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Speaker 1: This is Will and Woody.

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Speaker 2: Good afternoon, everyone, not just good after good afternoon. I

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Speaker 2: hope you're having a wonderful Tuesday. We're getting your home

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Speaker 2: for me bank this afternoon and woods all week. We're

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Speaker 2: put in the theory of six degrees of separation of

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Speaker 2: the test. Can we get Keanu Reeves on the show

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Speaker 2: by making six phone calls or less? And yesterday with

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Speaker 2: only our food call of six, we managed to get

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Speaker 2: Aussie actor Locke Hume on the show.

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Speaker 1: And Locke Hume starred in the Matrix Movies with Keanu Reeves.

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Speaker 1: He revealed to us yesterday he had beers with Keanu

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Speaker 1: Reeves and wait for it, he also told us he's

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Speaker 1: got Keanu Reeves's number.

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Speaker 2: Yeah, so can we get to Reeves in four calls?

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Speaker 2: Actually tuning in after five o'clock? Could happen today? Who

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Speaker 2: knows little bit of wrong word, wrong place? It is

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Speaker 2: going to happen before the end of the hour and

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Speaker 2: right up next. I want to get you guys involved

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Speaker 2: on the show. Love to hear your point of view.

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Speaker 2: Thirteen one oh six five is the phone number. Give

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Speaker 2: us a call. Is flirting when you're in a relationship

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Speaker 2: a sign of security? Or instability. Love to hear from you, guys.

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Speaker 2: I you've got an opinion on this? Is flirting a

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Speaker 2: sign of security or instability within a relationship. So if

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Speaker 2: you're in a relationship, yeah, you're happy that your partner's

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Speaker 2: out flirting. Does that make you feel secure because you're like, look,

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Speaker 2: look how secure this is?

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Speaker 3: Or does it mean like you're worried.

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Speaker 2: The reason we're talking about this is because the G

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Speaker 2: seven summit is on right now, So all the world

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Speaker 2: leaders are hanging out there.

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Speaker 3: G seven stands for uh.

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Speaker 1: No idea will great?

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Speaker 2: So all there, they're all hanging out Trump, Millenia scomoh,

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Speaker 2: they're all having a good time.

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Speaker 1: Ron.

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Speaker 2: But you know, the bit of the snake in the

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Speaker 2: grass here is Trajoe. The Canadian Prime minister has seen

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Speaker 2: him cuddling with pandas he's a boxer, he's articulate, very big, French,

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Speaker 2: very super attractive. So he's hanging out in the platform

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Speaker 2: with all the leaders. Trump, He's hanging out with all

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Speaker 2: the leaders, and then all of a sudden, Millennia Trump's

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Speaker 2: milkshakes bring Trudeau to the yard.

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Speaker 1: And it's pretty amazing, isn't it.

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Speaker 3: Go and check out the footage for yourself.

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Speaker 1: Like, the chemistry between them is palpable.

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Speaker 3: They share a pretty sucy little exchange.

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Speaker 1: It's like this sexy air kiss thing they do. Yeah,

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Speaker 1: and there's a certain freeze frame mok, which makes it

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Speaker 1: look like they're genuinely in love.

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Speaker 2: And a lot of people are saying at this moment,

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Speaker 2: woulds that, you know, that's a good sign that Trump

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Speaker 2: and Millennia and strife and Trump should be worried about that.

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Speaker 2: I totally disagree. I reckon, if you can go out

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Speaker 2: with your partner and they can have a flirt and

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Speaker 2: a bit of a kiss on the cheek whatever it

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Speaker 2: is with somebody else, and you're cool with that, you're

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Speaker 2: in a great spot.

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Speaker 1: So just to clarify, Yeah, when you are out, you

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Speaker 1: are happy about your relationship and you feel really secure

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Speaker 1: when you are watching your girlfriend flirt with someone, Yeah.

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Speaker 3: Not to say hard to say, not to say, by

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Speaker 3: the way, not to say that my girlfriend goes out.

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Speaker 1: No, No, that's not what I was implying. But if she

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Speaker 1: was in this hypothetical situation, you're saying you watch her.

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Speaker 3: Well, someone flirts with her. But let's let's put it

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Speaker 3: that way. Someone's flirting she's having a great time and

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Speaker 3: it's obvious they're flirting.

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Speaker 1: You watch that and you're like, I'm in the best

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Speaker 1: relationship ever. Yeah, I think there's a part of hell

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Speaker 1: it's her like showing interest in someone else.

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Speaker 3: No, I don't think she is. I think that.

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Speaker 2: I think that there's a part of me that really

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Speaker 2: glows when I watch that, because it makes me I

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Speaker 2: know that she loves me, and I know that there

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Speaker 2: would never be anything that would happen with anybody else.

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Speaker 2: So it makes me feel very secure and almost a

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Speaker 2: little bit. I don't know, it's like watching the other guy.

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Speaker 2: I'm like, haha, look, you're really and she loves me, so,

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Speaker 2: you know.

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Speaker 1: Because I if I used to and I'm not in

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Speaker 1: a relationship now and again, the more I talk about

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Speaker 1: my relationship, the more I realize good reason I'm single

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Speaker 1: or you know, I know why I'm single. But I

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Speaker 1: used to watch that and I would just feel so

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Speaker 1: hurt watching it. I would be jealous of the guy.

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Speaker 1: I'd be looking at the guy, going, he is so

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Speaker 1: much better than me in every single way, you know what,

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Speaker 1: she should just be with him.

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Speaker 3: Yeah, no, no, no, guy, the guy is definitely better than me.

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Speaker 3: In every other way. Most of the time. It's just

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Speaker 3: that I know that she loves me, and that's actually

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Speaker 3: kind of funny that he is taller, darker, more handsome

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Speaker 3: than me, and I'm still coming out with the jockeys.

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Speaker 1: Right, So what about on the ex take call from Nickie.

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Speaker 3: We've got Nick here.

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Speaker 1: Nick, what are your thoughts on this?

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Speaker 4: Yeah, good old boys. Look, I go out with my

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Speaker 4: girlfriend quite a lot. We like it being social. We're

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Speaker 4: both chatterboxes. We like talking now other people. So when

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Speaker 4: we go out and she's chatting to a strapping young lad,

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Speaker 4: it doesn't bother me at all. I don't know, I

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Speaker 4: see them, you know, maybe being close, like if you're

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Speaker 4: in a club or something, you've got to get close

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Speaker 4: to hear each other, and it doesn't really bother me.

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Speaker 3: But yeah, there you go like so much strength.

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Speaker 1: I'm actually enviable Nick that you can stand there and

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Speaker 1: just be so secure in your relationship that you can

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Speaker 1: watch it, even dance close to someone in a nightclub.

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Speaker 4: Yeah. Look, I think it takes a whole bunch of

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Speaker 4: trust and confidence. It changes the game a bit when

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Speaker 4: you find out that it may be someone she has

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Speaker 4: seen in the past. However, Yeah, that that doesn't go down.

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Speaker 2: Well, no, that's a different game. Thanks, good stuff, haven't

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Speaker 2: got Steph. Here's Steph. What are your thoughts on this

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Speaker 2: flirting in a relationship? Is it security or does it

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Speaker 2: show that there's a bit of an instability going on.

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Speaker 5: I think it's a massive compliment to know that people

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Speaker 5: are people are into your your partner.

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Speaker 3: Why not totally agree?

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Speaker 5: And you can't exactly be mad at them for doing

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Speaker 5: what they were doing when they were trying to attract you.

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Speaker 1: Well, when they were trying to attract you, that was

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Speaker 1: all fair game. You both single, and that's what she

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Speaker 1: she was caughting you in effect.

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Speaker 5: So, yeah, but you love that floating side, You love

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Speaker 5: that plateful side.

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Speaker 6: You love that.

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Speaker 3: Yeah, it's with me, you know.

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Speaker 1: I like it when she's playful with me. Though if

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Speaker 1: it's with someone else, it's like, ah.

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Speaker 5: Yeah, you know that they're coming home with you.

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Speaker 1: They're coming home with you woods Yeah, but that's I mean,

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Speaker 1: I would never have that confidence. I never had that

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Speaker 1: confidence to be like, well, I know she's coming home

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Speaker 1: with me, and I want to say chanted on me before.

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Speaker 3: But ultimately I suppose you know, she didn't come home

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Speaker 3: with you in the.

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Speaker 1: Have any sad music and that day did come. Well,

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Speaker 1: that day did come, and there's still a hole in

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Speaker 1: my bed.

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Speaker 7: That entry about that card, yeah moment, and we're going

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Speaker 7: to be talking about it running Woods a little bit

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Speaker 7: later on this our Wrong Word, Wrong Place.

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Speaker 3: Can't wait for that.

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Speaker 8: Yeah.

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Speaker 1: But in news now though, will about Taylor Swift. She

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Speaker 1: has revealed her journal entry that she made after this

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Speaker 1: incident at the VMA's in two thousand and nine.

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Speaker 3: God, Taylor, I'm really happy for you.

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Speaker 9: I'ma let you finish, but we have to have one of.

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Speaker 10: Her best videos of all time, one of her best videos.

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Speaker 1: All time, incredible moment where got on stage literally took

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Speaker 1: the microphone off Taylor Swift. Anyway, her journal entry about

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Speaker 1: that incident pretty boring if I'm being honest, Really, I.

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Speaker 3: Thought she'd be like scathing or upset.

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Speaker 1: It's not juicy really at all. And look, if you

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Speaker 1: want to say it, go online check it out. Look

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Speaker 1: up Taylor Swift journal entry. But will to spice things

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Speaker 1: up a little bit and to get some juice out

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Speaker 1: of someone's journal, I just went to your Backpady.

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Speaker 2: Sorry, sorry to swear earlier the show, but that's not

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Speaker 2: perfect consumption.

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Speaker 1: No it's not, and that's why it's going to be due.

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Speaker 1: I've got seriously, I've got Will's journal here, and look,

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Speaker 1: I just thought it'd be a little bit of fun.

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Speaker 3: I'm being quite serious that this stuff in there that

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Speaker 3: I don't even know that you can read.

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Speaker 11: Here we go.

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Speaker 1: No, no, no, no, hang on, hang on, let's just just

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Speaker 1: read through a couple Okay, here we go. This is

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Speaker 1: a random page you're allowed to read. I'm not sure

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Speaker 1: if today is the thirteenth or the twelfth, so I

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Speaker 1: will leave to the date blank. It is a it

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Speaker 1: is a day one of the hike. Though, oh my god,

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Speaker 1: this is horrifically boring. So I was going to flick

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Speaker 1: right across there, Okay, no juice, sick of thinking. I

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Speaker 1: kept planning for the future on how I would fix

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Speaker 1: this and that. But the thing was I wasn't. It

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Speaker 1: was God, this is really boring stuff is there? And

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Speaker 1: you talk about life like you know, secrets and deep day.

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Speaker 3: Here we go, Here we go, Here we go.

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Speaker 1: I looked out at a cloud upside down from high

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Speaker 1: up on a mountain. It was almost sad to see

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Speaker 1: him from up there, as he looked powerless.

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Speaker 12: Sorry, do we do anything in a journal?

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Speaker 1: Am I am? I flicking to bad?

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Speaker 3: Or is it all boring?

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Speaker 1: Because I don't want to read it?

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Speaker 3: It's embarrassing for me. These are all like just philosophical

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Speaker 3: conclusion and here.

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Speaker 1: We go, here go. As far as I know, the

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Speaker 1: theory of relativity does.

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Speaker 3: Not lie.

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Speaker 1: To quantum physics. Eronstein spent the second half of his

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Speaker 1: life trying to come up with a theory to reconcile

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Speaker 1: the two.

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Speaker 3: He could not. It doesn't get any better.

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Speaker 1: So is that that was appalling? I'm sorry everyone, I

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Speaker 1: genuinely thought that was going to be juicy. Your journal

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Speaker 1: is so boring?

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Speaker 3: So boring?

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Speaker 1: Is there anything I wasn't stopping? Hang on a second.

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Speaker 1: I was recalling the other day, the four years ago,

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Speaker 1: when I had the apartment with two neighbors. Girls.

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Speaker 3: Here that is a lie. Here we go.

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Speaker 2: I knews today that apparently there's that there's a meteor

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Speaker 2: which is hurtling direc directly towards Earth and he's going

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Speaker 2: to come terrifyingly close to hitting us. Geez, I know,

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Speaker 2: shocking stuff, woods, And I mean, there's a lot of

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Speaker 2: people thinking the same thing, but this screams armageddon.

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Speaker 3: Where's Bruce Wellis?

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Speaker 1: Now, we don't need Bruce Wellers, we need him immediately.

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Speaker 13: I don't think his bland was actually that good if

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Speaker 13: I'm being on the spell. No, Actually, you know a

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Speaker 13: quick fun fact about Armageddon? Do you know that NASA

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Speaker 13: actually use Armageddon as a training video because you have

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Speaker 13: to spot all the things that are actually wrong with

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Speaker 13: the plotline.

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Speaker 1: So question for you then, is the idea of putting

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Speaker 1: a nuclear bomb in a media rite to make it

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Speaker 1: avoid hitting Earth? Is that one of the things that we'd.

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Speaker 3: Get a mark.

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Speaker 2: There's one hundred and sixty of them within the mo

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Speaker 2: like actually wrong for example? Yeah, exactly, they get oil

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Speaker 2: drillers to go and blow up the media, right, who

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Speaker 2: have never.

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Speaker 3: Been in space before.

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Speaker 1: Seems like the wrong pick.

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Speaker 3: Get another point for that one. I also like to

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Speaker 3: think that you'd get.

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Speaker 2: A point for the fact that Ben Afflex love Interest. Yeah,

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Speaker 2: Live Tyler is the same age as him and not

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Speaker 2: his nanny.

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Speaker 1: Oh believe.

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Speaker 3: At all you know?

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Speaker 1: And I hope a few of the NASA students got

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Speaker 1: that one.

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Speaker 3: Yeah.

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Speaker 1: I'm also finding it hard to believe that Bruce Willis

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Speaker 1: is Live Tyler's biological father in that movie.

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Speaker 3: Yeah, they don't look like at all. No, they don't.

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Speaker 3: And more importantly, in what world.

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Speaker 2: Would NASA let Bruce Willis sacrifice himself for Ben Affleck.

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Speaker 1: Yeah, no, not buying it, not buying it at all. Yeah,

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Speaker 1: we're good at this. We should we should be as

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Speaker 1: a student absolutely.

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Speaker 2: I know we're joking about how ridiculous having get it

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Speaker 2: and he's putting a new kitt An asteroid, but Donald

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Speaker 2: Trump is actually, in real life proposed something even more

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Speaker 2: outrageous that we should do with our nuclear weapons.

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Speaker 3: And I'll tell you exactly what it is right up next.

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Speaker 3: It's extreme.

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Speaker 1: In order to stop a hurricane, and that's a disaster,

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Speaker 1: a hurricane, in order to stop it, Donald Trump wanted

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Speaker 1: to nuke it. He genuinely thought that that would stop

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Speaker 1: the hurricane getting to land.

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Speaker 3: Extraordinary stuff.

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Speaker 12: This guy is the leader of the free world and

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Speaker 12: he thought a nuclear bomb, just drop it in the

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Speaker 12: middle of it and that'll stop the hurricane.

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Speaker 1: It really is phenomenal but also scary stuff that he

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Speaker 1: has so much power. But I think what is clearly

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Speaker 1: going for there is the quick fix to a problem.

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Speaker 1: Well I don't know it, Yeah, you know, he's going

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Speaker 1: for a speedy solution, Oh, the hurricane can't right, Just

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Speaker 1: to drop a nuc on it, that'll sort it out.

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Speaker 1: And I think people listening can relate to the idea

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Speaker 1: of trying to think of a quick fix to a problem.

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Speaker 1: The thing is with Trump, if he did drop the

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Speaker 1: nuclear bomb on a hurricane, that would have been a disaster, definitely.

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Speaker 1: It just would have been a nuclear bomb in the world,

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Speaker 1: which is never going to go well. And I want

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Speaker 1: to happen there if he dropped the nuclear bomb.

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Speaker 2: Yeah, in a hurricane, I mean like, I mean, don't

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Speaker 2: look horrible awful, idea could be interesting. I would have

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Speaker 2: been for a long way away satellite imaging.

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Speaker 3: Should to watch carry on woods.

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Speaker 1: But yeah, anyway, I want to hear stories of when

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Speaker 1: you have gone for a quick fix and it has

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Speaker 1: ended in disaster, because as it just touched on, it

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Speaker 1: would have been a disaster if Trump did drop the

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Speaker 1: nuclear bomb. Absolutely it reminded me of my dad.

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Speaker 3: What dropping a nuclear bomb in a hurricane?

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Speaker 1: Wow, not necessarily that, but dad was sort of similar

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Speaker 1: my dad. There was a weed problem in our backyard,

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Speaker 1: and my dad's a lazy guy, so we went for

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Speaker 1: the quick fix. He was like woodster I've got an idea,

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Speaker 1: my boy, stand back and watch. And he thought by

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Speaker 1: getting a lighter and a deodorant can oh yeah, he

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Speaker 1: thought he could just form a sort of flame thrower

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Speaker 1: and just talk to the great idea and just burn

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Speaker 1: all the weeds. And he was like, woods, the garden

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Speaker 1: will be done in five minutes, and then you and

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Speaker 1: I can kick the feed up and we can watch

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Speaker 1: a movie together. Anyway, he goes to light the weeds

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Speaker 1: and literally, well he didn't quite do it, but he

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Speaker 1: almost burnt the shed down. Really yeah, yeah, everything this

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Speaker 1: took off. The garden was completely scorched, and he almost

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Speaker 1: took the shed down. It was the quick fix that

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Speaker 1: ended in disaster. Thirteen one oh sixty five is our number.

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Speaker 1: When did a quick fix end in disaster? For you?

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Speaker 1: Obviously you can dB someone else in as well if

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Speaker 1: your partner went for a quick fix disaster.

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Speaker 2: Sounds like there might be a few dads out there

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Speaker 2: they can put their heads up with this as well.

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Speaker 3: Bloody Hopes loved to hear from you guys. Right up next,

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Speaker 3: Donald Trump suggested solving the issue of a hurricane by

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Speaker 3: dropping a nuclear bomb on it.

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Speaker 2: So we're taking girls right now. Thirty one and six

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Speaker 2: y five. When did a quick fix end in disaster?

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Speaker 1: Yeah, we got Rebecca here. Rebecca, what was your quick fix?

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Speaker 6: Okay? So we had three and two friends when we're

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Speaker 6: about twelve, Yeah, and.

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Speaker 14: We were filling up a bullance hole with sand and

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Speaker 14: our older sister goes, do you know how else you

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Speaker 14: can kill him?

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Speaker 6: You just pulled petrol down there and.

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Speaker 4: Said it alive and you'll get rid of the problem.

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Speaker 6: Well, the whole backyard ended up on fire.

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Speaker 5: We had three fire brigades and ambulance, the police, everything.

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Speaker 6: At the house.

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Speaker 5: It's safe to say her mum was.

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Speaker 6: Not in front.

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Speaker 3: How many petrol was you pulled down there? By the way? Kids,

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Speaker 3: don't don't you know?

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Speaker 6: There's Jerry Can's a little ones for the law moller.

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Speaker 4: Yeah, the whole thing.

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Speaker 3: You guys are lucky, you're alive.

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Speaker 1: Probably got the ballance though.

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Speaker 4: It was.

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Speaker 6: It's funny now.

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Speaker 1: Yeah, yeah, not funny then, obviously obviously not and you know.

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Speaker 3: No, no, no, no.

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Speaker 2: The message the message we take away from that story

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Speaker 2: is not we got rid of the bullance.

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Speaker 1: No exact is the dumb thing today? Absolutely right? Yeah,

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Speaker 1: we've got Brianna here on thirty one of those things

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Speaker 1: vib Brianna, you went for a quick fixed while you

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Speaker 1: were on holiday.

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Speaker 15: Well it wasn't me, it was my boyfriend. Actually, we're

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Speaker 15: on a European holiday and my bad way because he's

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Speaker 15: being kept a tight ass. He got a hold of

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Speaker 15: them duct tape and gave it a crack at fixing

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Speaker 15: the zip. But at our next destination the bag came

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Speaker 15: out and half my stuff was gone. Oh yeah, like

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Speaker 15: the souvenirs we collected over.

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Speaker 10: A month that we're away for.

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Speaker 15: And it was all because you wouldn't walk out fifty

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Speaker 15: year old for a case like I want to.

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Speaker 2: Yeah, he fixed the whole bag with double tape, with

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Speaker 2: duct tape.

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Speaker 15: Sorry, just a broken part because it came busted open

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Speaker 15: on the fly.

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Speaker 3: Dodge.

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Speaker 2: Yeah, that's so important in German thanks to the corby.

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Speaker 2: That's a dumb decision.

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Speaker 1: I I mean usually duct tape is pretty good, honestly, honestly,

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Speaker 1: my home toilet was held together by duct tape for

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Speaker 1: three years.

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Speaker 3: Well, I say, Heimlake, will you say, man, I say.

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Speaker 1: The wrong place.

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Speaker 3: That's right, We'll take you put the wrong word in

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Speaker 3: the wrong place. As always with this segment, we accept

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Speaker 3: and fully appreciate you dubbing in somebody who doesn't know

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Speaker 3: that you've killed.

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Speaker 1: Of course, we've got Sarah here. Sarah, what's your wrong word?

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Speaker 1: Wrong place?

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Speaker 2: Ah?

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Speaker 16: Yes, So when I should have said on the phone call,

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Speaker 16: welcome to AGL, you're speaking with Sarah, I said, welcome

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Speaker 16: to AGL, you're sleeping with Sarah.

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Speaker 1: It's above and beyond customer service. Thanks Sarah.

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Speaker 3: We got Joe here now a lost to be on

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Speaker 3: the other end of the phone.

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Speaker 1: Joe, what happened with you?

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Speaker 10: So when I first got my license, I got pulled

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Speaker 10: over for a random breath test. Anyway, the first thing

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Speaker 10: I said.

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Speaker 15: To the officer was, oh my gosh, my first breath test.

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Speaker 9: Mm hmmm, so breast test, Ah said, breasted.

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Speaker 1: It actually is so close. They're so close that you

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Speaker 1: almost can't down.

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Speaker 3: So, Joe, I heard breath test. I'm really really sorry

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Speaker 3: that you called live radio then. And we didn't laugh

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Speaker 3: at the joke because it was it was there. The

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Speaker 3: gag was so there, Mate Bridges. Very quickly, what did

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Speaker 3: the cops say?

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Speaker 10: Oh, he just laughed, and after that I just knew

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Speaker 10: what I said a second later.

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Speaker 3: Yeah, it takes a bit of time, and what you

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Speaker 3: going to do in that situation. At least, he laughed.

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Speaker 3: We didn't. Not good.

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Speaker 1: I beg, what's happened with you?

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Speaker 10: I was hi, I was I was decorating my husband

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Speaker 10: in our house, and I really wanted a dato rail

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Speaker 10: around the room. Sorry, dado rail. It's a bit like

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Speaker 10: a picture rail going around me around the house, around

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Speaker 10: me room. And I actually said it would be really

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Speaker 10: good if we had a dildo rail.

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Speaker 3: Got that one. Thanks for the killback, hey Woods.

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Speaker 2: Before we go to the news, John Travolta is absolutely

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Speaker 2: famous for cooking presos at awards ceremony.

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00:19:12,000 --> 00:19:13,800
Speaker 1: Yeah, the twenty fourteen Oscars is when he went to

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Speaker 1: go and introduced performer I Dina Menzel, and this is

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Speaker 1: what he said.

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Speaker 14: He is welcome, the wickedly talented one and only.

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Speaker 3: But he's done it again.

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Speaker 1: This is remarkable. So the VMA is here today and

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Speaker 1: get this, He's about to award Music Video of the

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Speaker 1: Year with Queen Latifa. He addresses the fact that he

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Speaker 1: probably shouldn't award the award because of what happened last time.

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Speaker 1: This is what he said.

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Speaker 13: I shouldn't do this because I'll just mis pronounce it.

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Speaker 1: You okay, Then how's this queen? Receiver announces the award perfectly.

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Speaker 1: Taylor Swift has won it. But then a whole bunch

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Speaker 1: of people who were in the music video went up

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Speaker 1: with Taylor Swift. One of those people was Jade, who's

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Speaker 1: one of the drag queens from RuPaul's Drag Race. He

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Speaker 1: thinks that is Taylor Swift and he gives the award

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Speaker 1: to her.

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Speaker 2: It's amazing, so you gotta go and check it out online.

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Speaker 3: Sixty degrees of Separation continues. We had locking him on

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Speaker 3: the show yesterday.

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Speaker 2: Our third call of six to get to Keanu Reeves,

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Speaker 2: and he actually has Keanu's numbers, so we could be

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Speaker 2: making that magic call right up next to.

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Speaker 3: Get in touch with you.

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Speaker 8: Six Greaso separation and six cars, six Gaso separation.

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Speaker 3: That's beig question board.

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Speaker 2: Six phone calls to get Keanu Reeves on the show.

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Speaker 3: Is it possible? Yesterday call number three. We're in a

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Speaker 3: very good spot. We're a very good spot.

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Speaker 1: Amazing spot it's been. It's been quite a successful journey

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00:20:59,200 --> 00:21:01,199
Speaker 1: so far. And by if you have missed any of

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00:21:01,240 --> 00:21:02,959
Speaker 1: the journey, here it is.

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00:21:04,600 --> 00:21:07,199
Speaker 8: The call started with Jay Nephew of the head of

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Speaker 8: Makeup effects for the Matrix series.

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Speaker 4: I really lovely man.

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Speaker 1: You didn't get his mobile number. When you did, I

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Speaker 1: did get a guy named.

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Speaker 4: Locky Lucky Lucky Hume.

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Speaker 8: So we dialed the number for Locky.

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00:21:24,000 --> 00:21:27,400
Speaker 9: The number you have called is not connected. Please check

445
00:21:27,440 --> 00:21:28,840
Speaker 9: the number before calling again.

446
00:21:29,160 --> 00:21:30,040
Speaker 1: That's what happens now.

447
00:21:30,520 --> 00:21:32,720
Speaker 8: Well we cooked just as we hit a snag and

448
00:21:32,840 --> 00:21:35,920
Speaker 8: unlikely hero emerged, so we made our second call.

449
00:21:36,560 --> 00:21:40,000
Speaker 1: White Mum just texted me and told me you've got

450
00:21:40,000 --> 00:21:40,920
Speaker 1: Locky Hume's number.

451
00:21:40,960 --> 00:21:41,400
Speaker 3: Is that right?

452
00:21:43,000 --> 00:21:48,600
Speaker 6: I did, Yes, I do have to have it.

453
00:21:48,600 --> 00:21:49,399
Speaker 7: It could be in the car.

454
00:21:49,640 --> 00:21:51,040
Speaker 4: Actually, I think he's in the car.

455
00:21:51,160 --> 00:21:52,440
Speaker 9: I think it is in the car.

456
00:21:52,560 --> 00:21:54,840
Speaker 1: Sorry, we can go to a song or you are

457
00:21:55,480 --> 00:21:56,640
Speaker 1: no good.

458
00:21:58,040 --> 00:21:58,919
Speaker 4: You've got it.

459
00:21:59,040 --> 00:22:03,720
Speaker 1: Seriously, I've got dad. You've done it again.

460
00:22:03,800 --> 00:22:06,440
Speaker 8: We reached Lucky, who laid down the challenge.

461
00:22:06,480 --> 00:22:11,440
Speaker 9: A series of clues and possible traps. You could enroll

462
00:22:11,600 --> 00:22:15,240
Speaker 9: some dangerous and deadly themes on your behalf again and

463
00:22:15,440 --> 00:22:17,760
Speaker 9: only again. At the end of the rainbow will be

464
00:22:17,800 --> 00:22:18,520
Speaker 9: the pot of gold.

465
00:22:18,520 --> 00:22:19,640
Speaker 14: That is reeves.

466
00:22:21,200 --> 00:22:25,440
Speaker 3: God left it in a pretty interesting spot.

467
00:22:25,480 --> 00:22:28,320
Speaker 2: I mean, I didn't expect at five o'clock yesterday a

468
00:22:28,560 --> 00:22:30,320
Speaker 2: to be talking to Keanu Reeve, because I didn't think

469
00:22:30,320 --> 00:22:34,920
Speaker 2: that your dad actually got his number Locky Hume. Locky Hum,

470
00:22:35,480 --> 00:22:37,520
Speaker 2: I mean, And.

471
00:22:37,640 --> 00:22:40,840
Speaker 3: Second of all, I certainly didn't expect to be making

472
00:22:40,880 --> 00:22:42,879
Speaker 3: a weird.

473
00:22:43,400 --> 00:22:48,440
Speaker 2: Sadistic, masochistic sort of a deal with Locky Hume whereby

474
00:22:48,480 --> 00:22:52,880
Speaker 2: he tortures us in exchange for the phone number.

475
00:22:53,080 --> 00:22:55,920
Speaker 1: Yeah. Yeah, But despite the weirdness, I thing, we were keen.

476
00:22:56,040 --> 00:22:58,240
Speaker 3: Oh we were, we were. We were really keen.

477
00:22:59,200 --> 00:23:04,119
Speaker 2: And I think, look, we've got an email here from Lockey.

478
00:23:06,200 --> 00:23:10,399
Speaker 2: But reading between the lines, I'm getting the vibe that

479
00:23:10,960 --> 00:23:13,520
Speaker 2: I've read it a couple of times. I do think

480
00:23:13,560 --> 00:23:16,560
Speaker 2: that it's the people at Stan. Look, he's got a

481
00:23:16,600 --> 00:23:19,159
Speaker 2: new show on stand called Preacher. Yeah, great chart, it's

482
00:23:19,200 --> 00:23:19,760
Speaker 2: a great show.

483
00:23:19,800 --> 00:23:22,200
Speaker 3: But look, he kind of entered the character that he

484
00:23:22,280 --> 00:23:24,399
Speaker 3: played a little bit, and that's where the torture thing

485
00:23:24,480 --> 00:23:26,240
Speaker 3: came in. He plays a torture in the show, a

486
00:23:26,280 --> 00:23:27,160
Speaker 3: torture in the show.

487
00:23:27,240 --> 00:23:31,520
Speaker 1: He plays like a torture tutor. I think, so he teaches, yeah, toture.

488
00:23:31,840 --> 00:23:34,400
Speaker 2: And I'm getting the vibe that they didn't want us

489
00:23:34,560 --> 00:23:37,639
Speaker 2: performing a stunt where Locky tortured is for a phone number.

490
00:23:37,800 --> 00:23:40,720
Speaker 3: And look, as I said, where we're Keene. But do

491
00:23:40,760 --> 00:23:41,720
Speaker 3: you want to read it? Do you want to read

492
00:23:41,720 --> 00:23:42,080
Speaker 3: it out the note?

493
00:23:42,080 --> 00:23:43,719
Speaker 2: I mean, I don't think this is from Lucky directly,

494
00:23:43,760 --> 00:23:45,600
Speaker 2: but it has been passed off as from Lockie.

495
00:23:45,680 --> 00:23:48,000
Speaker 1: But as he says, will, I've had some time to

496
00:23:48,040 --> 00:23:50,800
Speaker 1: think overnight. I think my character from Preacher overcame me

497
00:23:50,840 --> 00:23:53,560
Speaker 1: too much yesterday. It's not a good idea for me

498
00:23:53,600 --> 00:23:56,879
Speaker 1: to pass over Keanu's number. Yep, but don't worry. Okay,

499
00:23:56,920 --> 00:23:59,200
Speaker 1: this is it gets a little bit interesting. Yeah, he says,

500
00:23:59,480 --> 00:24:03,200
Speaker 1: don't worry. I can pass on Tim Robards's number.

501
00:24:03,320 --> 00:24:06,000
Speaker 3: Yeah, the first Australian Bachelor.

502
00:24:06,320 --> 00:24:07,639
Speaker 1: And at this part of the email, you're thinking, like,

503
00:24:07,680 --> 00:24:10,240
Speaker 1: why the hell do we want Tim Robards's number? But

504
00:24:10,320 --> 00:24:12,360
Speaker 1: he goes on and he says, I'm pretty sure he

505
00:24:12,480 --> 00:24:16,160
Speaker 1: was Keanu's body double on the set of The Matrix.

506
00:24:16,280 --> 00:24:18,080
Speaker 3: Yeah, he will be your.

507
00:24:17,960 --> 00:24:19,040
Speaker 1: Best bet moving forward.

508
00:24:19,119 --> 00:24:19,800
Speaker 3: Yeah bluck. Yeah.

509
00:24:19,840 --> 00:24:22,080
Speaker 2: So, as you can imagine, when we got this message today,

510
00:24:22,560 --> 00:24:25,080
Speaker 2: we're upset you and I looking forward to getting tortured

511
00:24:25,119 --> 00:24:28,520
Speaker 2: for Keano's number would have been great content, yeah, and

512
00:24:28,720 --> 00:24:31,000
Speaker 2: devastated that he's not going to help us out any further.

513
00:24:31,240 --> 00:24:34,240
Speaker 2: I think, like credibly he's just said he's a good

514
00:24:34,240 --> 00:24:36,160
Speaker 2: friend and he doesn't want to give over the number

515
00:24:36,240 --> 00:24:36,960
Speaker 2: right now as well.

516
00:24:37,040 --> 00:24:39,720
Speaker 3: Yeah, yeah, yeah, Tim Robards are interesting.

517
00:24:40,160 --> 00:24:42,520
Speaker 1: I had no idea Robards was on the set of

518
00:24:42,520 --> 00:24:44,760
Speaker 1: The Matrix, the body double of Keanu Reeves, is it

519
00:24:44,880 --> 00:24:46,120
Speaker 1: during that's true.

520
00:24:46,080 --> 00:24:46,760
Speaker 3: I've got no idea.

521
00:24:46,800 --> 00:24:48,520
Speaker 2: Maybe we've got his phone number and we're going to

522
00:24:48,560 --> 00:24:50,199
Speaker 2: give him a call right up next to see if

523
00:24:50,200 --> 00:24:52,359
Speaker 2: he can help us out on sixty degrees of separation.

524
00:24:52,520 --> 00:24:55,400
Speaker 3: Who would have thought the Bachelor would have Keano Reeves's

525
00:24:55,480 --> 00:24:57,640
Speaker 3: mobile Another twist of the tail.

526
00:24:58,119 --> 00:25:00,199
Speaker 2: Sixty grees of separation is what we're trying to room,

527
00:25:00,280 --> 00:25:02,120
Speaker 2: getting Keanu Reeves on the show with six phone calls

528
00:25:02,200 --> 00:25:04,280
Speaker 2: or less Woods And like so many times on this

529
00:25:04,359 --> 00:25:10,560
Speaker 2: journey so far, we've been gutted and then given you hope.

530
00:25:11,200 --> 00:25:13,840
Speaker 2: Locke Hume was our third call yesterday.

531
00:25:13,960 --> 00:25:16,960
Speaker 3: Sadly, Look, he actually has Keanu Reeves's phone number.

532
00:25:17,040 --> 00:25:19,280
Speaker 1: Yeah, they've worked together on the Matrix movies, they've had

533
00:25:19,280 --> 00:25:19,800
Speaker 1: beers together.

534
00:25:19,880 --> 00:25:21,520
Speaker 2: It sounds Look, we thought we were in the box

535
00:25:21,520 --> 00:25:24,720
Speaker 2: seat yesterday. Look, we think this has largely been a

536
00:25:24,760 --> 00:25:28,560
Speaker 2: direction from above. But we cut a deal with Locke

537
00:25:28,720 --> 00:25:32,520
Speaker 2: where he got a bit weird and essentially agreed to

538
00:25:32,520 --> 00:25:38,000
Speaker 2: torture us. As his character in Preacher Frankie Duscarni, which

539
00:25:38,040 --> 00:25:40,399
Speaker 2: is a show on STAN, he was going to torture

540
00:25:40,440 --> 00:25:41,800
Speaker 2: us and then give us the number, and it all

541
00:25:41,840 --> 00:25:43,320
Speaker 2: sounded like a little bit fun. But I think we

542
00:25:43,359 --> 00:25:45,600
Speaker 2: all just got a bit carried away, and essentially we

543
00:25:45,600 --> 00:25:48,320
Speaker 2: think Stan have wade in and just said, guys, we

544
00:25:48,359 --> 00:25:50,080
Speaker 2: can't have one of our stars.

545
00:25:51,800 --> 00:25:52,520
Speaker 3: Torturing you.

546
00:25:54,400 --> 00:25:57,600
Speaker 2: It's a real pr issue and that's totally fair enough.

547
00:25:57,680 --> 00:26:01,840
Speaker 2: And to Locke's full credit, he realizes, you know how

548
00:26:01,880 --> 00:26:04,399
Speaker 2: intense this is and how much hope we hold on this,

549
00:26:04,480 --> 00:26:05,240
Speaker 2: So he has.

550
00:26:05,840 --> 00:26:09,399
Speaker 3: Given us a second bite at the cherry. And this

551
00:26:09,600 --> 00:26:12,080
Speaker 3: is confusing for me, he said to us, And we

552
00:26:12,200 --> 00:26:14,320
Speaker 3: had no idea. No one else has told us this.

553
00:26:14,359 --> 00:26:15,480
Speaker 3: In our hunt for Keanu that.

554
00:26:15,960 --> 00:26:19,880
Speaker 1: Tim rob Bard's the first Bachelor, the original.

555
00:26:19,400 --> 00:26:23,000
Speaker 3: Australian Bachelor was apparently Keanu Reeves body double on the

556
00:26:23,040 --> 00:26:25,200
Speaker 3: Matrix and he's our best bet.

557
00:26:25,520 --> 00:26:28,040
Speaker 1: Yeah, and I just I just don't know whether to

558
00:26:28,080 --> 00:26:31,000
Speaker 1: believe it. It seems too far fetched that the first

559
00:26:31,040 --> 00:26:33,960
Speaker 1: Bachelor was the body double of Keanu Reeves. It seems

560
00:26:34,600 --> 00:26:35,560
Speaker 1: how do we not know that.

561
00:26:36,040 --> 00:26:38,280
Speaker 3: Like, surely that's it. Actually, it's one of the first

562
00:26:38,280 --> 00:26:39,560
Speaker 3: things you know about Tim Robarts.

563
00:26:39,560 --> 00:26:43,199
Speaker 1: So I'm I am concerned, yes about this, But apparently

564
00:26:43,600 --> 00:26:46,440
Speaker 1: what's all we've got. That's right, it is all we've got.

565
00:26:47,160 --> 00:26:50,000
Speaker 1: Apparently the producers have got Tim Robards on the phone.

566
00:26:50,000 --> 00:26:51,440
Speaker 1: We didn't want to call him live on air because

567
00:26:51,440 --> 00:26:54,040
Speaker 1: I've had a few cockups when we call people live

568
00:26:54,080 --> 00:26:57,040
Speaker 1: on air and we can't call them. So yeah, yeah, anyway,

569
00:26:57,040 --> 00:26:59,960
Speaker 1: apparently Tim Robards is on the line.

570
00:27:00,320 --> 00:27:02,840
Speaker 2: Yeah, I can't hear us right now, but I'm a

571
00:27:02,840 --> 00:27:05,320
Speaker 2: little bit worried about just jumping on and going good, Hey, mate,

572
00:27:05,320 --> 00:27:06,440
Speaker 2: how was that with Kiano Reeves?

573
00:27:06,600 --> 00:27:06,800
Speaker 4: Yeah?

574
00:27:06,880 --> 00:27:08,240
Speaker 3: Do you even know what he's been up to?

575
00:27:09,400 --> 00:27:12,040
Speaker 1: No, he's got the Robard's method or the exercise. We

576
00:27:12,040 --> 00:27:12,720
Speaker 1: could just say, how.

577
00:27:12,720 --> 00:27:14,959
Speaker 3: Do you exercising? Producers? Do you guys know what he's

578
00:27:14,960 --> 00:27:16,480
Speaker 3: been up to? Yeah, he's on neighbors?

579
00:27:16,840 --> 00:27:19,720
Speaker 1: Oh great, No, that's perfect actually, so we'll just be

580
00:27:19,800 --> 00:27:21,840
Speaker 1: like loving your neighbors at the moment, Tim, that's really

581
00:27:21,880 --> 00:27:24,360
Speaker 1: really good. And then I reckon, you're good at subtlety,

582
00:27:24,359 --> 00:27:25,560
Speaker 1: will you just slip in.

583
00:27:25,880 --> 00:27:29,840
Speaker 3: I'll segue from neighbors to the Matrex.

584
00:27:30,280 --> 00:27:32,760
Speaker 1: Well just go you know, do you know Reves? You know,

585
00:27:33,000 --> 00:27:35,000
Speaker 1: subtle you, You'll find a way. Okay, But when when

586
00:27:35,000 --> 00:27:36,960
Speaker 1: we say when we bring him up around, play Neighbors music,

587
00:27:37,040 --> 00:27:39,800
Speaker 1: you know, get around. So who's his who's his character?

588
00:27:40,359 --> 00:27:43,879
Speaker 3: Peers Grayson? Peers Grayson, how's Peers going? And then halfway

589
00:27:43,920 --> 00:27:46,480
Speaker 3: through will go, you know you go.

590
00:27:48,400 --> 00:27:50,960
Speaker 1: For everyone listening, this will be so beautiful and subtle, Iry,

591
00:27:51,000 --> 00:27:51,520
Speaker 1: This'll be great.

592
00:27:51,560 --> 00:27:55,600
Speaker 3: Will Okay? All right, all is he there? Are you ready? Okay?

593
00:27:55,640 --> 00:27:55,920
Speaker 11: Cool?

594
00:27:56,880 --> 00:27:58,960
Speaker 3: All right, We've got Tim Robards on the show.

595
00:28:02,240 --> 00:28:06,520
Speaker 1: Tim absolutely loving your work as Peers Grayson on Neighbors.

596
00:28:06,520 --> 00:28:08,440
Speaker 1: At the moments, tell us a bit about how he

597
00:28:08,480 --> 00:28:08,880
Speaker 1: got the role.

598
00:28:09,119 --> 00:28:10,439
Speaker 11: So I've been on there for about six months now.

599
00:28:10,480 --> 00:28:11,920
Speaker 14: I did a guest role last year and they really

600
00:28:11,920 --> 00:28:14,320
Speaker 14: like character, invited me back now full time yea. And

601
00:28:15,359 --> 00:28:18,359
Speaker 14: so yeah, and he's got some possibly some more family

602
00:28:18,400 --> 00:28:19,359
Speaker 14: members coming soon.

603
00:28:21,640 --> 00:28:22,320
Speaker 3: Very exciting.

604
00:28:22,680 --> 00:28:23,640
Speaker 1: Yeah, very good.

605
00:28:24,920 --> 00:28:29,400
Speaker 3: But Tim, do you do you know Keanu Reeves?

606
00:28:29,800 --> 00:28:32,320
Speaker 14: I was actually Kanu Reeves stand in and double for

607
00:28:32,400 --> 00:28:32,920
Speaker 14: the Matrix.

608
00:28:33,040 --> 00:28:35,600
Speaker 11: No, yeah, like second in life, so I'd go in.

609
00:28:35,600 --> 00:28:37,320
Speaker 11: I think went down like a total of five days

610
00:28:37,400 --> 00:28:37,680
Speaker 11: or something.

611
00:28:37,680 --> 00:28:40,160
Speaker 14: But that going in there and seeing I had to

612
00:28:40,160 --> 00:28:43,840
Speaker 14: put on his gown and then and seeing.

613
00:28:43,800 --> 00:28:47,520
Speaker 11: Like just the like the hugeness of such a big production.

614
00:28:47,600 --> 00:28:50,080
Speaker 1: Shit, yeah, I can't imagine how epic that would be. Tim,

615
00:28:50,120 --> 00:28:52,240
Speaker 1: And you're not going to believe this. We are currently

616
00:28:52,320 --> 00:28:55,080
Speaker 1: trying to get Keanu Reeves on this show. Can I

617
00:28:55,120 --> 00:28:56,880
Speaker 1: ask what was he like as a person?

618
00:28:57,000 --> 00:28:59,160
Speaker 14: So it's pretty it's pretty crazy that remember the first time,

619
00:28:59,160 --> 00:29:01,200
Speaker 14: I'm a twenty year old kid sitting there and then

620
00:29:01,240 --> 00:29:03,120
Speaker 14: he walks in in these big ug boots.

621
00:29:02,800 --> 00:29:04,520
Speaker 11: And he's like, hey, you can I have a coffee?

622
00:29:05,360 --> 00:29:13,440
Speaker 11: That was and then there was one point where I

623
00:29:13,440 --> 00:29:13,880
Speaker 11: had to get.

624
00:29:13,840 --> 00:29:15,760
Speaker 14: Up right at the end of I think it's Revolutions

625
00:29:15,840 --> 00:29:19,840
Speaker 14: number three, like Blindfold, and he's walking up, stand up

626
00:29:19,840 --> 00:29:22,280
Speaker 14: there and walk along that while the two Wachowski.

627
00:29:21,760 --> 00:29:24,120
Speaker 11: Brothers and Kounter Reeves that directing me, going no, walk along,

628
00:29:24,160 --> 00:29:25,360
Speaker 11: It'll be further that way a little bit. And I'm

629
00:29:25,400 --> 00:29:29,680
Speaker 11: just this is the most surreal thing was It was unreal.

630
00:29:29,880 --> 00:29:31,720
Speaker 2: Actually, I've got a good question for you because I

631
00:29:31,760 --> 00:29:33,040
Speaker 2: know that there. I don't know whether this is just

632
00:29:33,040 --> 00:29:35,360
Speaker 2: a myth or something, but apparently.

633
00:29:35,120 --> 00:29:39,440
Speaker 3: He he gave like half of his fee to the

634
00:29:39,480 --> 00:29:42,680
Speaker 3: stunt people on the set. Did you get cash from.

635
00:29:44,040 --> 00:29:47,920
Speaker 14: Well, he bought all the stunt guys, Harley Davidson's I believe.

636
00:29:48,160 --> 00:29:50,080
Speaker 11: And then is what I heard. And then yeah, I

637
00:29:50,120 --> 00:29:54,520
Speaker 11: got nothing. There was one point where I was.

638
00:29:54,440 --> 00:29:57,920
Speaker 14: In the trailer and I saw, you know, the glasses, like,

639
00:29:58,000 --> 00:29:59,840
Speaker 14: surely they've got a heap, but they weren't missing.

640
00:30:02,600 --> 00:30:04,680
Speaker 11: You did end up with want of his shirts, T shirts.

641
00:30:04,680 --> 00:30:08,440
Speaker 3: Oh that's good. I don't people god.

642
00:30:10,360 --> 00:30:10,600
Speaker 6: Shirt.

643
00:30:10,720 --> 00:30:15,520
Speaker 3: But you're gonna believe this.

644
00:30:15,560 --> 00:30:18,200
Speaker 2: But I mean, the reason we're asking about so intently

645
00:30:18,440 --> 00:30:20,760
Speaker 2: is because we've been looking for him for sixty degree

646
00:30:20,800 --> 00:30:22,400
Speaker 2: separation all week.

647
00:30:24,000 --> 00:30:25,000
Speaker 1: Oh my god, you're serious.

648
00:30:25,840 --> 00:30:31,160
Speaker 3: Oh god damn it. Well, look, Tim, given that you

649
00:30:31,240 --> 00:30:35,000
Speaker 3: work like closely with him or you know, like you

650
00:30:35,080 --> 00:30:35,800
Speaker 3: might have had the same.

651
00:30:35,640 --> 00:30:37,800
Speaker 2: Guy in wardrobe or hair and makeup, Like, do you

652
00:30:37,800 --> 00:30:40,560
Speaker 2: think there's someone's number that you could maybe give to us?

653
00:30:41,800 --> 00:30:42,000
Speaker 6: Yeah?

654
00:30:42,040 --> 00:30:44,920
Speaker 1: I guess so amazing. That's great, Tim, will put you

655
00:30:44,960 --> 00:30:49,120
Speaker 1: over to our producers. Just just give them, Yes, any number,

656
00:30:49,240 --> 00:30:51,360
Speaker 1: all the numbers you've got that you think could help us. Yes,

657
00:30:51,440 --> 00:30:52,120
Speaker 1: that would be amazing.

658
00:30:52,160 --> 00:30:56,680
Speaker 3: Thanks so much for coming on. Man. Pretty good, not good.

659
00:30:57,600 --> 00:30:59,600
Speaker 1: He's giving all the numbers over to the producers. Now

660
00:30:59,600 --> 00:31:02,200
Speaker 1: that's great, we get nods from outside. We're getting numbers,

661
00:31:02,200 --> 00:31:04,280
Speaker 1: and then I reckon you and I go away. Will Yeah,

662
00:31:04,360 --> 00:31:05,920
Speaker 1: we look at all these numbers and we choose what

663
00:31:05,960 --> 00:31:06,680
Speaker 1: the next movie.

664
00:31:06,440 --> 00:31:09,480
Speaker 3: And then that's call five and he will have onset people.

665
00:31:09,560 --> 00:31:11,120
Speaker 3: This is that people that actually would have worked with

666
00:31:11,200 --> 00:31:14,040
Speaker 3: Keanu Rees Okay, who would have thought the bachelor from

667
00:31:14,120 --> 00:31:21,040
Speaker 3: Buds Roberts comes comes to our absolute Oh wow, that

668
00:31:21,200 --> 00:31:21,880
Speaker 3: was tense.

669
00:31:22,120 --> 00:31:24,760
Speaker 2: Yeah, a bit of a self serving a topic of

670
00:31:24,760 --> 00:31:27,920
Speaker 2: conversation here, Wolds. But my girlfriend was giving me a

671
00:31:27,960 --> 00:31:30,360
Speaker 2: whole bunch of grief today about the fact that I

672
00:31:30,400 --> 00:31:37,400
Speaker 2: couldn't find the keys to my bike, and I'm starting

673
00:31:37,440 --> 00:31:40,160
Speaker 2: to realize that if I don't put things back where

674
00:31:40,320 --> 00:31:44,120
Speaker 2: I left them, the older I get it's.

675
00:31:45,520 --> 00:31:47,120
Speaker 3: You might as well have thrown them into a black hole.

676
00:31:47,200 --> 00:31:49,320
Speaker 1: Yeah, he's sounding my dad, I know.

677
00:31:49,960 --> 00:31:50,200
Speaker 11: I know.

678
00:31:50,960 --> 00:31:52,880
Speaker 2: And she was giving me grief about this, and she

679
00:31:52,960 --> 00:31:54,480
Speaker 2: was like, I can't believe that you're like this. But

680
00:31:55,040 --> 00:31:57,120
Speaker 2: you know, the more and more blokes that I talk to,

681
00:31:57,760 --> 00:32:00,720
Speaker 2: the more and more blokes I'm finding out, like, despite

682
00:32:00,720 --> 00:32:04,640
Speaker 2: the stereotype, stereotype is you know boys, so messy. If

683
00:32:04,680 --> 00:32:08,280
Speaker 2: we don't have order and structure when it comes to

684
00:32:09,720 --> 00:32:11,240
Speaker 2: personal items.

685
00:32:12,440 --> 00:32:13,320
Speaker 3: We're gone.

686
00:32:13,960 --> 00:32:16,600
Speaker 1: Yeah, we tend to have a spot for everything, don't we, mate.

687
00:32:16,640 --> 00:32:18,480
Speaker 3: I have a genuine freak.

688
00:32:18,280 --> 00:32:23,640
Speaker 17: Out if I can't if I if the thing doesn't

689
00:32:23,680 --> 00:32:26,520
Speaker 17: go back in the same spot, like that's it, and

690
00:32:26,600 --> 00:32:29,800
Speaker 17: I think it's either destroyed or it's stolen because I

691
00:32:29,920 --> 00:32:31,640
Speaker 17: always put it back in the same place.

692
00:32:31,880 --> 00:32:32,120
Speaker 16: Yeah.

693
00:32:32,160 --> 00:32:35,120
Speaker 1: Well, when I when I was in a relationship, my

694
00:32:35,200 --> 00:32:37,200
Speaker 1: girlfriend used to find the spot that I would put

695
00:32:37,240 --> 00:32:40,520
Speaker 1: things was in practical she would like it, so she's

696
00:32:40,520 --> 00:32:43,880
Speaker 1: not helpful though she was doing me a favor by

697
00:32:43,920 --> 00:32:46,560
Speaker 1: putting the thing somewhere else. And I was the same

698
00:32:46,560 --> 00:32:47,960
Speaker 1: of you. I'd have a bit of a freak out.

699
00:32:50,080 --> 00:32:54,760
Speaker 1: Who stole my runners and apparently putting them next to

700
00:32:54,800 --> 00:32:56,760
Speaker 1: the couch in the living room is in a practical position,

701
00:32:57,040 --> 00:32:58,000
Speaker 1: but it just works for me.

702
00:32:58,080 --> 00:33:00,720
Speaker 3: The only thing I have a backpack.

703
00:33:01,280 --> 00:33:04,479
Speaker 2: I get mocked like I, you know, go to meetings,

704
00:33:04,480 --> 00:33:06,120
Speaker 2: I've got a lunches with my mates and stuff.

705
00:33:06,120 --> 00:33:09,240
Speaker 3: They've got briefcases. I have a backpack. I've got a backpack.

706
00:33:09,280 --> 00:33:10,000
Speaker 1: You've got a school boy.

707
00:33:10,000 --> 00:33:12,239
Speaker 3: I look like a school kid because everything has a

708
00:33:12,280 --> 00:33:15,680
Speaker 3: pouch in the backpack. Everything. There's enough pouches on the thing.

709
00:33:15,720 --> 00:33:19,000
Speaker 3: Everything's got a specific spot and nobody can move them.

710
00:33:19,160 --> 00:33:21,040
Speaker 3: Only I touch the backpack.

711
00:33:21,120 --> 00:33:22,480
Speaker 1: Yeah, and I'm glad there is a benefit to that,

712
00:33:22,520 --> 00:33:25,440
Speaker 1: because you do look like a bald, huge child when

713
00:33:25,480 --> 00:33:27,440
Speaker 1: you walk around.

714
00:33:27,840 --> 00:33:29,840
Speaker 3: Thirty one who love to you? From some other people?

715
00:33:29,880 --> 00:33:30,040
Speaker 8: Here?

716
00:33:30,600 --> 00:33:31,680
Speaker 3: Does your partner?

717
00:33:31,960 --> 00:33:34,800
Speaker 2: I'm obviously talking to women i'd like exclusively because I

718
00:33:35,080 --> 00:33:37,200
Speaker 2: don't think this is there are any other men out

719
00:33:37,240 --> 00:33:39,000
Speaker 2: there who deal with this in the other way that

720
00:33:39,840 --> 00:33:42,400
Speaker 2: women can live in clutter, men cannot.

721
00:33:42,800 --> 00:33:43,920
Speaker 3: Thirty one and six y five?

722
00:33:44,000 --> 00:33:48,960
Speaker 2: Are your chick out there whose partner has an absolute freak.

723
00:33:48,680 --> 00:33:52,360
Speaker 3: Out when you move something?

724
00:33:54,080 --> 00:33:56,680
Speaker 2: Now I realized that this topic is largely self serving,

725
00:33:56,720 --> 00:33:58,640
Speaker 2: but I amount to prove a point to my partner,

726
00:33:58,800 --> 00:34:01,240
Speaker 2: and I need other people to tell me that I'm

727
00:34:01,280 --> 00:34:04,040
Speaker 2: not the only one. Thirteen one, six or five is

728
00:34:04,440 --> 00:34:11,240
Speaker 2: the phone number here? Does your partner have a freak out.

729
00:34:10,440 --> 00:34:14,600
Speaker 3: When you move his stuff? And I'm saying I'm saying his.

730
00:34:15,480 --> 00:34:18,640
Speaker 2: I know it's a stereotype, but the more and more

731
00:34:18,680 --> 00:34:21,879
Speaker 2: men I talk to these days, even guys my age

732
00:34:21,920 --> 00:34:26,480
Speaker 2: I'm not even thirty, I know that we totally struggle

733
00:34:26,560 --> 00:34:28,759
Speaker 2: with the fact that something might not be in the

734
00:34:28,760 --> 00:34:31,839
Speaker 2: place where we put it last time, it's lost forever woods.

735
00:34:31,920 --> 00:34:33,760
Speaker 1: No, no, my old man really struggles.

736
00:34:33,840 --> 00:34:35,399
Speaker 3: When did you just talk about your own man, mate?

737
00:34:35,440 --> 00:34:37,400
Speaker 3: I've seen the way that you hang your socks on

738
00:34:37,440 --> 00:34:38,800
Speaker 3: the washing line.

739
00:34:39,200 --> 00:34:42,520
Speaker 1: Yeah, and my partner used to tweak it and she

740
00:34:42,680 --> 00:34:44,440
Speaker 1: change it and I would freak out. I don't know

741
00:34:44,480 --> 00:34:45,160
Speaker 1: why I do.

742
00:34:45,600 --> 00:34:46,480
Speaker 3: It's nuts, isn't it.

743
00:34:46,560 --> 00:34:50,400
Speaker 1: Yeah, it's really concerning. Oh, we've got Jenny here. Jenny.

744
00:34:50,560 --> 00:34:53,240
Speaker 1: Does your partner freak out when your movie stuff around?

745
00:34:54,000 --> 00:34:54,759
Speaker 10: Oh, big time.

746
00:34:54,800 --> 00:34:55,800
Speaker 6: It's really amazing.

747
00:34:56,080 --> 00:34:56,839
Speaker 4: That's why I do it.

748
00:34:57,680 --> 00:34:59,960
Speaker 3: Hang on, you do it deliberately.

749
00:35:00,800 --> 00:35:01,880
Speaker 6: I do it deliberately.

750
00:35:02,000 --> 00:35:04,719
Speaker 3: Yeah.

751
00:35:04,719 --> 00:35:07,720
Speaker 15: I know it sounds bad, but it's really funny.

752
00:35:08,440 --> 00:35:10,880
Speaker 1: So what are we talking about, Jenny? Does he just

753
00:35:10,920 --> 00:35:13,000
Speaker 1: gets angry or or he can't find it.

754
00:35:13,840 --> 00:35:15,880
Speaker 10: Oh, he just gets so annoyed, like, oh where is

755
00:35:15,880 --> 00:35:18,239
Speaker 10: this gone? And he's like fucking a tantrum and he's

756
00:35:18,239 --> 00:35:19,480
Speaker 10: throwing everything around.

757
00:35:19,560 --> 00:35:20,720
Speaker 6: And yeah, it's really funny.

758
00:35:21,000 --> 00:35:21,200
Speaker 8: Yeah.

759
00:35:23,280 --> 00:35:24,320
Speaker 4: I take his phone.

760
00:35:24,120 --> 00:35:24,640
Speaker 10: Quite a lot.

761
00:35:24,880 --> 00:35:26,720
Speaker 6: Oh, no, take his debts.

762
00:35:27,520 --> 00:35:28,880
Speaker 15: He makes his debt.

763
00:35:29,120 --> 00:35:32,000
Speaker 10: Sorry, he's always chucking things up and looking around.

764
00:35:32,040 --> 00:35:35,240
Speaker 2: And yes, I can't imagine anything worse than someone's stealing

765
00:35:35,239 --> 00:35:36,759
Speaker 2: my phone and putting in a different place. Thanks to

766
00:35:36,800 --> 00:35:38,840
Speaker 2: call Jenny, Because the scary thing is that if you

767
00:35:39,000 --> 00:35:43,040
Speaker 2: told me that I just didn't put it back where

768
00:35:43,040 --> 00:35:44,280
Speaker 2: I told you I put it back.

769
00:35:44,560 --> 00:35:45,239
Speaker 3: I'd believe you.

770
00:35:45,680 --> 00:35:48,239
Speaker 2: Oh yeah, that's the scariest part about this phenomenon with

771
00:35:48,320 --> 00:35:51,520
Speaker 2: men is that I actually can't remember where I put things.

772
00:35:51,560 --> 00:35:54,480
Speaker 1: Well, we switch into autopilot really easily, isn't that funny. Yeah,

773
00:35:54,480 --> 00:35:56,200
Speaker 1: it's like sometimes I drive home and I get there,

774
00:35:56,239 --> 00:35:58,080
Speaker 1: I'm like, I can't remember driving home.

775
00:35:58,600 --> 00:36:01,040
Speaker 3: Yeah, yeah, it's like this at all, gat that that happened.

776
00:36:01,160 --> 00:36:02,840
Speaker 3: And so if you're not putting things back in the

777
00:36:02,880 --> 00:36:06,320
Speaker 3: place and you pick them up, they could be anywhere.

778
00:36:06,880 --> 00:36:09,440
Speaker 3: We've got Connor is called Connor, your partner does this?

779
00:36:11,640 --> 00:36:12,919
Speaker 4: I am free out?

780
00:36:15,040 --> 00:36:15,719
Speaker 3: Yeah? What was that?

781
00:36:16,520 --> 00:36:19,520
Speaker 4: I have this this this room that connects up to

782
00:36:19,560 --> 00:36:22,640
Speaker 4: our lounge room and there's a nice meaty air conditioning.

783
00:36:22,280 --> 00:36:22,759
Speaker 1: Unit in there.

784
00:36:23,040 --> 00:36:26,160
Speaker 11: Yea perfect Every morning with the weather it's helicol. So

785
00:36:26,160 --> 00:36:28,719
Speaker 11: I wake up and I always go to reach for

786
00:36:28,760 --> 00:36:29,439
Speaker 11: the remote that.

787
00:36:29,360 --> 00:36:34,160
Speaker 4: I put on the right outside my door. Next thing,

788
00:36:34,200 --> 00:36:37,080
Speaker 4: you know, mate, I'm in my jocks half asleep, walking

789
00:36:37,120 --> 00:36:40,040
Speaker 4: around like a headless chuck because this remote has just

790
00:36:40,560 --> 00:36:47,319
Speaker 4: disappeared into the abys the partner, where is it?

791
00:36:48,320 --> 00:36:50,960
Speaker 5: I look around, I'm sure.

792
00:36:52,560 --> 00:36:55,759
Speaker 3: I'm sure it's there. I'm sure it's there. Is just

793
00:36:56,040 --> 00:36:58,719
Speaker 3: nails in your ears? Tell me he's not there.

794
00:37:01,440 --> 00:37:02,680
Speaker 1: Got Paige in now.

795
00:37:02,640 --> 00:37:05,000
Speaker 3: I'm sure it's there. And then the funniest thing is

796
00:37:05,000 --> 00:37:07,680
Speaker 3: that they rock up and it's there, even though I

797
00:37:07,680 --> 00:37:08,160
Speaker 3: have looked.

798
00:37:08,960 --> 00:37:11,680
Speaker 1: We got Paige on our page, this is not on.

799
00:37:11,880 --> 00:37:13,680
Speaker 1: You're another person who deliberately does this.

800
00:37:13,760 --> 00:37:15,759
Speaker 3: You do it to your brother, Yeah, I do it

801
00:37:15,760 --> 00:37:16,320
Speaker 3: to my brother.

802
00:37:17,160 --> 00:37:20,480
Speaker 6: We don't live together anymore, but sort of caught on that.

803
00:37:20,520 --> 00:37:23,759
Speaker 6: He's very very o CD with how everything is organized

804
00:37:23,760 --> 00:37:28,720
Speaker 6: and where everything is shut. His clothes are like color

805
00:37:28,800 --> 00:37:34,239
Speaker 6: coordinated in like groups of like what they are, and

806
00:37:34,280 --> 00:37:37,680
Speaker 6: sometimes I just swapped them around, or even worse, I

807
00:37:37,719 --> 00:37:41,040
Speaker 6: would tell him that I've done something and not tell

808
00:37:41,120 --> 00:37:43,480
Speaker 6: him what I've done, and then he'd have to figure

809
00:37:43,480 --> 00:37:45,880
Speaker 6: it out. I think, like dressing that something's in the

810
00:37:45,920 --> 00:37:46,440
Speaker 6: wrong place.

811
00:37:46,560 --> 00:37:50,760
Speaker 1: That's actually quite funny. That's actually quite funny.

812
00:37:50,880 --> 00:37:53,120
Speaker 6: Yeah, his girlfriend that he lives with now he has

813
00:37:53,200 --> 00:37:54,120
Speaker 6: clued on as well.

814
00:37:54,160 --> 00:37:55,759
Speaker 5: So we've got the both of them.

815
00:37:56,880 --> 00:37:58,560
Speaker 1: The poor guy, it's a tandem approach.

816
00:38:00,280 --> 00:38:02,879
Speaker 3: Oh page, So he's got no idea you're doing it either.

817
00:38:03,719 --> 00:38:06,600
Speaker 6: Yeah, it's kind of funny and sometimes like he'll clue

818
00:38:06,640 --> 00:38:08,759
Speaker 6: on pretty quick. I feel like he sensors it, even

819
00:38:08,760 --> 00:38:10,879
Speaker 6: if he's in a different one who knows that something

820
00:38:11,000 --> 00:38:11,600
Speaker 6: is out of place.

821
00:38:12,239 --> 00:38:13,680
Speaker 3: Yeah, he'll know that it's out of place, but he

822
00:38:13,719 --> 00:38:16,920
Speaker 3: doesn't know why this is the issue. Like, I know

823
00:38:17,000 --> 00:38:19,280
Speaker 3: you guys are having a laugh with it, but unless

824
00:38:19,320 --> 00:38:21,520
Speaker 3: you unless you tell him, he's going to be thinking

825
00:38:21,520 --> 00:38:24,080
Speaker 3: that there's somebody coming in there and flipping his stuff randomly,

826
00:38:24,120 --> 00:38:25,879
Speaker 3: and he's got no idea about it. He's probably too

827
00:38:25,880 --> 00:38:28,000
Speaker 3: scared and insecure to share it with you because he

828
00:38:28,040 --> 00:38:31,319
Speaker 3: feels like he's probably schizophrenic. That might be a little

829
00:38:31,320 --> 00:38:33,440
Speaker 3: bit of a window into my own life.

830
00:38:38,239 --> 00:38:39,920
Speaker 2: I want to talk to you specifically about something that

831
00:38:39,920 --> 00:38:43,240
Speaker 2: happened the other day on this show. We had SIGRed

832
00:38:43,680 --> 00:38:46,600
Speaker 2: Thornton in the studio the other day talking about Sea

833
00:38:46,680 --> 00:38:49,240
Speaker 2: Change or Tell Not Yeah, brand new season of Sea Change.

834
00:38:49,960 --> 00:38:54,600
Speaker 2: You revealed that two secret that you used to have

835
00:38:54,640 --> 00:38:57,520
Speaker 2: a crush on another one of the characters you remember, Yes,

836
00:38:57,600 --> 00:38:59,719
Speaker 2: I do remember, well you stitched me out? What do

837
00:38:59,760 --> 00:39:02,839
Speaker 2: you be pumped that Carry Armstrong would have an Instagram now?

838
00:39:02,840 --> 00:39:04,080
Speaker 3: I mean used to be a big fan of her

839
00:39:04,120 --> 00:39:04,680
Speaker 3: back in the day.

840
00:39:04,920 --> 00:39:11,080
Speaker 1: I thanks Will, I had a huge crush.

841
00:39:11,640 --> 00:39:14,719
Speaker 3: How big? Was the crush huge? So she plays Heather

842
00:39:14,880 --> 00:39:15,520
Speaker 3: in Sea Change?

843
00:39:15,600 --> 00:39:15,759
Speaker 18: Yeah?

844
00:39:15,840 --> 00:39:17,920
Speaker 1: Yeah, And so my mum was a massive fan of

845
00:39:17,920 --> 00:39:20,200
Speaker 1: the show, and I like, I'd watch it with mum

846
00:39:20,239 --> 00:39:22,760
Speaker 1: every single week, And secretly I wouldn't tell mom this, obviously,

847
00:39:22,800 --> 00:39:24,719
Speaker 1: because you're embarrassed when you're young, but you've got a

848
00:39:24,760 --> 00:39:27,640
Speaker 1: crush on someone, well not only a crush, you like

849
00:39:28,480 --> 00:39:31,880
Speaker 1: fantasized about Heather carry Carry Armstrong.

850
00:39:31,960 --> 00:39:32,400
Speaker 3: Wow.

851
00:39:32,719 --> 00:39:36,480
Speaker 1: Her character was married to John Howard and no disrespect

852
00:39:36,520 --> 00:39:38,040
Speaker 1: to John Howe. But I was always like, what is

853
00:39:38,080 --> 00:39:38,600
Speaker 1: she doing?

854
00:39:40,680 --> 00:39:40,799
Speaker 14: Like?

855
00:39:41,400 --> 00:39:43,640
Speaker 1: Because for me, she was like she was the most

856
00:39:43,640 --> 00:39:46,239
Speaker 1: beautiful woman I've ever seen in my life. And I

857
00:39:46,360 --> 00:39:47,440
Speaker 1: was going, she's with this?

858
00:39:47,640 --> 00:39:49,200
Speaker 3: Did you have a photo of it? Did you have

859
00:39:49,239 --> 00:39:49,600
Speaker 3: a post?

860
00:39:50,440 --> 00:39:50,520
Speaker 11: No?

861
00:39:50,840 --> 00:39:52,360
Speaker 1: I don't think. I don't think I had a photo.

862
00:39:52,480 --> 00:39:55,120
Speaker 1: But so internet was new ish and.

863
00:39:55,080 --> 00:39:59,000
Speaker 3: I was there was a I would google Carry Armstrong.

864
00:39:59,120 --> 00:40:02,040
Speaker 1: I went so bad, can I just Carry Armstrong? And

865
00:40:02,080 --> 00:40:06,439
Speaker 1: I might even say, like I mean embarrassing. I would

866
00:40:06,480 --> 00:40:10,160
Speaker 1: have google searched in the past carry Armstrong sexy and

867
00:40:10,200 --> 00:40:14,479
Speaker 1: then and then got the Google images and then being

868
00:40:14,560 --> 00:40:21,520
Speaker 1: like how old are you? I would have been even younger.

869
00:40:21,640 --> 00:40:23,040
Speaker 3: Well, it's always a special moment when you get to

870
00:40:23,040 --> 00:40:26,600
Speaker 3: meet your crushes. And the great news is, no, you

871
00:40:26,600 --> 00:40:29,000
Speaker 3: don't carry Armstrong's heard the whole thing, and she's going

872
00:40:29,040 --> 00:40:31,200
Speaker 3: to come in the studio right now.

873
00:40:31,960 --> 00:40:43,839
Speaker 19: Welcome, Okay, but the thing is you're two years older

874
00:40:43,880 --> 00:40:45,520
Speaker 19: than my son. So that's game Armor.

875
00:40:48,600 --> 00:40:53,239
Speaker 3: How about it. We're gonna go to a song. I'm

876
00:40:53,239 --> 00:40:55,680
Speaker 3: going to keep carrying you because it is just that's

877
00:40:55,760 --> 00:40:57,880
Speaker 3: one of the best things I've ever seen. It's not

878
00:40:57,960 --> 00:41:01,840
Speaker 3: very often you get to tell some one or someone overhears.

879
00:41:05,800 --> 00:41:08,680
Speaker 2: A very special guest in the studio Sea changes Kerry

880
00:41:08,800 --> 00:41:14,839
Speaker 2: Armstrong and Kerry absolute scenes before when Woody didn't know

881
00:41:14,920 --> 00:41:15,719
Speaker 2: that you were here.

882
00:41:16,000 --> 00:41:18,239
Speaker 19: I've never had compliments like that.

883
00:41:18,360 --> 00:41:19,080
Speaker 1: You're kidding of it?

884
00:41:19,160 --> 00:41:22,440
Speaker 3: No, never, it was it was extraordinary scenes. If anybody

885
00:41:22,480 --> 00:41:24,120
Speaker 3: missed it, this is what wood he said.

886
00:41:25,040 --> 00:41:30,839
Speaker 1: Not only a crush fantasized about Harry Kerry. I'm strong

887
00:41:30,880 --> 00:41:33,040
Speaker 1: because for me, she was like she was the most

888
00:41:33,080 --> 00:41:34,680
Speaker 1: beautiful woman I've ever seen in.

889
00:41:34,640 --> 00:41:38,440
Speaker 2: My Yeah, Kerry, you were standing outside. Woody had no

890
00:41:38,560 --> 00:41:40,919
Speaker 2: idea and you heard the whole thing.

891
00:41:41,200 --> 00:41:44,480
Speaker 19: I know I did, and I was deeply flatted.

892
00:41:44,120 --> 00:41:45,439
Speaker 1: And oh good, that's good.

893
00:41:45,560 --> 00:41:47,680
Speaker 19: Yeah, and I love your eye makeup. Did you do

894
00:41:47,760 --> 00:41:48,360
Speaker 19: that just for me?

895
00:41:50,280 --> 00:41:50,360
Speaker 11: No?

896
00:41:50,560 --> 00:41:53,959
Speaker 1: I didn't. You can actually see that video I dressed

897
00:41:54,040 --> 00:41:55,920
Speaker 1: up as Adele and you can see that video on

898
00:41:55,960 --> 00:41:58,799
Speaker 1: her Instagram right now. Will and Woody, Oh, okay, you're

899
00:41:58,800 --> 00:41:59,640
Speaker 1: getting any Adele?

900
00:42:00,239 --> 00:42:01,920
Speaker 18: But are you getting We've got the same sort of

901
00:42:02,000 --> 00:42:04,719
Speaker 18: color I make up, getting that there's something.

902
00:42:06,280 --> 00:42:08,360
Speaker 19: Two boys to just leave the room for a second,

903
00:42:09,880 --> 00:42:10,480
Speaker 19: I make up?

904
00:42:11,320 --> 00:42:11,600
Speaker 3: Can you?

905
00:42:12,000 --> 00:42:15,600
Speaker 19: I hope I'm scaring people on the way home. I

906
00:42:15,600 --> 00:42:18,879
Speaker 19: hope we get lots of protests, disgusting.

907
00:42:20,440 --> 00:42:22,160
Speaker 1: Only one who was disgusting was me when I was

908
00:42:22,160 --> 00:42:23,600
Speaker 1: talking about Google searching you.

909
00:42:23,719 --> 00:42:26,120
Speaker 19: Yeah, that's okay. I've Google searched myself too, and I

910
00:42:26,200 --> 00:42:30,000
Speaker 19: got a shock as well. Plus it says I'm born

911
00:42:30,040 --> 00:42:30,640
Speaker 19: on the wrong day.

912
00:42:31,080 --> 00:42:33,840
Speaker 18: Really, yeah, I get all these happy birthdays in January

913
00:42:33,840 --> 00:42:35,640
Speaker 18: and I'm like birthday September.

914
00:42:36,000 --> 00:42:38,200
Speaker 1: My birthday September as well? Here is that what date?

915
00:42:38,400 --> 00:42:40,160
Speaker 1: Twenty third, the twelfth?

916
00:42:40,200 --> 00:42:41,040
Speaker 19: Oh, that was cleol.

917
00:42:41,080 --> 00:42:45,640
Speaker 2: I stopping you too, Hey, carry I'm just going to

918
00:42:45,840 --> 00:42:48,480
Speaker 2: get away from that. Yeah, the twelve year Old Boy

919
00:42:48,480 --> 00:42:52,160
Speaker 2: and You is coming out forty Channel nine Sea Change

920
00:42:52,280 --> 00:42:55,000
Speaker 2: is back Woods or Woods. We all know that you'll

921
00:42:55,000 --> 00:42:59,000
Speaker 2: be front and center recording every episode.

922
00:43:00,760 --> 00:43:02,680
Speaker 19: Can I say there's a bit of nudity.

923
00:43:02,280 --> 00:43:07,239
Speaker 18: In tonorow don't but that's not me.

924
00:43:11,200 --> 00:43:12,239
Speaker 3: Thanks coming in.

925
00:43:12,400 --> 00:43:16,959
Speaker 2: That's scary stuff. If I'm going to be honest, Chames

926
00:43:17,000 --> 00:43:18,520
Speaker 2: back forty l nine.

927
00:43:18,840 --> 00:43:20,040
Speaker 3: We're gonna get out of here though.

928
00:43:20,080 --> 00:43:20,319
Speaker 11: Guys.

929
00:43:20,360 --> 00:43:21,400
Speaker 3: Thanks suchr coming in.

930
00:43:22,040 --> 00:43:25,200
Speaker 2: Carrie, absolutely pleasure, frightfully awkward stuff.

931
00:43:25,200 --> 00:43:27,440
Speaker 3: You can get that on the podcast. iHeartRadio. I'm going

932
00:43:27,520 --> 00:43:28,520
Speaker 3: to go and check it out for yourselves.

933
00:43:28,640 --> 00:43:31,960
Speaker 2: Hey, everybody knows carpal karaoke with James Gordon. There's an

934
00:43:31,960 --> 00:43:36,279
Speaker 2: absolute belter. Arguably his most celebrated carpool karaoke is with

935
00:43:36,360 --> 00:43:45,279
Speaker 2: this woman Cordon with Adele Well, what are not so

936
00:43:45,520 --> 00:43:48,120
Speaker 2: celebrated but a sudden have become a little bit of fun.

937
00:43:48,840 --> 00:43:52,000
Speaker 2: Woods and I lip syncing over other radio shows. You

938
00:43:52,040 --> 00:43:54,200
Speaker 2: can sit on our Instagram, Will and wood our Facebook,

939
00:43:54,239 --> 00:43:54,800
Speaker 2: Will and Woody.

940
00:43:55,760 --> 00:44:02,160
Speaker 3: We have lip syncs. Cordon's carpol karaoke with Adele. If

941
00:44:02,200 --> 00:44:05,240
Speaker 3: you want to go, no guesses as the who plays

942
00:44:05,280 --> 00:44:06,880
Speaker 3: Adele and who has got it?

943
00:44:07,040 --> 00:44:09,200
Speaker 7: You'll just have to find out the video stand and

944
00:44:09,320 --> 00:44:11,720
Speaker 7: stuff here, But yeah, go and check it out online.

945
00:44:11,760 --> 00:44:14,279
Speaker 3: It was an absolute who to do this morning, and

946
00:44:14,480 --> 00:44:19,320
Speaker 3: really terrifyingly similar as all those videos are. It feels

947
00:44:19,360 --> 00:44:20,920
Speaker 3: like you're watching the actual thing. Go and check it

948
00:44:20,920 --> 00:44:22,279
Speaker 3: out with them. What are you online? We're gonna get

949
00:44:22,280 --> 00:44:23,920
Speaker 3: out of here, guys. Our fifth call for.

950
00:44:23,960 --> 00:44:26,480
Speaker 2: Six degrees of Separation is tomorrow from five o'clock, as

951
00:44:26,480 --> 00:44:29,040
Speaker 2: we get one step closer to counter reaves an unlikely

952
00:44:29,120 --> 00:44:31,000
Speaker 2: leg up from Tim Robard's.

953
00:44:31,040 --> 00:44:34,320
Speaker 3: The First Bachelor earlier on this show. So I'm actually

954
00:44:34,400 --> 00:44:36,360
Speaker 3: chinting in tomorrow to find out where that's gonna go.

955
00:44:36,400 --> 00:44:39,400
Speaker 3: We'll see tomorrow from four Goodbye See what You're hearing?

956
00:44:39,640 --> 00:44:42,880
Speaker 18: Find us on Instagram and Facebook search Will and Woody