1 00:00:01,080 --> 00:00:04,680 Speaker 1: Powered by the iHeartRadio WAPP from ninety six air m 2 00:00:04,960 --> 00:00:06,199 Speaker 1: to whereever you're. 3 00:00:06,040 --> 00:00:09,879 Speaker 2: Listening today, This is Clearsy and Lisa's podcast. 4 00:00:10,440 --> 00:00:10,800 Speaker 3: Coming up. 5 00:00:10,840 --> 00:00:13,560 Speaker 2: On the podcast, Clary opens his music box and delves 6 00:00:13,600 --> 00:00:14,840 Speaker 2: into nineteen eighty. 7 00:00:14,640 --> 00:00:19,400 Speaker 1: Three Queen Got Canceled, Well one song and Snow White, 8 00:00:19,440 --> 00:00:20,760 Speaker 1: don't start Lisa on this one. 9 00:00:20,840 --> 00:00:23,160 Speaker 2: And we took your calls on the intersection that drives 10 00:00:23,360 --> 00:00:27,760 Speaker 2: you nuts, dilv indeed into the archives of real music 11 00:00:28,280 --> 00:00:30,639 Speaker 2: Clesi's Tragic music Box. 12 00:00:31,080 --> 00:00:36,160 Speaker 1: The year nineteen eighty three today last stick here eighty three. 13 00:00:36,240 --> 00:00:38,040 Speaker 1: What a year to be an Australian, What a year 14 00:00:38,040 --> 00:00:39,920 Speaker 1: to be a Westernsie, because there's been a lot of 15 00:00:40,000 --> 00:00:42,600 Speaker 1: chatter lately about it being forty years ago. In fact 16 00:00:42,640 --> 00:00:45,800 Speaker 1: next month, since Australia two won the America's Cup off Newport, 17 00:00:45,880 --> 00:00:47,760 Speaker 1: Rhode Island, and the New York Got Club. 18 00:00:47,520 --> 00:00:51,240 Speaker 2: Were spewing, they were they were not happy. 19 00:00:51,280 --> 00:00:54,080 Speaker 1: No, I want to take it there before and our 20 00:00:54,120 --> 00:00:57,120 Speaker 1: country stopped. And then we partied hard, and. 21 00:00:57,640 --> 00:00:59,680 Speaker 3: Alan Bond saying lift it up, Ye. 22 00:01:00,200 --> 00:01:02,120 Speaker 1: Lifted up and show us the Wing King and all 23 00:01:02,160 --> 00:01:03,720 Speaker 1: the rest of the incredible times. And there will be 24 00:01:03,720 --> 00:01:06,120 Speaker 1: big celebrations next month of course with that concert he 25 00:01:06,360 --> 00:01:08,320 Speaker 1: was well they should yeah, headline by the Hooda Gurus 26 00:01:08,319 --> 00:01:09,080 Speaker 1: and Baby Animals. 27 00:01:09,160 --> 00:01:09,360 Speaker 4: Now. 28 00:01:09,480 --> 00:01:11,560 Speaker 1: Eighty three was a year for the true believers, of course, 29 00:01:11,600 --> 00:01:14,759 Speaker 1: in Aussie politics, with Labour's Bob Hawk, their former union boss, 30 00:01:14,880 --> 00:01:17,039 Speaker 1: becoming our PM. He was part of the celebrations of 31 00:01:17,200 --> 00:01:20,560 Speaker 1: Australia too and a former journalist print and radio and 32 00:01:20,600 --> 00:01:24,199 Speaker 1: TV journalist Brian Burke became premier on his thirty sixth 33 00:01:24,280 --> 00:01:27,319 Speaker 1: birthday here in Wa. It's pretty young really run the 34 00:01:27,319 --> 00:01:30,600 Speaker 1: state and when I had that ended exactly five years later. 35 00:01:30,640 --> 00:01:31,600 Speaker 3: And beyond. 36 00:01:32,319 --> 00:01:35,920 Speaker 1: Look, you could book into sam Rafigees in Murray Street 37 00:01:35,959 --> 00:01:39,959 Speaker 1: Lease if you needed your do done a right trade 38 00:01:40,480 --> 00:01:44,440 Speaker 1: for any for an exclusive Vita permanent wave get theer 39 00:01:44,640 --> 00:01:45,960 Speaker 1: for twenty five dollars ninety five. 40 00:01:46,040 --> 00:01:49,559 Speaker 3: Yeah, they met permanent. That's permanent, all right, they met permanent. Yep. 41 00:01:49,600 --> 00:01:53,360 Speaker 1: A three bedroom house in Como was fifty nine thousand bucks. Stopper, Oh, 42 00:01:53,440 --> 00:01:54,680 Speaker 1: I said it already, it's out. 43 00:01:54,720 --> 00:01:55,280 Speaker 3: Sorry about that. 44 00:01:55,920 --> 00:01:57,960 Speaker 1: You could head up Great Eastern Highway Lease for a 45 00:01:58,080 --> 00:02:00,560 Speaker 1: four course dinner with the family and a spec tacula. 46 00:02:01,640 --> 00:02:05,320 Speaker 1: Those dancing horses, those Andalusio Blanco. 47 00:02:05,560 --> 00:02:07,040 Speaker 3: You don't need to sing it. I got it here 48 00:02:07,080 --> 00:02:17,760 Speaker 3: for your lifetime watching spand joined the people coming down 49 00:02:32,440 --> 00:02:35,440 Speaker 3: again and again. Isn't it great? 50 00:02:35,800 --> 00:02:39,960 Speaker 1: Goosebumpscabello Blanco just channeling the George Baker's election for you there. 51 00:02:40,840 --> 00:02:43,079 Speaker 1: And also in nineteen eighty three and new Dat's in 52 00:02:43,240 --> 00:02:45,840 Speaker 1: Handy three door was four thousand, six hundred bucks from 53 00:02:45,919 --> 00:02:50,440 Speaker 1: John Goldie Motors in Midland. Yeah, now, let's get to 54 00:02:50,440 --> 00:02:52,359 Speaker 1: the music. Part of the Tragic Music Box. For three 55 00:02:52,400 --> 00:02:56,200 Speaker 1: consecutive nights in November of nineteen eighty three, David Bowie 56 00:02:56,360 --> 00:02:59,600 Speaker 1: owned purse. On the morning of November three, David arrived 57 00:02:59,600 --> 00:03:02,320 Speaker 1: on a plane from Japan, pushing his own luggage on 58 00:03:02,320 --> 00:03:03,840 Speaker 1: one of those old trolleys because it was before we 59 00:03:03,880 --> 00:03:06,840 Speaker 1: had the wheels on our own luggage with regular travelers 60 00:03:06,840 --> 00:03:07,280 Speaker 1: getting off. 61 00:03:07,240 --> 00:03:11,239 Speaker 3: The plane with regular people, so buzzes for the great unwashed. 62 00:03:11,560 --> 00:03:13,760 Speaker 1: He signed some autographs and jumped into a limo and 63 00:03:13,760 --> 00:03:15,760 Speaker 1: headed off to what was his only press conference in 64 00:03:15,800 --> 00:03:18,640 Speaker 1: the Australian leg of the tour, the Serious Moonlight Tour. 65 00:03:18,880 --> 00:03:20,760 Speaker 1: So we're a bit chumped that we had David to ourselves. 66 00:03:20,800 --> 00:03:23,600 Speaker 1: And also he did the only presser here. But the 67 00:03:23,639 --> 00:03:27,560 Speaker 1: gigs themselves were spectacular and I know someone who was there. 68 00:03:28,120 --> 00:03:31,320 Speaker 2: You were there, super Bowie Fair. I can remember it 69 00:03:31,600 --> 00:03:33,200 Speaker 2: like it was yesterday. 70 00:03:33,360 --> 00:03:36,440 Speaker 3: So good. The lights, you know, there was a spotlight on. 71 00:03:36,760 --> 00:03:38,920 Speaker 2: This is how the show started, you know, the lights 72 00:03:38,960 --> 00:03:41,800 Speaker 2: went down up whatever spotlight on. David he had on 73 00:03:41,920 --> 00:03:46,200 Speaker 2: the yellow Let's Dance suit. He had his back to 74 00:03:46,280 --> 00:03:51,080 Speaker 2: the audience and it started with the amazing song look 75 00:03:51,120 --> 00:03:54,720 Speaker 2: Back in Anger. So he shuffled backwards towards us, singing, 76 00:03:54,760 --> 00:03:55,960 Speaker 2: you know who I am, he. 77 00:03:56,000 --> 00:03:58,200 Speaker 3: Said, and then he turned around and it was David 78 00:03:58,200 --> 00:04:02,400 Speaker 3: and I lost my You know what a way to start. 79 00:04:02,520 --> 00:04:05,200 Speaker 3: Oh my god, it was amazing, so good. 80 00:04:05,240 --> 00:04:09,120 Speaker 1: He there went into heroes, Life on Mars, Golden Years, 81 00:04:09,120 --> 00:04:12,640 Speaker 1: and sorrow Everyone's a sixteen year old and he was 82 00:04:12,680 --> 00:04:16,080 Speaker 1: losing it all Killer, then abrasive songs from the hot 83 00:04:16,120 --> 00:04:17,919 Speaker 1: album of the day, Let's Dance. Let's Be Honest was 84 00:04:17,960 --> 00:04:20,640 Speaker 1: a huge hit album, the title track We've Got China 85 00:04:20,680 --> 00:04:25,520 Speaker 1: Girl and cat People also the Bowie Blitzkrieg. Then continued 86 00:04:25,560 --> 00:04:29,120 Speaker 1: with scary Monsters, I know you love rebel, Rebel Face 87 00:04:29,200 --> 00:04:31,719 Speaker 1: is a mess, Ashes to ashes and young Americans. He 88 00:04:31,839 --> 00:04:37,000 Speaker 1: then threw us fame really and as if the entertainment 89 00:04:37,040 --> 00:04:39,960 Speaker 1: center wasn't exploding already. The care was the gene Genie 90 00:04:40,000 --> 00:04:43,120 Speaker 1: and modern Love also from the Leeds Dance album. 91 00:04:42,640 --> 00:04:46,080 Speaker 3: What Are the Greatest Concerts of All Time? 92 00:04:46,320 --> 00:04:48,919 Speaker 1: Just incredible And who would have thought, just five weeks 93 00:04:48,960 --> 00:04:51,839 Speaker 1: after we won the America's Cup that anything or anyone 94 00:04:51,880 --> 00:04:54,120 Speaker 1: would divert our attention in Perth and have us fall 95 00:04:54,160 --> 00:04:54,360 Speaker 1: in love. 96 00:04:54,360 --> 00:04:55,960 Speaker 3: And it was David. I went with my brother. 97 00:04:56,320 --> 00:04:58,280 Speaker 2: We still talk about this concert and the fact that 98 00:04:58,320 --> 00:05:00,760 Speaker 2: we were driving down Well into Straight. This is back 99 00:05:00,760 --> 00:05:02,080 Speaker 2: in the days when you could find a park on 100 00:05:02,120 --> 00:05:05,000 Speaker 2: Well interest you'll go to a show there, and we saw, 101 00:05:05,160 --> 00:05:07,680 Speaker 2: we swore it was David Bowie what passed us in 102 00:05:07,760 --> 00:05:09,960 Speaker 2: the suit with the very yellow hack. 103 00:05:10,040 --> 00:05:11,839 Speaker 3: But it was just some guy dressed to datement. 104 00:05:12,040 --> 00:05:15,760 Speaker 2: Some dude who'd brother's got around the plot going back 105 00:05:15,800 --> 00:05:16,760 Speaker 2: to try to spot him. 106 00:05:16,920 --> 00:05:19,800 Speaker 1: Yeah, memories of those three great nights in November of 107 00:05:19,880 --> 00:05:21,920 Speaker 1: nineteen eighty three could only have been David whould steal 108 00:05:21,960 --> 00:05:23,240 Speaker 1: our hearts and he didn't have a night off too. 109 00:05:23,240 --> 00:05:24,680 Speaker 1: He played three in a row, which is unreal. The 110 00:05:24,680 --> 00:05:27,200 Speaker 1: Tragic Music Box from eighty three today Bludy six fre 111 00:05:27,720 --> 00:05:28,800 Speaker 1: More czy. 112 00:05:28,800 --> 00:05:31,479 Speaker 3: More Lisa More podcasts soon. 113 00:05:34,320 --> 00:05:37,520 Speaker 2: I think everyone's got an intersection that drives them completely 114 00:05:37,640 --> 00:05:43,600 Speaker 2: insane in the membrane. Mine is the intersection of Walcott 115 00:05:43,640 --> 00:05:47,720 Speaker 2: Street with where Lord goes in the direction to the 116 00:05:47,760 --> 00:05:51,839 Speaker 2: city and Guildford Road goes the other way in Highgate. Yes, 117 00:05:51,920 --> 00:05:53,920 Speaker 2: because I have to come through it every morning, and 118 00:05:53,960 --> 00:05:58,440 Speaker 2: it goes through a series of you know, a cycle, yes, 119 00:05:59,080 --> 00:06:03,400 Speaker 2: before it gets to a green turn right arrow. 120 00:06:04,279 --> 00:06:06,640 Speaker 3: It's regularly got the green turn left. 121 00:06:06,480 --> 00:06:10,600 Speaker 2: Arrow going, but there will be I come through it 122 00:06:10,920 --> 00:06:15,360 Speaker 2: at about ten past four in the am. Extremely really, 123 00:06:15,520 --> 00:06:20,839 Speaker 2: there is nothing on the road, and yet this thing. 124 00:06:21,600 --> 00:06:24,560 Speaker 2: I have waited there, and so Susie will back me up. 125 00:06:24,600 --> 00:06:28,400 Speaker 2: Susie comes through at about fifteen minutes before me. We 126 00:06:28,480 --> 00:06:31,680 Speaker 2: have waited there, I would say, up to. 127 00:06:31,600 --> 00:06:34,960 Speaker 3: Two minutes, which feels like twenty which feels like twenty 128 00:06:35,760 --> 00:06:37,440 Speaker 3: an hour, It feels like an hour and a half, 129 00:06:37,520 --> 00:06:38,520 Speaker 3: feels like a day. 130 00:06:38,839 --> 00:06:42,760 Speaker 2: It takes forever to go through everything, even though I 131 00:06:42,800 --> 00:06:44,640 Speaker 2: am the only car. 132 00:06:44,680 --> 00:06:45,880 Speaker 3: That's waiting to go somewhere. 133 00:06:45,880 --> 00:06:49,800 Speaker 2: There's nothing in all the other directions that it's changing now. 134 00:06:49,960 --> 00:06:53,240 Speaker 2: I will quite happily admit, at that time of the 135 00:06:53,320 --> 00:06:56,760 Speaker 2: day when it's a right turn and there's nothing else 136 00:06:56,800 --> 00:07:00,080 Speaker 2: on the road and it's not changing, I'll go through it. 137 00:07:00,960 --> 00:07:05,559 Speaker 2: But this thing has a really blind corner, okay on 138 00:07:05,640 --> 00:07:08,920 Speaker 2: the bit that's coming around Lord Street. So whilst yes, 139 00:07:09,279 --> 00:07:11,680 Speaker 2: I might occasionally break the road rules, I'm not a 140 00:07:11,720 --> 00:07:15,240 Speaker 2: complete idiot and I won't go here because you when 141 00:07:15,400 --> 00:07:17,960 Speaker 2: that will be the day when something does come tearing 142 00:07:18,040 --> 00:07:19,800 Speaker 2: up Lord Street from the right. 143 00:07:19,880 --> 00:07:21,120 Speaker 3: You don't want to take a dead man's curve. 144 00:07:21,360 --> 00:07:23,760 Speaker 2: No, it is dead man's curve, not good, but it 145 00:07:23,920 --> 00:07:24,880 Speaker 2: takes forever. 146 00:07:25,000 --> 00:07:26,800 Speaker 3: And I want to know who do I complain to? 147 00:07:27,400 --> 00:07:29,120 Speaker 3: Who do I? Where do I get the manager? Where 148 00:07:29,280 --> 00:07:32,080 Speaker 3: the karen on them? Oh? Yeah, that's where you want 149 00:07:32,120 --> 00:07:34,560 Speaker 3: to and get change? Because it's crazy? Would have been 150 00:07:34,600 --> 00:07:36,760 Speaker 3: the technology? Aren't there pads under the road or something? 151 00:07:36,760 --> 00:07:38,480 Speaker 3: What I thought? Are you saying that at four am? 152 00:07:38,560 --> 00:07:40,400 Speaker 3: Where are the pads under the road? Doesn't it? 153 00:07:40,400 --> 00:07:44,280 Speaker 2: It should respond to the car at the bit that's 154 00:07:44,320 --> 00:07:44,840 Speaker 2: shown up? 155 00:07:45,240 --> 00:07:47,760 Speaker 3: Why are you going green for every direction where there's 156 00:07:47,800 --> 00:07:48,160 Speaker 3: no car? 157 00:07:48,320 --> 00:07:50,000 Speaker 1: So I guess at four am your language is stronger 158 00:07:50,000 --> 00:07:53,640 Speaker 1: than good Lord on Lord Street. You're doing more than 159 00:07:53,720 --> 00:07:56,280 Speaker 1: Neil Diamonds. 160 00:07:57,720 --> 00:07:58,960 Speaker 3: Shake good Heaven a. 161 00:07:58,880 --> 00:08:02,920 Speaker 2: Little bit frustrating, a little bit, oh dear about you. 162 00:08:03,240 --> 00:08:05,800 Speaker 1: So mine's not as big or as early as yours, 163 00:08:05,880 --> 00:08:08,520 Speaker 1: but mine is frustrating because because it costs me a 164 00:08:08,520 --> 00:08:11,640 Speaker 1: lot of money. Right, So, Railway Parade and Loftus Street, 165 00:08:11,680 --> 00:08:14,560 Speaker 1: so it's a smaller intersection, but anything involving Loftus's big. 166 00:08:14,600 --> 00:08:15,400 Speaker 3: Yeah, loft Us big. 167 00:08:15,480 --> 00:08:16,720 Speaker 1: So it's the one coming out of where you're going 168 00:08:16,720 --> 00:08:18,240 Speaker 1: down west. Leader will post all those cafes if you 169 00:08:18,280 --> 00:08:21,080 Speaker 1: keep going end up down to the side round about. Yeah, 170 00:08:21,080 --> 00:08:22,800 Speaker 1: but a couple I reckon a couple of years ago. 171 00:08:22,840 --> 00:08:25,200 Speaker 1: They put a camera on that left turn. Now it's 172 00:08:25,240 --> 00:08:27,160 Speaker 1: one of those ones where if you're turning left on 173 00:08:27,320 --> 00:08:29,840 Speaker 1: too Loftus off railway. Yeah, it's one of those ones 174 00:08:29,880 --> 00:08:31,960 Speaker 1: where it's not very easy for many cars to get around. 175 00:08:31,960 --> 00:08:34,360 Speaker 1: While it's green, you might get a couple and then 176 00:08:34,360 --> 00:08:37,600 Speaker 1: and maybe a follower, And I unfortunately was a follower twice. 177 00:08:37,840 --> 00:08:40,640 Speaker 1: Oh no, and the camera, not knowing the camera was there. 178 00:08:40,760 --> 00:08:43,000 Speaker 1: And of course I preface it by saying, if you do. 179 00:08:42,960 --> 00:08:44,559 Speaker 2: It, red light behind the car in front of you, 180 00:08:44,600 --> 00:08:45,560 Speaker 2: they get from behind. 181 00:08:45,600 --> 00:08:46,680 Speaker 3: No, they get you from behind. 182 00:08:46,720 --> 00:08:50,360 Speaker 1: So it costs three hundred dollars the first time points 183 00:08:50,480 --> 00:08:52,480 Speaker 1: it costs three hundred dollars the second time I got 184 00:08:52,520 --> 00:08:55,679 Speaker 1: done twice in the same spot within about six weeks. 185 00:08:55,679 --> 00:08:57,880 Speaker 3: I reckon, But how many points does that? I have 186 00:08:57,960 --> 00:08:59,679 Speaker 3: no idea, but it was there probably a couple of 187 00:08:59,720 --> 00:09:03,240 Speaker 3: points each time. Actually, should I be driving, I'll not 188 00:09:03,320 --> 00:09:06,840 Speaker 3: let you know, can I tell you? Yeah? Of course 189 00:09:06,840 --> 00:09:10,080 Speaker 3: they will. Funny you say that, Yeah, yeah, that's what 190 00:09:10,080 --> 00:09:10,560 Speaker 3: it felt like. 191 00:09:10,960 --> 00:09:14,320 Speaker 1: So I copped six hundred dollars five, As I say, 192 00:09:15,080 --> 00:09:16,760 Speaker 1: I did the wrong thing. But you know that thing 193 00:09:16,760 --> 00:09:18,480 Speaker 1: where you go, I'll just sneaking behind this one because 194 00:09:18,480 --> 00:09:20,959 Speaker 1: they're going, We're finally getting around, and the person hesitates 195 00:09:20,960 --> 00:09:22,480 Speaker 1: a bit, and you think you're not really breaking the law. 196 00:09:22,640 --> 00:09:24,200 Speaker 2: Is it true that the only thing that took the 197 00:09:24,200 --> 00:09:26,360 Speaker 2: pain off the fact that you got six hundred dollars 198 00:09:26,360 --> 00:09:27,719 Speaker 2: worth was that Laurie got one as well? 199 00:09:27,760 --> 00:09:34,160 Speaker 3: So did go? You want it? Yeah? Yeah, pretend it 200 00:09:34,160 --> 00:09:36,840 Speaker 3: was all me because one was her car, one was 201 00:09:36,840 --> 00:09:39,040 Speaker 3: her car. You got both of them? 202 00:09:39,240 --> 00:09:41,320 Speaker 1: No, well, one was her car and I was trying 203 00:09:41,320 --> 00:09:42,640 Speaker 1: to make it as I was driving her car. 204 00:09:42,720 --> 00:09:46,080 Speaker 2: But yes, we both did. Was dollar nearly flawed the road. 205 00:09:46,640 --> 00:09:48,800 Speaker 2: Both deserved it, and both have owned up to it. 206 00:09:48,840 --> 00:09:52,000 Speaker 3: But it doesn't make it any less frustrating. That's my intersection. Okay, 207 00:09:52,240 --> 00:09:55,840 Speaker 3: which intersection gives you the ship? 208 00:09:56,200 --> 00:09:56,400 Speaker 5: Yeah? 209 00:09:56,400 --> 00:10:01,120 Speaker 2: Absolutely nil in Maddington. What's yours section at wh School 210 00:10:01,400 --> 00:10:03,600 Speaker 2: in seven seven Oaks. 211 00:10:03,800 --> 00:10:05,720 Speaker 3: Yeah, we've got experion with the crones. 212 00:10:05,960 --> 00:10:08,439 Speaker 2: I reckon just about anywhere along welsh for it that 213 00:10:08,640 --> 00:10:12,560 Speaker 2: ideal Yeah yeah, wow seven Oaks I do. 214 00:10:12,880 --> 00:10:14,640 Speaker 3: That takes me back to driving. 215 00:10:14,400 --> 00:10:17,200 Speaker 2: Up Welshville Road when well I didn't because I was 216 00:10:17,200 --> 00:10:19,080 Speaker 2: too Yeah, but where we lived in Lesbodie when I 217 00:10:19,080 --> 00:10:19,439 Speaker 2: was a kid. 218 00:10:19,600 --> 00:10:21,440 Speaker 3: Oh yeah, there was a few spots and that was 219 00:10:21,480 --> 00:10:24,760 Speaker 3: even then. There was a few spots along there. Yeah. Good, 220 00:10:25,120 --> 00:10:25,720 Speaker 3: interesting to hear. 221 00:10:25,760 --> 00:10:30,800 Speaker 2: It hasn't changed now, No, you hear the frustration in 222 00:10:30,880 --> 00:10:31,640 Speaker 2: Neils I know. 223 00:10:32,320 --> 00:10:35,000 Speaker 3: Just breathe Yeah, empty patient. 224 00:10:34,840 --> 00:10:38,239 Speaker 2: Eddie is totally What intersection do you have to breathe through. 225 00:10:38,440 --> 00:10:41,320 Speaker 6: The round about on the corner Nicholson Garden Street and 226 00:10:41,440 --> 00:10:42,240 Speaker 6: Yale Road. 227 00:10:44,040 --> 00:10:45,800 Speaker 3: Yeah, that a busy time. 228 00:10:47,760 --> 00:10:49,959 Speaker 6: We could be there for ten minutes before you can 229 00:10:50,080 --> 00:10:55,720 Speaker 6: move forwards. One wow, because there's just so many cars 230 00:10:55,760 --> 00:10:58,000 Speaker 6: coming in and out of that industrial area. There just 231 00:10:58,040 --> 00:11:00,880 Speaker 6: not then ye over the bridge to Row High down 232 00:11:00,920 --> 00:11:03,440 Speaker 6: the roundabout, it's just it's chuckle block of time. 233 00:11:03,720 --> 00:11:07,600 Speaker 2: Oh wow, So a roundabout doesn't really work. 234 00:11:07,679 --> 00:11:11,120 Speaker 6: It doesn't worry too many people to use roundabout product. 235 00:11:11,880 --> 00:11:14,319 Speaker 3: That's the pla. Don't you find that weird? I find 236 00:11:14,760 --> 00:11:17,040 Speaker 3: and roundabouts makes so much sense to me. 237 00:11:17,120 --> 00:11:19,960 Speaker 2: But you've got to you have to suspend, you know, 238 00:11:20,200 --> 00:11:22,120 Speaker 2: that sort of notion that you're going straight ahead when 239 00:11:22,160 --> 00:11:22,640 Speaker 2: you get in it. 240 00:11:22,640 --> 00:11:23,520 Speaker 3: It's pretty easy. 241 00:11:23,559 --> 00:11:25,199 Speaker 6: You just got to emerging. 242 00:11:25,640 --> 00:11:29,440 Speaker 1: Yeah, of course on roundabits, we can't trust anyone's indicating 243 00:11:29,480 --> 00:11:30,199 Speaker 1: that's true. 244 00:11:30,800 --> 00:11:31,760 Speaker 3: More than half a done it wrong. 245 00:11:32,400 --> 00:11:36,840 Speaker 1: Yeah, very frustrating, exactly, Thanks Eddie, Eddie, Thanks, guys, have 246 00:11:36,880 --> 00:11:37,360 Speaker 1: a good week. 247 00:11:37,559 --> 00:11:41,120 Speaker 2: We are talking about intersections that drive you nuts this morning, 248 00:11:41,160 --> 00:11:43,360 Speaker 2: and there is one, and I suspect you're going to 249 00:11:43,360 --> 00:11:45,800 Speaker 2: be able to relate to this clerzy. There's one that 250 00:11:45,920 --> 00:11:48,959 Speaker 2: has done my head in since I got my driver's license, 251 00:11:49,120 --> 00:11:52,960 Speaker 2: yes in nineteen eighty four companies, which means I cannot 252 00:11:52,960 --> 00:11:57,120 Speaker 2: believe that there are still no lights at this beast. 253 00:11:57,679 --> 00:12:00,679 Speaker 2: And I'm talking about the chamozzle. It is the end 254 00:12:00,679 --> 00:12:06,439 Speaker 2: of Green Street in Junedana where it gets off where 255 00:12:06,480 --> 00:12:10,200 Speaker 2: it does that weird turn to get onto Scarborough. 256 00:12:10,200 --> 00:12:10,720 Speaker 3: Beach Road. 257 00:12:10,800 --> 00:12:14,080 Speaker 2: Just because the Marbor Beach Road goes onto Maine, which sensibly, 258 00:12:14,240 --> 00:12:18,760 Speaker 2: like a normal intersection, has traffic lights. This is so 259 00:12:19,080 --> 00:12:22,000 Speaker 2: fraught with so many types of fraughtness. First of all, 260 00:12:22,440 --> 00:12:25,200 Speaker 2: as you said, you can't trust anyone. There's always a 261 00:12:25,240 --> 00:12:27,520 Speaker 2: big pile of cars on Scarboro Beach Road, so you've 262 00:12:27,520 --> 00:12:29,319 Speaker 2: got to get out into that middle bit and then 263 00:12:29,400 --> 00:12:32,640 Speaker 2: try to get across. Add into that you get you're 264 00:12:32,760 --> 00:12:36,720 Speaker 2: blinded from you know, four o'clock in the outer for 265 00:12:36,760 --> 00:12:39,360 Speaker 2: the entire summer to be able to see what's coming. 266 00:12:39,440 --> 00:12:42,640 Speaker 2: Because the sun that just comes straight down Scarboroughach Road 267 00:12:42,720 --> 00:12:44,719 Speaker 2: like a landing strip and hits you in. 268 00:12:44,679 --> 00:12:47,480 Speaker 3: The eye right at that spot. Why is there still 269 00:12:47,520 --> 00:12:47,839 Speaker 3: no light? 270 00:12:47,960 --> 00:12:51,160 Speaker 1: That one's so bad because it's the diagonal on that angle. 271 00:12:51,280 --> 00:12:53,480 Speaker 1: And if you take your life in your own hands, 272 00:12:53,480 --> 00:12:54,719 Speaker 1: if you want to get on this, if you want 273 00:12:54,720 --> 00:12:58,920 Speaker 1: to get onto Brady Street, not even from Green it's ridiculous. 274 00:12:59,320 --> 00:13:00,360 Speaker 3: I've not even a long way. 275 00:13:00,400 --> 00:13:03,880 Speaker 2: I've not even tried it since about nineteen ninety one. 276 00:13:04,120 --> 00:13:06,480 Speaker 1: I've been in a preng there with been in a 277 00:13:06,520 --> 00:13:08,280 Speaker 1: work car a few years ago. Yeah, but I see 278 00:13:08,320 --> 00:13:10,319 Speaker 1: prans there all the time because people edge out from 279 00:13:10,320 --> 00:13:10,840 Speaker 1: the diagnos. 280 00:13:11,280 --> 00:13:13,800 Speaker 3: It's ridiculous. It is an impossible intersection. That's one of 281 00:13:13,800 --> 00:13:14,600 Speaker 3: the gems. 282 00:13:14,280 --> 00:13:18,760 Speaker 2: Android Mountelena, which intersection in Perth drives you nuts. 283 00:13:19,080 --> 00:13:21,800 Speaker 3: For me, there is not actually one in particular, yep. 284 00:13:21,880 --> 00:13:24,680 Speaker 5: But because I drive trucks, the ones that do my 285 00:13:24,800 --> 00:13:27,280 Speaker 5: hidden are the red set of lights at the bottom 286 00:13:27,320 --> 00:13:30,640 Speaker 5: of a hill that don't have the orange flashing lights 287 00:13:30,679 --> 00:13:34,280 Speaker 5: on them, so by the time they change, I don't 288 00:13:34,280 --> 00:13:36,480 Speaker 5: have time to stop and you're halfway, you know, you're 289 00:13:36,480 --> 00:13:38,360 Speaker 5: coming up and them they turn orange and you can't 290 00:13:38,360 --> 00:13:42,920 Speaker 5: stop upon the time you go through them going yeah, yeah, 291 00:13:43,440 --> 00:13:44,599 Speaker 5: you don't get a choice. 292 00:13:44,880 --> 00:13:49,160 Speaker 3: No, just stop that on a time. 293 00:13:49,120 --> 00:13:51,320 Speaker 5: When you're like twelve Ton on the bye in the backround. 294 00:13:51,520 --> 00:13:54,240 Speaker 2: Absolutely, it wouldn't be I guess it wouldn't be safe. 295 00:13:54,720 --> 00:13:55,839 Speaker 3: Just no, not at all. 296 00:13:56,120 --> 00:13:58,200 Speaker 5: I mean, I'm quite lucky that a couple of times 297 00:13:58,240 --> 00:13:59,920 Speaker 5: I have been done they've let me get away with 298 00:14:00,000 --> 00:14:02,360 Speaker 5: because obviously they see it's a truck and okay, right, 299 00:14:02,679 --> 00:14:05,160 Speaker 5: but I know I've been flashed a couple of times 300 00:14:05,200 --> 00:14:06,800 Speaker 5: and the tickets haven't come through. 301 00:14:06,920 --> 00:14:08,640 Speaker 3: Oh really, oh okay, okay. 302 00:14:08,840 --> 00:14:10,679 Speaker 5: The least they could do is put up those orange 303 00:14:10,679 --> 00:14:15,040 Speaker 5: flashing lights. No to stop camera there. 304 00:14:14,920 --> 00:14:17,720 Speaker 2: Yeah, yeah, Oh they do love to put a red 305 00:14:17,800 --> 00:14:19,400 Speaker 2: light camera at the bottom of a heel l Andre. 306 00:14:19,640 --> 00:14:21,840 Speaker 3: Of course they do save with cameras. 307 00:14:22,160 --> 00:14:26,040 Speaker 1: Yeah, hidden away and behind the buster here in the 308 00:14:26,120 --> 00:14:29,880 Speaker 1: back of that white van Banks and not from guys. 309 00:14:29,920 --> 00:14:31,720 Speaker 1: You have a good day, but it's time to check 310 00:14:31,840 --> 00:14:34,520 Speaker 1: the cancelations for today. And I'm not talking about a 311 00:14:34,560 --> 00:14:36,240 Speaker 1: couple of boards up at the airport there. 312 00:14:36,560 --> 00:14:38,680 Speaker 3: It's not about departures or arrivals. 313 00:14:39,000 --> 00:14:41,840 Speaker 1: It's about art and about people's talent, and all have 314 00:14:41,880 --> 00:14:44,960 Speaker 1: been disrespected that integrity. So the first of them today, 315 00:14:45,320 --> 00:14:48,440 Speaker 1: one of Queen's best love songs, Fat Bottom Girls, has. 316 00:14:48,280 --> 00:14:50,400 Speaker 3: Been no Yes No. 317 00:14:50,600 --> 00:14:53,040 Speaker 1: It has been mysteriously dropped from the group's new Greatest 318 00:14:53,120 --> 00:14:53,680 Speaker 1: Hits collection. 319 00:14:53,920 --> 00:14:55,960 Speaker 3: Oh of course we know. 320 00:14:56,120 --> 00:14:58,720 Speaker 1: The song came out in nineteen seventy eight, written by 321 00:14:58,720 --> 00:15:01,600 Speaker 1: Brian May, the guitar master, and Teasy to write a 322 00:15:01,640 --> 00:15:04,000 Speaker 1: song too, And of course it was a hard rocking 323 00:15:04,080 --> 00:15:06,960 Speaker 1: tribute to a young band's appreciation of fuller figured ladies 324 00:15:07,000 --> 00:15:07,960 Speaker 1: in nineteen seventy eight. 325 00:15:08,000 --> 00:15:10,360 Speaker 3: We're talking about forty five years ago. The little flakers 326 00:15:10,360 --> 00:15:10,920 Speaker 3: are offended. 327 00:15:11,720 --> 00:15:15,120 Speaker 1: Yeah, I'm wondering who at Universal Records, who announced their 328 00:15:15,160 --> 00:15:18,720 Speaker 1: releasing a version of a Thing on Yoto, which is 329 00:15:18,880 --> 00:15:20,920 Speaker 1: apparently a k new What audio platform for young people. 330 00:15:21,520 --> 00:15:23,560 Speaker 1: That song has gone missing. It was on the nineteen 331 00:15:23,600 --> 00:15:25,440 Speaker 1: eighty one best of and we know how huge that 332 00:15:25,600 --> 00:15:28,280 Speaker 1: was alongside for him in rhapsody Don't Stop Me Now 333 00:15:28,360 --> 00:15:30,840 Speaker 1: and we will Rock You this time. It's gone so 334 00:15:30,920 --> 00:15:33,040 Speaker 1: as I say, it was written of the time as 335 00:15:33,080 --> 00:15:34,840 Speaker 1: a bit of fun for Brian, merely a bit of 336 00:15:34,840 --> 00:15:37,480 Speaker 1: fun people. One insider in the industry said, it is 337 00:15:37,520 --> 00:15:39,680 Speaker 1: the talk of the music industry that nobody can quite 338 00:15:39,680 --> 00:15:42,600 Speaker 1: work out why such a good natured, harmless song can 339 00:15:42,640 --> 00:15:45,359 Speaker 1: be unacceptable to today's society. 340 00:15:46,760 --> 00:15:47,600 Speaker 6: Yeah, giving me. 341 00:15:48,400 --> 00:15:51,080 Speaker 1: I'm waiting to hear what Brian May is and gentleman 342 00:15:51,120 --> 00:15:52,960 Speaker 1: in the seventies. Now it's a very successful man. I 343 00:15:52,960 --> 00:15:54,360 Speaker 1: wonder what he has to say. And we'll keep you 344 00:15:54,400 --> 00:15:55,120 Speaker 1: posted on that one. 345 00:15:55,200 --> 00:15:58,520 Speaker 3: Yeah, yes, just quickly, jen Z, it has canceled. 346 00:15:58,600 --> 00:16:03,840 Speaker 2: Loll lol is out sorry, laugh out loud ijbo l 347 00:16:04,120 --> 00:16:08,320 Speaker 2: each bowl is in. Apparently they've canceled laugh out Loud 348 00:16:09,080 --> 00:16:12,080 Speaker 2: in favor of I just burst out laughing. A one 349 00:16:12,160 --> 00:16:14,160 Speaker 2: twenty seven year old told The New York Times, I 350 00:16:14,400 --> 00:16:19,000 Speaker 2: associate loll and Elmo with millennial humor, but then I 351 00:16:19,080 --> 00:16:23,120 Speaker 2: associate each bowl with z humor, which is much funnier. 352 00:16:23,720 --> 00:16:25,280 Speaker 3: No, mate, it's not okay. 353 00:16:25,680 --> 00:16:28,200 Speaker 2: Now, while we're on the madness bus, can we talk 354 00:16:28,240 --> 00:16:29,640 Speaker 2: about the new Snow White movie? 355 00:16:30,200 --> 00:16:31,520 Speaker 3: You know, we don't want it, but we want to. 356 00:16:31,560 --> 00:16:31,680 Speaker 4: Hi. 357 00:16:31,840 --> 00:16:34,920 Speaker 2: Yeah, if you can even call it the Snow White movie. 358 00:16:35,120 --> 00:16:37,760 Speaker 2: The son of the original Snow and the Seven Dwarfs 359 00:16:38,600 --> 00:16:41,440 Speaker 2: After Work we Go director has slammed the upcoming remake 360 00:16:41,840 --> 00:16:45,480 Speaker 2: that would have his father and Walt Disney turning. 361 00:16:45,160 --> 00:16:51,800 Speaker 3: In their graves. First of all, there are no seven Dwarfs. 362 00:16:52,400 --> 00:16:56,920 Speaker 2: Apparently they are going to be replaced by magical creatures, 363 00:16:57,400 --> 00:17:01,440 Speaker 2: and the prints very problematic. Let's get to twenty two 364 00:17:01,480 --> 00:17:04,760 Speaker 2: year old Rachel Zegler, who's playing Snow White. She has 365 00:17:04,800 --> 00:17:10,520 Speaker 2: criticized the original plot, calling it creepy and storkish. In 366 00:17:10,560 --> 00:17:13,880 Speaker 2: a recent interview, she said the original cartoon came out 367 00:17:13,880 --> 00:17:17,000 Speaker 2: in nineteen thirty seven and very evidently, so I'll do 368 00:17:17,160 --> 00:17:20,600 Speaker 2: tell Rachel She said, there's a big focus on her 369 00:17:20,640 --> 00:17:23,520 Speaker 2: love story with a guy who literally stalks her, which 370 00:17:23,560 --> 00:17:27,280 Speaker 2: is weird. So we don't do that this time. I 371 00:17:27,400 --> 00:17:30,120 Speaker 2: just mean that it's no longer nineteen thirty seven. She's 372 00:17:30,160 --> 00:17:33,200 Speaker 2: not going to be saved by the prince and she's 373 00:17:33,240 --> 00:17:35,680 Speaker 2: not going to be dreaming about true love. Well, then 374 00:17:35,720 --> 00:17:40,600 Speaker 2: it's not snow white, is it, Rachel. It's a bloody 375 00:17:40,680 --> 00:17:45,199 Speaker 2: fairy tale, not a piece of bespoke, woke social commentary. 376 00:17:45,440 --> 00:17:47,360 Speaker 3: Dear, what's going on? 377 00:17:47,720 --> 00:17:51,399 Speaker 2: What is going on? I ask you going on? Just 378 00:17:51,640 --> 00:17:54,720 Speaker 2: stop it. You can make whatever you like, but don't 379 00:17:54,760 --> 00:17:56,840 Speaker 2: call it snow white. Then it's not snow white. 380 00:17:56,960 --> 00:17:59,200 Speaker 1: Do you completely change your turn the whole thing's about. 381 00:17:59,240 --> 00:18:01,080 Speaker 3: It's very odd. Look, I'm sorry. 382 00:18:01,160 --> 00:18:03,679 Speaker 2: If there's no seven dwarfs and there's no Prince Charming, 383 00:18:03,880 --> 00:18:05,159 Speaker 2: it ain't snow white. 384 00:18:04,920 --> 00:18:06,119 Speaker 3: And magical creatures. 385 00:18:06,560 --> 00:18:10,200 Speaker 1: It's very eysh more. 386 00:18:10,080 --> 00:18:18,240 Speaker 3: Crazy more Lisa Poor Podcast soon, Welcome to Sport. I'm 387 00:18:18,280 --> 00:18:21,679 Speaker 3: Bruce and this is Bruce Moning. Bruce Morning, Bruce. 388 00:18:22,200 --> 00:18:26,200 Speaker 2: The Eagles stunned the Bulldogs and most of their fans 389 00:18:26,280 --> 00:18:29,560 Speaker 2: yesterday with a seven point win at Marvel Stadium. Jamie 390 00:18:29,560 --> 00:18:32,360 Speaker 2: Cripps kicked five goals and Tim Kelly was on failure 391 00:18:32,560 --> 00:18:34,960 Speaker 2: in the middle. It's the third win for the team 392 00:18:35,000 --> 00:18:37,160 Speaker 2: this season, which is officially better than last year. 393 00:18:37,680 --> 00:18:39,360 Speaker 3: She said, I've had a bad couple of years, haven't, 394 00:18:40,000 --> 00:18:41,280 Speaker 3: Alie five and two. 395 00:18:41,680 --> 00:18:43,600 Speaker 2: When you put it like that, and it lifts the 396 00:18:43,640 --> 00:18:46,320 Speaker 2: Eagles off the bottom of the ladder. With one game left, 397 00:18:46,359 --> 00:18:48,560 Speaker 2: they may now avoid the wooden spoon. There was a 398 00:18:48,560 --> 00:18:51,560 Speaker 2: lot of talk surrounding Adam Simpson's future last week, but 399 00:18:51,640 --> 00:18:54,680 Speaker 2: he had this cheeky comment to say postgame, to be. 400 00:18:54,640 --> 00:18:57,520 Speaker 4: Some excitement about the well executed plan coming. 401 00:18:57,320 --> 00:18:57,879 Speaker 3: In too today. 402 00:18:58,000 --> 00:19:00,000 Speaker 4: Yeah, we try to tank that the last three month. 403 00:19:00,200 --> 00:19:02,959 Speaker 4: It didn't work. Kat's on saying kicking the loa and 404 00:19:03,520 --> 00:19:06,880 Speaker 4: play eagle eyed game. But I look, it was crowd 405 00:19:06,920 --> 00:19:08,879 Speaker 4: to the players. I really just appointed last week so 406 00:19:09,000 --> 00:19:11,120 Speaker 4: they respond the way they did. It's been a heavy 407 00:19:11,119 --> 00:19:13,320 Speaker 4: couple weeks and really proud of the players. 408 00:19:13,960 --> 00:19:15,560 Speaker 3: So you can't please all the people all the time. 409 00:19:16,119 --> 00:19:19,520 Speaker 2: Not a game without its injury concerns though Jeremy McGovern 410 00:19:19,680 --> 00:19:22,800 Speaker 2: has hurt his foot and Elliott Yo did his hammy. 411 00:19:23,200 --> 00:19:25,920 Speaker 3: Hopefully they will walk it off, walk it off and 412 00:19:25,960 --> 00:19:27,600 Speaker 3: play next week. Last game of the year. Can I 413 00:19:27,600 --> 00:19:29,280 Speaker 3: tell you I was with the great Douggie Hawkins. 414 00:19:29,560 --> 00:19:32,000 Speaker 1: I love Doug Hawk and Doug Yeah, I asked him 415 00:19:32,000 --> 00:19:34,600 Speaker 1: a few things all right, and he I was standing 416 00:19:34,600 --> 00:19:36,640 Speaker 1: next to him with the Eagles beat his beloved Bulldogs. 417 00:19:37,000 --> 00:19:39,000 Speaker 1: What he said, he goes Simo will keep his job, 418 00:19:39,040 --> 00:19:42,359 Speaker 1: but Looke Beveridge is getting the sack Traversy now, Like 419 00:19:42,400 --> 00:19:44,240 Speaker 1: I said, I was it the foot of the docks. Unfortunately, 420 00:19:44,280 --> 00:19:46,719 Speaker 1: just not good enough for long enough against Port yesterday, 421 00:19:46,840 --> 00:19:49,680 Speaker 1: sixteen point loss at Doctors Stadium. Yeah, they played well 422 00:19:49,680 --> 00:19:52,280 Speaker 1: in patches. Young team Freo had a late search, kicking 423 00:19:52,359 --> 00:19:54,760 Speaker 1: three of the last four goals. It wasn't enough. A 424 00:19:54,800 --> 00:19:57,440 Speaker 1: few injury concerns for Frio with one more game to 425 00:19:57,560 --> 00:20:00,640 Speaker 1: the away game against the Hawks. Jago o'meiras doubt due 426 00:20:00,640 --> 00:20:03,080 Speaker 1: to a calf injury. In Bailey Banfield, who nearly kicked 427 00:20:03,119 --> 00:20:05,119 Speaker 1: the freaky goal of the year but it was disallowed, 428 00:20:05,480 --> 00:20:05,840 Speaker 1: he's done. 429 00:20:05,840 --> 00:20:06,800 Speaker 3: His ac joint. 430 00:20:06,920 --> 00:20:10,040 Speaker 2: Adelaide season looks over following their one point loss to 431 00:20:10,080 --> 00:20:13,439 Speaker 2: the Swans. The Carlton have made the finals for the 432 00:20:13,440 --> 00:20:16,679 Speaker 2: first time in ten years and Brisbane Lyons play at 433 00:20:16,800 --> 00:20:20,320 Speaker 2: dev Robertson, who in football parlance they say it's not 434 00:20:20,400 --> 00:20:24,200 Speaker 2: too shabby has helped advertise Ossie rules globally after footage 435 00:20:24,200 --> 00:20:27,680 Speaker 2: of him running around shirtless on Friday night after his 436 00:20:27,760 --> 00:20:29,639 Speaker 2: jumper was ripped off went viral. 437 00:20:30,600 --> 00:20:34,560 Speaker 3: The jumpers card. The final run was the Nick Grace. 438 00:20:34,800 --> 00:20:38,680 Speaker 3: Look at this. We've got a top end nude out 439 00:20:38,680 --> 00:20:40,439 Speaker 3: there on Rubbington and. 440 00:20:40,560 --> 00:20:41,320 Speaker 2: He is loving it. 441 00:20:41,400 --> 00:20:47,159 Speaker 3: Those he's almost flex There is the ramifications of the 442 00:20:47,240 --> 00:20:50,720 Speaker 3: main ard tackle. The runner can't wait to get it 443 00:20:50,840 --> 00:20:52,840 Speaker 3: out and not out it on until the goals kicked, 444 00:20:53,480 --> 00:20:55,080 Speaker 3: and he doesn't want to come to the bench. 445 00:20:55,480 --> 00:20:58,040 Speaker 2: I've never seen someone enjoy this so much. 446 00:20:58,760 --> 00:21:02,480 Speaker 3: That's anyone the young fellows. He's doesn't love a top 447 00:21:02,560 --> 00:21:05,920 Speaker 3: end mood. Top end mood. He's running around the Northern Territory. 448 00:21:05,960 --> 00:21:07,560 Speaker 1: We go to the World Game and in soccer, of course, 449 00:21:07,600 --> 00:21:10,200 Speaker 1: the Matilda's lost to Sweden to nil in a match 450 00:21:10,240 --> 00:21:12,560 Speaker 1: the third place on Saturday. So they do hand out 451 00:21:12,560 --> 00:21:14,680 Speaker 1: of bronze medal and but they get a lot of money. 452 00:21:14,800 --> 00:21:16,879 Speaker 1: It's not quarter of a million dollars each because it 453 00:21:16,880 --> 00:21:20,040 Speaker 1: gets really yeah yeah, even those girls get children and 454 00:21:20,080 --> 00:21:21,840 Speaker 1: thirty grand each gm every squad member. 455 00:21:21,960 --> 00:21:22,160 Speaker 3: Good. 456 00:21:22,200 --> 00:21:24,400 Speaker 1: Yeah, it's a lot of we're in the wrong business 457 00:21:24,440 --> 00:21:26,760 Speaker 1: millions of dollars. So that's why the Spanish was so 458 00:21:26,760 --> 00:21:29,520 Speaker 1: happy when they won. But they get four hundred half 459 00:21:29,520 --> 00:21:31,200 Speaker 1: one hundred thousand and each. Now the finish fourth in 460 00:21:31,200 --> 00:21:33,840 Speaker 1: the World Cup is very very well. It's it's a 461 00:21:34,080 --> 00:21:36,639 Speaker 1: game changer, isn't it. And the country was very proud Spain, 462 00:21:36,680 --> 00:21:38,960 Speaker 1: as I mentioned, officially a World Cup champions. They beat 463 00:21:38,960 --> 00:21:41,960 Speaker 1: England one nil. They played like England did to get 464 00:21:42,119 --> 00:21:44,000 Speaker 1: against us in the semi They were really tough. They 465 00:21:44,080 --> 00:21:46,119 Speaker 1: out muscled England and then they wasted a bit of 466 00:21:46,160 --> 00:21:47,560 Speaker 1: time to get them over the line. It was one 467 00:21:47,600 --> 00:21:50,560 Speaker 1: Neil the captain Olga. There's a Spanish player called Olga. 468 00:21:51,960 --> 00:21:55,560 Speaker 1: Olga comono. Yeah, absolutely, she came over. She kicked the 469 00:21:55,560 --> 00:21:57,399 Speaker 1: goal in the twenty ninth minute of the match. And 470 00:21:57,560 --> 00:21:59,760 Speaker 1: all night I was watching this game. Lease and there's 471 00:21:59,760 --> 00:22:01,719 Speaker 1: a Spish player. I thought her name was El Dente. 472 00:22:02,200 --> 00:22:06,119 Speaker 1: Her name's cal Dente, Marion, if you have time to well, 473 00:22:06,119 --> 00:22:08,239 Speaker 1: the English are obviously well cooked and they were well 474 00:22:08,280 --> 00:22:11,400 Speaker 1: and Charlie Braden And in soccer in the UK, Ange 475 00:22:11,440 --> 00:22:14,240 Speaker 1: Posta Coglo has become the first Aussie manager to win 476 00:22:14,280 --> 00:22:18,120 Speaker 1: a Premier League match after Tottenham beat Manchester too Neil, 477 00:22:18,160 --> 00:22:18,720 Speaker 1: well done. 478 00:22:18,600 --> 00:22:20,640 Speaker 2: Awesome and the Boom has stormed back from a loss 479 00:22:20,640 --> 00:22:23,840 Speaker 2: to Brazil last week to produce an impressive feb World 480 00:22:23,880 --> 00:22:27,040 Speaker 2: Cup warm up win over metal contenders in France seventy 481 00:22:27,040 --> 00:22:29,679 Speaker 2: eight to seventy four. The World Cup kicks off this 482 00:22:29,760 --> 00:22:33,879 Speaker 2: Friday in Australia will play Finland in their first game. 483 00:22:34,040 --> 00:22:37,520 Speaker 1: Good luck Boomers, Paddie Mills and the boys, and that 484 00:22:37,920 --> 00:22:39,080 Speaker 1: is sport Hoart style. 485 00:22:39,160 --> 00:22:41,600 Speaker 3: Thanks Bruce, well done the. 486 00:22:41,760 --> 00:22:46,320 Speaker 1: Sure Report on ninety six FM. 487 00:22:46,359 --> 00:22:48,640 Speaker 2: When it comes to adapting a book for a film, 488 00:22:48,840 --> 00:22:52,119 Speaker 2: it seems sometimes the author's feelings get a bit lost 489 00:22:52,119 --> 00:22:54,479 Speaker 2: in the mix, and Buzzfeeders put together a list of 490 00:22:54,560 --> 00:22:59,760 Speaker 2: film adaptations that apparently the authors hate. The Shining is 491 00:22:59,800 --> 00:23:02,480 Speaker 2: for On the list, Stephen King didn't like Stanley Kubrick's 492 00:23:02,720 --> 00:23:07,200 Speaker 2: differing vision or lack of cooperation. King says, the movie 493 00:23:07,280 --> 00:23:16,760 Speaker 2: has no heart. Here's Johnny might have had no heart, 494 00:23:16,760 --> 00:23:18,840 Speaker 2: but it's scared them. But jesus, out of most of us, 495 00:23:19,640 --> 00:23:22,200 Speaker 2: one flow over the Cuckoo's Nest is another. Now I 496 00:23:22,200 --> 00:23:24,280 Speaker 2: think one Flow of the Cook's Nest is such a 497 00:23:24,320 --> 00:23:28,320 Speaker 2: good movie. But Ken Kesey, the author, had so many 498 00:23:28,359 --> 00:23:30,480 Speaker 2: issues with the adaptation as it was being made he 499 00:23:30,560 --> 00:23:34,840 Speaker 2: refused to watch the final product. Roll Duhald didn't love 500 00:23:34,880 --> 00:23:37,639 Speaker 2: Willy Wonker and the Chocolate Factory. Apparently he thought the 501 00:23:37,680 --> 00:23:40,320 Speaker 2: director Mel Stewart had no talent, and he didn't think 502 00:23:40,400 --> 00:23:43,119 Speaker 2: Gene Wilder was right for the role of Willy Wonka. 503 00:23:43,640 --> 00:23:47,960 Speaker 2: And author Brett Easton Ellis didn't completely hate the movie 504 00:23:48,080 --> 00:23:50,520 Speaker 2: of American Psycho. He just thinks it was written to 505 00:23:50,560 --> 00:23:53,840 Speaker 2: be experienced as a novel and no film adaptation could 506 00:23:53,920 --> 00:23:54,520 Speaker 2: replicate that. 507 00:23:59,359 --> 00:24:00,920 Speaker 3: To kill them a lot of people. 508 00:24:03,480 --> 00:24:05,320 Speaker 2: You would have thought if he thinks that, you know, 509 00:24:05,359 --> 00:24:07,679 Speaker 2: it should never have been made as a movie, I 510 00:24:07,680 --> 00:24:08,960 Speaker 2: would have thought that he would be. 511 00:24:08,920 --> 00:24:11,439 Speaker 3: Able to stop it. But again, you have some control. 512 00:24:12,200 --> 00:24:15,680 Speaker 2: Evidently you don't, you know. I love Brett eastern Ellis. 513 00:24:15,720 --> 00:24:18,200 Speaker 2: He's written some really good books, so he only he 514 00:24:18,200 --> 00:24:21,359 Speaker 2: hasn't been that mad. Yeah, I am a fan, but 515 00:24:21,440 --> 00:24:27,080 Speaker 2: American Psycho is the one, one and only book I 516 00:24:27,119 --> 00:24:28,560 Speaker 2: wish I'd never read. 517 00:24:28,760 --> 00:24:32,960 Speaker 3: Oh, okay, prefers. It stayed with me for waight. 518 00:24:33,200 --> 00:24:40,160 Speaker 2: It was horrify The movie is nothing and like he's 519 00:24:40,200 --> 00:24:44,400 Speaker 2: completely right the sicico of that character. 520 00:24:45,600 --> 00:24:49,240 Speaker 3: You couldn't you couldn't bring it to That's super dark, 521 00:24:49,320 --> 00:24:50,159 Speaker 3: is one way of putting it. 522 00:24:51,080 --> 00:24:53,760 Speaker 2: The New York City Drug dealer who supplied the wire 523 00:24:53,800 --> 00:24:57,119 Speaker 2: actor Michael Kay Williams with fentanyl laced heroine, leading to 524 00:24:57,160 --> 00:24:59,879 Speaker 2: his death, has been sentenced to ten years in prison. 525 00:25:00,320 --> 00:25:03,000 Speaker 2: Williams started in September twenty twenty one of an overdose 526 00:25:03,760 --> 00:25:06,560 Speaker 2: only hours after buying the heroin in a deal court 527 00:25:06,600 --> 00:25:10,399 Speaker 2: on security cameras, and the upcoming Michael Jackson biopic won't 528 00:25:10,480 --> 00:25:12,920 Speaker 2: be holding back on looking at the lows as well 529 00:25:12,960 --> 00:25:15,320 Speaker 2: as the highs of Michael's career. Well, they'd be missing 530 00:25:15,359 --> 00:25:18,840 Speaker 2: half the story, and they did. Michael is the latest 531 00:25:18,840 --> 00:25:21,159 Speaker 2: big budget bio movie to profile one of the biggest 532 00:25:21,160 --> 00:25:24,919 Speaker 2: stars in music history, and director Anton Fuqua says the 533 00:25:24,960 --> 00:25:27,880 Speaker 2: movie will not be sugarcoating his darker moments, and yes, 534 00:25:27,920 --> 00:25:35,119 Speaker 2: that director's name is terrifying. The movie has the full 535 00:25:35,160 --> 00:25:38,480 Speaker 2: backing of Jackson's estate, and we already know that Michael's 536 00:25:38,480 --> 00:25:41,400 Speaker 2: actual nephew, Jaffar Jackson, is playing him. 537 00:25:41,560 --> 00:25:43,960 Speaker 3: Jaffa is Germain's son. 538 00:25:44,359 --> 00:25:46,240 Speaker 1: Well, he doesn't marry into the fark Why family because 539 00:25:46,240 --> 00:25:49,960 Speaker 1: that'll make it tricky, want to It's going to be careful. 540 00:25:49,640 --> 00:25:51,800 Speaker 2: From here on in. I Am going to just refer 541 00:25:51,880 --> 00:25:56,240 Speaker 2: to him as the Michael director, all right, Yeah, exactly 542 00:25:57,320 --> 00:25:58,560 Speaker 2: on the safe second. 543 00:25:58,640 --> 00:26:02,520 Speaker 3: Are you talking about the lazy and Lisa, He says 544 00:26:02,560 --> 00:26:03,040 Speaker 3: a him