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Speaker 1: The Will and podcast. I don't often get disgusted Will.

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Speaker 2: No, No, that's true. Actually you're really disgusted.

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Speaker 1: Really disgusting. Well, today, my friend, I am disgusted.

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Speaker 3: Why because there is this French restaurant in the UK.

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Speaker 2: Called La.

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Speaker 1: Sorry if I pronounced that incorrect, well, I'd be.

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Speaker 4: Surprised if there was any acute accent on the end

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Speaker 4: of it.

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Speaker 2: How do you spell it?

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Speaker 3: L A space p o p o t e lapper

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Speaker 3: lap lapper pot well, lapper pote.

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Speaker 1: Is on my list? My friends?

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Speaker 2: What happened?

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Speaker 3: Because they have announced that they have a water menu.

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Speaker 3: Oh wow, they are so pretty, so wanky Will reviews.

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Speaker 4: I'm sure at four point nine after or a thousand

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Speaker 4: Google reviews, that is that's rare.

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Speaker 1: It's barely a one for me.

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Speaker 2: They can do whatever they want as far as I'm concerned.

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Speaker 3: They have got a list of waters from around the world.

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Speaker 3: Is it did you say that you can choose from

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Speaker 3: it's in the UK? Well all right, okay, so I

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Speaker 3: thought it was in France. Sorry, I'm looking at one

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Speaker 3: in France. Where in the UK is this is? A?

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Speaker 3: Doesn't actually say? Just look up UK restaurant La Popolte.

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Speaker 3: Not only do they have a water menu? Will they

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Speaker 3: also have a water somelli air called door and binder

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Speaker 3: who talks you through your water choice. I have never

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Speaker 3: heard of a floggier offering in my life. My personal

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Speaker 3: stance is that they shouldn't even come to your table

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Speaker 3: and say do you want tap or sparkling or still?

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Speaker 2: Right?

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Speaker 3: Just like obviously I want tap. I don't want to

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Speaker 3: be paining for that's okay. Sure you can offer sparkling,

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Speaker 3: allow sparkling water, but when it comes to still, I

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Speaker 3: want it out of your goddamn tap, and I want

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Speaker 3: it for free.

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Speaker 1: And don't you bloody add cakeage to that or something? Okay,

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Speaker 1: there are a few other rules. Well, you just throw

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Speaker 1: a fee in there. It's like, oh we bottled it though.

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Speaker 3: Yeah, don't get me with your sneaky fees. And I've

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Speaker 3: got more things will that i'd like to ban from

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Speaker 3: all menus, if you'll hear it. Yeah, sure, these I've

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Speaker 3: just I've just written from all menus, and I'm just

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Speaker 3: sick of seeing these words.

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Speaker 4: You don't like eating out worth saying it stresses me out.

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Speaker 1: This is in my world going out for dinner.

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Speaker 2: It's hidden costs.

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Speaker 1: Well a, it's hidden costs.

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Speaker 3: But b it's just this stressful environment where you can't

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Speaker 3: really get what you want. You've got this small list

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Speaker 3: in front of you of the things you can get,

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Speaker 3: and then when you want to make a tweak to it,

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Speaker 3: you're offending someone.

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Speaker 2: In your head. Don't how dare you don't?

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Speaker 3: Because of when the chef comes back and goes, we

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Speaker 3: won't do it without the sauce, and I'm like, do

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Speaker 3: it without the saw?

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Speaker 2: No, they don't say that, they do, they don't.

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Speaker 3: I say to them, just put olive oil on it, please,

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Speaker 3: and they say it won't taste good and and a

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Speaker 3: fight ensues. So yeah, so lok, going to a restaurant

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Speaker 3: is a.

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Speaker 1: Little bit stressful for me.

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Speaker 3: But look, I just I just want to have a

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Speaker 3: go at a few words that I just const No, No,

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Speaker 3: there's not hidden costs. These are just I just think

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Speaker 3: these are very pretentious words that people use on menus

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Speaker 3: that I'd like to see the end of. So first, deconstructed,

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Speaker 3: piss off, construct it just just if I'm going to

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Speaker 3: be paying money for the aforementioned fees that I'm paying,

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Speaker 3: if I'm going to pay construct it, Okay.

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Speaker 1: That's the that's the smallest you could do. It's just

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Speaker 1: to construct it.

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Speaker 2: I think it's I think it's take it back and

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Speaker 2: construct it.

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Speaker 1: That's why number two artisanal. What does that even mean? Well,

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Speaker 1: what does tisinal mean? I don't care.

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Speaker 3: It's nothing words, it's not olives ram it no bread.

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Speaker 2: So made, it's going to be hand made.

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Speaker 3: Okay, okay, so you just you say handmade. That is

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Speaker 3: also getting banned from all. You can't say hand crafted

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Speaker 3: or handmade. Everything was made with hands?

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Speaker 1: Everything, okay next week, just ridiculous.

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Speaker 4: You might have grown like you might have grown it

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Speaker 4: like if it's his handmade or they're probably just lying

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Speaker 4: with his handmade carrots.

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Speaker 3: Well no, but of course it was made with hands

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Speaker 3: because you have hands.

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Speaker 1: If you made it with your feet, let me know,

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Speaker 1: because that's impressive.

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Speaker 2: It's not made with hands.

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Speaker 1: You need it with your hands.

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Speaker 3: Wouly Dorley, a prisoner at HMP Bullingdon, which is a

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Speaker 3: prison in the UK, Will was served some jacket potatoes

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Speaker 3: for lunch.

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Speaker 1: Right now the inmate either.

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Speaker 3: Just as a side or oh sorry, it's just a side. Yeah,

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Speaker 3: got given jacket potatoes. I'm not sure what the main

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Speaker 3: part of the meal was, but part of the meal

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Speaker 3: he was served up was jacket potatoes. Now, the inmate

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Speaker 3: by the name of Nicholas Brock has a very strong

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Speaker 3: issue with jacket potatoes. He says it's his least favorite

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Speaker 3: preparation of the potato. He would have taken a chip,

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Speaker 3: he would have taken mashed potatoes, he would have taken

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Speaker 3: roast potatoes.

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Speaker 1: He hates jacket.

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Speaker 4: Stuff like if there's a good cheese going on, or

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Speaker 4: some bacon or something, bit of sour cream, delightful, not stuffed,

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Speaker 4: Oh well then I don't know stuffing doing it?

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Speaker 3: Then no stuffing, just a just a basic jacket potato.

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Speaker 3: He had such a strong issue with the jacket potato

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Speaker 3: that it is alleged that he said to a prison

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Speaker 3: guard as gets pretty full on, but he said, I

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Speaker 3: will put a nine milimeter to the back of your head.

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Speaker 3: Don't think I won't do it. Because he was so

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Speaker 3: angry about the jacket potatoes that he was that he

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Speaker 3: was served up. He was threatening to kill people because

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Speaker 3: he got served jacket potatoes. Now that's outrageous. It's probably

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Speaker 3: an unnecessary reaction to being served jacket potatoes, but it does.

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Speaker 4: Suck when, like, you know, like when I was growing

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Speaker 4: up and Mum and dad were both at work, and

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Speaker 4: my older sister would be left like fish cakes in

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Speaker 4: the fridge, and Mum would be like the boys fish.

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Speaker 1: Caked, damn fish cakes. I got fish. No one likes fish.

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Speaker 2: I hated fish gate.

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Speaker 4: And I would just know Claire would be like clear

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Speaker 4: would come home and you're like, oh, Mum's on home

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Speaker 4: till late, and I'd be like, you know, what's what's

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Speaker 4: for dinner?

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Speaker 2: And I would just know she'd be like, oh, fish, there's.

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Speaker 4: Not enough sweet chili sauce in the world.

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Speaker 1: You were drowned. Yeah, chili sauce. Yeah.

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Speaker 4: I'd get sufficiently angry, like it's my dinner. Yeah, sure,

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Speaker 4: there's nothing worse than a crapmeal.

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Speaker 1: Yeah.

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Speaker 3: And I do agree that there are things in everyone's

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Speaker 3: lives that make you unnecessarily angry.

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Speaker 1: So for this guy, it's just jacket potatoes.

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Speaker 3: He spent his whole life getting unnecessarily angry about jacket potatoes.

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Speaker 3: Thirteen one oh six five is our number. Though you

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Speaker 3: don't have to go to the level of, you know,

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Speaker 3: threatening to kill people might but you might think it

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Speaker 3: what makes you necessarily angry?

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Speaker 1: Like what in your life do you know?

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Speaker 3: Just you overreact with anger when it happens, Like for

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Speaker 3: me personally, I just I cannot stand it. Will when

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Speaker 3: everyone with someone usually this is this is my wife

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Speaker 3: when she says, hey, what do you want for dinner?

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Speaker 1: And I go, okay, here we go, here we go, yep, beautiful.

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Speaker 1: I don't know fish and chips and she goes, oh no,

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Speaker 1: not fish and chips. Why did you ask me?

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Speaker 5: Then?

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Speaker 1: Yeah, you know if this if when you ask what

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Speaker 1: open dialogue?

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Speaker 3: Though, yeah, I know I get that, but don't say, like, hey,

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Speaker 3: you choose what's what? You choose what saying different questions?

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Speaker 3: It's in the time.

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Speaker 4: When then you get Carlos and you said, what do

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Speaker 4: you feel like? That should be open dialogue? And you're

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Speaker 4: just feeling each other.

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Speaker 1: Out in the time.

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Speaker 3: Another one that gets me. I don't know why it

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Speaker 3: makes me so angry. Actually I do because of the inconvenience.

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Speaker 3: But you know, just items that need batteries that don't

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Speaker 3: come with batteries.

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Speaker 1: Just why would you do.

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Speaker 2: That to me?

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Speaker 4: Yeah, batteries not included, and there's transport issues. Can't store

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Speaker 4: it well, you can't store them for too long on

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Speaker 4: the heat up strap.

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Speaker 1: It on the back something.

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Speaker 3: Yeah, I just hate getting home and often those products

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Speaker 3: you've got to get the scissors to get that.

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Speaker 1: Hardt off, and you get in there and you pump

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Speaker 1: to use it down many batches.

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Speaker 2: Yeah, I hate it.

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Speaker 1: Now you're an angry man.

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Speaker 2: I'm not. You are, I've got angry all the time. Yeah.

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Speaker 4: Do you you know? Well hext next to start with pods?

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Speaker 4: Can I start with pods? You know, the confectionery pods?

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Speaker 1: Yeah? What's wrong with the pod pods?

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Speaker 2: Suck?

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Speaker 4: I just think them up with color was something better. Well,

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Speaker 4: those guys, first of all, they're thrown a blanket over

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Speaker 4: every single confectionery. They're like your Sneakers pods, Mars pods, pirsontally.

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Speaker 4: They taste the same. There's no peanuts, and the Sneakers

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Speaker 4: pods are too that much. It's exactly the same as

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Speaker 4: the mass pot TwixT pod, pretty.

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Speaker 2: Much the same thing. It's a biscuit.

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Speaker 4: Those guys sit around all day, they make money and

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Speaker 4: they just brought They just brainstorm ideas about chocolate. They

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Speaker 4: haven't comet with a new thing since the pod came

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Speaker 4: out twenty five years ago. I think there's a lot

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Speaker 4: of things you could do.

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Speaker 2: I don't wonder. I hate pods. Don't get many in

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Speaker 2: the packet.

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Speaker 4: They're much smaller than they look on the ads, and

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Speaker 4: they're like fifteen dollars for ten.

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Speaker 2: They're ship anyway, oh mad, enough of them, enough of

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Speaker 2: them with a mind pod.

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Speaker 1: But some other people had some examples as well, frozen.

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Speaker 4: Me pies and mashed potato. It's the worst. So as

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Speaker 4: a kid, I had Cyger's training three nights a week

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Speaker 4: and that's what I ate, three nights a week for

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Speaker 4: ten years, and all I wanted.

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Speaker 3: Was just a normal bakery pie.

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Speaker 6: Hearing my dog eat or drink her water.

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Speaker 1: Yeah.

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Speaker 7: M've been in Australia with twelve years. Came from the UK,

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Speaker 7: don't it, and ever since day one. You know when

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Speaker 7: you get a pizza something, you know you going for

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Speaker 7: a nice meal or other and you get the bill

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Speaker 7: when you get to the counter and ego, just that's

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Speaker 7: just four hundred dollars, that's just two hundred dollars.

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Speaker 1: I hate it.

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Speaker 3: Well, now we've got Shana here who didn't quite get

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Speaker 3: on last time.

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Speaker 1: But Shana, what makes you unnecessarily angry?

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Speaker 5: Condensation? There's nothing worse than condensation, Like when you've got

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Speaker 5: a cold drink a cold beer and it just drips

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Speaker 5: all over you and all over your clothing, and it's

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Speaker 5: like you can't enjoy it because it just.

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Speaker 4: Condensation, you know, in the morning, like when it's been

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Speaker 4: there's been no raino a night and you've accidentally left

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Speaker 4: a towel out and you got to go to town.

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Speaker 2: What what? What? What sorcery?

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Speaker 3: Is this just jewey? When it's dewy condensation? Is that

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Speaker 3: jew Taylor is kilt? Is that just specific condensations? That's right, right,

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Speaker 3: Let's go to Taylor here. Taylor, what makes you unnecessarily angry? Hi?

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Speaker 5: Guys, I think everything you guys have said makes me

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Speaker 5: quite angry.

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Speaker 6: But the one that frustrates me.

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Speaker 7: The worst is when you walk past the door and.

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Speaker 6: You're already annoyed and your jumper gets caught on the

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Speaker 6: door and pulls your back.

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Speaker 5: Oh yeah, that is the worst for someone else.

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Speaker 6: Yes, it's good to watch, but not yourself, especially.

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Speaker 1: If you're doing an angry storm off.

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Speaker 3: Like if you've got angry and you go to storm

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Speaker 3: off and you jumper gets caught, nothing worse will be.

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Speaker 2: A basic one.

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Speaker 4: But and in the same vein as Taylor, But stubbing

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Speaker 4: your toe suck. Oh horrific right around the edge of

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Speaker 4: the bed at nighttime, and.

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Speaker 2: I'm so angry.

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Speaker 3: You can't complain about it, like, because your partner's not

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Speaker 3: gonna give you any sympathy there and they'll probably laugh

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Speaker 3: at you. Tho, you don't understand how much pain I'm

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Speaker 3: in right now.

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Speaker 2: It's it's it's what I like to call disproportionate pain.

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Speaker 4: Like whoever set up the pain system on this earth,

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Speaker 4: God gotta be God.

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Speaker 2: That shouldn't hurt that much.

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Speaker 4: Yeah, for what I've done to deserve, this just should

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Speaker 4: not just shouldn't hurt that much.

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Speaker 3: Turn the dial down a little bit, right, you know

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Speaker 3: it frustrates me sometimes when you're in a restaurant, this

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Speaker 3: has just come to me, makes very angry.

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Speaker 1: You know. They walk up to and you finished.

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Speaker 3: With that, and it's like, obviously I'm not If you

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Speaker 3: had to ask, I'm not really well, I just think

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Speaker 3: of this food on the plate.

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Speaker 1: I'm not done anyway, Jesse.

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Speaker 2: For a lot of people, they are to be fair.

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Speaker 1: I do get that. I do it to be fair. Well,

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Speaker 1: I'm never done, Jesse. What makes you unnecessarily angry?

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Speaker 8: For me?

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Speaker 6: So when I go to a stationery store or anywhere,

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Speaker 6: and I need.

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Speaker 9: A pair of scissors.

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Speaker 5: Yeah, and then you need to open Yes.

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Speaker 1: I hate that. Yes, it's like, well, how was I

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Speaker 1: supposed to get in here? Jess? That's brilliant. You know

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Speaker 1: what it gets me as well.

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Speaker 3: It's like similar one you know, when you've got it,

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Speaker 3: you take the bin bag out of your out of your.

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Speaker 2: Bin, and then it's the one that's been used.

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Speaker 3: Yeah, the one's been You take it out, and then

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Speaker 3: you go and open a new bag of bins and

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Speaker 3: then you go to throw it out and you're like,

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Speaker 3: I don't ever been yet.

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Speaker 1: Let's go to Richard. Richard, what makes you unnecessarily angry.

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Speaker 3: When you go to a seafood buffet and they rave

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Speaker 3: on about how they have all you can eat oysters

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Speaker 3: and seafood, but they only stuck up the oysters or

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Speaker 3: the seafood like bare minimum.

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Speaker 2: Oh I know, and.

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Speaker 3: You've got to stand there, You stand there like a

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Speaker 3: poor for waiting there as the person goes to clear

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Speaker 3: out the train, it's like, just.

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Speaker 1: Bring them all out, get shucking.

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Speaker 4: If you're worried about AI taking your job, fear no more.

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Speaker 4: Because in a very basic fifteen hundred meters sprint during

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Speaker 4: the first.

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Speaker 2: Robot Olympics Woods in Beijing.

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Speaker 4: One humanoid just face planted within the first couple of meters.

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Speaker 3: Humanoid is a robot that loss like a human. Yeah,

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Speaker 3: face planted, first couple of meters.

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Speaker 1: Bang, awesome.

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Speaker 2: Moti cost at least fifty million dollars to raise.

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Speaker 3: That's awesome, bang first steps a real win for the

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Speaker 3: humans bush.

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Speaker 2: Yep, you don't see that on Timorah.

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Speaker 4: But yeah, at this at this current pointstre struggling to walk,

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Speaker 4: which is good for us.

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Speaker 3: Did any of the other robots go back? Great ques

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Speaker 3: John Clark in nineteen fifty six, great question. No, but

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Speaker 3: a lot of the humans went Robots don't care, no feelings.

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Speaker 1: I thought robots cared about other robots. Now I thought

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Speaker 1: those didn't.

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Speaker 4: Like, Oh no, that's that's that's what Hollywood wants you

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Speaker 4: to believe that robots they don't think.

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Speaker 2: Mate. Okay, so yet, so the humans ran back.

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Speaker 4: Lots of people were actually quite shocked and a bit

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Speaker 4: sad actually that this guy went down.

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Speaker 3: Yeah, ok yeah, real West World. Yeah, sorry, so he

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Speaker 3: really looks like a human. Yeah they're humanoid, right, Okay, yeah,

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Speaker 3: so he goes down everything like, oh, no, they put

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Speaker 3: blood in them. No, okay, I think that's what it'd

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Speaker 3: really get you if you're like, oh my god, he's

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Speaker 3: drawing blood.

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Speaker 2: Yeah, definitely.

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Speaker 4: Anyway, so these other people go and pick him up, okay.

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Speaker 4: And it got me thinking that I feel as if

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Speaker 4: oftentimes helping someone who has stacked in.

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Speaker 2: Front of you is the wrong thing to do. I was.

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Speaker 4: I was actually at a drinks thing on the weekend

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Speaker 4: and a friend of mine was talking about the fact

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Speaker 4: that he got the train there. He got the train

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Speaker 4: there and someone fell over on his way from the

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Speaker 4: train to.

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Speaker 2: The apartment that we're all hanging out in.

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Speaker 1: You don't want to be condescending, do you?

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Speaker 4: And he helped them up right without asking, and well, yeah,

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Speaker 4: well he just went he just bent down and was like, okay, instinct, Yeah, yeah, sure.

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Speaker 4: And one of the girls I was hanging out with

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Speaker 4: was like, was it was it a woman that you

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Speaker 4: were helping up? And he said yes, And she said,

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Speaker 4: unless I have clearly broken my neck, do not help

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Speaker 4: me up in a public space.

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Speaker 1: Would I give more explanation as to why you would say?

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Speaker 4: She said, the embarrassment, Oh, sure, Like, don't even look

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Speaker 4: at me. People stopping to help you after you've clearly

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Speaker 4: eaten it in a crowd is far worse.

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Speaker 2: So any injury that you may or may not.

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Speaker 3: Yeah, of course, So so she wouldn't even want him

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Speaker 3: to go. Would you like some help? Because that's embarrassing itself,

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Speaker 3: like by even asking, apparently you just keep walking. What

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Speaker 3: if you can see blood? I think it's just wor

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Speaker 3: worth worth asking, you know what I mean, Like, what

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Speaker 3: if you.

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Speaker 2: She said, unless she's clearly broken her neck.

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Speaker 1: So that that level, like that is like.

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Speaker 4: I need to be like unconscious. So if I'm moving,

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Speaker 4: I'm fine, okay, unless I'm asking for help. So there

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Speaker 4: is a bone sticking out of her leg, but she's

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Speaker 4: conscious and I'm to walk on, I would look like

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Speaker 4: the biggest in She also said, it was like, you know,

360
00:16:04,200 --> 00:16:06,800
Speaker 4: this is kind of like peak hour after work as well.

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00:16:07,440 --> 00:16:09,200
Speaker 2: This woman was wearing her work clothes.

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Speaker 4: Just just not the time to point it out anyway,

363
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Speaker 4: I thought, because I've had the same questions, I thought

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Speaker 4: we'd throw the phones open.

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00:16:15,600 --> 00:16:18,360
Speaker 2: Oh yeah, okay, great, thirteen one and six five? Will

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Speaker 2: what do you reckon?

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00:16:20,880 --> 00:16:21,960
Speaker 5: I think I think you should.

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00:16:22,040 --> 00:16:24,680
Speaker 1: I think it also depends on who it is, Like

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00:16:24,720 --> 00:16:28,280
Speaker 1: you're saying, so, well, what kind of person would you help?

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00:16:30,160 --> 00:16:33,640
Speaker 1: I reckon an elderly per persona and what's elderly?

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Speaker 2: Will?

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Speaker 6: I don't want to incriminate.

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00:16:37,640 --> 00:16:41,640
Speaker 1: It is important though, just bandy around down and go.

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00:16:41,840 --> 00:16:44,120
Speaker 2: Sorry, you over the age of fifty, show me your idea.

375
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Speaker 1: We were born to form the fifties.

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Speaker 7: I reckon.

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00:16:46,840 --> 00:16:49,800
Speaker 6: If they're they're visibly able to get themselves.

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00:16:49,920 --> 00:16:51,760
Speaker 3: Yeah, if they can't get it, so will you'll watch

379
00:16:51,800 --> 00:16:53,920
Speaker 3: from afar You'll watch them?

380
00:16:54,080 --> 00:16:55,440
Speaker 2: Is the thing? I think. This is what we have

381
00:16:55,440 --> 00:16:57,880
Speaker 2: to do is edit around it. You can't just run

382
00:16:57,920 --> 00:16:59,480
Speaker 2: in there. And I think there's a lot of guys

383
00:17:00,400 --> 00:17:00,800
Speaker 2: I want.

384
00:17:00,640 --> 00:17:01,120
Speaker 1: To play hero.

385
00:17:01,240 --> 00:17:02,040
Speaker 2: I want to get in there.

386
00:17:02,080 --> 00:17:04,520
Speaker 1: I got the god complex absolutely. So you have to

387
00:17:04,520 --> 00:17:06,320
Speaker 1: stand there. A doctor, you have to stand back.

388
00:17:06,440 --> 00:17:08,200
Speaker 2: Wow, the doctors have to hold.

389
00:17:08,040 --> 00:17:10,480
Speaker 4: Themselves back at every kid's sports game, let alone walking

390
00:17:10,520 --> 00:17:11,359
Speaker 4: through a public square.

391
00:17:11,400 --> 00:17:14,000
Speaker 2: But it's it's hard. I think you need to take

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Speaker 2: a beat.

393
00:17:14,320 --> 00:17:16,800
Speaker 3: That's what we're saying here is hang back, says the age,

394
00:17:16,840 --> 00:17:19,679
Speaker 3: give them first, Crow says, the age says the gender age,

395
00:17:19,720 --> 00:17:22,159
Speaker 3: gender and get let them try and get up, and

396
00:17:22,160 --> 00:17:24,919
Speaker 3: then if they try and fail, then you swoop in.

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00:17:25,400 --> 00:17:27,480
Speaker 2: It does sound if it's sick, doesn't it it sounds?

398
00:17:27,680 --> 00:17:28,360
Speaker 1: Yeah?

399
00:17:28,440 --> 00:17:29,000
Speaker 2: What we want to.

400
00:17:29,080 --> 00:17:32,920
Speaker 3: Make so my thing is a lot your your female

401
00:17:32,960 --> 00:17:35,639
Speaker 3: friend had said, I don't want help because of the embarrassment, right,

402
00:17:36,000 --> 00:17:38,760
Speaker 3: all right, I think I'm sacrificial lambing myself. I think

403
00:17:38,760 --> 00:17:40,600
Speaker 3: I go down to I think if a woman goes

404
00:17:40,640 --> 00:17:46,560
Speaker 3: down in front of me, I bring myself down, right, No,

405
00:17:46,680 --> 00:17:48,480
Speaker 3: I just stack it next to them, right, and I

406
00:17:48,560 --> 00:17:50,760
Speaker 3: go bloody hell, the same you know, the same step

407
00:17:50,840 --> 00:17:52,760
Speaker 3: got me or whatever. And then when we're both on

408
00:17:52,840 --> 00:17:56,280
Speaker 3: the deck, we're in this shed embarrassing situation.

409
00:17:56,359 --> 00:17:57,119
Speaker 1: How do you want to hand up?

410
00:17:57,320 --> 00:17:59,600
Speaker 4: You're over the age of fifty? Should we shame your id?

411
00:18:00,160 --> 00:18:03,960
Speaker 4: Let's go to Josie. Hello, Josie, what do you reckon?

412
00:18:04,000 --> 00:18:07,440
Speaker 4: If a woman falls over in public? Should help her

413
00:18:07,760 --> 00:18:08,159
Speaker 4: back up?

414
00:18:08,160 --> 00:18:08,440
Speaker 2: Again?

415
00:18:08,960 --> 00:18:12,880
Speaker 6: Is it a woman? Yes, if it's a man, depending

416
00:18:12,920 --> 00:18:14,159
Speaker 6: on how he looks?

417
00:18:14,480 --> 00:18:19,320
Speaker 1: Yeah, right, what look? Would you not want to help? Josie?

418
00:18:19,520 --> 00:18:21,320
Speaker 5: You know, like the ones that I haven't slept in

419
00:18:21,440 --> 00:18:23,000
Speaker 5: forty eight hours, so.

420
00:18:23,040 --> 00:18:24,159
Speaker 1: Will on a Monday morning?

421
00:18:25,320 --> 00:18:28,760
Speaker 4: Thanks Josie. Let's go to Kate. Interesting, Josie didn't bring

422
00:18:28,760 --> 00:18:30,000
Speaker 4: out the embarrassment factor?

423
00:18:30,200 --> 00:18:31,200
Speaker 1: No, yeah, not at all.

424
00:18:31,280 --> 00:18:33,400
Speaker 2: Kate. Just the look of the man, Kate, you fall

425
00:18:33,440 --> 00:18:35,000
Speaker 2: down publicly often.

426
00:18:35,200 --> 00:18:36,920
Speaker 6: I do. I'm a cereal face planter.

427
00:18:37,200 --> 00:18:38,119
Speaker 2: Oh I didn't know that.

428
00:18:38,200 --> 00:18:39,160
Speaker 1: Okay, sorry?

429
00:18:39,680 --> 00:18:42,760
Speaker 2: Should people help you up? Or was the embarrassment worse

430
00:18:42,800 --> 00:18:43,439
Speaker 2: than the injury?

431
00:18:43,840 --> 00:18:46,359
Speaker 6: Well, I like, depending on where I am. I like

432
00:18:46,400 --> 00:18:48,800
Speaker 6: to make it as awkward as possible because I have

433
00:18:49,000 --> 00:18:51,399
Speaker 6: a disability, right, so I'll just pull that out and

434
00:18:51,400 --> 00:18:54,040
Speaker 6: be like, haha, it's so sorry. I'm fastic and that's

435
00:18:54,040 --> 00:18:56,320
Speaker 6: the medical term. That's the medical term for what I'm

436
00:18:56,359 --> 00:18:59,600
Speaker 6: experiencing right now. And always help someone up. Always.

437
00:19:00,080 --> 00:19:03,040
Speaker 3: Oh so you've just superseded the embarrassment, Kate. And you're

438
00:19:03,080 --> 00:19:05,680
Speaker 3: just saying like if you if I'm going to go down,

439
00:19:06,040 --> 00:19:08,360
Speaker 3: just embrace it and then get help.

440
00:19:08,760 --> 00:19:10,719
Speaker 6: Yeah, I'm gonna and then like buy me a coffee

441
00:19:10,800 --> 00:19:18,520
Speaker 6: or something like haha.

442
00:19:15,160 --> 00:19:17,280
Speaker 1: I've already helped you up. I'm not buying you a coffee.

443
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Speaker 2: Guys. Two mentions in the studio.

444
00:19:30,320 --> 00:19:32,400
Speaker 8: I am in the studio, and it's just bragging about

445
00:19:32,480 --> 00:19:34,560
Speaker 8: how good his last interview with Til was.

446
00:19:34,600 --> 00:19:37,160
Speaker 4: So, you know, instantly nervous and it makes my first

447
00:19:37,240 --> 00:19:38,360
Speaker 4: question look really ship.

448
00:19:39,800 --> 00:19:41,440
Speaker 10: You need me to make your question.

449
00:19:47,480 --> 00:19:50,840
Speaker 8: A statement it's really bad, man, It's just such a

450
00:19:50,880 --> 00:19:51,360
Speaker 8: step down.

451
00:19:51,400 --> 00:19:51,960
Speaker 5: So so.

452
00:19:53,920 --> 00:19:57,480
Speaker 4: So the show is called Tim Minton Time Machine.

453
00:19:57,600 --> 00:19:58,720
Speaker 10: Oh that's the album.

454
00:20:02,080 --> 00:20:05,800
Speaker 1: Such low quality.

455
00:20:06,560 --> 00:20:07,560
Speaker 10: I'm flogging more than.

456
00:20:07,560 --> 00:20:09,040
Speaker 1: I'm always more than.

457
00:20:10,520 --> 00:20:12,960
Speaker 4: The show is called Songs of the World Will Never Hear. Yeah,

458
00:20:13,040 --> 00:20:15,160
Speaker 4: the album is called Tim Innch and Time Machine.

459
00:20:15,640 --> 00:20:20,320
Speaker 8: Nice experience, roll on from there. That's a really solid

460
00:20:20,359 --> 00:20:24,159
Speaker 8: foundation for a really good interview. Yeah, smashing it obviously,

461
00:20:24,359 --> 00:20:25,159
Speaker 8: Frost Nixon in.

462
00:20:27,440 --> 00:20:28,600
Speaker 2: You really got back.

463
00:20:33,359 --> 00:20:35,040
Speaker 1: I'm never without a record.

464
00:20:35,200 --> 00:20:39,040
Speaker 8: I'm bored already.

465
00:20:39,480 --> 00:20:44,159
Speaker 10: Oh man, he's just trying to plug my stuff for me.

466
00:20:46,600 --> 00:20:50,160
Speaker 4: I was just going in the correlation between Tim Innches

467
00:20:50,200 --> 00:20:51,080
Speaker 4: and time Machine.

468
00:20:51,119 --> 00:20:55,040
Speaker 8: I mean, yeah, it's nice. Yeah, I had for a

469
00:20:55,119 --> 00:20:58,119
Speaker 8: year I recorded all these songs. So time Machine is

470
00:20:58,119 --> 00:21:00,159
Speaker 8: cool time Machine because there's songs are written my ye.

471
00:21:00,960 --> 00:21:01,480
Speaker 2: I knew that.

472
00:21:01,560 --> 00:21:09,240
Speaker 8: Yeah, But for the first six months before we put

473
00:21:09,240 --> 00:21:11,000
Speaker 8: it out, I was going to call attic songs, which

474
00:21:11,040 --> 00:21:12,879
Speaker 8: is cute but a bit sort of folks see. And

475
00:21:12,880 --> 00:21:14,480
Speaker 8: then I went tim mentionin time Machine just as a

476
00:21:14,560 --> 00:21:15,200
Speaker 8: visual thing.

477
00:21:15,920 --> 00:21:18,800
Speaker 3: Yeah, so what made you go back to these songs

478
00:21:18,800 --> 00:21:19,840
Speaker 3: that you wrote in your twenties?

479
00:21:20,040 --> 00:21:22,520
Speaker 8: I mean, like everything I do, it's sort of somewhere

480
00:21:22,520 --> 00:21:25,680
Speaker 8: in between really intentional and just completely not thought out

481
00:21:25,680 --> 00:21:28,840
Speaker 8: at all, and I never know quite which one I'm

482
00:21:28,880 --> 00:21:29,280
Speaker 8: doing it.

483
00:21:29,600 --> 00:21:31,280
Speaker 2: I just whatever.

484
00:21:31,320 --> 00:21:31,520
Speaker 3: It was.

485
00:21:31,560 --> 00:21:33,920
Speaker 8: Eighteen months ago, I rang my band and went, I've

486
00:21:33,960 --> 00:21:36,280
Speaker 8: got all these old songs that I've never recorded. I

487
00:21:36,320 --> 00:21:38,520
Speaker 8: just want to jam them. And I went up to

488
00:21:38,800 --> 00:21:41,520
Speaker 8: near where my drama lives, and we had a rehearsal

489
00:21:41,600 --> 00:21:44,480
Speaker 8: studio and we play these songs, and because there's such guns,

490
00:21:44,560 --> 00:21:46,000
Speaker 8: by the end of the day, I was like, these

491
00:21:46,040 --> 00:21:48,960
Speaker 8: are banging right, these are sounding great, and my drama

492
00:21:49,000 --> 00:21:51,080
Speaker 8: Evan goes, O, well, why don't we just instead of

493
00:21:51,119 --> 00:21:53,679
Speaker 8: coming back to rehearsal studio tomorrow, because I'd booked two days,

494
00:21:53,800 --> 00:21:56,439
Speaker 8: We'll just go to the studio studio. And so we

495
00:21:56,520 --> 00:21:59,119
Speaker 8: recorded four songs that second day, and then we went

496
00:21:59,160 --> 00:22:01,520
Speaker 8: back and did a few more, and I just I

497
00:22:01,520 --> 00:22:03,359
Speaker 8: didn't really have a plan for them. So there was

498
00:22:03,400 --> 00:22:06,640
Speaker 8: no real intention except that I put my first ever

499
00:22:06,680 --> 00:22:10,040
Speaker 8: studio album out in twenty twenty, and I just since then,

500
00:22:10,080 --> 00:22:12,240
Speaker 8: I'm like, well, I've got all these other songs. They're

501
00:22:12,280 --> 00:22:14,280
Speaker 8: not as new, but I don't know. This year I'm

502
00:22:14,280 --> 00:22:17,640
Speaker 8: turning fifty, I'm doing this tour. That's like a celebration

503
00:22:17,720 --> 00:22:20,719
Speaker 8: of the twenty year anniversary since my stuff took off twenties.

504
00:22:20,800 --> 00:22:22,399
Speaker 10: Yeah, and I put this album out.

505
00:22:22,400 --> 00:22:24,800
Speaker 8: It's just like a little having a little pause and

506
00:22:24,880 --> 00:22:27,919
Speaker 8: a bit of a grateful like count my blessings like

507
00:22:28,040 --> 00:22:29,960
Speaker 8: it's been Really, I'm I'm not finishing.

508
00:22:30,040 --> 00:22:32,080
Speaker 10: It's not a Johnny Farnham retirement.

509
00:22:31,680 --> 00:22:35,680
Speaker 8: To look back a pause because I'm not good at that.

510
00:22:35,760 --> 00:22:37,879
Speaker 10: I'm really bad at taking stuff.

511
00:22:38,320 --> 00:22:38,800
Speaker 1: What's next?

512
00:22:38,800 --> 00:22:39,320
Speaker 10: What's next?

513
00:22:39,359 --> 00:22:39,560
Speaker 4: Yeah?

514
00:22:39,640 --> 00:22:40,480
Speaker 1: Yeah, yeah, you're.

515
00:22:40,359 --> 00:22:41,159
Speaker 2: Always so busy.

516
00:22:41,320 --> 00:22:42,879
Speaker 4: Well, I know that you've released a new version of

517
00:22:42,920 --> 00:22:44,440
Speaker 4: not Perfect on there as well, So.

518
00:22:45,960 --> 00:22:46,560
Speaker 1: Perfect.

519
00:22:46,720 --> 00:22:49,359
Speaker 10: Oh my god, so dad, But that's mt.

520
00:22:51,040 --> 00:22:53,160
Speaker 4: It's not perfect?

521
00:22:59,000 --> 00:22:59,960
Speaker 1: Am I right in saying that?

522
00:23:00,080 --> 00:23:01,200
Speaker 10: Don't make me listen to my moment?

523
00:23:01,880 --> 00:23:03,560
Speaker 1: Do you really not like that at all?

524
00:23:03,680 --> 00:23:05,840
Speaker 10: Is that not perfect?

525
00:23:06,160 --> 00:23:07,920
Speaker 8: It's in a funny place for me because it's it's

526
00:23:08,280 --> 00:23:10,280
Speaker 8: it means a huge amount to a lot of people

527
00:23:10,320 --> 00:23:13,879
Speaker 8: in a way that I'm not having tickets on myself.

528
00:23:13,960 --> 00:23:16,040
Speaker 10: It's just over over the years, I have got so

529
00:23:16,359 --> 00:23:17,639
Speaker 10: told you. It's like people have.

530
00:23:17,680 --> 00:23:19,359
Speaker 8: The lyrics tattooed on their arms and stuff, and it

531
00:23:19,400 --> 00:23:23,159
Speaker 8: means a lot to people who struggle, especially with chronic

532
00:23:23,200 --> 00:23:27,760
Speaker 8: pain or disability or whatever, because it's celebrating imperfection or

533
00:23:28,080 --> 00:23:31,479
Speaker 8: and the there's a huge conversation to have there. But

534
00:23:33,640 --> 00:23:38,679
Speaker 8: when these songs in isolation for your listeners, I'm like,

535
00:23:38,680 --> 00:23:40,440
Speaker 8: oh you you sort of have to hear this whole

536
00:23:40,480 --> 00:23:43,359
Speaker 8: song in a moment of quiet. It's not you know,

537
00:23:43,400 --> 00:23:45,040
Speaker 8: I wouldn't want It's not.

538
00:23:49,560 --> 00:23:52,200
Speaker 2: I mean, we do it in every second of these days,

539
00:23:52,200 --> 00:23:52,879
Speaker 2: and he manages to.

540
00:23:54,920 --> 00:23:57,640
Speaker 10: I struggle to listen to my own Yeah, yeah, that's fine.

541
00:23:57,640 --> 00:23:58,600
Speaker 2: You're humble. I get it.

542
00:24:00,600 --> 00:24:02,879
Speaker 3: Do you have What about when you're watching yourself on

543
00:24:03,080 --> 00:24:04,679
Speaker 3: screen or something like that?

544
00:24:04,800 --> 00:24:09,680
Speaker 8: Is that Weirdly, I'm I'm much more comfortable watching myself

545
00:24:09,680 --> 00:24:12,520
Speaker 8: playing a character. Maybe that's not weird because we all

546
00:24:12,920 --> 00:24:15,960
Speaker 8: I don't like me, but I don't mind Lucky.

547
00:24:16,080 --> 00:24:19,000
Speaker 10: I don't mind my guy from upright. A few reasons.

548
00:24:19,040 --> 00:24:22,159
Speaker 8: One because when I'm filming TV, I usually do the

549
00:24:22,160 --> 00:24:24,800
Speaker 8: work to get myself in good new reare to go

550
00:24:24,800 --> 00:24:28,280
Speaker 8: for it, and you get good makeup and good lights

551
00:24:28,280 --> 00:24:30,399
Speaker 8: so that the cameras are looking after you.

552
00:24:30,480 --> 00:24:31,919
Speaker 10: But also I'm not being me.

553
00:24:32,200 --> 00:24:34,840
Speaker 8: So the thing we all struggle with when we listen

554
00:24:34,880 --> 00:24:37,000
Speaker 8: to our voice on a phone message we've all got

555
00:24:37,040 --> 00:24:39,920
Speaker 8: that is that our understanding of ourself from the inside

556
00:24:39,920 --> 00:24:42,159
Speaker 8: out is one thing, and when we observe ourselves from

557
00:24:42,160 --> 00:24:44,760
Speaker 8: the outside in, it just there's just dissonance there.

558
00:24:45,160 --> 00:24:48,919
Speaker 4: Tickets is playing Melbourn, Brisbane, Adelaide, Canberra, Perth, Newcastle, Sydney.

559
00:24:48,920 --> 00:24:50,240
Speaker 2: Well, the whole country, Gold Coast.

560
00:24:50,040 --> 00:24:53,880
Speaker 8: To the then mostly sold out by the way, guys gone,

561
00:24:54,480 --> 00:24:59,960
Speaker 8: Jesus Christ, you sold out everywhere.

562
00:24:59,880 --> 00:25:02,080
Speaker 4: The still some there, Okay, cool, all right, so check

563
00:25:02,119 --> 00:25:03,639
Speaker 4: that out Tim mention dot com if you see me

564
00:25:03,920 --> 00:25:06,800
Speaker 4: anywhere in the country. And we got how did the

565
00:25:06,840 --> 00:25:10,040
Speaker 4: relationship with your artwork.

566
00:25:11,080 --> 00:25:13,119
Speaker 2: Change as you got older?

567
00:25:13,160 --> 00:25:15,960
Speaker 4: Because I often find if I write something or if

568
00:25:16,000 --> 00:25:18,960
Speaker 4: I record something, and then I look back on it

569
00:25:19,640 --> 00:25:22,639
Speaker 4: in a short window, Yeah, I've.

570
00:25:22,480 --> 00:25:23,119
Speaker 10: Got it all over it.

571
00:25:23,160 --> 00:25:24,840
Speaker 4: I've got the goggles on, I've got the lens, the

572
00:25:24,920 --> 00:25:27,280
Speaker 4: judgment lens on where it's not it's NQR.

573
00:25:27,440 --> 00:25:31,879
Speaker 2: But then that five year range you give yourself, Oh

574
00:25:31,920 --> 00:25:33,760
Speaker 2: there's gold there. Yeah.

575
00:25:33,840 --> 00:25:37,840
Speaker 8: I find it unbearable to watch anything soon. Yeah, and

576
00:25:37,920 --> 00:25:40,680
Speaker 8: it takes about fifteen or twenty years for me to go,

577
00:25:40,880 --> 00:25:42,560
Speaker 8: oh kid was doing fine.

578
00:25:43,320 --> 00:25:49,879
Speaker 2: Yeah, really you might love thing, but there's like enough ingenuity.

579
00:25:49,400 --> 00:25:52,800
Speaker 8: There and it's a huge relief and it's I don't

580
00:25:52,840 --> 00:25:55,960
Speaker 8: know that maybe we should just be nicer to ourselves.

581
00:25:56,040 --> 00:25:58,560
Speaker 10: But also there's something natural about that.

582
00:25:58,480 --> 00:26:01,359
Speaker 3: Hearing you talk about your brain and the writing process

583
00:26:01,400 --> 00:26:04,760
Speaker 3: and stuff, and I'm interested to ask AI. Yeah, people

584
00:26:04,800 --> 00:26:08,320
Speaker 3: are worried that AI are now writing songs and AI

585
00:26:08,440 --> 00:26:12,399
Speaker 3: can do everyone's out. We've put things in AI about

586
00:26:12,520 --> 00:26:15,240
Speaker 3: radio ideas or doing the radio show where do you

587
00:26:15,320 --> 00:26:17,760
Speaker 3: sit with AI? In the future of AI?

588
00:26:17,880 --> 00:26:23,359
Speaker 8: Within art well, I've taken to saying on stage that

589
00:26:23,440 --> 00:26:28,320
Speaker 8: I think humans seem intent on conveniencing themselves into meaninglessness.

590
00:26:31,800 --> 00:26:34,440
Speaker 8: There's a couple of different conversations. One is can AI

591
00:26:34,720 --> 00:26:38,280
Speaker 8: do what I do? AI will be able to already

592
00:26:38,320 --> 00:26:41,919
Speaker 8: can write Max Martin style hit, And that's not to

593
00:26:42,480 --> 00:26:45,760
Speaker 8: diss on Max Martin. I mean all those incredible pop

594
00:26:45,840 --> 00:26:48,920
Speaker 8: hits were It was a form that was created by

595
00:26:49,119 --> 00:26:54,240
Speaker 8: mostly Scandinavians, and now it's just a clear enough formula

596
00:26:54,440 --> 00:26:56,880
Speaker 8: that a computer can definitely do it. You know something

597
00:26:56,920 --> 00:27:00,639
Speaker 8: about a firework, the bridge goes here, literally fits into

598
00:27:00,720 --> 00:27:04,280
Speaker 8: a grid, the key change or whatever. There's still some

599
00:27:04,400 --> 00:27:06,119
Speaker 8: interesting decisions to be made. You can just say to

600
00:27:06,160 --> 00:27:09,119
Speaker 8: the AI oh, can you follow the route less on

601
00:27:09,160 --> 00:27:11,480
Speaker 8: the base, you know whatever, so you can do that.

602
00:27:11,840 --> 00:27:16,480
Speaker 8: I think AI will come for me pretty late. It'll

603
00:27:16,480 --> 00:27:18,600
Speaker 8: take a while for it to write what I write

604
00:27:18,680 --> 00:27:21,240
Speaker 8: because it's it's pretty weird.

605
00:27:21,440 --> 00:27:23,600
Speaker 10: And I'm not that's not a value judgment. I'm just

606
00:27:25,080 --> 00:27:29,240
Speaker 10: it doesn't do very well. Much.

607
00:27:29,280 --> 00:27:31,480
Speaker 8: More to the point is why the hell would we

608
00:27:31,920 --> 00:27:36,040
Speaker 8: want to listen to it? Because art is not just content.

609
00:27:36,080 --> 00:27:37,800
Speaker 8: And this is where we've all got confused. We've got

610
00:27:37,840 --> 00:27:41,320
Speaker 8: these evil, fricking devices in our hands all the time,

611
00:27:41,400 --> 00:27:45,080
Speaker 8: and I think we need a revolution, and I think

612
00:27:45,280 --> 00:27:47,919
Speaker 8: my kids generation might do it. They might just go, oh, no,

613
00:27:48,040 --> 00:27:49,400
Speaker 8: we can't. It's poisoned.

614
00:27:49,520 --> 00:27:49,679
Speaker 10: You know.

615
00:27:49,800 --> 00:27:53,960
Speaker 8: Social media is dismantling liberal democracy because it's an algorithm

616
00:27:54,040 --> 00:27:54,840
Speaker 8: that makes us divided.

617
00:27:54,880 --> 00:27:57,800
Speaker 10: Blah blah. It'll just be like smoking. This is the idea.

618
00:27:57,840 --> 00:28:02,040
Speaker 8: But more than any thing, I am the optimist in me,

619
00:28:02,080 --> 00:28:04,720
Speaker 8: and I don't see any reason to be anything but optimistic,

620
00:28:04,720 --> 00:28:08,600
Speaker 8: because where the hell did pessimism ever get anyone that.

621
00:28:09,040 --> 00:28:12,359
Speaker 8: I think there'll be a backlash against the just the

622
00:28:12,760 --> 00:28:16,080
Speaker 8: you're just getting absolute. I think AI will just be

623
00:28:16,080 --> 00:28:19,040
Speaker 8: seen as kitsch because art is not just content. It's

624
00:28:19,040 --> 00:28:22,320
Speaker 8: content plus intent, and if there's nothing having the intention,

625
00:28:22,760 --> 00:28:25,320
Speaker 8: I think we will just go. Oh, I don't know

626
00:28:25,359 --> 00:28:27,919
Speaker 8: whether that's AI or human. We're going to put our

627
00:28:27,960 --> 00:28:29,719
Speaker 8: phones down and buy theater tickets.

628
00:28:29,760 --> 00:28:30,440
Speaker 2: What's going to happen.

629
00:28:30,600 --> 00:28:33,200
Speaker 10: There's going to be a massive backlash.

630
00:28:36,080 --> 00:28:39,440
Speaker 1: Optimism if we keep telling this story.

631
00:28:39,840 --> 00:28:41,920
Speaker 2: The live show is still is still.

632
00:28:43,720 --> 00:28:46,200
Speaker 8: It's coming back, you know. And I'm very lucky because

633
00:28:46,240 --> 00:28:49,080
Speaker 8: I was never a recording artist. I'm not I'm not

634
00:28:49,160 --> 00:28:53,000
Speaker 8: a content guy. I hate it. But the only things

635
00:28:53,040 --> 00:28:56,040
Speaker 8: you can't steal are West End musicals because you've got

636
00:28:56,040 --> 00:28:59,160
Speaker 8: to go and my gigs and just like, yeah, bring it,

637
00:28:59,440 --> 00:29:00,400
Speaker 8: bring the bring that.

638
00:29:00,440 --> 00:29:01,080
Speaker 1: I sold them.

639
00:29:01,000 --> 00:29:03,440
Speaker 2: Aloud, guys, he sold them all out. Don't you worry

640
00:29:03,480 --> 00:29:03,880
Speaker 2: about that?

641
00:29:04,840 --> 00:29:07,880
Speaker 9: Hey, before you go, my gigs are banging, by the way,

642
00:29:08,280 --> 00:29:13,760
Speaker 9: amazing worth reflecting it might be a step one deeper,

643
00:29:13,920 --> 00:29:15,840
Speaker 9: but the fact that you can go and enjoy a

644
00:29:15,920 --> 00:29:17,400
Speaker 9: show and reflect on your.

645
00:29:17,280 --> 00:29:20,360
Speaker 4: Own humanity is maybe a sign of sentience that everyone

646
00:29:20,400 --> 00:29:21,560
Speaker 4: should appreciate as well.

647
00:29:21,880 --> 00:29:24,400
Speaker 8: Maybe I mean, I'm picking it up because I want

648
00:29:24,400 --> 00:29:25,000
Speaker 8: to sell tickets.

649
00:29:27,600 --> 00:29:30,560
Speaker 4: Tim mention time machines out now, and tickets to songs

650
00:29:30,560 --> 00:29:32,680
Speaker 4: in the world will never here are still available Tim

651
00:29:32,680 --> 00:29:34,880
Speaker 4: Inns dot comedy fresh off the UK and he sold

652
00:29:34,880 --> 00:29:36,440
Speaker 4: out a hell of a lot of shows all over

653
00:29:36,480 --> 00:29:39,040
Speaker 4: the country. But he's added news shows in Melbourne, Brisbane,

654
00:29:40,360 --> 00:29:41,719
Speaker 4: canber and Perth.

655
00:29:42,040 --> 00:29:43,880
Speaker 2: So you're want to go along and see Tim, then

656
00:29:44,120 --> 00:29:45,920
Speaker 2: Tim Minchin dot com. Tim thanks so much for coming.

657
00:29:45,760 --> 00:29:47,320
Speaker 1: In such pleasure to mate.

658
00:29:47,760 --> 00:29:48,480
Speaker 2: Thank you