1 00:00:00,200 --> 00:00:02,679 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,080 --> 00:00:06,800 Speaker 2: Kate Sobrano has spent four decades in the music industry. 3 00:00:07,040 --> 00:00:09,360 Speaker 2: She's about to drop her thirteenth studio album, and you 4 00:00:09,400 --> 00:00:12,320 Speaker 2: know what, it's number one on iTunes. Number two is 5 00:00:12,480 --> 00:00:15,400 Speaker 2: Ed Sharing Never heard of Him. It's called My Life 6 00:00:15,560 --> 00:00:18,680 Speaker 2: Is a Symphony, and it's a celebration of her songwriting, 7 00:00:18,760 --> 00:00:23,280 Speaker 2: featuring her most iconic songs sung alongside the Melbourne Symphony Orchestra. 8 00:00:23,400 --> 00:00:27,280 Speaker 2: Kate Sobrano, Hi, good morning, good people, she's here. 9 00:00:27,360 --> 00:00:29,000 Speaker 1: I'm very happy to be here too. I've got to 10 00:00:29,000 --> 00:00:30,560 Speaker 1: say it's very bloody early. 11 00:00:32,440 --> 00:00:34,720 Speaker 2: Musician. Well, I can't do late nights. I could never 12 00:00:34,800 --> 00:00:35,319 Speaker 2: have done that. 13 00:00:35,400 --> 00:00:37,680 Speaker 1: So you could have if you, if you'd started young enough. 14 00:00:37,720 --> 00:00:40,199 Speaker 1: I think these days, I don't know there's two sevens 15 00:00:40,240 --> 00:00:41,960 Speaker 1: that exist in a day. 16 00:00:42,520 --> 00:00:44,319 Speaker 2: So when you were young, because you've got you were 17 00:00:44,320 --> 00:00:47,200 Speaker 2: famous and performed very early on. So were you really 18 00:00:47,280 --> 00:00:49,000 Speaker 2: young when you're having all those big late nights and 19 00:00:49,040 --> 00:00:51,040 Speaker 2: all that music industry kind of vibe? 20 00:00:51,760 --> 00:00:54,200 Speaker 1: Yes, I was. I was much younger than my peers, 21 00:00:55,120 --> 00:00:57,200 Speaker 1: But it doesn't seem to feel like that these days. 22 00:00:57,200 --> 00:00:59,440 Speaker 1: With all of my friends, you know, we've been saying 23 00:00:59,440 --> 00:01:01,640 Speaker 1: goodbye to quite a number of them, not just a 24 00:01:01,680 --> 00:01:06,160 Speaker 1: couple of months. But one who's definitely alive and kicking 25 00:01:06,280 --> 00:01:09,319 Speaker 1: is my friend John Farnham, who also dropped his film. 26 00:01:09,560 --> 00:01:10,760 Speaker 2: That film's amazing. 27 00:01:10,840 --> 00:01:12,679 Speaker 1: Yeah, I know. I actually haven't seen it because I 28 00:01:12,720 --> 00:01:16,400 Speaker 1: was on stage. I'd been invited and very much wanted 29 00:01:16,440 --> 00:01:18,840 Speaker 1: to show up, especially the family have been stitching that 30 00:01:18,880 --> 00:01:22,440 Speaker 1: lovingly together for the last couple of years. I don't 31 00:01:22,440 --> 00:01:24,000 Speaker 1: know if I can handle it on my own. I 32 00:01:24,040 --> 00:01:26,240 Speaker 1: have to go with a friend and hold Anne. It's 33 00:01:26,280 --> 00:01:29,600 Speaker 1: so close to home, isn't it. The whole deconstruction of 34 00:01:30,400 --> 00:01:33,920 Speaker 1: a whole lifetime in music, and the phoenix rising from 35 00:01:33,920 --> 00:01:36,760 Speaker 1: the stock, you know, Only he's just gorgeous, isn't he. 36 00:01:36,840 --> 00:01:39,040 Speaker 3: Well, I always think of you, you telling us that 37 00:01:39,080 --> 00:01:40,959 Speaker 3: story when you were young and you were in the 38 00:01:41,000 --> 00:01:43,400 Speaker 3: audience of Countdown and you're just looking at the stage 39 00:01:43,400 --> 00:01:45,759 Speaker 3: and you just thought, I need to be up there, 40 00:01:46,200 --> 00:01:47,080 Speaker 3: I need to be able. 41 00:01:47,120 --> 00:01:51,960 Speaker 1: Well he'd already been there and kind of fallen from 42 00:01:51,960 --> 00:01:54,000 Speaker 1: the perch as it were, you know, that's where the 43 00:01:54,000 --> 00:01:57,919 Speaker 1: film begins. And even Colin Hay the other day winning 44 00:01:57,960 --> 00:02:03,080 Speaker 1: the APPRAA Awards, made this beautiful speech that sometimes in 45 00:02:03,120 --> 00:02:05,080 Speaker 1: a lifetime. You have to sort of kill off an 46 00:02:05,080 --> 00:02:08,760 Speaker 1: earlier you and become a better you. And if you're 47 00:02:08,760 --> 00:02:11,720 Speaker 1: hanging there long enough, you do discover that there is 48 00:02:11,919 --> 00:02:15,360 Speaker 1: this incredible I don't know, there's a wealth of information 49 00:02:15,440 --> 00:02:17,600 Speaker 1: you can get about yourself as you get older. And 50 00:02:17,639 --> 00:02:18,840 Speaker 1: that's what I'm at. 51 00:02:19,080 --> 00:02:20,840 Speaker 3: I haven't think about that. With Michael Hutchins. 52 00:02:20,880 --> 00:02:22,680 Speaker 2: You know, he didn't get well. 53 00:02:22,680 --> 00:02:25,799 Speaker 3: There was a period of his time, that time when 54 00:02:25,840 --> 00:02:28,480 Speaker 3: they were coming back. It was a dark time for 55 00:02:28,600 --> 00:02:32,720 Speaker 3: him because he thought I'm a has been and he wasn't. 56 00:02:32,720 --> 00:02:34,720 Speaker 3: He was never has been. But I think in his 57 00:02:34,840 --> 00:02:36,680 Speaker 3: mind he couldn't get past it if he just waited, 58 00:02:36,720 --> 00:02:39,640 Speaker 3: if he just hung in there like in excessively still 59 00:02:39,720 --> 00:02:42,520 Speaker 3: because this is the reunion tour is such a big thing. 60 00:02:42,400 --> 00:02:45,760 Speaker 1: Now, Yeah, yeah, most definitely. I mean, you know the 61 00:02:46,200 --> 00:02:48,560 Speaker 1: well and also I suppose because COVID has changed the 62 00:02:48,600 --> 00:02:51,320 Speaker 1: way we see mental health and other things. When you 63 00:02:51,400 --> 00:02:54,480 Speaker 1: find yourself in a position where you're under siege like 64 00:02:54,560 --> 00:02:57,720 Speaker 1: that subjectively inside, you've got to work out a way, 65 00:02:58,000 --> 00:03:01,880 Speaker 1: I think objectively to find proof of you. And that's 66 00:03:01,919 --> 00:03:04,880 Speaker 1: what making when we made this record, it was like, well, 67 00:03:04,919 --> 00:03:07,359 Speaker 1: who are you? You've gone on the stage. These things 68 00:03:07,400 --> 00:03:09,880 Speaker 1: they dissipate into the night. It was a great night 69 00:03:09,919 --> 00:03:12,480 Speaker 1: for all, but do we really hold them and are 70 00:03:12,520 --> 00:03:14,920 Speaker 1: they proof of us having been there? And often it 71 00:03:14,960 --> 00:03:16,799 Speaker 1: feels very empty at the end of the night. You've 72 00:03:16,800 --> 00:03:19,639 Speaker 1: done this huge show and you go home and you're 73 00:03:19,680 --> 00:03:22,840 Speaker 1: lying there and you're like, well, that was crazy, that 74 00:03:22,919 --> 00:03:25,440 Speaker 1: was amazing, And then you know you'll wake up tomorrow 75 00:03:25,440 --> 00:03:28,360 Speaker 1: morning and everyone will have moved on. And so it 76 00:03:28,440 --> 00:03:31,639 Speaker 1: was like, okay, let's get this in the can and 77 00:03:32,000 --> 00:03:36,200 Speaker 1: really put and back myself really and say, as a 78 00:03:36,240 --> 00:03:38,480 Speaker 1: songwriter for forty years, these are the songs. They're my 79 00:03:38,560 --> 00:03:43,240 Speaker 1: picks about, you know, decades during my career, what I 80 00:03:43,280 --> 00:03:45,760 Speaker 1: was seeing and experiencing and what it felt like to 81 00:03:45,840 --> 00:03:52,000 Speaker 1: be there. And the symphony is so is so awesome, 82 00:03:52,200 --> 00:03:54,680 Speaker 1: Like I'm all struck and I am a fan within 83 00:03:54,720 --> 00:03:57,640 Speaker 1: the symphony and so I stand there, you know, bobbing 84 00:03:57,720 --> 00:03:59,560 Speaker 1: along like a cork in the ocean, going I love. 85 00:03:59,440 --> 00:04:02,160 Speaker 2: This feel like to perform with the symphony orchestra. 86 00:04:02,800 --> 00:04:06,480 Speaker 1: It's it's rather like it's rather like seeing the sun, 87 00:04:07,080 --> 00:04:10,480 Speaker 1: you know, set and the sun rise again. It's it's 88 00:04:10,600 --> 00:04:13,200 Speaker 1: it's like it's all of I don't know how to 89 00:04:13,200 --> 00:04:16,240 Speaker 1: put it. It's like it's it's up there with the gods. 90 00:04:16,240 --> 00:04:18,640 Speaker 1: You know, you half expect that when the sun rises 91 00:04:18,680 --> 00:04:24,000 Speaker 1: you hear that. That is actually how a symphony feels. 92 00:04:24,040 --> 00:04:26,240 Speaker 3: It's a lot of pressure and listening to you, this 93 00:04:26,320 --> 00:04:28,680 Speaker 3: is you doing brave with the symphony orchestra. 94 00:04:35,040 --> 00:04:36,240 Speaker 2: That's a goose bumps. 95 00:04:46,839 --> 00:04:47,640 Speaker 1: Rise. 96 00:04:51,680 --> 00:04:54,120 Speaker 2: Oh that's pressures. 97 00:04:54,400 --> 00:04:55,440 Speaker 3: What if you're muck it up? 98 00:04:55,880 --> 00:04:59,200 Speaker 1: No, you just I won't because it doesn't really matter. 99 00:04:59,240 --> 00:05:01,640 Speaker 1: Imperfections are all of what makes an artist at this 100 00:05:01,720 --> 00:05:05,560 Speaker 1: age perfect because you are bringing with you your entire house. 101 00:05:06,200 --> 00:05:08,320 Speaker 1: You know, the house is you. I mean. I was 102 00:05:08,360 --> 00:05:13,560 Speaker 1: listening to Joni Mitchell performing both Sides Now in Love actually, 103 00:05:14,320 --> 00:05:16,799 Speaker 1: and I went, well, there's a statement. There's a statement 104 00:05:16,839 --> 00:05:19,440 Speaker 1: of how to walk across the step from Onngenu, you know, 105 00:05:19,560 --> 00:05:23,240 Speaker 1: being the young babe to being a person and owning 106 00:05:23,279 --> 00:05:25,599 Speaker 1: your life like she just breaks me. And then Emma 107 00:05:25,640 --> 00:05:28,520 Speaker 1: Thompson's standing there performing that scene. 108 00:05:28,680 --> 00:05:29,160 Speaker 2: Credible. 109 00:05:29,279 --> 00:05:33,120 Speaker 1: You realize that's actually you are the music to people's experiences. 110 00:05:33,160 --> 00:05:35,000 Speaker 2: And this is when I saw the John Farnan film. 111 00:05:35,040 --> 00:05:38,840 Speaker 2: I felt grateful to have been alive during his tenure 112 00:05:38,880 --> 00:05:42,560 Speaker 2: and I feel the same with you. Seriously, you, we 113 00:05:43,080 --> 00:05:47,080 Speaker 2: all love you, but we've grown with you and hearing 114 00:05:47,120 --> 00:05:49,200 Speaker 2: all your songs, I feel exactly the same way that 115 00:05:49,240 --> 00:05:51,480 Speaker 2: I'm glad to have been in the drop zone of you. 116 00:05:51,600 --> 00:05:55,080 Speaker 1: Oh my God, we thank you. 117 00:05:55,279 --> 00:05:57,000 Speaker 2: I'm like, we all feel the same. That's what you're 118 00:05:57,080 --> 00:05:57,960 Speaker 2: number one on iTunes. 119 00:05:58,040 --> 00:05:59,359 Speaker 3: That's why you've beat Ned Sheeran. 120 00:06:00,279 --> 00:06:08,120 Speaker 1: Well, God with you dis messed up? Okay, so well John, 121 00:06:08,720 --> 00:06:12,000 Speaker 1: I want to join in on the choir with that 122 00:06:12,080 --> 00:06:16,760 Speaker 1: one with John, because you know he is a physical 123 00:06:16,839 --> 00:06:19,680 Speaker 1: form obviously, but he's the voice. I mean, he's the 124 00:06:19,720 --> 00:06:23,080 Speaker 1: voice of Australia and even his trials and triumphs have 125 00:06:23,160 --> 00:06:25,240 Speaker 1: been the voice of Australia. I think that's why we 126 00:06:25,279 --> 00:06:28,719 Speaker 1: love him. And I don't reckon you know, I don't 127 00:06:28,760 --> 00:06:30,680 Speaker 1: go into that personal I don't think I'm of a 128 00:06:30,720 --> 00:06:34,720 Speaker 1: generation where we share those often the trials. It might 129 00:06:34,720 --> 00:06:36,719 Speaker 1: be the first time I've ever really talked about maybe 130 00:06:36,720 --> 00:06:40,200 Speaker 1: that it was tough, even from COVID, but I'm glad 131 00:06:40,360 --> 00:06:43,000 Speaker 1: that the full story is told because Australians we do 132 00:06:43,080 --> 00:06:46,240 Speaker 1: take for granted that these people are always a part 133 00:06:46,279 --> 00:06:49,200 Speaker 1: of our space. You know, Olivia, we think that you 134 00:06:49,240 --> 00:06:52,400 Speaker 1: know even Renee saying goodbye to Renee. Last week I 135 00:06:52,440 --> 00:06:55,560 Speaker 1: did a version of It's a Man's World for her 136 00:06:56,160 --> 00:06:59,520 Speaker 1: and honestly, she jumped into my skin and took me by. 137 00:07:00,240 --> 00:07:03,040 Speaker 1: I felt like I felt like the power of her. 138 00:07:03,839 --> 00:07:06,039 Speaker 1: And there's a great I think, like you say, let's 139 00:07:06,120 --> 00:07:09,159 Speaker 1: just look at who we have. And I think the 140 00:07:09,160 --> 00:07:11,800 Speaker 1: government of doing a great job actually supporting Australian music 141 00:07:11,840 --> 00:07:14,120 Speaker 1: at the moment, and they'll do more of it and 142 00:07:14,160 --> 00:07:16,880 Speaker 1: you'll hear more of us and we'll be around a 143 00:07:16,920 --> 00:07:17,440 Speaker 1: lot longer. 144 00:07:17,720 --> 00:07:19,640 Speaker 3: Well, that's what we want. We want you to live forever. 145 00:07:19,680 --> 00:07:21,960 Speaker 3: I want you to be like forever. I want you 146 00:07:22,000 --> 00:07:23,120 Speaker 3: to be around for a thousand. 147 00:07:23,280 --> 00:07:27,480 Speaker 1: Nice to know that guy in Highlander. Actually, if I 148 00:07:27,480 --> 00:07:28,120 Speaker 1: could go back. 149 00:07:27,960 --> 00:07:31,160 Speaker 3: In time to meet him, that'd Kate. It's always great 150 00:07:31,200 --> 00:07:33,320 Speaker 3: to tell you. The album My Life Is a Symphony 151 00:07:33,480 --> 00:07:36,680 Speaker 3: is out now via ABC Music. It's just great to 152 00:07:36,720 --> 00:07:39,320 Speaker 3: see you. Thanks lots of love to you, Thank you 153 00:07:39,360 --> 00:07:39,680 Speaker 3: for coming. 154 00:07:40,040 --> 00:07:40,240 Speaker 2: Thanks