1 00:00:00,120 --> 00:00:00,760 Speaker 1: It's fry Ya. 2 00:00:00,920 --> 00:00:04,480 Speaker 2: It's the jam Nation podcast with your podcast Pallerino's Jonesy 3 00:00:04,480 --> 00:00:05,560 Speaker 2: and Amanda Well. 4 00:00:05,600 --> 00:00:08,639 Speaker 3: Brendan Jones made the mistake of using the expression whetting 5 00:00:08,720 --> 00:00:11,360 Speaker 3: the baby's head has been invited to such an event. 6 00:00:11,800 --> 00:00:14,120 Speaker 3: All hell broke loose on the pub test this morning. 7 00:00:14,200 --> 00:00:17,400 Speaker 2: I also made the mistake of mentioning my ambition to 8 00:00:17,440 --> 00:00:19,040 Speaker 2: go on Home and Away, and you've just turned it 9 00:00:19,040 --> 00:00:20,360 Speaker 2: into a giant folly. 10 00:00:20,440 --> 00:00:23,200 Speaker 3: How dare you say that? I've worked really hard. Georgie 11 00:00:23,239 --> 00:00:26,439 Speaker 3: Parker Rue from Home and Awake came on our program today. 12 00:00:26,800 --> 00:00:29,479 Speaker 3: I wrote a script that two of you acted. She's 13 00:00:29,560 --> 00:00:32,479 Speaker 3: taking that audition back to the big Weeks, Brenda, I 14 00:00:32,520 --> 00:00:34,479 Speaker 3: can't do more for you, really. 15 00:00:34,720 --> 00:00:36,760 Speaker 2: Ian Thorpe as Well has had a bit of a pivot. 16 00:00:36,760 --> 00:00:40,239 Speaker 2: He's gone from swimming to cheffing on Master Chef celebrity 17 00:00:40,320 --> 00:00:41,320 Speaker 2: version of and. 18 00:00:41,320 --> 00:00:43,320 Speaker 3: The Week there was Jimbo's Jibber Jabba. 19 00:00:43,280 --> 00:00:45,480 Speaker 1: Enjoy our podcast. 20 00:00:47,880 --> 00:00:49,000 Speaker 3: Everybody online. 21 00:00:54,080 --> 00:00:57,160 Speaker 1: That a miracle of recording. We have so many requests. 22 00:00:56,640 --> 00:00:57,600 Speaker 4: For them to do it again. 23 00:00:57,720 --> 00:01:01,600 Speaker 1: Mistress Amanda's MS killer. Amanda doesn't work alone. 24 00:01:03,400 --> 00:01:05,760 Speaker 5: Friend is in a broom making the tools of the 25 00:01:05,840 --> 00:01:06,479 Speaker 5: train I've. 26 00:01:06,360 --> 00:01:09,800 Speaker 1: Heard them describe him as a drunken idiot. I've been 27 00:01:09,880 --> 00:01:11,199 Speaker 1: doing the legendary party. 28 00:01:11,360 --> 00:01:13,200 Speaker 6: Jonesy, Amanda the. 29 00:01:13,200 --> 00:01:15,479 Speaker 7: Actress, Congratulations, murder. 30 00:01:15,480 --> 00:01:18,080 Speaker 3: We're right now, Jersey and Amanda. 31 00:01:18,120 --> 00:01:19,160 Speaker 1: You're doing a great job. 32 00:01:20,360 --> 00:01:24,319 Speaker 7: Anyone that is Selkie Giant now the good radio. 33 00:01:24,560 --> 00:01:31,840 Speaker 2: Sorry, but it's a tang tongue twist set and Amanda's. 34 00:01:30,360 --> 00:01:34,520 Speaker 1: Shoot, Timy, we're on the air. Hello, Amanda, are you today? 35 00:01:34,760 --> 00:01:37,560 Speaker 3: I'm well and i'd like to know that what's this day? 36 00:01:37,640 --> 00:01:41,720 Speaker 3: The twenty second of October twenty twenty one. I've joined 37 00:01:41,720 --> 00:01:45,199 Speaker 3: the club. I've finally done what everyone else has done 38 00:01:45,319 --> 00:01:49,320 Speaker 3: the NRA. No, I bought it. Air fryer. 39 00:01:49,600 --> 00:01:50,680 Speaker 1: Ah, there you go. 40 00:01:50,840 --> 00:01:54,000 Speaker 3: Yeah, everyone I know and everyone on social media to 41 00:01:54,040 --> 00:01:57,560 Speaker 3: about air friers air Friers. I gave in and I 42 00:01:57,680 --> 00:02:00,200 Speaker 3: made this delicious chicken last night, or. 43 00:02:00,160 --> 00:02:01,840 Speaker 1: The Lord made the chicken. You cook the chicken. 44 00:02:01,920 --> 00:02:04,040 Speaker 3: Well, what I did is I soaked it overnighted in 45 00:02:04,080 --> 00:02:06,880 Speaker 3: buttermilk and then you sort of put it. I put 46 00:02:06,920 --> 00:02:10,080 Speaker 3: it in some flour that had chili and garlic, salt 47 00:02:10,080 --> 00:02:12,200 Speaker 3: and all this delicious stuff in it stuck in the air, 48 00:02:12,400 --> 00:02:13,959 Speaker 3: so it was a big merryland how long would I 49 00:02:14,000 --> 00:02:16,720 Speaker 3: put merryland piece of leg using fifteen minutes? 50 00:02:17,200 --> 00:02:18,480 Speaker 1: You got to cook that because often. 51 00:02:18,320 --> 00:02:20,639 Speaker 3: In the joint it doesn't cook properly. Well, I put 52 00:02:20,680 --> 00:02:24,800 Speaker 3: it in for fifteen minutes, turned it over for ten minutes. Done, fifteen, Yeah, 53 00:02:24,880 --> 00:02:27,480 Speaker 3: fifteen and ten. So what's that together? One hundred and 54 00:02:27,480 --> 00:02:30,560 Speaker 3: fifty eight hours? And it was so crispy and delicious, 55 00:02:30,760 --> 00:02:33,520 Speaker 3: and you know, it's a healthier way of frying. Having 56 00:02:33,560 --> 00:02:35,560 Speaker 3: said that, I normally try not to eat the skin, 57 00:02:35,600 --> 00:02:38,400 Speaker 3: but the skin was so delicious, a healthier version, but 58 00:02:38,440 --> 00:02:39,280 Speaker 3: I still like the skin. 59 00:02:40,240 --> 00:02:43,239 Speaker 1: I must say, how does your thermomex feel about this? 60 00:02:44,280 --> 00:02:49,359 Speaker 3: That's the thing I'm wondering, who gets primary bench space? 61 00:02:49,720 --> 00:02:52,400 Speaker 3: I feel a bit. I know the Thermo Mix will 62 00:02:52,440 --> 00:02:54,880 Speaker 3: be jealous, and I'm wondering how to break the news 63 00:02:54,919 --> 00:02:55,519 Speaker 3: to the therm. 64 00:02:55,800 --> 00:02:59,679 Speaker 2: When you got the Thermomx, you talked incessantly. I still 65 00:02:59,720 --> 00:03:04,079 Speaker 2: love ther talked incessantly about it so often that you 66 00:03:04,120 --> 00:03:06,240 Speaker 2: would talk about it. I set up a hidden recording, 67 00:03:06,480 --> 00:03:09,800 Speaker 2: remember that way they used to bang on about the Thermomix. 68 00:03:11,960 --> 00:03:16,560 Speaker 3: Of my Thermo mix. The visual sauce was perfect consistency. 69 00:03:16,639 --> 00:03:19,680 Speaker 4: I was so pleased with myself that's a happy face 70 00:03:19,720 --> 00:03:24,240 Speaker 4: for themoments talk mix the cake fatter instantly, and then 71 00:03:24,280 --> 00:03:25,760 Speaker 4: I just put it at the end of giant block 72 00:03:25,800 --> 00:03:30,320 Speaker 4: of palms and grated nice met I. 73 00:03:30,280 --> 00:03:34,120 Speaker 2: Never got a free one paid extra, that's right. 74 00:03:34,160 --> 00:03:35,200 Speaker 3: And for my air fry. 75 00:03:35,160 --> 00:03:36,400 Speaker 1: So now you've got the air fryer. 76 00:03:36,880 --> 00:03:40,320 Speaker 3: Well it's not. You've got three children. You learn to 77 00:03:40,480 --> 00:03:42,280 Speaker 3: love everyone a little bit more? 78 00:03:42,800 --> 00:03:43,000 Speaker 8: You know? 79 00:03:43,240 --> 00:03:45,040 Speaker 3: Did you find that when you were about to have 80 00:03:45,080 --> 00:03:47,560 Speaker 3: your second child? I found this. I thought, how can 81 00:03:47,600 --> 00:03:50,560 Speaker 3: I love another the same way? Even when our first dog, 82 00:03:50,640 --> 00:03:52,840 Speaker 3: Ripley died, I thought, how can I love another? But 83 00:03:52,880 --> 00:03:56,120 Speaker 3: your heart expands. I can now love my Thermo mix 84 00:03:56,320 --> 00:03:57,520 Speaker 3: and my air fry So. 85 00:03:57,520 --> 00:03:59,960 Speaker 2: All your appliances, you can love some more than I'll 86 00:04:00,240 --> 00:04:01,200 Speaker 2: But we don't talk about that. 87 00:04:01,480 --> 00:04:04,880 Speaker 3: There's always this little favorite child, isn't there? No, there's not, 88 00:04:04,960 --> 00:04:05,280 Speaker 3: there's not. 89 00:04:06,200 --> 00:04:11,120 Speaker 1: This isn't the one in the bed mix is a 90 00:04:11,160 --> 00:04:13,280 Speaker 1: nice cot that's coming back for more. 91 00:04:17,200 --> 00:04:18,560 Speaker 3: Okay, that's enough. 92 00:04:18,680 --> 00:04:21,240 Speaker 2: That's enough of that. Let's get the show underway. There's 93 00:04:21,320 --> 00:04:23,599 Speaker 2: action packed stuff coming on the show today. 94 00:04:24,279 --> 00:04:24,760 Speaker 1: He's going to be. 95 00:04:24,800 --> 00:04:27,360 Speaker 3: Joining us, Ian Thorpe is joining us, and Brendan. 96 00:04:27,040 --> 00:04:28,280 Speaker 1: He's nailing Mastership. 97 00:04:28,480 --> 00:04:32,320 Speaker 3: One of the big big wigs of Home and Away 98 00:04:33,000 --> 00:04:36,880 Speaker 3: is coming in here today for what for your audition? 99 00:04:37,080 --> 00:04:37,200 Speaker 8: What? 100 00:04:37,240 --> 00:04:40,480 Speaker 3: I've written a script you will be running. 101 00:04:40,680 --> 00:04:43,480 Speaker 1: Prepare No, you know I don't audition. Well, I'm not 102 00:04:43,520 --> 00:04:44,200 Speaker 1: a good audition. 103 00:04:44,440 --> 00:04:48,080 Speaker 3: That changes today. I'm going to get this for you. 104 00:04:48,120 --> 00:04:51,599 Speaker 3: Don't be anxious. I've written a brilliant script. A lot 105 00:04:51,600 --> 00:04:53,680 Speaker 3: to look forward to today, Brendan. But it all starts 106 00:04:53,680 --> 00:04:56,960 Speaker 3: with a magnificent seven. Question one in relation to shopping? 107 00:04:56,960 --> 00:04:58,599 Speaker 3: What does DFO stand for? 108 00:05:01,279 --> 00:05:01,880 Speaker 1: Podcast? 109 00:05:02,080 --> 00:05:04,680 Speaker 2: The Magnificent seven begins here. There are seven questions. Can 110 00:05:04,839 --> 00:05:06,920 Speaker 2: go all the way and answer all seven questions correctly? 111 00:05:06,960 --> 00:05:08,640 Speaker 2: If you do that, amand will say, got on? 112 00:05:08,920 --> 00:05:09,400 Speaker 3: Isn't that? 113 00:05:09,640 --> 00:05:12,039 Speaker 1: But it's about any questions? Seven? Right, Kathleen is in. 114 00:05:12,080 --> 00:05:15,120 Speaker 3: Milk PERI Hi, Kathleen Hill? 115 00:05:15,200 --> 00:05:15,880 Speaker 1: Are you? 116 00:05:17,560 --> 00:05:20,640 Speaker 3: In relation to shopping? What does DFO stand for? 117 00:05:22,120 --> 00:05:22,480 Speaker 9: Direct? 118 00:05:22,560 --> 00:05:23,920 Speaker 5: Fact? Try again? 119 00:05:24,000 --> 00:05:25,279 Speaker 10: Direct factory outlet. 120 00:05:25,320 --> 00:05:27,120 Speaker 2: That's the one I go past one every day. I 121 00:05:27,160 --> 00:05:29,640 Speaker 2: went there once and I didn't go in. 122 00:05:29,720 --> 00:05:31,919 Speaker 3: It just looked looked you went there and didn't go in. 123 00:05:32,000 --> 00:05:33,359 Speaker 1: I went and I was going to buy some stuff, 124 00:05:33,360 --> 00:05:34,760 Speaker 1: and I went I can't do it. 125 00:05:35,040 --> 00:05:36,880 Speaker 3: No worse conversation Etho. 126 00:05:36,839 --> 00:05:39,000 Speaker 2: Was worse than that it was before the pandemic. But 127 00:05:39,120 --> 00:05:41,000 Speaker 2: maybe now that it's open, I might go and then 128 00:05:41,000 --> 00:05:45,119 Speaker 2: buy some goods. Why don't you which Sarah Sasha Baron 129 00:05:45,200 --> 00:05:48,719 Speaker 2: cohen comedy character made the man Keeny famous? 130 00:05:48,800 --> 00:05:52,359 Speaker 1: Kathleen Borah, it was this guy. 131 00:05:54,000 --> 00:05:58,839 Speaker 3: That's him trying to play lyrical assassin, Kathleen. I still 132 00:05:58,839 --> 00:06:00,960 Speaker 3: don't understand. Is is this one where you read out 133 00:06:01,040 --> 00:06:02,960 Speaker 3: lyrics Brendan something? 134 00:06:03,120 --> 00:06:05,520 Speaker 1: No, I quote the lyrics to a song and then 135 00:06:05,560 --> 00:06:07,440 Speaker 1: you have to work out where those lyrics are from. 136 00:06:07,480 --> 00:06:10,120 Speaker 1: All right, here we go, Monkey's in the jungle know 137 00:06:10,200 --> 00:06:10,800 Speaker 1: how to do this? 138 00:06:11,080 --> 00:06:11,719 Speaker 3: Is that the lyric? 139 00:06:12,080 --> 00:06:15,640 Speaker 2: No, I've fallen in love, Kathleen, I've fallen in love 140 00:06:15,680 --> 00:06:18,160 Speaker 2: for the first time, and this time I know it's 141 00:06:18,200 --> 00:06:18,719 Speaker 2: for real. 142 00:06:21,720 --> 00:06:24,720 Speaker 3: Oh damn, I do know that your name is not 143 00:06:24,800 --> 00:06:27,320 Speaker 3: the original songs. 144 00:06:28,040 --> 00:06:30,640 Speaker 1: To the point of it, you're ruining it. I've fallen 145 00:06:30,680 --> 00:06:31,040 Speaker 1: in love. 146 00:06:31,480 --> 00:06:33,520 Speaker 2: I've fallen in love for the first time, and this 147 00:06:33,640 --> 00:06:35,680 Speaker 2: time I know it's for real. 148 00:06:36,160 --> 00:06:36,680 Speaker 1: Kathleen. 149 00:06:38,520 --> 00:06:41,000 Speaker 5: Oh, that's so much on my tongue and I can't 150 00:06:41,040 --> 00:06:41,840 Speaker 5: think of what it is. 151 00:06:45,200 --> 00:06:45,840 Speaker 7: I don't know. 152 00:06:47,440 --> 00:06:50,240 Speaker 3: I just realized that that lyric makes no sense. It 153 00:06:50,240 --> 00:06:53,800 Speaker 3: should be. I've fallen in love before, but this time 154 00:06:53,880 --> 00:06:55,720 Speaker 3: I know it's for real. Because if you're falling in 155 00:06:55,760 --> 00:06:57,800 Speaker 3: love for the first time, this time I know it's 156 00:06:57,800 --> 00:07:00,320 Speaker 3: for real. That actually makes no sense. Sure, so I 157 00:07:00,360 --> 00:07:00,960 Speaker 3: take that up with. 158 00:07:01,480 --> 00:07:03,960 Speaker 1: The band if you want to, if you want to 159 00:07:03,960 --> 00:07:06,839 Speaker 1: go and talk to the chaps. There's not many left, 160 00:07:07,279 --> 00:07:07,760 Speaker 1: but I'm. 161 00:07:07,680 --> 00:07:11,600 Speaker 2: Sure they're all left bar one, Oh yeah, yeah, because 162 00:07:11,600 --> 00:07:13,080 Speaker 2: old mate he retired. 163 00:07:12,680 --> 00:07:15,040 Speaker 1: Didn't he? Well he left. 164 00:07:15,040 --> 00:07:15,360 Speaker 8: You know. 165 00:07:16,800 --> 00:07:18,160 Speaker 3: What is that song. 166 00:07:20,000 --> 00:07:21,920 Speaker 1: The Magnificent seven? We're a Question three. 167 00:07:22,480 --> 00:07:26,120 Speaker 3: It's going to make Dealina and Cherrybrook. Good morning, Good morning, 168 00:07:26,520 --> 00:07:31,840 Speaker 3: lyrical assassin. Here's a lyric that Jones is quoting and 169 00:07:31,880 --> 00:07:33,000 Speaker 3: got to tell us what the song is. 170 00:07:33,120 --> 00:07:35,400 Speaker 2: I've fallen in love for the first time, and this 171 00:07:35,480 --> 00:07:36,560 Speaker 2: time I know it's for real. 172 00:07:36,760 --> 00:07:38,239 Speaker 1: Magdalena, what's the song? 173 00:07:39,720 --> 00:07:42,560 Speaker 5: I Want to be three by Queen most Enough. 174 00:07:42,560 --> 00:07:43,640 Speaker 3: I want to break free. 175 00:07:43,440 --> 00:07:48,880 Speaker 2: Here, I want to break for Magdalena. 176 00:07:49,320 --> 00:07:52,160 Speaker 1: We're running out of time to see We'll give it 177 00:07:52,200 --> 00:07:52,400 Speaker 1: to you. 178 00:07:52,720 --> 00:07:55,480 Speaker 3: Question four. This is multiple choice. Which famous swimmer was 179 00:07:55,520 --> 00:07:59,920 Speaker 3: once allergic to chlorine a in Thorpe b Emma McKeon 180 00:08:00,200 --> 00:08:01,600 Speaker 3: or see Grand Hackett. 181 00:08:03,920 --> 00:08:07,840 Speaker 9: No idea I'll go with the see Grant Hackett. 182 00:08:07,920 --> 00:08:09,720 Speaker 3: No, I'm sorry. 183 00:08:09,800 --> 00:08:11,320 Speaker 1: Lewis is in guy Mia. 184 00:08:11,440 --> 00:08:15,560 Speaker 3: Hi Lewis? Are you a Lewis or a Louis? 185 00:08:16,280 --> 00:08:18,640 Speaker 1: I'm all b Lewis, all right, Yeah, I picked that 186 00:08:18,760 --> 00:08:19,080 Speaker 1: you did. 187 00:08:19,120 --> 00:08:21,480 Speaker 3: Which famous swimmer was once allergic to chlaorine? Was it 188 00:08:21,480 --> 00:08:26,160 Speaker 3: I in Thorpe or Emma McKeon. No, it's. 189 00:08:27,640 --> 00:08:28,800 Speaker 1: Richard's in Bourgham Hills. 190 00:08:28,880 --> 00:08:35,200 Speaker 3: Hi, Richard, good morning. You guys are very well. If 191 00:08:35,200 --> 00:08:37,679 Speaker 3: you've been paying attention, you'll know which famous swimmer was 192 00:08:37,720 --> 00:08:40,280 Speaker 3: allergic to chlorine once? Was it Ian Thorpe, Emma McKeon 193 00:08:40,360 --> 00:08:41,079 Speaker 3: or Grant Hackett? 194 00:08:42,240 --> 00:08:44,920 Speaker 1: Look Thorpe. 195 00:08:44,920 --> 00:08:45,959 Speaker 3: He's on the show today. 196 00:08:46,280 --> 00:08:49,400 Speaker 2: In Scooby Doo, which character is the longtime best friend 197 00:08:49,440 --> 00:08:50,800 Speaker 2: of Scooby Doo. 198 00:08:54,520 --> 00:08:56,160 Speaker 9: Shaggy Shaggy? 199 00:08:56,400 --> 00:09:00,880 Speaker 2: Fun fact, Shaggy is turning fifty three today. Say Scooby Doo, 200 00:09:01,120 --> 00:09:02,599 Speaker 2: Shaggy is in this shag. 201 00:09:05,880 --> 00:09:07,600 Speaker 3: What's on the counter. 202 00:09:10,960 --> 00:09:12,600 Speaker 1: When I put it to you, Shaggy, it was you 203 00:09:12,960 --> 00:09:13,800 Speaker 1: she caught you doing. 204 00:09:14,920 --> 00:09:16,800 Speaker 2: Let's not put this to a court of law in 205 00:09:16,920 --> 00:09:18,760 Speaker 2: flagrante going nice? 206 00:09:20,000 --> 00:09:23,120 Speaker 3: Question six? Which small New South Wales town ran a 207 00:09:23,160 --> 00:09:30,839 Speaker 3: campaign asking Chris Hemsworth to become its ambassador. Well is 208 00:09:30,880 --> 00:09:34,520 Speaker 3: in the central west of New South Wales. It's got 209 00:09:36,120 --> 00:09:38,720 Speaker 3: There was a breakout there post war. 210 00:09:41,160 --> 00:09:42,040 Speaker 1: That's the workout. 211 00:09:42,360 --> 00:09:44,439 Speaker 3: And he posted a video this as Chris hems were 212 00:09:44,480 --> 00:09:46,320 Speaker 3: saying big love to all the folks in Cara for 213 00:09:46,360 --> 00:09:49,000 Speaker 3: this amazing campaign. It warmed my heart and made me smile. 214 00:09:49,400 --> 00:09:52,679 Speaker 3: I'm shooting a film overseas soon, but upon return next year, 215 00:09:52,720 --> 00:09:53,760 Speaker 3: I'm coming in hot. 216 00:09:54,760 --> 00:09:57,120 Speaker 2: Although I just noticed in the paper today he's got 217 00:09:57,120 --> 00:09:59,560 Speaker 2: his cousin a spot in Home and Away brilliant. 218 00:09:59,760 --> 00:10:04,280 Speaker 1: Well hang on them. Yeah, I understand it's flesh and blood, 219 00:10:04,280 --> 00:10:05,880 Speaker 1: but surely he could throw me. 220 00:10:06,040 --> 00:10:08,959 Speaker 2: I feel that I don't want to compromise our relationship 221 00:10:08,960 --> 00:10:09,640 Speaker 2: by asking him. 222 00:10:09,640 --> 00:10:11,440 Speaker 1: So, Brenda Cash, you're. 223 00:10:11,360 --> 00:10:15,160 Speaker 3: Wondering that man has Chris Hemsworth in his corner because 224 00:10:15,160 --> 00:10:17,800 Speaker 3: that's his cousin. You've got me in your corner. I've 225 00:10:17,840 --> 00:10:19,560 Speaker 3: got a big star from Home and Away coming in 226 00:10:19,559 --> 00:10:20,679 Speaker 3: today and you're going to audition. 227 00:10:21,280 --> 00:10:23,200 Speaker 1: Yeah, I can relation as well. You know that. 228 00:10:23,240 --> 00:10:26,800 Speaker 3: Well, there's a bit you've got to do. Question seven 229 00:10:26,880 --> 00:10:29,400 Speaker 3: for you, Richard, Here we go, Richard. The New Southwest 230 00:10:29,400 --> 00:10:32,800 Speaker 3: government is giving two hundred and fifty dollars vouchers to 231 00:10:32,960 --> 00:10:41,160 Speaker 3: who to say thank you? 232 00:10:41,200 --> 00:10:41,400 Speaker 8: No. 233 00:10:41,600 --> 00:10:45,920 Speaker 3: Sorry, So this is a part. 234 00:10:45,760 --> 00:10:47,400 Speaker 1: Of thank you. It's a thank you on the front 235 00:10:47,440 --> 00:10:47,840 Speaker 1: page of the. 236 00:10:48,240 --> 00:10:50,640 Speaker 3: Group of people. You may be one of them yourself, 237 00:10:50,679 --> 00:10:53,080 Speaker 3: who's had to do something you don't normally have to do. 238 00:10:53,360 --> 00:10:55,559 Speaker 3: Eric is infilm here, Hi, Eric, Do you know who's 239 00:10:55,559 --> 00:10:56,319 Speaker 3: getting the voucher? 240 00:10:57,880 --> 00:10:58,920 Speaker 10: Who's getting it all? 241 00:10:59,400 --> 00:10:59,559 Speaker 7: No? 242 00:10:59,640 --> 00:11:02,000 Speaker 3: The gun. It's giving a two hundred fifty dollars voucher 243 00:11:02,559 --> 00:11:06,520 Speaker 3: to who to say thank you? A particular group, as 244 00:11:06,559 --> 00:11:07,640 Speaker 3: I said, it may be you. 245 00:11:07,760 --> 00:11:08,760 Speaker 1: Do you have kids, Erica? 246 00:11:10,360 --> 00:11:10,560 Speaker 7: Yeah? 247 00:11:10,679 --> 00:11:11,960 Speaker 3: Are they in school age? 248 00:11:12,840 --> 00:11:13,480 Speaker 5: No? 249 00:11:13,880 --> 00:11:15,640 Speaker 3: So you're not going to get We're not going to 250 00:11:15,640 --> 00:11:17,840 Speaker 3: get it. In my mind, I've still got an HSC studio. 251 00:11:18,559 --> 00:11:20,520 Speaker 3: I might get a two and fifty dollars. So what 252 00:11:20,559 --> 00:11:22,679 Speaker 3: group of people have had to go above and beyond 253 00:11:22,720 --> 00:11:24,000 Speaker 3: in the government saying well done? 254 00:11:25,640 --> 00:11:27,000 Speaker 10: I don't know, get your kids back? 255 00:11:29,920 --> 00:11:30,120 Speaker 3: No? 256 00:11:30,120 --> 00:11:32,560 Speaker 2: No, I would just say so, Erica, you are a 257 00:11:32,640 --> 00:11:35,520 Speaker 2: parent and you have children, and if. 258 00:11:35,320 --> 00:11:37,880 Speaker 1: That child was at school, what would you have. 259 00:11:37,880 --> 00:11:42,679 Speaker 3: What would you be having to do during this lockdown period? Oh, 260 00:11:43,520 --> 00:11:45,560 Speaker 3: parents who've had to homeschool are going to get two 261 00:11:45,600 --> 00:11:46,360 Speaker 3: hundred and fifty dollars. 262 00:11:46,360 --> 00:11:52,240 Speaker 2: Ouchers, Yay, you some sort of genius Erica Congratulations. You 263 00:11:52,280 --> 00:11:55,520 Speaker 2: want the morning, No, you won't. The jam pack It's 264 00:11:55,520 --> 00:11:57,640 Speaker 2: all coming your way. One hundred and fifty dollars. Enzo's 265 00:11:57,679 --> 00:12:01,440 Speaker 2: Kaccino Voucher, Enzo's Kachina, You're local. One hundred and sixty dollars. 266 00:12:01,480 --> 00:12:03,760 Speaker 2: Fancy Lash about your beauty in the blink of an 267 00:12:03,760 --> 00:12:07,680 Speaker 2: eye from the lash experts, Fancy Lash and Joe Ginomatic Carriage, Jewice, 268 00:12:07,679 --> 00:12:09,040 Speaker 2: Feed the Color, and some standard pencils. 269 00:12:09,080 --> 00:12:10,560 Speaker 1: Ergant. Is there anything you would like to add? 270 00:12:12,360 --> 00:12:15,480 Speaker 10: No, but I tried to ring up a couple of 271 00:12:15,520 --> 00:12:18,640 Speaker 10: weeks ago when you were talking about people cleeping naked 272 00:12:18,679 --> 00:12:21,960 Speaker 10: in bed, and I wanted to get through because I 273 00:12:21,960 --> 00:12:24,240 Speaker 10: wanted to tell you about my husband, because every time 274 00:12:24,960 --> 00:12:28,120 Speaker 10: I sleep naked, he turns into a freaking octople. 275 00:12:28,559 --> 00:12:28,800 Speaker 11: Yeah. 276 00:12:29,400 --> 00:12:32,040 Speaker 10: I get post and probe wherever I shouldn't be. 277 00:12:32,240 --> 00:12:33,280 Speaker 1: Yeah, and that's what happened. 278 00:12:33,360 --> 00:12:35,280 Speaker 3: So is that why you go to bed fully clothed? 279 00:12:35,679 --> 00:12:40,080 Speaker 1: I do? When you when you sleep in the nude, 280 00:12:40,120 --> 00:12:43,360 Speaker 1: it's a signal. It's a sign. Not always, it's not 281 00:12:43,520 --> 00:12:44,600 Speaker 1: everyone in the neighborhood. 282 00:12:45,160 --> 00:12:46,920 Speaker 3: A beacon goes up above the house. 283 00:12:50,280 --> 00:12:58,960 Speaker 1: So it's just a sid thank you. I'm very nervous 284 00:12:59,000 --> 00:13:02,400 Speaker 1: about today. I don't the octopus goes over the octopus. 285 00:13:02,720 --> 00:13:07,200 Speaker 3: There, don't be nervous, Brendan. A big week from home 286 00:13:07,240 --> 00:13:10,320 Speaker 3: and away is coming in. You're safe in my hands. 287 00:13:10,360 --> 00:13:12,240 Speaker 3: I've written a script for you. It's going to be. 288 00:13:12,200 --> 00:13:13,240 Speaker 1: Great thought of. 289 00:13:13,280 --> 00:13:15,080 Speaker 2: You'll be joining us in the five K Fast five 290 00:13:15,120 --> 00:13:16,920 Speaker 2: makes us return Jonesy. 291 00:13:16,520 --> 00:13:24,079 Speaker 9: And Amanda Jam podcast, and we are. 292 00:13:23,880 --> 00:13:27,400 Speaker 3: Up and running through a gentleman like our big book 293 00:13:27,440 --> 00:13:30,920 Speaker 3: of musical facts. On this day in nineteen ninety, a 294 00:13:31,000 --> 00:13:35,480 Speaker 3: band named Mookie Blaylock played their first ever concert in Seattle. 295 00:13:35,720 --> 00:13:38,280 Speaker 1: Mookie Blaylock, you remember them, Mookie Blaylock. 296 00:13:38,440 --> 00:13:39,199 Speaker 3: No you don't remember that? 297 00:13:39,400 --> 00:13:41,120 Speaker 1: Of course I do. I know who Mookie Blaylock is. 298 00:13:41,280 --> 00:13:43,400 Speaker 3: No you don't, I do well. They changed their name 299 00:13:43,520 --> 00:13:45,920 Speaker 3: to Pearl Jam. See I knew that the original Pearl 300 00:13:46,000 --> 00:13:49,199 Speaker 3: Jram drummer Dave Krusen later admitted on that the band 301 00:13:49,200 --> 00:13:51,280 Speaker 3: only did the gig to trial some songs that they 302 00:13:51,280 --> 00:13:53,960 Speaker 3: were working on. Turns out most of the set would 303 00:13:54,000 --> 00:13:56,520 Speaker 3: later be heard on their debut album ten, including the 304 00:13:56,559 --> 00:14:01,439 Speaker 3: track Alive. This song Alive spent six weeks on Billboard 305 00:14:01,760 --> 00:14:06,240 Speaker 3: without ever entering the top the Hot one hundred, and 306 00:14:06,360 --> 00:14:09,360 Speaker 3: the music video caused a problem lots of stage diving 307 00:14:09,400 --> 00:14:11,439 Speaker 3: in the clip, which then the fans would take it 308 00:14:11,520 --> 00:14:15,120 Speaker 3: upon themselves to follow suit. Eddie Vedder even admitted it 309 00:14:15,160 --> 00:14:17,200 Speaker 3: was like a training video for how to jump into 310 00:14:17,200 --> 00:14:19,880 Speaker 3: a crowd. Eddie said the crowd surfing got out of 311 00:14:19,880 --> 00:14:23,320 Speaker 3: control quickly thanks to quote guys that were way too 312 00:14:23,360 --> 00:14:26,920 Speaker 3: big to have any business landing on people started causing injuries. 313 00:14:27,120 --> 00:14:30,920 Speaker 3: Others started to put spikes on their shoes to do it. 314 00:14:31,000 --> 00:14:34,280 Speaker 3: So surprise anyone left a Pearl Jam concert alive? 315 00:14:34,920 --> 00:14:35,720 Speaker 1: Sorry you did there? 316 00:14:35,800 --> 00:14:37,720 Speaker 7: Thank you, Jumas. 317 00:14:37,880 --> 00:14:42,920 Speaker 1: Oh look someone's at the door. Hell I doing patrollers? 318 00:14:43,000 --> 00:14:45,040 Speaker 3: Well, look who it is. It's Cashy. 319 00:14:45,440 --> 00:14:47,880 Speaker 2: Hey you going house things. It's all great over at 320 00:14:47,920 --> 00:14:52,440 Speaker 2: the Sunrise Family. You know you're always welcome on the couch, Amanda. 321 00:14:52,200 --> 00:14:52,760 Speaker 3: Thank you? 322 00:14:53,240 --> 00:14:57,240 Speaker 1: Well, what about me? Anyway? 323 00:14:57,480 --> 00:14:59,520 Speaker 3: It must be hard reading about all the money that 324 00:14:59,600 --> 00:15:02,200 Speaker 3: was banned on the Today Show all those years. How 325 00:15:02,240 --> 00:15:03,200 Speaker 3: does that make you feel? 326 00:15:03,280 --> 00:15:05,520 Speaker 2: It doesn't bother the old cosh dog. I've got a 327 00:15:05,560 --> 00:15:08,240 Speaker 2: healthy little nest egg. I do this for free, you know, 328 00:15:08,480 --> 00:15:10,920 Speaker 2: and I always live a midas life. I drive an 329 00:15:10,920 --> 00:15:14,160 Speaker 2: old car. We only have chops once a week. I said, Lib, 330 00:15:14,400 --> 00:15:17,640 Speaker 2: get the fatty chops, Lib, not those fancy ones from 331 00:15:17,680 --> 00:15:18,880 Speaker 2: the fancy butcher. 332 00:15:19,200 --> 00:15:20,880 Speaker 1: Anyway, take this piece of paper. 333 00:15:21,640 --> 00:15:23,280 Speaker 2: By the way, if you've got two bucks for the 334 00:15:23,360 --> 00:15:25,920 Speaker 2: chip machine, there's a pack of burger rings with my 335 00:15:26,160 --> 00:15:28,520 Speaker 2: name on it. 336 00:15:28,640 --> 00:15:30,200 Speaker 3: He sounds a lot like you, doesn't he? 337 00:15:30,880 --> 00:15:33,480 Speaker 1: Where does gosh? You stop? And I begin? I can 338 00:15:33,600 --> 00:15:35,200 Speaker 1: see management rights. 339 00:15:35,320 --> 00:15:38,600 Speaker 2: We're still airing out the officers after the Durian incident 340 00:15:38,600 --> 00:15:41,040 Speaker 2: this week are great, so I get blame for this 341 00:15:41,160 --> 00:15:41,600 Speaker 2: is your right. 342 00:15:41,880 --> 00:15:44,440 Speaker 3: It's a stinky fruit, and I've always been fascinated to 343 00:15:44,440 --> 00:15:46,440 Speaker 3: know what it smelt and taste like it did stink 344 00:15:46,480 --> 00:15:47,160 Speaker 3: out the officers. 345 00:15:47,200 --> 00:15:49,840 Speaker 2: Today's five v your flashback songs about fruit play well? 346 00:15:49,840 --> 00:15:51,480 Speaker 2: The management songs about fruit? 347 00:15:51,680 --> 00:15:56,600 Speaker 3: Yeah, it doesn't songs about stink songs about fruit Yeah. 348 00:15:58,680 --> 00:16:00,760 Speaker 3: Podcast start. 349 00:16:03,040 --> 00:16:08,080 Speaker 1: Of Lady Jonesy and Amanda's Fiveday Fast five. How much 350 00:16:08,120 --> 00:16:08,920 Speaker 1: are you in our heads? 351 00:16:08,920 --> 00:16:11,160 Speaker 2: Can you match our fast five to five things that 352 00:16:11,280 --> 00:16:13,360 Speaker 2: relate to one random category? All you got to do 353 00:16:13,440 --> 00:16:16,200 Speaker 2: is match your answers with ours, and you win the cash. 354 00:16:16,280 --> 00:16:18,400 Speaker 2: You get one hundred dollars for every single match you 355 00:16:18,440 --> 00:16:21,040 Speaker 2: get all five, you get five thousand dollars. 356 00:16:21,400 --> 00:16:24,040 Speaker 1: Susan is in men. I hello, Susan and Susan. 357 00:16:25,240 --> 00:16:29,040 Speaker 3: Hello, how are you very well today? I'd love to 358 00:16:29,080 --> 00:16:30,760 Speaker 3: give you five thousand dollars today. 359 00:16:31,800 --> 00:16:32,600 Speaker 5: I know you would. 360 00:16:32,600 --> 00:16:34,200 Speaker 9: You're such a lovely lady. 361 00:16:34,040 --> 00:16:36,400 Speaker 3: Aren't you lovely? Let's hope you're still saying that when 362 00:16:36,400 --> 00:16:37,320 Speaker 3: we finish this game. 363 00:16:37,400 --> 00:16:38,920 Speaker 1: Do you think you're in Amanda's head? 364 00:16:39,000 --> 00:16:39,560 Speaker 3: I hope so. 365 00:16:40,760 --> 00:16:43,480 Speaker 5: I hope so, because my head is a bit nutty. 366 00:16:43,680 --> 00:16:46,880 Speaker 1: So let's see. Well that makes two of us you're 367 00:16:46,920 --> 00:16:47,520 Speaker 1: in cahoots. 368 00:16:48,120 --> 00:16:52,840 Speaker 2: Today's category Stage musicals, go, Susan. 369 00:16:53,040 --> 00:16:53,800 Speaker 1: Yeah, what have you got? 370 00:16:53,800 --> 00:16:56,320 Speaker 3: Susan? I've got. 371 00:16:57,760 --> 00:17:01,360 Speaker 10: Great Yeah? 372 00:17:01,560 --> 00:17:03,600 Speaker 3: Keep going, Oh, keep going. 373 00:17:04,320 --> 00:17:08,280 Speaker 5: High school musical. Yes, I've got queen. 374 00:17:09,080 --> 00:17:11,240 Speaker 10: Ye, I've got cats. 375 00:17:12,240 --> 00:17:14,840 Speaker 5: And the last one was. 376 00:17:17,640 --> 00:17:18,520 Speaker 10: Sound of Music. 377 00:17:18,720 --> 00:17:20,800 Speaker 1: Okay, are you sure about that, Susan? 378 00:17:22,440 --> 00:17:25,320 Speaker 3: You sound a bit hesitant. You're trying to remember what 379 00:17:25,359 --> 00:17:27,960 Speaker 3: you've got. Well, I've written down my find in stage musical. 380 00:17:28,040 --> 00:17:31,679 Speaker 2: Let's see it matches. Susan, did you do you like cats? 381 00:17:33,040 --> 00:17:35,920 Speaker 2: Contrary to what she says, Amanda likes cats as well. 382 00:17:36,320 --> 00:17:41,679 Speaker 3: I had cats, So the good start one hundred dollars 383 00:17:41,840 --> 00:17:42,439 Speaker 3: and Susan. 384 00:17:42,560 --> 00:17:44,200 Speaker 1: Okay, that's where it finished. 385 00:17:45,119 --> 00:17:48,439 Speaker 3: I feel like you went TV like movie musicals. I 386 00:17:48,480 --> 00:17:49,960 Speaker 3: went stage musical. 387 00:17:49,720 --> 00:17:50,440 Speaker 1: Sound music. 388 00:17:50,440 --> 00:17:53,160 Speaker 2: Amanda said, wicked do You said Greece. Manda said, Book 389 00:17:53,160 --> 00:17:56,359 Speaker 2: of Mormon. You said Queen Mama Mia. 390 00:17:56,640 --> 00:17:57,480 Speaker 3: I had Mama Mia. 391 00:17:57,600 --> 00:18:00,680 Speaker 2: You said high school musical. Amanda said, hamill on, Hamilton's 392 00:18:00,920 --> 00:18:04,040 Speaker 2: playing right now. You've got to go and see Susan. Susan, 393 00:18:05,160 --> 00:18:07,800 Speaker 2: you've got one hundred bucks. Susan, Yes, you've got a 394 00:18:07,880 --> 00:18:09,960 Speaker 2: hundred bucks. You can blow it at mini market place. 395 00:18:10,080 --> 00:18:12,240 Speaker 3: Thank you for through there. 396 00:18:12,400 --> 00:18:16,359 Speaker 1: Go on fire enough, thank you. 397 00:18:18,880 --> 00:18:21,639 Speaker 3: I like hers. The could have given them more money. 398 00:18:23,440 --> 00:18:26,479 Speaker 3: All right, we'll fight for your flashback our songs about fruit. 399 00:18:26,880 --> 00:18:28,080 Speaker 1: Yes, next. 400 00:18:36,000 --> 00:18:40,040 Speaker 2: Fight for your flashback two songs into one song leaves 401 00:18:40,240 --> 00:18:42,880 Speaker 2: management right. This morning, we're still airing out the officers 402 00:18:43,000 --> 00:18:44,800 Speaker 2: after the Durian incident. 403 00:18:45,080 --> 00:18:48,320 Speaker 3: This week we brought in a Durian. I've always been 404 00:18:48,440 --> 00:18:50,359 Speaker 3: curious as to what it smells like and what it 405 00:18:50,400 --> 00:18:52,520 Speaker 3: tastes like. Well, we won't be doing it again. 406 00:18:52,640 --> 00:18:54,840 Speaker 2: Today's five for your flashback songs about fruit. To play 407 00:18:54,880 --> 00:18:56,320 Speaker 2: well the management fruit. 408 00:18:56,080 --> 00:18:56,600 Speaker 1: What have you got? 409 00:18:56,720 --> 00:18:58,320 Speaker 2: I've gone with a great song and it gave me 410 00:18:58,359 --> 00:19:01,040 Speaker 2: such a flashback to when I was a young nighttime 411 00:19:01,160 --> 00:19:04,280 Speaker 2: DJ on B one oh five in Brisbane and this 412 00:19:04,359 --> 00:19:08,199 Speaker 2: song had just broken my son, my eldest son, who 413 00:19:08,320 --> 00:19:11,320 Speaker 2: is now about to turn thirty. Wow, used to ring 414 00:19:11,359 --> 00:19:13,520 Speaker 2: the radio station to request this song. 415 00:19:13,760 --> 00:19:15,399 Speaker 1: He used to love this song. And I get this 416 00:19:15,400 --> 00:19:17,200 Speaker 1: little call from my my. 417 00:19:17,200 --> 00:19:19,919 Speaker 3: Son happy Birthday. 418 00:19:20,000 --> 00:19:25,200 Speaker 1: That did you call me up to say happy. 419 00:19:25,400 --> 00:19:28,240 Speaker 5: Mommy has got. 420 00:19:29,400 --> 00:19:31,119 Speaker 2: She did, But then you come up to say Happy 421 00:19:31,119 --> 00:19:33,359 Speaker 2: Father's Day. 422 00:19:33,000 --> 00:19:34,960 Speaker 1: So well thanks for that, Morgan. 423 00:19:35,320 --> 00:19:36,280 Speaker 8: I die. 424 00:19:36,600 --> 00:19:37,280 Speaker 1: I'll see you later. 425 00:19:37,560 --> 00:19:38,000 Speaker 7: I love you. 426 00:19:38,280 --> 00:19:40,280 Speaker 1: I love you too, I'll see you later. 427 00:19:41,320 --> 00:19:42,440 Speaker 3: Hello FDAK. 428 00:19:43,040 --> 00:19:45,880 Speaker 1: And the song that he hasn't requested a song, well, 429 00:19:45,880 --> 00:19:49,439 Speaker 1: it wasn't in that particular call he rang up. He 430 00:19:49,480 --> 00:19:51,640 Speaker 1: had the studio hotline number at. 431 00:19:51,520 --> 00:19:57,679 Speaker 3: Night, late at night, bad parenting, and like, you know, 432 00:19:57,720 --> 00:19:59,440 Speaker 3: I don't even know what song you've got, but I'm 433 00:19:59,440 --> 00:20:03,600 Speaker 3: outraged because you're using your son's cute, adorable voice and 434 00:20:03,600 --> 00:20:05,080 Speaker 3: he didn't even request a song. 435 00:20:05,119 --> 00:20:06,879 Speaker 2: The flashbag is a time and a place and a 436 00:20:06,920 --> 00:20:10,399 Speaker 2: moment in space. And you know what this song is 437 00:20:10,440 --> 00:20:13,280 Speaker 2: a banger. I give you presidents of the United States 438 00:20:13,320 --> 00:20:15,840 Speaker 2: of America and Peaches. 439 00:20:21,000 --> 00:20:25,199 Speaker 12: Move into the country, going to eat a lot of peaches, 440 00:20:26,040 --> 00:20:27,520 Speaker 12: move into the country. 441 00:20:27,840 --> 00:20:28,119 Speaker 4: Nice. 442 00:20:29,119 --> 00:20:29,600 Speaker 3: Lot of. 443 00:20:42,920 --> 00:20:48,760 Speaker 2: Used to like this little bit fruit on trips down 444 00:20:48,800 --> 00:20:49,679 Speaker 2: to the Gold Coast. 445 00:20:51,119 --> 00:20:51,439 Speaker 1: Nice. 446 00:20:52,440 --> 00:20:55,440 Speaker 3: I'm still an outrage that you're using your son's gorgeous 447 00:20:55,680 --> 00:20:58,480 Speaker 3: voice to sell a song he doesn't reference in any way. 448 00:20:58,560 --> 00:21:02,439 Speaker 2: I'm setting a moody well, a little bit scaredy pants. 449 00:21:02,560 --> 00:21:04,000 Speaker 3: No, not at all, I think you are, which is 450 00:21:04,040 --> 00:21:06,879 Speaker 3: why you've dragged your son's phone call into Why would well, 451 00:21:06,920 --> 00:21:09,080 Speaker 3: I'll tell you what I've got. I've gone with a 452 00:21:09,119 --> 00:21:14,359 Speaker 3: song that when I've mentioned this song before, you said 453 00:21:14,359 --> 00:21:16,960 Speaker 3: that your father said it was about rude things. I 454 00:21:16,960 --> 00:21:21,480 Speaker 3: don't think it is, because it's really named after fruit 455 00:21:22,600 --> 00:21:26,600 Speaker 3: and a variety of ice cream flavored fruit. No fruit 456 00:21:26,680 --> 00:21:30,320 Speaker 3: flavored ice cream. I'm giving you little Richard and toty fruit. 457 00:21:30,600 --> 00:21:40,480 Speaker 1: Mom some request of this now. 458 00:21:47,640 --> 00:21:50,840 Speaker 3: He says that he was working as a dishwasher in 459 00:21:50,840 --> 00:21:53,360 Speaker 3: a kitchen and he just when he used to say 460 00:21:53,359 --> 00:21:55,160 Speaker 3: to the guy who bring in all the plates from 461 00:21:55,200 --> 00:21:57,480 Speaker 3: to wash, he said what blue bah blah bam boom, 462 00:21:57,520 --> 00:22:01,560 Speaker 3: and that became his line. This song has influenced everyone. 463 00:22:01,640 --> 00:22:04,399 Speaker 3: Did you know that? David Bowie said that when his 464 00:22:04,480 --> 00:22:07,400 Speaker 3: dad brought in this album, this song, his heart burst. 465 00:22:07,480 --> 00:22:11,119 Speaker 3: He said, I saw God. This was the beginning of 466 00:22:11,640 --> 00:22:15,880 Speaker 3: so much musically. It's a great song. Your dad has 467 00:22:16,440 --> 00:22:20,000 Speaker 3: ruined this for me. Your dad said it was about 468 00:22:20,119 --> 00:22:20,840 Speaker 3: bot bot. 469 00:22:20,760 --> 00:22:23,520 Speaker 1: Yeah he did. It's about forbidden fruit. And if you 470 00:22:23,560 --> 00:22:25,640 Speaker 1: get on the internet and look it up, you'll see it. 471 00:22:26,080 --> 00:22:27,520 Speaker 1: Don't look it up and see it. 472 00:22:28,040 --> 00:22:32,119 Speaker 3: Don't tooty fruity, Little Richard. They are our two songs. 473 00:22:32,119 --> 00:22:33,359 Speaker 3: What would you like to hear today? 474 00:22:34,040 --> 00:22:37,120 Speaker 1: The emotional child Peaches? You want to hear Peaches? 475 00:22:37,160 --> 00:22:39,399 Speaker 3: Give us a call thirteen WSFM, or you convert on 476 00:22:39,400 --> 00:22:48,919 Speaker 3: our Instagram story at Jonesy and Amanda. 477 00:22:45,080 --> 00:22:47,960 Speaker 7: Jonesy and Amanda in the morning one oh one point 478 00:22:48,000 --> 00:22:50,600 Speaker 7: seven WSFM. 479 00:22:50,080 --> 00:22:52,000 Speaker 1: Your flashback. It's songs about fruit. 480 00:22:52,119 --> 00:22:55,040 Speaker 2: This is after the Durian incident during the week I've 481 00:22:55,080 --> 00:22:57,439 Speaker 2: gone with a great song Peaches by the presidents of 482 00:22:57,480 --> 00:22:58,720 Speaker 2: the United States of America. 483 00:22:59,080 --> 00:23:06,680 Speaker 7: The country a lot of beaches, the country, a lot of. 484 00:23:08,480 --> 00:23:16,960 Speaker 3: I don't know what it means. Do you know what 485 00:23:16,960 --> 00:23:17,760 Speaker 3: any of it means? 486 00:23:18,320 --> 00:23:20,040 Speaker 1: I know I know what yours means. 487 00:23:20,160 --> 00:23:20,360 Speaker 7: Well. 488 00:23:21,280 --> 00:23:24,360 Speaker 3: Tooty fruity is a tad In phrase for all fruits. 489 00:23:24,880 --> 00:23:27,240 Speaker 3: This was a song written by Little Richard and launched 490 00:23:27,280 --> 00:23:31,479 Speaker 3: his career to fruity. 491 00:23:31,840 --> 00:23:42,919 Speaker 2: I've issue retrospectively banned. Thirteen w s f M is 492 00:23:42,960 --> 00:23:45,120 Speaker 2: our number. Shirley's in Boulevard. 493 00:23:45,240 --> 00:23:51,800 Speaker 10: Hi, Shirley, good morning, A man of morning. Jonesy, would 494 00:23:51,840 --> 00:23:54,800 Speaker 10: you believe when they mentioned the category that is the song? 495 00:23:54,920 --> 00:23:56,120 Speaker 5: Your song is the one that. 496 00:23:56,080 --> 00:23:59,240 Speaker 9: I chose straight away, So it's got to be here today. 497 00:24:00,280 --> 00:24:05,080 Speaker 3: Fruity Shirley, see I do, thank you. That's a vote 498 00:24:05,080 --> 00:24:07,359 Speaker 3: for me. We'll take more of your calls at thirteen 499 00:24:07,480 --> 00:24:11,160 Speaker 3: WSFM if we go to our Instagram story. Jonesy, mand 500 00:24:11,160 --> 00:24:13,080 Speaker 3: are we stopped talking about bums. 501 00:24:15,320 --> 00:24:16,960 Speaker 1: Podcast songs about fruit? 502 00:24:17,040 --> 00:24:19,879 Speaker 2: On Fight for Your Flashback, I've gone with peaches, the 503 00:24:19,920 --> 00:24:21,400 Speaker 2: presidents of the United States. 504 00:24:21,200 --> 00:24:25,400 Speaker 1: Of Americas country, and you have to refer to them 505 00:24:25,520 --> 00:24:25,919 Speaker 1: as that. 506 00:24:26,800 --> 00:24:28,040 Speaker 2: I did an interview with them, and I got in 507 00:24:28,080 --> 00:24:30,240 Speaker 2: trouble because I called them the presidents of the USA. 508 00:24:30,320 --> 00:24:32,640 Speaker 2: Oh really, yeah, they said, excuse me, it's the presidents 509 00:24:32,680 --> 00:24:33,920 Speaker 2: of the United States of America. 510 00:24:34,080 --> 00:24:38,080 Speaker 3: They command more respect than a recent president. All right. 511 00:24:38,160 --> 00:24:44,960 Speaker 3: I've gone with Little Richard touty fruity on Queen's Last 512 00:24:44,960 --> 00:24:48,000 Speaker 3: Tour with Free Mercury. They included that song their setlist. 513 00:24:48,080 --> 00:24:50,960 Speaker 3: Elvis Presley has recorded it. This was the rock and 514 00:24:51,080 --> 00:24:58,080 Speaker 3: roll stop saying it. Carol, Hello, Carol, fight for your flashback. 515 00:24:58,440 --> 00:25:03,920 Speaker 5: Good morning man and Jonesie, Hey you hallo a small 516 00:25:04,000 --> 00:25:06,920 Speaker 5: Amanda and also I love your living room. 517 00:25:06,960 --> 00:25:12,080 Speaker 3: Oh I'm glad to seven thirty tonight week after week. 518 00:25:12,320 --> 00:25:14,800 Speaker 3: Oh I love hearing that. It's a great episode tonight. 519 00:25:14,840 --> 00:25:15,239 Speaker 3: Please choin. 520 00:25:15,359 --> 00:25:19,600 Speaker 2: Did you like the time I was on at Carol's 521 00:25:19,600 --> 00:25:20,040 Speaker 2: all over? 522 00:25:20,160 --> 00:25:25,320 Speaker 3: That's all I need to here, never mind, thank you, Kingsley, Hello, Michelle, 523 00:25:25,320 --> 00:25:26,359 Speaker 3: fight for your flashback? 524 00:25:27,600 --> 00:25:30,879 Speaker 5: Okay, well, good luck. Journey with your Home and Away Lyncha. 525 00:25:31,280 --> 00:25:34,840 Speaker 3: Yes, he's auditioning within within our program this morning. Probably 526 00:25:34,840 --> 00:25:37,840 Speaker 3: in our time he will have auditions, audition work with 527 00:25:37,840 --> 00:25:40,360 Speaker 3: a very big Home and Away star with the script 528 00:25:40,400 --> 00:25:42,280 Speaker 3: what I had done wrote it for him. It's going 529 00:25:42,280 --> 00:25:43,040 Speaker 3: to be incredible. 530 00:25:43,960 --> 00:25:45,679 Speaker 5: You'll knock it out of the park, just like this 531 00:25:45,840 --> 00:25:49,520 Speaker 5: morning with your song Journey about real fruit peaches instead 532 00:25:49,480 --> 00:25:50,960 Speaker 5: of tooty fruity. 533 00:25:51,160 --> 00:25:53,240 Speaker 1: Yeah, thank you, well, said Michelle. 534 00:25:53,480 --> 00:25:57,119 Speaker 3: Well, I know, Brendan, you're trying to smirch tooty fruity 535 00:25:57,560 --> 00:25:59,199 Speaker 3: because you reckon it's about but. 536 00:25:59,480 --> 00:26:02,800 Speaker 1: It's not I reckon the Internet. Why don't you? Wikipedia? 537 00:26:02,960 --> 00:26:05,119 Speaker 3: Don't would you do? Why would you? This is a 538 00:26:05,160 --> 00:26:07,000 Speaker 3: song that was the beginnings of rock and roll. 539 00:26:07,240 --> 00:26:07,760 Speaker 1: Yeah. 540 00:26:07,880 --> 00:26:10,880 Speaker 2: Five for Your Placeback thirteen w also Ian Thought will 541 00:26:10,880 --> 00:26:12,320 Speaker 2: be joining us at seven twenty seven. 542 00:26:12,720 --> 00:26:15,800 Speaker 7: Jonesy and Amanda Germation podcast. 543 00:26:23,080 --> 00:26:25,400 Speaker 1: Fight for Your Flashbacks. 544 00:26:25,480 --> 00:26:27,919 Speaker 2: The song sat into one song leaves Today's five for 545 00:26:27,960 --> 00:26:30,959 Speaker 2: your Flashback. We're still airing out the officers after the 546 00:26:31,080 --> 00:26:32,120 Speaker 2: Durian incident. 547 00:26:32,160 --> 00:26:33,480 Speaker 1: This week Rights Management. 548 00:26:33,720 --> 00:26:36,520 Speaker 2: Today's five for your Flashback songs about fruit, play well 549 00:26:36,560 --> 00:26:38,399 Speaker 2: the management. When I was working at B one O 550 00:26:38,560 --> 00:26:40,840 Speaker 2: five in Brisbane, I used to play this song and 551 00:26:40,880 --> 00:26:42,760 Speaker 2: they'd just broken and it was such a great song. 552 00:26:42,960 --> 00:26:45,080 Speaker 1: And my son, who come on, would have been to 553 00:26:45,480 --> 00:26:45,960 Speaker 1: do this week. 554 00:26:46,160 --> 00:26:47,920 Speaker 2: The time is to ring the I used to miss 555 00:26:47,960 --> 00:26:49,480 Speaker 2: my son because I'd be at work at night and 556 00:26:49,480 --> 00:26:51,359 Speaker 2: I couldn't put him into bed and he'd ring me 557 00:26:51,440 --> 00:26:55,640 Speaker 2: up on the hotline and he'd just talk about anything. 558 00:26:55,720 --> 00:27:01,080 Speaker 3: Mummy has got hu come on, can't tell that little 559 00:27:01,119 --> 00:27:04,080 Speaker 3: boy that beautiful phone call? 560 00:27:04,160 --> 00:27:06,120 Speaker 2: To tell a little boy who is now twenty nine 561 00:27:06,160 --> 00:27:08,760 Speaker 2: with tattoos all over him, how can you tell that 562 00:27:08,800 --> 00:27:10,800 Speaker 2: little boy that you're not going to hear He's not 563 00:27:10,840 --> 00:27:11,760 Speaker 2: going to hear his song. 564 00:27:12,040 --> 00:27:14,080 Speaker 1: You say that to that, little boy, Well, what's your song? 565 00:27:14,280 --> 00:27:17,400 Speaker 1: Peaches by the presidents of the United States of America. 566 00:27:21,000 --> 00:27:26,720 Speaker 3: The country I've got the song. It was the very 567 00:27:26,920 --> 00:27:29,919 Speaker 3: beginnings of rock and roll. This is where it all began. 568 00:27:30,160 --> 00:27:33,880 Speaker 3: Every great musical act has referred to this as the beginning. 569 00:27:34,160 --> 00:27:42,959 Speaker 3: Little Richard and Tooty Fruity. 570 00:27:45,359 --> 00:27:48,760 Speaker 2: It's quite the spread of ears, isn't it. 571 00:27:48,800 --> 00:27:52,680 Speaker 1: Really? From Touty Fruity to absolutely. 572 00:27:52,200 --> 00:27:55,320 Speaker 3: Why people are going to hear today? Richard's in Buckham Hills. 573 00:27:55,320 --> 00:28:01,560 Speaker 3: Fight for your flashback, Richard. 574 00:27:59,119 --> 00:28:02,919 Speaker 9: You guys, I'm definitely going to do. 575 00:28:04,280 --> 00:28:08,439 Speaker 1: Yeah, what about. 576 00:28:08,920 --> 00:28:12,040 Speaker 3: Thank you, Richard? Thank you? Don't persmirch Richard. 577 00:28:13,359 --> 00:28:14,680 Speaker 1: Ben's in Penrith, Hello. 578 00:28:14,600 --> 00:28:15,879 Speaker 3: Ben, fight for your flashback? 579 00:28:17,000 --> 00:28:19,040 Speaker 6: Hey, hey guys, I saw you. I always want to 580 00:28:19,040 --> 00:28:21,000 Speaker 6: give a shout out to Brendan. I seen him on 581 00:28:21,600 --> 00:28:25,280 Speaker 6: Sat Peter last night or whatever it was, and good job. 582 00:28:26,040 --> 00:28:28,320 Speaker 3: Do you think he's got the acting chops to make 583 00:28:28,359 --> 00:28:28,879 Speaker 3: it big? 584 00:28:30,040 --> 00:28:30,320 Speaker 8: Oh? 585 00:28:30,359 --> 00:28:32,399 Speaker 6: Well, you know, I thought, he said. I thought his 586 00:28:32,520 --> 00:28:34,600 Speaker 6: episode in the Swift and Shift was a bit better. 587 00:28:34,680 --> 00:28:36,679 Speaker 6: But you know, I. 588 00:28:36,640 --> 00:28:39,880 Speaker 3: Shouldn't have pursued it should I did you enjoy my 589 00:28:39,960 --> 00:28:41,520 Speaker 3: performance in Swift and Shift? Ben? 590 00:28:42,240 --> 00:28:42,400 Speaker 8: Oh? 591 00:28:42,400 --> 00:28:43,800 Speaker 6: I thought you did a good job as m D. 592 00:28:44,120 --> 00:28:47,000 Speaker 3: Yeah, thank you, I appreciate it. Okay, so I've forgotten 593 00:28:47,040 --> 00:28:48,320 Speaker 3: have you said who you're voting for? 594 00:28:49,440 --> 00:28:50,520 Speaker 6: I'm going to go with Brendo. 595 00:28:50,880 --> 00:28:51,680 Speaker 1: Thank you, Ben. 596 00:28:52,240 --> 00:28:53,520 Speaker 3: Brendo gets the vote. 597 00:28:53,560 --> 00:28:54,440 Speaker 1: Thank you. I like that. 598 00:28:54,760 --> 00:28:57,360 Speaker 3: Lane. Laney's in penwith fight for your flashback. 599 00:28:57,440 --> 00:29:00,560 Speaker 5: Hi, good, good, get a trivia for you. Did you 600 00:29:00,600 --> 00:29:03,479 Speaker 5: know that in Singapore have a durorm festival and they 601 00:29:03,520 --> 00:29:05,680 Speaker 5: actually had that topping on top of the ice cream 602 00:29:05,760 --> 00:29:10,320 Speaker 5: someday at McDonald's. Really duri and talking y yep, they 603 00:29:10,400 --> 00:29:12,480 Speaker 5: do take a passion. 604 00:29:12,120 --> 00:29:15,040 Speaker 3: Proof one of the tasted didn't. 605 00:29:17,200 --> 00:29:20,360 Speaker 5: But anyway, because I thought you were going to go 606 00:29:20,440 --> 00:29:23,120 Speaker 5: for the wiggled fruit salad at one day. But anyway, 607 00:29:23,240 --> 00:29:25,200 Speaker 5: I love so You've got my boat. 608 00:29:25,320 --> 00:29:27,000 Speaker 3: Okay, thank you, thank you. 609 00:29:27,120 --> 00:29:28,520 Speaker 1: Laney get all of that, lady. 610 00:29:28,520 --> 00:29:34,240 Speaker 3: But she loves tooty fruity. She says she's in Ronda's matter. 611 00:29:35,840 --> 00:29:39,040 Speaker 3: Flashback Da Hi, Johnsy and Amanda. 612 00:29:39,360 --> 00:29:41,400 Speaker 13: I grew up in America and they have the best 613 00:29:41,440 --> 00:29:43,760 Speaker 13: peaches out in the farm, so that I think Peacher 614 00:29:43,800 --> 00:29:44,240 Speaker 13: should win. 615 00:29:44,640 --> 00:29:50,200 Speaker 3: All right, comes down to Donna in a Layela park. Hello, Donna, Hi, 616 00:29:51,080 --> 00:29:52,400 Speaker 3: Hi Jones Jans. 617 00:29:52,520 --> 00:29:55,680 Speaker 5: I have a suggestion for you for Home and awayne good, Yes, please, 618 00:29:56,240 --> 00:29:58,960 Speaker 5: you can play the local drunk and a flash out 619 00:30:00,240 --> 00:30:06,560 Speaker 5: and Marilyn can save you from then. 620 00:30:05,120 --> 00:30:10,280 Speaker 3: Put on his coat, flash shusher. 621 00:30:10,840 --> 00:30:18,360 Speaker 2: It's not going to be much of a stretch, is it, Donnish? 622 00:30:18,920 --> 00:30:19,200 Speaker 9: All right? 623 00:30:19,240 --> 00:30:23,040 Speaker 3: Donald? Thank you? Who gets your vote? What song are 624 00:30:23,040 --> 00:30:25,200 Speaker 3: we hearing today? 625 00:30:25,240 --> 00:30:26,240 Speaker 5: Fruity Amanda a. 626 00:30:26,640 --> 00:30:28,680 Speaker 1: Real Donnah loves tooty Fruity. 627 00:30:29,000 --> 00:30:31,239 Speaker 3: Maybe bring that into Home and Away, Brendan was your 628 00:30:31,280 --> 00:30:32,160 Speaker 3: drunken flashing? 629 00:30:32,280 --> 00:30:35,040 Speaker 1: That's right here, it is little. 630 00:30:34,840 --> 00:30:37,720 Speaker 3: Richard and Tooty Fruity. 631 00:30:37,960 --> 00:30:39,640 Speaker 2: Let's get on down to the Jonesy a mat of 632 00:30:39,680 --> 00:30:43,520 Speaker 2: a the pub test, and the pub test comes from 633 00:30:43,560 --> 00:30:46,240 Speaker 2: a chat around the family dinner table last night. It 634 00:30:46,280 --> 00:30:48,120 Speaker 2: was nice to have the family all gathered together for 635 00:30:48,200 --> 00:30:49,960 Speaker 2: a meal. So I got a text from a maid 636 00:30:50,000 --> 00:30:52,600 Speaker 2: of mine inviting me to have a beer for another 637 00:30:52,680 --> 00:30:56,320 Speaker 2: maid who has just become a father for the first 638 00:30:56,360 --> 00:30:57,840 Speaker 2: time of a little baby boy. 639 00:30:57,920 --> 00:30:59,000 Speaker 3: Do you know that other mate? 640 00:30:59,120 --> 00:31:00,960 Speaker 1: Yeah, of course I'm on the other made for many 641 00:31:01,000 --> 00:31:01,480 Speaker 1: many years. 642 00:31:01,480 --> 00:31:04,920 Speaker 2: And I said, oh, super and I showed the ladies 643 00:31:04,920 --> 00:31:07,080 Speaker 2: around the table, and they all went off their cracker 644 00:31:07,320 --> 00:31:08,960 Speaker 2: about wedding the baby's. 645 00:31:08,520 --> 00:31:09,880 Speaker 3: Head, whitting the baby. 646 00:31:09,960 --> 00:31:14,800 Speaker 1: Are you kidding? You can't do that? What about the mom, daddy, daddy, dad? 647 00:31:14,880 --> 00:31:17,160 Speaker 2: So there was this whole discussion, and I said, what, 648 00:31:17,960 --> 00:31:21,080 Speaker 2: it's just a few mates going out to celebrate the 649 00:31:21,120 --> 00:31:22,360 Speaker 2: birth of a little baby. 650 00:31:22,880 --> 00:31:25,200 Speaker 1: A little ray of sunshine has come into the world. 651 00:31:25,440 --> 00:31:27,120 Speaker 3: You know, there are some things we don't do anymore. 652 00:31:27,120 --> 00:31:30,560 Speaker 3: The six o'clocks clock swill, we don't have separate bars 653 00:31:30,600 --> 00:31:33,760 Speaker 3: for women and men anymore. It's time for the wedding. 654 00:31:33,800 --> 00:31:35,120 Speaker 3: The baby's head just to go. 655 00:31:35,360 --> 00:31:36,360 Speaker 1: So you're part of this too. 656 00:31:36,720 --> 00:31:41,880 Speaker 3: Well, you know, how would you feel if you had 657 00:31:41,880 --> 00:31:45,640 Speaker 3: a newborn baby? Your wife expressed milk, said to you, 658 00:31:45,720 --> 00:31:47,960 Speaker 3: take this, I'm going out on cocktails with the girls. 659 00:31:48,000 --> 00:31:51,160 Speaker 3: I'm going to have drink six cocktails tonight because I'm 660 00:31:51,160 --> 00:31:53,160 Speaker 3: going to celebrate the birth of this baby. 661 00:31:53,320 --> 00:31:56,240 Speaker 1: I'd be okay with that. No, you wouldn't be okay. 662 00:31:56,160 --> 00:31:56,800 Speaker 3: No, you would not. 663 00:31:57,360 --> 00:31:57,680 Speaker 1: I would. 664 00:31:57,880 --> 00:32:00,360 Speaker 3: Well, women, I must say, that's fanciful, because we don't 665 00:32:00,360 --> 00:32:03,080 Speaker 3: get the chance. You've got a baby either. Suckling at 666 00:32:03,080 --> 00:32:04,920 Speaker 3: your bosom or you're trying to get a baby to 667 00:32:04,960 --> 00:32:09,640 Speaker 3: feed somehow, you're tired, you're emotional, and so was what 668 00:32:09,680 --> 00:32:12,840 Speaker 3: the grandparents look after the other siblings while dad goes 669 00:32:12,880 --> 00:32:15,800 Speaker 3: out and has a drink. This is such old school stuff. 670 00:32:15,840 --> 00:32:20,160 Speaker 3: I don't know why it's still part of our culture. Really, 671 00:32:20,640 --> 00:32:23,720 Speaker 3: it's such a nice things. It is hard enough. Gender 672 00:32:23,800 --> 00:32:25,520 Speaker 3: roles are different as to the way they used to 673 00:32:25,520 --> 00:32:29,880 Speaker 3: be doing so much more now as well as now 674 00:32:30,280 --> 00:32:33,320 Speaker 3: giving birth and the husband goes, you know what, okay, 675 00:32:33,480 --> 00:32:35,560 Speaker 3: you stay there, I'm eating out here. 676 00:32:35,680 --> 00:32:40,400 Speaker 2: You stayed there. It's about celebrating as men do. We're 677 00:32:40,440 --> 00:32:42,280 Speaker 2: losing a lot of those male things that we used 678 00:32:42,320 --> 00:32:43,400 Speaker 2: to love doing, you know. 679 00:32:43,680 --> 00:32:46,680 Speaker 3: But well, you know, it's interesting because society is changing. 680 00:32:46,920 --> 00:32:50,600 Speaker 3: They're saying that not enough men are playing community county 681 00:32:50,640 --> 00:32:54,360 Speaker 3: cricket anymore, because men would give just two days a 682 00:32:54,400 --> 00:32:57,000 Speaker 3: weekend every weekend to go and do that, and now 683 00:32:57,040 --> 00:32:59,840 Speaker 3: they have responsibilities to raise the children as well to 684 00:32:59,840 --> 00:33:02,480 Speaker 3: do the housework and the shopping. Women are working hard 685 00:33:02,480 --> 00:33:05,040 Speaker 3: as well. It's so somebody is different. 686 00:33:05,200 --> 00:33:08,360 Speaker 2: This is like my dinner table last night. It's triggered again. 687 00:33:08,800 --> 00:33:11,600 Speaker 2: Wetting the baby's head. Does it pass the pub test. 688 00:33:11,640 --> 00:33:13,000 Speaker 3: What do you think. I know we'll get calls. I 689 00:33:13,160 --> 00:33:14,240 Speaker 3: leave himail life. 690 00:33:15,600 --> 00:33:16,600 Speaker 1: Do we need people to call it? 691 00:33:16,640 --> 00:33:20,440 Speaker 2: You're just going to do all the calls podcast. 692 00:33:20,680 --> 00:33:24,600 Speaker 3: Well, competing under pressure is nothing new for our next guest. 693 00:33:24,840 --> 00:33:27,840 Speaker 3: Nine Olympic medals under his belt. He certainly knows how 694 00:33:27,880 --> 00:33:30,400 Speaker 3: to win. But it's been fascinating watching Ian Thorpe in 695 00:33:30,440 --> 00:33:34,640 Speaker 3: the Celebrity Master Chef kitchen. He's cooked some amazing dishes, 696 00:33:34,640 --> 00:33:37,600 Speaker 3: but he came close to going the other day. Let's 697 00:33:37,640 --> 00:33:42,360 Speaker 3: talk to him now, Ian Thorpe, Hello, I thought. 698 00:33:42,240 --> 00:33:42,840 Speaker 1: You souxe fla. 699 00:33:43,080 --> 00:33:45,480 Speaker 2: I thought that's it, Thorby's gone, But it was Christy 700 00:33:45,520 --> 00:33:46,600 Speaker 2: Swan that bit the dust. 701 00:33:47,440 --> 00:33:51,320 Speaker 9: Yeah, it was kind of I'm still frustrated without so 702 00:33:51,480 --> 00:33:54,080 Speaker 9: Flays and I've kind of thrown out every Rammikan that 703 00:33:54,120 --> 00:33:56,240 Speaker 9: I had. I've kind of donated them. 704 00:33:56,120 --> 00:33:58,120 Speaker 3: All, never again. 705 00:33:58,200 --> 00:33:59,640 Speaker 9: Getting something wrong in that kitchen. 706 00:34:00,240 --> 00:34:02,440 Speaker 3: Well, it's interesting. I saw Rebecca Given said that when 707 00:34:02,440 --> 00:34:04,040 Speaker 3: she normally cooks you, she's got a glass of wine, 708 00:34:04,080 --> 00:34:07,520 Speaker 3: she's got music, she's got friends over this kitchen. Isn't that? 709 00:34:07,960 --> 00:34:10,319 Speaker 3: Does it strip you of everything you feel you've ever known? 710 00:34:11,320 --> 00:34:14,600 Speaker 9: Yes? Hard thing for me when I actually cook for people, 711 00:34:14,640 --> 00:34:16,560 Speaker 9: I want everyone to leave me alone in the kitchen, 712 00:34:17,080 --> 00:34:19,239 Speaker 9: So this is kind of the opposite to what I like. 713 00:34:19,640 --> 00:34:21,760 Speaker 9: And then I also know where everything is in the kitchen, 714 00:34:21,800 --> 00:34:24,759 Speaker 9: whereas at Master Chef it's enormous and you don't know 715 00:34:24,760 --> 00:34:26,960 Speaker 9: where anything from the pantry is and there's just one 716 00:34:27,040 --> 00:34:29,160 Speaker 9: hundred and ten people watch, like literally that one hundred 717 00:34:29,160 --> 00:34:31,480 Speaker 9: and ten people watching you. There's multiple cameras on you 718 00:34:31,520 --> 00:34:34,680 Speaker 9: at every stage. So for me, I'm like, everyone's back off. 719 00:34:34,760 --> 00:34:36,759 Speaker 9: It's like, no, that's part of the show. Otherwise it 720 00:34:36,760 --> 00:34:40,640 Speaker 9: wouldn't really work so hard that part and adjusting for it. 721 00:34:40,640 --> 00:34:44,040 Speaker 9: It's just adjusting to that and learning what everyone else 722 00:34:44,080 --> 00:34:45,600 Speaker 9: is doing and trying not to be in the front 723 00:34:45,680 --> 00:34:48,840 Speaker 9: right where the judges are standing, facing it so hard. 724 00:34:49,440 --> 00:34:51,160 Speaker 3: And for all your years when you were swimming, you 725 00:34:51,160 --> 00:34:53,040 Speaker 3: would have had to be very careful about what you ate. 726 00:34:53,600 --> 00:34:57,480 Speaker 3: Have you learnt to cook for pleasure since it finished? 727 00:34:57,520 --> 00:34:58,719 Speaker 3: Since swimming finished for you? 728 00:34:59,200 --> 00:35:02,960 Speaker 9: Absolutely, So it's kind of learning most fundamentals that you 729 00:35:03,040 --> 00:35:06,520 Speaker 9: can A I'm cooking around healthy eating and things like that. Yeah, 730 00:35:06,760 --> 00:35:09,120 Speaker 9: that's that's fine, and I try and eat kind of 731 00:35:09,280 --> 00:35:11,799 Speaker 9: free mean when I'm at home, but I also enjoy 732 00:35:11,840 --> 00:35:15,239 Speaker 9: food and want to enjoy food, you know, and be 733 00:35:15,280 --> 00:35:17,719 Speaker 9: able to share it with my friends and family when 734 00:35:17,719 --> 00:35:20,560 Speaker 9: they do come around. To be able to cook for 735 00:35:20,719 --> 00:35:24,120 Speaker 9: me all weekend is one of the greatest pleasures that 736 00:35:24,120 --> 00:35:25,879 Speaker 9: I have, or greatest things to doing. 737 00:35:26,320 --> 00:35:28,719 Speaker 1: And what's your what's your gun at your head recipe? 738 00:35:28,719 --> 00:35:34,759 Speaker 2: What's the one that would save the day for you? 739 00:35:35,320 --> 00:35:37,520 Speaker 9: I don't know. It depends how much time. So if 740 00:35:37,520 --> 00:35:40,959 Speaker 9: I get home and there's twenty minutes, like that's that's 741 00:35:40,960 --> 00:35:44,560 Speaker 9: a tough ass. But you know, feel almony, you know, 742 00:35:44,640 --> 00:35:47,759 Speaker 9: just for lemon juice lightly dusted and flour with some 743 00:35:47,880 --> 00:35:51,799 Speaker 9: steave vegetables. Is happy when I'm in a rush when 744 00:35:51,840 --> 00:35:55,560 Speaker 9: it comes to if I could actually spend I actually 745 00:35:55,640 --> 00:35:58,839 Speaker 9: love the heartier, more rustic dishes that actually just take 746 00:35:59,280 --> 00:36:01,759 Speaker 9: hours to do, so that's kind of my go to. 747 00:36:01,880 --> 00:36:05,160 Speaker 9: But people seem to like I do a squid dish 748 00:36:05,160 --> 00:36:08,879 Speaker 9: where I make it's almost like it's a tie inspired dish, 749 00:36:09,120 --> 00:36:13,239 Speaker 9: but I actually cut the cuddlefish or squid up to 750 00:36:13,320 --> 00:36:14,640 Speaker 9: make the noodles for going it. 751 00:36:15,120 --> 00:36:19,200 Speaker 3: Wow, I've wanted to that. I know that. Once again, 752 00:36:19,200 --> 00:36:21,200 Speaker 3: I think was Rebecca saying she wanted to learn to 753 00:36:21,239 --> 00:36:24,480 Speaker 3: be a better cook. Do you learn to be better 754 00:36:24,800 --> 00:36:26,560 Speaker 3: in there? Are you learning things? 755 00:36:27,480 --> 00:36:30,080 Speaker 9: Yeah? Absolutely? So it was something that there was a 756 00:36:30,080 --> 00:36:32,520 Speaker 9: piece of equipment I'd never heard of, and it's for sources. 757 00:36:32,560 --> 00:36:36,279 Speaker 9: It's like micro sive for sources to get them, like 758 00:36:36,360 --> 00:36:39,839 Speaker 9: that restaurants standard that you get. So I did them 759 00:36:39,840 --> 00:36:43,719 Speaker 9: on some scallops just frequently on the show. So I 760 00:36:43,760 --> 00:36:46,120 Speaker 9: was just pointing that not just knowing that piece of 761 00:36:46,719 --> 00:36:49,000 Speaker 9: equipment and knowing how to use it. So I think 762 00:36:49,040 --> 00:36:51,520 Speaker 9: all of us have on the show, no matter what 763 00:36:51,640 --> 00:36:55,360 Speaker 9: level we're at, Everyone's kind of advanced their own cooking 764 00:36:55,440 --> 00:36:58,480 Speaker 9: and become more comfortable in what they're preparing. And Rebecca 765 00:36:58,520 --> 00:37:04,080 Speaker 9: Kidney has finally stopped cooking things with white bread. 766 00:37:04,719 --> 00:37:08,680 Speaker 3: Yeah right, exactly. She's playing the key week card, isn't she? 767 00:37:11,080 --> 00:37:11,200 Speaker 7: Well? 768 00:37:11,320 --> 00:37:14,680 Speaker 3: And it's such an interesting side of you because you're 769 00:37:14,719 --> 00:37:17,600 Speaker 3: always so cool and calm under pressure, and here you're 770 00:37:17,600 --> 00:37:20,480 Speaker 3: allowed to show that sometimes you all get rattle. I'm 771 00:37:20,520 --> 00:37:21,319 Speaker 3: really enjoying it. 772 00:37:22,080 --> 00:37:25,799 Speaker 9: I'm stressed out in this. I'm behind the blocks for 773 00:37:25,840 --> 00:37:29,440 Speaker 9: an Olympic finals and shake as much. I'm not as 774 00:37:29,920 --> 00:37:32,280 Speaker 9: anxious about the whole thing. But we have a really 775 00:37:32,320 --> 00:37:35,319 Speaker 9: fun program where we actually do a relay that comes 776 00:37:35,360 --> 00:37:38,600 Speaker 9: up on Sunday night on Sibery Mustershare and if you 777 00:37:38,640 --> 00:37:41,640 Speaker 9: want to see some people that are just losing their 778 00:37:41,640 --> 00:37:44,280 Speaker 9: minds because you have thirty seconds to explain to someone 779 00:37:44,760 --> 00:37:47,880 Speaker 9: what they're doing with the cooking and then passing the 780 00:37:47,960 --> 00:37:49,360 Speaker 9: chart one on to the next person. 781 00:37:49,600 --> 00:37:51,520 Speaker 3: Like Chinese whispers with food, it. 782 00:37:51,640 --> 00:37:54,840 Speaker 9: Kind of is, and let's call it. We'll call it 783 00:37:54,920 --> 00:37:56,680 Speaker 9: mango whispers because we have to speak to a mango. 784 00:37:57,880 --> 00:37:59,439 Speaker 3: Well, if anyone can do a relay, you can. 785 00:37:59,520 --> 00:38:00,879 Speaker 1: You can do the Really, you're the man. 786 00:38:01,120 --> 00:38:06,000 Speaker 9: I'm no seconds to chat to you. My fellow teammates 787 00:38:06,040 --> 00:38:08,600 Speaker 9: at the end of the pool and people like respective, 788 00:38:08,640 --> 00:38:09,360 Speaker 9: I'm exhausted. 789 00:38:11,680 --> 00:38:13,600 Speaker 2: Yeah, that's all you have to say. Okay, you've just 790 00:38:13,640 --> 00:38:15,719 Speaker 2: got to go and swim fast now clemy. 791 00:38:15,480 --> 00:38:20,680 Speaker 1: Go well thought. It's always great to talk to you. 792 00:38:20,760 --> 00:38:23,960 Speaker 2: Celebrity Master Chef is back seven thirty this Sunday night 793 00:38:23,960 --> 00:38:25,600 Speaker 2: on ten and thop. 794 00:38:25,640 --> 00:38:28,120 Speaker 1: Thank you, thank you, I. 795 00:38:27,239 --> 00:38:31,000 Speaker 9: Thank you, Samulation, I'm gone. 796 00:38:32,040 --> 00:38:33,480 Speaker 6: I want you to get on right now. 797 00:38:33,560 --> 00:38:37,440 Speaker 3: I'm taking crazy. Now go to your windows, over them, 798 00:38:37,680 --> 00:38:42,160 Speaker 3: shit your head on a yell. 799 00:38:43,120 --> 00:38:44,799 Speaker 2: Down to the Jonesy the man of arms for the 800 00:38:44,800 --> 00:38:48,000 Speaker 2: pub test wedding the baby's head, does it pass the 801 00:38:48,000 --> 00:38:49,719 Speaker 2: pub test. I got a text last night. We're all 802 00:38:49,719 --> 00:38:51,400 Speaker 2: gathered around the dinner table. It's nice to have the 803 00:38:51,440 --> 00:38:53,160 Speaker 2: whole family together, I thought. 804 00:38:53,160 --> 00:38:53,640 Speaker 1: So I get this. 805 00:38:53,680 --> 00:38:56,480 Speaker 2: Text inviting me to have a beer for another made 806 00:38:56,520 --> 00:39:00,239 Speaker 2: of mine who has just become a dad for the 807 00:39:00,280 --> 00:39:03,319 Speaker 2: first time, and we're going to go on and I. 808 00:39:03,280 --> 00:39:05,000 Speaker 1: Just said, oh, I might go and catch up with fellows. 809 00:39:05,040 --> 00:39:07,320 Speaker 1: Haven't seen him for ages and been a pub for ages. 810 00:39:07,719 --> 00:39:09,719 Speaker 2: And then all of a sudden, all the women at 811 00:39:09,760 --> 00:39:12,920 Speaker 2: the table just went about wetting the baby's hit. 812 00:39:13,360 --> 00:39:15,719 Speaker 3: It's so old school. As I said, we've moved on 813 00:39:15,760 --> 00:39:17,839 Speaker 3: from the six o'clock swirl and things. Just because their 814 00:39:17,880 --> 00:39:22,160 Speaker 3: traditions doesn't mean we keep them going. I just don't 815 00:39:22,160 --> 00:39:24,799 Speaker 3: think it's appropriate anymore to celebrate the birth of your 816 00:39:24,840 --> 00:39:27,200 Speaker 3: child by the man on his own going out with 817 00:39:27,239 --> 00:39:30,960 Speaker 3: his friends and drinking while the woman is there nursing 818 00:39:31,000 --> 00:39:31,520 Speaker 3: the baby. 819 00:39:31,600 --> 00:39:34,680 Speaker 2: But it's not like he's abandoning the baby, no, And 820 00:39:34,719 --> 00:39:35,960 Speaker 2: I get. 821 00:39:35,440 --> 00:39:37,080 Speaker 3: You know, there's only a few things men can do 822 00:39:37,200 --> 00:39:39,040 Speaker 3: for women at that time, but being there and being 823 00:39:39,040 --> 00:39:41,080 Speaker 3: supportive is a big part of that. 824 00:39:41,360 --> 00:39:44,600 Speaker 1: But you know, as a father, it's a celebration when 825 00:39:44,960 --> 00:39:48,800 Speaker 1: it's welcoming another little little monkey to the tribe. 826 00:39:49,000 --> 00:39:53,320 Speaker 3: That's what the birth is. You're getting drunk doesn't welcome 827 00:39:53,360 --> 00:39:55,960 Speaker 3: the child to the tribe. It's about don't you wait 828 00:39:56,040 --> 00:39:57,840 Speaker 3: till you can get together with all your friends and 829 00:39:57,880 --> 00:40:00,040 Speaker 3: the baby's there and everyone's having a nice tirible, and 830 00:40:00,760 --> 00:40:03,320 Speaker 3: the wife's there and the kids there, and she's linking 831 00:40:03,400 --> 00:40:06,480 Speaker 3: and she wants to go home. I can't sit down. 832 00:40:06,480 --> 00:40:08,040 Speaker 3: I've had an a pesyo met. 833 00:40:08,760 --> 00:40:11,759 Speaker 1: It's like having combined bucks and hens party. This doesn't work. 834 00:40:11,920 --> 00:40:14,960 Speaker 3: This is just old school and grow up. I know 835 00:40:15,040 --> 00:40:16,680 Speaker 3: people men won't. 836 00:40:16,200 --> 00:40:17,600 Speaker 1: Like getting old. Is that what you're saying? 837 00:40:17,680 --> 00:40:21,239 Speaker 3: Wedding the baby's head? Is it past the pub test? Absolutely? 838 00:40:22,000 --> 00:40:26,319 Speaker 13: I think it's great to have celebrations of luke by 839 00:40:26,360 --> 00:40:28,760 Speaker 13: getting out getting drunk when you first had a newborn. 840 00:40:29,280 --> 00:40:32,160 Speaker 6: Not okay, there to support your wife or your partner. 841 00:40:32,719 --> 00:40:35,240 Speaker 5: No, it doesn't, because it takes two to tango. 842 00:40:35,600 --> 00:40:37,120 Speaker 13: Just like you decided to have. 843 00:40:37,040 --> 00:40:40,760 Speaker 5: A child, you look after him. Oh it's so old school, 844 00:40:40,920 --> 00:40:42,920 Speaker 5: don't he needs to get with the program. 845 00:40:43,080 --> 00:40:44,359 Speaker 9: We're in twenty twenty one. 846 00:40:44,560 --> 00:40:50,640 Speaker 3: Remember we've both gott it there, not surprising the way 847 00:40:50,680 --> 00:40:52,239 Speaker 3: that gender responses went. 848 00:40:52,480 --> 00:40:57,200 Speaker 1: Wife said, the baby either thank you for all your calls. 849 00:40:57,239 --> 00:40:59,799 Speaker 3: All right, what's in Jonesy's toolbox? You can win a 850 00:40:59,800 --> 00:41:01,680 Speaker 3: found and dollars just by guessing. Give us a call. 851 00:41:03,239 --> 00:41:13,239 Speaker 1: We've got to get movie tea. Let's go. Never use 852 00:41:13,360 --> 00:41:17,080 Speaker 1: my tools again. I don't like you playing around my toolbox. 853 00:41:17,440 --> 00:41:20,120 Speaker 3: This is the last so the last day we're doing this. 854 00:41:20,160 --> 00:41:21,319 Speaker 1: It's all boomerangs in there. 855 00:41:21,360 --> 00:41:24,480 Speaker 3: You know, I've been opening a toolbox, rummaging around and 856 00:41:24,560 --> 00:41:28,200 Speaker 3: finding something and I don't know what anything is. I 857 00:41:28,400 --> 00:41:30,600 Speaker 3: describe it and if you can guess what it is, 858 00:41:30,640 --> 00:41:31,959 Speaker 3: you do, get a fountain. 859 00:41:32,080 --> 00:41:33,719 Speaker 1: You pull something out today? What do you like? 860 00:41:34,800 --> 00:41:35,480 Speaker 3: I know what that is. 861 00:41:35,880 --> 00:41:37,560 Speaker 1: That's a rattail file. 862 00:41:38,440 --> 00:41:39,920 Speaker 3: Well, I didn't know what that is. I thought that 863 00:41:40,000 --> 00:41:40,600 Speaker 3: was something else. 864 00:41:41,960 --> 00:41:43,640 Speaker 7: What bells? This? Ah? 865 00:41:43,920 --> 00:41:47,640 Speaker 2: That that is a very very handy tool. 866 00:41:47,760 --> 00:41:51,719 Speaker 3: I will describe what I'm seeing. It's not I thought 867 00:41:51,719 --> 00:41:53,400 Speaker 3: it was hollow, but it's not. It's rubber. 868 00:41:53,480 --> 00:41:56,320 Speaker 1: It's rubber, and it's got like a ridges on it. 869 00:41:57,000 --> 00:41:59,600 Speaker 3: Ridges on one end, and then it's a tube. 870 00:41:59,560 --> 00:42:03,160 Speaker 1: And there's a tube. Describe that you it's flexible. 871 00:42:03,000 --> 00:42:06,799 Speaker 3: Yes, it's bendy this bendy rubber that with kind of 872 00:42:06,880 --> 00:42:10,840 Speaker 3: like ridges on one in your right and it's like 873 00:42:10,880 --> 00:42:12,600 Speaker 3: a big long piece of licorice. 874 00:42:13,080 --> 00:42:16,680 Speaker 2: Yeah, it's a well, good description, very handy that I 875 00:42:16,680 --> 00:42:19,520 Speaker 2: would just say that it's good for working on a motorcycle. 876 00:42:20,520 --> 00:42:24,000 Speaker 3: I've got no idea. Natalie is in Maroubra, Natalie for 877 00:42:24,080 --> 00:42:26,040 Speaker 3: one thousand dollars. Do you know what this is? 878 00:42:27,120 --> 00:42:27,480 Speaker 13: Okay? 879 00:42:27,640 --> 00:42:28,680 Speaker 8: Is it just like a. 880 00:42:30,280 --> 00:42:31,960 Speaker 9: To put your petrol in? Like the funnel? 881 00:42:32,520 --> 00:42:33,680 Speaker 3: That's what it looks like to me. 882 00:42:33,760 --> 00:42:35,240 Speaker 1: But it's not of funnel. 883 00:42:35,320 --> 00:42:37,400 Speaker 3: That's but a small one. I thought it might have 884 00:42:37,480 --> 00:42:38,359 Speaker 3: been some of. 885 00:42:38,360 --> 00:42:42,080 Speaker 1: Funnel engine related Marcus and s Mary's Hello, Mark. 886 00:42:42,480 --> 00:42:45,279 Speaker 3: Okay went, well do you know what this might be? 887 00:42:47,200 --> 00:42:48,640 Speaker 9: Are you more description? 888 00:42:49,360 --> 00:42:54,480 Speaker 3: Well, it does look like a small funnels rubber and 889 00:42:54,560 --> 00:42:56,319 Speaker 3: it's not if that was plastic, I. 890 00:42:56,239 --> 00:43:00,239 Speaker 2: Would see that thing there in the little box that No, 891 00:43:00,520 --> 00:43:02,880 Speaker 2: that's a bearing, that one there, I know it all. 892 00:43:02,880 --> 00:43:05,440 Speaker 1: Give it away. See that point your little box. There's 893 00:43:05,440 --> 00:43:10,720 Speaker 1: a little cardboard box with a thing. No that yes? 894 00:43:10,760 --> 00:43:12,160 Speaker 1: That so what take the thing? 895 00:43:12,400 --> 00:43:14,120 Speaker 3: My life? I do know what that is? Can I 896 00:43:14,120 --> 00:43:15,359 Speaker 3: say it is big? 897 00:43:15,440 --> 00:43:17,200 Speaker 1: No, you've got to put it on there. 898 00:43:17,480 --> 00:43:21,160 Speaker 3: Okay, see it doesn't even go oh yes, God, for. 899 00:43:21,040 --> 00:43:22,800 Speaker 1: God's sake, it would be sacked in my garage. 900 00:43:22,840 --> 00:43:23,760 Speaker 3: So is that what happens? 901 00:43:23,800 --> 00:43:24,000 Speaker 7: Yeah? 902 00:43:24,040 --> 00:43:26,719 Speaker 2: So that so imagine that you need to get that 903 00:43:26,800 --> 00:43:29,200 Speaker 2: out of the engine. So Mark Man's going to get 904 00:43:29,239 --> 00:43:31,840 Speaker 2: this part out of the engine. And there's a particular 905 00:43:31,880 --> 00:43:34,000 Speaker 2: part that's quite long, and you can't get a spanner 906 00:43:34,040 --> 00:43:36,400 Speaker 2: in or a socket to get down to it. Like 907 00:43:36,440 --> 00:43:38,680 Speaker 2: you can get the socket down and you you undo it, 908 00:43:38,960 --> 00:43:40,560 Speaker 2: but then you need to put this thing on it 909 00:43:40,600 --> 00:43:41,360 Speaker 2: to retrieve it. 910 00:43:41,440 --> 00:43:44,080 Speaker 3: Friend, and it's Friday. I don't need all this, Mark, 911 00:43:44,120 --> 00:43:44,960 Speaker 3: Do you know what it is? 912 00:43:46,840 --> 00:43:48,280 Speaker 6: No, I'm just going to go funnel. 913 00:43:48,640 --> 00:43:51,040 Speaker 3: No, I'd call him that too. 914 00:43:51,080 --> 00:43:53,320 Speaker 2: If you've got like a Japanese motorcycle like a J 915 00:43:53,440 --> 00:43:55,920 Speaker 2: six R seven fifty or a higher Bussa or a 916 00:43:56,120 --> 00:43:59,799 Speaker 2: Yamaha FJR thirteen hundred, they all have where you put 917 00:43:59,800 --> 00:44:01,640 Speaker 2: that that particular what does that thing do? 918 00:44:01,760 --> 00:44:02,839 Speaker 1: The thing that you just take it off? 919 00:44:02,880 --> 00:44:04,120 Speaker 3: Can I say what I think that is? 920 00:44:04,160 --> 00:44:05,000 Speaker 1: Okay? Say what that thinks? 921 00:44:05,040 --> 00:44:06,840 Speaker 3: I think that's a spark plug. Very kind because it 922 00:44:06,880 --> 00:44:08,880 Speaker 3: says it on the box. Took it out, Okay. 923 00:44:09,400 --> 00:44:10,799 Speaker 1: Brendan is in Douglas Park. 924 00:44:10,960 --> 00:44:14,000 Speaker 3: Hi, Brendan, Hey, you going very well. So that's a 925 00:44:14,040 --> 00:44:16,400 Speaker 3: spark plug. What's the other bit that I was attaching 926 00:44:16,400 --> 00:44:16,640 Speaker 3: it to? 927 00:44:17,760 --> 00:44:20,440 Speaker 5: That's not a spark removing the tool. 928 00:44:20,360 --> 00:44:22,120 Speaker 1: And that's exactly what it is. 929 00:44:22,600 --> 00:44:25,080 Speaker 2: See what happens is you put your side down, then 930 00:44:25,080 --> 00:44:26,400 Speaker 2: you undo the spark plug. 931 00:44:26,440 --> 00:44:27,920 Speaker 1: But how do you get it out of the tube? 932 00:44:28,120 --> 00:44:29,959 Speaker 1: You use that thing? 933 00:44:29,440 --> 00:44:33,960 Speaker 3: I'm doing up your toolkit. We've done and Dustin, well 934 00:44:34,000 --> 00:44:37,680 Speaker 3: done to you, Brendan, one thousand dollars thanks to High Pages. 935 00:44:37,719 --> 00:44:42,000 Speaker 3: Are you a trady by any chance? Oh? Okay, there 936 00:44:42,000 --> 00:44:45,200 Speaker 3: you go. Well, trade's join High Pages today and be 937 00:44:45,320 --> 00:44:46,160 Speaker 3: your own boss. 938 00:44:46,160 --> 00:44:48,080 Speaker 1: Good on your Brenda, Thank you. 939 00:44:48,600 --> 00:44:51,360 Speaker 3: Thank you, and now excited to get let's go. 940 00:44:58,640 --> 00:45:00,440 Speaker 1: Never use my tool again? 941 00:45:00,520 --> 00:45:01,479 Speaker 8: Did you put that back? 942 00:45:01,600 --> 00:45:01,759 Speaker 11: Oh? 943 00:45:01,840 --> 00:45:05,280 Speaker 3: Shut up? I'm so excited. We have a very big 944 00:45:05,360 --> 00:45:08,360 Speaker 3: wig from Home and Away joining us next and jonesy, 945 00:45:08,600 --> 00:45:10,360 Speaker 3: you are going to do an audition. 946 00:45:12,360 --> 00:45:12,960 Speaker 7: Podcast. 947 00:45:13,800 --> 00:45:16,520 Speaker 3: Well look, you know a week or so ago, Brendon 948 00:45:16,640 --> 00:45:20,279 Speaker 3: Jones said he's obsessed with Home and Away, like you 949 00:45:20,440 --> 00:45:23,759 Speaker 3: can't stop watching it. Beyond that, he wants to be 950 00:45:23,800 --> 00:45:26,240 Speaker 3: in it and not just some as he said, piss 951 00:45:26,239 --> 00:45:32,319 Speaker 3: week role like Sam Sam with himself. You want a 952 00:45:32,360 --> 00:45:33,480 Speaker 3: big role, You want to come in. 953 00:45:33,440 --> 00:45:35,520 Speaker 1: At the top. This is something I just sort of 954 00:45:35,520 --> 00:45:36,280 Speaker 1: mentioned you off. 955 00:45:36,520 --> 00:45:38,120 Speaker 3: And I said, you know what, No, you said it 956 00:45:38,120 --> 00:45:40,160 Speaker 3: on air, You've said it for a long time, and 957 00:45:40,200 --> 00:45:42,759 Speaker 3: I want to make this happen for you. I thought 958 00:45:42,760 --> 00:45:44,920 Speaker 3: we'd get someone in who is the biggest of the 959 00:45:44,960 --> 00:45:48,200 Speaker 3: big wigs on Home and Away. She can help talk 960 00:45:48,239 --> 00:45:49,839 Speaker 3: you through this year. A little bit flushy, I am 961 00:45:49,920 --> 00:45:53,839 Speaker 3: very flashy Georgie Parker who plays Hello, good mon? 962 00:45:54,960 --> 00:45:55,239 Speaker 7: Do it? 963 00:45:55,400 --> 00:45:58,279 Speaker 3: Can I say? Jonesy gets irritated when people say I 964 00:45:58,280 --> 00:45:59,960 Speaker 3: can do radio. I'd like to do it. Does it 965 00:46:00,080 --> 00:46:02,480 Speaker 3: annoy you when people at Jonesy say I can act. 966 00:46:02,480 --> 00:46:04,440 Speaker 7: No, because I reckon he'd be able to. 967 00:46:04,680 --> 00:46:05,360 Speaker 1: Do all that. 968 00:46:06,080 --> 00:46:09,560 Speaker 7: Well, look, I think enthusiasm and passion will get you 969 00:46:09,680 --> 00:46:12,120 Speaker 7: part of the way there, and once they say action, 970 00:46:12,239 --> 00:46:16,040 Speaker 7: it's very clear what's happening, so you know, you get 971 00:46:16,080 --> 00:46:17,160 Speaker 7: sorted out pretty quickly. 972 00:46:17,480 --> 00:46:19,719 Speaker 3: Well also, Jonesy, as I was saying, wants to come 973 00:46:19,719 --> 00:46:23,319 Speaker 3: in at the top end and have a really interesting storyline. Yeah, 974 00:46:23,360 --> 00:46:26,600 Speaker 3: how many years have you been acting before Home and Away? 975 00:46:26,600 --> 00:46:28,360 Speaker 3: What are your credentials? You just didn't come in and 976 00:46:28,400 --> 00:46:29,239 Speaker 3: go give it to me. 977 00:46:29,640 --> 00:46:29,719 Speaker 9: No. 978 00:46:29,840 --> 00:46:32,040 Speaker 7: I did a lot of theater actually, so I'm theater based. 979 00:46:32,239 --> 00:46:35,480 Speaker 7: And then I started getting jobs in like Barlow and 980 00:46:35,560 --> 00:46:37,880 Speaker 7: Chambers with Hugo Eaving and Like it Was, which is 981 00:46:37,880 --> 00:46:39,799 Speaker 7: a mini series. It was the ear of mini series 982 00:46:39,840 --> 00:46:42,279 Speaker 7: when I started, so that was the ideal. But then 983 00:46:42,280 --> 00:46:45,760 Speaker 7: I got a country practice and then I still stire, 984 00:46:45,920 --> 00:46:47,760 Speaker 7: and then I did Yeah, and then I did Around 985 00:46:48,200 --> 00:46:50,600 Speaker 7: over the Hill with Bruce Benson, you know, and then 986 00:46:50,640 --> 00:46:52,640 Speaker 7: I did All Saints and then I yeah, So I've 987 00:46:52,680 --> 00:46:55,160 Speaker 7: done I've done a lot of work. And that's what 988 00:46:55,200 --> 00:46:57,719 Speaker 7: happens when you you know, you're in your late fifties. 989 00:46:58,160 --> 00:46:59,080 Speaker 3: You've looked back and. 990 00:46:59,040 --> 00:47:02,160 Speaker 7: You go, oh my god, it keeps stretching the bio. 991 00:47:03,000 --> 00:47:05,239 Speaker 3: But how amazing that you're still at the top of 992 00:47:05,280 --> 00:47:05,800 Speaker 3: your game. 993 00:47:06,400 --> 00:47:08,520 Speaker 7: Look, I'm very fortunate. I feel lucky. 994 00:47:08,960 --> 00:47:09,279 Speaker 3: I do. 995 00:47:09,360 --> 00:47:12,600 Speaker 7: But also I say yes to work. That's also another and. 996 00:47:12,560 --> 00:47:15,600 Speaker 3: It's not easy schedule. Can you give Jonesy a realistic 997 00:47:15,680 --> 00:47:18,120 Speaker 3: rundown of what his because he likes to going to 998 00:47:18,120 --> 00:47:19,560 Speaker 3: stand up paddle boarding in the middle of the day. 999 00:47:19,640 --> 00:47:20,640 Speaker 3: What's your daylight? 1000 00:47:20,760 --> 00:47:21,560 Speaker 7: Doesn't that sound good? 1001 00:47:21,800 --> 00:47:22,040 Speaker 1: Well? 1002 00:47:22,120 --> 00:47:23,600 Speaker 7: I mean, if you play cards, right, you know, you 1003 00:47:23,600 --> 00:47:25,440 Speaker 7: could come on as a stand up paddle border and 1004 00:47:25,440 --> 00:47:26,960 Speaker 7: do most of your dialogue from the water. 1005 00:47:28,160 --> 00:47:30,120 Speaker 3: Some of the snortings suggested that you should be a 1006 00:47:30,160 --> 00:47:32,760 Speaker 3: drunk flasher, which I thought was in that character. 1007 00:47:32,800 --> 00:47:34,320 Speaker 7: Oh, that will be a big storyline. 1008 00:47:34,400 --> 00:47:36,960 Speaker 1: People have been suggesting roles, and I just think that. 1009 00:47:38,960 --> 00:47:42,799 Speaker 3: One was a sleazy, crazy real estate agent. A lot 1010 00:47:42,800 --> 00:47:43,920 Speaker 3: of people have been suggesting things. 1011 00:47:43,960 --> 00:47:46,480 Speaker 1: But don't you do what did you suggest that I play? 1012 00:47:47,560 --> 00:47:49,840 Speaker 7: You do long days though, yes, yeah, we do, like 1013 00:47:49,920 --> 00:47:52,160 Speaker 7: I mean like you do early days, so that takes 1014 00:47:52,239 --> 00:47:54,319 Speaker 7: it out of you in a different way. We can 1015 00:47:54,360 --> 00:47:57,600 Speaker 7: start at like four point thirty and go to eight 1016 00:47:57,960 --> 00:48:02,960 Speaker 7: at night. Wow, afternoon, that's pretty reason. Yeah, eight pm, 1017 00:48:03,000 --> 00:48:06,759 Speaker 7: eight pm, So the days can be fourteen to fifteen hours. 1018 00:48:07,200 --> 00:48:10,400 Speaker 7: And if you get that every day for five days, 1019 00:48:10,040 --> 00:48:13,600 Speaker 7: it's like some kind of fresh hell. But other times 1020 00:48:13,640 --> 00:48:15,239 Speaker 7: you get like two three days off in the week, 1021 00:48:15,320 --> 00:48:18,480 Speaker 7: so there's no consistency to it. So but you come 1022 00:48:18,560 --> 00:48:21,560 Speaker 7: very reliant on your schedule. It becomes your bible because 1023 00:48:21,600 --> 00:48:23,920 Speaker 7: you have to plan some kind of private life around it. 1024 00:48:24,160 --> 00:48:27,439 Speaker 2: Yeah, and the character you play Rue I've followed because 1025 00:48:27,560 --> 00:48:31,000 Speaker 2: originally played by Justine Thing, you have the switcheroo in 1026 00:48:31,160 --> 00:48:32,000 Speaker 2: twenty two. 1027 00:48:32,520 --> 00:48:33,040 Speaker 1: Twenty ten. 1028 00:48:33,480 --> 00:48:34,600 Speaker 7: Yeah, I came in twenty ten. 1029 00:48:34,640 --> 00:48:37,680 Speaker 1: Yeah, absolutely been there for that long. But you're I 1030 00:48:37,760 --> 00:48:39,640 Speaker 1: noticed on the show you're single at the moment. You 1031 00:48:39,680 --> 00:48:40,520 Speaker 1: don't have a love. 1032 00:48:40,560 --> 00:48:42,640 Speaker 7: Well, I have been single for a long time. Some reason, 1033 00:48:42,719 --> 00:48:43,879 Speaker 7: Rude just cannot get her. 1034 00:48:44,560 --> 00:48:45,960 Speaker 3: You can't add a tea to the end. 1035 00:48:46,080 --> 00:48:47,960 Speaker 7: Well, I don't know. I think they like me wandering 1036 00:48:48,000 --> 00:48:50,759 Speaker 7: around after my father all the time. I can't add 1037 00:48:50,800 --> 00:48:54,520 Speaker 7: a tea to root. It's churning over. 1038 00:48:55,080 --> 00:48:58,200 Speaker 1: Yes, I think she must you embarrassed, George. 1039 00:48:59,239 --> 00:49:00,759 Speaker 7: I think rue would be, you know, a bit of 1040 00:49:00,800 --> 00:49:03,279 Speaker 7: a goer, and I can't understand why she isn't at 1041 00:49:03,360 --> 00:49:04,839 Speaker 7: least flirting continuously. 1042 00:49:05,480 --> 00:49:08,960 Speaker 3: This is where Jonesy comes in. When we come back 1043 00:49:08,960 --> 00:49:11,520 Speaker 3: from the news, Georgie, I have written a script. I 1044 00:49:11,560 --> 00:49:12,640 Speaker 3: fancy myself as a bit of. 1045 00:49:12,600 --> 00:49:13,640 Speaker 7: A direct day to read it. 1046 00:49:13,680 --> 00:49:16,680 Speaker 3: I will talk you through it, but I want to 1047 00:49:16,760 --> 00:49:18,720 Speaker 3: see you and Jonesy. 1048 00:49:18,400 --> 00:49:21,279 Speaker 7: Chemistry reader chemist read. 1049 00:49:21,920 --> 00:49:24,720 Speaker 1: I'm just I don't audition well, and I've auditioned for everyone. 1050 00:49:24,960 --> 00:49:27,640 Speaker 7: There's an excuse. I'm going to expect your very best. 1051 00:49:27,719 --> 00:49:32,160 Speaker 3: Good work, good work, all right. When we return, Brendan 1052 00:49:32,280 --> 00:49:35,880 Speaker 3: Jones and Georgie Parker will be put through their paces 1053 00:49:36,200 --> 00:49:45,960 Speaker 3: Jonesy and Amanda Podcast. 1054 00:49:47,120 --> 00:49:50,359 Speaker 2: I just I have regretted what I did a couple 1055 00:49:50,400 --> 00:49:52,120 Speaker 2: of weeks ago. I just mentioned that I would like 1056 00:49:52,160 --> 00:49:52,960 Speaker 2: to be on Home and Away. 1057 00:49:53,360 --> 00:49:56,239 Speaker 3: Just mention it, you said, I said to Chris Hamsworth 1058 00:49:56,480 --> 00:49:57,960 Speaker 3: twenty years ago. Get me. 1059 00:49:58,680 --> 00:50:00,839 Speaker 2: I did a bunch of TV shows with HEMS back 1060 00:50:00,840 --> 00:50:03,200 Speaker 2: in the day, and at the time he was quite 1061 00:50:03,200 --> 00:50:05,960 Speaker 2: surprised that I was a Home and Away fans, and 1062 00:50:06,040 --> 00:50:08,200 Speaker 2: he took me around, took me around the set, and 1063 00:50:08,200 --> 00:50:09,480 Speaker 2: I had a look and he. 1064 00:50:09,480 --> 00:50:11,920 Speaker 3: Took you around the set like a sick kiddy. 1065 00:50:11,960 --> 00:50:17,239 Speaker 2: So we have Georgia party here, who plays roomy And 1066 00:50:17,400 --> 00:50:19,160 Speaker 2: this is where I take over, Brendan. 1067 00:50:19,200 --> 00:50:21,200 Speaker 3: I'm going to make this happen for you. You say, 1068 00:50:21,520 --> 00:50:23,600 Speaker 3: I want to have a crack at this. Let's see 1069 00:50:23,640 --> 00:50:26,719 Speaker 3: you have a go. Georgie has come in to put 1070 00:50:26,760 --> 00:50:29,040 Speaker 3: you through your paces. I have written a script. I've 1071 00:50:29,120 --> 00:50:34,279 Speaker 3: donned my directing outfit, my scarf. Sorry, hear me. 1072 00:50:34,280 --> 00:50:42,960 Speaker 11: If you've got if a man, yes, now you're playing 1073 00:50:42,960 --> 00:50:46,439 Speaker 11: the role of Cyril Flang, a good name. 1074 00:50:47,560 --> 00:50:49,160 Speaker 1: I haven't even seen the script. Can you give me 1075 00:50:49,160 --> 00:50:49,839 Speaker 1: the script? At least. 1076 00:50:49,840 --> 00:50:51,400 Speaker 3: Well, here's here's your script. 1077 00:50:51,400 --> 00:50:51,680 Speaker 8: You are. 1078 00:50:51,760 --> 00:50:52,440 Speaker 1: I've changed it. 1079 00:50:52,680 --> 00:50:54,319 Speaker 3: You're a Cyril poo Flinger. 1080 00:50:54,600 --> 00:50:57,160 Speaker 7: Because I thought, yeah, that's a good idea. 1081 00:50:57,200 --> 00:50:57,480 Speaker 1: Georgie. 1082 00:50:57,480 --> 00:51:00,640 Speaker 3: Of course you're playing route. Thank you? Now what I've 1083 00:51:00,640 --> 00:51:01,799 Speaker 3: written this, jud. 1084 00:51:02,160 --> 00:51:03,920 Speaker 1: It's so directed. Can I just ask some questions? 1085 00:51:04,440 --> 00:51:06,360 Speaker 7: Asked the question that, yeah, asked the question, yeah. 1086 00:51:06,200 --> 00:51:09,600 Speaker 1: Of Georgie, thank you. It's just because. 1087 00:51:11,160 --> 00:51:11,960 Speaker 7: So what they do that? 1088 00:51:12,040 --> 00:51:14,560 Speaker 1: How do you prepare to play? What do you do? 1089 00:51:14,680 --> 00:51:16,640 Speaker 7: I just go and sit and lim my lines and 1090 00:51:16,680 --> 00:51:22,760 Speaker 7: then I do it. Yes, dear boy to me, try acting, dearbye? 1091 00:51:24,080 --> 00:51:26,120 Speaker 1: How different is rue from you? 1092 00:51:26,640 --> 00:51:29,200 Speaker 7: Not very much? But I've just got a player with 1093 00:51:29,239 --> 00:51:30,640 Speaker 7: a lot of energy, so I can get through these 1094 00:51:30,640 --> 00:51:32,879 Speaker 7: things as quickly asable, get in my car and go home. 1095 00:51:33,360 --> 00:51:34,960 Speaker 1: I haven't, I haven't actually. 1096 00:51:38,560 --> 00:51:44,399 Speaker 3: All right, script, are you ready? 1097 00:51:44,440 --> 00:51:49,280 Speaker 7: I'm ready? You're ready? You have to say, Oh, Cyril, 1098 00:51:49,880 --> 00:51:51,799 Speaker 7: last night you may be the heaviest Gill in the world. 1099 00:51:51,880 --> 00:51:54,319 Speaker 7: The passion we shared was like no other. 1100 00:51:56,640 --> 00:51:58,960 Speaker 2: I can't wait for us to be married and live 1101 00:51:58,960 --> 00:52:01,719 Speaker 2: happily ever after everyone else in sum obey. 1102 00:52:02,560 --> 00:52:05,080 Speaker 1: You know, it's a life speak moments like this, son, 1103 00:52:05,360 --> 00:52:06,520 Speaker 1: I wish I knew my parents. 1104 00:52:06,880 --> 00:52:07,799 Speaker 3: Oh what do you mean? 1105 00:52:08,280 --> 00:52:11,480 Speaker 2: Well, I got lost as a child and was raised 1106 00:52:11,480 --> 00:52:13,200 Speaker 2: by wild monkeys in the forest. 1107 00:52:13,400 --> 00:52:15,640 Speaker 7: Oh, that explains your table manners. 1108 00:52:16,040 --> 00:52:19,560 Speaker 2: Well, I have some sketchy details I found on a 1109 00:52:19,560 --> 00:52:22,120 Speaker 2: piece of paper next to the feces. 1110 00:52:21,719 --> 00:52:24,120 Speaker 1: Drawer in my room. 1111 00:52:24,760 --> 00:52:27,640 Speaker 7: Never mind, my parents will love you, so will everyone 1112 00:52:27,680 --> 00:52:29,719 Speaker 7: in my hometown of Knobhead. 1113 00:52:30,760 --> 00:52:35,080 Speaker 1: Noobhead, you're kidding me. That's where I was born. 1114 00:52:35,400 --> 00:52:40,400 Speaker 7: Really, maybe my parents knew York family mister and Missus Pouflinger. 1115 00:52:41,360 --> 00:52:45,600 Speaker 1: No, that's my monkey family name. My parents were Jethrow 1116 00:52:45,680 --> 00:52:47,440 Speaker 1: and Priscilla long Bottom. 1117 00:52:47,560 --> 00:52:51,200 Speaker 7: You know you can't be serious. They're the names of 1118 00:52:51,280 --> 00:52:53,960 Speaker 7: my parents. I'm rue long Bottom. 1119 00:52:54,320 --> 00:52:55,919 Speaker 1: That means where I should have known. 1120 00:52:56,320 --> 00:52:57,960 Speaker 7: Now when I look at you, guys, see my father's 1121 00:52:57,960 --> 00:52:59,960 Speaker 7: middle aged paunch and your bald spot. I've always known 1122 00:53:00,000 --> 00:53:05,279 Speaker 7: noticed it, but now I realize it's massive. Next line, 1123 00:53:05,440 --> 00:53:12,720 Speaker 7: So you like, just like Dad's, You must leave summer 1124 00:53:12,760 --> 00:53:15,400 Speaker 7: by now, never to return, not even in flashbacks as 1125 00:53:15,440 --> 00:53:17,839 Speaker 7: a ghost or where are they now scenarios. You are 1126 00:53:17,880 --> 00:53:20,080 Speaker 7: never to be mentioned a reference ever in any way. 1127 00:53:20,160 --> 00:53:22,600 Speaker 1: Go just go, well, let's not be I'm sure there's 1128 00:53:22,640 --> 00:53:23,200 Speaker 1: other roles. 1129 00:53:23,280 --> 00:53:27,440 Speaker 2: I could do with shut up and go got. 1130 00:53:27,880 --> 00:53:32,120 Speaker 7: I think I got you're not going. 1131 00:53:32,080 --> 00:53:32,640 Speaker 1: To take that. 1132 00:53:33,960 --> 00:53:35,719 Speaker 7: I actually thought you were really good and I got 1133 00:53:35,719 --> 00:53:39,240 Speaker 7: the monkey reference. I could see that in whatever physical 1134 00:53:39,280 --> 00:53:43,240 Speaker 7: thing you were doing, it's that not using your fingers 1135 00:53:43,239 --> 00:53:44,200 Speaker 7: and just yeah that. 1136 00:53:44,600 --> 00:53:47,320 Speaker 1: Georgie, will you take that to your superiors and brains? 1137 00:53:47,520 --> 00:53:47,799 Speaker 3: Got so? 1138 00:53:47,880 --> 00:53:50,560 Speaker 7: Will will you show to send it to me because 1139 00:53:50,600 --> 00:53:53,640 Speaker 7: I'll show you know, Lucy, who's our. 1140 00:53:55,400 --> 00:53:57,840 Speaker 3: Brendan. We're going to make this happen. You were amazing. 1141 00:53:58,360 --> 00:54:00,200 Speaker 3: You're a little slow in your delivery, which is it's 1142 00:54:00,280 --> 00:54:00,760 Speaker 3: just nerves. 1143 00:54:00,800 --> 00:54:02,840 Speaker 7: I think we're going to allow nerves to happen. You know, 1144 00:54:03,239 --> 00:54:04,760 Speaker 7: by the tenth take you'll be fine. 1145 00:54:04,840 --> 00:54:07,560 Speaker 3: Yeah, Okay, Well I hope it wants. 1146 00:54:07,400 --> 00:54:09,160 Speaker 1: To be a millionaire all over again. I'm still waiting 1147 00:54:09,200 --> 00:54:09,880 Speaker 1: the callback for that. 1148 00:54:10,160 --> 00:54:13,600 Speaker 3: I hope I've made the magic happen. Georgie Parker, you 1149 00:54:13,680 --> 00:54:15,960 Speaker 3: are a gift and a wonderful human being. Thank you 1150 00:54:16,080 --> 00:54:17,200 Speaker 3: so much for having away. 1151 00:54:17,320 --> 00:54:20,040 Speaker 7: She's great anytime, anytime. 1152 00:54:20,200 --> 00:54:21,319 Speaker 3: We love it. Thank you. 1153 00:54:21,680 --> 00:54:31,759 Speaker 2: Thanks Georgie, everybody. 1154 00:54:32,719 --> 00:54:34,160 Speaker 3: I've said the goode of the year. When it's ten 1155 00:54:34,160 --> 00:54:36,840 Speaker 3: thousand dollars cash and a brand new spinally is Mattress 1156 00:54:36,920 --> 00:54:40,719 Speaker 3: added over sixteen thousand dollars by a Spinally his plow 1157 00:54:40,719 --> 00:54:42,520 Speaker 3: now with after pay and you get free delivery at 1158 00:54:42,520 --> 00:54:44,080 Speaker 3: Spinally's at eat dot com to you what. 1159 00:54:44,040 --> 00:54:44,480 Speaker 1: Have we got? 1160 00:54:45,440 --> 00:54:48,080 Speaker 5: Mike gol is the biggest coolie ever. What is it 1161 00:54:48,160 --> 00:54:50,160 Speaker 5: with husbands that go to a super masket with a 1162 00:54:50,200 --> 00:54:52,839 Speaker 5: list and always come back with two or. 1163 00:54:52,800 --> 00:54:55,680 Speaker 10: Three arms of that list? It's clearly mark. 1164 00:54:55,800 --> 00:54:56,520 Speaker 9: It drives me. 1165 00:54:56,560 --> 00:55:00,400 Speaker 1: Nut because you couldn't be bothered as you go to 1166 00:55:00,440 --> 00:55:00,719 Speaker 1: that one. 1167 00:55:00,760 --> 00:55:02,839 Speaker 2: As'll say, if you get to get garbage bags and 1168 00:55:02,880 --> 00:55:05,279 Speaker 2: you're in you've missed the garbage bag aisle and you're 1169 00:55:05,320 --> 00:55:07,560 Speaker 2: near the checkout, and then you don't want to go back. 1170 00:55:07,680 --> 00:55:10,000 Speaker 3: Now you know what it is. Men hate being told 1171 00:55:10,120 --> 00:55:13,120 Speaker 3: what to do. A man does not want a list. 1172 00:55:13,200 --> 00:55:14,960 Speaker 3: It's the most stressful thing when you say, can you 1173 00:55:15,000 --> 00:55:15,640 Speaker 3: get these things? 1174 00:55:15,760 --> 00:55:15,920 Speaker 9: Yep. 1175 00:55:16,000 --> 00:55:18,680 Speaker 3: It's like a waiter who won't write anything down. You 1176 00:55:18,719 --> 00:55:22,000 Speaker 3: know they're not going to remember, so they just don't 1177 00:55:22,040 --> 00:55:24,319 Speaker 3: like being given a list. I think that's it. 1178 00:55:24,800 --> 00:55:27,560 Speaker 8: But as did we go, My daughter and her family 1179 00:55:27,600 --> 00:55:29,919 Speaker 8: are moving back in with us for the second time 1180 00:55:30,000 --> 00:55:33,319 Speaker 8: because of their current work situation, because the first time 1181 00:55:33,400 --> 00:55:35,960 Speaker 8: was such a fiasco. I decided to lay down some 1182 00:55:36,040 --> 00:55:38,560 Speaker 8: simple ground rules, such as we all sit down at 1183 00:55:38,560 --> 00:55:41,759 Speaker 8: the table together for dinner and no fans no to me. 1184 00:55:42,160 --> 00:55:45,200 Speaker 8: When you finish dinner, you put your gear into dishwasher, 1185 00:55:45,600 --> 00:55:48,200 Speaker 8: you make your beds, simple things like that, just to 1186 00:55:48,280 --> 00:55:51,640 Speaker 8: help ersole folks out. But because of all my rules, etc. 1187 00:55:52,239 --> 00:55:53,439 Speaker 8: I've become the bad guy. 1188 00:55:53,880 --> 00:55:58,960 Speaker 2: That's what gets by goods circling over the sink and 1189 00:55:59,000 --> 00:56:00,600 Speaker 2: I say to my twenty four old daughter, what are 1190 00:56:00,640 --> 00:56:01,319 Speaker 2: you going to clean this up? 1191 00:56:01,440 --> 00:56:03,640 Speaker 1: Jais that's such a thing with you? And I go, well, 1192 00:56:03,680 --> 00:56:04,160 Speaker 1: yes it is. 1193 00:56:04,280 --> 00:56:07,160 Speaker 3: Oh that's hard. Oh that's a sad one. 1194 00:56:07,200 --> 00:56:08,399 Speaker 1: Out of the bad and with the good. 1195 00:56:08,520 --> 00:56:10,000 Speaker 2: If you did that, you're gonnaways. Call us on the 1196 00:56:10,000 --> 00:56:12,200 Speaker 2: hotline number nine O six one seven nine eighty four. 1197 00:56:12,280 --> 00:56:13,359 Speaker 2: It's fourteen to nine. 1198 00:56:13,960 --> 00:56:14,600 Speaker 8: Gem Les. 1199 00:56:15,360 --> 00:56:18,400 Speaker 2: Jim Dollon has been working harder than the Ika stenographer 1200 00:56:18,800 --> 00:56:20,759 Speaker 2: and he's come up with this Jim bows Jim. 1201 00:56:24,080 --> 00:56:26,359 Speaker 12: By the time you hear this segment, it's usually at 1202 00:56:26,400 --> 00:56:28,319 Speaker 12: the end of the show, and you may wonder if 1203 00:56:28,320 --> 00:56:31,320 Speaker 12: the quality is just as good at the start. Well, 1204 00:56:31,320 --> 00:56:33,960 Speaker 12: take a listen to this fine example. Make up your 1205 00:56:34,000 --> 00:56:34,479 Speaker 12: own mind. 1206 00:56:34,520 --> 00:56:36,520 Speaker 3: The man who invented I just reading the paper. The 1207 00:56:36,560 --> 00:56:38,440 Speaker 3: man who invented fairybread has passed away. 1208 00:56:39,640 --> 00:56:40,240 Speaker 1: Was his name? 1209 00:56:40,760 --> 00:56:42,719 Speaker 3: Ah, I'm not sure of his name, but there were 1210 00:56:43,080 --> 00:56:44,719 Speaker 3: hundreds and thousands at his funeral. 1211 00:56:47,680 --> 00:56:50,840 Speaker 4: No, Fuzzy, don't panic everyone. 1212 00:56:50,880 --> 00:56:52,400 Speaker 3: He's probably still alive. 1213 00:56:52,600 --> 00:56:54,960 Speaker 12: All of Australia has been intrigued about the case of 1214 00:56:55,000 --> 00:56:58,680 Speaker 12: the missing financial advisor Melissa Caddock, and the millions of 1215 00:56:58,719 --> 00:57:01,480 Speaker 12: dollars that went with it. She disappeared last year, with 1216 00:57:01,560 --> 00:57:03,799 Speaker 12: the only trace being her foot washed up on a 1217 00:57:03,840 --> 00:57:06,799 Speaker 12: remote beach. The intrigue stepped up a notch when her 1218 00:57:06,880 --> 00:57:09,880 Speaker 12: husband went on Channel seven to discuss his side of 1219 00:57:09,920 --> 00:57:12,520 Speaker 12: the story, in which we saw a bizarre series of 1220 00:57:12,560 --> 00:57:17,120 Speaker 12: re enactments which featured his music and an equally bizarre 1221 00:57:17,240 --> 00:57:19,880 Speaker 12: method he used to find her In the months after 1222 00:57:19,920 --> 00:57:20,840 Speaker 12: her disappearance. 1223 00:57:21,000 --> 00:57:24,240 Speaker 3: He went about finding her is that he would drive 1224 00:57:24,280 --> 00:57:27,280 Speaker 3: around the streets, sometimes the back streets, but they filmed 1225 00:57:27,360 --> 00:57:30,200 Speaker 3: him in the main streets, driving around playing his music 1226 00:57:30,320 --> 00:57:33,680 Speaker 3: loudly so that she'd hear it and. 1227 00:57:33,600 --> 00:57:35,200 Speaker 1: Come to She just pop out of the bushes. 1228 00:57:38,160 --> 00:57:39,920 Speaker 9: We can tell it the year four. 1229 00:57:42,320 --> 00:57:42,680 Speaker 8: We won. 1230 00:57:43,240 --> 00:57:46,880 Speaker 2: That's where you been, Like modern day mister Whippy playing 1231 00:57:46,960 --> 00:57:47,840 Speaker 2: dreadful songs. 1232 00:57:48,160 --> 00:57:52,640 Speaker 3: There was one unfortunate phrase. All the files or the receipts, 1233 00:57:52,800 --> 00:57:56,560 Speaker 3: everything like that. So really I just feel like she 1234 00:57:56,680 --> 00:57:58,440 Speaker 3: had no foot to stand on. 1235 00:57:59,160 --> 00:58:02,760 Speaker 12: Okay, there, you may have noticed that Funeral has been 1236 00:58:02,760 --> 00:58:05,400 Speaker 12: a bit on the steep side of late. Or according 1237 00:58:05,400 --> 00:58:07,640 Speaker 12: to Amanda, her car is just putting on weight. 1238 00:58:07,800 --> 00:58:09,880 Speaker 3: Remember that time I had a brain fade and when 1239 00:58:10,040 --> 00:58:12,520 Speaker 3: usually it took you know, eighty bucks to fill the 1240 00:58:12,560 --> 00:58:14,400 Speaker 3: curR and then it was one hundred or something, I 1241 00:58:14,560 --> 00:58:16,480 Speaker 3: thought that my petrol tank was getting bigger. 1242 00:58:16,720 --> 00:58:21,120 Speaker 1: Yeah, but it's not. I know that now. You did 1243 00:58:21,200 --> 00:58:23,240 Speaker 1: yell at a petrol tank a driver once? I said, oh, 1244 00:58:23,400 --> 00:58:26,320 Speaker 1: your big, greedy guts, don't take it all. 1245 00:58:27,240 --> 00:58:29,720 Speaker 3: No, I didn't. I don't really get that. You say 1246 00:58:29,760 --> 00:58:31,080 Speaker 3: a lot. I'd have never understood it. 1247 00:58:31,120 --> 00:58:32,680 Speaker 1: Look at your big tank, your beighind. 1248 00:58:32,720 --> 00:58:36,760 Speaker 3: Remember someone told us that I thought that you build 1249 00:58:36,760 --> 00:58:40,320 Speaker 3: a petrol station above a natural reserve of gasoline. 1250 00:58:40,480 --> 00:58:43,240 Speaker 1: That was you? Was No, that wasn't I telling people 1251 00:58:43,280 --> 00:58:43,760 Speaker 1: that was you. 1252 00:58:44,160 --> 00:58:46,640 Speaker 3: Look, I admit to one dumb thing, not every dumb thing. 1253 00:58:46,840 --> 00:58:48,880 Speaker 12: Jonesy's question to get our home and away as a 1254 00:58:48,920 --> 00:58:52,240 Speaker 12: regular character continued this week, and thanks to you. There 1255 00:58:52,240 --> 00:58:55,440 Speaker 12: were plenty of suggestions as to what party could play. 1256 00:58:55,600 --> 00:58:57,520 Speaker 2: A guy said to me many years ago in the 1257 00:58:57,640 --> 00:59:01,560 Speaker 2: Musclebrook Amateur Musical Society that I would make a great actor. 1258 00:59:01,960 --> 00:59:04,240 Speaker 1: And he said you should go and do some training 1259 00:59:04,280 --> 00:59:07,200 Speaker 1: and do all that. And I pursued this dream instead. 1260 00:59:07,720 --> 00:59:10,880 Speaker 1: But now I'm thinking, at fifty three, perhaps it's time. 1261 00:59:10,960 --> 00:59:13,680 Speaker 1: It was a wasted opportunity. Perhaps it was a wasted 1262 00:59:14,120 --> 00:59:15,880 Speaker 1: I could have been bigger than Russell Crowe right now 1263 00:59:16,000 --> 00:59:16,760 Speaker 1: it's some other ones. 1264 00:59:16,800 --> 00:59:19,240 Speaker 3: People have suggested you fall in love with Marilyn and 1265 00:59:19,320 --> 00:59:23,280 Speaker 3: find out that your brother and sister like that. After 1266 00:59:23,320 --> 00:59:27,000 Speaker 3: the passion, you see, you could do this one because 1267 00:59:27,000 --> 00:59:30,160 Speaker 3: it's no acting involved. A greasy sleezy realized that agent 1268 00:59:30,200 --> 00:59:32,040 Speaker 3: who cares more about himself than anyone else? 1269 00:59:35,440 --> 00:59:37,280 Speaker 1: Did you right now? I didn't? 1270 00:59:37,400 --> 00:59:37,840 Speaker 6: I could have? 1271 00:59:38,040 --> 00:59:39,040 Speaker 3: Couldn't I? 1272 00:59:39,080 --> 00:59:42,840 Speaker 12: And one very interesting yest this week was doctor Rachel Menzies. 1273 00:59:43,120 --> 00:59:45,080 Speaker 1: She has a book out that deals with. 1274 00:59:45,120 --> 00:59:48,280 Speaker 12: Death anxiety, It's a thing. She also looks at how 1275 00:59:48,400 --> 00:59:51,200 Speaker 12: other cultures around the world deal with death and what 1276 00:59:51,240 --> 00:59:52,280 Speaker 12: we can learn from them. 1277 00:59:52,400 --> 00:59:55,440 Speaker 13: One culinary delicacy in Papa, New Guinea, where they actually 1278 00:59:55,440 --> 00:59:59,080 Speaker 13: eat the dead naggots and all. They even sprinkle the 1279 00:59:59,080 --> 01:00:01,680 Speaker 13: ashes of the court on their food like a kind 1280 01:00:01,720 --> 01:00:05,080 Speaker 13: of corps part of them and doing it to cop guess. 1281 01:00:05,200 --> 01:00:07,120 Speaker 13: And it's not that we all have to go out there, 1282 01:00:07,520 --> 01:00:10,640 Speaker 13: you know, eating the corpses of our family members. But 1283 01:00:10,840 --> 01:00:13,120 Speaker 13: a lot of cultures have a really different approach to 1284 01:00:13,200 --> 01:00:16,840 Speaker 13: guest compared to our culture, which tends to hide it 1285 01:00:16,880 --> 01:00:18,120 Speaker 13: away and not talk about it. 1286 01:00:18,200 --> 01:00:19,560 Speaker 1: They've really got to get uber eats. 1287 01:00:21,480 --> 01:00:23,600 Speaker 12: Yeah, I don't think the overeats driver is going to 1288 01:00:23,680 --> 01:00:24,400 Speaker 12: nick any of that. 1289 01:00:24,640 --> 01:00:26,320 Speaker 1: This has been Jimbo's Ubijebba. 1290 01:00:29,240 --> 01:00:32,680 Speaker 3: Our favorite caller email or Facebook friend wins a five 1291 01:00:32,760 --> 01:00:36,000 Speaker 3: hundred dollars Harvey Norman voucher shop the latest outdoor furniture 1292 01:00:36,040 --> 01:00:36,960 Speaker 3: and barbecue range. 1293 01:00:37,040 --> 01:00:40,000 Speaker 2: Now you also get the Jonesy demanded bubblehead and branded 1294 01:00:40,080 --> 01:00:42,560 Speaker 2: tea towel with our little dolly heads five. 1295 01:00:42,600 --> 01:00:45,880 Speaker 3: Your flashback today it was fruity songs because we try 1296 01:00:45,920 --> 01:00:48,160 Speaker 3: to do this week and stunk out the office. You 1297 01:00:48,240 --> 01:00:49,120 Speaker 3: went with this. 1298 01:00:50,360 --> 01:00:53,160 Speaker 1: Great presidency in the United States. 1299 01:00:53,560 --> 01:00:59,760 Speaker 3: I won with this little Richard. I know today it's 1300 01:00:59,760 --> 01:01:03,360 Speaker 3: all a bit about your acting and you you and 1301 01:01:03,400 --> 01:01:08,080 Speaker 3: it was really lovely because someone called through and voted 1302 01:01:08,080 --> 01:01:11,320 Speaker 3: for you. It's Carol from triggear Hallo. 1303 01:01:11,640 --> 01:01:15,880 Speaker 5: I'm a vote Amanda. And also I love your living room. 1304 01:01:16,200 --> 01:01:22,280 Speaker 3: Oh I'm glad sir tonight after week. Oh, I love 1305 01:01:22,360 --> 01:01:24,920 Speaker 3: hearing that. It's a great episode tonight. Please choin did you. 1306 01:01:24,880 --> 01:01:29,400 Speaker 2: Have the time I was on at Carol Adam, I put. 1307 01:01:29,200 --> 01:01:30,280 Speaker 1: It to you. You just put that. 1308 01:01:30,240 --> 01:01:35,400 Speaker 3: On me living room tonight seven thirty please and chuny. 1309 01:01:35,200 --> 01:01:38,160 Speaker 1: Nothing to do with me Friday yet that's enough. 1310 01:01:38,320 --> 01:01:40,520 Speaker 3: I fills up. Next, it's the last day for post 1311 01:01:40,520 --> 01:01:41,240 Speaker 3: code Payday. 1312 01:01:41,360 --> 01:01:44,400 Speaker 1: We'll be back from six o'clock today for jam Nis and. 1313 01:01:44,360 --> 01:01:47,520 Speaker 3: We have an exciting announcement on Monday. 1314 01:01:47,640 --> 01:01:49,080 Speaker 1: Is it about me being on Home and Away? 1315 01:01:49,200 --> 01:01:50,480 Speaker 3: No, let me check. 1316 01:01:51,080 --> 01:01:56,040 Speaker 1: No, it's next checking. No, I just know no. Good daity, Well, 1317 01:01:56,240 --> 01:01:57,439 Speaker 1: thank god that's over. 1318 01:01:57,600 --> 01:02:02,080 Speaker 8: Good good bye, Wipe the two baby. 1319 01:02:02,240 --> 01:02:02,680 Speaker 3: From You're On. 1320 01:02:03,000 --> 01:02:06,280 Speaker 7: A podcast of today's show is available to download from 1321 01:02:06,280 --> 01:02:07,720 Speaker 7: the iHeartRadio app. 1322 01:02:07,800 --> 01:02:09,160 Speaker 3: All the Cool Kids are doing it. 1323 01:02:14,480 --> 01:02:20,320 Speaker 7: Good Bye Jonesy and Amanda podcast. Catch up on what 1324 01:02:20,360 --> 01:02:22,680 Speaker 7: you've missed on the free iHeartRadio app.