1 00:00:00,960 --> 00:00:04,920 Speaker 1: Power by Radio wapp from ninety six air VM to 2 00:00:05,000 --> 00:00:06,880 Speaker 1: where hear you're listening today? 3 00:00:07,040 --> 00:00:09,680 Speaker 2: This is Clezy and Lisa's podcast. 4 00:00:09,880 --> 00:00:12,959 Speaker 1: Coming up on the podcast Cricket Superstar Mitchell Stark is 5 00:00:12,960 --> 00:00:13,920 Speaker 1: staling your to Oh he. 6 00:00:14,040 --> 00:00:17,319 Speaker 3: Is, this is my tiny violin. Hugh grad just gone 7 00:00:17,400 --> 00:00:19,479 Speaker 3: viral with how many things irk him, So we. 8 00:00:19,440 --> 00:00:21,040 Speaker 2: Asked you what are your pet peeves? 9 00:00:21,120 --> 00:00:22,680 Speaker 1: All the phones and text went off, and the Shore 10 00:00:22,680 --> 00:00:24,880 Speaker 1: Report Ringo star let it Slip who will play him 11 00:00:25,000 --> 00:00:26,400 Speaker 1: in the Huge Beatles film series? 12 00:00:26,440 --> 00:00:28,840 Speaker 3: And gingerbread men have sparked controversy in the lead up 13 00:00:28,880 --> 00:00:29,520 Speaker 3: to Christmas. 14 00:00:29,960 --> 00:00:35,440 Speaker 1: You BET's a biscuit of course, that big powerball someone struggling, well, 15 00:00:35,440 --> 00:00:39,239 Speaker 1: one hundred million dollars in powerball jackpot tonight someone if 16 00:00:39,240 --> 00:00:42,680 Speaker 1: they win, that won't be struggling. But the news story 17 00:00:42,720 --> 00:00:43,000 Speaker 1: is to. 18 00:00:42,920 --> 00:00:46,199 Speaker 2: Spend it all. I'll take some of that struggle. 19 00:00:46,200 --> 00:00:47,559 Speaker 1: Did you imagine the pain of having to. 20 00:00:47,720 --> 00:00:48,920 Speaker 2: Give me a little bit of the struggle? 21 00:00:48,960 --> 00:00:50,360 Speaker 1: And you would go really hard and then you're I've 22 00:00:50,360 --> 00:00:53,680 Speaker 1: still got ninety six million dollars a thousand million to go. 23 00:00:54,360 --> 00:00:55,120 Speaker 2: How incredible? 24 00:00:55,200 --> 00:00:59,880 Speaker 1: Find another charity, find another mansion. I don't know any 25 00:01:00,200 --> 00:01:02,920 Speaker 1: So since the misery of Australia's first Test loss to 26 00:01:02,960 --> 00:01:05,920 Speaker 1: India comprehensive thrashing by nearly three hundred runs. It was 27 00:01:06,080 --> 00:01:09,360 Speaker 1: I've seen four different articles about Mitchell Stark and his 28 00:01:09,440 --> 00:01:13,319 Speaker 1: money woes. His money woes, they're not woes, but the 29 00:01:13,360 --> 00:01:15,319 Speaker 1: way these articles are written that said, oh, in the 30 00:01:15,400 --> 00:01:18,280 Speaker 1: wake of the misery of Australia's loss, more bad news 31 00:01:18,319 --> 00:01:21,160 Speaker 1: for Mitchell Stark. Oh no, so Mitchell Stark, the Australian 32 00:01:21,200 --> 00:01:21,920 Speaker 1: strike bawl. 33 00:01:21,800 --> 00:01:22,800 Speaker 2: You need to go fund him. 34 00:01:23,240 --> 00:01:26,520 Speaker 1: No, no, he can go fund us, Mitchell say. This 35 00:01:26,600 --> 00:01:28,679 Speaker 1: is not Starky or his wife Lyssa's fault. But the 36 00:01:28,920 --> 00:01:31,320 Speaker 1: articles are talking about the fact that in the IPL 37 00:01:31,360 --> 00:01:34,920 Speaker 1: so the Indian Premier League auction cricket over there, he's 38 00:01:34,959 --> 00:01:37,800 Speaker 1: taken a massive haircut, massive pay cut from last season. 39 00:01:38,160 --> 00:01:41,520 Speaker 1: Last season, Mitchell Stark, and he's got pretty short heard 40 00:01:41,560 --> 00:01:44,559 Speaker 1: the start with the long, lanky feller was making four 41 00:01:44,600 --> 00:01:47,680 Speaker 1: point four to three million dollars for last season right 42 00:01:47,800 --> 00:01:51,120 Speaker 1: in the IPL for six weeks of cricket. Now he's 43 00:01:51,120 --> 00:01:54,240 Speaker 1: been picked up by another team at two point one 44 00:01:54,360 --> 00:01:56,480 Speaker 1: four million. So the crux of the article is he's 45 00:01:56,480 --> 00:02:01,000 Speaker 1: taken a fifty percent pay cut that's terrible. So Mitchell Stark, 46 00:02:01,520 --> 00:02:04,880 Speaker 1: ever will he do at four point four to three million? 47 00:02:04,960 --> 00:02:07,800 Speaker 1: So they played fourteen games? Right, let's put finals all 48 00:02:07,840 --> 00:02:10,480 Speaker 1: playoff society, even though they won last year. So he 49 00:02:10,600 --> 00:02:13,600 Speaker 1: bowls four overs of six balls if he's not bowling 50 00:02:13,639 --> 00:02:14,480 Speaker 1: any no balls or. 51 00:02:14,400 --> 00:02:16,280 Speaker 2: Words, there's my face tell at all? 52 00:02:16,480 --> 00:02:19,360 Speaker 1: Yeah, fourteen games, that's three hundred and thirty six balls. 53 00:02:19,720 --> 00:02:22,720 Speaker 1: So you divide that, you go four point four three 54 00:02:22,720 --> 00:02:25,480 Speaker 1: million divided by three thirty six. Mitchell Stark last season 55 00:02:25,480 --> 00:02:30,560 Speaker 1: made thirteen one hundred and eighty four dollars per ball. No, no, yeah, 56 00:02:31,600 --> 00:02:34,400 Speaker 1: Now the poor bugger is earning six thousand, three hundred 57 00:02:34,400 --> 00:02:38,040 Speaker 1: and sixty nine dollars per ball. Who what's he going 58 00:02:38,120 --> 00:02:38,280 Speaker 1: to do? 59 00:02:38,560 --> 00:02:42,360 Speaker 2: That's terrible? However will the Starks cope? Don't know? 60 00:02:43,240 --> 00:02:46,120 Speaker 1: And even now they've got more woes because they've just 61 00:02:46,160 --> 00:02:48,919 Speaker 1: bought a Napper Valley style ranch just outside of Sydney 62 00:02:48,919 --> 00:02:53,960 Speaker 1: for twenty four million dollars. Remember Struck Vali ranch in Sydney, 63 00:02:54,080 --> 00:02:56,560 Speaker 1: Napper Valley style rants. They've gone the California ranch. 64 00:02:56,639 --> 00:02:59,840 Speaker 2: Should that way? They have the wine that Napper Valleys 65 00:03:00,080 --> 00:03:00,960 Speaker 2: all talk about. 66 00:03:01,840 --> 00:03:06,720 Speaker 1: People talk about, yeah, exactly, talk about Hampton style candy. 67 00:03:06,480 --> 00:03:10,760 Speaker 2: Or whatever, sy Pandandy, whatever kind. 68 00:03:11,200 --> 00:03:12,600 Speaker 1: So I think they'll be okay. 69 00:03:12,639 --> 00:03:16,639 Speaker 3: Here Terranean was the really. 70 00:03:16,400 --> 00:03:18,080 Speaker 2: Yeah yeah, the house was quite nice. 71 00:03:18,200 --> 00:03:21,000 Speaker 1: Yeah, and all the houses were quite nice. But yeah, yeah, 72 00:03:21,200 --> 00:03:22,560 Speaker 1: So I think the Starks will be all right. 73 00:03:22,680 --> 00:03:23,639 Speaker 2: I think they'll be okay. 74 00:03:23,840 --> 00:03:24,359 Speaker 1: Six thousand. 75 00:03:25,280 --> 00:03:26,760 Speaker 2: Keep them in your thoughts and prayers. 76 00:03:26,919 --> 00:03:29,720 Speaker 1: Yeah, maybe send them a bit if you win Loo tonight. Okay, 77 00:03:29,760 --> 00:03:31,079 Speaker 1: So we're talking about pet peeves. 78 00:03:31,400 --> 00:03:34,560 Speaker 2: We're going to talk about pet peeves in a roundabout way. 79 00:03:35,280 --> 00:03:40,200 Speaker 3: Ben O'Shea is coming into a review Heretic, which stars 80 00:03:40,960 --> 00:03:46,360 Speaker 3: Hugh Grant. Yes, so Hugh Grant with the legend himself, 81 00:03:46,920 --> 00:03:50,160 Speaker 3: Hugh Grad. I love Hugh grad He's so easily peeved 82 00:03:51,240 --> 00:03:54,320 Speaker 3: and he doesn't mind telling you what his peeves are. 83 00:03:54,440 --> 00:03:56,320 Speaker 2: So this has got nothing to do with Heretic. 84 00:03:56,400 --> 00:03:58,240 Speaker 1: No, of course the movie. 85 00:03:58,520 --> 00:04:01,680 Speaker 2: But this is just Hugh Grand talking about his peeves. 86 00:04:01,920 --> 00:04:04,920 Speaker 4: I am one enormous pet peeve. That's all I do. 87 00:04:04,960 --> 00:04:07,040 Speaker 4: I walk around the streets peeving. I don't like people 88 00:04:07,080 --> 00:04:09,360 Speaker 4: walking slowly. I don't like people with backpacks. I don't 89 00:04:09,400 --> 00:04:12,080 Speaker 4: like people with backpacks on their front. I don't like 90 00:04:12,120 --> 00:04:15,240 Speaker 4: people with backpacks and water bottles. I don't like water bottles. 91 00:04:15,240 --> 00:04:17,240 Speaker 4: What's the whole water bottle thing? Why do my children 92 00:04:17,279 --> 00:04:18,520 Speaker 4: have to go to school with the water? They have 93 00:04:18,560 --> 00:04:21,440 Speaker 4: to cart water across London? What's wrong with a drinking fountain? 94 00:04:21,560 --> 00:04:23,400 Speaker 4: I mean, don't get me started. Or I don't like 95 00:04:23,520 --> 00:04:26,480 Speaker 4: leaf blows, roadworks with no people working on them. I 96 00:04:26,520 --> 00:04:29,039 Speaker 4: walk past people on their cell phones, particularly if they're 97 00:04:29,040 --> 00:04:31,919 Speaker 4: on speaker, and I go. I don't like people walking 98 00:04:31,960 --> 00:04:34,640 Speaker 4: behind me, especially if they're going clip clop. I don't 99 00:04:34,680 --> 00:04:37,880 Speaker 4: know why. It's age or hangover. I can't ben noise anymore. 100 00:04:37,960 --> 00:04:39,359 Speaker 1: He's got a shopping list of peeves. 101 00:04:40,480 --> 00:04:41,880 Speaker 2: He's got so many pet peeves. 102 00:04:41,920 --> 00:04:43,120 Speaker 1: He's running at a time in a day. 103 00:04:43,200 --> 00:04:45,799 Speaker 2: What about people cheering gum with their mouth open? 104 00:04:45,960 --> 00:04:48,520 Speaker 1: Oh yeah yeah? And Mum used to say, what are 105 00:04:48,560 --> 00:04:51,160 Speaker 1: you a cow? Do you like a cow? I don't 106 00:04:51,200 --> 00:04:53,600 Speaker 1: do you have to do it? I'm I'm with you 107 00:04:53,720 --> 00:04:55,599 Speaker 1: with the people walking behind me. If someone you feel 108 00:04:55,640 --> 00:04:57,520 Speaker 1: like they're loitering a bit behind, even if they're not, 109 00:04:57,600 --> 00:04:58,720 Speaker 1: that's completely. 110 00:04:58,640 --> 00:04:59,920 Speaker 2: Somehow they've focused on you. 111 00:05:00,080 --> 00:05:02,760 Speaker 1: You oh whatever, especially I will generally stop and let 112 00:05:02,760 --> 00:05:05,560 Speaker 1: them go by. If someone's walking behind Florie and I 113 00:05:05,560 --> 00:05:07,679 Speaker 1: are walking in this especially a man walking behind herself, 114 00:05:07,680 --> 00:05:09,280 Speaker 1: stop and let them go by. 115 00:05:10,040 --> 00:05:11,600 Speaker 2: What about you can go behind me? 116 00:05:11,720 --> 00:05:11,880 Speaker 5: Yeah? 117 00:05:12,000 --> 00:05:12,360 Speaker 2: Behind them? 118 00:05:12,440 --> 00:05:14,760 Speaker 1: Yeah, of course. What about no wave or acknowledgment when 119 00:05:14,800 --> 00:05:15,359 Speaker 1: you let someone in. 120 00:05:15,400 --> 00:05:17,880 Speaker 2: Well, that's that's that's obvious. 121 00:05:17,440 --> 00:05:21,800 Speaker 3: That can turn me into the devil behind the wheel 122 00:05:22,800 --> 00:05:25,040 Speaker 3: or into a complete angel. 123 00:05:25,320 --> 00:05:26,479 Speaker 2: Yeah, one way or the end. 124 00:05:26,480 --> 00:05:28,400 Speaker 1: When that happens, do you say do you reckon? The 125 00:05:28,440 --> 00:05:29,960 Speaker 1: first word that comes to mind is the first word 126 00:05:30,000 --> 00:05:30,839 Speaker 1: that comes to my mind. 127 00:05:31,279 --> 00:05:37,120 Speaker 3: Drats Yeah, yeah, oh blow? I didn't get a lucky wave. Yeah, no, 128 00:05:37,200 --> 00:05:39,440 Speaker 3: that's not the first word that comes to mind. And 129 00:05:39,480 --> 00:05:41,680 Speaker 3: it's lucky that I'm usually in the car alone. 130 00:05:42,320 --> 00:05:44,440 Speaker 1: Does love when you say blow though, because I think 131 00:05:44,480 --> 00:05:45,760 Speaker 1: it says something from. 132 00:05:46,960 --> 00:05:49,960 Speaker 3: My grandma used to say it all the blow blow. 133 00:05:50,279 --> 00:05:55,560 Speaker 3: I love it now, ah fat Beeeves. Josephin Woodvale says 134 00:05:55,640 --> 00:05:58,119 Speaker 3: on the text, my pet peeve is people not keeping 135 00:05:58,120 --> 00:05:59,719 Speaker 3: to the left in shopping centers. 136 00:06:00,200 --> 00:06:01,440 Speaker 2: I'm with you there, Joseph. 137 00:06:01,640 --> 00:06:04,040 Speaker 3: It's not just on the road that you need to, 138 00:06:04,160 --> 00:06:06,200 Speaker 3: you know, be aware of on the left and the right. 139 00:06:06,400 --> 00:06:06,880 Speaker 1: That hard is. 140 00:06:06,920 --> 00:06:09,560 Speaker 2: It's just in general life, yep. 141 00:06:09,720 --> 00:06:11,480 Speaker 1: And we're starting to see it more because of more 142 00:06:11,480 --> 00:06:13,440 Speaker 1: people at the shops and shopping. 143 00:06:13,560 --> 00:06:15,880 Speaker 2: Yes, Susie said, not moving in the in the aisle 144 00:06:15,920 --> 00:06:18,440 Speaker 2: or two. This is not doing. Have your coffee a 145 00:06:18,560 --> 00:06:21,919 Speaker 2: chat in the cafe outside. Get moving. 146 00:06:22,040 --> 00:06:24,480 Speaker 1: Don't start me on people walking towards you who are 147 00:06:24,520 --> 00:06:27,080 Speaker 1: looking at their looking at the phone and going this 148 00:06:27,120 --> 00:06:27,920 Speaker 1: is I'm lucky. 149 00:06:27,960 --> 00:06:28,640 Speaker 2: I'm not a truck. 150 00:06:28,680 --> 00:06:29,480 Speaker 1: I'm going to run you over. 151 00:06:29,560 --> 00:06:34,400 Speaker 2: Shopping list in Karen, I almost said, car, you nearly did? 152 00:06:34,480 --> 00:06:36,880 Speaker 1: You were nearly an insted State's visitor for telephone. 153 00:06:37,400 --> 00:06:41,880 Speaker 2: Oh, we like to take the mickey out of you know, Halloway. 154 00:06:42,560 --> 00:06:45,640 Speaker 2: How are you consider what you used to live there? 155 00:06:47,640 --> 00:06:49,160 Speaker 2: Once your peeve. 156 00:06:49,520 --> 00:06:52,080 Speaker 3: Drivers pull out in front of you and then they 157 00:06:52,240 --> 00:06:55,159 Speaker 3: go slow and they don't indicate, and it seems like 158 00:06:55,320 --> 00:06:56,760 Speaker 3: Tesla drivers. 159 00:06:56,520 --> 00:06:57,440 Speaker 2: Doing a lot lately. 160 00:06:57,560 --> 00:07:01,039 Speaker 3: Really, you've noticed that the car you look at, you like, 161 00:07:01,720 --> 00:07:02,920 Speaker 3: what why are you there? 162 00:07:03,000 --> 00:07:05,320 Speaker 2: It's like you pulled out in front of me. 163 00:07:08,240 --> 00:07:11,160 Speaker 1: Yeah, I have noticed a lot of that eighty. It's 164 00:07:11,200 --> 00:07:15,160 Speaker 1: almost like we'll just go whatever and you know, put 165 00:07:15,280 --> 00:07:16,560 Speaker 1: floor it. Yeah, and it's not. 166 00:07:18,840 --> 00:07:26,880 Speaker 2: Al Where is he still up? I think probably? I 167 00:07:26,920 --> 00:07:30,320 Speaker 2: expect it's on a list of many ves. 168 00:07:30,880 --> 00:07:33,360 Speaker 6: I did say to Susie, it was alphabetic or which 169 00:07:33,400 --> 00:07:38,600 Speaker 6: one do you like? The shopping center one you just 170 00:07:38,640 --> 00:07:41,600 Speaker 6: said with people not keeping left walking at you. Yeah, 171 00:07:41,760 --> 00:07:44,920 Speaker 6: it's actually it's related to that. It's the people that 172 00:07:45,000 --> 00:07:47,440 Speaker 6: come up the escalator and then stop at the end 173 00:07:47,480 --> 00:07:49,640 Speaker 6: with a trolley when one hundred people are coming up 174 00:07:49,680 --> 00:07:54,360 Speaker 6: behind you. But it's actually the same it's the same person. 175 00:07:54,480 --> 00:07:56,960 Speaker 6: I don't know if anyone's ever realized it's the same 176 00:07:57,040 --> 00:08:00,000 Speaker 6: person that stands besides their trolley, walks down the wrong 177 00:08:00,080 --> 00:08:02,440 Speaker 6: side of the aisle, parts over the white line in 178 00:08:02,480 --> 00:08:04,480 Speaker 6: the shopping center and I'm on compartments. 179 00:08:04,800 --> 00:08:05,000 Speaker 3: Yeah. 180 00:08:05,240 --> 00:08:08,160 Speaker 6: Yeah, they don't have a bin gap. Yes, they don't 181 00:08:08,160 --> 00:08:10,040 Speaker 6: have a bin gap. They have a thirty seven meters 182 00:08:10,120 --> 00:08:16,000 Speaker 6: frontage out the front of Yeah. It's a complete package. 183 00:08:15,200 --> 00:08:21,320 Speaker 2: They have, mate, they're all around that awareness. Yeah, that's awareness. 184 00:08:21,480 --> 00:08:24,640 Speaker 6: My god, you've answered it words and that's not me 185 00:08:26,000 --> 00:08:26,800 Speaker 6: for ree awareness. 186 00:08:27,160 --> 00:08:30,200 Speaker 2: My god? What after that? Yeah, I'm going to have. 187 00:08:30,120 --> 00:08:32,320 Speaker 6: To ask Brad to do that on a sign for me. 188 00:08:33,040 --> 00:08:34,840 Speaker 2: Yeah, maybe some badges and badges. 189 00:08:36,120 --> 00:08:37,679 Speaker 6: He does stickers and badgers. I think. 190 00:08:38,440 --> 00:08:41,040 Speaker 1: Aw, those people are getting full keeping caboodle. They've got 191 00:08:41,080 --> 00:08:41,720 Speaker 1: everything going on. 192 00:08:41,920 --> 00:08:44,400 Speaker 6: Yeah, yeah, it's everything. It's like you know, you know 193 00:08:44,440 --> 00:08:46,440 Speaker 6: what I mean, they pull out. You know the other 194 00:08:46,520 --> 00:08:48,560 Speaker 6: lady that says they pull out in front of it. 195 00:08:48,559 --> 00:08:54,800 Speaker 6: It's not just Tesla drivers person this certain person awareness. 196 00:08:56,520 --> 00:08:58,360 Speaker 2: It's like go first and then you get that out 197 00:08:58,360 --> 00:08:58,880 Speaker 2: of a sticker. 198 00:08:58,920 --> 00:08:59,680 Speaker 1: All come on. 199 00:08:59,760 --> 00:09:02,800 Speaker 6: Still, it will happen. Believe me. 200 00:09:06,080 --> 00:09:08,320 Speaker 1: It can be stealing highway or Scarbavage Road and people 201 00:09:08,320 --> 00:09:10,040 Speaker 1: will pull out and then think about that there's on 202 00:09:10,280 --> 00:09:11,120 Speaker 1: there's a car coming. 203 00:09:11,720 --> 00:09:12,959 Speaker 2: Yeah, why is that? 204 00:09:13,040 --> 00:09:13,560 Speaker 1: I don't get it. 205 00:09:14,320 --> 00:09:15,120 Speaker 2: Don't get it either. 206 00:09:15,360 --> 00:09:17,440 Speaker 3: I don't get why some see this is this is 207 00:09:17,480 --> 00:09:21,079 Speaker 3: my thing about everyone having a driver's license. So what 208 00:09:21,080 --> 00:09:24,600 Speaker 3: what makes the world think that everyone has the ability 209 00:09:24,679 --> 00:09:27,480 Speaker 3: to drive? Eventually you might have to go for your 210 00:09:27,520 --> 00:09:30,960 Speaker 3: license a couple of times, but eventually you'll get it driving. 211 00:09:31,280 --> 00:09:32,720 Speaker 2: I don't think it is for everyone. 212 00:09:32,880 --> 00:09:35,240 Speaker 3: Yeah, I've got one looking at the TV on channel 213 00:09:35,320 --> 00:09:37,480 Speaker 3: nine and Lydia Thorpe on there right now. 214 00:09:37,520 --> 00:09:40,720 Speaker 2: Why give her the time of day? Well, yeah, available 215 00:09:40,720 --> 00:09:43,760 Speaker 2: for interviews. Stop you know, playing into her game. 216 00:09:43,640 --> 00:09:46,040 Speaker 1: Fueling the fire. 217 00:09:46,400 --> 00:09:47,840 Speaker 2: Have you noticed how the text line is gone. 218 00:09:47,720 --> 00:09:51,360 Speaker 3: Off Melissa and Rangaru says, people who replace the toilet 219 00:09:51,400 --> 00:09:54,480 Speaker 3: roll so it rolls against the well. Oh my gosh, Melissa, 220 00:09:54,559 --> 00:09:57,880 Speaker 3: those people come back that put it facing in instead 221 00:09:57,920 --> 00:10:01,280 Speaker 3: of facing out. I also have a problem with people 222 00:10:01,360 --> 00:10:06,800 Speaker 3: who stack the dishwasher with the forks. 223 00:10:06,360 --> 00:10:07,560 Speaker 2: And knives pointing up. 224 00:10:07,679 --> 00:10:10,440 Speaker 3: So when you go to you know, take the cutlery out, 225 00:10:10,880 --> 00:10:11,480 Speaker 3: putting your. 226 00:10:11,320 --> 00:10:14,720 Speaker 2: Hand on the eating in that they've got to go down. 227 00:10:14,920 --> 00:10:16,839 Speaker 1: I haven't seen anyone do that. Oh my sorry, yeah, 228 00:10:16,880 --> 00:10:20,080 Speaker 1: workplace kitchen. Yeah, I forgot about. There's no no great 229 00:10:20,160 --> 00:10:23,280 Speaker 1: rules there. That's good to buy. Foress morning, guy? 230 00:10:23,480 --> 00:10:25,120 Speaker 2: Are we good? What's your pet pee? 231 00:10:25,200 --> 00:10:25,800 Speaker 5: What? For us? 232 00:10:26,200 --> 00:10:28,400 Speaker 2: It has to be dogging is not picking up after 233 00:10:28,480 --> 00:10:29,160 Speaker 2: the animal. 234 00:10:30,600 --> 00:10:33,400 Speaker 1: But what gets me worse is when they go to the. 235 00:10:33,320 --> 00:10:35,800 Speaker 3: Effort of picking up the mess and then tossing the 236 00:10:35,840 --> 00:10:37,679 Speaker 3: bag into the bush. 237 00:10:38,200 --> 00:10:40,319 Speaker 2: That's ridiculous. 238 00:10:40,360 --> 00:10:42,640 Speaker 3: Just leave it if you're going to you know, what's 239 00:10:42,720 --> 00:10:45,400 Speaker 3: your thoughts on putting it in a bin that's out 240 00:10:45,440 --> 00:10:48,079 Speaker 3: for bin dat? You know as you're walking down. Because 241 00:10:48,080 --> 00:10:52,000 Speaker 3: this seems to create a lot of debate, I've done it. Yeah, 242 00:10:52,160 --> 00:10:55,440 Speaker 3: if your bits out there, I will probably put the 243 00:10:55,520 --> 00:10:56,880 Speaker 3: bag in it. 244 00:10:57,320 --> 00:10:58,240 Speaker 1: You put it rubbih in a bit. 245 00:10:58,320 --> 00:11:00,240 Speaker 2: I don't want to walk around for you know, fort 246 00:11:01,640 --> 00:11:04,640 Speaker 2: having a bag of hot exactly. 247 00:11:04,880 --> 00:11:07,560 Speaker 3: They're looking at us from other planets. They're thinking, Okay, 248 00:11:07,559 --> 00:11:12,240 Speaker 3: I can see who's interest these people walk around carrying 249 00:11:12,280 --> 00:11:12,720 Speaker 3: their poo. 250 00:11:13,000 --> 00:11:15,480 Speaker 1: Yeah, what about the people who are in the middle 251 00:11:15,480 --> 00:11:17,160 Speaker 1: and they you see them looking around to see if 252 00:11:17,160 --> 00:11:19,040 Speaker 1: anyone's watching, and they sort of fake it that they're 253 00:11:19,080 --> 00:11:19,760 Speaker 1: picking it all up. 254 00:11:19,960 --> 00:11:20,560 Speaker 2: You got to do it. 255 00:11:20,559 --> 00:11:25,240 Speaker 1: See those as well? Look away, look away, the pretending 256 00:11:25,280 --> 00:11:27,480 Speaker 1: they're doing it. I think I seen plenty of that. 257 00:11:28,240 --> 00:11:30,200 Speaker 2: Thanks jes Yes, Thanks God. 258 00:11:30,480 --> 00:11:35,680 Speaker 3: Ben in cloisters as a list, it's not unlike like Hughes. 259 00:11:36,400 --> 00:11:38,880 Speaker 3: My pet hate is the lack of etiquette at the 260 00:11:38,920 --> 00:11:42,800 Speaker 3: dinner table. No correct use of intensils, loud chewing and 261 00:11:42,840 --> 00:11:44,800 Speaker 3: then if you click your pen, if you crack your knuckles, 262 00:11:44,800 --> 00:11:46,880 Speaker 3: if you're cough without covering your mouth, get out of 263 00:11:46,920 --> 00:11:47,959 Speaker 3: my personal space. 264 00:11:48,400 --> 00:11:49,520 Speaker 2: I can't argue with any of that. 265 00:11:49,559 --> 00:11:53,199 Speaker 1: Ben, to be honest of the food. Yes, that's the 266 00:11:53,200 --> 00:11:54,640 Speaker 1: people who do sit at the table these days. 267 00:11:54,720 --> 00:11:57,120 Speaker 2: A lot of people watching Karen in mandra what's your 268 00:11:57,120 --> 00:11:57,640 Speaker 2: pet peeve? 269 00:11:58,640 --> 00:12:03,000 Speaker 7: Yesterday I was chill the show and my pet pee 270 00:12:03,080 --> 00:12:05,439 Speaker 7: is like a service at the moment, and poor service 271 00:12:05,840 --> 00:12:07,960 Speaker 7: and work came on the radio that's been added to 272 00:12:08,000 --> 00:12:12,240 Speaker 7: the dictionary. Yes to that, and it was in suitability 273 00:12:12,640 --> 00:12:18,160 Speaker 7: and vacation. That's indification. Yeah, speaks perfectly lack of service 274 00:12:18,240 --> 00:12:19,040 Speaker 7: and poor service. 275 00:12:19,360 --> 00:12:19,600 Speaker 1: Yeah. 276 00:12:20,000 --> 00:12:23,840 Speaker 2: Yeah, that's the mcquarie Dictionaries word of the ear. Karen's 277 00:12:24,040 --> 00:12:25,640 Speaker 2: used a lot incation. 278 00:12:26,960 --> 00:12:31,000 Speaker 3: We are still in Manda, David, Hello, good morning, How 279 00:12:31,000 --> 00:12:31,800 Speaker 3: are you good? 280 00:12:32,160 --> 00:12:33,680 Speaker 1: What your pet? Peeve list? 281 00:12:33,880 --> 00:12:38,880 Speaker 5: My missus jaw clicks every time she choose clicks. 282 00:12:40,440 --> 00:12:42,320 Speaker 2: I don't know why, just I'll be at work. 283 00:12:42,400 --> 00:12:44,520 Speaker 3: Like I say, when I come home from where she 284 00:12:44,559 --> 00:12:47,040 Speaker 3: seems to eat two seconds after I walked through the. 285 00:12:47,000 --> 00:12:51,520 Speaker 2: Door, right bell or something? 286 00:12:51,520 --> 00:12:53,559 Speaker 6: Sure, Colin Hilpert, I said, well you know I was 287 00:12:53,600 --> 00:12:56,679 Speaker 6: comingmost Why didn't you have those two seconds ago? 288 00:12:58,600 --> 00:13:02,720 Speaker 1: Oh dear, she does so near the schedule when she's 289 00:13:02,720 --> 00:13:03,880 Speaker 1: gonna read to eat together. 290 00:13:04,360 --> 00:13:06,520 Speaker 6: We eat together, but I have to turn it on 291 00:13:06,640 --> 00:13:07,720 Speaker 6: her jaw clicking. 292 00:13:08,600 --> 00:13:10,240 Speaker 1: You have to drown it out, Dave. 293 00:13:11,240 --> 00:13:15,320 Speaker 3: This is I think this is not an uncommon problem 294 00:13:15,600 --> 00:13:17,840 Speaker 3: people with a clicker jaw clicker. 295 00:13:18,160 --> 00:13:20,360 Speaker 6: My son's got as well, but he doesn't live at home. 296 00:13:20,760 --> 00:13:24,079 Speaker 1: A right, so when when they're going off, it's like 297 00:13:24,360 --> 00:13:27,080 Speaker 1: like a click track going off, say what Together Christmas Day? 298 00:13:28,600 --> 00:13:28,760 Speaker 3: Yeah? 299 00:13:29,000 --> 00:13:30,400 Speaker 2: Do you what do you do on Christmas Day? 300 00:13:30,440 --> 00:13:30,720 Speaker 1: David? 301 00:13:30,840 --> 00:13:32,600 Speaker 2: I just think pol crackle and joined him. 302 00:13:32,480 --> 00:13:35,960 Speaker 1: With you tried cracking time. 303 00:13:36,720 --> 00:13:42,840 Speaker 2: The Family That Clicks Together Day, very clicking, more cle 304 00:13:43,520 --> 00:13:45,920 Speaker 2: More Lisa more podcast Soon. 305 00:13:48,760 --> 00:13:51,199 Speaker 3: I said, you might want to get your Barnsy or 306 00:13:51,440 --> 00:13:55,199 Speaker 3: Cold Chisel t shirt out today because it is oz 307 00:13:55,440 --> 00:13:59,080 Speaker 3: Music t Shirt Days Day. The twenty eighth of November 308 00:13:59,200 --> 00:14:01,480 Speaker 3: is os Music T Shirt Day. Time to dig through 309 00:14:01,480 --> 00:14:04,199 Speaker 3: your draws and find your favorite Ozzie Music tea because 310 00:14:04,240 --> 00:14:07,520 Speaker 3: it's all in conjunction with Support Act. Life is better 311 00:14:07,559 --> 00:14:09,719 Speaker 3: with Australian music and ozz Music t Shirt Day is 312 00:14:09,800 --> 00:14:11,840 Speaker 3: the call to keep the music playing for everyone working 313 00:14:11,920 --> 00:14:15,240 Speaker 3: in Australian music by celebrating Ozzi Music and raising urgently 314 00:14:15,320 --> 00:14:19,280 Speaker 3: needed funds for music workers in crisis. Support Act does 315 00:14:19,360 --> 00:14:22,119 Speaker 3: that this is I mean, you know that hasn't necessarily 316 00:14:22,200 --> 00:14:25,960 Speaker 3: recovered since COVID no true for all the support workers. 317 00:14:26,040 --> 00:14:29,720 Speaker 3: Funds raised from the campaign go towards helping to continue 318 00:14:29,800 --> 00:14:33,280 Speaker 3: the crucial work supporting musicians, managers, crew and music workers 319 00:14:33,320 --> 00:14:37,000 Speaker 3: through crisis relief, support, mental health and wellbeing programs. The 320 00:14:37,080 --> 00:14:41,880 Speaker 3: Support Act Wellbeing Helpline mentally health, mentally healthy workplace programs 321 00:14:42,000 --> 00:14:45,720 Speaker 3: and dedicated First Nation support. If you go to the website, 322 00:14:46,400 --> 00:14:48,160 Speaker 3: actually you can actually go to support ACT, or you 323 00:14:48,200 --> 00:14:50,320 Speaker 3: can go to the OZ Music T Shirt Day dot 324 00:14:50,560 --> 00:14:53,440 Speaker 3: org dot au website. It tells you how you can 325 00:14:53,520 --> 00:14:56,360 Speaker 3: make a donation or how you can fundraise. In fact, 326 00:14:56,400 --> 00:15:00,640 Speaker 3: if you donate today being the day was music t 327 00:15:00,760 --> 00:15:03,240 Speaker 3: shirt to day, an anonymous donor is going to double 328 00:15:03,400 --> 00:15:06,360 Speaker 3: your donation today. I don't know who, well anonymous, so 329 00:15:06,400 --> 00:15:09,240 Speaker 3: I don't know who that donor is, but someone putting something. 330 00:15:09,280 --> 00:15:10,160 Speaker 2: It could be I don't know. 331 00:15:10,880 --> 00:15:13,880 Speaker 3: There's all sorts of trivia there on the on the page, 332 00:15:13,920 --> 00:15:17,840 Speaker 3: there's a you can buy OSA music t shirts through there. 333 00:15:17,920 --> 00:15:20,880 Speaker 2: There's some great T shirts that you might want to 334 00:15:21,560 --> 00:15:26,000 Speaker 2: add tear collection. I personally am wearing the Cat wearing 335 00:15:26,080 --> 00:15:27,360 Speaker 2: the T shirt. 336 00:15:27,920 --> 00:15:33,760 Speaker 3: The Cat Empire is my favorite Australian live They're not 337 00:15:33,960 --> 00:15:38,440 Speaker 3: just my favorite Australian live band, they're my favorite live 338 00:15:38,760 --> 00:15:42,920 Speaker 3: band now full stop. I think sadly they have disbanded 339 00:15:43,040 --> 00:15:47,480 Speaker 3: as they were with Harry and Felix, but Felix is 340 00:15:47,760 --> 00:15:50,200 Speaker 3: continuing to tour with the Cat Empire. 341 00:15:50,320 --> 00:15:51,880 Speaker 2: In fact, I'm going next Friday. 342 00:15:51,960 --> 00:15:54,560 Speaker 3: Night to the Concert Hall to see the cat Empire 343 00:15:55,120 --> 00:15:59,160 Speaker 3: with the Symphony Orchestra, which is fantastic. I don't think 344 00:15:59,240 --> 00:16:01,040 Speaker 3: the cat Empire I've ever come to town and I 345 00:16:01,160 --> 00:16:05,600 Speaker 3: haven't gone. The first time they came back in Oh, 346 00:16:05,720 --> 00:16:11,360 Speaker 3: I think it was about two thousand and two right somewhere. No, 347 00:16:11,560 --> 00:16:15,600 Speaker 3: that I saw them at in Scarborough and then they 348 00:16:15,680 --> 00:16:19,760 Speaker 3: played the Paddington Alehouse right and I went to both 349 00:16:19,840 --> 00:16:21,520 Speaker 3: of them. Because I went the first night, I was like, oh, 350 00:16:21,520 --> 00:16:23,480 Speaker 3: this should be good, and it was so good I 351 00:16:23,520 --> 00:16:27,240 Speaker 3: thought I'm going to have to stalk these guys town 352 00:16:27,520 --> 00:16:29,239 Speaker 3: and yeah, I haven't not gone. 353 00:16:29,200 --> 00:16:33,400 Speaker 2: Since the Sure Report on ninety six. 354 00:16:33,520 --> 00:16:41,120 Speaker 3: Every Ringo star has let slip that Saltburn star Barry 355 00:16:41,200 --> 00:16:44,360 Speaker 3: Keagan is going to play him in Sam Mendez's upcoming 356 00:16:44,440 --> 00:16:47,080 Speaker 3: movie about the Beatles. This is actually that giant project 357 00:16:47,480 --> 00:16:50,960 Speaker 3: that's four separate movies about the Beatles, one from each Beatles. 358 00:16:50,640 --> 00:16:53,120 Speaker 2: Point of view. It's going to be huge. 359 00:16:53,720 --> 00:16:56,800 Speaker 3: Ringo, Paul McCartney and the families of John Lennon and 360 00:16:56,880 --> 00:17:00,560 Speaker 3: George Harrison have all granted full life, story and music 361 00:17:00,680 --> 00:17:05,199 Speaker 3: rights for the films. Ed Sheeran has released a Christmas 362 00:17:05,280 --> 00:17:09,640 Speaker 3: song of sorts for Netflix's animated holiday film That Christmas. 363 00:17:09,960 --> 00:17:13,919 Speaker 2: The song is called under the Tree There is nothing 364 00:17:14,640 --> 00:17:22,240 Speaker 2: on that rubbish? Won't you to come back to me? 365 00:17:22,840 --> 00:17:25,680 Speaker 3: That Christmas premiere is on Netflix next Wednesday. It's based 366 00:17:25,720 --> 00:17:28,720 Speaker 3: on the children's book series by Love Actually. Filmmaker Richard 367 00:17:28,800 --> 00:17:32,480 Speaker 3: Curtis he knows his way around a Christmas and it 368 00:17:32,560 --> 00:17:36,760 Speaker 3: features the voices of Bill Nye and Brian Cox. Desperate 369 00:17:36,800 --> 00:17:39,480 Speaker 3: Housewives creator Mark Cherry has an idea for a reboot, 370 00:17:39,520 --> 00:17:42,159 Speaker 3: but it's not what you would expect. The show wrapped 371 00:17:42,200 --> 00:17:44,239 Speaker 3: up in twenty twelve, and Cherry says if he ever 372 00:17:44,320 --> 00:17:47,160 Speaker 3: did a reboot, of which he estimates he's been asked 373 00:17:47,160 --> 00:17:51,800 Speaker 3: seventy thousand times about a reboot, he'd want to set 374 00:17:51,840 --> 00:17:54,840 Speaker 3: it in an earlier decade. He says that's because the 375 00:17:55,040 --> 00:17:58,920 Speaker 3: character he misses writing about the most is with Steria 376 00:17:59,040 --> 00:18:04,640 Speaker 3: Lane itself. Not all the gorgeous girls and the housewives 377 00:18:04,920 --> 00:18:06,440 Speaker 3: saw their husbands. 378 00:18:06,119 --> 00:18:06,840 Speaker 2: But the street. 379 00:18:07,480 --> 00:18:09,399 Speaker 3: He says he knows the street like the back of 380 00:18:09,480 --> 00:18:11,320 Speaker 3: his hand and loves every house on it. And he 381 00:18:11,400 --> 00:18:14,080 Speaker 3: says he'd like to write a storyline for Wisteria Lane 382 00:18:14,160 --> 00:18:15,240 Speaker 3: set in the sixties. 383 00:18:15,720 --> 00:18:21,640 Speaker 1: Okay interesting more More Lisa More podcasts soon. 384 00:18:23,160 --> 00:18:25,840 Speaker 2: Read to flick with Benoche. 385 00:18:26,240 --> 00:18:31,120 Speaker 3: A guys just enjoying the full Yeah, we're been dancing 386 00:18:31,119 --> 00:18:32,320 Speaker 3: a lot of full compliment of that. 387 00:18:32,600 --> 00:18:32,800 Speaker 7: Yeah. 388 00:18:33,000 --> 00:18:33,560 Speaker 2: Absolutely. 389 00:18:33,720 --> 00:18:37,080 Speaker 5: Now Hugh Grant, like we remember him from those great 390 00:18:37,119 --> 00:18:39,840 Speaker 5: British rom coms back in the day like notting Hill, 391 00:18:40,119 --> 00:18:43,000 Speaker 5: Full Weddings in a Funeral, and more recently, you know, 392 00:18:43,119 --> 00:18:46,760 Speaker 5: in films like About a Boy. But then as he's 393 00:18:46,800 --> 00:18:50,479 Speaker 5: gotten older, like we obviously, endured some some off screen 394 00:18:50,640 --> 00:18:54,240 Speaker 5: controversies in America, and maybe from that point onwards his 395 00:18:54,359 --> 00:18:56,280 Speaker 5: career kind of changed a little bit. He couldn't really 396 00:18:56,400 --> 00:18:59,120 Speaker 5: do those rom coms as much anymore. You're talking about 397 00:18:59,160 --> 00:19:04,119 Speaker 5: divine Yes, they couldn't be miss anymore unpleasantness and it 398 00:19:04,119 --> 00:19:08,479 Speaker 5: couldn't be here, that sort of foppish, foppishly, foppishly fringed 399 00:19:08,560 --> 00:19:13,720 Speaker 5: dandy that we once we once loved. But lately he's 400 00:19:13,800 --> 00:19:17,920 Speaker 5: really been leaning into his old weird guy villain in 401 00:19:20,359 --> 00:19:23,680 Speaker 5: you know, the the what was that Guy Richie film? 402 00:19:23,680 --> 00:19:28,080 Speaker 5: I've just forgotten that Gentlemen, Gentlemen. So he was so wonderful, 403 00:19:28,119 --> 00:19:29,680 Speaker 5: he looked like he was having the time of his 404 00:19:29,840 --> 00:19:32,680 Speaker 5: life in The Gentleman. And so now he comes along 405 00:19:32,800 --> 00:19:35,560 Speaker 5: in Heretic, which is a new horror film from the 406 00:19:35,640 --> 00:19:38,159 Speaker 5: A twenty four studio, and people who are familiar with 407 00:19:38,280 --> 00:19:42,240 Speaker 5: A twenty four like they have real die hard fans 408 00:19:42,320 --> 00:19:46,080 Speaker 5: because their films always look beautiful, they're always quite sort 409 00:19:46,119 --> 00:19:49,480 Speaker 5: of intellectual, high production values, and this is no different. 410 00:19:49,840 --> 00:19:52,960 Speaker 5: It comes from the duo who wrote and created A 411 00:19:53,080 --> 00:19:55,960 Speaker 5: Quiet Place. You know that those movies Jo Emily Button 412 00:19:56,160 --> 00:19:58,320 Speaker 5: On which were huge, huge hits. These are the guys 413 00:19:58,359 --> 00:20:01,600 Speaker 5: who created that, and like that film, Heretic has got 414 00:20:01,600 --> 00:20:05,960 Speaker 5: a really simple premise. It's basically two young Mormon missionaries 415 00:20:06,040 --> 00:20:09,200 Speaker 5: who are door knocking, going house to house, just saying 416 00:20:10,520 --> 00:20:13,480 Speaker 5: have you heard about the Book of Mormon? About this, 417 00:20:13,560 --> 00:20:17,280 Speaker 5: all of that sort of stuff, Sister Barnes and Sister Paxton, 418 00:20:18,080 --> 00:20:20,320 Speaker 5: and they're having a pretty rough day. Everywhere they go, 419 00:20:20,520 --> 00:20:23,359 Speaker 5: no one's interested in what they have to say, just 420 00:20:23,440 --> 00:20:25,080 Speaker 5: like you know, you can imagine if two Mormon's rock 421 00:20:25,160 --> 00:20:25,840 Speaker 5: up at your house. 422 00:20:26,119 --> 00:20:27,720 Speaker 2: Probably going on and thanks, but no thanks. 423 00:20:28,040 --> 00:20:30,560 Speaker 5: So they finally at the end of the day, it's 424 00:20:30,640 --> 00:20:33,320 Speaker 5: getting pretty stormy outside, it's getting pretty miserable weather. 425 00:20:33,800 --> 00:20:34,680 Speaker 2: They knock on the door. 426 00:20:34,800 --> 00:20:38,639 Speaker 5: Who opens a door? Hugh Grant in his glasses, lovely 427 00:20:38,760 --> 00:20:41,040 Speaker 5: looking old English gent and he says to them, oh, 428 00:20:41,119 --> 00:20:43,639 Speaker 5: I'm actually very interested to hear about the Book of Mormon. 429 00:20:44,200 --> 00:20:47,000 Speaker 5: Would you like to come in? And they're like, yeah, okay. 430 00:20:47,240 --> 00:20:49,600 Speaker 5: They think it's fantastic. I finally get to talk to 431 00:20:49,680 --> 00:20:52,320 Speaker 5: someone who might be receptive. In they come and I 432 00:20:52,400 --> 00:20:55,960 Speaker 5: didn't know this, but apparently young Mormon women who aren't 433 00:20:56,000 --> 00:20:58,879 Speaker 5: married can't be in a room with a man unless 434 00:20:58,880 --> 00:21:01,320 Speaker 5: there's another woman present, less as a married woman present. 435 00:21:01,520 --> 00:21:03,960 Speaker 5: And so they say to him, mister Reed, lovely to 436 00:21:04,000 --> 00:21:05,320 Speaker 5: meet you. We'd love to talk to you, but we 437 00:21:05,400 --> 00:21:07,840 Speaker 5: actually are not allowed to unless there's a married woman present, 438 00:21:07,920 --> 00:21:10,199 Speaker 5: and he goes, no worries. My wife is just elsewhere 439 00:21:10,240 --> 00:21:12,239 Speaker 5: in the house. She's baking a pie. So if you'd 440 00:21:12,280 --> 00:21:15,200 Speaker 5: like to stay, we'll have some pie and a refreshment 441 00:21:15,320 --> 00:21:17,960 Speaker 5: and we'll talk about God. And they go, oh, yeah, okay, 442 00:21:18,040 --> 00:21:21,880 Speaker 5: no worries. No worries. So no wife appears, and as 443 00:21:21,920 --> 00:21:24,320 Speaker 5: they get into this conversation, it turns out that mister 444 00:21:24,400 --> 00:21:27,640 Speaker 5: Reed was a former academic who studied theology, so he's 445 00:21:27,680 --> 00:21:31,120 Speaker 5: an expert in religion, and so he's really digging deep 446 00:21:31,160 --> 00:21:34,040 Speaker 5: into the whole concept and EO, okay, this. 447 00:21:34,040 --> 00:21:36,040 Speaker 2: Is quite This isn't a comedy. 448 00:21:36,240 --> 00:21:40,639 Speaker 5: It's definitely not comedy, although it is quite funny. 449 00:21:40,720 --> 00:21:42,040 Speaker 2: It is quite funny at times. 450 00:21:41,840 --> 00:21:46,280 Speaker 5: Because because because Hugh Grant is he starts to ask 451 00:21:46,480 --> 00:21:49,040 Speaker 5: more and more probing questions as he starts to kind 452 00:21:49,080 --> 00:21:53,480 Speaker 5: of attempt to unpack their faith, and he goes any 453 00:21:53,640 --> 00:21:54,439 Speaker 5: at one point he goes. 454 00:21:54,440 --> 00:21:57,000 Speaker 2: Look, you know, I really apologize, but I have to 455 00:21:57,119 --> 00:21:59,200 Speaker 2: ask an icky question. Is that okay? 456 00:21:59,280 --> 00:22:01,520 Speaker 5: It's I feel terrible doing it, but it is a 457 00:22:01,600 --> 00:22:04,320 Speaker 5: bit icky, and it's just classic sort of Hugh grand 458 00:22:04,480 --> 00:22:07,560 Speaker 5: English way, so polite. And they're like, oh no, that's okay, 459 00:22:07,600 --> 00:22:10,320 Speaker 5: mister Read. And he's like, where do you stand on polyamory? 460 00:22:11,280 --> 00:22:11,399 Speaker 2: Then? 461 00:22:11,480 --> 00:22:14,480 Speaker 5: And then he starts talking to them about Mormonism and 462 00:22:15,040 --> 00:22:19,040 Speaker 5: multiple wives and the origin of that, and they start 463 00:22:19,119 --> 00:22:22,040 Speaker 5: to get these girls, young girls get increasingly more uncomfortable. 464 00:22:22,200 --> 00:22:24,719 Speaker 5: They and they decide, I think it's time for us 465 00:22:24,760 --> 00:22:27,480 Speaker 5: to go. It's getting late. We'll make our leave. And 466 00:22:27,600 --> 00:22:29,879 Speaker 5: he's like, okay, no problems, I'll just go and you know, 467 00:22:30,000 --> 00:22:32,480 Speaker 5: I just go and get my wife. He doesn't come back. 468 00:22:32,600 --> 00:22:34,760 Speaker 5: He just disappears, and so then they think, okay, well, 469 00:22:35,400 --> 00:22:36,720 Speaker 5: let's get out of here. Let's just make a run 470 00:22:36,760 --> 00:22:38,080 Speaker 5: for it. They go to the front door. 471 00:22:38,200 --> 00:22:38,680 Speaker 2: It's locked. 472 00:22:39,240 --> 00:22:41,879 Speaker 5: There's no way of leaving the house. The windows are 473 00:22:41,920 --> 00:22:45,200 Speaker 5: all sealed. Get out of a tesla, yeah, exactly. So 474 00:22:45,280 --> 00:22:48,200 Speaker 5: they realized they realized pretty quickly that okay, we're actually 475 00:22:48,240 --> 00:22:51,280 Speaker 5: in trouble, like there's something else going on. So they 476 00:22:51,480 --> 00:22:53,679 Speaker 5: decide to explore through the house to see if they 477 00:22:53,680 --> 00:22:55,640 Speaker 5: can find the back door. Don't find the back door, 478 00:22:55,680 --> 00:22:58,440 Speaker 5: but they do find mister Reid, who's set up a 479 00:22:58,560 --> 00:23:01,040 Speaker 5: sort of a temple in his own house with an 480 00:23:01,080 --> 00:23:04,000 Speaker 5: altar in all of this religious iconography, and he gives 481 00:23:04,040 --> 00:23:05,800 Speaker 5: them a choice. This is within the first sort of 482 00:23:05,840 --> 00:23:08,040 Speaker 5: twenty minutes of the film. He gives them a choice 483 00:23:08,040 --> 00:23:12,399 Speaker 5: between two doors. One door, well, you know who knows 484 00:23:12,440 --> 00:23:14,280 Speaker 5: where that's going to go, and the other door is 485 00:23:14,359 --> 00:23:15,920 Speaker 5: going to go to the back door of the house. 486 00:23:16,119 --> 00:23:18,200 Speaker 5: You don't know which is which, but behind one of 487 00:23:18,240 --> 00:23:20,360 Speaker 5: them is going to be something, probably pretty bad. 488 00:23:21,200 --> 00:23:22,800 Speaker 2: And on each door he writes. 489 00:23:24,320 --> 00:23:27,080 Speaker 5: Exactly on one door he writes, you know, I believe 490 00:23:27,119 --> 00:23:28,879 Speaker 5: in God, and in the other door, he writes, I 491 00:23:28,960 --> 00:23:29,760 Speaker 5: don't believe in God. 492 00:23:30,080 --> 00:23:32,120 Speaker 2: And so he says pick. 493 00:23:31,560 --> 00:23:35,240 Speaker 5: Which one and so and so the moment and one 494 00:23:35,320 --> 00:23:37,760 Speaker 5: moment goes she's thinking, she's thinking, oh, well, he wants 495 00:23:37,800 --> 00:23:39,200 Speaker 5: us to admit that we don't believe in God, so 496 00:23:39,280 --> 00:23:41,080 Speaker 5: let's pick that one. And the other one says no, no, 497 00:23:41,240 --> 00:23:42,720 Speaker 5: this is a test. He wants to see if we 498 00:23:42,800 --> 00:23:45,800 Speaker 5: actually are true to our faith. And so then it 499 00:23:45,920 --> 00:23:48,440 Speaker 5: goes on from there, and then that's when it starts 500 00:23:48,520 --> 00:23:50,879 Speaker 5: to become a bit of a horror movie and you 501 00:23:51,000 --> 00:23:54,200 Speaker 5: realize that mister Reid Hugh Grant's character, you know, he's 502 00:23:54,240 --> 00:23:57,119 Speaker 5: got a lot of stuff going on, and he believes, 503 00:23:57,160 --> 00:24:00,119 Speaker 5: he believes that he's found the one true religion. And 504 00:24:00,200 --> 00:24:02,800 Speaker 5: so what you've got is a film is a really 505 00:24:03,000 --> 00:24:07,240 Speaker 5: fascinating take on religion and some and obviously the screenwriters 506 00:24:07,400 --> 00:24:09,280 Speaker 5: have done their research and they come up with some 507 00:24:09,400 --> 00:24:11,800 Speaker 5: really interesting points that you know that if you look 508 00:24:11,840 --> 00:24:14,520 Speaker 5: across all of a lot of major religions, that you 509 00:24:14,640 --> 00:24:18,520 Speaker 5: can find multiple religions where the savior or the god 510 00:24:18,640 --> 00:24:22,199 Speaker 5: figure was born on December twenty five and was an 511 00:24:22,240 --> 00:24:24,760 Speaker 5: immaculate conception, so all of these things in common, and 512 00:24:24,840 --> 00:24:25,040 Speaker 5: you go. 513 00:24:25,119 --> 00:24:26,280 Speaker 2: Well, that's a bit weird, isn't it. 514 00:24:26,640 --> 00:24:30,240 Speaker 5: Like it's a bit derivative, and that part of the 515 00:24:30,280 --> 00:24:32,960 Speaker 5: film is really really good, and where it kind of 516 00:24:33,040 --> 00:24:35,960 Speaker 5: comes unstuck is when it gets into the true horror stuff. 517 00:24:36,119 --> 00:24:38,399 Speaker 5: Like so many of these genre films, the build up 518 00:24:38,520 --> 00:24:40,720 Speaker 5: is so good, like they managed to create this sense 519 00:24:40,760 --> 00:24:42,520 Speaker 5: of dread and you're on the edge of your seat. 520 00:24:42,760 --> 00:24:44,720 Speaker 5: But then when it gets into the you know, kind 521 00:24:44,760 --> 00:24:49,000 Speaker 5: of like fairly standard genre horror tropes, you go, ah, well, 522 00:24:49,080 --> 00:24:53,440 Speaker 5: it gets a bit silly pretty quickly. But the performances 523 00:24:53,560 --> 00:24:58,440 Speaker 5: from Sophie Thatcher and oh I can't remember the Emily 524 00:24:58,480 --> 00:25:00,119 Speaker 5: East I think something like that. The two girls who 525 00:25:00,119 --> 00:25:02,679 Speaker 5: play the moments really really great. They're really great. Hugh 526 00:25:02,760 --> 00:25:05,760 Speaker 5: Grant though, oh this is amazing, Like he is so 527 00:25:05,960 --> 00:25:07,800 Speaker 5: good in this film. You would watch it just for him, 528 00:25:07,880 --> 00:25:10,280 Speaker 5: even if you weren't a horror fan. I think you'd 529 00:25:10,320 --> 00:25:12,800 Speaker 5: watch this just see a different side. You never watched 530 00:25:12,880 --> 00:25:16,080 Speaker 5: notting Hill again after you watch this film, he jumps down. 531 00:25:16,800 --> 00:25:19,920 Speaker 5: Oh yeah, so yeah, so there's This is one of 532 00:25:19,920 --> 00:25:22,240 Speaker 5: the most interesting horror films of the year. Even people 533 00:25:22,280 --> 00:25:23,480 Speaker 5: who aren't into the genre. 534 00:25:23,359 --> 00:25:23,920 Speaker 2: Give it a look. 535 00:25:24,480 --> 00:25:28,040 Speaker 3: How many definitely not love actually you give three and 536 00:25:28,119 --> 00:25:30,520 Speaker 3: a half three and a half okay, I like the 537 00:25:30,600 --> 00:25:31,000 Speaker 3: sound of this. 538 00:25:31,880 --> 00:25:36,520 Speaker 2: It's no weddings and lots of funerals. Very good. Well, 539 00:25:36,600 --> 00:25:37,560 Speaker 2: you know you have to go at that door. 540 00:25:37,840 --> 00:25:40,680 Speaker 1: One choice, you guys. 541 00:25:41,080 --> 00:25:43,200 Speaker 3: I just want to share something that's got a few 542 00:25:43,240 --> 00:25:47,000 Speaker 3: people all fired up before we go. You know, Woolworths 543 00:25:47,200 --> 00:25:50,600 Speaker 3: is not doing gingerbread men this year. It's doing non 544 00:25:50,680 --> 00:25:55,760 Speaker 3: binary gingerbread people. Not even kidding, And I just want 545 00:25:55,800 --> 00:25:57,879 Speaker 3: to share you with a couple of the social media 546 00:25:57,960 --> 00:26:01,680 Speaker 3: responses I've seen to this story because I I just 547 00:26:01,800 --> 00:26:06,359 Speaker 3: think that they sum it up beautifully. One person has said, 548 00:26:06,760 --> 00:26:09,880 Speaker 3: at some point soon, I'm just not going to care 549 00:26:10,119 --> 00:26:13,119 Speaker 3: about offending people. If you can't handle a biscuit with 550 00:26:13,320 --> 00:26:15,960 Speaker 3: man in the name, please grab a box of tissues 551 00:26:16,040 --> 00:26:19,840 Speaker 3: and retreat to your safe space. Another said I'm trying 552 00:26:20,359 --> 00:26:24,400 Speaker 3: really hard, but I'm too busy caring about my electricity 553 00:26:24,440 --> 00:26:27,440 Speaker 3: bill doubling in the last year to have energy left 554 00:26:27,520 --> 00:26:32,760 Speaker 3: over for gingerbread people metally, and another one said, Jesus Christ, 555 00:26:32,880 --> 00:26:35,680 Speaker 3: it's a biscuit vaguely shaped. 556 00:26:35,480 --> 00:26:39,240 Speaker 2: Like a human. Do we really need to make a 557 00:26:39,359 --> 00:26:43,000 Speaker 2: biscuit gender neutral so we don't offend people? 558 00:26:43,520 --> 00:26:44,600 Speaker 1: Is your head hurting right now? 559 00:26:44,800 --> 00:26:44,840 Speaker 2: No? 560 00:26:45,160 --> 00:26:49,159 Speaker 3: Well, I thank those three responders for their service. Is 561 00:26:49,359 --> 00:26:53,760 Speaker 3: that just sums it up beautifully. Choosey battles in life, people, 562 00:26:54,280 --> 00:26:55,320 Speaker 3: choose your battle. 563 00:26:55,560 --> 00:26:57,680 Speaker 1: I was having trouble with pronouns and working on donowns. 564 00:26:57,720 --> 00:26:58,320 Speaker 1: That's awful. 565 00:26:59,000 --> 00:27:01,879 Speaker 2: CLEASYSA ninety six Aven 566 00:27:03,600 --> 00:27:03,800 Speaker 7: Mh