> 00:03:46,480 Speaker 4: so my mate and I would sit on our bikes 82 00:03:46,520 --> 00:03:48,360 Speaker 4: on the roof of the Warwick shops and watch the 83 00:03:48,440 --> 00:03:53,080 Speaker 4: fights after getting on a Sunday session getting the Warwick. 84 00:03:53,320 --> 00:03:54,880 Speaker 4: It wasn't all fights. There was a lot going on 85 00:03:55,000 --> 00:03:57,240 Speaker 4: there and some great bands drawing huge crowds. 86 00:03:57,760 --> 00:04:00,880 Speaker 1: Thursday nights was it was out of trolls and there 87 00:04:00,960 --> 00:04:04,800 Speaker 1: was about seven or eight hundred room people Droom and 88 00:04:05,000 --> 00:04:06,160 Speaker 1: Thursday nights. 89 00:04:05,920 --> 00:04:07,080 Speaker 6: Dandion used to play there. 90 00:04:07,160 --> 00:04:10,600 Speaker 1: Ye, well, we'd have seven hundred inside. At twelve o'clock 91 00:04:10,680 --> 00:04:11,840 Speaker 1: there was fourteen hundred in. 92 00:04:11,880 --> 00:04:15,840 Speaker 6: The streets fighting. Cass. You're on the road watching. 93 00:04:16,360 --> 00:04:17,919 Speaker 4: You could have come in and give the bounce as 94 00:04:17,960 --> 00:04:20,640 Speaker 4: a hand to skinny kids. But we're watching the people 95 00:04:20,720 --> 00:04:24,320 Speaker 4: spilling out on the Beach roadmazing, great days. 96 00:04:24,640 --> 00:04:27,600 Speaker 2: What are some of the gigs that you really remember 97 00:04:27,720 --> 00:04:28,760 Speaker 2: some of the memorable ones. 98 00:04:28,960 --> 00:04:31,680 Speaker 1: Well, painters were huge. You know, they had a real 99 00:04:31,760 --> 00:04:34,760 Speaker 1: good act. You know, the fires were going and they 100 00:04:34,880 --> 00:04:38,880 Speaker 1: jump off the stage into the crowd in excess was 101 00:04:38,960 --> 00:04:43,320 Speaker 1: sort of just breaking out. The hoodoos were fantastic, and 102 00:04:43,440 --> 00:04:47,480 Speaker 1: the locals Friday and seventy Nights mentioned the parairies like 103 00:04:47,640 --> 00:04:51,279 Speaker 1: their own little following, and it was just the memories 104 00:04:51,320 --> 00:04:52,320 Speaker 1: were so incredible. 105 00:04:52,640 --> 00:04:56,080 Speaker 6: And we even had my biggest problem. We had the 106 00:04:56,400 --> 00:04:57,080 Speaker 6: Rodney Rude. 107 00:04:57,520 --> 00:05:02,719 Speaker 1: It was fantastic and Austin Gacious one not lost in Sacious. 108 00:05:03,200 --> 00:05:05,960 Speaker 1: His crowd was really disappointing. So I gave him the 109 00:05:06,080 --> 00:05:08,920 Speaker 1: money from the door and he said, no, no, no, no, 110 00:05:09,080 --> 00:05:12,160 Speaker 1: Now you guarantee me two thousand. I said, yeah, but 111 00:05:12,200 --> 00:05:13,760 Speaker 1: you started forty minutes early. 112 00:05:14,320 --> 00:05:16,239 Speaker 6: The crowd is still coming and you're finished. 113 00:05:16,839 --> 00:05:21,440 Speaker 1: Well I walked upstairs and Austin he's about six weeks. Yeah, 114 00:05:21,680 --> 00:05:24,839 Speaker 1: he followed me upstairs. He's gonna throw me downs. 115 00:05:27,160 --> 00:05:28,000 Speaker 6: We sorted it out. 116 00:05:28,920 --> 00:05:32,280 Speaker 4: Yeah, yeah, some of those good, good stories, some of 117 00:05:32,320 --> 00:05:34,400 Speaker 4: those great stories. But hey, tell us from a business 118 00:05:34,440 --> 00:05:36,680 Speaker 4: point of view, who drank more people whould come into 119 00:05:36,720 --> 00:05:38,680 Speaker 4: pubs like the Paddle and watch the footy or sport, 120 00:05:38,960 --> 00:05:40,640 Speaker 4: or people who would come and see bands. 121 00:05:40,640 --> 00:05:43,880 Speaker 6: Bends for sire. You know that Jim Beam and Bourbon Crown. 122 00:05:44,120 --> 00:05:48,520 Speaker 1: Okay, you know even more so than in those days Eject. 123 00:05:48,880 --> 00:05:51,839 Speaker 1: You know that used to fly not a far bigger 124 00:05:51,880 --> 00:05:56,840 Speaker 1: drinking ground, Saxby. We needed pounces, that's right. Did you 125 00:05:57,000 --> 00:06:00,440 Speaker 1: have to deal with backstage riders for the I don't 126 00:06:00,520 --> 00:06:05,600 Speaker 1: talk about that. It was amazing and I used to 127 00:06:06,200 --> 00:06:10,120 Speaker 1: every time you saw some of the agents, you saw, 128 00:06:10,560 --> 00:06:13,080 Speaker 1: now this is what they need. They need two fellows 129 00:06:13,120 --> 00:06:17,080 Speaker 1: to sit on the need in Champagne with four blocks 130 00:06:17,120 --> 00:06:17,520 Speaker 1: of eyes. 131 00:06:17,800 --> 00:06:20,040 Speaker 6: They're not run down. I settled down. Boys. This is 132 00:06:20,080 --> 00:06:21,920 Speaker 6: what you're getting. Take it or leave it. 133 00:06:22,839 --> 00:06:24,320 Speaker 4: How about that thing where we used to see it 134 00:06:24,440 --> 00:06:26,200 Speaker 4: then nook and busters are big gigs out of a 135 00:06:26,240 --> 00:06:27,680 Speaker 4: nook and barrow. But some of the pubs you had, 136 00:06:27,720 --> 00:06:29,640 Speaker 4: you must have seen it where you would get a 137 00:06:29,720 --> 00:06:33,080 Speaker 4: band like a vig prea right, so you'd have all girls, 138 00:06:33,120 --> 00:06:34,720 Speaker 4: like four hundred girls down the front and all the 139 00:06:34,800 --> 00:06:36,960 Speaker 4: jealous boyfriends up the back. Yeah, yeah, you must have 140 00:06:37,000 --> 00:06:37,200 Speaker 4: seen that. 141 00:06:37,240 --> 00:06:37,560 Speaker 7: A bit was. 142 00:06:38,000 --> 00:06:42,320 Speaker 1: Sorted because he did a tractor, the Vika p lead 143 00:06:42,400 --> 00:06:48,120 Speaker 1: singer and all I ram but we didn't really. 144 00:06:48,320 --> 00:06:48,880 Speaker 7: Go for that. 145 00:06:51,600 --> 00:06:57,480 Speaker 4: They sort of did, yes, yeah, yeah, and you know 146 00:06:57,760 --> 00:06:58,520 Speaker 4: Faddy Lumpkin. 147 00:06:58,880 --> 00:07:02,159 Speaker 6: Yeah, there was some right beings, great local talent around 148 00:07:02,279 --> 00:07:02,880 Speaker 6: those days. 149 00:07:05,080 --> 00:07:07,920 Speaker 3: A lot of these places, the Shents, for one, were 150 00:07:08,240 --> 00:07:09,760 Speaker 3: very much in residential areas. 151 00:07:09,880 --> 00:07:12,320 Speaker 2: Did you have to deal with noise complaints? 152 00:07:12,600 --> 00:07:14,520 Speaker 6: That was just as bad and as bad as the riders. 153 00:07:16,560 --> 00:07:17,400 Speaker 6: It was horrendous. 154 00:07:18,640 --> 00:07:20,320 Speaker 1: We had to put out a lot of bush fires 155 00:07:20,360 --> 00:07:23,920 Speaker 1: there and in fact that's why after I left, I 156 00:07:23,960 --> 00:07:27,120 Speaker 1: went over to the Paddington and they actually closed the 157 00:07:27,200 --> 00:07:32,680 Speaker 1: pub down because the neighborhood just closed. Yeah, it was 158 00:07:33,360 --> 00:07:35,560 Speaker 1: It was a shame. But a lot of those good 159 00:07:35,600 --> 00:07:38,200 Speaker 1: old rock and roll pubs just went by the bye 160 00:07:38,360 --> 00:07:41,119 Speaker 1: because you know, a digital music and all the local 161 00:07:41,160 --> 00:07:44,080 Speaker 1: stuff now they have and they just mane it impossible 162 00:07:44,120 --> 00:07:44,400 Speaker 1: to run. 163 00:07:44,720 --> 00:07:47,520 Speaker 4: My persons had a really big blues fraternity. We love 164 00:07:47,560 --> 00:07:50,000 Speaker 4: the blues here in the West, the Blue Dave Hall 165 00:07:50,080 --> 00:07:52,200 Speaker 4: and Steve Tallis and John Mayer, you. 166 00:07:53,160 --> 00:07:57,680 Speaker 1: Have, well, you had a lot of local blues music. Yeah, 167 00:07:57,960 --> 00:08:00,720 Speaker 1: Brett Towns and he had a band he did blues. 168 00:08:01,400 --> 00:08:04,679 Speaker 1: John Marry as you mentioned that was a great scene 169 00:08:04,720 --> 00:08:04,920 Speaker 1: for that. 170 00:08:05,160 --> 00:08:09,360 Speaker 3: Yeah, it was a time of course where it was 171 00:08:09,640 --> 00:08:11,360 Speaker 3: hard to get a look in as a Perth band, 172 00:08:11,640 --> 00:08:13,680 Speaker 3: and a lot of them just had to leave and 173 00:08:13,800 --> 00:08:17,600 Speaker 3: go to the Eastern States to advance their you know, 174 00:08:17,760 --> 00:08:18,480 Speaker 3: their careers. 175 00:08:18,560 --> 00:08:20,680 Speaker 2: Did you did it break your heart sometimes when some 176 00:08:20,800 --> 00:08:21,280 Speaker 2: of them had to. 177 00:08:21,640 --> 00:08:22,559 Speaker 6: That is so true. 178 00:08:23,280 --> 00:08:27,440 Speaker 1: It is amazing our local bands are going to Melbne geeks. 179 00:08:28,440 --> 00:08:31,120 Speaker 6: But that's how popular it was in those days. 180 00:08:31,960 --> 00:08:32,720 Speaker 2: Times of change. 181 00:08:33,080 --> 00:08:36,000 Speaker 1: Sure, but I'll tell you what one thing we still 182 00:08:36,040 --> 00:08:38,839 Speaker 1: do down to the Cembar used to have live music 183 00:08:39,000 --> 00:08:40,720 Speaker 1: three nights a week, so awesome. 184 00:08:41,040 --> 00:08:45,080 Speaker 6: So I've never really lost contact with. 185 00:08:46,360 --> 00:08:49,439 Speaker 1: Live music because it's just the heart and soul and 186 00:08:49,559 --> 00:08:52,760 Speaker 1: the heartbeat of my blood. 187 00:08:52,800 --> 00:08:53,120 Speaker 6: Phones. 188 00:08:53,160 --> 00:08:55,880 Speaker 2: Anyway, do you feel a bit like a proud papa 189 00:08:55,960 --> 00:08:56,800 Speaker 2: sending them off. 190 00:08:56,720 --> 00:09:03,800 Speaker 6: To I said, you're always welcome back. Sorry, we're going 191 00:09:03,880 --> 00:09:07,520 Speaker 6: in for six months. But they learned as well. 192 00:09:07,840 --> 00:09:10,800 Speaker 1: Yes, they went and found a new scene, you know, 193 00:09:11,240 --> 00:09:13,320 Speaker 1: educated themselves more and came back better. 194 00:09:13,360 --> 00:09:15,440 Speaker 4: Man. Well, they hadn't learned the crap, because, let's be honest, 195 00:09:15,480 --> 00:09:18,120 Speaker 4: Ossie pub fans. Over the years, the whole Lossie pub 196 00:09:18,200 --> 00:09:20,800 Speaker 4: rock thing, it was a tough ground and grounding for them, 197 00:09:21,400 --> 00:09:23,240 Speaker 4: and if they were crack they got booed off stage 198 00:09:23,320 --> 00:09:29,120 Speaker 4: or stuff chose and angels that got so good that's dry. 199 00:09:29,240 --> 00:09:33,400 Speaker 1: They really learned their craft and to have one degree 200 00:09:33,920 --> 00:09:36,959 Speaker 1: where they became a worldwide So yes. 201 00:09:37,760 --> 00:09:41,000 Speaker 2: We were laughing before about the irony of the senses. 202 00:09:41,040 --> 00:09:43,240 Speaker 3: I may still end up there where I started, because 203 00:09:43,240 --> 00:09:45,800 Speaker 3: it's a retirement revolution. Now why do you think there's 204 00:09:45,880 --> 00:09:48,000 Speaker 3: not many live venues around Perth anymore? 205 00:09:48,040 --> 00:09:49,800 Speaker 2: What what happened? What changed it? 206 00:09:50,080 --> 00:09:52,280 Speaker 1: Look, it's just it's hard to put your finger on 207 00:09:52,400 --> 00:09:56,800 Speaker 1: the policy. Even in the two thousands at the Paddington 208 00:09:59,160 --> 00:10:04,320 Speaker 1: Big Shorts, Jeky Monkeys, Jerky Monkeys played there for six years, yeah, 209 00:10:04,679 --> 00:10:08,720 Speaker 1: I said, and were mind turn into crowd until about 210 00:10:08,760 --> 00:10:11,360 Speaker 1: two thousand and eight. Now, I don't know if the 211 00:10:11,480 --> 00:10:16,680 Speaker 1: GFC affected things like that. It just fell away so quickly. 212 00:10:17,400 --> 00:10:20,160 Speaker 1: And you know the modern music. 213 00:10:20,240 --> 00:10:24,000 Speaker 3: Situation now, the way it's done to cut out that 214 00:10:24,080 --> 00:10:27,400 Speaker 3: middle man, you know, where you pay your your juice. 215 00:10:27,600 --> 00:10:33,520 Speaker 6: I want to survive like Clezzie you sorry, your eyes 216 00:10:33,600 --> 00:10:34,600 Speaker 6: your magic somehow. 217 00:10:35,320 --> 00:10:37,280 Speaker 4: But you know, like you think about how diverse it got, 218 00:10:37,320 --> 00:10:39,199 Speaker 4: But there's also a lot of choice for people now, 219 00:10:39,520 --> 00:10:41,160 Speaker 4: so that seemed to affect it as well. So many 220 00:10:41,280 --> 00:10:43,120 Speaker 4: choices for people to do with their entertainment time and 221 00:10:43,880 --> 00:10:44,679 Speaker 4: change the world as well. 222 00:10:45,000 --> 00:10:49,160 Speaker 1: You get people like Boober and Swift and there there 223 00:10:49,240 --> 00:10:51,280 Speaker 1: one people bands. 224 00:10:51,720 --> 00:10:55,040 Speaker 6: Yeah, that so much a coming around them. Yes, it's 225 00:10:55,240 --> 00:10:58,320 Speaker 6: just it's quite hearted, complete with. 226 00:10:58,480 --> 00:11:01,360 Speaker 4: Really yeah, and so many options online as well for 227 00:11:01,440 --> 00:11:05,560 Speaker 4: people to get into music. Yeah, mate, this is unreal 228 00:11:05,600 --> 00:11:06,079 Speaker 4: to catch. 229 00:11:05,960 --> 00:11:11,319 Speaker 6: Up now just with my voice. Sorry about this. I 230 00:11:11,440 --> 00:11:12,080 Speaker 6: do blame. 231 00:11:14,480 --> 00:11:20,000 Speaker 1: Talking over the yeah, drinking gold, the cigarettes and the 232 00:11:20,760 --> 00:11:22,480 Speaker 1: passive smoke in the air at the time. 233 00:11:22,640 --> 00:11:26,839 Speaker 2: It certainly sounds pretty I think you're a method actor. 234 00:11:28,120 --> 00:11:29,839 Speaker 4: Randomly. Yeah, so good to me. 235 00:11:30,920 --> 00:11:34,680 Speaker 2: Oh gosh, I missed those times we all do. Thank you, Neil. 236 00:11:34,840 --> 00:11:36,680 Speaker 6: Pleasure, absolute pleasure. 237 00:11:37,160 --> 00:11:39,280 Speaker 4: I miss it more than you. Kicking bloody goals for 238 00:11:39,320 --> 00:11:41,920 Speaker 4: subis your god. 239 00:11:43,200 --> 00:11:43,920 Speaker 6: Three grand from. 240 00:11:45,640 --> 00:11:48,480 Speaker 4: Thanks mate. Yesterday. You know, I'm like a city, like 241 00:11:48,559 --> 00:11:50,720 Speaker 4: a New York in London where a multiple things going 242 00:11:50,760 --> 00:11:54,120 Speaker 4: on around those huge cities. Yesterday we had, which is horrible, 243 00:11:54,120 --> 00:11:57,120 Speaker 4: a stabbing incident around nick Candell and Canning Highway. It's 244 00:11:57,200 --> 00:12:01,040 Speaker 4: pretty much it's a big story yesterday afternoon and shut 245 00:12:01,200 --> 00:12:03,679 Speaker 4: things down, including Kenning. Ioway, Yeah, it was quite a 246 00:12:03,720 --> 00:12:06,520 Speaker 4: bit of activity going on, and I think there are 247 00:12:06,520 --> 00:12:07,959 Speaker 4: a few journalists heading in that direction. 248 00:12:08,480 --> 00:12:10,439 Speaker 2: It's a busy road shut down there certainly. 249 00:12:10,200 --> 00:12:12,920 Speaker 4: Is, especially just before peak out pick and as we discussed, 250 00:12:12,960 --> 00:12:14,920 Speaker 4: quite often peak out it does start about two o'clock 251 00:12:14,920 --> 00:12:15,320 Speaker 4: these days. 252 00:12:15,600 --> 00:12:18,679 Speaker 3: Absolutely, so I think that that school pickup time is 253 00:12:18,800 --> 00:12:22,079 Speaker 3: as busy as you know what was always traditionally five o'clock. 254 00:12:22,120 --> 00:12:23,679 Speaker 4: Yeah, we always see about four thirty five in the 255 00:12:23,679 --> 00:12:25,360 Speaker 4: old days. But yeah, definitely, and. 256 00:12:25,360 --> 00:12:28,640 Speaker 3: I would write our Moulven start to school absolutely Now 257 00:12:29,520 --> 00:12:34,000 Speaker 3: you know it's all those truck sized four wheel drives 258 00:12:34,040 --> 00:12:35,239 Speaker 3: out and about picking. 259 00:12:35,040 --> 00:12:36,080 Speaker 2: Up their kids. 260 00:12:36,520 --> 00:12:37,240 Speaker 4: It's so ready. 261 00:12:37,360 --> 00:12:40,800 Speaker 3: Everyone gets picked up, kiss and drop spot the old 262 00:12:40,880 --> 00:12:42,920 Speaker 3: kiss and rob, kiss and pick up. Sometimes if the 263 00:12:42,960 --> 00:12:44,920 Speaker 3: kids are naughty, it's kissing and push or no kiss. 264 00:12:45,160 --> 00:12:46,959 Speaker 2: Its lucky to get picked up if it was, you know, 265 00:12:47,200 --> 00:12:49,719 Speaker 2: raining the cats. 266 00:12:49,480 --> 00:12:54,840 Speaker 4: And dogs in my day forty mile. You know when 267 00:12:54,880 --> 00:12:56,440 Speaker 4: you're in state warm, you know, when you're on your 268 00:12:56,480 --> 00:12:58,280 Speaker 4: Melvine star, can we hear you coming? You have those 269 00:12:58,320 --> 00:13:01,680 Speaker 4: little spokey's in your spokes you know there's a but you. 270 00:13:01,679 --> 00:13:04,240 Speaker 2: Could see me coming because my little streamers on the hand. 271 00:13:04,320 --> 00:13:08,800 Speaker 2: Oh yeah, okay, lovely basket with flowers. So you know 272 00:13:08,880 --> 00:13:10,880 Speaker 2: I wanted to pop my dog in it? 273 00:13:11,080 --> 00:13:11,640 Speaker 4: Or did you will? 274 00:13:11,960 --> 00:13:14,079 Speaker 3: That's cue, that's you know what had a mind not 275 00:13:14,120 --> 00:13:15,640 Speaker 3: to stay to school, though I thought it was. I 276 00:13:15,679 --> 00:13:17,760 Speaker 3: did take it to school one day, Yeah, pretended. 277 00:13:17,840 --> 00:13:21,720 Speaker 4: She followed me bring your dog to school day. Remember 278 00:13:21,760 --> 00:13:23,280 Speaker 4: we had bring your dog to workday and put in 279 00:13:23,280 --> 00:13:27,280 Speaker 4: their post's office. I had one on my boat. I 280 00:13:27,400 --> 00:13:29,960 Speaker 4: had a radio light thing and I had a horn 281 00:13:30,040 --> 00:13:33,160 Speaker 4: as well. Really, I thought it was so cool. I'd 282 00:13:33,240 --> 00:13:37,400 Speaker 4: be riding around listening to Super waiting for the chicks 283 00:13:37,440 --> 00:13:39,800 Speaker 4: to come out of the days Worry. 284 00:13:40,480 --> 00:13:43,960 Speaker 2: More More Lisa More podcast Soon. 285 00:13:45,640 --> 00:13:47,400 Speaker 4: So I was listening to a podcast the other day 286 00:13:47,520 --> 00:13:50,120 Speaker 4: and a guy was telling a story. Guy in his 287 00:13:50,240 --> 00:13:52,960 Speaker 4: thirties telling a story her he went on a family 288 00:13:53,080 --> 00:13:56,240 Speaker 4: camping trip, was an extended family camping trip, and during 289 00:13:56,320 --> 00:13:58,320 Speaker 4: the family camping trip, at one stage he was trying 290 00:13:58,320 --> 00:14:00,760 Speaker 4: to find out where his wife was life and young child, 291 00:14:01,320 --> 00:14:03,959 Speaker 4: and he heard something coming from the tent which was 292 00:14:04,400 --> 00:14:06,920 Speaker 4: their tent, and it was his wife on the phone 293 00:14:07,000 --> 00:14:09,200 Speaker 4: to another another lover to. 294 00:14:09,320 --> 00:14:15,600 Speaker 2: A lever and outbreak walls tent wall no exactly the worst. 295 00:14:15,920 --> 00:14:19,840 Speaker 2: He found this out on a family trip. 296 00:14:19,240 --> 00:14:22,320 Speaker 4: And it was and he heard the words and sometimes 297 00:14:22,360 --> 00:14:24,480 Speaker 4: it's in podcast. People are so brutally honest, and he said, 298 00:14:24,480 --> 00:14:26,720 Speaker 4: I heard the words. I just would rather be with 299 00:14:26,840 --> 00:14:29,040 Speaker 4: you than him. So he knew his marriage was over 300 00:14:29,560 --> 00:14:31,640 Speaker 4: a four year old child or something. It was horrible, 301 00:14:31,680 --> 00:14:33,520 Speaker 4: so he had to keep it and play fakey, fakey. 302 00:14:34,280 --> 00:14:36,360 Speaker 4: But he didn't just play fakey fakey with the extended 303 00:14:36,400 --> 00:14:38,640 Speaker 4: family on the trip, but he stayed in that he 304 00:14:38,800 --> 00:14:41,280 Speaker 4: stayed in the house. Now he knew that they had 305 00:14:41,320 --> 00:14:43,360 Speaker 4: a bust up. They broke up, but he stayed in 306 00:14:43,440 --> 00:14:43,840 Speaker 4: the house. 307 00:14:44,440 --> 00:14:47,160 Speaker 3: So they had broken We've gone from being in a 308 00:14:47,280 --> 00:14:50,200 Speaker 3: tent in a tent. So he didn't say anything to her. 309 00:14:50,200 --> 00:14:51,640 Speaker 4: I didn't say anything to know. I didn't say anything 310 00:14:51,640 --> 00:14:53,640 Speaker 4: of the family played fakey, fakey to for the rest 311 00:14:53,680 --> 00:14:56,240 Speaker 4: of the day. Got home. They broke up marriage over 312 00:14:56,400 --> 00:14:57,720 Speaker 4: but he stayed in the house so he could be 313 00:14:57,800 --> 00:14:58,560 Speaker 4: with his young child. 314 00:14:59,000 --> 00:14:59,120 Speaker 8: Now. 315 00:14:59,200 --> 00:15:01,560 Speaker 4: Eventually he ended up moving out, but it spent many 316 00:15:01,680 --> 00:15:04,080 Speaker 4: months living in the house, and he wanted to keep 317 00:15:04,080 --> 00:15:05,720 Speaker 4: it as normal as possible, so he stayed in the 318 00:15:05,800 --> 00:15:09,720 Speaker 4: bed with said, now that's not necessary. Wanted to keep 319 00:15:09,720 --> 00:15:12,760 Speaker 4: it as normal as possible. That''s not normal. Well yeah, 320 00:15:12,880 --> 00:15:14,520 Speaker 4: but he thought for the child. The child didn't know that. 321 00:15:14,960 --> 00:15:18,360 Speaker 2: It's not going to know if he's not sleeping, so 322 00:15:18,560 --> 00:15:20,960 Speaker 2: the unless they come in in the morning, I guess. 323 00:15:21,040 --> 00:15:23,160 Speaker 4: So, yeah, didn't jump on the bed and say, daddy, 324 00:15:23,280 --> 00:15:26,920 Speaker 4: he's in the other room. So just that horrible situation 325 00:15:26,960 --> 00:15:29,920 Speaker 4: where they're sharing a house for months, not just sharing 326 00:15:29,960 --> 00:15:31,640 Speaker 4: a bed, but sharing a house for months. And I 327 00:15:31,720 --> 00:15:36,320 Speaker 4: went sure to punish it. He was little revenge. But 328 00:15:36,640 --> 00:15:39,800 Speaker 4: I also have a friend who's it is quite bizarre. 329 00:15:39,880 --> 00:15:42,640 Speaker 4: They've broken up. This couple a broken up, and he 330 00:15:42,920 --> 00:15:46,480 Speaker 4: has he has stayed in the house. But his parents 331 00:15:46,640 --> 00:15:48,800 Speaker 4: also broke up many years ago, and for many many years, 332 00:15:48,840 --> 00:15:52,480 Speaker 4: the parents, who aren't married anymore, live in exactly they 333 00:15:52,520 --> 00:15:54,400 Speaker 4: live in the same home. And this is not unusual. 334 00:15:54,480 --> 00:15:57,200 Speaker 2: Now did they give a reason why the parents stayed 335 00:15:57,200 --> 00:15:57,400 Speaker 2: in this. 336 00:15:58,000 --> 00:16:00,080 Speaker 4: Well, there's not a spoken thing, but I reckon it 337 00:16:00,160 --> 00:16:02,840 Speaker 4: an economic and I think also it's just to be 338 00:16:02,960 --> 00:16:04,760 Speaker 4: hard to break up and split everything and all that, 339 00:16:04,880 --> 00:16:06,440 Speaker 4: so they just keep doing it and trying to live 340 00:16:06,520 --> 00:16:08,640 Speaker 4: normos at opposite ends of a house. It's so weird, 341 00:16:08,760 --> 00:16:10,720 Speaker 4: but it happens, and it works for some people. 342 00:16:11,360 --> 00:16:14,440 Speaker 3: I couldn't do it, but I'm sure there are a 343 00:16:14,520 --> 00:16:17,160 Speaker 3: lot that do, and especially for as we said, for 344 00:16:17,320 --> 00:16:20,800 Speaker 3: financial reasons. Yes, until such point you're in a position 345 00:16:20,960 --> 00:16:24,960 Speaker 3: to be able to get your own places. But we 346 00:16:25,080 --> 00:16:26,560 Speaker 3: want to open up the phones and talk about this. 347 00:16:26,800 --> 00:16:30,080 Speaker 3: Have you lived together after a breakup? Are you living 348 00:16:30,200 --> 00:16:34,320 Speaker 3: together after a breakup? Or have you dated someone still 349 00:16:34,400 --> 00:16:35,480 Speaker 3: living with their eggs? 350 00:16:35,560 --> 00:16:37,120 Speaker 4: Because it makes it hard to move on, doesn't it. 351 00:16:37,800 --> 00:16:42,120 Speaker 3: Yeah, it's I mean, you'd have so many questions, wouldn't you. Yeah, 352 00:16:42,680 --> 00:16:44,400 Speaker 3: I mean, you're not going to go over there? 353 00:16:45,400 --> 00:16:47,280 Speaker 4: You can't. You can't go over there? Well, that just 354 00:16:47,320 --> 00:16:51,200 Speaker 4: becomes awkward. And then you're going so do you are? 355 00:16:51,240 --> 00:16:53,480 Speaker 4: You're asking the question if you're going out with that person, 356 00:16:53,840 --> 00:16:56,160 Speaker 4: are you sleeping in the same You're in a different room, right, 357 00:16:56,320 --> 00:16:57,960 Speaker 4: you know you're saying that that's going to be the 358 00:16:58,040 --> 00:17:00,360 Speaker 4: next time. I hope that was a given, were yeah, 359 00:17:01,240 --> 00:17:01,960 Speaker 4: for that period of time? 360 00:17:02,040 --> 00:17:03,960 Speaker 2: I mean that's a that's a hard no if they're 361 00:17:04,000 --> 00:17:04,840 Speaker 2: still in the same bed. 362 00:17:04,920 --> 00:17:06,399 Speaker 4: Not that this guy was looking to date early on, 363 00:17:06,560 --> 00:17:07,919 Speaker 4: but he was still there because he was going through 364 00:17:07,960 --> 00:17:09,760 Speaker 4: the trauma of the marriage. Breakup and hearing it through 365 00:17:09,800 --> 00:17:10,360 Speaker 4: the tent wall. 366 00:17:10,520 --> 00:17:13,640 Speaker 3: We've had a text from Lisa and heath Ridge. He says, 367 00:17:13,800 --> 00:17:15,760 Speaker 3: I work for a government department where people who are 368 00:17:15,800 --> 00:17:19,560 Speaker 3: on income supporters single but are separated under one roof, 369 00:17:19,640 --> 00:17:22,159 Speaker 3: but also have had additional children to the person they 370 00:17:22,280 --> 00:17:26,439 Speaker 3: are supposedly separated. Wrong or something to miss there, Lisa, 371 00:17:26,800 --> 00:17:32,639 Speaker 3: It's getting complex now. Something stinks. Janet in Stratton, good morning, Janet. 372 00:17:32,400 --> 00:17:34,800 Speaker 9: Welcome, good morning. How are you good. 373 00:17:35,160 --> 00:17:37,959 Speaker 2: I really appreciate you calling to tell us your story. 374 00:17:38,240 --> 00:17:41,119 Speaker 2: You are currently in this situation, I believe. 375 00:17:41,840 --> 00:17:46,160 Speaker 9: Yeah, absolutely so. I've been separated for three years under 376 00:17:46,200 --> 00:17:48,920 Speaker 9: the same roof, and I went out and got a 377 00:17:49,000 --> 00:17:53,879 Speaker 9: job because I'm an older range age range right, and 378 00:17:54,080 --> 00:17:58,280 Speaker 9: so decided to go and get a job and with 379 00:17:58,440 --> 00:18:01,639 Speaker 9: the house because we owned the house, it's going to 380 00:18:01,680 --> 00:18:03,880 Speaker 9: be split down the middle. But now I can't get 381 00:18:03,880 --> 00:18:08,720 Speaker 9: a rental or a fire house because the housing situations, 382 00:18:08,760 --> 00:18:13,120 Speaker 9: so I'm still stuck. You know, it's really really difficult. 383 00:18:14,840 --> 00:18:16,760 Speaker 3: Did you reach the decision about who was going to 384 00:18:16,800 --> 00:18:18,840 Speaker 3: get to stay in the house that you're splitting down 385 00:18:18,880 --> 00:18:21,480 Speaker 3: the middle or are you both moving out of the well? 386 00:18:21,600 --> 00:18:24,440 Speaker 9: Well, well, he wanted to stay in the house. Okay, 387 00:18:24,520 --> 00:18:28,639 Speaker 9: you can, you can buy me out, So he was 388 00:18:28,920 --> 00:18:32,360 Speaker 9: he was going to do that, but he's nearly retired, 389 00:18:32,520 --> 00:18:35,160 Speaker 9: so he hasn't got any money coming in and says, well, 390 00:18:35,440 --> 00:18:37,679 Speaker 9: you'd have to do something because I'm not sitting here 391 00:18:37,720 --> 00:18:38,720 Speaker 9: for another five years. 392 00:18:38,880 --> 00:18:41,399 Speaker 4: Yeah yeah, and you're not love us. A lot of 393 00:18:41,440 --> 00:18:43,280 Speaker 4: people in the situation would have thought, oh, while we 394 00:18:43,440 --> 00:18:45,240 Speaker 4: work on this and this will be you know, there'll 395 00:18:45,240 --> 00:18:46,399 Speaker 4: be an end day and all of a sudden, the 396 00:18:46,480 --> 00:18:48,280 Speaker 4: market's changed, the house prices are gone up. 397 00:18:48,440 --> 00:18:54,920 Speaker 9: Yeah, yeah, horrendous, you know, And like I was saying 398 00:18:55,440 --> 00:18:58,240 Speaker 9: a moment, I've got daughters and stuff, and you know, 399 00:18:58,359 --> 00:19:00,639 Speaker 9: they've moved out, and I don't want to move in 400 00:19:00,800 --> 00:19:04,560 Speaker 9: with them, you know, because they've moved out. They got 401 00:19:04,600 --> 00:19:07,159 Speaker 9: their freedom. They don't want their mother tagging along it. 402 00:19:07,880 --> 00:19:09,240 Speaker 2: And you probably don't want to that. 403 00:19:10,440 --> 00:19:12,359 Speaker 3: That whole not being able to find a rental thing, 404 00:19:12,560 --> 00:19:15,880 Speaker 3: as you know, really added a new dynamics. 405 00:19:17,440 --> 00:19:18,600 Speaker 2: That's no joke. 406 00:19:20,080 --> 00:19:25,800 Speaker 3: How do you sort of go about cleaning, you know, 407 00:19:25,920 --> 00:19:27,720 Speaker 3: how do you split up the chores around the house? 408 00:19:30,080 --> 00:19:35,000 Speaker 9: Yeah yeah, yeah, yeah. Well he's starting to do volunteer 409 00:19:35,119 --> 00:19:39,840 Speaker 9: working and saying he can't deal with cleaning and stuff 410 00:19:39,960 --> 00:19:43,200 Speaker 9: like that. So now I'm working. Now I'm getting home 411 00:19:43,280 --> 00:19:48,320 Speaker 9: and I'm cleaning that we decided to take terms in cooking. 412 00:19:48,480 --> 00:19:53,399 Speaker 3: But now I'm just like, nah, yeah, business takes the 413 00:19:53,440 --> 00:19:58,880 Speaker 3: old name on the milky fridge, like ause and you're 414 00:19:58,880 --> 00:20:02,439 Speaker 3: trying to be Yeah, you know, so. 415 00:20:03,920 --> 00:20:04,720 Speaker 9: Up and down soil. 416 00:20:04,760 --> 00:20:08,520 Speaker 10: We get really a grow with of course, yeah, you know, 417 00:20:09,880 --> 00:20:15,480 Speaker 10: but I'd tell him that I'm sad and I don't 418 00:20:15,520 --> 00:20:17,240 Speaker 10: want to be here, and he goes, you're both. 419 00:20:17,080 --> 00:20:22,480 Speaker 2: In Yeah, Janet, I hope you're able to sort it 420 00:20:22,560 --> 00:20:27,480 Speaker 2: all out soon. And thank you about you. Thanks Jane, Janet. 421 00:20:27,560 --> 00:20:29,840 Speaker 4: That's the other thing you're stopping. You know, it's a situation. 422 00:20:30,000 --> 00:20:32,760 Speaker 4: Life is on poor, life is well. You can't start 423 00:20:32,760 --> 00:20:36,760 Speaker 4: a new relationship or anything else. Really, that's horrible, and 424 00:20:37,200 --> 00:20:39,440 Speaker 4: you know that horrible, fake nice thing that you're trying 425 00:20:39,440 --> 00:20:40,800 Speaker 4: to do. Three years is a long time to do that. 426 00:20:43,320 --> 00:20:44,600 Speaker 4: I love the way the text line has been going 427 00:20:44,600 --> 00:20:44,920 Speaker 4: off list. 428 00:20:45,080 --> 00:20:45,280 Speaker 7: Yeah. 429 00:20:45,400 --> 00:20:48,280 Speaker 3: Yeah, we've had another text from Techa and Sevil grow. 430 00:20:48,680 --> 00:20:50,719 Speaker 3: She says, my X and I built house together last year. 431 00:20:50,760 --> 00:20:53,159 Speaker 3: He lives in the car port, has it set up 432 00:20:53,240 --> 00:20:56,280 Speaker 3: like a mini apartment we've been separated for over thirteen 433 00:20:56,400 --> 00:21:04,080 Speaker 3: years and he gives her a honeymoon. Okay, okay, it 434 00:21:04,320 --> 00:21:07,159 Speaker 3: has to pay for it, right, Okay, pay me to 435 00:21:07,240 --> 00:21:09,800 Speaker 3: go away. Interesting couple as he built some walls on it, 436 00:21:09,880 --> 00:21:10,120 Speaker 3: I hope. 437 00:21:10,200 --> 00:21:10,240 Speaker 1: So. 438 00:21:10,880 --> 00:21:14,080 Speaker 3: Alex in Baskerville sent us a text said that he 439 00:21:14,119 --> 00:21:16,280 Speaker 3: and his wife separated and lived under the same roof 440 00:21:16,320 --> 00:21:18,920 Speaker 3: for two years. It was very hard for him because 441 00:21:19,040 --> 00:21:22,120 Speaker 3: she was seeing someone else and that person stayed over, 442 00:21:22,920 --> 00:21:25,840 Speaker 3: you know, most of the week or at least most weekends, 443 00:21:26,000 --> 00:21:27,720 Speaker 3: and he said it was very, very difficult. 444 00:21:28,440 --> 00:21:30,200 Speaker 2: What about you, Trina in swan View. 445 00:21:30,560 --> 00:21:34,879 Speaker 11: Okay, So, approximately twenty five years ago, my partner fiance 446 00:21:35,000 --> 00:21:37,240 Speaker 11: at the time, we had a couple of kiddies. We 447 00:21:37,320 --> 00:21:40,160 Speaker 11: went out separate ways. Years later, I came to Western 448 00:21:40,160 --> 00:21:44,600 Speaker 11: Australia and still here, and all my adult children decided 449 00:21:44,640 --> 00:21:45,960 Speaker 11: that they were going to come over and live over 450 00:21:46,040 --> 00:21:49,240 Speaker 11: here as well, which left their dad behind in Sydney 451 00:21:49,400 --> 00:21:52,680 Speaker 11: all alone. And he had another daughter to another mother, 452 00:21:52,920 --> 00:21:55,959 Speaker 11: who by this stage was about fifteen, so he decided 453 00:21:56,000 --> 00:21:57,840 Speaker 11: he was going to bring his little self over as well. 454 00:21:58,000 --> 00:22:00,560 Speaker 11: So for about the first three months I lived with 455 00:22:00,720 --> 00:22:04,520 Speaker 11: my daughter in a three bedroom unit with two babies, 456 00:22:04,640 --> 00:22:06,040 Speaker 11: four adults for a teenager. 457 00:22:06,800 --> 00:22:07,480 Speaker 4: That wasn't going. 458 00:22:07,720 --> 00:22:10,760 Speaker 11: Yeah, that wasn't going real well. So my daughter said 459 00:22:10,760 --> 00:22:12,720 Speaker 11: to me, look, I can't have him here anymore. Mum, 460 00:22:12,800 --> 00:22:14,480 Speaker 11: what are we going to do? And I said, oh, well, 461 00:22:14,560 --> 00:22:17,399 Speaker 11: hang on. I chatted to my then now current husband 462 00:22:17,840 --> 00:22:21,119 Speaker 11: and said, look my exit here, he's got nowhere to go. 463 00:22:21,760 --> 00:22:24,720 Speaker 11: We've got the spare room. What do we do? So 464 00:22:24,840 --> 00:22:28,119 Speaker 11: he goesyah, all right, they can come here. So we 465 00:22:28,240 --> 00:22:30,840 Speaker 11: had the excellent his daughter from another mother move in 466 00:22:31,200 --> 00:22:35,359 Speaker 11: for about three or Yeah, it was far out you 467 00:22:35,480 --> 00:22:38,360 Speaker 11: tell me. She was seeing ghosts and all this sort 468 00:22:38,400 --> 00:22:45,240 Speaker 11: of stuff, and yes, trying trying to get out, trying 469 00:22:45,280 --> 00:22:47,080 Speaker 11: to do her own thing, trying to run away from 470 00:22:47,119 --> 00:22:48,920 Speaker 11: all of us, and having a good life. She could. 471 00:22:49,000 --> 00:22:51,280 Speaker 11: She never had a good life, so she made up 472 00:22:51,280 --> 00:22:53,560 Speaker 11: all this stuff. So we packed her up and we 473 00:22:53,680 --> 00:22:55,919 Speaker 11: moved him and her into their own house and furnish 474 00:22:56,000 --> 00:22:58,000 Speaker 11: it for them, and my son bought a car and 475 00:22:58,800 --> 00:22:59,760 Speaker 11: we did everything we could. 476 00:23:00,240 --> 00:23:02,520 Speaker 3: All you should be on the Kings on his list trainer. 477 00:23:02,600 --> 00:23:04,320 Speaker 3: This is a show just waiting to be written. 478 00:23:04,359 --> 00:23:04,760 Speaker 9: You know that. 479 00:23:04,920 --> 00:23:05,280 Speaker 2: Don't you. 480 00:23:07,240 --> 00:23:07,880 Speaker 7: Write my life? 481 00:23:08,200 --> 00:23:10,600 Speaker 2: So I think, who's going to play Trina in the 482 00:23:11,600 --> 00:23:12,200 Speaker 2: I'm saying. 483 00:23:13,160 --> 00:23:16,080 Speaker 11: Trainer, I'd have to play trainer, play. 484 00:23:16,000 --> 00:23:16,639 Speaker 3: Me like I do. 485 00:23:17,560 --> 00:23:19,680 Speaker 4: You should you should honestly be in the King's Honors list. 486 00:23:19,720 --> 00:23:21,879 Speaker 4: That is incredible. What what a human being you are? 487 00:23:22,760 --> 00:23:23,440 Speaker 6: I know, I know. 488 00:23:23,720 --> 00:23:26,080 Speaker 11: And now we run a successful coffee business. Good on 489 00:23:26,160 --> 00:23:29,440 Speaker 11: to run coffee in from you together, and I know, 490 00:23:29,680 --> 00:23:32,600 Speaker 11: but he does visit my husband and we've got a 491 00:23:32,680 --> 00:23:35,880 Speaker 11: successful little coffee business here and we support the whole community. 492 00:23:36,040 --> 00:23:39,280 Speaker 2: So come on down, well done. That was such a 493 00:23:39,320 --> 00:23:41,400 Speaker 2: good story. I'm going to allow you your shame. 494 00:23:43,119 --> 00:23:48,080 Speaker 4: I'm welcome. 495 00:23:48,160 --> 00:23:48,800 Speaker 11: Have a great day. 496 00:23:49,400 --> 00:23:52,040 Speaker 4: Isn't she a river? And God, you're right, she's worthy 497 00:23:52,080 --> 00:23:54,000 Speaker 4: of a plug for the business. That was great. 498 00:23:54,240 --> 00:23:57,920 Speaker 3: Simon and Arelia texted us. Still their ten years down 499 00:23:57,960 --> 00:24:00,000 Speaker 3: the track. He pays the bills, he buys the food, 500 00:24:00,200 --> 00:24:02,200 Speaker 3: he does the cooking. But Simon is there for a 501 00:24:02,400 --> 00:24:06,560 Speaker 3: very particular special reason. He's continuing to look after his 502 00:24:06,680 --> 00:24:07,560 Speaker 3: autistic son. 503 00:24:07,840 --> 00:24:08,399 Speaker 4: Oh okay. 504 00:24:08,520 --> 00:24:12,119 Speaker 3: And also it is terribly expensive to rental rebuying you 505 00:24:12,200 --> 00:24:14,239 Speaker 3: know that out so some of these there's a lot 506 00:24:14,320 --> 00:24:15,320 Speaker 3: of reasons. 507 00:24:14,960 --> 00:24:18,520 Speaker 4: Why, you know, bed by cost of. 508 00:24:18,520 --> 00:24:22,920 Speaker 2: Living haven't and and at the moment the rental situation. 509 00:24:23,359 --> 00:24:25,480 Speaker 3: To me, it's hard and I imagine, you know, every 510 00:24:25,560 --> 00:24:29,200 Speaker 3: time you know, two one becomes two again and there's 511 00:24:29,359 --> 00:24:31,840 Speaker 3: you know, looking for two rentals or two new houses 512 00:24:31,880 --> 00:24:32,200 Speaker 3: to buy it. 513 00:24:32,240 --> 00:24:34,000 Speaker 4: There's not that many people can afford to buy the 514 00:24:34,080 --> 00:24:36,119 Speaker 4: other person out, so that means two people needing a 515 00:24:36,200 --> 00:24:36,560 Speaker 4: new home. 516 00:24:36,800 --> 00:24:40,040 Speaker 2: Yeah, Stephen in South Guilford, what about you? 517 00:24:41,000 --> 00:24:47,120 Speaker 5: Yeah, Hi there? Hello. Yeah, Basically about ten years ago, 518 00:24:47,160 --> 00:24:51,040 Speaker 5: I was traveling around Europe doing a Kentucky and I 519 00:24:51,119 --> 00:24:53,920 Speaker 5: met this girl called Jesse and we started dating and 520 00:24:54,080 --> 00:24:58,040 Speaker 5: traveling around Europe together. And then she had Samy in England, 521 00:24:58,119 --> 00:25:01,320 Speaker 5: so we moved there. I was working for them, and 522 00:25:01,400 --> 00:25:04,800 Speaker 5: then she broke up with me, and then I had 523 00:25:04,880 --> 00:25:06,320 Speaker 5: nowhere else to go, so I did stay in the 524 00:25:06,359 --> 00:25:12,360 Speaker 5: same house. They did it together, all that sort of stuff. Yeah, 525 00:25:12,359 --> 00:25:14,720 Speaker 5: it wasn't great. So then after two weeks I'd had 526 00:25:14,840 --> 00:25:16,119 Speaker 5: nothing and I came back to Australia. 527 00:25:16,320 --> 00:25:16,520 Speaker 8: Yeah. 528 00:25:16,880 --> 00:25:20,120 Speaker 3: Yeah, from one extreme to another that one Stephen from 529 00:25:20,560 --> 00:25:23,879 Speaker 3: you know, absoudly love on whole holiday robots and. 530 00:25:25,800 --> 00:25:28,439 Speaker 2: Now I'm stack a country a. 531 00:25:28,440 --> 00:25:29,040 Speaker 4: Bit white loads. 532 00:25:29,080 --> 00:25:29,240 Speaker 12: Really. 533 00:25:30,640 --> 00:25:33,879 Speaker 4: Yeah, it wasn't great, but Steven is also those things 534 00:25:33,920 --> 00:25:36,560 Speaker 4: you forget about these awkward walking past each other in the. 535 00:25:36,640 --> 00:25:39,120 Speaker 2: Kitchen and all those things, walking past her dad. 536 00:25:39,560 --> 00:25:43,440 Speaker 5: Exactly, yeah, exactly, And we had a crosious sail book 537 00:25:43,480 --> 00:25:45,760 Speaker 5: together as well, and she still wanted to do it. 538 00:25:45,880 --> 00:25:48,520 Speaker 5: And then yeah, she ended up canceling that. 539 00:25:48,640 --> 00:25:51,760 Speaker 3: So that was all right, ruined your croatiaus saying, oh 540 00:25:51,880 --> 00:25:52,919 Speaker 3: my god, did the right thing. 541 00:25:54,160 --> 00:25:58,920 Speaker 2: Yes, another time for croatia, Stephen, thank you well. 542 00:25:59,080 --> 00:26:02,000 Speaker 3: The text from Tracean Jandicott, who was telling us about 543 00:26:02,000 --> 00:26:04,159 Speaker 3: it's not her, it's about someone else. The husband was 544 00:26:04,240 --> 00:26:09,160 Speaker 3: heartbroken because this the wife had hooked up with another woman, 545 00:26:09,840 --> 00:26:11,600 Speaker 3: and he was determined he would not move out of 546 00:26:11,640 --> 00:26:13,879 Speaker 3: the family home as they had two young children. So 547 00:26:14,040 --> 00:26:17,160 Speaker 3: the wife moved in the other woman and they all 548 00:26:17,359 --> 00:26:18,679 Speaker 3: lived together for another nine. 549 00:26:18,600 --> 00:26:21,240 Speaker 2: Years until the kids moved down nine years. Yes, there's 550 00:26:21,240 --> 00:26:21,760 Speaker 2: another show. 551 00:26:21,760 --> 00:26:22,560 Speaker 6: We've got two shows. 552 00:26:22,680 --> 00:26:25,119 Speaker 4: That is another show. I think we need to call re. 553 00:26:26,840 --> 00:26:27,320 Speaker 2: Emmys. 554 00:26:27,960 --> 00:26:30,320 Speaker 4: She'll make it, that's for sure. Yeah, you might get 555 00:26:30,320 --> 00:26:34,800 Speaker 4: anyting roll out of this. This is Relationships are complex things. 556 00:26:34,840 --> 00:26:36,359 Speaker 4: But this is another complexity, isn't it. 557 00:26:36,440 --> 00:26:39,399 Speaker 3: And relationships are and sometimes you know, it's not just 558 00:26:39,560 --> 00:26:40,800 Speaker 3: so many variables, it's not just. 559 00:26:40,840 --> 00:26:42,639 Speaker 4: Cost of living. It's not just the rental thing, but 560 00:26:42,680 --> 00:26:44,680 Speaker 4: they're big factors now. But it might be about kids 561 00:26:44,720 --> 00:26:46,359 Speaker 4: and about I love it, the pet, or something you 562 00:26:46,359 --> 00:26:48,760 Speaker 4: don't want to leave their house. Yes, this has got 563 00:26:48,800 --> 00:26:51,720 Speaker 4: the phones and the text line going, and it's such. 564 00:26:52,320 --> 00:26:56,400 Speaker 3: It's a fascinating dynamic to hear about living together after 565 00:26:56,480 --> 00:26:58,920 Speaker 3: a breakup or dating someone who was still living with 566 00:26:58,960 --> 00:26:59,280 Speaker 3: their ex. 567 00:26:59,359 --> 00:27:01,919 Speaker 2: Debbie in thought only, what is your story? 568 00:27:02,520 --> 00:27:04,639 Speaker 7: Yes, good morning, welcome together. 569 00:27:04,800 --> 00:27:11,040 Speaker 8: Ten years engaged renting a house. He cheated, So I thought, right, 570 00:27:11,119 --> 00:27:16,080 Speaker 8: that's it finished. I thought, right back twenty five years ago, 571 00:27:16,240 --> 00:27:18,440 Speaker 8: I could buy a house for ninety eighth our three 572 00:27:18,560 --> 00:27:22,480 Speaker 8: nine one, so I would have brought. 573 00:27:22,320 --> 00:27:23,160 Speaker 7: Myself a house. 574 00:27:23,520 --> 00:27:26,320 Speaker 8: And he turned around three days before I moved out. 575 00:27:26,200 --> 00:27:28,080 Speaker 7: And said, oh my god, oh my god, I've got 576 00:27:28,119 --> 00:27:28,600 Speaker 7: nowhere to go. 577 00:27:28,960 --> 00:27:31,120 Speaker 8: And I said, I thought about it, and I thought, 578 00:27:31,160 --> 00:27:32,520 Speaker 8: were you used and abuse me? 579 00:27:33,240 --> 00:27:35,280 Speaker 9: So I let him rent a room. 580 00:27:35,840 --> 00:27:39,359 Speaker 8: I paid my mortgage and his money I used as 581 00:27:39,400 --> 00:27:42,920 Speaker 8: spending money and to rub salt in the wounds. I 582 00:27:43,080 --> 00:27:45,359 Speaker 8: did start seeing a guy and brought him home a 583 00:27:45,440 --> 00:27:47,520 Speaker 8: few times, and yeah, he had to deal with it. 584 00:27:49,640 --> 00:27:51,720 Speaker 4: Well done. Shouldn't be laughing as much as I am Jad, 585 00:27:57,680 --> 00:27:59,639 Speaker 4: So how long was that time that he was in 586 00:27:59,720 --> 00:28:01,480 Speaker 4: your Playngel is the best revenge. 587 00:28:02,600 --> 00:28:04,480 Speaker 8: I did it for about six months and then I 588 00:28:04,680 --> 00:28:06,840 Speaker 8: was like, yeah, I think I've drugged it in. 589 00:28:07,400 --> 00:28:11,240 Speaker 4: Yes, you served it cold, well done. That was great. 590 00:28:12,560 --> 00:28:13,000 Speaker 2: Thanks to. 591 00:28:15,080 --> 00:28:19,760 Speaker 4: Have a good day. There's sure report on ninety six. 592 00:28:19,640 --> 00:28:26,359 Speaker 3: Airm The Emmy nominations are out today. Showgun received the 593 00:28:26,440 --> 00:28:30,240 Speaker 3: most with twenty five. The Bear has twenty three nominations, 594 00:28:30,440 --> 00:28:32,520 Speaker 3: and that's the most ever for a comedy series in 595 00:28:32,600 --> 00:28:36,400 Speaker 3: one year. Only Murders in the Building got twenty one nominations, 596 00:28:36,440 --> 00:28:41,280 Speaker 3: True Detective Night Country got nineteen, and Richard Gad's Baby 597 00:28:41,320 --> 00:28:44,720 Speaker 3: Reindeer has eleven. A few ossis have been nominated. Naomi 598 00:28:44,800 --> 00:28:47,320 Speaker 3: Watts for Lead Actress in a Limited Series for her 599 00:28:47,440 --> 00:28:51,520 Speaker 3: role in Feud Capodi Versus the Swans, and Elizabeth Debickie 600 00:28:51,600 --> 00:28:53,680 Speaker 3: is up for Supporting Actress for her role as Princess 601 00:28:53,720 --> 00:28:57,160 Speaker 3: Diana in The Crown. Ozzie's Patrick Claire and Raoul Marx 602 00:28:57,200 --> 00:29:00,520 Speaker 3: are nominated in the same category main titled Design for 603 00:29:00,600 --> 00:29:05,000 Speaker 3: their work on Fallout and Netflix's three Body Problem I 604 00:29:05,040 --> 00:29:08,280 Speaker 3: Don't Know That One, and producer Emil Sherman has nominated. 605 00:29:08,320 --> 00:29:11,320 Speaker 3: He's one of the producers of Slow Horses, another Apple 606 00:29:11,400 --> 00:29:15,320 Speaker 3: TV one. The Emmys will be handed out on September sixteen. 607 00:29:15,360 --> 00:29:18,120 Speaker 3: It's a Monday morning our time. You've seen the movie 608 00:29:18,240 --> 00:29:21,040 Speaker 3: hill Billy Elegy, haven't you. I've seen it too, and 609 00:29:21,120 --> 00:29:23,120 Speaker 3: I really liked it, But until you pointed it out 610 00:29:23,160 --> 00:29:26,000 Speaker 3: to me yesterday, I didn't realize it's connection to Donald 611 00:29:26,080 --> 00:29:29,040 Speaker 3: Trump's new running mate. Hill Billy Ellergy is based on 612 00:29:29,120 --> 00:29:31,719 Speaker 3: the memoir of none other than J. D. Vance, Trump's 613 00:29:31,760 --> 00:29:34,480 Speaker 3: pick for his vice presidential running mate. It's about his 614 00:29:34,600 --> 00:29:38,280 Speaker 3: early years growing up in dire property in poverty in 615 00:29:38,400 --> 00:29:41,960 Speaker 3: Ohio with an absent father and a drug addicted mother 616 00:29:42,400 --> 00:29:45,600 Speaker 3: and a slightly crazy grandmother. Ron Howard made it into 617 00:29:45,640 --> 00:29:48,720 Speaker 3: a movie for Netflix, starring Amy Adams, Glenn Close, and 618 00:29:48,920 --> 00:29:52,480 Speaker 3: Gabriel Basso, and in the two days since Trump announced 619 00:29:52,560 --> 00:29:56,000 Speaker 3: Vance as his running mate, Netflix says viewership of the 620 00:29:56,080 --> 00:29:57,880 Speaker 3: film has skyrocketed by. 621 00:29:57,880 --> 00:29:59,479 Speaker 2: More than one thousand percent. 622 00:29:59,560 --> 00:29:59,800 Speaker 6: Wow. 623 00:30:00,520 --> 00:30:01,800 Speaker 2: So if you want to check it out, it is 624 00:30:01,840 --> 00:30:02,280 Speaker 2: on Netflix. 625 00:30:02,320 --> 00:30:03,120 Speaker 4: I be at a percentage. 626 00:30:03,320 --> 00:30:06,080 Speaker 3: Colin Firth is the latest addition to the cast of 627 00:30:06,280 --> 00:30:10,240 Speaker 3: Prime videos upcoming series Young Sherlock. The series is inspired 628 00:30:10,280 --> 00:30:14,200 Speaker 3: by Andy Lane's young Sherlock Holmes novels and stars Hero 629 00:30:14,560 --> 00:30:17,719 Speaker 3: Finds Tiffin. He's the nephew of Raefe and Joseph Fines 630 00:30:18,080 --> 00:30:20,959 Speaker 3: in the lead role. And the TV show Loot has 631 00:30:21,040 --> 00:30:24,080 Speaker 3: been renewed for season three at Apple TV. Loot stars 632 00:30:24,320 --> 00:30:28,400 Speaker 3: and is produced by Maya Rudolph of Saturday Night Live fame, 633 00:30:29,040 --> 00:30:30,640 Speaker 3: and of course you know who Maya's mum. 634 00:30:30,680 --> 00:30:32,080 Speaker 2: Was, Minnie Riperton. 635 00:30:32,640 --> 00:30:36,200 Speaker 3: Wani was famous for her five octave vocal range, her 636 00:30:36,400 --> 00:30:39,760 Speaker 3: use of the whistle register, and that dreadful song. 637 00:30:41,040 --> 00:30:41,600 Speaker 2: Loving You. 638 00:30:42,520 --> 00:30:44,360 Speaker 4: It was Mariah Carey, always trying to compete with that. 639 00:30:45,280 --> 00:30:51,000 Speaker 4: Let's going on more Clezy More Lisa more podcasts. This 640 00:30:51,160 --> 00:30:54,600 Speaker 4: bloke from the southern Indian state of Kerala, Poor Ole, 641 00:30:55,840 --> 00:30:59,280 Speaker 4: poor Ole, Ravi Ravan Drunner, the fifty nine year old 642 00:31:00,000 --> 00:31:03,720 Speaker 4: basically Lise. On a Saturday afternoon, Rabi went to the doctor. Right, 643 00:31:03,880 --> 00:31:05,760 Speaker 4: So he went to the doctor and got into the 644 00:31:05,800 --> 00:31:07,520 Speaker 4: lift to go up to the third floor to go 645 00:31:07,560 --> 00:31:11,680 Speaker 4: and see doc. Unfortunately, the door didn't open on the 646 00:31:11,760 --> 00:31:15,120 Speaker 4: third floor, so the lift was stuck. He heard a 647 00:31:15,160 --> 00:31:17,200 Speaker 4: bit of a clunk. He tried to call the emergency 648 00:31:17,280 --> 00:31:19,920 Speaker 4: number that was lifted listed on the lift wall and 649 00:31:19,960 --> 00:31:22,120 Speaker 4: there was no response, so he tried calling his wife, 650 00:31:22,120 --> 00:31:26,360 Speaker 4: who actually works at said hospital. Okay, and anyone else 651 00:31:26,360 --> 00:31:28,120 Speaker 4: who could think of on the phone just was just 652 00:31:28,200 --> 00:31:31,000 Speaker 4: not connecting to anybody because he's inside that box. So 653 00:31:31,440 --> 00:31:33,320 Speaker 4: he started panicking. He was banging on the lift doors 654 00:31:33,360 --> 00:31:34,680 Speaker 4: to try and get a bit of attention. Then he 655 00:31:34,880 --> 00:31:39,880 Speaker 4: dropped his phone, clumsy boy, and it stopped working. I mean, 656 00:31:39,920 --> 00:31:41,760 Speaker 4: we all drop our phone sometimes, but it's pretty You'd 657 00:31:41,800 --> 00:31:43,320 Speaker 4: have to be pretty unlucky for it to not work. 658 00:31:43,640 --> 00:31:46,000 Speaker 4: He's in a metal lift, and I'm thinking, if you're 659 00:31:46,040 --> 00:31:48,200 Speaker 4: in a hospital, shame if you're getting wheeled in for 660 00:31:48,280 --> 00:31:52,040 Speaker 4: an emergency heart operation and the lift gets jammed. So 661 00:31:52,560 --> 00:31:55,680 Speaker 4: he's pressing the alarm bell again and again, thinking it's 662 00:31:55,720 --> 00:31:57,760 Speaker 4: going to work, trying to get someone's attention. But it's 663 00:31:57,800 --> 00:31:59,760 Speaker 4: the weekend, a lot of people are clocked off. Even 664 00:31:59,800 --> 00:32:01,600 Speaker 4: though was a hospital, he's probably down the wrong end. 665 00:32:01,840 --> 00:32:04,480 Speaker 4: So he slept in one corner of the lift for 666 00:32:04,560 --> 00:32:07,600 Speaker 4: the weekend and used the other one for Oh, of 667 00:32:07,800 --> 00:32:08,920 Speaker 4: course jobbies. 668 00:32:09,320 --> 00:32:12,080 Speaker 2: Yeah, I hope you didn't have a big lunch before. 669 00:32:12,480 --> 00:32:17,080 Speaker 4: Could you imagine that Monday morning, the lift operator open 670 00:32:17,480 --> 00:32:19,640 Speaker 4: the door he'd been in there for forty two hours. 671 00:32:19,720 --> 00:32:21,840 Speaker 4: This poor boker got forty two hours. 672 00:32:22,000 --> 00:32:23,320 Speaker 2: That's a long time without water. 673 00:32:23,520 --> 00:32:25,400 Speaker 4: It is a long time without water, isn't it. And 674 00:32:25,480 --> 00:32:26,960 Speaker 4: it's a long time to sit there with a smelly 675 00:32:27,040 --> 00:32:31,680 Speaker 4: in the corner. Yeah, so disgusting. So obviously he went 676 00:32:31,720 --> 00:32:34,520 Speaker 4: to hospital dehydrated. As he said, long time that water 677 00:32:34,720 --> 00:32:37,680 Speaker 4: and with a saw back. It's not exactly the most 678 00:32:37,720 --> 00:32:39,959 Speaker 4: comfortable place, you know. Really, it's gonna have provisions in there. 679 00:32:40,000 --> 00:32:40,960 Speaker 4: I'm going to take a pillow with you. 680 00:32:41,080 --> 00:32:42,960 Speaker 2: God, I hope he wasn't listening to lyft music. 681 00:32:43,120 --> 00:32:44,040 Speaker 4: Oh could you imagine it? 682 00:32:44,120 --> 00:32:44,280 Speaker 10: Oh? 683 00:32:44,480 --> 00:32:48,560 Speaker 2: Forty two hours of a lift version of Smoke on 684 00:32:48,600 --> 00:32:50,960 Speaker 2: the Water on No, a. 685 00:32:51,000 --> 00:32:56,479 Speaker 4: Lift version of Love all terraces apart musaic. Actually, if 686 00:32:56,520 --> 00:32:58,680 Speaker 4: you go, if someone said to you, you have the choice, 687 00:32:58,680 --> 00:33:01,239 Speaker 4: I'll give you a liter of water right now, you say, 688 00:33:01,240 --> 00:33:03,720 Speaker 4: he's forty hours in or will turn off the lift music? 689 00:33:03,760 --> 00:33:05,080 Speaker 4: You'd want them to lift music turned off. 690 00:33:06,720 --> 00:33:07,680 Speaker 2: It's a tough choice. 691 00:33:08,000 --> 00:33:10,560 Speaker 4: I think I'll go with that option, because one's going 692 00:33:10,600 --> 00:33:13,360 Speaker 4: to kill you. Maybe they're both will Color or RAVI. 693 00:33:13,640 --> 00:33:15,760 Speaker 4: Apparently he's all right now, he has recovered and he's 694 00:33:15,880 --> 00:33:17,960 Speaker 4: textairs the stairwell every. 695 00:33:17,800 --> 00:33:22,080 Speaker 2: Time read to flick with ben o'she good morning, Ben. 696 00:33:23,080 --> 00:33:26,000 Speaker 7: Good morning guys. When the weather turns horrible like this 697 00:33:26,240 --> 00:33:28,880 Speaker 7: and it's stormy at night, is there anything better than 698 00:33:29,280 --> 00:33:32,240 Speaker 7: cozying up on the couch under a rug and watching 699 00:33:32,280 --> 00:33:32,960 Speaker 7: a horror movie? 700 00:33:34,480 --> 00:33:35,280 Speaker 4: Sounds been good to me. 701 00:33:37,160 --> 00:33:40,720 Speaker 2: You had me into a horror movie, but watching a. 702 00:33:40,800 --> 00:33:45,400 Speaker 12: Movie or there are some people who can't get enough 703 00:33:45,480 --> 00:33:47,920 Speaker 12: of that sort of stuff, and they will be flocking 704 00:33:48,000 --> 00:33:51,240 Speaker 12: to the cinema this week to see Long Legs, which 705 00:33:51,320 --> 00:33:53,760 Speaker 12: is the movie that everybody is talking about. 706 00:33:54,520 --> 00:33:57,000 Speaker 4: This one bit of a surprise packet O ben oh. 707 00:33:57,240 --> 00:34:01,200 Speaker 7: Huge surprise hit at the US office when it opened 708 00:34:01,320 --> 00:34:04,840 Speaker 7: last weekend. So the film cost a a couple of 709 00:34:04,880 --> 00:34:08,800 Speaker 7: million dollars to make, so extremely low budgets hips not 710 00:34:09,000 --> 00:34:12,320 Speaker 7: very much at all. And it stars Nicholas Cage, so 711 00:34:12,400 --> 00:34:15,480 Speaker 7: he's a big name, but pretty much nobody else in 712 00:34:15,520 --> 00:34:18,319 Speaker 7: the cast you would recognize. And so it opened last 713 00:34:18,360 --> 00:34:21,440 Speaker 7: weekend in America against Slimy to the Moon. The Moon, 714 00:34:21,640 --> 00:34:24,520 Speaker 7: the movie with Channing Tatum and Scarlett Johansson and Ray 715 00:34:24,640 --> 00:34:27,960 Speaker 7: Romano cost one hundred million dollars to make that well, 716 00:34:31,080 --> 00:34:33,800 Speaker 7: and Long legs made twice as much money in the 717 00:34:33,840 --> 00:34:34,360 Speaker 7: box office. 718 00:34:34,480 --> 00:34:36,840 Speaker 4: Oh wow, tongue is working in Hollywood. 719 00:34:36,880 --> 00:34:39,440 Speaker 7: Oh yeah, so it made. It made something like thirty 720 00:34:39,480 --> 00:34:42,600 Speaker 7: three million dollars in it's opening weekend. And so it's 721 00:34:42,640 --> 00:34:47,280 Speaker 7: the talk of Tinseltown right now. And it probably belongs 722 00:34:47,360 --> 00:34:49,600 Speaker 7: now in the same category as some of those other 723 00:34:49,800 --> 00:34:54,280 Speaker 7: surprise indie hits, like indy horror hits like the Blair 724 00:34:54,360 --> 00:34:57,400 Speaker 7: Witch Project and Saw the First Saw movie when that 725 00:34:57,480 --> 00:35:00,200 Speaker 7: came out and no one knew anything about it. So 726 00:35:00,239 --> 00:35:03,000 Speaker 7: there's a paranormal activity. You know, there are these horror 727 00:35:03,040 --> 00:35:05,560 Speaker 7: movies that come out of nowhere do really well at 728 00:35:05,600 --> 00:35:08,200 Speaker 7: the box office on you know, that made on the 729 00:35:08,239 --> 00:35:10,919 Speaker 7: Smell of an oily rag. But the interesting thing about 730 00:35:10,960 --> 00:35:14,319 Speaker 7: this movie is Nicholas Cage has done something that he's 731 00:35:14,400 --> 00:35:18,200 Speaker 7: never done before in his career. He hasn't been Nicholas 732 00:35:18,280 --> 00:35:21,880 Speaker 7: Cage because you know how in every movie, it doesn't 733 00:35:21,880 --> 00:35:26,080 Speaker 7: matter if it's a comedy, an action, blockbuster, a romance, 734 00:35:26,360 --> 00:35:29,400 Speaker 7: he's always Nick Cage. And that was kind of that 735 00:35:29,600 --> 00:35:32,080 Speaker 7: was kind of like taking the mickey out of in 736 00:35:32,239 --> 00:35:36,080 Speaker 7: his movie The Unbearable Weight of Massive Talent, Yes, where 737 00:35:36,200 --> 00:35:38,440 Speaker 7: it was like, you know, he's just so Nicholas Cage 738 00:35:39,040 --> 00:35:44,000 Speaker 7: in this movie. He's unrecognizable in facial prosthetics, he's got 739 00:35:44,120 --> 00:35:47,200 Speaker 7: long hair, and he's behaving in a way you like this. 740 00:35:47,600 --> 00:35:50,680 Speaker 7: So he's kind of channeled Mark Bolan from t ren 741 00:35:54,960 --> 00:35:57,399 Speaker 7: if you can imagine like that sort of Mark Bowl 742 00:35:57,480 --> 00:36:00,560 Speaker 7: and glam Rocker from the seventies crossed with a ble lecter. 743 00:36:00,760 --> 00:36:02,439 Speaker 4: Oh, dear sinister mate. 744 00:36:02,680 --> 00:36:05,080 Speaker 7: So he's found the middle ground in between those two. 745 00:36:06,520 --> 00:36:09,560 Speaker 7: And so he plays this this character Long Legs, who 746 00:36:10,320 --> 00:36:14,920 Speaker 7: is being investigated by the FBI the suspected involvement in 747 00:36:15,000 --> 00:36:19,000 Speaker 7: a series of murders. Entire families being murdered, and it 748 00:36:19,080 --> 00:36:21,920 Speaker 7: looks like the dad in each family is the one 749 00:36:21,960 --> 00:36:25,760 Speaker 7: who's committed the murder. But they think that Nicholas Cage's 750 00:36:25,840 --> 00:36:29,239 Speaker 7: Long Legs is somehow involved because there are these mysterious 751 00:36:29,360 --> 00:36:32,360 Speaker 7: notes left at the scene, and the person leading the 752 00:36:32,440 --> 00:36:36,359 Speaker 7: investigation is this young woman from the FBI who has 753 00:36:36,640 --> 00:36:41,080 Speaker 7: clairvoyant abilities. And so as this investigation unfolds, which does 754 00:36:41,320 --> 00:36:45,920 Speaker 7: give silence of the Lamb vibes for sure, you get 755 00:36:45,960 --> 00:36:49,319 Speaker 7: closer and closer to solving the mystery, and things get 756 00:36:49,360 --> 00:36:52,319 Speaker 7: a little bit more supernatural as it goes and it's 757 00:36:52,600 --> 00:36:57,400 Speaker 7: extremely creepy. Nick Cage one of the creepiest villains that 758 00:36:57,440 --> 00:36:59,680 Speaker 7: you see on the big screen all year and probably 759 00:36:59,719 --> 00:37:03,279 Speaker 7: from the last five years. Like he it puts chills 760 00:37:03,360 --> 00:37:07,600 Speaker 7: up my mind just just thinking about just thinking about 761 00:37:07,640 --> 00:37:12,000 Speaker 7: his afformance. He's amazing in this. Unfortunately, from the film's perspective, 762 00:37:12,719 --> 00:37:17,640 Speaker 7: that's the best bit. The actress who plays this FBI agent, 763 00:37:17,719 --> 00:37:22,120 Speaker 7: you know, it's easy to compare head to Jodie Foster's 764 00:37:22,120 --> 00:37:24,920 Speaker 7: a similar kind of thing, and no clarice. She's just 765 00:37:25,040 --> 00:37:27,600 Speaker 7: really not as good. She kind of goes into the 766 00:37:27,840 --> 00:37:30,759 Speaker 7: Kristen Stewart category of acting. We just kind of purs 767 00:37:30,800 --> 00:37:32,439 Speaker 7: your lips and look like you've sucked on a lemon. 768 00:37:33,640 --> 00:37:39,160 Speaker 7: And so it's you know, she's she's not amazing, and 769 00:37:39,320 --> 00:37:43,440 Speaker 7: the rest of the cast they're okay. The cinematography is fantastic. 770 00:37:43,800 --> 00:37:46,560 Speaker 7: It's a haunting film, there's no doubt about that. The 771 00:37:46,680 --> 00:37:49,640 Speaker 7: dread just builds and builds and builds. The ending, like 772 00:37:49,719 --> 00:37:52,520 Speaker 7: a lot of these types of movies, you know, probably 773 00:37:52,680 --> 00:37:55,160 Speaker 7: doesn't quite get to where it needs to, and you're 774 00:37:55,200 --> 00:37:58,320 Speaker 7: sort of left thinking about how great Nicholas Cage was. 775 00:37:58,520 --> 00:38:00,880 Speaker 7: But then when you start thinking about the plot, you realize, well, 776 00:38:00,920 --> 00:38:03,520 Speaker 7: hang in a minute, did that actually make any sense? 777 00:38:04,160 --> 00:38:09,120 Speaker 7: So there's probably hard, yeah, especially when they've got like 778 00:38:09,200 --> 00:38:13,800 Speaker 7: a complicated supernatural element as well, and they kind of 779 00:38:13,880 --> 00:38:17,200 Speaker 7: rely on the audience just accepting things like you know, 780 00:38:18,400 --> 00:38:21,239 Speaker 7: this this thing that has power over people. You just 781 00:38:21,280 --> 00:38:23,480 Speaker 7: have to accept it. Don't ask why, don't husk for 782 00:38:23,520 --> 00:38:25,440 Speaker 7: any deeper explanation. You're not going to get it. You 783 00:38:25,560 --> 00:38:26,719 Speaker 7: just have to accept. That's how it is. 784 00:38:26,880 --> 00:38:30,000 Speaker 4: Hey, they are hard, aren't they say, because every part 785 00:38:30,040 --> 00:38:31,600 Speaker 4: of the genre has been explored, so it's hard to 786 00:38:31,640 --> 00:38:32,279 Speaker 4: shock people now. 787 00:38:32,360 --> 00:38:36,040 Speaker 7: Yeah, yeah, yeah, that's right. And like people are talking 788 00:38:36,080 --> 00:38:37,759 Speaker 7: about this as like one of the scariest movies of 789 00:38:37,800 --> 00:38:41,520 Speaker 7: all time. It's definitely not that. And you know that 790 00:38:41,880 --> 00:38:44,120 Speaker 7: it's getting a lot of hype right now. It's probably 791 00:38:44,400 --> 00:38:46,920 Speaker 7: not as good as the hype. But in terms of 792 00:38:47,320 --> 00:38:51,560 Speaker 7: a really interesting movie with an incredible performance by Nicholas Cage, 793 00:38:52,520 --> 00:38:54,360 Speaker 7: this is definitely one that ticks a lot of boxes 794 00:38:54,400 --> 00:38:57,880 Speaker 7: from that perspective, and fun fact, directed by Oz Perkins, 795 00:38:58,200 --> 00:39:00,920 Speaker 7: who played talkie David in Legally Blonde. 796 00:39:01,040 --> 00:39:02,360 Speaker 4: Oh there you go, Oh. 797 00:39:03,840 --> 00:39:05,359 Speaker 7: Look him up? You remember him straight away? 798 00:39:06,520 --> 00:39:10,239 Speaker 2: You go all right, well, how many legs has it got? 799 00:39:11,520 --> 00:39:12,080 Speaker 11: Are you giving it? 800 00:39:13,680 --> 00:39:15,560 Speaker 7: I'm almost scared, not that you framed it like that. 801 00:39:15,640 --> 00:39:17,320 Speaker 7: I'm almost scared to say the number. 802 00:39:18,080 --> 00:39:23,120 Speaker 4: Three legs three okay, not quite a spider shake the bed, 803 00:39:25,360 --> 00:39:27,000 Speaker 4: long legs, yeah true. 804 00:39:27,480 --> 00:39:31,560 Speaker 2: Thank you, be your bed. Thank guys, Crazy and Lisa 805 00:39:31,920 --> 00:39:32,760 Speaker 2: ninety six