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Speaker 1: Hello, it's the jam Nation podcast with Jonesy in a

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Speaker 1: man our.

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Speaker 2: Big announcement was announced in.

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Speaker 1: A big, big way, big big way.

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Speaker 2: We announced announce Don Lane music behind it. So that's

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Speaker 2: how big it's big.

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Speaker 1: Yeah, that's a good announcement. It's not a surprise, a

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Speaker 1: disappointing surprises, one that you and I must say, we're

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Speaker 1: all very excited.

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Speaker 2: Can I say what it is?

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Speaker 3: Well?

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Speaker 1: That will go to ruin the surprise, wouldn't.

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Speaker 2: It all right? But it's great mass singer last night?

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Speaker 1: Yeah? What about that? What about that?

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Speaker 4: Was it?

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Speaker 2: Baby spices footy over the weekend the pre and halftime entertainment.

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Speaker 2: We talk about that and we also go to the

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Speaker 2: pub test to discuss would you rather as a player

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Speaker 2: or as a spectator lose by two points or lose

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Speaker 2: by thirty.

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Speaker 1: We in Australia are one of the most risk averse

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Speaker 1: nations in the.

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Speaker 2: World in terms of our parenting. We are helicopter parents,

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Speaker 2: which has made our children have lack of physical ability.

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Speaker 2: It's giving them anxiety. Not nowaday, go and drink some petrol.

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Speaker 1: The tribal drum or beat for my non helicopter pair.

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Speaker 5: That's all coming up on our podcast right now.

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Speaker 6: That a miracle of recording.

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Speaker 1: We have so many requests for them to do it again.

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Speaker 6: Mistress Amanda and ms Keller.

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Speaker 1: Amanda doesn't work alone.

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Speaker 7: Friend is in the back room making the tools of

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Speaker 7: the train.

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Speaker 1: I've heard them describe him as a drunken idiot, the

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Speaker 1: legendary part.

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Speaker 3: Jonesy and Amanda the.

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Speaker 2: Actress, Congratulations, we're in the readio right now.

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Speaker 1: Jersey and Amanda, you're doing a great job.

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Speaker 3: It could be anyone but your silky giant.

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Speaker 6: Now the time to good radio.

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Speaker 1: Sorry, but if a tongue tongue twist set an idiot

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Speaker 1: and Amanda's shoot, Timy, we're on the airman. Wow.

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Speaker 2: Wow weekend The AFL Grand Final was extraordinary and so

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Speaker 2: close and nail binding. And then the NRL what an

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Speaker 2: incredible Grand Final.

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Speaker 1: Yeah, we're gonna have to debrief. Wow that was What

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Speaker 1: about Ezra Man from the.

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Speaker 2: Broncost all the individuals, he was.

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Speaker 1: One of that got those three tri hat trick And

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Speaker 1: that was at that stage I started cleaning the barbecue

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Speaker 1: because I thought, Okay, this is this is a this

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Speaker 1: is laydown and.

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Speaker 2: I thought good. I thought queens An would be happy

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Speaker 2: they didn't get the AFL, but they'll be happy with this.

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Speaker 1: And then and then and so good was the Grand Final.

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Speaker 1: I watched it again yesterday afternoon, the replay of the

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Speaker 1: Animal Justice for to see how it all worked. You know,

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Speaker 1: I just think Nathan Cleary is the greatest young man

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Speaker 1: in the history of young men.

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Speaker 2: I was reading an article that sort of was breaking

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Speaker 2: down because I like watching it obviously, but I don't

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Speaker 2: know how their brains work, and it was just breaking

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Speaker 2: down how the game went. And he said he looked

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Speaker 2: behind him and saw that his mate with a broken

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Speaker 2: shoulder down on the back.

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Speaker 1: Louis jeram Leui.

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Speaker 2: He said, oh god, I've got to do this now.

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Speaker 2: I've got to drag the team myself.

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Speaker 1: He's out and he did and had forty twenty kick

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Speaker 1: and he's.

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Speaker 2: The way he saw the field and that this opened

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Speaker 2: up there and I need to get him to do

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Speaker 2: this and do.

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Speaker 1: That over there.

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Speaker 2: The way that their brains work, it's really for an outsider,

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Speaker 2: that's quite extraordinary to see the matrix matrix that they

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Speaker 2: have in their heads.

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Speaker 1: But the believer side is just so impressive. There's a

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Speaker 1: whole bit that the team just stays together. There was

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Speaker 1: a bit where one of the fellaws was being interviewed

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Speaker 1: on the field going off for halftime, and all the

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Speaker 1: team waited till he finished, so they all walk in together.

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Speaker 1: It's an amazing side. So congratulations.

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Speaker 2: Oh absolutely, it was amazing, and we will talk about

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Speaker 2: that further.

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Speaker 1: Of course, we'll unpack this further with analysis.

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Speaker 2: With more analysis, you'll be saying, analysses whatever.

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Speaker 1: The AFL Grand Funalagle was that thing.

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Speaker 2: I know. It was a great, great game, And we're.

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Speaker 1: Going to talk about the half time of the the

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Speaker 1: pre entertainment kiss they killed. I thought they were great.

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Speaker 2: I thought the Tina Turner show was that. I saw

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Speaker 2: the Don's socials. They say, hey, what did you think?

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Speaker 1: You know?

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Speaker 2: The Fox says, what do you think of the entertainment?

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Speaker 2: Don't ask people to be critical. We're lucky to be

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Speaker 2: alive and have these things.

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Speaker 1: It's easy to say no than yes.

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Speaker 2: We don't deserve nice things. I thought it was great.

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Speaker 1: It's it was great. The only thing with the kids.

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Speaker 1: Then they missed Paul Stanley smashing up his guitar. Gave

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Speaker 1: him enough of a little wind. At the end of

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Speaker 1: the show, Paul Stanley smashes up the guitar how did

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Speaker 1: you miss that, I'm missing the fat lady seal.

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Speaker 2: Or maybe some mother said, oh, my son's in the front.

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Speaker 2: He's fifty dollars to get a close up with the

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Speaker 2: little kiss kids in the front.

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Speaker 1: They were so cute. If I was a little kid,

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Speaker 1: and they said to me, here's a chance you can

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Speaker 1: dress up like kids. They run around like a mental

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Speaker 1: because there's some professional dancing kids. And then there was

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Speaker 1: a bunch of ringing kids because and they were.

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Speaker 2: Just like I thought, it was great.

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Speaker 1: You need get the camera and the camera.

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Speaker 2: But Simmons will make that classic joke every time he said,

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Speaker 2: we love coming to Australia. You know we've got probably

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Speaker 2: got a lot of kids here. Yeah, your kids would

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Speaker 2: now be sixty. They're not going to be ten year

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Speaker 2: olds running around.

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Speaker 1: Your kids would be sixty.

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Speaker 2: So let that trope go. What a weekend, it was amazing.

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Speaker 1: We have an action pack shove for you today.

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Speaker 2: Do you want to start with the Make seven?

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Speaker 1: Well, what about this announcement? People have been coming up

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Speaker 1: about this announced.

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Speaker 2: My sister and all phone me, what's the announcement?

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Speaker 1: What is the announcement? You tell me what's happening?

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Speaker 2: You tell me. We will tell we'll tell you. When

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Speaker 2: are we telling you? After eight o'clock?

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Speaker 1: Okay? Is it a good announcement on a surprise? Is it?

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Speaker 1: I feel? What do you think? Of course it's a prise.

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Speaker 1: Have you ever met us? It's a price. I don't

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Speaker 1: bother listening?

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Speaker 6: Can we?

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Speaker 2: Our promotions department has just gone wide?

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Speaker 1: It's going to be great. It will be great.

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Speaker 2: I heard this great phrase the other day and I

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Speaker 2: think it should be attributed to us. It was an

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Speaker 2: interviewer and there's a duo he was talking to and

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Speaker 2: here's the phrase. It was any minute now. Don't you

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Speaker 2: love when someone's going through their phone?

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Speaker 1: Sorry?

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Speaker 2: Everyone?

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Speaker 1: Well do you know every understand you've got other things

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Speaker 1: to do.

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Speaker 2: You've got other things to do. Oh no, I can't

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Speaker 2: find it. No, here it is, let me find it.

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Speaker 2: I'm going to make you wait.

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Speaker 1: I don't want to wait.

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Speaker 2: Yes, you're going to wait.

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Speaker 1: No, I'm putting a so on three two, put it on,

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Speaker 1: put an excess on, find it, fars is around on all.

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Speaker 2: Permission to fart ours sir, podcast.

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Speaker 1: We have you seven seven questions? Can you go the

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Speaker 1: way and answer seven questions correctly? If you do that,

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Speaker 1: Amanda will say.

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Speaker 2: I have remembered the phrase.

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Speaker 1: It took you the full length of that in excess.

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Speaker 2: To remember it to it. So if we get interviewed

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Speaker 2: by someone, I'm going to use this because they asked

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Speaker 2: the people, is one of you stupider than the stupid one?

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Speaker 1: Well, I think the fact that you just spent three

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Speaker 1: and a half minutes trying to find it has answered

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Speaker 1: that question.

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Speaker 2: Then how stupid are you? Because I'm the less stupid

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Speaker 2: one of the stupid one.

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Speaker 1: I think both of us should be insulted by that.

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Speaker 1: If only we could figure out what I was saying.

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Speaker 1: It's in Campbell Tees hy Brett, good morning.

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Speaker 2: Question one, what does a thermometer measure temperature? Temperature? Haven't

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Speaker 2: we had some of that? Which I mean every day

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Speaker 2: we have temperature extremes.

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Speaker 1: It wasn't as extreme as I would have thought of.

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Speaker 2: It felt extreme. And there's more coming this week.

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Speaker 1: Which NFL player is Taylor Swift rumored to be dating

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Speaker 1: on the weekend.

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Speaker 2: She was seeing with him watching his game again.

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Speaker 1: Huge Jackman is out there, Hugh Jackman, Lively not with Blake.

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Speaker 2: Line and Ryan Reynolds are all there watching.

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Speaker 1: In the paper and a picture of Hugh texting, and

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Speaker 1: who's Hugh texting?

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Speaker 2: It was me? I can tell you that.

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Speaker 6: Now.

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Speaker 2: What was he said of the two of you? One

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Speaker 2: of you is more stubid than the stupid one.

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Speaker 1: I think he knows the answer to that runs in Helensburg.

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Speaker 2: Hi, Ron, very well. You may have seen all the

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Speaker 2: memes about this two of women saying to their partners. Gee,

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Speaker 2: now that Taylor Swift is involved with his star will

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Speaker 2: really rise and the men are going crazy because this

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Speaker 2: guy's a big NFL deal. Who is who is Travis someone?

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Speaker 2: We do need a surname? It is Travis. I'll give

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Speaker 2: you a clue. His surname is the first name of

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Speaker 2: the man who played Fraser. Uh, Travis Kelcey Brenda. You

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Speaker 2: didn't even understand what I was doing with that. We

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Speaker 2: know who the less stupid of the most of us?

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Speaker 1: Secret sound? Okay?

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Speaker 8: Ron?

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Speaker 2: What's this sound?

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Speaker 1: Yes? Okay? Stop?

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Speaker 2: What's that?

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Speaker 6: I have no idea?

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Speaker 2: A n It kind of needs a big ah in there,

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Speaker 2: doesn't it?

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Speaker 1: Does it? Does it?

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Speaker 9: Does?

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Speaker 10: Oh?

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Speaker 2: Forget the snort? That's not part of it? What is

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Speaker 2: that secret sound?

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Speaker 1: Thirteen? W It's not secret, but not so not so secret?

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Speaker 5: Sounds the Magnificent seven.

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Speaker 1: We're up to question three. It's the Not So Secret Sound.

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Speaker 2: Denise is in Mount drud Good morning, Denise, Hello, Hello,

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Speaker 2: have a listen to this?

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Speaker 11: Are you good?

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Speaker 1: Thanks? Denise?

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Speaker 2: What's that sound of shipping a coffee? Yeah? Or someone

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Speaker 2: just sipping a drink.

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Speaker 6: Sipping with a t like making noise?

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Speaker 2: That's it?

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Speaker 1: And why don't you add your little.

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Speaker 11: Ah?

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Speaker 2: That's kind of what it needs.

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Speaker 1: Does it? According to the BBC, how many bands was

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Speaker 1: David Bowie? And was it A five? B ten or

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Speaker 1: C fifteen?

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Speaker 10: Yeah?

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Speaker 1: Denise, you add that with a degree of authority. Do

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Speaker 1: you do you know of the bands that David Bowie

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Speaker 1: was in?

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Speaker 6: You kidding me?

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Speaker 2: Well, here's some of the bands, The Conrads, the Hooker Brothers,

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Speaker 2: the King B's and the Mannish Boys, the Lobber Third, the.

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Speaker 1: Buzz, the Rights.

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Speaker 2: What about the Hype, Tin Machine and Towel Jones Index

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Speaker 2: instead of Dow Jones. Some of these performed under other names.

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Speaker 2: So he was in Tin Machine, in the Tower Jones

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Speaker 2: and then they performed under another name. Could we be

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Speaker 2: more meta?

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Speaker 1: You wouldn't have been much of a fan, would you?

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Speaker 2: Tow for you is not for me?

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Speaker 1: What's the floral emblem of New South Wales Today's Oh

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Speaker 1: you know this.

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Speaker 2: We've got a local rugby union teams named after them.

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Speaker 1: Yep, we've got a train named after it. A train.

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Speaker 2: What are they saying?

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Speaker 6: I hang on? Oh jeez, yes, the war.

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Speaker 1: Retar that's right.

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Speaker 2: Question six, Typically, which city does Godzilla terrorize?

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Speaker 9: Oh?

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Speaker 1: New York? Well, no, typically and originally Adrian is in

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Speaker 1: Chi Hi.

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Speaker 2: Adrian so in one of the movies. Yes, of course

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Speaker 2: he made it to New York, got a passport, those alarms.

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Speaker 2: I don't now he managed it. But typically and originally Adrian.

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Speaker 2: What where does Godzilla terrorize? Which city?

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Speaker 1: Japan? Which city? Question? Which city? Which city?

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Speaker 2: I'll give you another crack out of Adrian? Which city?

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Speaker 1: Well, how many cracks are we getting here?

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Speaker 2: Well, you said, Yeshima, No.

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Speaker 1: This is a mess. Sound like the A, B C.

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Speaker 1: Michelle's and s Mary's.

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Speaker 2: I dream of sounding like the at a third of

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Speaker 2: the pay Oh, listen to you. I'm just saying I

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Speaker 2: do it for the purity of my team. So you go, Hello, Michelle,

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Speaker 2: good morning. Which city Traditionally does Godzilla terrorize? Tokyo?

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Speaker 1: Which I apologize it's not a third of the pay.

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Speaker 1: It's the eighth of the pay.

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Speaker 2: I don't do this for money, maybe you do.

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Speaker 1: I do it for love. I do it to see

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Speaker 1: your smiling little face. You could love a bit better.

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Speaker 2: Question seven. Who in the Clive Churchill Medal in the

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Speaker 2: NRL Grand Final on the weekend.

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Speaker 11: That would be Nathan clear That would be day.

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Speaker 1: For Nathan Clearing. What a fine young man.

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Speaker 2: I think Sunday was his day.

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Speaker 1: He's just a legend.

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Speaker 2: He is amazing.

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Speaker 1: Congratulations you won the jam pack. It's all coming away Michelle.

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Speaker 1: Three weekend tickets to Book Fair Australia, Sydney's favorite book festival.

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Speaker 2: That sounds good.

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Speaker 1: Happening fourteen to fifteenth of October.

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Speaker 2: Sounds good.

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Speaker 1: A Fuji film in stacks, gift pack instantly prep me

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Speaker 1: memories from your fight? Have you seen us? It's the future?

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Speaker 1: And JONESI demanded character too, his few to color and

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Speaker 1: sat pants and so you can color with confidence. Michelle.

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Speaker 1: Anything you'd like to add to this, Oh.

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Speaker 8: Thank you very much.

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Speaker 10: On one that's a wonderful prize.

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Speaker 12: Price Jonesy and Amanda Gems podcast.

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Speaker 2: I want to pick through the German Aca Beeg books

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Speaker 2: of musical facts on this day. In two thousand, Powderfinger

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Speaker 2: released their hit song My Happiness over two thousand, over

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Speaker 2: twenty years ago. On the song has barely lost any

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Speaker 2: momentum and it remains a key part of the everyday

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Speaker 2: soundtrack of many Australians lives and it's influenced many musicians

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Speaker 2: along the way.

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Speaker 1: I love the film clip.

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Speaker 2: What was the film clip?

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Speaker 1: Little Slinky? That's right.

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Speaker 2: Recently the ABC spoke to some of the young musicians

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Speaker 2: or some artists about their memories of the song. Amy

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Speaker 2: Sharkers said, I was just studying high school and my

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Speaker 2: parents love Powderfinger. I remember it always playing at home.

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Speaker 2: It takes me back to them singing in the living room.

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Speaker 2: Claire Bowditch, I love her, she said. The first time

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Speaker 2: I heard My Happiness was not until many years later.

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Speaker 2: I was traveling home on a Quantus flight, feeling very homesick,

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Speaker 2: at which point I went, oh, what a beauty, What

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Speaker 2: a beauty, and Thomas Busby from Busby Moreau. Maru Murrah said,

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Speaker 2: I remember driving around rock Hampton in my old beat

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Speaker 2: up Toyota Corolla, listening to the radio, heading to the beach.

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Speaker 2: I was with a couple of mates from school. We

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Speaker 2: were waiting for the album Odyssey number five to drop. Yeah,

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Speaker 2: powder Finger were the biggest things in our lives. Hearing

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Speaker 2: that song, I remember thinking there were good things to come. Ironically,

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Speaker 2: Bernard Fanning has said that he wrote when he wrote

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Speaker 2: that with the band. When he wrote that song, the

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Speaker 2: band was extremely lonely on tour. Little did he know

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Speaker 2: that it would inspire an entire new generation of musicians.

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Speaker 1: And bring back the slinky let's hear it.

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Speaker 13: Gam nation.

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Speaker 1: Did you watch the Marcia last night?

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Speaker 2: No, tell me about it?

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Speaker 1: What's happened on the TV? You're on the mass singer

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Speaker 1: me you you know the code?

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Speaker 2: Whoever it is can never sound.

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Speaker 1: Of course, of course, just that we saw you leaving

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Speaker 1: the building on Friday dressed as a giant thong, and

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Speaker 1: I thought, well, something's going on here. Ryan and I

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Speaker 1: went on the sharps, tools and the shed. Well Ryan's

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Speaker 1: and he said, do you think a man is the master?

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Speaker 1: You say you had a vibe. Didn't you leave me alone?

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Speaker 1: But you did have a vibe that she was the master.

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Speaker 2: You'll only know when my giant song head comes off.

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Speaker 1: Until such a time, is there a big thong in it? Well,

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Speaker 1: that's the thing. There's no thong in there.

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Speaker 2: Well, maybe we let this conversation end here there's no

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Speaker 2: thong in there, and let me have my weekend in peace.

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Speaker 1: So far we've had summer worn.

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Speaker 2: Some award shame makes me feel she was the off avocado.

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Speaker 1: The brown avocado. Brian Austin Green.

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Speaker 2: That's right, bag. What was he? He was on Big Night?

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Speaker 1: Yeah, he was a Big Night And there was another

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Speaker 1: one revealed last night. And it is difficult with the

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Speaker 1: mast singer to because the people that you got to

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Speaker 1: get singing there.

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Speaker 2: I mean they're saying, you know the clues of things

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Speaker 2: like I was born in you have you? Are you

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Speaker 2: Hugh Jackman?

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Speaker 1: Yes, And it's hard when you've got an international guest

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Speaker 1: judge like FIFA spies for example, scary spies. She doesn't

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Speaker 1: know many people in.

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Speaker 2: This country, so they gave her a Dosia.

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Speaker 1: I think she gets flipped around all around the world.

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Speaker 2: So should be Portugal, I should be Portugal.

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Speaker 1: I don't know, are you you well? No, I says you.

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Speaker 1: Aways has to de vault default to people she knows.

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Speaker 4: I think it might be baby spies.

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Speaker 1: And that can, you know, become tiring. And I've been

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Speaker 1: accused of you know, having a bit of fun at

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Speaker 1: Scary Spice's expense with her reveals.

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Speaker 4: Melby, I'm bringing out my new and improved dossier to

365
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Speaker 4: see what.

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Speaker 6: Ad does I know?

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Speaker 4: Wait, can I tell you something? You actually helped me

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00:16:52,320 --> 00:16:56,800
Speaker 4: because that voice is telling me I think it could

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Speaker 4: be baby Spies.

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Speaker 2: She says it every week.

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Speaker 1: Last side.

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Speaker 14: Now, vocally, that is a very difficult song to sing.

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Speaker 4: That was and you were disguising your voice because every

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Speaker 4: now and again I heard a bit of an accent.

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Speaker 4: It was definitely an English accent. Yeah, I swear I

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Speaker 4: hear Emma Bunton baby Spy.

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Speaker 2: Really she tricked you before, so she said that last night.

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Speaker 1: Tricked me.

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Speaker 4: I thought she was on it last year, but I

380
00:17:33,640 --> 00:17:36,399
Speaker 4: really do believe it's hers you baby spies?

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Speaker 11: Was she?

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Speaker 2: Jackman?

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Speaker 1: That's the big blue bottle. She's a blue bottle. Don't

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00:17:49,800 --> 00:17:56,199
Speaker 1: tread on show Amanda's podcast. What did you think of

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00:17:56,280 --> 00:18:00,119
Speaker 1: the Tina Turner tribute at the NRL Grand Final? I

386
00:18:00,119 --> 00:18:03,959
Speaker 1: thought it was great. Ruver Nuwenya, who we've interviewed and

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Speaker 1: is fantastic. She's Tina in the Tina Turner Musical.

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Speaker 2: At the moment, I thought it made perfect sense. To

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00:18:10,080 --> 00:18:12,520
Speaker 2: have that as the pre show entertainment. I thought it

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00:18:12,560 --> 00:18:14,600
Speaker 2: was great and just in terms of so she was

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Speaker 2: a pre show entertainment for the NRL. The AFL had kiss.

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Speaker 2: I saw that Foxtell has a thing. How did you

393
00:18:20,680 --> 00:18:23,439
Speaker 2: rate the Grand Final? And then Fox League? How did

394
00:18:23,480 --> 00:18:26,440
Speaker 2: you rate the NRL pregame show. All that does is

395
00:18:26,560 --> 00:18:29,760
Speaker 2: encourages people to be negative, and then those tweets from

396
00:18:29,800 --> 00:18:34,000
Speaker 2: Missus bumnuts get put into mainstream media and it makes

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00:18:34,040 --> 00:18:36,000
Speaker 2: it look like a whole lot of people weren't happy.

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00:18:36,359 --> 00:18:38,640
Speaker 2: I think that's the wrong spirit for all of this.

399
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Speaker 2: I thought they were just great.

400
00:18:42,119 --> 00:18:43,360
Speaker 1: Well, this was Ruber.

401
00:18:49,600 --> 00:18:51,440
Speaker 2: And the crowd did see they craft.

402
00:18:51,600 --> 00:18:53,480
Speaker 1: I was worried about with her with that week near

403
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Speaker 1: the pyrotechnics.

404
00:18:55,720 --> 00:18:57,600
Speaker 2: Look never upset Tina.

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Speaker 1: I did feel for Mark Gable though. At halftime they

406
00:19:00,680 --> 00:19:02,800
Speaker 1: got Mark Gable from the Choirboys to do a run

407
00:19:02,800 --> 00:19:05,159
Speaker 1: to Paradise and they cut him off halfway and went

408
00:19:05,240 --> 00:19:09,000
Speaker 1: to some sort of ad would run to the ads

409
00:19:10,480 --> 00:19:12,920
Speaker 1: make Gable that's his big opportunity right there, and he's

410
00:19:12,920 --> 00:19:15,520
Speaker 1: had a really good kiss killed.

411
00:19:18,720 --> 00:19:21,440
Speaker 2: So good. So I'm going to see them on Saturday.

412
00:19:21,600 --> 00:19:22,639
Speaker 2: I'm so looking forward to that.

413
00:19:22,720 --> 00:19:25,399
Speaker 1: Show. I had this flashback watching Kiss playing at the

414
00:19:25,440 --> 00:19:29,600
Speaker 1: Grand Final in Melbourne there. I remember nineteen seventy nine thereabouts.

415
00:19:30,160 --> 00:19:33,000
Speaker 1: My cousin lived in Melbourne and we're off to see

416
00:19:33,000 --> 00:19:35,960
Speaker 1: a Collingwood and Carlton game at the MCG and we're

417
00:19:35,960 --> 00:19:38,439
Speaker 1: just walking along and Kiss was so huge, and he

418
00:19:38,480 --> 00:19:40,440
Speaker 1: was a bit older than me, so he was righting

419
00:19:40,480 --> 00:19:42,720
Speaker 1: to Kiss and I was because he was riding into Kiss.

420
00:19:42,760 --> 00:19:44,919
Speaker 1: I was riding the Kiss and we're just going on

421
00:19:44,920 --> 00:19:46,400
Speaker 1: to it. And when Kiss comeing to au straight, it's

422
00:19:46,400 --> 00:19:47,800
Speaker 1: going to be the biggest thing in the world. And

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00:19:47,840 --> 00:19:49,439
Speaker 1: I was just watching guy just said this. It was like,

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00:19:49,480 --> 00:19:52,520
Speaker 1: you know, those memories in Amber. I thought, who would

425
00:19:52,520 --> 00:19:55,200
Speaker 1: have thought in twenty twenty three, Kiss will be playing

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00:19:55,240 --> 00:19:58,800
Speaker 1: at this very stadium that we're walking into. Amazing, who

427
00:19:58,880 --> 00:19:59,480
Speaker 1: would have thunk it?

428
00:19:59,600 --> 00:20:01,880
Speaker 2: I thought they were great with all little kids running around.

429
00:20:01,920 --> 00:20:04,159
Speaker 2: I did see that they interviewed Gene Simmons before the

430
00:20:04,200 --> 00:20:06,520
Speaker 2: game and he did this usual thing of saying, we

431
00:20:06,640 --> 00:20:09,359
Speaker 2: love coming to Australia. Probably got a couple of kids here,

432
00:20:09,400 --> 00:20:11,920
Speaker 2: and you think they first toured in nineteen eighty those

433
00:20:12,000 --> 00:20:16,639
Speaker 2: children would be forty four the yeah, that's right. So

434
00:20:16,840 --> 00:20:19,280
Speaker 2: let that trope go, Gene, you're making yourself sound like

435
00:20:19,320 --> 00:20:19,800
Speaker 2: an idiot.

436
00:20:19,840 --> 00:20:24,080
Speaker 1: I think they were brilliant. They were fantastic. The little kids.

437
00:20:24,119 --> 00:20:26,960
Speaker 1: The only thing those little kids.

438
00:20:26,119 --> 00:20:28,560
Speaker 2: Being son safe for the zinc on their faces.

439
00:20:28,960 --> 00:20:31,320
Speaker 1: Because there were the professional dancing kids, the kids that

440
00:20:31,359 --> 00:20:33,600
Speaker 1: have gone to all the dance academies. They were right

441
00:20:33,640 --> 00:20:35,639
Speaker 1: into it. And then there were some fill in kids

442
00:20:35,880 --> 00:20:37,760
Speaker 1: who would have been kids like me. They would have

443
00:20:37,760 --> 00:20:39,600
Speaker 1: said a little bit of caller who wants to put

444
00:20:39,640 --> 00:20:42,200
Speaker 1: makeup on their face and run around like a nut

445
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Speaker 1: at the.

446
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Speaker 2: XCG Brendan, you're fifty five.

447
00:20:45,760 --> 00:20:47,960
Speaker 1: Stop. That would have been the greatest thing in the world.

448
00:20:48,240 --> 00:20:50,920
Speaker 1: They missed out on Paul Stanley smashing up his guitar.

449
00:20:51,000 --> 00:20:52,639
Speaker 2: He gave them plenty of notice. He was kind of

450
00:20:52,640 --> 00:20:55,280
Speaker 2: whining his arm around. Here it comes, here, it comes.

451
00:20:55,640 --> 00:20:57,399
Speaker 2: He's straight to the ads.

452
00:20:58,720 --> 00:21:01,479
Speaker 1: The AFL Grand Final that was great, heartbreaking if you're

453
00:21:01,520 --> 00:21:02,360
Speaker 1: a Queenslander.

454
00:21:02,800 --> 00:21:06,560
Speaker 2: And then that game it looked like, let's talk about

455
00:21:06,560 --> 00:21:09,640
Speaker 2: the NRL Grand Final. It looked like it was all over.

456
00:21:10,640 --> 00:21:13,440
Speaker 2: And then what a miraculous thing. I've been reading about

457
00:21:13,560 --> 00:21:16,760
Speaker 2: Nathan Cleary and they're saying it wasn't a miracle. It's

458
00:21:16,840 --> 00:21:20,200
Speaker 2: his hard work. They said, he's like a blacksmith. He

459
00:21:20,520 --> 00:21:24,160
Speaker 2: puts it together and then hones it and practices it.

460
00:21:24,160 --> 00:21:25,440
Speaker 2: It's such a skill set.

461
00:21:25,480 --> 00:21:27,679
Speaker 1: And when you talk about football brain, he certainly has

462
00:21:27,720 --> 00:21:29,920
Speaker 1: a football yeah. Because a lot of times I'm watching

463
00:21:29,920 --> 00:21:32,000
Speaker 1: a league game and I go, why is that.

464
00:21:32,080 --> 00:21:34,600
Speaker 2: They're seeing a different matrix in their heads? They're seeing

465
00:21:34,640 --> 00:21:35,840
Speaker 2: the field in a different way.

466
00:21:35,960 --> 00:21:38,880
Speaker 1: I made email goes, well, clearly he's the windows off

467
00:21:38,920 --> 00:21:42,240
Speaker 1: the side of you. And you got what. Sometimes I

468
00:21:42,280 --> 00:21:45,840
Speaker 1: don't understand the rules. Nathan Cleary understands the rules and

469
00:21:45,880 --> 00:21:47,880
Speaker 1: he's got that football brain. And then when I watched

470
00:21:47,880 --> 00:21:50,080
Speaker 1: the replay of the game again yesterday on.

471
00:21:50,040 --> 00:21:51,439
Speaker 2: Fox to see if the Sharks might win.

472
00:21:51,920 --> 00:21:54,440
Speaker 1: If they win, I thought, oh, yeah, I get it.

473
00:21:54,760 --> 00:21:58,280
Speaker 1: That bit where when I was cleaning the barbecue when

474
00:21:58,320 --> 00:22:00,359
Speaker 1: it looked like it was all over for Penrith, that

475
00:22:00,480 --> 00:22:03,360
Speaker 1: was the bit where Nathan Cleary stealed himself. He did,

476
00:22:03,440 --> 00:22:06,000
Speaker 1: but that forty twenty kick that he did and he

477
00:22:06,040 --> 00:22:08,880
Speaker 1: caught Reese walshoff guard. There was a part there where

478
00:22:08,920 --> 00:22:11,840
Speaker 1: the Broncos players you could see them thinking, oh, we

479
00:22:11,920 --> 00:22:14,000
Speaker 1: got this in the bag, and Ree Walsh was started

480
00:22:14,000 --> 00:22:15,320
Speaker 1: to look up into the crowd and he was still

481
00:22:15,359 --> 00:22:17,600
Speaker 1: a little bit of show baiting. And that's where Nathan

482
00:22:17,640 --> 00:22:20,159
Speaker 1: Cleary just came in and stealed himself. And that's where

483
00:22:20,600 --> 00:22:24,160
Speaker 1: the I guess his experience in the Grand Final really

484
00:22:24,200 --> 00:22:25,000
Speaker 1: came to the fore.

485
00:22:25,240 --> 00:22:27,400
Speaker 2: I was discussing this is my children over the weekend.

486
00:22:27,400 --> 00:22:30,840
Speaker 2: Would you rather lose as a player, lose by two

487
00:22:30,920 --> 00:22:34,320
Speaker 2: points or by thirty? And they both said thirty, which

488
00:22:34,320 --> 00:22:36,280
Speaker 2: I thought was interesting. As a viewer, you wanted to

489
00:22:36,280 --> 00:22:39,320
Speaker 2: be a tight game and exciting, But as a player,

490
00:22:39,359 --> 00:22:42,760
Speaker 2: when you're only losing by a few points, every breath

491
00:22:42,800 --> 00:22:45,040
Speaker 2: that you took would be analyzed and you'd be so

492
00:22:45,200 --> 00:22:46,040
Speaker 2: hard on yourself.

493
00:22:46,160 --> 00:22:47,000
Speaker 1: If you lose by.

494
00:22:46,880 --> 00:22:48,760
Speaker 2: Thirty, you think well, what could we have done? But

495
00:22:48,840 --> 00:22:51,640
Speaker 2: still I would rather lose by two to think that

496
00:22:51,720 --> 00:22:54,200
Speaker 2: we came so close that we gave it our best.

497
00:22:54,320 --> 00:22:58,080
Speaker 1: No, No, you'd rather lose by heaps, that's what they said. Yeah,

498
00:22:58,200 --> 00:23:01,159
Speaker 1: I'd rather be working out my mad Monday at halftime,

499
00:23:02,520 --> 00:23:03,680
Speaker 1: travel agents.

500
00:23:05,480 --> 00:23:09,359
Speaker 2: Look nice, wat watching a new body get out of

501
00:23:09,359 --> 00:23:10,679
Speaker 2: there at halftime.

502
00:23:10,760 --> 00:23:14,680
Speaker 1: What's your country's stance on noodie runs and shoeies? Would

503
00:23:14,720 --> 00:23:17,080
Speaker 1: you be okay with that, but really that was just

504
00:23:17,119 --> 00:23:20,120
Speaker 1: great football entertained. I like the stance and he's come

505
00:23:20,160 --> 00:23:23,000
Speaker 1: out and supported the Yes campaign.

506
00:23:23,280 --> 00:23:24,119
Speaker 2: Very powerful.

507
00:23:24,280 --> 00:23:26,080
Speaker 1: Everyone knows how where we are on this, and I

508
00:23:26,080 --> 00:23:27,520
Speaker 1: don't want to be one of those people that bangs

509
00:23:27,520 --> 00:23:29,679
Speaker 1: on about it, but well I do. I want to

510
00:23:29,680 --> 00:23:30,960
Speaker 1: bang on about it, but I don't want it to

511
00:23:31,000 --> 00:23:36,560
Speaker 1: become it's become so obtuse. It's become so obfiscated by

512
00:23:36,560 --> 00:23:38,800
Speaker 1: the media. The media has cocked this up so much.

513
00:23:38,800 --> 00:23:42,919
Speaker 2: So let's hope that clear lesson Nathan clearly saying let's say.

514
00:23:43,000 --> 00:23:44,720
Speaker 1: And what he said is just it just makes sense.

515
00:23:45,480 --> 00:23:54,679
Speaker 15: Jam Nation instance, Amanda's.

516
00:23:55,720 --> 00:23:58,280
Speaker 1: Tuesday is a good day for this. Ten questions, sixty

517
00:23:58,280 --> 00:24:00,119
Speaker 1: seconds on the clock. You could pass it. If you

518
00:24:00,160 --> 00:24:02,000
Speaker 1: don't know an answer. We'll come back to that question

519
00:24:02,040 --> 00:24:04,280
Speaker 1: if time permits. If you get all the questions wrong,

520
00:24:04,359 --> 00:24:05,560
Speaker 1: it one thousand.

521
00:24:05,280 --> 00:24:07,440
Speaker 2: Dollars and you can go away with one thousand dollars.

522
00:24:07,520 --> 00:24:10,560
Speaker 2: How great is that? Or we ask you one bonus

523
00:24:10,640 --> 00:24:13,240
Speaker 2: question if you want to and you can play double

524
00:24:13,320 --> 00:24:13,680
Speaker 2: or nothing.

525
00:24:13,760 --> 00:24:16,200
Speaker 1: Yeah, Tim's in reesby Hi, tim.

526
00:24:17,800 --> 00:24:19,879
Speaker 2: A, you're going, We're going, okay, let's see if we

527
00:24:19,920 --> 00:24:23,040
Speaker 2: can get you some money today. Sixty seconds ten questions.

528
00:24:23,080 --> 00:24:26,240
Speaker 2: As we always say, please, if you're not sure, say passed,

529
00:24:26,240 --> 00:24:27,800
Speaker 2: because we as you have time to come back. Okay,

530
00:24:28,760 --> 00:24:32,160
Speaker 2: that's Tim, good luck. Let's begin because here's question number one.

531
00:24:32,640 --> 00:24:34,800
Speaker 2: Who beat the Brisbane lines on Saturday at the AFL

532
00:24:34,800 --> 00:24:39,399
Speaker 2: Grand Final? Question two Caratha and bort headland of towns

533
00:24:39,400 --> 00:24:43,560
Speaker 2: in which Australian state hi w A. Question three? In

534
00:24:43,560 --> 00:24:48,200
Speaker 2: which decade was John Lennonbourne fifties.

535
00:24:49,480 --> 00:24:50,439
Speaker 1: That's an easy mistake.

536
00:24:50,480 --> 00:24:51,960
Speaker 2: It was the forties forties.

537
00:24:52,040 --> 00:24:56,320
Speaker 1: Oh, I was hoping you'd be throwing money around the

538
00:24:56,359 --> 00:24:57,600
Speaker 1: reesview workers class.

539
00:24:57,600 --> 00:25:00,280
Speaker 2: Oh, Tim, one hundred bucks to beginning on which you

540
00:25:00,280 --> 00:25:01,880
Speaker 2: can throw that around it I go quite.

541
00:25:01,680 --> 00:25:02,199
Speaker 16: As far a.

542
00:25:04,359 --> 00:25:12,040
Speaker 1: Very affordable mealst gem nations. Australian parents are among the

543
00:25:12,040 --> 00:25:15,600
Speaker 1: most risk averse in the world. Deacon University researchers have

544
00:25:15,680 --> 00:25:18,600
Speaker 1: found Australian parents are the most risk averse in the world,

545
00:25:18,760 --> 00:25:21,840
Speaker 1: surpassing New Zealand, Canada and the UK, with their own

546
00:25:21,880 --> 00:25:25,160
Speaker 1: fears of injury affecting the activities they let their kids

547
00:25:25,200 --> 00:25:28,360
Speaker 1: partake in. So the helicopter parent has really taken off.

548
00:25:28,400 --> 00:25:30,920
Speaker 2: Ironically, we wouldn't let our children go up in a helicopter,

549
00:25:31,040 --> 00:25:34,120
Speaker 2: then helicopter parents, don't it? Kids going to you're a helicopter.

550
00:25:34,359 --> 00:25:35,720
Speaker 2: You know what I blame for a lot of this.

551
00:25:36,280 --> 00:25:37,880
Speaker 2: You know when Lee Sales came in here and we

552
00:25:37,880 --> 00:25:38,680
Speaker 2: were talking about.

553
00:25:38,520 --> 00:25:40,800
Speaker 1: You're blaming Lee Sales, but how she's.

554
00:25:40,680 --> 00:25:43,440
Speaker 2: Written a book about storytellers and some of the big

555
00:25:43,480 --> 00:25:45,480
Speaker 2: people in the media and how they tell their stories

556
00:25:45,520 --> 00:25:48,560
Speaker 2: and how they cope with telling hard stories as news readers.

557
00:25:49,040 --> 00:25:52,560
Speaker 2: And she said, was it Tracy Grimshaw had said to her,

558
00:25:52,600 --> 00:25:55,679
Speaker 2: you have to remember that it's news because it's unusual.

559
00:25:56,160 --> 00:25:59,000
Speaker 2: So statistically, we see this all the time, and on

560
00:25:59,040 --> 00:26:02,919
Speaker 2: our socials we see the unfiltered moments and think that

561
00:26:03,000 --> 00:26:06,000
Speaker 2: they happen all the time. Every time a child is injured,

562
00:26:06,080 --> 00:26:08,119
Speaker 2: we see it. Every time a kid gets run over

563
00:26:08,119 --> 00:26:11,320
Speaker 2: in a driveway, that's on our news. Every time a

564
00:26:11,520 --> 00:26:14,000
Speaker 2: parent gets out of the car to fill the car

565
00:26:14,040 --> 00:26:17,359
Speaker 2: with petrol and the car gets carjacked, that's on the news.

566
00:26:17,680 --> 00:26:20,720
Speaker 2: So we now have no sense that this stuff is unusual,

567
00:26:21,440 --> 00:26:24,440
Speaker 2: and it's really played with us. It's made us fearful.

568
00:26:24,520 --> 00:26:27,480
Speaker 1: It has we're hypervigil and all the time. Is that

569
00:26:27,520 --> 00:26:29,040
Speaker 1: a good thing or a bad No, it's a bad

570
00:26:29,200 --> 00:26:29,800
Speaker 1: it's a bad thing.

571
00:26:29,960 --> 00:26:32,719
Speaker 2: It gives us anxiety, and it stops our children taking

572
00:26:32,760 --> 00:26:35,239
Speaker 2: necessary risks which they need to develop so they can

573
00:26:35,280 --> 00:26:35,960
Speaker 2: become human.

574
00:26:36,080 --> 00:26:38,119
Speaker 1: And this is what the people are digging University is

575
00:26:38,160 --> 00:26:40,960
Speaker 1: saying the kids are getting rickets because they're not moving around.

576
00:26:40,960 --> 00:26:43,919
Speaker 17: And really did they actually say that as it's like

577
00:26:43,960 --> 00:26:47,080
Speaker 17: saying rickets, like saying scurvy, like saying rickets.

578
00:26:47,280 --> 00:26:51,120
Speaker 1: But do you know what I mean, your big captain cookativity,

579
00:26:52,119 --> 00:26:54,520
Speaker 1: that's what's happening with the kids these days, and fear

580
00:26:54,560 --> 00:26:55,560
Speaker 1: were instilling.

581
00:26:55,640 --> 00:26:58,000
Speaker 2: No wonder, every child these days seems to have anxiety

582
00:26:58,400 --> 00:27:01,000
Speaker 2: because we don't let life just happen anymore.

583
00:27:01,040 --> 00:27:03,000
Speaker 1: And I don't know my generation X. I look at

584
00:27:03,000 --> 00:27:05,880
Speaker 1: my generation. We have the ear of the firecracker Knight

585
00:27:06,200 --> 00:27:09,040
Speaker 1: blowing fingers off and riding around in the back of utes.

586
00:27:09,200 --> 00:27:11,520
Speaker 2: Because of my friend, we don't have firecracker.

587
00:27:11,080 --> 00:27:13,360
Speaker 1: KNIGHTE George might get around there. That's right.

588
00:27:13,480 --> 00:27:15,280
Speaker 2: Friend of mine was having a party when he was

589
00:27:15,320 --> 00:27:17,520
Speaker 2: just probably a teenager his house, a young team.

590
00:27:17,560 --> 00:27:18,680
Speaker 1: He melted his feet off.

591
00:27:18,760 --> 00:27:20,920
Speaker 2: Yeah, well, okay, why don't you tell the story?

592
00:27:21,240 --> 00:27:22,080
Speaker 1: We know the story.

593
00:27:22,359 --> 00:27:22,880
Speaker 2: How's it going?

594
00:27:23,080 --> 00:27:24,200
Speaker 1: He melted his feet off?

595
00:27:24,240 --> 00:27:26,399
Speaker 2: Well, a little kid came running in and threw a

596
00:27:26,400 --> 00:27:29,359
Speaker 2: lit sparkler into a box of firecrackers inside the house.

597
00:27:29,720 --> 00:27:32,920
Speaker 2: George picked up the box and carried it outside. Next thing,

598
00:27:32,920 --> 00:27:35,399
Speaker 2: he wakes up in hospital, and then he was so

599
00:27:35,480 --> 00:27:37,880
Speaker 2: disappointed that that was the end of Firecracker Knight. He's

600
00:27:37,880 --> 00:27:39,879
Speaker 2: watching the news a year later and I said, it

601
00:27:39,960 --> 00:27:42,280
Speaker 2: was in this house here that there was an accident

602
00:27:42,359 --> 00:27:44,320
Speaker 2: last year that's ended Firecrack Knight, and there was a

603
00:27:44,400 --> 00:27:47,400
Speaker 2: journalist outside his house. He was more depressed than most

604
00:27:47,400 --> 00:27:49,359
Speaker 2: people that there was no longer firecracker knife.

605
00:27:49,560 --> 00:27:51,760
Speaker 1: And it's probably a good thing that Firecracker Knight's not

606
00:27:51,840 --> 00:27:54,360
Speaker 1: around anymore, because you look at the stories in America,

607
00:27:55,040 --> 00:27:57,720
Speaker 1: you know what's more dangerous, their guns or their firecrackers.

608
00:27:57,720 --> 00:28:00,359
Speaker 1: I can't tell. The liner's blurred. I do have a

609
00:28:00,400 --> 00:28:03,080
Speaker 1: moment whenever you hear about helicopter parents is a great

610
00:28:03,320 --> 00:28:06,679
Speaker 1: moment of suburbia. Dad's burning off a pile of leaves

611
00:28:06,720 --> 00:28:08,880
Speaker 1: in the gutter, remember the old days. Out of a pile.

612
00:28:09,000 --> 00:28:10,520
Speaker 2: We have a home incinerator and.

613
00:28:10,600 --> 00:28:12,280
Speaker 1: Me next door, I have a big lou He used

614
00:28:12,320 --> 00:28:15,240
Speaker 1: to have an old HQ holding one ton of ute.

615
00:28:15,359 --> 00:28:17,480
Speaker 1: You know what like there's a ute with the sides.

616
00:28:17,640 --> 00:28:19,639
Speaker 1: The one ton of just had the flat bit at

617
00:28:19,640 --> 00:28:22,920
Speaker 1: the back and he was taking a load of timber

618
00:28:23,480 --> 00:28:28,120
Speaker 1: and probably asbestos off to the tip. And we said, hey, Luke,

619
00:28:28,160 --> 00:28:31,000
Speaker 1: can we come? Yeah, sure, boys. We are piled onto

620
00:28:31,000 --> 00:28:33,480
Speaker 1: the back of the ute more or less to hold

621
00:28:33,520 --> 00:28:34,320
Speaker 1: the stuff down.

622
00:28:34,760 --> 00:28:37,080
Speaker 17: And my sister there's no sides on this year, no

623
00:28:37,240 --> 00:28:40,680
Speaker 17: sides on this year. My sister's five five years of age.

624
00:28:40,800 --> 00:28:43,560
Speaker 17: I'm ten years on my sister, so i'm fifteen. And

625
00:28:43,600 --> 00:28:45,720
Speaker 17: as we're driving down the road, the dad looks up.

626
00:28:45,840 --> 00:28:47,760
Speaker 1: My dad looks up and goes, mate, make sure your

627
00:28:47,760 --> 00:28:51,000
Speaker 1: sister doesn't fall off the ute, mate, And then we

628
00:28:51,080 --> 00:28:53,440
Speaker 1: drive off to the tip, which was a good fifteen

629
00:28:53,520 --> 00:28:54,080
Speaker 1: case away.

630
00:28:54,440 --> 00:28:56,200
Speaker 2: You bring your baby home from the hospital and they'd

631
00:28:56,200 --> 00:28:58,600
Speaker 2: be in a bassat on the past shelf at the back.

632
00:28:59,360 --> 00:29:02,160
Speaker 1: I don't know, and I'm not saying the good old days.

633
00:29:02,200 --> 00:29:04,840
Speaker 1: We all survived it. We made it because clearly dry

634
00:29:04,920 --> 00:29:08,360
Speaker 1: some didn't, some didn't. Many kids back of utes.

635
00:29:08,720 --> 00:29:11,840
Speaker 2: Having said that, we have gone so far the other way.

636
00:29:11,880 --> 00:29:13,160
Speaker 2: Let's celebrate the old days.

637
00:29:13,200 --> 00:29:18,600
Speaker 1: The tribal drum will beat for this. My non helicopter parents,

638
00:29:19,800 --> 00:29:22,000
Speaker 1: Anie the older helicopter.

639
00:29:21,520 --> 00:29:26,400
Speaker 2: Parent, my non helicopter parents. Not always, They're not always

640
00:29:26,440 --> 00:29:27,480
Speaker 2: going to be good stories.

641
00:29:27,800 --> 00:29:29,000
Speaker 1: But what was it?

642
00:29:29,720 --> 00:29:30,200
Speaker 6: Facious?

643
00:29:30,400 --> 00:29:33,200
Speaker 2: Apparently Australian parents, and new study has said, are so

644
00:29:33,280 --> 00:29:35,720
Speaker 2: worried about their children's safety we have become the most

645
00:29:36,200 --> 00:29:39,200
Speaker 2: risk averse in the world. The impact this is having

646
00:29:39,760 --> 00:29:42,640
Speaker 2: is that they're saying that kids are less physically active,

647
00:29:43,040 --> 00:29:47,560
Speaker 2: they play less adventurously. Therefore there three times is physically

648
00:29:47,600 --> 00:29:50,920
Speaker 2: active and are less likely to meet Australian physical activity

649
00:29:50,960 --> 00:29:52,440
Speaker 2: guidelines because of parenting.

650
00:29:52,720 --> 00:29:54,720
Speaker 1: Say anything about ricketts or scurvy there.

651
00:29:54,640 --> 00:29:59,400
Speaker 2: No, I haven't got Captain Cook's mother and Cook, I

652
00:29:59,400 --> 00:30:00,840
Speaker 2: haven't got her information.

653
00:30:00,960 --> 00:30:03,959
Speaker 1: Here some oranges and send them to sea for six months?

654
00:30:04,240 --> 00:30:09,200
Speaker 1: Are the tribal dramas beating though? My non helicopter parents.

655
00:30:09,760 --> 00:30:13,600
Speaker 2: Hello, Sam, Hey Amana, how are you very well? Tell

656
00:30:13,680 --> 00:30:14,880
Speaker 2: us about your parents?

657
00:30:15,680 --> 00:30:18,560
Speaker 9: So back in the eighties when I was only about ten,

658
00:30:19,080 --> 00:30:21,520
Speaker 9: Dad was a motor mechanic and we'd often hang around

659
00:30:21,560 --> 00:30:24,000
Speaker 9: the shed and say, Dad, we're a bit bored, we

660
00:30:24,040 --> 00:30:26,160
Speaker 9: need something to do, and again, I've got a job

661
00:30:26,200 --> 00:30:28,960
Speaker 9: for you. He'd sit us on the floor with a

662
00:30:29,080 --> 00:30:33,120
Speaker 9: bucket full of leaded petrel and a paintbrush and told

663
00:30:33,160 --> 00:30:35,920
Speaker 9: us to brush clean engine parts.

664
00:30:36,920 --> 00:30:38,600
Speaker 2: With a bucket of petrol.

665
00:30:39,960 --> 00:30:40,400
Speaker 11: Petrol.

666
00:30:40,680 --> 00:30:44,120
Speaker 2: Wow, play with a bucket with a bucket of petrol.

667
00:30:45,200 --> 00:30:49,280
Speaker 1: Those were the days, Sam Wow, love it.

668
00:30:49,360 --> 00:30:50,000
Speaker 2: Thank you.

669
00:30:50,120 --> 00:30:51,120
Speaker 1: Jasmine has joined us.

670
00:30:51,200 --> 00:30:55,040
Speaker 2: Hi Jasmine, tell us about your parenting, your parents or.

671
00:30:54,960 --> 00:30:57,320
Speaker 10: I would never allow my grandchildren to do this. But

672
00:30:57,360 --> 00:30:59,560
Speaker 10: when I was about ten, my own far best to

673
00:30:59,640 --> 00:31:01,800
Speaker 10: drive tractor and we used to think it was a

674
00:31:01,840 --> 00:31:04,320
Speaker 10: great fund to sit on the wheel the wheel cover

675
00:31:04,680 --> 00:31:07,480
Speaker 10: hang on in society drivers to work the.

676
00:31:07,400 --> 00:31:11,160
Speaker 1: Wheel cover near the big wheel, so dangerous.

677
00:31:11,400 --> 00:31:14,400
Speaker 18: Used today, but it was fun.

678
00:31:14,400 --> 00:31:17,520
Speaker 17: It was always dangerous, but of course it always How

679
00:31:17,520 --> 00:31:18,480
Speaker 17: do we even survive?

680
00:31:19,640 --> 00:31:23,400
Speaker 2: Ben whose grandmother encouraged him or let him smoke all

681
00:31:23,400 --> 00:31:24,760
Speaker 2: the butcher's cigarette to give.

682
00:31:24,720 --> 00:31:28,160
Speaker 1: Him a handdrag? Yeah, she'd say, no, that's the thing,

683
00:31:28,320 --> 00:31:31,240
Speaker 1: it's do you go he have a handrag? Yeah? He

684
00:31:31,320 --> 00:31:34,280
Speaker 1: finished off a cigarettes. Yeah, that's what he was four.

685
00:31:37,600 --> 00:31:41,080
Speaker 2: Flavor Country can't play with a bucket of petrol? Jonesy

686
00:31:41,160 --> 00:31:43,680
Speaker 2: and Amanda jam podcast.

687
00:31:46,800 --> 00:31:48,880
Speaker 6: Instruct turn it on.

688
00:31:50,760 --> 00:31:54,400
Speaker 1: Australian parents among the most risk averse in the world.

689
00:31:54,440 --> 00:31:57,400
Speaker 1: This is a new Deacon University study. It's found that

690
00:31:57,440 --> 00:32:00,760
Speaker 1: we are the most risk averse us in New Zealand,

691
00:32:00,880 --> 00:32:02,160
Speaker 1: Canada and the UK.

692
00:32:02,440 --> 00:32:05,120
Speaker 2: Implications of this they say, our children are three times

693
00:32:05,200 --> 00:32:08,360
Speaker 2: less physically active and less likely to meet the Australian

694
00:32:08,360 --> 00:32:12,040
Speaker 2: Physical Activity guidelines because we're so fearful for their safety, we're.

695
00:32:11,880 --> 00:32:13,720
Speaker 1: Going to get the scurvy. And I grew up in

696
00:32:13,800 --> 00:32:15,440
Speaker 1: an era of riding around in the back of a

697
00:32:16,000 --> 00:32:19,400
Speaker 1: One of the great pleasures in life, the AFL Grand Final.

698
00:32:19,480 --> 00:32:21,280
Speaker 1: You got to see everyone riding around the field and

699
00:32:21,320 --> 00:32:26,360
Speaker 1: the you how good is this? This is great?

700
00:32:26,440 --> 00:32:28,640
Speaker 2: Didn't you wrote on one that didn't even have those

701
00:32:28,680 --> 00:32:30,720
Speaker 2: side panels on it and you were told hold only

702
00:32:30,800 --> 00:32:31,720
Speaker 2: assister the.

703
00:32:31,680 --> 00:32:34,360
Speaker 1: Old one, Tana, Yeah, there's no no sides to it.

704
00:32:35,000 --> 00:32:36,000
Speaker 1: Steves joined us.

705
00:32:36,000 --> 00:32:39,560
Speaker 2: Hello Steve, Hi, guys, good morning, Good morning.

706
00:32:39,600 --> 00:32:43,120
Speaker 1: We're discussing my love. You tell us about.

707
00:32:42,840 --> 00:32:44,320
Speaker 2: Your non helicopter parent.

708
00:32:46,120 --> 00:32:48,960
Speaker 6: My father instead of flying us up to the panels

709
00:32:48,960 --> 00:32:52,680
Speaker 6: where he would drive us in an eh holden eh

710
00:32:52,760 --> 00:32:55,240
Speaker 6: holder was so old it had holes in the floor

711
00:32:55,280 --> 00:32:58,240
Speaker 6: where we my sister and I would drop our lolly

712
00:32:58,280 --> 00:33:01,760
Speaker 6: wrappers down there and the road does it run past?

713
00:33:01,800 --> 00:33:04,600
Speaker 6: But the problem was that the exhaust had a leak

714
00:33:05,040 --> 00:33:07,880
Speaker 6: and it came into the car and gashed both my

715
00:33:08,000 --> 00:33:10,640
Speaker 6: sister and I for the poyary and my sister was

716
00:33:10,680 --> 00:33:13,680
Speaker 6: talking in tongues. Ended up having to go to the hospital.

717
00:33:14,240 --> 00:33:18,200
Speaker 6: And I think I learned Latin or something. I was

718
00:33:18,280 --> 00:33:20,920
Speaker 6: talking both of us. I think we was trying to

719
00:33:20,960 --> 00:33:21,400
Speaker 6: get rid of it.

720
00:33:22,160 --> 00:33:29,200
Speaker 1: Wow, that's extraor cars don't rust anymore, the new cars

721
00:33:29,320 --> 00:33:29,840
Speaker 1: don't rust.

722
00:33:32,160 --> 00:33:33,040
Speaker 2: Gashy kids.

723
00:33:33,600 --> 00:33:35,440
Speaker 1: You can't gash your kids anymore.

724
00:33:35,480 --> 00:33:39,600
Speaker 2: That's brilliant, unbelievable. Thank you, Steve.

725
00:33:40,040 --> 00:33:41,240
Speaker 1: Linda's joined us as well.

726
00:33:41,320 --> 00:33:43,200
Speaker 2: Hello Linda, Hi.

727
00:33:43,280 --> 00:33:46,080
Speaker 11: Janey, him and a cracker over a day the beautiful

728
00:33:46,200 --> 00:33:46,720
Speaker 11: article day.

729
00:33:46,760 --> 00:33:48,600
Speaker 2: Tell us about your non helicopter parent.

730
00:33:49,720 --> 00:33:52,440
Speaker 11: My mom was a single mom and she had two

731
00:33:52,480 --> 00:33:56,360
Speaker 11: girls fourteen months apart. So we were young, and I

732
00:33:56,360 --> 00:33:58,440
Speaker 11: guess it was in the time when we were still

733
00:33:58,480 --> 00:34:01,640
Speaker 11: having afternoon naps. Probably would have been two or three

734
00:34:01,760 --> 00:34:05,040
Speaker 11: or four somewhere around there. She used to give us

735
00:34:05,040 --> 00:34:07,600
Speaker 11: for an irgan, put us down for our afternoon nat

736
00:34:08,200 --> 00:34:10,319
Speaker 11: then she used to walk up to the shops. We

737
00:34:10,400 --> 00:34:15,239
Speaker 11: lived a ride not far from you, Amanda, and then

738
00:34:15,320 --> 00:34:18,319
Speaker 11: she used to go to a shopping and then she

739
00:34:18,400 --> 00:34:20,640
Speaker 11: used to catch the bus home. And you know, come

740
00:34:20,680 --> 00:34:22,480
Speaker 11: home and we were still in our cots.

741
00:34:22,960 --> 00:34:26,560
Speaker 1: Just wow, you would never do that. You would never

742
00:34:26,680 --> 00:34:28,520
Speaker 1: do the shop the other day and was his poor

743
00:34:28,600 --> 00:34:31,520
Speaker 1: dad filled up the car full of petrol, gets out

744
00:34:31,520 --> 00:34:33,520
Speaker 1: of the car and he looks around. He saw me

745
00:34:33,520 --> 00:34:35,680
Speaker 1: because I'm filling up my bike next to him, and

746
00:34:35,760 --> 00:34:38,080
Speaker 1: then he got all these kids out of the car

747
00:34:38,120 --> 00:34:41,200
Speaker 1: and took him to the thing because I wanted, I'll

748
00:34:41,239 --> 00:34:43,360
Speaker 1: stand here and make sure your kids don't get you

749
00:34:44,000 --> 00:34:45,600
Speaker 1: molested or something like that.

750
00:34:45,239 --> 00:34:47,439
Speaker 2: But this is the world we leave you trust someone

751
00:34:47,480 --> 00:34:49,440
Speaker 2: saying I'll make sure your kids don't get molested.

752
00:34:50,680 --> 00:34:53,239
Speaker 1: That's what I just felt for him, because it was

753
00:34:53,239 --> 00:34:54,799
Speaker 1: a giant paint in the bum for him to get

754
00:34:54,840 --> 00:34:55,520
Speaker 1: them all out of the car.

755
00:34:55,680 --> 00:34:57,920
Speaker 2: The minute you think should I, you think I'm going

756
00:34:57,960 --> 00:35:00,520
Speaker 2: to have to because how would this look? Exert dot

757
00:35:00,600 --> 00:35:04,560
Speaker 2: dot dot. We've forgotten that these terrible things are rare.

758
00:35:05,320 --> 00:35:07,040
Speaker 2: Oh that's so hard, isn't it.

759
00:35:07,160 --> 00:35:12,160
Speaker 1: Thank you for all your calls. Jonesy Podcast. Let's get

760
00:35:12,200 --> 00:35:14,160
Speaker 1: on down to the Jonesy demount of arms to the

761
00:35:14,160 --> 00:35:18,080
Speaker 1: pub test today. Losing by a little or losing by

762
00:35:18,160 --> 00:35:20,200
Speaker 1: a lot, which one passes the pub.

763
00:35:20,000 --> 00:35:22,440
Speaker 2: Test is a discussion in my household over the weekend.

764
00:35:22,560 --> 00:35:26,400
Speaker 2: First of all AFL, which can you know, giant variations

765
00:35:26,440 --> 00:35:30,040
Speaker 2: in score. Poor old Brisbane lost by four points, and

766
00:35:30,080 --> 00:35:33,319
Speaker 2: then of course the NRL Grand Final Broncos lost by

767
00:35:33,440 --> 00:35:36,600
Speaker 2: two and I were discussing would you rather lose by

768
00:35:36,719 --> 00:35:39,399
Speaker 2: thirty or by two points? And both my son said

769
00:35:39,400 --> 00:35:43,160
Speaker 2: they'd rather lose by thirty because losing by two you

770
00:35:43,320 --> 00:35:45,600
Speaker 2: just berate yourself for every breast that you took.

771
00:35:45,719 --> 00:35:47,520
Speaker 1: It's always in your mind what could have I done?

772
00:35:47,640 --> 00:35:50,040
Speaker 1: When I was watching that game, the NRL game, and

773
00:35:50,080 --> 00:35:53,040
Speaker 1: it's twenty four to eight. At that stage, I'm cleaning

774
00:35:53,080 --> 00:35:55,640
Speaker 1: the barbecue. I'm figuring, okay this and part of me

775
00:35:55,880 --> 00:35:58,800
Speaker 1: was happy for you know, the broncost. Part of me

776
00:35:58,840 --> 00:36:00,360
Speaker 1: he was thinking, okay, well they haven't a month for

777
00:36:00,400 --> 00:36:00,760
Speaker 1: a while.

778
00:36:01,080 --> 00:36:04,240
Speaker 2: I was always would spooners to it's a great redemption story.

779
00:36:04,320 --> 00:36:06,640
Speaker 1: I was always thinking the Penrith were going to win it.

780
00:36:06,800 --> 00:36:10,319
Speaker 1: But you know, to have that feeling, you know, your

781
00:36:10,320 --> 00:36:13,480
Speaker 1: book and your mad Monday trip at halftime, that would

782
00:36:13,520 --> 00:36:14,480
Speaker 1: be a lot better.

783
00:36:14,719 --> 00:36:18,880
Speaker 2: As a player, like as a viewer. I loved that

784
00:36:18,920 --> 00:36:21,120
Speaker 2: it was close, that both games were closed. That's great

785
00:36:21,200 --> 00:36:23,360
Speaker 2: as a player, I don't know how you'd feel.

786
00:36:23,200 --> 00:36:24,719
Speaker 1: When there's no skin in the game.

787
00:36:25,080 --> 00:36:27,560
Speaker 2: But as a player, would you rather, as you say

788
00:36:27,719 --> 00:36:30,200
Speaker 2: at half time, be booking your mad travel agent and

789
00:36:30,200 --> 00:36:31,040
Speaker 2: getting a new No.

790
00:36:31,040 --> 00:36:33,080
Speaker 1: There's nothing you can do. You know that you haven't

791
00:36:33,080 --> 00:36:35,759
Speaker 1: come prepared and it wasn't the football. It was never

792
00:36:35,800 --> 00:36:36,960
Speaker 1: going to be your day side.

793
00:36:37,000 --> 00:36:38,680
Speaker 2: I was losing it. When you thought it was going

794
00:36:38,680 --> 00:36:41,040
Speaker 2: to be your day it would be was that harder? Well,

795
00:36:41,040 --> 00:36:43,279
Speaker 2: we're asking you in the pub test, losing by a

796
00:36:43,280 --> 00:36:45,600
Speaker 2: little or losing by a lot, which one passes the

797
00:36:45,640 --> 00:36:51,799
Speaker 2: pub test nation, put on your.

798
00:36:51,719 --> 00:36:52,319
Speaker 15: Dance and shoes.

799
00:36:52,440 --> 00:36:55,799
Speaker 1: Don't give me your fast shot. Deputy editor at the

800
00:36:55,880 --> 00:36:58,799
Speaker 1: Daily Eyes Emma Gleskie, who has managed to dress like

801
00:36:58,840 --> 00:37:00,000
Speaker 1: her water bottle today.

802
00:37:00,160 --> 00:37:02,520
Speaker 15: It's true, pink and green should never be seen.

803
00:37:02,320 --> 00:37:04,400
Speaker 1: They said, Can I just do that, you know, just

804
00:37:04,440 --> 00:37:04,880
Speaker 1: for our.

805
00:37:05,080 --> 00:37:06,840
Speaker 15: Yeah, this is magic on radio James.

806
00:37:07,200 --> 00:37:09,360
Speaker 1: We've got miss.

807
00:37:09,200 --> 00:37:12,279
Speaker 2: Smarty pants bottom of the bottles and you've got a

808
00:37:12,320 --> 00:37:14,200
Speaker 2: green lid and a pink bottom of the bottle.

809
00:37:14,520 --> 00:37:15,200
Speaker 1: Did you plan that?

810
00:37:15,560 --> 00:37:15,600
Speaker 11: No?

811
00:37:15,719 --> 00:37:17,600
Speaker 16: I didn't plan it, but it does happen more often

812
00:37:17,640 --> 00:37:18,560
Speaker 16: than I'd like to admit.

813
00:37:18,840 --> 00:37:20,800
Speaker 15: I tend to dress in bright.

814
00:37:20,640 --> 00:37:22,399
Speaker 1: Colors it's a larger it's a lot of water.

815
00:37:22,640 --> 00:37:25,320
Speaker 15: One leader to be precise, man, Maybe two.

816
00:37:25,239 --> 00:37:28,239
Speaker 2: Maybe you should be bringing a commoding city with that

817
00:37:28,320 --> 00:37:30,400
Speaker 2: match maybe a matching commode.

818
00:37:30,480 --> 00:37:31,320
Speaker 1: So many questions.

819
00:37:31,320 --> 00:37:33,080
Speaker 2: So talk us through the writer's strike. I know that

820
00:37:33,120 --> 00:37:35,360
Speaker 2: we have moved through the impast but just maybe a

821
00:37:35,440 --> 00:37:37,360
Speaker 2: sentence or two about what the actual strike was.

822
00:37:37,560 --> 00:37:40,080
Speaker 16: Yep, absolutely so, in case you missed it, Back in

823
00:37:40,160 --> 00:37:43,320
Speaker 16: May eleven thousand writers in Hollywood who were members of

824
00:37:43,360 --> 00:37:46,200
Speaker 16: the Writers Guild of America, that's their union, went on

825
00:37:46,280 --> 00:37:51,400
Speaker 16: strike after negotiations broke down with the producers, the Alliance

826
00:37:51,440 --> 00:37:54,320
Speaker 16: of Motion Picture and Television Producers, so the big production

827
00:37:54,440 --> 00:38:00,239
Speaker 16: companies think Netflix, Paramount, HBO, Apple, Amazon, Disney, all those plays,

828
00:38:00,520 --> 00:38:02,880
Speaker 16: so they could not come to the table and find

829
00:38:03,040 --> 00:38:06,080
Speaker 16: a happy new agreement. And the writers said, well, stuff this,

830
00:38:06,120 --> 00:38:08,440
Speaker 16: we're going on strike, first time in fifteen years that

831
00:38:08,520 --> 00:38:11,439
Speaker 16: they took that action. And it's nearly been six months,

832
00:38:11,480 --> 00:38:14,480
Speaker 16: one hundred and forty eight days, and hoorrah, they have

833
00:38:14,600 --> 00:38:15,840
Speaker 16: reached an agreement.

834
00:38:15,960 --> 00:38:17,160
Speaker 2: Is this the same as the actors?

835
00:38:17,600 --> 00:38:20,279
Speaker 16: So the actors are striking for similar reasons, but the

836
00:38:20,320 --> 00:38:24,360
Speaker 16: actors have not yet reached an agreement with the production company.

837
00:38:24,520 --> 00:38:27,160
Speaker 16: So that's sag after it is hoped that you know,

838
00:38:27,239 --> 00:38:28,600
Speaker 16: this is going to kind of pave the way. The

839
00:38:28,640 --> 00:38:32,440
Speaker 16: writers went first on strike, the actors followed eight weeks later. Hopefully,

840
00:38:32,480 --> 00:38:34,880
Speaker 16: you know, the agreement will follow a similar suit.

841
00:38:34,960 --> 00:38:36,440
Speaker 2: And I think a lot of this is about the

842
00:38:36,440 --> 00:38:38,600
Speaker 2: way we watch films and the way we watch television

843
00:38:38,800 --> 00:38:41,600
Speaker 2: has completely changed through all the streaming services, and none

844
00:38:41,640 --> 00:38:44,480
Speaker 2: of the contracts reflect any of that anymore exactly.

845
00:38:44,600 --> 00:38:46,920
Speaker 16: So what they were striking for in the first place

846
00:38:47,200 --> 00:38:50,239
Speaker 16: was twofold. It was about pay and residuals. So you know,

847
00:38:50,280 --> 00:38:53,160
Speaker 16: as we know, streaming has changed everything has upended the

848
00:38:53,160 --> 00:38:56,759
Speaker 16: way we consume television and film. But similarly, for people

849
00:38:56,840 --> 00:38:58,959
Speaker 16: working in that industry, you know, gone are the days

850
00:38:59,000 --> 00:39:01,160
Speaker 16: of a friends or a sign where you're getting those

851
00:39:01,239 --> 00:39:05,160
Speaker 16: huge residuals checks in perpetuity. As you know, networks continue

852
00:39:05,160 --> 00:39:06,719
Speaker 16: to broadcast those programs.

853
00:39:06,880 --> 00:39:08,480
Speaker 2: Or a program might be made for a year and

854
00:39:08,520 --> 00:39:10,120
Speaker 2: you get paid for that year. Now it might be

855
00:39:10,160 --> 00:39:12,560
Speaker 2: made in three months, the show may run for years,

856
00:39:12,600 --> 00:39:14,520
Speaker 2: you only get paid for three months exactly.

857
00:39:14,680 --> 00:39:16,799
Speaker 16: So what they've come to an agreement on is a

858
00:39:16,800 --> 00:39:20,480
Speaker 16: minimum pay increase of about five percent per year over

859
00:39:20,520 --> 00:39:22,800
Speaker 16: the next three years, so this agreement takes the writers

860
00:39:22,840 --> 00:39:25,680
Speaker 16: to the end of twenty twenty six. There's also a

861
00:39:25,800 --> 00:39:30,200
Speaker 16: viewership base, a viewership based residuals agreement that they've come

862
00:39:30,239 --> 00:39:33,440
Speaker 16: to which will award bonuses to the writers of programs

863
00:39:33,480 --> 00:39:37,439
Speaker 16: on streamers that reach a certain viewership mons fair enough.

864
00:39:37,760 --> 00:39:40,359
Speaker 1: There's what Snoop Dog From the Wisdom of Snoop Dog.

865
00:39:41,040 --> 00:39:43,640
Speaker 1: He said, it's about the streams. Who you know, in

866
00:39:43,640 --> 00:39:45,440
Speaker 1: the old days, when he'd sell a record, you get

867
00:39:45,480 --> 00:39:46,760
Speaker 1: a percentage of that record.

868
00:39:46,920 --> 00:39:48,360
Speaker 15: Yeah, well exactly.

869
00:39:48,400 --> 00:39:51,560
Speaker 16: So this will be huge for those writers and hopefully

870
00:39:51,560 --> 00:39:54,640
Speaker 16: those actors as well. And these companies have been really

871
00:39:54,680 --> 00:39:57,799
Speaker 16: private about the numbers. We never know from Netflix and

872
00:39:57,920 --> 00:40:01,640
Speaker 16: the like. Who watches how many any people watch? There's

873
00:40:01,640 --> 00:40:05,000
Speaker 16: a confidentiality agreement here that the writers Guild and the

874
00:40:05,160 --> 00:40:08,880
Speaker 16: production companies will share those numbers confidentially. But you know,

875
00:40:08,960 --> 00:40:10,400
Speaker 16: maybe someone will start leaking it.

876
00:40:11,080 --> 00:40:13,560
Speaker 2: And what does this mean that they've moved through the

877
00:40:13,600 --> 00:40:15,600
Speaker 2: impast what sort of shows are going to start to

878
00:40:15,640 --> 00:40:16,080
Speaker 2: come back?

879
00:40:16,320 --> 00:40:18,120
Speaker 16: So the first shows that we're going to see back

880
00:40:18,160 --> 00:40:21,759
Speaker 16: are the late shows, So the Jimmy's, the John's, the

881
00:40:21,840 --> 00:40:25,759
Speaker 16: Stevens Colberts. You know those guys, they've already started to

882
00:40:25,800 --> 00:40:29,240
Speaker 16: come back. We started first back with John Oliver tonight

883
00:40:29,480 --> 00:40:32,120
Speaker 16: and he had a huge opening monologue where he said

884
00:40:32,120 --> 00:40:34,279
Speaker 16: how frustrated he'd been over the course of the last

885
00:40:34,280 --> 00:40:36,840
Speaker 16: one hundred and forty eight days, but how happy he

886
00:40:37,040 --> 00:40:39,360
Speaker 16: was that the writer's got a fair deal and it

887
00:40:39,440 --> 00:40:41,799
Speaker 16: is worth lagging. You know, writers are really saying that

888
00:40:41,880 --> 00:40:44,920
Speaker 16: this is a great deal. They haven't agreed on it

889
00:40:45,000 --> 00:40:47,000
Speaker 16: formally yet. That will be this this week that they

890
00:40:47,120 --> 00:40:48,840
Speaker 16: vote on that. But you know, it would be shocking

891
00:40:48,840 --> 00:40:50,919
Speaker 16: if they didn't come to the table and say yep,

892
00:40:50,920 --> 00:40:53,360
Speaker 16: we're here for it. Because they got what they wanted

893
00:40:53,400 --> 00:40:55,600
Speaker 16: in terms of artificial intelligence. So that was the other

894
00:40:55,680 --> 00:40:58,920
Speaker 16: big part of the negotiations breaking down in the first place.

895
00:40:59,280 --> 00:41:02,359
Speaker 16: Is it studio wanted all this say over AI? Writers said,

896
00:41:02,360 --> 00:41:04,640
Speaker 16: we don't want to lose our jobs to artificial intelligence.

897
00:41:05,080 --> 00:41:08,359
Speaker 16: So one of the huge, most closely watched aspects of

898
00:41:08,400 --> 00:41:11,400
Speaker 16: these negotiations was that, and they came to an agreement

899
00:41:11,440 --> 00:41:14,800
Speaker 16: that AI cannot be forced on writers. Writers can choose

900
00:41:14,840 --> 00:41:17,239
Speaker 16: to use it, but there are standards to sort of

901
00:41:17,280 --> 00:41:21,279
Speaker 16: protect their jobs. Ten week minimum employment for riders, so

902
00:41:21,360 --> 00:41:23,560
Speaker 16: like you said, Amanda, you know they can't be shipped

903
00:41:23,560 --> 00:41:25,279
Speaker 16: in for a couple of weeks to write a bunch of.

904
00:41:25,239 --> 00:41:29,920
Speaker 2: Shows and have I stripped that exactly replicated, Yeah, so I.

905
00:41:29,960 --> 00:41:35,080
Speaker 1: Want that Fraser is coming back, is coming back.

906
00:41:36,239 --> 00:41:39,120
Speaker 16: It's the reboot that no one asked for. But I

907
00:41:39,120 --> 00:41:40,759
Speaker 16: suspect Kelsey Gramma's run out of.

908
00:41:40,680 --> 00:41:43,640
Speaker 2: Money turnkey stuff has got to do.

909
00:41:44,200 --> 00:41:46,319
Speaker 1: I thought it was a plotline phrases run out of money,

910
00:41:46,320 --> 00:41:48,640
Speaker 1: but no, Kelsey Grammar's right, well.

911
00:41:48,520 --> 00:41:51,560
Speaker 15: I think they'd weave that in. But the actors it is.

912
00:41:51,840 --> 00:41:53,399
Speaker 15: I've got a flag. The actors aren't back.

913
00:41:54,040 --> 00:41:57,920
Speaker 16: They're still negotiating, but hopefully they'll be back on sets soon.

914
00:41:58,080 --> 00:41:59,640
Speaker 15: So yeah, the shows that you.

915
00:41:59,640 --> 00:42:03,400
Speaker 16: Love not yet, you know, back fully in action, but

916
00:42:03,600 --> 00:42:05,840
Speaker 16: the late shows will probably get a lot of reality

917
00:42:05,880 --> 00:42:06,919
Speaker 16: TV in the next six.

918
00:42:07,040 --> 00:42:10,120
Speaker 2: Which is what happened. The reality TV started when the

919
00:42:10,200 --> 00:42:13,000
Speaker 2: Riders went on strike fifteen years ago. Gal zach is saying,

920
00:42:13,040 --> 00:42:14,640
Speaker 2: how many weeks have I got? How many weeks have

921
00:42:14,640 --> 00:42:16,319
Speaker 2: I got to lose all this weight that I've put

922
00:42:16,360 --> 00:42:17,640
Speaker 2: on after the last six months.

923
00:42:18,719 --> 00:42:20,600
Speaker 16: I know, I was thinking for Jimmy Kimmel and fall

924
00:42:20,640 --> 00:42:22,960
Speaker 16: and like you know, they've had They've had a good break, haven't.

925
00:42:22,680 --> 00:42:25,120
Speaker 1: They just Yeah, the writers on this show, haven't they

926
00:42:25,120 --> 00:42:25,799
Speaker 1: been slacky off?

927
00:42:25,840 --> 00:42:28,120
Speaker 2: They've been like for eighteen years, I haven't seen that.

928
00:42:28,680 --> 00:42:33,360
Speaker 1: This is great. To take your ginormous water bottle and

929
00:42:33,440 --> 00:42:34,040
Speaker 1: get out of here.

930
00:42:34,400 --> 00:42:35,320
Speaker 15: Above a week.

931
00:42:38,160 --> 00:42:39,040
Speaker 1: Gem Nation.

932
00:42:41,400 --> 00:42:44,160
Speaker 6: Gone. I want you to get on right now.

933
00:42:44,280 --> 00:42:45,720
Speaker 1: I'm taken place.

934
00:42:46,040 --> 00:42:49,840
Speaker 4: Now in your windows, stick your head on a yell.

935
00:42:51,000 --> 00:42:55,799
Speaker 1: Hell the jonesy no matter of arms for the pub

936
00:42:55,840 --> 00:42:59,239
Speaker 1: Test today, losing by a little or losing by a lot?

937
00:42:59,520 --> 00:43:00,719
Speaker 1: Does it part the pub Test?

938
00:43:00,719 --> 00:43:00,839
Speaker 11: Well?

939
00:43:00,880 --> 00:43:04,120
Speaker 2: Both games were close. The AFL Grand Final the Lines

940
00:43:04,160 --> 00:43:06,440
Speaker 2: lost by four points, and of course we had an

941
00:43:06,560 --> 00:43:10,359
Speaker 2: L Grand Final Broncos lost by two. As a spectator,

942
00:43:10,400 --> 00:43:12,359
Speaker 2: it was so exciting. But in my house that our

943
00:43:12,400 --> 00:43:16,680
Speaker 2: kids were discussing they'd rather lose by a lot as

944
00:43:16,680 --> 00:43:18,640
Speaker 2: a player than lose by a little, because otherwise you

945
00:43:18,640 --> 00:43:20,280
Speaker 2: would overanalyze everything.

946
00:43:20,320 --> 00:43:24,320
Speaker 1: But what about okay, Broncos Cowboys twenty fifteen, Grandfather, I

947
00:43:24,320 --> 00:43:28,479
Speaker 1: don't know what JT converts brob ben Hunt. Just drop

948
00:43:28,560 --> 00:43:31,879
Speaker 1: the ball, h you know, like if you did that

949
00:43:32,560 --> 00:43:35,320
Speaker 1: and you're forty, there were forty points ahead of you.

950
00:43:35,560 --> 00:43:38,080
Speaker 2: That's why they said they'd rather lose by a lot.

951
00:43:38,480 --> 00:43:41,480
Speaker 2: There's no small moments that would have turned it around.

952
00:43:42,080 --> 00:43:44,360
Speaker 2: As a spectator, I loved that it was so close.

953
00:43:44,800 --> 00:43:46,600
Speaker 2: What do you think losing by a little or losing

954
00:43:46,640 --> 00:43:48,479
Speaker 2: by a lot which passes the pub test?

955
00:43:48,600 --> 00:43:48,839
Speaker 1: Wow?

956
00:43:49,760 --> 00:43:52,080
Speaker 18: The grand final with the grandkids and it was the

957
00:43:52,280 --> 00:43:56,640
Speaker 18: best ever. Go from a spectator and a steam perspective,

958
00:43:56,920 --> 00:43:59,719
Speaker 18: losing by a little is better. Who wants to get

959
00:44:00,760 --> 00:44:02,160
Speaker 18: I don't mind losing by a little.

960
00:44:02,200 --> 00:44:04,080
Speaker 6: I'd hate to get all that way and get closed

961
00:44:04,120 --> 00:44:06,880
Speaker 6: in the grand finals, so losing by a little preference.

962
00:44:06,960 --> 00:44:10,600
Speaker 18: Look, I must admit being a paramotic supporter, we are

963
00:44:10,680 --> 00:44:13,080
Speaker 18: used to being thrashed in grand finals, and I think

964
00:44:13,080 --> 00:44:14,920
Speaker 18: it's easier because you know from the get going your

965
00:44:14,960 --> 00:44:17,040
Speaker 18: lot and to have the hope and losing the last

966
00:44:17,040 --> 00:44:19,400
Speaker 18: twenty minute. I couldn't do it, especially the pen rash.

967
00:44:19,320 --> 00:44:21,120
Speaker 6: Gets thrashed by a lot so I can leave early

968
00:44:21,200 --> 00:44:21,799
Speaker 6: and go to the pub.

969
00:44:22,640 --> 00:44:27,279
Speaker 1: Yeah yeah, Jones Sam podcast. I have a phrase. It's

970
00:44:27,280 --> 00:44:30,239
Speaker 1: called surprize, and this is not one of them. The

971
00:44:30,400 --> 00:44:31,440
Speaker 1: prize is a disappointing.

972
00:44:31,640 --> 00:44:32,600
Speaker 2: This is a great surprise.

973
00:44:32,680 --> 00:44:33,520
Speaker 1: This is a big deal.

974
00:44:33,600 --> 00:44:35,040
Speaker 2: Do you want to do it? Or do I I

975
00:44:35,080 --> 00:44:35,759
Speaker 2: think you should have.

976
00:44:35,680 --> 00:44:37,960
Speaker 1: Made Okay, you ready, Let's have some good music though.

977
00:44:38,000 --> 00:44:40,480
Speaker 2: To go to it the roll weekend, we promised you

978
00:44:40,480 --> 00:44:43,840
Speaker 2: a big announcement here it is for the first time ever, James,

979
00:44:43,960 --> 00:44:45,680
Speaker 2: if we're going to be hitting the stage in our

980
00:44:45,760 --> 00:44:47,160
Speaker 2: very first live show.

981
00:44:47,880 --> 00:44:52,600
Speaker 1: Yeah, it's so Doohn Lane Band, Don Lane Band. This

982
00:44:52,640 --> 00:44:54,919
Speaker 1: is going I'm so excited about this. We've spoken about

983
00:44:54,960 --> 00:44:55,239
Speaker 1: this for.

984
00:44:55,200 --> 00:44:57,520
Speaker 2: A long time and we're actually going to make it happen.

985
00:44:57,920 --> 00:45:02,319
Speaker 2: Happen a live show, a live stage show. Thursday, the

986
00:45:02,360 --> 00:45:05,560
Speaker 2: twenty third of November, Tie Power presents an evening with

987
00:45:05,640 --> 00:45:08,799
Speaker 2: Jones and Amanda, an iHeart live event. It's going to

988
00:45:08,800 --> 00:45:10,680
Speaker 2: be a big event. It's going to be the Sydney

989
00:45:10,680 --> 00:45:13,640
Speaker 2: Coliseum Theater in West h Q. As I said, Thursday

990
00:45:13,680 --> 00:45:18,000
Speaker 2: the twenty third of November, that's my anniversary, your wedding anniversary.

991
00:45:18,440 --> 00:45:20,880
Speaker 2: What a way to celebrate all the best bits from

992
00:45:20,920 --> 00:45:23,600
Speaker 2: our show that you know and hopefully love will be there.

993
00:45:24,000 --> 00:45:26,440
Speaker 2: So we'll be doing TikTok Tucker live on stage. We'll

994
00:45:26,480 --> 00:45:29,960
Speaker 2: play the magnificent seven live people from the audience. We

995
00:45:30,000 --> 00:45:32,040
Speaker 2: will have lots of special guests, there will be lots

996
00:45:32,080 --> 00:45:34,720
Speaker 2: of music. It's going to be amazing, lots of music,

997
00:45:34,840 --> 00:45:38,640
Speaker 2: a big stage show, So stay tuned because we're going

998
00:45:38,640 --> 00:45:40,480
Speaker 2: to announce more surprises along the way.

999
00:45:40,680 --> 00:45:42,399
Speaker 1: Has the dressing room situation going?

1000
00:45:43,320 --> 00:45:43,920
Speaker 2: What does that mean?

1001
00:45:44,000 --> 00:45:45,760
Speaker 1: Well, is your dressing room sameless?

1002
00:45:45,800 --> 00:45:45,960
Speaker 10: Mind?

1003
00:45:46,000 --> 00:45:48,440
Speaker 2: I've measured it so it's one pars sc bigger.

1004
00:45:48,560 --> 00:45:54,280
Speaker 1: Well I like it out John Laws v Alan Jones style.

1005
00:45:54,320 --> 00:45:56,640
Speaker 2: This is how we should promote and if it is indeed.

1006
00:45:56,280 --> 00:45:59,400
Speaker 1: One parssec bigger, then this show ain't going ahead.

1007
00:45:59,680 --> 00:46:02,200
Speaker 2: This would be how we sell it. A partnership where

1008
00:46:02,200 --> 00:46:05,720
Speaker 2: one is stupider than the stupid one. That's us. Tickets

1009
00:46:05,760 --> 00:46:08,719
Speaker 2: go on sale this Friday at ten am through ticket Tech.

1010
00:46:08,920 --> 00:46:10,439
Speaker 1: Of course, this is a big deal.

1011
00:46:10,480 --> 00:46:16,279
Speaker 2: Brands a huge deal with me. Jimmy Roy will be there. No,

1012
00:46:16,680 --> 00:46:19,719
Speaker 2: there's even VIP packages where you get premium seating, you

1013
00:46:19,760 --> 00:46:21,879
Speaker 2: hang out with us before the show and you can

1014
00:46:21,920 --> 00:46:25,239
Speaker 2: win the first tickets in town Friday morning with us

1015
00:46:25,280 --> 00:46:26,360
Speaker 2: with everyone as a winner.

1016
00:46:26,400 --> 00:46:27,719
Speaker 1: Who wouldn't want to come along to.

1017
00:46:27,800 --> 00:46:28,720
Speaker 2: This and evening?

1018
00:46:28,719 --> 00:46:30,920
Speaker 1: Well, well you can just read it with me here?

1019
00:46:31,200 --> 00:46:32,480
Speaker 1: Why are you being so weird?

1020
00:46:32,760 --> 00:46:35,280
Speaker 2: This is a big it's going to be so amazing

1021
00:46:35,320 --> 00:46:37,520
Speaker 2: with talking about this. We're going to be on stage

1022
00:46:37,560 --> 00:46:38,560
Speaker 2: doing our show live.

1023
00:46:38,640 --> 00:46:41,120
Speaker 1: I've been on stage many many times. Perhaps I should

1024
00:46:41,160 --> 00:46:44,480
Speaker 1: revisit my real FORMONTI experience.

1025
00:46:44,960 --> 00:46:47,960
Speaker 2: God, we'll have spoons so everyone can take their eyes out.

1026
00:46:48,360 --> 00:46:51,120
Speaker 2: And Evening with Jonesy and Amanda an iHeart Live event

1027
00:46:51,200 --> 00:46:52,400
Speaker 2: presented by tie Power.

1028
00:46:52,680 --> 00:46:54,400
Speaker 1: Get the power of Australia's biggest.

1029
00:46:54,080 --> 00:46:57,120
Speaker 2: Independent time network and join us for this amazing night.

1030
00:46:57,400 --> 00:47:01,839
Speaker 12: Gem Jones and are in the morning one oh one

1031
00:47:01,840 --> 00:47:03,640
Speaker 12: point seven WSFM.

1032
00:47:03,719 --> 00:47:06,360
Speaker 1: Well, I'm still beside myself. An evening with j and

1033
00:47:06,400 --> 00:47:07,560
Speaker 1: A has just been an out.

1034
00:47:07,719 --> 00:47:11,239
Speaker 2: Let's get that music happening again. So we're going to

1035
00:47:11,280 --> 00:47:17,040
Speaker 2: recreate our show yes on the stage. So we'll do

1036
00:47:17,120 --> 00:47:18,840
Speaker 2: our show with all the fruits of the pies.

1037
00:47:18,840 --> 00:47:22,479
Speaker 1: You should I bring my skull so I can do name.

1038
00:47:23,520 --> 00:47:25,960
Speaker 2: You know, we're not going to do Shakespeare. We're going

1039
00:47:25,960 --> 00:47:26,520
Speaker 2: to do our show.

1040
00:47:26,800 --> 00:47:29,680
Speaker 1: So it starts with the Magnificent seven Lives. It will Well,

1041
00:47:29,960 --> 00:47:32,000
Speaker 1: I'm just doing a mud map all the.

1042
00:47:31,960 --> 00:47:34,000
Speaker 2: Things on our show, and I'll have to get Ryan

1043
00:47:34,040 --> 00:47:35,880
Speaker 2: to change the air condition every ten minutes, and I'll

1044
00:47:35,920 --> 00:47:37,600
Speaker 2: have to doree thousand cups of tea, and I'll have

1045
00:47:37,600 --> 00:47:37,960
Speaker 2: to go to the.

1046
00:47:37,960 --> 00:47:39,279
Speaker 1: Toilet be part of the show.

1047
00:47:39,440 --> 00:47:40,920
Speaker 2: Yeah, it's all going to be part of it.

1048
00:47:40,960 --> 00:47:43,600
Speaker 1: Brenda Jim I right, changing the air conditioning and.

1049
00:47:43,520 --> 00:47:46,480
Speaker 2: You're going to the toilet and then sanitizing your hands.

1050
00:47:46,480 --> 00:47:48,160
Speaker 2: It makes no sense to me because you wash them

1051
00:47:48,200 --> 00:47:51,280
Speaker 2: in sanitize all the stuff we feud about every morning

1052
00:47:51,280 --> 00:47:51,640
Speaker 2: when we.

1053
00:47:51,640 --> 00:47:55,680
Speaker 1: Have a set. Yeah, of course, Oh great.

1054
00:47:55,440 --> 00:47:57,360
Speaker 2: It's going to be great. You can you all be

1055
00:47:57,440 --> 00:47:59,319
Speaker 2: acting inside a giant diorama.

1056
00:48:00,200 --> 00:48:01,840
Speaker 1: Will there be a stage door, Johnny?

1057
00:48:02,280 --> 00:48:02,880
Speaker 2: I hope so.

1058
00:48:04,200 --> 00:48:04,319
Speaker 18: Oh.

1059
00:48:04,360 --> 00:48:05,240
Speaker 2: I'm so excited.

1060
00:48:05,320 --> 00:48:06,879
Speaker 1: What actually is a stage door?

1061
00:48:07,200 --> 00:48:10,760
Speaker 2: Someone who turns up hopefully with flowers at the stage door, right,

1062
00:48:11,680 --> 00:48:12,560
Speaker 2: I think that's what it is.

1063
00:48:12,719 --> 00:48:14,120
Speaker 1: What it is, as the.

1064
00:48:14,080 --> 00:48:15,880
Speaker 2: Police have told you otherwise and tased you.

1065
00:48:16,040 --> 00:48:16,720
Speaker 1: I'm so excited.

1066
00:48:16,719 --> 00:48:19,400
Speaker 2: So tickets go on sale Friday morning at ten am

1067
00:48:19,520 --> 00:48:21,759
Speaker 2: through ticket Tech. It's going to be so much fun.

1068
00:48:21,880 --> 00:48:23,160
Speaker 1: It will be so much fun.

1069
00:48:23,560 --> 00:48:29,759
Speaker 2: Jonesy and Amanda Gama podcast When Old People's Home for

1070
00:48:29,800 --> 00:48:33,040
Speaker 2: four year Olds air on the ABC, so many tears

1071
00:48:33,040 --> 00:48:36,920
Speaker 2: who were all moved by the positive impact those adorable

1072
00:48:36,920 --> 00:48:39,800
Speaker 2: toddlers had on the seniors. They're in the global first,

1073
00:48:39,840 --> 00:48:42,719
Speaker 2: they decided to try the same concept, but with Teenagers

1074
00:48:43,040 --> 00:48:45,480
Speaker 2: Season one of Old People's Home for Teenagers. With such

1075
00:48:45,520 --> 00:48:47,920
Speaker 2: a success, they've decided to bring it back with a

1076
00:48:47,960 --> 00:48:51,160
Speaker 2: new season that starts tonight. Here to explain more is

1077
00:48:51,200 --> 00:48:55,320
Speaker 2: dedicated youth worker teacher facilitator of the program, Wilde Leima.

1078
00:48:55,520 --> 00:48:58,000
Speaker 6: Hello, Hey, guys, a.

1079
00:48:58,320 --> 00:49:00,960
Speaker 1: Great Usually they would say old people and teens should

1080
00:49:01,000 --> 00:49:01,560
Speaker 1: never mix.

1081
00:49:03,600 --> 00:49:08,399
Speaker 2: Yeah, I know, right, Yeah, So there tell us about

1082
00:49:08,440 --> 00:49:11,960
Speaker 2: some of these these benefits. What's what's the dynamic when

1083
00:49:11,960 --> 00:49:13,360
Speaker 2: these two groups get together.

1084
00:49:15,880 --> 00:49:19,680
Speaker 8: I think it's a really interesting dynamic in that I

1085
00:49:19,719 --> 00:49:23,319
Speaker 8: think that it's really tapping into a lot of the

1086
00:49:23,400 --> 00:49:27,040
Speaker 8: issues and challenges that both the courts faith in society.

1087
00:49:27,440 --> 00:49:32,000
Speaker 8: I mean, things around social isolation, loneliness, a lack of connection.

1088
00:49:32,239 --> 00:49:34,000
Speaker 8: I mean, these are things that I've seen in my

1089
00:49:34,040 --> 00:49:38,600
Speaker 8: own work, So I think part of this experiment is

1090
00:49:38,680 --> 00:49:44,000
Speaker 8: really trying to tap into that and to explore how

1091
00:49:44,080 --> 00:49:46,880
Speaker 8: these interactions and these connections, how they can have a

1092
00:49:46,960 --> 00:49:50,280
Speaker 8: positive impact on the mental health and the well being

1093
00:49:50,600 --> 00:49:53,120
Speaker 8: of both the teams and the older adults that are

1094
00:49:53,120 --> 00:49:53,919
Speaker 8: involved in the show.

1095
00:49:54,239 --> 00:49:57,000
Speaker 2: Because I was interested to read that loneliness affects one

1096
00:49:57,000 --> 00:49:59,520
Speaker 2: in three sceniors, but for teens it's one in two.

1097
00:49:59,640 --> 00:50:01,880
Speaker 2: So there's lot of commonality actually here.

1098
00:50:02,920 --> 00:50:06,399
Speaker 8: There is, Yeah, there's a lot. I mean my role

1099
00:50:06,600 --> 00:50:09,120
Speaker 8: in terms of my professional work, it's mostly working with

1100
00:50:09,200 --> 00:50:12,719
Speaker 8: young people. I've had some experience working with the order

1101
00:50:12,760 --> 00:50:17,319
Speaker 8: adults in mentoring programs, but I mean speaking for young

1102
00:50:17,360 --> 00:50:20,000
Speaker 8: people in terms of what I've seen, especially over the

1103
00:50:20,000 --> 00:50:23,920
Speaker 8: past ten years. Yeah, there's a lot of issues around

1104
00:50:23,960 --> 00:50:28,279
Speaker 8: loneliness and social isolation and especially coming out as the COVID.

1105
00:50:28,400 --> 00:50:32,160
Speaker 8: You know, I think it's multifaceted. There's not one reason

1106
00:50:32,200 --> 00:50:35,319
Speaker 8: that really leads to that, but I do feel like

1107
00:50:35,400 --> 00:50:38,319
Speaker 8: the show is tapping into a part of that, which

1108
00:50:38,360 --> 00:50:41,480
Speaker 8: is about human connections and meaningful interactions.

1109
00:50:41,760 --> 00:50:43,600
Speaker 1: How did you go about casting the teens?

1110
00:50:45,440 --> 00:50:49,640
Speaker 8: A good question, So I know from the first series,

1111
00:50:49,840 --> 00:50:53,240
Speaker 8: but in terms of the teens, they focused on schools

1112
00:50:53,239 --> 00:50:57,040
Speaker 8: that were in North Sydney, and this time around they

1113
00:50:57,040 --> 00:50:59,840
Speaker 8: focused on teens. They went to schools out in Western Sydney,

1114
00:51:00,239 --> 00:51:03,640
Speaker 8: so around the Paramatta area. So as far as I

1115
00:51:03,760 --> 00:51:06,120
Speaker 8: know of their production crew, they went out to high

1116
00:51:06,160 --> 00:51:09,359
Speaker 8: schools they were out west, they interviewed a whole bunch

1117
00:51:09,360 --> 00:51:12,320
Speaker 8: of teens and they kind of went from there. In

1118
00:51:12,480 --> 00:51:16,040
Speaker 8: terms of the scene ars, they focused on a retired village.

1119
00:51:17,040 --> 00:51:21,000
Speaker 8: It was also based o West So near North Rhino.

1120
00:51:21,120 --> 00:51:27,080
Speaker 8: Believe the name escapes me. And again they interviewed a

1121
00:51:27,600 --> 00:51:30,600
Speaker 8: lot of seniors and they kicked at ten from.

1122
00:51:30,520 --> 00:51:36,759
Speaker 2: H Ageism is a big issue for seniors. For whether

1123
00:51:36,760 --> 00:51:39,479
Speaker 2: you're in an old person's home or not, how young

1124
00:51:39,520 --> 00:51:43,880
Speaker 2: people perceive you can be really upsetting. Was this able

1125
00:51:43,920 --> 00:51:46,200
Speaker 2: to shift the perception of old people for a lot

1126
00:51:46,239 --> 00:51:46,960
Speaker 2: of these teens.

1127
00:51:49,760 --> 00:51:52,920
Speaker 8: I mean definitely from my experience of knowing the teens

1128
00:51:53,440 --> 00:51:59,040
Speaker 8: and just seeing their experiences on the show, I know

1129
00:51:59,120 --> 00:52:01,000
Speaker 8: that for a lot of them they didn't have their

1130
00:52:01,040 --> 00:52:03,239
Speaker 8: connection with an older adult, and that's part of the

1131
00:52:03,280 --> 00:52:07,239
Speaker 8: reason why they were selected. There was a lot of

1132
00:52:08,400 --> 00:52:12,719
Speaker 8: stereotypes and a lot of I guess self judgment that

1133
00:52:12,800 --> 00:52:16,319
Speaker 8: was brought to the show before before it aired for

1134
00:52:16,400 --> 00:52:20,080
Speaker 8: both parties. So I think for both parties, not only

1135
00:52:20,120 --> 00:52:22,960
Speaker 8: the teams but also the scene is it was challenging

1136
00:52:22,960 --> 00:52:26,000
Speaker 8: a lot of the stereotypes and the preconceived notions that

1137
00:52:26,040 --> 00:52:29,480
Speaker 8: they had about the different generations. And I think that's

1138
00:52:29,480 --> 00:52:32,840
Speaker 8: really the beauty of the show is that it's tapping

1139
00:52:32,880 --> 00:52:38,279
Speaker 8: into that and really challenging these mindsets that people developed

1140
00:52:38,480 --> 00:52:40,400
Speaker 8: around different generations.

1141
00:52:40,000 --> 00:52:43,239
Speaker 1: And really every generation blames the one before. I know

1142
00:52:43,280 --> 00:52:47,719
Speaker 1: I'm paraphrasing Mike and Potanic, but really look to the

1143
00:52:47,760 --> 00:52:52,239
Speaker 1: teachings of Mike and the mechanics. Surely yes, surely, Well

1144
00:52:52,239 --> 00:52:54,600
Speaker 1: it sounds great help. People's Home for Teenager Season two

1145
00:52:54,880 --> 00:52:59,000
Speaker 1: premiers tonight I thirty on ABC TV and ABC I View. Well,

1146
00:52:59,040 --> 00:53:00,040
Speaker 1: thank you for joining.

1147
00:52:59,800 --> 00:53:17,120
Speaker 13: Us, Thank you for having me and Amanda's sham Notion podcast.

1148
00:53:06,000 --> 00:53:14,120
Speaker 1: People last night, I'm the Telly.

1149
00:53:14,440 --> 00:53:17,200
Speaker 2: One of the big things about that shows. You just

1150
00:53:17,200 --> 00:53:18,920
Speaker 2: think the incredible secrecy.

1151
00:53:19,080 --> 00:53:21,560
Speaker 1: Well next to are you the giant thong?

1152
00:53:22,960 --> 00:53:25,320
Speaker 2: As I said, the secrecy, no one can say.

1153
00:53:25,160 --> 00:53:27,040
Speaker 1: Well, we were looking at you the other day. You

1154
00:53:27,200 --> 00:53:29,239
Speaker 1: left the building dressed as a giant thong.

1155
00:53:29,480 --> 00:53:31,080
Speaker 2: You watched the show last night? Is there a thong

1156
00:53:31,160 --> 00:53:31,360
Speaker 2: in it?

1157
00:53:31,719 --> 00:53:33,319
Speaker 1: No, that's why I thought it was.

1158
00:53:33,680 --> 00:53:34,960
Speaker 2: There's a song in my heart.

1159
00:53:36,640 --> 00:53:40,320
Speaker 1: That was ida.

1160
00:53:42,120 --> 00:53:44,440
Speaker 2: But they go to great pains to make sure that

1161
00:53:44,560 --> 00:53:47,680
Speaker 2: no one knows who the celestis the game is it

1162
00:53:47,719 --> 00:53:54,000
Speaker 2: all aware away? But but listen to this theory. This

1163
00:53:54,120 --> 00:53:58,239
Speaker 2: is just a theory. But this TikToker has proposed how

1164
00:53:58,280 --> 00:53:59,239
Speaker 2: they really do it.

1165
00:53:59,320 --> 00:54:02,000
Speaker 14: Okay, But this is the other thing, is that they

1166
00:54:02,120 --> 00:54:05,600
Speaker 14: film all of the reveals, all of them, every single

1167
00:54:05,600 --> 00:54:07,719
Speaker 14: one of them, every single mass singer. They film all

1168
00:54:07,760 --> 00:54:10,319
Speaker 14: of them at the start of the stand of the show,

1169
00:54:10,480 --> 00:54:13,160
Speaker 14: before it's even gone to air. They film every single

1170
00:54:13,200 --> 00:54:15,799
Speaker 14: one of them, every single reveal. Okay, they have them

1171
00:54:15,800 --> 00:54:18,200
Speaker 14: in the bank. Then the celebs they go off, They

1172
00:54:18,239 --> 00:54:20,360
Speaker 14: go in a sound booth, they record their songs.

1173
00:54:20,600 --> 00:54:21,560
Speaker 1: The songs are then.

1174
00:54:21,560 --> 00:54:26,160
Speaker 14: Just played each week and there's there's somebody inside the

1175
00:54:26,239 --> 00:54:29,720
Speaker 14: suit dancing around on stage. It's not the celeb inside

1176
00:54:29,760 --> 00:54:33,160
Speaker 14: the suit. It's not And then depending on who they

1177
00:54:33,160 --> 00:54:35,400
Speaker 14: want to reveal that week, they just play the tape.

1178
00:54:35,440 --> 00:54:37,440
Speaker 14: They just play the tape of the reveal.

1179
00:54:38,120 --> 00:54:39,680
Speaker 1: Because this is just a theory.

1180
00:54:39,760 --> 00:54:41,640
Speaker 2: But he was saying that way celebs don't have to

1181
00:54:41,640 --> 00:54:43,759
Speaker 2: hang around for weeks at a time, And how do

1182
00:54:43,800 --> 00:54:45,520
Speaker 2: you keep a secret for that long that you've seen

1183
00:54:46,360 --> 00:54:48,640
Speaker 2: in Sydney every week you hear the whole time going

1184
00:54:48,640 --> 00:54:50,279
Speaker 2: in and out of production, even though they do it

1185
00:54:50,320 --> 00:54:52,839
Speaker 2: probably day off to day. It is prerecorded. But this

1186
00:54:52,880 --> 00:54:55,640
Speaker 2: way they're saying that you recorded your song in a booth,

1187
00:54:55,640 --> 00:54:59,520
Speaker 2: because remember, how can you sing that giant head on? Yeah,

1188
00:55:00,680 --> 00:55:02,600
Speaker 2: it's a theory, but it makes sense.

1189
00:55:02,440 --> 00:55:05,160
Speaker 1: And scary spice. She's recorded all her reveals.

1190
00:55:05,440 --> 00:55:09,200
Speaker 4: I think it might be baby spies and baby spies

1191
00:55:10,280 --> 00:55:12,040
Speaker 4: and baby spies.

1192
00:55:13,840 --> 00:55:16,520
Speaker 1: And the only thing that doesn't make sense is why

1193
00:55:16,560 --> 00:55:20,200
Speaker 1: you're a dressed as a giant thongba if you're not

1194
00:55:20,239 --> 00:55:21,160
Speaker 1: on the mask singer.

1195
00:55:22,840 --> 00:55:24,560
Speaker 2: Well, that's another TikTok theory.

1196
00:55:24,640 --> 00:55:29,400
Speaker 1: All the time, Jam, It was a great weekend. Started

1197
00:55:29,400 --> 00:55:33,400
Speaker 1: off on Friday. We're filming for Lived to Write magazine

1198
00:55:33,520 --> 00:55:36,200
Speaker 1: for our social media selection of there because you know,

1199
00:55:36,239 --> 00:55:38,200
Speaker 1: I'm the chief bike reviewer now.

1200
00:55:38,040 --> 00:55:40,440
Speaker 2: Of you dress is a chief at least chief.

1201
00:55:40,560 --> 00:55:43,480
Speaker 1: Yeah, while we were doing the Harley Davidson that was

1202
00:55:43,520 --> 00:55:45,960
Speaker 1: an Indian joke, the Indian motorcycle.

1203
00:55:46,000 --> 00:55:48,360
Speaker 2: You see, I didn't understand.

1204
00:55:48,520 --> 00:55:49,560
Speaker 1: You didn't understand.

1205
00:55:50,200 --> 00:55:51,120
Speaker 2: And how did your filming go?

1206
00:55:51,640 --> 00:55:53,800
Speaker 1: Well, it was good. We were filming under the Harbor

1207
00:55:53,840 --> 00:55:55,160
Speaker 1: Bridge there and.

1208
00:55:55,200 --> 00:55:56,280
Speaker 2: Wild how you permits?

1209
00:55:58,640 --> 00:55:59,359
Speaker 1: Of course we did.

1210
00:55:59,440 --> 00:56:02,920
Speaker 2: Of course, all had it all in writing.

1211
00:56:02,640 --> 00:56:06,240
Speaker 1: Which is fraud because you know, you can't do anything

1212
00:56:06,239 --> 00:56:08,279
Speaker 1: in the city anymore. You can't build a sand castle

1213
00:56:08,440 --> 00:56:10,040
Speaker 1: out someone got mate. You gotta have a permit, you

1214
00:56:10,120 --> 00:56:12,520
Speaker 1: gotta have hbies. This is the four of the hotel.

1215
00:56:12,840 --> 00:56:16,279
Speaker 1: So anyway, Pugsley from Live to right and eye and

1216
00:56:16,280 --> 00:56:18,719
Speaker 1: the whole camera crew. We're just set up there and

1217
00:56:18,760 --> 00:56:21,319
Speaker 1: we've just got to get in there, do our bit,

1218
00:56:21,600 --> 00:56:24,600
Speaker 1: and then buger off before anyone notices. So we're all

1219
00:56:24,600 --> 00:56:27,879
Speaker 1: ready to go and there's a guy next to us.

1220
00:56:28,160 --> 00:56:30,440
Speaker 1: He's from out of town. He's from Paris. I know

1221
00:56:30,520 --> 00:56:34,239
Speaker 1: this because we're about to film and this guy on

1222
00:56:34,239 --> 00:56:37,160
Speaker 1: one of those crazy pushbikes. You know, those pushbikes have

1223
00:56:37,239 --> 00:56:40,759
Speaker 1: got a big delivery parcel thing at the front. He

1224
00:56:40,880 --> 00:56:43,640
Speaker 1: shows up just as we're about to roll and starts

1225
00:56:43,719 --> 00:56:48,400
Speaker 1: chatting to this guy, where are you from? And I'm thinking, okay, mate.

1226
00:56:48,480 --> 00:56:51,760
Speaker 1: He goes on for some seven minutes. I started recording

1227
00:56:51,800 --> 00:56:55,719
Speaker 1: this guy at about the three minute mark. Okay, who's

1228
00:56:55,760 --> 00:57:02,440
Speaker 1: got a call now? And I'm wrapping it up. He

1229
00:57:02,560 --> 00:57:04,439
Speaker 1: guys one of those crazy push bikes as well.

1230
00:57:07,520 --> 00:57:11,759
Speaker 18: That's the lost story and.

1231
00:57:13,760 --> 00:57:16,280
Speaker 1: Wrap it up. I'm gonna say something, Hey, I don't

1232
00:57:16,320 --> 00:57:20,160
Speaker 1: think he's saying. It's like he's helmets off. That is

1233
00:57:20,160 --> 00:57:22,840
Speaker 1: he taking a helmet off. No, he was one of

1234
00:57:22,920 --> 00:57:26,080
Speaker 1: those guys. Just when you thought the conversation would wrap up,

1235
00:57:26,400 --> 00:57:30,080
Speaker 1: he'd come back for another bite at the cherry and

1236
00:57:30,120 --> 00:57:32,320
Speaker 1: we're just standing there. In the meantime, there's a ranger

1237
00:57:32,360 --> 00:57:34,880
Speaker 1: over here, and we're trying to look like we're not

1238
00:57:34,920 --> 00:57:37,320
Speaker 1: filming anything, even though we're going a tripod in the camera,

1239
00:57:38,360 --> 00:57:39,919
Speaker 1: and this guy just kept coming back.

1240
00:57:40,000 --> 00:57:42,600
Speaker 2: You know what I think though, the arrogance of television

1241
00:57:42,640 --> 00:57:45,560
Speaker 2: and being out. People are having a conversation behind you, and.

1242
00:57:45,560 --> 00:57:48,440
Speaker 1: You can't tell people in society to bug off because

1243
00:57:48,480 --> 00:57:50,080
Speaker 1: TV is god. It used to be.

1244
00:57:50,200 --> 00:57:53,200
Speaker 2: No one does that anymore. Had a cameraman, a German guy, Harns.

1245
00:57:53,240 --> 00:57:54,040
Speaker 2: He was fantastic.

1246
00:57:54,120 --> 00:57:55,080
Speaker 1: His name was Hans Huns.

1247
00:57:55,160 --> 00:57:57,640
Speaker 2: But when we were filming in China at a silkworm

1248
00:57:57,680 --> 00:58:01,760
Speaker 2: factory and filming with these people, these local women who

1249
00:58:01,760 --> 00:58:03,680
Speaker 2: were working in the factory, they couldn't care less that

1250
00:58:03,720 --> 00:58:06,000
Speaker 2: we were there. And he asked one of them through

1251
00:58:06,040 --> 00:58:09,880
Speaker 2: an interpreter, it was excruciating to pick up a piece

1252
00:58:09,920 --> 00:58:14,760
Speaker 2: of silkworm cocoon, hold it just near her head, but

1253
00:58:14,840 --> 00:58:16,880
Speaker 2: not to look at the camera, and then put it

1254
00:58:16,920 --> 00:58:20,200
Speaker 2: down again. And then he changed camera angles and needed

1255
00:58:20,240 --> 00:58:22,800
Speaker 2: her to hold it in exactly the same position. And

1256
00:58:22,840 --> 00:58:24,400
Speaker 2: when he didn't, he said, how does she think we're

1257
00:58:24,400 --> 00:58:27,320
Speaker 2: going to edit this? I thought, she doesn't care less?

1258
00:58:27,920 --> 00:58:30,600
Speaker 1: Can I just say this. You are the queen of

1259
00:58:30,640 --> 00:58:32,720
Speaker 1: the piece to camera. Well, this is what was hard.

1260
00:58:32,720 --> 00:58:34,920
Speaker 2: At beyond two thousand, you said that the ranger was coming.

1261
00:58:34,960 --> 00:58:36,040
Speaker 2: The timing was fraught.

1262
00:58:36,560 --> 00:58:38,360
Speaker 1: I still have to deliver pieces.

1263
00:58:38,000 --> 00:58:42,000
Speaker 2: To camera that were filled with dense scientific information. I'd

1264
00:58:42,040 --> 00:58:44,960
Speaker 2: write them, then I'd memorize them, and then the cameraman

1265
00:58:45,000 --> 00:58:48,320
Speaker 2: would say, Okay, it's about to start to rain, but

1266
00:58:48,360 --> 00:58:50,040
Speaker 2: we're going to have it. I can see there's a

1267
00:58:50,120 --> 00:58:54,600
Speaker 2: sliver of sunset happening in the background and the train's

1268
00:58:54,600 --> 00:58:57,080
Speaker 2: about to come past in five minutes. You have to

1269
00:58:57,160 --> 00:58:58,640
Speaker 2: film it now or.

1270
00:58:58,640 --> 00:59:01,479
Speaker 1: We're out and the rain coming with that perm well.

1271
00:59:01,760 --> 00:59:03,960
Speaker 2: It's all of that's like Bill and ben flower pop men,

1272
00:59:04,000 --> 00:59:07,920
Speaker 2: the Farmer's coming back quick everybody. It was so stressful

1273
00:59:07,960 --> 00:59:09,680
Speaker 2: and yet you had to go bang and just gad

1274
00:59:09,720 --> 00:59:11,600
Speaker 2: to do like five of them. A data is get

1275
00:59:11,640 --> 00:59:12,560
Speaker 2: the pieces to camera out.

1276
00:59:12,800 --> 00:59:15,240
Speaker 1: This is you just walk it through a hospital or

1277
00:59:15,720 --> 00:59:16,760
Speaker 1: doing some stuff.

1278
00:59:16,560 --> 00:59:18,560
Speaker 2: And this is me memorizing stuff. Have a listen.

1279
00:59:18,840 --> 00:59:21,120
Speaker 19: It's not as simple as taking a plant along to

1280
00:59:21,160 --> 00:59:25,200
Speaker 19: your local hospital. A standard MRI machine, well perfect for

1281
00:59:25,280 --> 00:59:28,240
Speaker 19: medical scanning, is too coarse to tell us much about

1282
00:59:28,280 --> 00:59:31,840
Speaker 19: a plant. Its resolution of about one millimeter would give

1283
00:59:31,920 --> 00:59:34,680
Speaker 19: us a picture of a stem, and that's all. To

1284
00:59:34,720 --> 00:59:38,360
Speaker 19: see the tiny vascular tubes inside a plant, we need

1285
00:59:38,400 --> 00:59:43,040
Speaker 19: one hundred times more detail. Surprisingly, that doesn't mean building

1286
00:59:43,120 --> 00:59:48,160
Speaker 19: a bigger MRI machine. By miniaturizing the receiver, we can

1287
00:59:48,200 --> 00:59:51,720
Speaker 19: see down to ten microns one hundredth of a millimeter.

1288
00:59:52,160 --> 00:59:52,440
Speaker 1: Wow.

1289
00:59:52,560 --> 00:59:54,960
Speaker 2: I had to memorize all that before the farmer came

1290
00:59:55,000 --> 00:59:56,560
Speaker 2: back and I got caught out of my pot plant.

1291
00:59:56,600 --> 01:00:01,600
Speaker 1: Imagine old mate, and these crazy bike came along. I

1292
01:00:01,720 --> 01:00:02,959
Speaker 1: get a bit of PTS.

1293
01:00:02,760 --> 01:00:13,560
Speaker 7: You just listening to that shit podcast.

1294
01:00:15,480 --> 01:00:18,600
Speaker 2: Twenty thousand dollars cash for our favorite goolie of the year.

1295
01:00:18,680 --> 01:00:20,480
Speaker 1: It could be you nice bit of buns.

1296
01:00:20,520 --> 01:00:23,440
Speaker 2: What have we got, hi, James and Amanda?

1297
01:00:24,560 --> 01:00:27,720
Speaker 1: What gets my goolies is menopause.

1298
01:00:28,160 --> 01:00:31,760
Speaker 12: Like it's bad enough to get the hot flushes, the

1299
01:00:31,840 --> 01:00:32,800
Speaker 12: weight gain.

1300
01:00:32,760 --> 01:00:35,880
Speaker 10: But seriously, the spiky black hairs that grow.

1301
01:00:35,760 --> 01:00:36,560
Speaker 3: Out of your chin.

1302
01:00:36,760 --> 01:00:39,480
Speaker 2: Yep, oh my goodness, that's what.

1303
01:00:39,520 --> 01:00:40,480
Speaker 1: Gets my goolies.

1304
01:00:40,520 --> 01:00:43,000
Speaker 2: I'll be poking you in the eye eventually. Brendan from

1305
01:00:43,080 --> 01:00:44,960
Speaker 2: here irrational mood sweet.

1306
01:00:46,560 --> 01:00:47,560
Speaker 1: Who said?

1307
01:00:48,400 --> 01:00:49,320
Speaker 2: What else have we got?

1308
01:00:49,960 --> 01:00:53,800
Speaker 3: I changed him? Amanda? Well, really, it's my girlies. People,

1309
01:00:53,840 --> 01:00:57,160
Speaker 3: don't flashing and leave their floaters in the toilet. Come on,

1310
01:00:57,200 --> 01:00:59,400
Speaker 3: people flash, you know how to flash. It's a thing

1311
01:00:59,440 --> 01:01:02,520
Speaker 3: on top of the flush it. That's my GOOLI.

1312
01:01:02,680 --> 01:01:07,520
Speaker 1: True, it's true. Sometimes well sometimes give me a situation.

1313
01:01:07,720 --> 01:01:09,600
Speaker 2: Well, who's going to disagree with that. Let's have a

1314
01:01:09,600 --> 01:01:11,960
Speaker 2: ticketate parye for people to never flush at the toilet.

1315
01:01:12,960 --> 01:01:20,080
Speaker 1: Sometimes waste some paper. Sometimes what Brenda comes back, it

1316
01:01:20,120 --> 01:01:21,880
Speaker 1: does sometimes.

1317
01:01:22,240 --> 01:01:25,080
Speaker 2: Don't you wait to see that it's gone on its check?

1318
01:01:25,320 --> 01:01:28,320
Speaker 1: Always check. But is a if you're in a situation

1319
01:01:28,480 --> 01:01:33,240
Speaker 1: right and it doesn't flash, what you do, don't panic?

1320
01:01:34,240 --> 01:01:35,880
Speaker 1: Go and get like if you can get a bucket

1321
01:01:36,320 --> 01:01:39,840
Speaker 1: and some water. Get the bucket and water and tip

1322
01:01:39,920 --> 01:01:43,360
Speaker 1: that into the toilet pan and that will doublesh it.

1323
01:01:43,960 --> 01:01:46,640
Speaker 2: Having said that, Brendan, if you're in a situation, it's

1324
01:01:46,680 --> 01:01:48,560
Speaker 2: never going to happen at home, We're going to get

1325
01:01:48,560 --> 01:01:50,400
Speaker 2: a bucket and water. If you're somewhere else, if you're

1326
01:01:50,520 --> 01:01:51,640
Speaker 2: bucking and palace.

1327
01:01:51,640 --> 01:01:54,320
Speaker 1: The toilet brush holder, yeah sits next to it.

1328
01:01:54,480 --> 01:01:55,640
Speaker 2: He's being from experience.

1329
01:01:55,720 --> 01:01:58,000
Speaker 1: Get that, pull the toilet brush out, go and fill

1330
01:01:58,000 --> 01:02:00,640
Speaker 1: it up in the sink. If it's of our eails,

1331
01:02:00,640 --> 01:02:03,600
Speaker 1: that wouldn't have enough water. There's enough. Sometimes you just

1332
01:02:03,640 --> 01:02:07,080
Speaker 1: need enough. Have you done this, Yeah, of course enough

1333
01:02:07,080 --> 01:02:09,680
Speaker 1: to get you over the line. You know what I mean.

1334
01:02:10,720 --> 01:02:11,600
Speaker 1: You know if you're over it?

1335
01:02:11,720 --> 01:02:14,880
Speaker 2: Okay, we know, we know what you mean.

1336
01:02:15,080 --> 01:02:17,240
Speaker 1: You have Bryce's House for dinner.

1337
01:02:20,920 --> 01:02:23,640
Speaker 2: Ice cream container, finish the last the ice cream. Quintin,

1338
01:02:24,160 --> 01:02:27,760
Speaker 2: I need that. It's Quintin Time.

1339
01:02:30,400 --> 01:02:34,120
Speaker 1: Record. You're the iHeartRadio app and you can win twenty

1340
01:02:34,200 --> 01:02:36,360
Speaker 1: thousand dollars cash. It's six to nine.

1341
01:02:38,160 --> 01:02:40,920
Speaker 2: Our favorite caller email or Facebook friend wins an Audio

1342
01:02:40,920 --> 01:02:45,480
Speaker 2: Technica sound burger, a portable vinyl record player, Bluetooth portable

1343
01:02:45,480 --> 01:02:47,600
Speaker 2: turntables from our mates at Audio Technica.

1344
01:02:47,760 --> 01:02:49,880
Speaker 1: I want to steal one of these. An article has

1345
01:02:49,880 --> 01:02:52,640
Speaker 1: come out that Australian kids are the most risked verse

1346
01:02:52,760 --> 01:02:53,520
Speaker 1: in the world.

1347
01:02:53,760 --> 01:02:55,720
Speaker 2: Yeah, mad, I was thinking about all the times our

1348
01:02:55,760 --> 01:02:57,920
Speaker 2: parents were a complete opposite. So the tribal John was

1349
01:02:57,960 --> 01:03:03,520
Speaker 2: beating for my non helicopter parents. He's Steve from Bulkham Hills.

1350
01:03:03,760 --> 01:03:06,880
Speaker 6: My father instead of flying us up to the Townsville,

1351
01:03:06,920 --> 01:03:09,400
Speaker 6: he would drive us in the eh hold. And this

1352
01:03:09,560 --> 01:03:12,040
Speaker 6: eh holder was so old it had holes in the

1353
01:03:12,120 --> 01:03:15,080
Speaker 6: floor where my sister and I would drop our lolly

1354
01:03:15,120 --> 01:03:18,200
Speaker 6: wrappers down there and watch the road does it run past?

1355
01:03:18,240 --> 01:03:21,040
Speaker 6: But the problem was that the exhaust had a leak

1356
01:03:21,480 --> 01:03:24,320
Speaker 6: and it came into the car and gasped both my

1357
01:03:24,440 --> 01:03:26,720
Speaker 6: sister and I to the player, and my sister was

1358
01:03:26,760 --> 01:03:29,760
Speaker 6: talking in tongues. Ended up having me go to the hospital.

1359
01:03:30,320 --> 01:03:35,200
Speaker 6: And I think I learned Latin or something talking and

1360
01:03:35,720 --> 01:03:37,160
Speaker 6: both of us, I think we was starting to get

1361
01:03:37,240 --> 01:03:37,600
Speaker 6: rid of us.

1362
01:03:38,040 --> 01:03:40,480
Speaker 1: Tell that how Linstone's kids, Yeah, they did run along

1363
01:03:40,480 --> 01:03:43,520
Speaker 1: with their foots. Actually his car was just foot powered though.

1364
01:03:45,080 --> 01:03:47,040
Speaker 2: Yeah, but still you get all those odor readers in

1365
01:03:47,120 --> 01:03:47,520
Speaker 2: your face.

1366
01:03:47,920 --> 01:03:50,000
Speaker 15: Right, that's enough.

1367
01:03:50,080 --> 01:03:52,040
Speaker 2: So we was up next with your chance to take

1368
01:03:52,080 --> 01:03:54,000
Speaker 2: one of wsfm's great escape.

1369
01:03:54,000 --> 01:03:56,280
Speaker 1: We'll be back for jam Nation at six to nine.

1370
01:03:56,280 --> 01:03:59,320
Speaker 1: See then, good day to you. Well, thank god that's over.

1371
01:04:00,960 --> 01:04:03,160
Speaker 14: Goodbye, Wipe the two.

1372
01:04:03,360 --> 01:04:04,720
Speaker 6: Baby, you're right.

1373
01:04:04,960 --> 01:04:08,320
Speaker 12: Catch Jonesy and Amanda's podcast on the iHeartRadio app or

1374
01:04:08,320 --> 01:04:09,880
Speaker 12: wherever you get your podcasts.

1375
01:04:11,640 --> 01:04:19,960
Speaker 18: Change podcast.

1376
01:04:20,120 --> 01:04:23,200
Speaker 12: Catch up on what you've missed on the free iHeartRadio app.