1 00:00:00,480 --> 00:00:02,040 Speaker 1: Jonesy and Amanda in the morning. 2 00:00:04,040 --> 00:00:06,880 Speaker 2: We love this woman. She's one of Australia's best loved comedians. 3 00:00:06,920 --> 00:00:10,520 Speaker 2: She's fabulously funny, she's charming. She's got a lot going 4 00:00:10,560 --> 00:00:14,320 Speaker 2: on considering most comedians. At the moment, I'm having a 5 00:00:14,320 --> 00:00:17,480 Speaker 2: lot of things happen. Kenny Flanagan, good morning. 6 00:00:17,960 --> 00:00:20,400 Speaker 1: Oh, good morning, guys. I'm so happy to talk to you. 7 00:00:20,440 --> 00:00:24,319 Speaker 1: I'm so lonely. I live by myself. Well that's such 8 00:00:24,320 --> 00:00:24,880 Speaker 1: a pleasure. 9 00:00:25,880 --> 00:00:28,440 Speaker 2: Well, you are a person who does like your own company. 10 00:00:28,480 --> 00:00:31,680 Speaker 2: But what happens in time like isolation? How have you 11 00:00:31,720 --> 00:00:33,080 Speaker 2: been coping? Oh? 12 00:00:33,120 --> 00:00:35,479 Speaker 1: I saw I like my own company, but I'm starting 13 00:00:35,479 --> 00:00:39,560 Speaker 1: to hate her. Silf are you enough? Well we haven't. 14 00:00:39,600 --> 00:00:42,920 Speaker 1: I'm down a Victorian. They haven't relaxed the restrictions like 15 00:00:43,000 --> 00:00:44,840 Speaker 1: they have in New South Wales, so we still can't 16 00:00:44,880 --> 00:00:48,839 Speaker 1: have a friend over. So I mean that's probably good 17 00:00:48,840 --> 00:00:50,320 Speaker 1: for me, because you know, the minute they say you 18 00:00:50,320 --> 00:00:52,000 Speaker 1: can have your friends, though, rol realize they don't have 19 00:00:52,000 --> 00:00:55,600 Speaker 1: any anyway, no one will be down the door. 20 00:00:56,240 --> 00:00:59,080 Speaker 3: I believe that, kiddy. Who would you have? Who would 21 00:00:59,120 --> 00:00:59,680 Speaker 3: you have over? 22 00:01:00,680 --> 00:01:04,240 Speaker 1: Oh? Look, I think I'll probably invite everybody over. I'm 23 00:01:04,400 --> 00:01:07,640 Speaker 1: just it's really good in a way. I've moved into 24 00:01:07,680 --> 00:01:10,160 Speaker 1: a new neighborhood. I've got to know all my neighbors. 25 00:01:10,160 --> 00:01:12,399 Speaker 1: We all stand outside on the street, you know, a 26 00:01:12,440 --> 00:01:15,480 Speaker 1: meter and half apart. So I'm very neighborly now, which 27 00:01:15,480 --> 00:01:18,280 Speaker 1: has been quite nice. Although I will say this because 28 00:01:18,280 --> 00:01:22,000 Speaker 1: I am in Victoria, not New South Wales. The name 29 00:01:22,040 --> 00:01:23,800 Speaker 1: the next door wasn't from home. And god, I know 30 00:01:23,880 --> 00:01:25,759 Speaker 1: what he does now because he stands in the back 31 00:01:25,800 --> 00:01:28,200 Speaker 1: of his conversations loud. 32 00:01:29,600 --> 00:01:31,679 Speaker 2: So's he having work conversations? 33 00:01:31,680 --> 00:01:32,559 Speaker 1: You're inside boy? 34 00:01:32,800 --> 00:01:33,880 Speaker 3: Yeah? 35 00:01:34,120 --> 00:01:36,560 Speaker 2: Yeah. It's interesting is that we spoke about this a 36 00:01:36,600 --> 00:01:38,800 Speaker 2: few weeks ago, that people are discovering with their partners 37 00:01:38,800 --> 00:01:41,240 Speaker 2: when they're working from home, some of the strange stuff. 38 00:01:41,520 --> 00:01:44,320 Speaker 2: One woman said, or her husband said, okay, well, let's 39 00:01:44,319 --> 00:01:46,440 Speaker 2: circle back to the beginning of that conversation. Said, oh 40 00:01:46,440 --> 00:01:48,920 Speaker 2: my god, I married to the circle circle guy. 41 00:01:51,320 --> 00:01:54,680 Speaker 3: Yeah, but what does your neighbor do for a crust? 42 00:01:54,720 --> 00:01:55,760 Speaker 3: What have you learned, kiddy? 43 00:01:56,280 --> 00:02:00,800 Speaker 1: Well, fortunately he's a criminal lawyer, so just in cases 44 00:02:00,880 --> 00:02:01,240 Speaker 1: going on. 45 00:02:02,240 --> 00:02:03,120 Speaker 3: It's fascinating. 46 00:02:03,680 --> 00:02:05,640 Speaker 1: The hardest thing though, is wanting to you know, not 47 00:02:05,680 --> 00:02:07,360 Speaker 1: wanting to pop my head. I'm so I didn't catch 48 00:02:07,360 --> 00:02:09,280 Speaker 1: the last week. 49 00:02:09,960 --> 00:02:12,280 Speaker 3: Have you got a podcast of this I can get 50 00:02:12,360 --> 00:02:15,240 Speaker 3: for later so you're back on? Have you been paying 51 00:02:15,240 --> 00:02:19,120 Speaker 3: attention tonight? How is that actually going to work? Well? 52 00:02:19,600 --> 00:02:22,800 Speaker 1: I have to say it's the most it's the most 53 00:02:22,880 --> 00:02:29,120 Speaker 1: professional of home kind of studio things. Ever. First of all, 54 00:02:29,560 --> 00:02:33,040 Speaker 1: they dropped so much equipment at your door, so I 55 00:02:33,080 --> 00:02:36,040 Speaker 1: think it's going to look really good. And the danger 56 00:02:36,080 --> 00:02:38,720 Speaker 1: with that is that people will forget we're not doing this. 57 00:02:39,080 --> 00:02:43,240 Speaker 1: Gdo look amazing. So everybody please remember we don't have 58 00:02:43,320 --> 00:02:46,840 Speaker 1: an audience. There's not that chokes a bombing. It's just 59 00:02:46,880 --> 00:02:48,119 Speaker 1: there's not an audience there. 60 00:02:48,320 --> 00:02:50,240 Speaker 2: So can I ask you this, kiddy, because I'm doing 61 00:02:50,240 --> 00:02:52,160 Speaker 2: it a couple of weeks, did you have to set 62 00:02:52,200 --> 00:02:55,120 Speaker 2: the equipment up yourself? Because that would give me anxiety? 63 00:02:55,800 --> 00:03:00,360 Speaker 1: Amanda. It really does give you anxiety. And the worst 64 00:03:00,360 --> 00:03:02,880 Speaker 1: thing is when you've set everything up and you can 65 00:03:02,919 --> 00:03:04,920 Speaker 1: see them on the screen and they're holding signs up, 66 00:03:04,919 --> 00:03:08,160 Speaker 1: going kitty, we can't hear you no, and I'm pressing 67 00:03:08,200 --> 00:03:10,440 Speaker 1: buttons and doing everything, and then within half an hour, 68 00:03:10,440 --> 00:03:12,400 Speaker 1: after I've piled up production for half an hour, they 69 00:03:12,440 --> 00:03:17,600 Speaker 1: said it's okay, it's our end. A better feeling it 70 00:03:17,639 --> 00:03:20,280 Speaker 1: wasn't me threwing it up. 71 00:03:20,560 --> 00:03:22,840 Speaker 3: I dropped off a pen and paper at Amanda's house 72 00:03:22,840 --> 00:03:27,560 Speaker 3: and she couldn't set that up. I'm not optimistic about this, 73 00:03:27,800 --> 00:03:29,680 Speaker 3: but Kitty, it's always great to talk to you. Have 74 00:03:29,760 --> 00:03:31,880 Speaker 3: you been baying? Attention? Is back to night eight thirty 75 00:03:31,919 --> 00:03:34,280 Speaker 3: on Channel ten and Kitty, it's so nice that we 76 00:03:34,320 --> 00:03:36,200 Speaker 3: can talk to you. I'm glad. I hope you're not 77 00:03:36,240 --> 00:03:36,760 Speaker 3: too lonely. 78 00:03:37,720 --> 00:03:40,440 Speaker 1: No, And it's a great lineup tonight too. It's Marty Sheer, 79 00:03:40,520 --> 00:03:44,880 Speaker 1: gold Burstler Faminid, so yeah, it's really good fun. 80 00:03:45,080 --> 00:03:47,480 Speaker 2: And that Kitty Flannagan woman who I can hear your 81 00:03:47,520 --> 00:03:49,720 Speaker 2: neighbor with his criminal cases in the background. 82 00:03:51,760 --> 00:03:53,280 Speaker 3: Maybe it's a new Underbelly series. 83 00:03:53,800 --> 00:03:55,400 Speaker 1: Get him on for you next week. 84 00:03:55,680 --> 00:03:57,600 Speaker 3: Excellent, Thank you, Kitty. 85 00:03:58,520 --> 00:04:02,000 Speaker 1: Guys man down in the morning one at one point seven, 86 00:04:02,080 --> 00:04:03,280 Speaker 1: Tell you Ashim