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Speaker 1: So Will's partner's mum walked in on him. Yes, that's

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Speaker 1: what we're talking about. That's the name of the full show.

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Speaker 1: You will hear.

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Speaker 2: Excuse me, Pim, Yes, mum talk about the expense.

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Speaker 3: Baby is called, by the way, Max, Pim McMahon. How

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Speaker 3: was it telling her that amazing.

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Speaker 4: Beautiful moment?

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Speaker 5: Beautiful on the show today, just as beautiful on the phone.

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Speaker 3: I meant to wrap it up with something nice like that,

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Speaker 3: but we just didn't get there because she walked in

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Speaker 3: on us trying to bring on labor, because that's one

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Speaker 3: of the things you do to bring on labor as

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Speaker 3: you have intercourse.

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Speaker 4: So this was intercourse.

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Speaker 6: Sounds a lot more dirty than sex for some reason.

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Speaker 3: Intercourse for the intercourse is very descriptive intercourse. Anyway, Yes,

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Speaker 3: we were having sex to try and bring on labor.

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Speaker 1: I think the biggest thing out of this story, actually,

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Speaker 1: there were a few big things. Door open, you know,

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Speaker 1: look the door open.

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Speaker 3: I didn't get a chance to go into this, probably

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Speaker 3: during the show. But SAMs forty.

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Speaker 6: Two weeks pregnant, whatever it is, Yeah, she's over forty weeks.

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Speaker 4: She's over forty weeks to get up and close the door.

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Speaker 3: When when when when you know that you need to

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Speaker 3: have sex to bring on the labor. Yeah, but having

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Speaker 3: sex is like climbing everest and all for all sorts

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Speaker 3: of reasons that Edmund Hillary.

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Speaker 6: It's very confronting.

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Speaker 3: They don't really want it, but they know they need

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Speaker 3: to have us. Sure when they roll over in the

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Speaker 3: morning and go it's.

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Speaker 6: On, we're on. Yeah, you do not.

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Speaker 3: Get up and close the door. You just get things going.

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Speaker 3: It's crazy, cant Ra.

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Speaker 4: Yeah, okay, but the dog could run in there.

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Speaker 6: It's having all the time with the dog in the bed.

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Speaker 4: I mean she is the dog in the bit.

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Speaker 6: Yeah. Hell, it's just the dog.

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Speaker 4: You guys are crazy.

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Speaker 6: The dog is going to go and tell her, don't

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Speaker 6: get the dog.

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Speaker 2: Well, she's on the bed.

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Speaker 6: Very different things, but people would have been intimate with animals.

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Speaker 4: On the bed, Joel, if you ever on the bed

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Speaker 4: in the room, in the room, get out.

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Speaker 6: Oh yeah, you say get out, and then you get out,

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Speaker 6: get out. Then they look at you and you're like,

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Speaker 6: get out.

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Speaker 4: My dog's massive and he walked.

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Speaker 5: If you ever walked over, he'd literally be able to

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Speaker 5: put his snout anywhere he wanted. I don't want that

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Speaker 5: that heavy, hot breath of the dog.

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Speaker 6: That's the dog's not that close. I'm not the dog.

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Speaker 6: It's at the end of the bed.

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Speaker 3: If the dog's in the bed anyway, Look, the point

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Speaker 3: is the door is open, and you just got to

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Speaker 3: move fast. He moved fast, and the door was open,

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Speaker 3: and Pim got up and walked in.

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Speaker 1: And if you want to hear her perspective of the

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Speaker 1: whole incident, then listen to this show.

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Speaker 5: Maybe the most forward thinking mother in law I think

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Speaker 5: we've ever.

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Speaker 4: Very She was so comfortable.

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Speaker 1: I don't want to give so much away, get too

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Speaker 1: much away, But incredibly she was not awkod at all.

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Speaker 6: She was just very happy.

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Speaker 3: She actually the last time she stayed with us, she

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Speaker 3: sat Sam down and she was like, I just need

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Speaker 3: to know that I'm not interrupting the sex that you

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Speaker 3: and Will would be having if I wasn't here. And

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Speaker 3: she was like, just let me know if I need

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Speaker 3: to leave the house so that you guys can the door.

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Speaker 6: Was like, I was like, how do we do that?

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Speaker 3: Don't just walk up to him to have a cup

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Speaker 3: of I'm like, right out, you get her at the at.

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Speaker 6: The end of the bed. This is the Will and

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Speaker 6: Woody podcast.

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Speaker 3: I just want to share a quick story with you

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Speaker 3: because my my girlfriend's partner is currently staying with us.

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Speaker 2: Your girlfriend's mum, not your girlfriend's partner.

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Speaker 1: I mean, that'd be wild if your girlfriend's partner was

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Speaker 1: staying with you at the moment.

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Speaker 4: Ruth Almighty, she's Dutch, you never know.

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Speaker 3: Yeah, that's right, you know, open relationship. No, my girl,

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Speaker 3: what's yeah, my girlfriend's mum, Pim is staying with us.

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Speaker 3: I'm a girls, I'm a girlfriend, my partner part I've

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Speaker 3: got a baby with her.

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Speaker 7: Yeah.

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Speaker 6: Sure, it's my partner's mum.

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Speaker 3: And we're able to get it on the phone. We're

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Speaker 3: trying to get it on the phone, aren't we. It's

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Speaker 3: a nightmare.

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Speaker 8: Try.

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Speaker 4: Why don't you set there, you know, you preheat the

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Speaker 4: oven for me.

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Speaker 1: Give me the context and then I'm sure Pim, your

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Speaker 1: partner's mum will come in and she'll slam down the

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Speaker 1: punchline for us.

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Speaker 4: So give me the context, will Okay?

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Speaker 6: So we had a baby last week. Very exciting, massive,

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Speaker 6: little max exciting, beautiful girl. It's awesome.

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Speaker 3: Honestly, one of the best things you ever do. If

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Speaker 3: you haven't got kids, have them. They're sick.

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Speaker 6: Now.

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Speaker 3: In the lead up to having Max. We were, you know,

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Speaker 3: just trying to bring on the labor. There's lots of

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Speaker 3: different ways to bring on labor, Yes, raspberry leaf tea

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Speaker 3: and orphan releasing, massages, chili, nipple massages, chili.

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Speaker 6: Chilli, sex walking on gutters, gutter walking, we did them all. Well,

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Speaker 6: you're kind of rocking the baby further down.

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Speaker 3: Yeah, okay, so we yeah, we're geting to the point where,

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Speaker 3: you know, we're getting a bit desperate and you have

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Speaker 3: to turn it up. And it's actually fascinating to know

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Speaker 3: for people that are playing at home. But the way

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Speaker 3: it works in a couple of reasons. First of all,

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Speaker 3: when you have sex, you release oxytocin, which is the

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Speaker 3: chemical which is necessary to for contractions to happen. So

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Speaker 3: you have sex, you create more oxytocin for the woman

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Speaker 3: and then that can bring on the contractions. And the

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Speaker 3: other interesting part about it is that male semen actually

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Speaker 3: works to dissolve the cervix fascinating a way and actually

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Speaker 3: kick off the stimulus response which throws a woman into labor.

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Speaker 1: Courtney Kardashian is currently trying to do that orally with

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Speaker 1: Travis Barker. That might work, No, it will not, but

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Speaker 1: she's still doing it. On the latest episode of Keeping

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Speaker 1: Up with the Kardashians, they're struggling to conceive, so she is.

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Speaker 2: Now drinking Travis's semens.

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Speaker 4: Yeah. Well I don't want to say that word, but yeah, yeah,

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Speaker 4: well that's what it is.

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Speaker 1: Yeah, you're right, I need to be more mature there.

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Speaker 1: But yeah, that's true. She is trying to do that

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Speaker 1: and that does not work at all. It only works

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Speaker 1: on the cervix. So what does it do that bring

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Speaker 1: on labor?

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Speaker 4: Yeah, that's right, fascinating.

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Speaker 6: So this is something we've been trying to do.

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Speaker 3: And the other day I was pim staying with us

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Speaker 3: and she walked.

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Speaker 6: In on us.

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Speaker 4: Oh awesome, that's awesome. Not for you, that is awesome

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Speaker 4: for me.

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Speaker 6: He's going to say, no, I mean, not a weird comment.

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Speaker 4: Everyone's listening, this is great. You love hearing this.

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Speaker 3: Well, yeah, so why didn't even think about it? I

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Speaker 3: almost like forgot that she was there. And let me

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Speaker 3: just say, having sex with a woman who's, you know,

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Speaker 3: over forty weeks pregnant is confronting enough as it is.

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Speaker 6: Let alone, when her mum walks in the room.

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Speaker 3: Totally yeah, she was totally wild she's very she's a

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Speaker 3: very progressive.

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Speaker 1: Woman, yeah, and super comfortable talking about any sort of sex,

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Speaker 1: et cetera. So she would like she would have been

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Speaker 1: fine about it, which makes it way more awkward.

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Speaker 6: For you, far more awkward, far more awkward.

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Speaker 3: And I've got Pim who joins us brilliant time on

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Speaker 3: the phone right now.

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Speaker 6: I couldn't have patted that out further, tried, Pim. I

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Speaker 6: know we haven't got it yet. She's coming on. Here

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Speaker 6: we go, Pim. Can you hear me?

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Speaker 7: Can you hear me?

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Speaker 3: Yeah?

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Speaker 6: I can. You're alive on the radio. This is Woody.

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Speaker 2: Hi, Pim, Hey, Hi there.

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Speaker 4: What is good to hear from you again?

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Speaker 1: We're just hearing the story about when you walked in

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Speaker 1: on your daughter in will.

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Speaker 7: Yees.

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Speaker 3: Oh god, now, people, I just ask why did you

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Speaker 3: You walked into the room and and.

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Speaker 6: You just you lingered at the door.

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Speaker 4: Oh yeah, what did you?

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Speaker 6: Why did you linger?

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Speaker 7: Why did I do that? It's not because I'm a wire,

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Speaker 7: but it was like Sam was highly pregnant and she

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Speaker 7: could get the baby anytime. So every morning when I

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Speaker 7: walk out of my bedroom, I look the door of

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Speaker 7: your bedroom was open, and usually the lights are on

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Speaker 7: or whatever, and there's no baby. And now it was

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Speaker 7: completely dark. The door was open, and and and I

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Speaker 7: heard some noises in the I thought, oh my god,

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Speaker 7: it's Sam. Okay, So I picked in and I said Sam,

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Speaker 7: are you okay? And then oh and then she said

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Speaker 7: mom out?

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Speaker 6: Oh god, what did you say to him? Can I ask?

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Speaker 6: Because I like from your perspective, well.

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Speaker 7: Initially I didn't. I couldn't see, I couldn't hear. I

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Speaker 7: only could hear noises, and I couldn't see. And then

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Speaker 7: and then I saw some some silhouetteson on the bed,

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Speaker 7: and then and then when Sam yelled mom out, then

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Speaker 7: I felt like this little girl in class who was

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Speaker 7: being punished. And how about yourself? Will? What what did

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Speaker 7: you feel? Think?

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Speaker 4: Question?

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Speaker 6: Will? What do you think?

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Speaker 4: What did you think?

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Speaker 6: I was just thinking about getting the baby out, That's

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Speaker 6: all I was thinking. I was in robot. We had

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Speaker 6: a goal there. Anyway, Thanks for coming on the show.

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Speaker 7: Okay, pleasure okay, yeah, thank you for telling the story.

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Speaker 8: Oh god, thank you.

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Speaker 4: Thank you for telling the story. PIM appreciate it. Oh,

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Speaker 4: I love that woman.

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Speaker 6: You deal it with?

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Speaker 4: The door open?

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Speaker 3: Yeah, Well when you haven't you know, when you're at

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Speaker 3: that stage and you just want to get things going on,

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Speaker 3: you know, and I sem initiated, so I was just like, well,

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Speaker 3: gee whiz, you know it was going to be Pim

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Speaker 3: had like a fifteen second window.

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Speaker 6: She walked in right in the middle of it. Was extraordinary, unbelievable. Yeah,

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Speaker 6: that was great.

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Speaker 3: There. What wos you and I are on Celebrity Apprentice?

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Speaker 3: If you missed that live, you can get it on

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Speaker 3: nine now. Episode three of that you can get on

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Speaker 3: nine Now, which is you and I running a health retreat,

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Speaker 3: which was all about really the power of vulnerability and

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Speaker 3: its capacity to get other people to connect to you,

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Speaker 3: and just showing you guys how important it is to

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Speaker 3: be vulnerable with your friends in order to get a

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Speaker 3: meaningful connection with them. And gee whiz, I mean we

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Speaker 3: spoke about this yesterday on the show, and the response

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Speaker 3: from some of you guys, the calls that came in

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Speaker 3: was truly immense.

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Speaker 6: Have a listen, do you reckon?

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Speaker 3: There's something more to continue digging here with the show

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Speaker 3: in this space.

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Speaker 7: Well, I think the response has been is very telling.

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Speaker 7: Isn't that we all want more connection to authentic self.

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Speaker 9: What really impacted me was your honesty honestly meaning vulnerability

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Speaker 9: going back to that child, and also about what you've

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Speaker 9: done to actually heal. Number one, you gave me permission

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Speaker 9: to be honest and be vulnerable.

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Speaker 4: Yeah.

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Speaker 9: Number two, you actually showed them something to do about it.

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Speaker 6: Really good stuff. It was really really lovely. Thank you

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Speaker 6: to everybody that caught up.

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Speaker 3: I think everybody that reached out to us online that

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Speaker 3: saw that episode. You can still watch it on nine

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Speaker 3: now of celebri Apprentice, Episode three all about being vulnerable

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Speaker 3: with other people in your life, and that's kind of

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Speaker 3: stemmed this new idea. So last year we did Share

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Speaker 3: My Mood, which was this mental health ap we released

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Speaker 3: which was all about connecting with your friends, and that

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Speaker 3: was over technology. But this year we want to do

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Speaker 3: something in person. Obviously we're through COVID, so from Share

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Speaker 3: my Mood, we want to do Share My Food this year,

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Speaker 3: which is a dinner where you can actually connect with

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Speaker 3: your friends and maybe deepen the relationship that you have

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Speaker 3: with your friends. But also if you see the people

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Speaker 3: that you hang out with not as friends, if they're

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Speaker 3: merely just acquaintances for you, if they're people that you

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Speaker 3: have you might get drunk with, might be people that

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Speaker 3: you might play cards with, they might be people that

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Speaker 3: you go for a walk with, But do you really

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Speaker 3: have a really solid connection with them? Can you tell

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Speaker 3: them when you're crying, can you tell them when you're upset?

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Speaker 3: Do you feel supported by the people that are within

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Speaker 3: your close circle. That's the big question, and I think

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Speaker 3: that's the key to sure saving lives from a suicide perspective,

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Speaker 3: to have people that you can actually reach out to,

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Speaker 3: but also just living a more fulfilling life, just actually

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Speaker 3: feeling comfortable in a space of people. And that's something

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Speaker 3: that you've got to work on. And I think that

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Speaker 3: you and I would have got a great idea in

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Speaker 3: share my Food. These will just be little dinners next

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Speaker 3: Thursday night. Everybody can host one. Everybody can host one.

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Speaker 3: We're going to be hosting our own. We're going to

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Speaker 3: run a program for the night and should be a belter.

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Speaker 3: It's going to be next Thursday night, Share my Food.

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Speaker 3: That's when we're thinking of doing it. So lock it

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Speaker 3: in the diary. Even think about the people you want

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Speaker 3: to come with you. It must be your partner and

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Speaker 3: maybe your best friend or another couple that you really like.

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Speaker 3: Try and keep the dinners intimate and we're going to

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Speaker 3: write a program for you guys.

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Speaker 6: We'll leave the food up to you where you can

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Speaker 6: actually really connect with your people in your life.

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Speaker 4: It's a great idea. It's a great idea.

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Speaker 3: Get involved, it's a great idea. We think it's a

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Speaker 3: great idea, and I'm very excited to announce that a

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Speaker 3: big mental health service also thinks it's a great idea.

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Speaker 3: Huge They heard the bit on the show yesterday and

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Speaker 3: they're going to join us right up next time with them.

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Speaker 6: Wunning super excited about this.

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Speaker 3: Next Thursday, Woods, you and I are planning an evening

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Speaker 3: for all of you guys. You driving home right now

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Speaker 3: to have an intimate dinner. It can just be with

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Speaker 3: your partner for Christ's sake, or your neighbor, whatever it is.

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Speaker 3: The whole point of the dinner is to try and

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Speaker 3: change your relationships from just mere acquaintances to actually proper friends.

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Speaker 3: Last year we did Share My Mood. That was all

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Speaker 3: about connecting with other people. So this year we're doing

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Speaker 3: Share My Food, so a small dinner where you can

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Speaker 3: share your mood over food with people.

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Speaker 6: Close to you.

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Speaker 3: We're going to be doing a one as well with

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Speaker 3: a star studded lineup.

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Speaker 6: We've got lines in the water with lines pro.

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Speaker 3: And yes, kidman, Kidman's got a line.

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Speaker 4: I think we dropped one.

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Speaker 10: Two.

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Speaker 6: Urbans had a few lines.

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Speaker 1: Yes, yes, yeah, we were Email and facts is where

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Speaker 1: we've got Urban there. So pretty much every line of

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Speaker 1: communication we've tried to get in touch with him. We're

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Speaker 1: not going to spend any longer talking about in touch

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Speaker 1: with but know this, we will have a will celebrity.

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Speaker 6: I'll share my food, dinner or lunch.

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Speaker 3: That'll be a great that'll be a great things some

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Speaker 3: big names, no DUBT, no duct. So look, if you

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Speaker 3: want to host a dinner next Thursday, get involved.

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Speaker 6: Line up two or three your mates. We're going to

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Speaker 6: put the program together.

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Speaker 3: And now excited to say that we are not just

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Speaker 3: putting the program together ourselves because Butterfish Services, the very

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Speaker 3: reputable mental health service that is Butterfish Services, have just

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Speaker 3: got involved just by hearing it on the show last night.

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Speaker 6: Don this, he joins us. Right now, gooday, John, thank you,

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Speaker 6: thank you.

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Speaker 4: I had to start off, mate.

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Speaker 2: Can you tell us a bit about Butterfish.

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Speaker 8: Yeah, well, Butterfish Services is all about accessible, authentic therapy,

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Speaker 8: and we started about six years ago, and I guess

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Speaker 8: our area of expertise is behavior therapy and behavior support.

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Speaker 8: So we've got this sort of feeds in quite nicely

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Speaker 8: with Share My Food, and we figured we wanted to

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Speaker 8: get on board.

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Speaker 6: Really, that's brilliant.

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Speaker 3: Okay, So Don, what do you like about the idea,

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Speaker 3: because I would love I'd love to you to talk

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Speaker 3: a little bit about how you think we can get

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Speaker 3: people kind of moving their relationships from just mere sure

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Speaker 3: they hang out with the actual proper friends who they

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Speaker 3: can rely on for support.

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Speaker 7: Yeah.

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Speaker 8: I think I think the biggest challenge is, you know,

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Speaker 8: Timmans are all about connection, and most of us go

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Speaker 8: about our lives and you know, have our friendships, and

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Speaker 8: we all probably think we're doing a bang on job.

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Speaker 8: But if we look at most of our friendships, it's

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Speaker 8: very arguable at times sometimes think it seem a little

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Speaker 8: bit superficial. You know, who just go hey, how are

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Speaker 8: you doing? You know, but where as we're saying, well,

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Speaker 8: in order to really check in with your friends and

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Speaker 8: see how people are doing, you really got to have

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Speaker 8: a meaningful connection with them in the first place.

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Speaker 1: Yeah, hey, Don, do you have an idea as to

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Speaker 1: how you can sort of well to use, to use

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Speaker 1: a shocking terminology, Lubricate the ball a little bit there,

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Speaker 1: Like I think all of us have the best the wheels,

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Speaker 1: whereas the wheels was exactly.

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Speaker 4: What I was going for.

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Speaker 6: Lubricate the ball.

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Speaker 1: I say that in France, but don like often for me,

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Speaker 1: and this is you know, I'm.

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Speaker 4: A pretty stereotypical bloke here.

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Speaker 1: A bit of alcohol can help for me to you know,

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Speaker 1: get in touch with my deeper emotions, and I find

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Speaker 1: myself having deeper meaningful chats at you know, two am

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Speaker 1: on a Saturday night. Do you have any can you

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Speaker 1: give us any guidance as to how we can get

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Speaker 1: to that place, you know over a dinner.

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Speaker 8: Yeah, I think you're going to be willing to go

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Speaker 8: beyond just sharing what you think others want you to

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Speaker 8: see or what they want you to be. So it's

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Speaker 8: really about showing them who the real you is and

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Speaker 8: you know, being vulnerable, showing your thoughts, your fears, your dreams,

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Speaker 8: and that really opens the doors to having that much

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Speaker 8: more open, honest and authentic conversations. Yeah.

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Speaker 3: I love that, and that's really what I want Shamaeford

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Speaker 3: to be all about. Next Thursday, Small dinners with people

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Speaker 3: that you know, you feel safe with, that you care about,

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Speaker 3: and just a chance to make those friendships more.

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Speaker 6: Than what they are through vulnerability. Don We're going to

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Speaker 6: work with you.

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Speaker 3: We're so pumped the Butterfish Services are involved. Anybody else

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Speaker 3: can find a greater you with Butterfish Services, authentic, accessible

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Speaker 3: therapy with no wait lists. Go and check out butterfish

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Speaker 3: dot com. Very happy to scratch your back there and

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Speaker 3: get around you guys, mate, because I know you are

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Speaker 3: seriously scratching ours in a very platonic professional fashion as

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Speaker 3: we all as we all come to a greater solution

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Speaker 3: and a cracking idea in share my Food next Thursday.

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Speaker 6: Mate. So we're so excited that butter Fisher involved. Thanks

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Speaker 6: for showing your support.

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Speaker 8: I'm happy to be a part of it.

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Speaker 4: Past.

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Speaker 3: Now it's will and I want to talk to you

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Speaker 3: about possibly the lamest story in the news since Scomo

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Speaker 3: played the ukulele step.

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Speaker 6: Me to.

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Speaker 4: I remember my words?

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Speaker 6: Oh there we go.

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Speaker 4: Wow, brother, I love Carlos his head. Carlos, this is

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Speaker 4: going to be the best foote.

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Speaker 6: Oh. I love that so much.

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Speaker 3: Anyway, Look that's buddy lame stuff. But look Keith Urban,

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Speaker 3: the one and only Keith Urbans.

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Speaker 6: That mate, mister words, what did you say?

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Speaker 4: I want to let you down?

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Speaker 3: Okay, So kids playing in Las Vegas and he's beautiful

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Speaker 3: wife Nicole Kidman is in the crowd, and.

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Speaker 6: I'll let the audio do the talking.

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Speaker 4: What's your name?

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Speaker 9: Where are you? Oh?

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Speaker 3: Cool? I want to get your jacket.

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Speaker 1: You put it on the floor and I'm bride.

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Speaker 2: She literally said, don't lose that jacket.

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Speaker 4: I'm like, how am I gonna lose the jacket?

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Speaker 6: It's gone? See look you jinxed it.

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Speaker 4: I reckon. She was getting jealous.

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Speaker 2: He was clearly flirting with someone at the gig.

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Speaker 6: I don't think he was flirting with Hey, what's your name?

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Speaker 6: You know what I mean and saying it to her.

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Speaker 4: No, No, he's talking to someone in the crowd.

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Speaker 6: That's Nicole Kidman. That's the bit what he goes.

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Speaker 3: Sometimes you're idiotcy e glipses even you. He goes, he goes, hey,

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Speaker 3: what's your name? And she goes, Nicole Urban, I'll playing

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Speaker 3: for you.

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Speaker 6: What's your name?

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Speaker 7: Where are you?

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Speaker 4: How do I miss that?

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Speaker 3: She was jealous there with someone.

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Speaker 6: Else in the crowd. Oh, you are such a porcupine.

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Speaker 8: Oh right.

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Speaker 6: So yeah, so she goes up, how did you miss that?

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Speaker 3: This seems you're right for tuning out during audio meetings.

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Speaker 4: Pretty crap audio, I said.

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Speaker 7: I was lame.

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Speaker 6: Yeah, yeah, bloody lame.

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Speaker 4: Yeah, beautiful. But anyway, I only had me for two

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Speaker 4: seconds and then I was gone.

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Speaker 6: Oh god, all right. So anyway, so Nicole comes up

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Speaker 6: on stage. I think you dropped your jacket. Sure, yeah, which.

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Speaker 3: Sounds like a line out of a porno. If I'm

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Speaker 3: being totally honest with you.

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Speaker 4: Wow, it might have been.

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00:19:45,080 --> 00:19:46,959
Speaker 6: And anyway, she puts the jacket on him.

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Speaker 3: It's possibly the worst story all year, right out there

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Speaker 3: with playing the ukulele.

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Speaker 6: But it reminded me of.

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Speaker 3: The how treacherous it is to take your partner to

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Speaker 3: work more often than not.

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Speaker 6: Show you up.

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Speaker 1: Captain Poopence shouldn't have brought his partner. Well, to be fair,

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Speaker 1: she didn't come into work, but she was outside the

448
00:20:07,320 --> 00:20:08,920
Speaker 1: building and she informed you are.

449
00:20:08,840 --> 00:20:09,800
Speaker 6: We talking Georgie.

450
00:20:09,880 --> 00:20:11,040
Speaker 4: Well, I didn't say names.

451
00:20:11,080 --> 00:20:12,120
Speaker 6: I didn't say a surname.

452
00:20:12,720 --> 00:20:18,280
Speaker 1: The state that I did not mention her name better

453
00:20:18,359 --> 00:20:21,080
Speaker 1: be good because she was at the front. And then

454
00:20:21,560 --> 00:20:24,000
Speaker 1: you found out that she referred to him as poo

455
00:20:24,080 --> 00:20:25,160
Speaker 1: pens and then.

456
00:20:25,119 --> 00:20:27,320
Speaker 4: Went to tell you the story at that time.

457
00:20:27,359 --> 00:20:30,280
Speaker 1: In fact, can I come back from when you took

458
00:20:30,880 --> 00:20:32,080
Speaker 1: Mimi on the studio?

459
00:20:32,600 --> 00:20:33,000
Speaker 4: Damn it?

460
00:20:33,080 --> 00:20:35,560
Speaker 1: Yes, I do remember this very early in the relationship,

461
00:20:35,640 --> 00:20:38,879
Speaker 1: poop Pence. I do remember that story, and I was

462
00:20:38,920 --> 00:20:40,719
Speaker 1: hoping that it would show off. You know, look, I'm

463
00:20:40,720 --> 00:20:44,280
Speaker 1: a big radio host. And I went into the audio

464
00:20:44,320 --> 00:20:47,080
Speaker 1: booth where Tim come on I was talking about earlier,

465
00:20:47,200 --> 00:20:49,000
Speaker 1: was working on some audio and I walked in and

466
00:20:49,119 --> 00:20:50,960
Speaker 1: I was like, oh, Tim, what are we working on?

467
00:20:51,040 --> 00:20:53,920
Speaker 1: Big fella in here? It is Timmy, it's the audio.

468
00:20:53,960 --> 00:20:56,600
Speaker 1: And Tim goes, oh, actually, I was just amplifying one

469
00:20:56,640 --> 00:21:00,040
Speaker 1: of the parts you did on here. And then I

470
00:21:00,119 --> 00:21:04,120
Speaker 1: was seated to play the fart to my partner.

471
00:21:04,280 --> 00:21:05,560
Speaker 4: I mean, this was a third date.

472
00:21:06,040 --> 00:21:08,480
Speaker 1: This is that third date and Tim, Tim like gave

473
00:21:08,520 --> 00:21:09,880
Speaker 1: me a wink, like that'll work.

474
00:21:11,600 --> 00:21:12,680
Speaker 4: You're welcome, mate.

475
00:21:13,840 --> 00:21:15,800
Speaker 6: The bad track record. We're bringing partners into work.

476
00:21:15,840 --> 00:21:17,760
Speaker 3: But there was another time during lockdown and you brought

477
00:21:17,760 --> 00:21:19,760
Speaker 3: a partner in the work and the head of building

478
00:21:19,800 --> 00:21:23,280
Speaker 3: safety walked in and gee whiz was that.

479
00:21:23,400 --> 00:21:26,399
Speaker 6: There was that explanation? When was that during lockdown? I

480
00:21:26,440 --> 00:21:30,680
Speaker 6: believe anyway, I'm not going.

481
00:21:30,680 --> 00:21:32,440
Speaker 3: To name names, woulds Otherwise I'll have to go back

482
00:21:32,440 --> 00:21:34,280
Speaker 3: to why you changed your locks in twenty twenty.

483
00:21:34,440 --> 00:21:38,320
Speaker 4: She didn't. Oh sorry, the penis dropped.

484
00:21:38,760 --> 00:21:44,200
Speaker 10: Again as the second time about five minutes he dropped

485
00:21:44,200 --> 00:21:54,080
Speaker 10: for you.

486
00:21:50,040 --> 00:21:54,119
Speaker 6: Find me fire? And were you're about to say? I

487
00:21:54,240 --> 00:21:56,080
Speaker 6: was on fire in the pre show meeting.

488
00:21:57,840 --> 00:21:59,800
Speaker 2: I want no excuse I was that.

489
00:22:00,000 --> 00:22:06,879
Speaker 6: No one knows that.

490
00:22:07,760 --> 00:22:11,120
Speaker 4: We all said it. Coming up next, were there more

491
00:22:11,280 --> 00:22:14,600
Speaker 4: Will and Woody The Will and Woody podcast.

492
00:22:14,720 --> 00:22:17,320
Speaker 3: Woods is turning the Clock Back fifteen years ago, toured

493
00:22:17,359 --> 00:22:21,560
Speaker 3: South America new pretending to be powder Finger fifteen years

494
00:22:21,600 --> 00:22:23,159
Speaker 3: ago with a few of his mates.

495
00:22:23,359 --> 00:22:24,800
Speaker 6: Uh in this youth.

496
00:22:24,880 --> 00:22:28,439
Speaker 3: Woody towards South America with three of his mates pretending

497
00:22:28,440 --> 00:22:29,440
Speaker 3: to be the band Powdered Finger.

498
00:22:29,520 --> 00:22:31,239
Speaker 4: We're called pullm my finger, and I'm pumped about it. Well,

499
00:22:31,359 --> 00:22:33,119
Speaker 4: you can open the whole night with the pulling of

500
00:22:33,119 --> 00:22:33,480
Speaker 4: the finger.

501
00:22:33,560 --> 00:22:35,400
Speaker 3: Oh and then people could people could raffle to see

502
00:22:35,440 --> 00:22:36,120
Speaker 3: who pulls your finger?

503
00:22:36,680 --> 00:22:38,360
Speaker 7: You get the lord man, get the lord.

504
00:22:38,200 --> 00:22:45,200
Speaker 1: Man out, all right? So that was a joke in

505
00:22:45,560 --> 00:22:48,000
Speaker 1: that little recabby package. Now, I made a joke saying

506
00:22:48,040 --> 00:22:50,200
Speaker 1: that there should be a ceremonial pulling of the finger

507
00:22:50,240 --> 00:22:51,760
Speaker 1: and then maybe someone would pass win.

508
00:22:51,840 --> 00:22:52,560
Speaker 4: That was just a gag.

509
00:22:52,680 --> 00:22:55,320
Speaker 2: That's all a bit silly and it's a bit immature.

510
00:22:54,840 --> 00:22:55,600
Speaker 4: If I'm being honest.

511
00:22:55,680 --> 00:22:57,600
Speaker 6: Well, but it is the elephant in the room, though,

512
00:22:57,640 --> 00:22:58,200
Speaker 6: isn't it.

513
00:22:58,119 --> 00:22:59,679
Speaker 4: That a finger needs to be pulled?

514
00:23:00,080 --> 00:23:02,240
Speaker 3: Think so like if your tribute band's name is pull

515
00:23:02,320 --> 00:23:05,240
Speaker 3: my Finger, I get it, you're a powder finger too band,

516
00:23:05,240 --> 00:23:06,240
Speaker 3: but you're covering that off.

517
00:23:06,280 --> 00:23:09,360
Speaker 6: You're playing a powdered finger song. Yeah, but you call

518
00:23:09,480 --> 00:23:10,240
Speaker 6: pull my finger.

519
00:23:10,800 --> 00:23:12,720
Speaker 4: So you also think there should be a pulling of

520
00:23:12,720 --> 00:23:13,119
Speaker 4: the finger.

521
00:23:13,200 --> 00:23:15,840
Speaker 6: Well, I think yeah, I'd be disappointed if there wasn't.

522
00:23:15,880 --> 00:23:16,439
Speaker 6: Let me say that.

523
00:23:16,480 --> 00:23:19,000
Speaker 1: Well, someone who aggressively agrees with you, as a woman

524
00:23:19,040 --> 00:23:23,560
Speaker 1: called Carol. Carol, you strongly believe there needs to be

525
00:23:23,600 --> 00:23:25,119
Speaker 1: a pulling of the finger, Carol.

526
00:23:25,880 --> 00:23:28,639
Speaker 8: Guys, it's the name of your band. It goes without saying.

527
00:23:28,760 --> 00:23:31,240
Speaker 8: You need one of those young little seventeen year old

528
00:23:31,640 --> 00:23:32,800
Speaker 8: up there pulling the finger.

529
00:23:32,840 --> 00:23:35,760
Speaker 7: You et in one rip and imagine that same come

530
00:23:35,800 --> 00:23:36,560
Speaker 7: the yearbook time.

531
00:23:36,720 --> 00:23:38,560
Speaker 8: Hey we pulled the finger and they farted.

532
00:23:38,840 --> 00:23:40,800
Speaker 4: Yeah, I mean it's a good point, Carol. You put

533
00:23:40,800 --> 00:23:42,399
Speaker 4: forward a great argument it.

534
00:23:42,560 --> 00:23:47,439
Speaker 1: Yeah, Carol, the implication you're making, though, Carol, is that

535
00:23:47,480 --> 00:23:51,040
Speaker 1: there is going to be someone, I mean, some mere mortal,

536
00:23:51,080 --> 00:23:53,960
Speaker 1: a human amongst us who can fart on demand.

537
00:23:54,240 --> 00:23:57,080
Speaker 4: Carl, I mean, well, you have to.

538
00:23:57,000 --> 00:23:59,359
Speaker 7: Just start practicing, now, come on, you can do it.

539
00:24:00,000 --> 00:24:01,280
Speaker 4: I'm not sure if I'm the one. I mean, don't

540
00:24:01,320 --> 00:24:01,800
Speaker 4: get me wrong.

541
00:24:01,920 --> 00:24:06,040
Speaker 1: Out of the team here, I'm definitely the most prolific flatulator.

542
00:24:06,400 --> 00:24:09,960
Speaker 1: But but I wouldn't mind, Carol, with your permission. Of course,

543
00:24:10,160 --> 00:24:13,159
Speaker 1: maybe there's someone listening to us right now. Our numbers

544
00:24:13,200 --> 00:24:16,080
Speaker 1: thirteen one oh sixty five. If you're sitting there right

545
00:24:16,119 --> 00:24:18,600
Speaker 1: now listening to us, and you know that you can

546
00:24:18,680 --> 00:24:22,160
Speaker 1: pass wind on demand, you're going to be on a stage.

547
00:24:22,160 --> 00:24:23,720
Speaker 1: You don't know when it's going to happen. If someone

548
00:24:23,760 --> 00:24:25,879
Speaker 1: pulls your finger, you will definitely pass wind.

549
00:24:26,880 --> 00:24:27,600
Speaker 4: Give us a call.

550
00:24:29,000 --> 00:24:30,960
Speaker 6: Can I just double check what you're asking people to

551
00:24:30,960 --> 00:24:31,280
Speaker 6: call for?

552
00:24:31,400 --> 00:24:33,600
Speaker 2: Well, technically, Carol sort of doing it, but yeah, go on.

553
00:24:33,720 --> 00:24:35,800
Speaker 6: You're asking people to call if they can vart on demand.

554
00:24:35,880 --> 00:24:37,359
Speaker 1: Well, yeah, I said it a lot nicer than that,

555
00:24:37,800 --> 00:24:41,160
Speaker 1: but effectively yes, and then you'll need to prove it, obviously.

556
00:24:41,760 --> 00:24:45,479
Speaker 8: Carol agreed, But I think maybe it should be one

557
00:24:45,520 --> 00:24:46,160
Speaker 8: of the kids.

558
00:24:45,960 --> 00:24:48,240
Speaker 6: In the crowd, of course, Cole, one of the kids

559
00:24:48,280 --> 00:24:49,919
Speaker 6: on the night. I mean, if you go, if you

560
00:24:49,960 --> 00:24:51,359
Speaker 6: go to the school, what's the school? If we got

561
00:24:51,359 --> 00:24:52,720
Speaker 6: the name of the school, we are we allowed to

562
00:24:52,720 --> 00:24:53,639
Speaker 6: say the name of the school.

563
00:24:53,640 --> 00:24:55,240
Speaker 4: More importantly, I'm not sure.

564
00:24:55,640 --> 00:24:56,160
Speaker 6: I'm not sure.

565
00:24:57,800 --> 00:24:58,880
Speaker 4: Okay, So look it might be.

566
00:24:58,840 --> 00:25:01,439
Speaker 6: A gift, but look it is to be associated.

567
00:25:00,920 --> 00:25:03,000
Speaker 1: With this a kid. A kid might be a bit

568
00:25:03,040 --> 00:25:04,879
Speaker 1: too embarrassed to get up. So look, let's put the

569
00:25:04,920 --> 00:25:07,760
Speaker 1: calls out thirty one oh sixty five. If you think

570
00:25:07,760 --> 00:25:10,520
Speaker 1: you can pass wind on demand, you then potentially could

571
00:25:10,520 --> 00:25:13,080
Speaker 1: come to the gig on Thursday night. Yes, and you

572
00:25:13,160 --> 00:25:16,000
Speaker 1: will ceremoniously open the show.

573
00:25:16,000 --> 00:25:17,440
Speaker 4: Someone will pull your finger.

574
00:25:17,800 --> 00:25:19,720
Speaker 3: And can I just say, all of my concerns around

575
00:25:19,760 --> 00:25:23,240
Speaker 3: pull my finger, you know, interrupting a kid's formal are

576
00:25:23,280 --> 00:25:25,679
Speaker 3: alleviated because you're going to get the crowd on site.

577
00:25:26,000 --> 00:25:28,120
Speaker 3: You're going to get the seventeen year old kids on site.

578
00:25:28,119 --> 00:25:29,000
Speaker 3: Doesn't matter what you guys puy.

579
00:25:29,040 --> 00:25:30,920
Speaker 6: You guys can get up there and do the hokey pokey.

580
00:25:30,760 --> 00:25:34,240
Speaker 3: Yeah, sure, out out of sync and they would still

581
00:25:34,280 --> 00:25:36,680
Speaker 3: love you if you did a pull my finger bit

582
00:25:36,760 --> 00:25:38,399
Speaker 3: to launch the band.

583
00:25:38,119 --> 00:25:39,359
Speaker 4: All right, we need the human truble.

584
00:25:39,440 --> 00:25:42,080
Speaker 6: Probably do we need six y five? You can fart

585
00:25:42,080 --> 00:25:43,120
Speaker 6: on demand. Give us a call.

586
00:25:43,640 --> 00:25:47,280
Speaker 3: Pull my Finger the powder Finger Tribute Band two nights time.

587
00:25:47,320 --> 00:25:50,000
Speaker 3: They will performing one night for one night only, one

588
00:25:50,080 --> 00:25:53,960
Speaker 3: song only, after fifteen years of waiting in this year,

589
00:25:54,320 --> 00:25:57,879
Speaker 3: Woody towards South America with three of his mates pretending

590
00:25:57,880 --> 00:25:58,879
Speaker 3: to be the band Powdered Finger.

591
00:25:58,960 --> 00:26:00,680
Speaker 4: We're called pull my Finger on humped about it. Will

592
00:26:00,800 --> 00:26:02,520
Speaker 4: you can open the whole night with the pulling of

593
00:26:02,560 --> 00:26:03,200
Speaker 4: the finger.

594
00:26:03,160 --> 00:26:04,959
Speaker 3: And then people could people could raffle to see if

595
00:26:04,960 --> 00:26:05,560
Speaker 3: he pulls your finger.

596
00:26:13,000 --> 00:26:17,000
Speaker 1: So, yeh, it's on myself, Shag, Chuck, Lafleur, we're all

597
00:26:17,040 --> 00:26:18,440
Speaker 1: going to be down there at the golf course the

598
00:26:18,480 --> 00:26:23,159
Speaker 1: school formal on kids and responsibilities.

599
00:26:23,280 --> 00:26:25,600
Speaker 4: Yes, Lafleur, he is in the clear. He's got two kids.

600
00:26:25,640 --> 00:26:28,320
Speaker 4: He's in the clear. Shag is flying in so he

601
00:26:28,680 --> 00:26:29,520
Speaker 4: lives into state.

602
00:26:30,160 --> 00:26:31,240
Speaker 6: He's flying for the gig.

603
00:26:31,280 --> 00:26:31,480
Speaker 8: Wow.

604
00:26:31,640 --> 00:26:34,800
Speaker 1: Chucker, he had a big work conference and he reckons

605
00:26:34,800 --> 00:26:36,399
Speaker 1: he's going to be able to sneak out if you

606
00:26:36,440 --> 00:26:37,800
Speaker 1: want to meet all the boys.

607
00:26:38,160 --> 00:26:39,800
Speaker 3: Part of the team, by the way, Chuck, because he's

608
00:26:39,800 --> 00:26:41,280
Speaker 3: the only one that plays a musical instrument.

609
00:26:41,400 --> 00:26:44,919
Speaker 1: Without Chuck, we're absolutely rattless. So Chuck really needs to

610
00:26:44,920 --> 00:26:46,399
Speaker 1: make it in time. But the boys are all going

611
00:26:46,440 --> 00:26:48,560
Speaker 1: to be live on air Thursday. We're all coming in

612
00:26:48,560 --> 00:26:49,720
Speaker 1: and we're going to get a bit of a pre

613
00:26:49,840 --> 00:26:53,199
Speaker 1: game sort of chat, which should be pretty wild. But

614
00:26:53,320 --> 00:26:55,879
Speaker 1: right now, a woman called Carol got in touch with

615
00:26:55,960 --> 00:26:58,000
Speaker 1: us and she said, look, boys, if your band's called

616
00:26:58,040 --> 00:27:00,720
Speaker 1: pull my finger, what a disappointment. And if there isn't

617
00:27:00,760 --> 00:27:03,840
Speaker 1: some sort of pulling of a finger before you perform. Now,

618
00:27:03,920 --> 00:27:05,719
Speaker 1: pulling of a finger obviously needs to be followed by

619
00:27:05,760 --> 00:27:08,119
Speaker 1: some flatulence. I know it's gross, it's immature, but at

620
00:27:08,119 --> 00:27:10,000
Speaker 1: the end of the day, when they will the band.

621
00:27:09,880 --> 00:27:10,720
Speaker 4: It's the name of the band.

622
00:27:11,280 --> 00:27:13,200
Speaker 1: So I've put the call out now for just anyone

623
00:27:13,240 --> 00:27:18,680
Speaker 1: who can potentially pass wind on demand to potentially open

624
00:27:18,720 --> 00:27:20,320
Speaker 1: the night. We've got any here on thirty one or

625
00:27:20,359 --> 00:27:23,160
Speaker 1: sixty five. Any you're an extraordinary woman, you can pass

626
00:27:23,200 --> 00:27:24,680
Speaker 1: wind on on demand.

627
00:27:25,280 --> 00:27:27,639
Speaker 7: Not me, No, no, no, no, no, I'm a lady.

628
00:27:27,720 --> 00:27:31,280
Speaker 4: Sorry, excuse me? And he excuse me? Aggressive accusation. Who

629
00:27:31,320 --> 00:27:32,280
Speaker 4: are you dubbing in?

630
00:27:32,320 --> 00:27:35,840
Speaker 8: Then, Jane, my eight year old cousin. That kid can

631
00:27:35,920 --> 00:27:39,240
Speaker 8: fart ont like, no man, fart the alphabet?

632
00:27:39,359 --> 00:27:41,159
Speaker 4: That's that extraordinary?

633
00:27:41,359 --> 00:27:43,320
Speaker 2: Are they available on Thursday night?

634
00:27:43,920 --> 00:27:45,280
Speaker 8: I will make him available?

635
00:27:45,400 --> 00:27:45,720
Speaker 6: Love that?

636
00:27:45,920 --> 00:27:47,560
Speaker 2: Oh wow?

637
00:27:47,040 --> 00:27:48,680
Speaker 4: So how he's eight?

638
00:27:49,359 --> 00:27:51,320
Speaker 7: He's eight, he's the most awesome kid.

639
00:27:51,359 --> 00:27:53,600
Speaker 6: But you can gee gigs.

640
00:27:53,600 --> 00:27:56,000
Speaker 1: The gig's like eight thirty pm at nine? Is that

641
00:27:56,080 --> 00:27:57,119
Speaker 1: past his bedtime?

642
00:27:57,840 --> 00:27:59,000
Speaker 7: We can make an exception.

643
00:27:59,280 --> 00:28:02,240
Speaker 6: Oh look for him to come down and front in

644
00:28:02,280 --> 00:28:04,919
Speaker 6: the microphone in front of a school formal. Jeez, what

645
00:28:05,000 --> 00:28:05,679
Speaker 6: a parent you are.

646
00:28:05,760 --> 00:28:08,560
Speaker 1: I've got a Carlin now, Karla, Carlor, you can pass

647
00:28:08,640 --> 00:28:09,399
Speaker 1: wind on demand?

648
00:28:10,280 --> 00:28:11,080
Speaker 8: Yes I can.

649
00:28:11,200 --> 00:28:13,360
Speaker 7: I've been able to do it for years.

650
00:28:13,400 --> 00:28:16,800
Speaker 1: Now you are joking, this is quite phenomenal, Calor, would

651
00:28:16,840 --> 00:28:20,359
Speaker 1: you mind putting your mouth where your bottom is?

652
00:28:20,359 --> 00:28:22,199
Speaker 6: I guess that's the where your bottom is?

653
00:28:22,240 --> 00:28:25,600
Speaker 4: Yeah, Carl, would you can? You can you genuinely do

654
00:28:25,640 --> 00:28:27,080
Speaker 4: like right now? Would you be able to pass wind?

655
00:28:27,880 --> 00:28:28,320
Speaker 6: I would?

656
00:28:28,320 --> 00:28:31,359
Speaker 1: But I'm currently driving right now, so I was, so

657
00:28:31,440 --> 00:28:31,760
Speaker 1: you can't.

658
00:28:31,840 --> 00:28:34,400
Speaker 4: You can't drive and pop. No.

659
00:28:34,600 --> 00:28:36,720
Speaker 6: I have to get into like a certain position to

660
00:28:36,760 --> 00:28:40,360
Speaker 6: be able to do it on your back there.

661
00:28:40,440 --> 00:28:47,480
Speaker 4: Yeah yeah we all know. Well no, yeah, we can't

662
00:28:47,520 --> 00:28:49,880
Speaker 4: have someone is going to be up the front pumping

663
00:28:49,880 --> 00:28:50,600
Speaker 4: their legs.

664
00:28:50,360 --> 00:28:53,400
Speaker 3: Because the kids because as I said, you forwards, is

665
00:28:53,400 --> 00:28:55,960
Speaker 3: it a seventeen year old's formal. Yeah, this is the

666
00:28:56,000 --> 00:28:57,800
Speaker 3: biggest part of the night. They're all keen to get

667
00:28:57,880 --> 00:28:59,360
Speaker 3: on the dance floor. You guys are going to be

668
00:28:59,400 --> 00:29:01,400
Speaker 3: on the dance for your one song first.

669
00:29:01,560 --> 00:29:01,960
Speaker 4: Yeah.

670
00:29:01,960 --> 00:29:02,720
Speaker 6: It's a big moment.

671
00:29:03,080 --> 00:29:04,040
Speaker 4: Yeah, it's a huge moment.

672
00:29:04,080 --> 00:29:06,080
Speaker 6: I know, it's a huge I think whole I think

673
00:29:06,120 --> 00:29:07,160
Speaker 6: you need to step up to play.

674
00:29:08,080 --> 00:29:08,720
Speaker 4: I'm the drummer.

675
00:29:08,760 --> 00:29:10,400
Speaker 1: I need to focus on drumming, and I don't know

676
00:29:10,440 --> 00:29:12,400
Speaker 1: if I can put my mind to a pop on demand.

677
00:29:12,480 --> 00:29:15,120
Speaker 2: You can, you almost can, though, I almost can.

678
00:29:15,240 --> 00:29:16,000
Speaker 6: You almost can.

679
00:29:16,680 --> 00:29:18,800
Speaker 4: I'm having a pretty clean day today, to be honest.

680
00:29:18,880 --> 00:29:19,280
Speaker 6: Yeah.

681
00:29:19,320 --> 00:29:20,280
Speaker 4: So, actually I don't know.

682
00:29:20,320 --> 00:29:22,400
Speaker 6: I you don't think you've got you can produce?

683
00:29:22,440 --> 00:29:24,080
Speaker 4: I don't think so. And I don't know if anyone

684
00:29:24,120 --> 00:29:26,600
Speaker 4: wants to hear that. I don't know. But but look,

685
00:29:26,680 --> 00:29:29,480
Speaker 4: maybe maybe you're right. Maybe I'm the man on Thursday night. Okay,

686
00:29:29,520 --> 00:29:30,160
Speaker 4: maybe I'm the man.

687
00:29:30,280 --> 00:29:32,080
Speaker 3: You're trying and give it a well, now, I don't

688
00:29:32,200 --> 00:29:34,600
Speaker 3: really do well I think so I think, well, this

689
00:29:34,680 --> 00:29:35,840
Speaker 3: is the area you're going to be under it on

690
00:29:35,880 --> 00:29:37,920
Speaker 3: Thursday night. You're going to be under pressure. Yeah, okay,

691
00:29:37,920 --> 00:29:39,120
Speaker 3: people are going to go want to see you pull

692
00:29:39,120 --> 00:29:40,880
Speaker 3: my finger. We'll pull my finger at the start. Someone

693
00:29:40,920 --> 00:29:43,000
Speaker 3: to get Let's have the school captain. The principal walks

694
00:29:43,040 --> 00:29:44,400
Speaker 3: out there, pulls your finger.

695
00:29:44,560 --> 00:29:53,200
Speaker 4: Yeah, I like school captain pluming my finger. I'm nowhere.

696
00:29:53,200 --> 00:29:56,800
Speaker 2: There, that's the biggest stage my boy's ever had.

697
00:29:57,360 --> 00:30:00,760
Speaker 6: And I am that is embarrassing. That's just dead. Eh,

698
00:30:00,920 --> 00:30:02,160
Speaker 6: it's just you.

699
00:30:01,920 --> 00:30:02,959
Speaker 4: No, I'm nowhere.

700
00:30:03,120 --> 00:30:03,840
Speaker 6: I'm gonna wow.

701
00:30:04,080 --> 00:30:05,480
Speaker 4: I'll follow through if I keep trying.

702
00:30:06,520 --> 00:30:07,160
Speaker 6: I didn't.

703
00:30:08,000 --> 00:30:12,880
Speaker 4: Absolutely, I'm embarrassed. It's Will and Woody.

704
00:30:12,680 --> 00:30:13,560
Speaker 6: Time for lost the plot?

705
00:30:13,960 --> 00:30:14,840
Speaker 3: Boy who live?

706
00:30:15,160 --> 00:30:19,680
Speaker 5: Will and Woodies lost the plots?

707
00:30:23,720 --> 00:30:25,520
Speaker 6: All would I explained a movie plot really bad that

708
00:30:25,560 --> 00:30:26,280
Speaker 6: you have to guess what the.

709
00:30:26,200 --> 00:30:28,840
Speaker 3: Film is along with the rest of Australia on thirteen

710
00:30:29,160 --> 00:30:31,920
Speaker 3: one oh six five. These are all movies that scared

711
00:30:31,960 --> 00:30:34,960
Speaker 3: you as a child. And that's because Tom Hanks is

712
00:30:34,960 --> 00:30:39,560
Speaker 3: going to be in the new Pinocchio movie, which obviously

713
00:30:39,560 --> 00:30:42,280
Speaker 3: involved that really hectic scene where all the boys drank

714
00:30:42,320 --> 00:30:47,400
Speaker 3: something and turned into donkeys, possibly the scariest scene ever

715
00:30:47,560 --> 00:30:48,400
Speaker 3: in a kid's film.

716
00:30:48,520 --> 00:30:49,400
Speaker 4: On an island somewhere.

717
00:30:49,800 --> 00:30:52,360
Speaker 6: Yeah, on a weird Island. All right, here we go

718
00:30:52,400 --> 00:30:55,000
Speaker 6: first one here one six five. You think you know

719
00:30:55,040 --> 00:30:59,720
Speaker 6: the film, yep? Five tip rats learn the hard way

720
00:30:59,720 --> 00:31:05,000
Speaker 6: and not to mess with bad fake tan on. It's

721
00:31:05,000 --> 00:31:06,960
Speaker 6: a kid's movie. Definitely scared me when I was young.

722
00:31:07,440 --> 00:31:10,320
Speaker 2: To mess with fake tan sand like kids.

723
00:31:11,880 --> 00:31:16,160
Speaker 3: Five five tip rats learn the hard way not to

724
00:31:16,240 --> 00:31:17,960
Speaker 3: mess with bad fake tan. If you think you know

725
00:31:18,000 --> 00:31:19,360
Speaker 3: what the movie is, give us a call thirty one

726
00:31:19,400 --> 00:31:21,680
Speaker 3: O six five it's lost the.

727
00:31:21,680 --> 00:31:25,480
Speaker 5: Plots and bring me the girl and her dogs, will

728
00:31:25,560 --> 00:31:26,120
Speaker 5: and woodies.

729
00:31:26,320 --> 00:31:27,240
Speaker 8: I don't want her alive.

730
00:31:28,720 --> 00:31:36,920
Speaker 3: Lost plots. These are all terrifying kids movies. Terrifying kids movies,

731
00:31:37,440 --> 00:31:39,040
Speaker 3: kid's movies that you look back on in hindsight and

732
00:31:39,040 --> 00:31:41,160
Speaker 3: you're like, geez, that was I was definitely too young

733
00:31:41,200 --> 00:31:43,000
Speaker 3: to be watching that, but it was a kid's movie.

734
00:31:43,640 --> 00:31:45,160
Speaker 6: Totally wild anyway.

735
00:31:45,160 --> 00:31:48,320
Speaker 3: The first plot here five tip rats learn the hard

736
00:31:48,360 --> 00:31:50,120
Speaker 3: way not to mess with bad fake tan.

737
00:31:50,240 --> 00:31:52,440
Speaker 4: What movie is that Willie Wonker and the Chocolate Factory?

738
00:31:52,480 --> 00:31:58,160
Speaker 6: It is, It's Willy Wonker and the Chocolate Factory. I've

739
00:31:58,240 --> 00:32:00,360
Speaker 6: got Well, are you laughing?

740
00:32:00,840 --> 00:32:03,480
Speaker 4: I'm laughing because I've made poop pants. Think I was

741
00:32:03,520 --> 00:32:05,280
Speaker 4: nowhere a little in for me over him.

742
00:32:05,400 --> 00:32:07,600
Speaker 3: Very good mate, nice little off air gag that no

743
00:32:07,640 --> 00:32:10,520
Speaker 3: one will get. Now, Look, there were there were five

744
00:32:10,560 --> 00:32:11,400
Speaker 3: tip rats in that movie.

745
00:32:11,480 --> 00:32:12,760
Speaker 6: Do the name of the tip rats?

746
00:32:13,160 --> 00:32:13,480
Speaker 4: Nope?

747
00:32:13,800 --> 00:32:15,000
Speaker 6: The Rukas Salt.

748
00:32:15,200 --> 00:32:16,880
Speaker 2: You're kiddingk what a name?

749
00:32:17,040 --> 00:32:18,720
Speaker 6: Rukas Salt is the one that one of the goose.

750
00:32:20,000 --> 00:32:21,520
Speaker 6: How much do you want for the golden Goose?

751
00:32:21,560 --> 00:32:24,160
Speaker 4: An art for sale? She can't have one?

752
00:32:24,640 --> 00:32:25,160
Speaker 10: Who says that?

753
00:32:25,960 --> 00:32:27,680
Speaker 6: Remember a funny hat?

754
00:32:28,080 --> 00:32:29,320
Speaker 4: I want a golden goose?

755
00:32:29,480 --> 00:32:31,560
Speaker 3: Oh God, I hated those kids when you go through them.

756
00:32:31,560 --> 00:32:35,680
Speaker 3: They're awful kids. My TV Violet the Blueberry Girl, Yes, of.

757
00:32:35,640 --> 00:32:37,640
Speaker 6: Course, Charlie yes, and.

758
00:32:37,560 --> 00:32:40,800
Speaker 3: Of course Augustus Coop Oh yeah, the great big greedy

759
00:32:40,880 --> 00:32:43,200
Speaker 3: Nink and Poop who of course in the Chocolate River.

760
00:32:43,440 --> 00:32:45,360
Speaker 4: Yes, of course. Charlie was a nice guy.

761
00:32:45,480 --> 00:32:47,960
Speaker 6: Charlie was a nice kid. Charlie Bucket, nice kid.

762
00:32:48,520 --> 00:32:50,240
Speaker 3: But yeah, at the end of the day, they're like,

763
00:32:50,280 --> 00:32:51,720
Speaker 3: what do we get out of this, and he's like, nothing,

764
00:32:52,160 --> 00:32:53,120
Speaker 3: catch you later, I'm leaving.

765
00:32:53,120 --> 00:32:54,720
Speaker 4: And they don't stick to the rules as well. They

766
00:32:54,720 --> 00:32:55,600
Speaker 4: don't stick to the rules.

767
00:32:56,320 --> 00:32:58,840
Speaker 6: Yeah, it's a wild movie.

768
00:32:58,880 --> 00:33:01,840
Speaker 3: And look, you just invites five kids and terrorizes them

769
00:33:01,840 --> 00:33:04,440
Speaker 3: and then just pisses off in a glass elevator. Yeah,

770
00:33:04,560 --> 00:33:07,040
Speaker 3: I mean you go to jail for lest these days. Now,

771
00:33:08,040 --> 00:33:12,600
Speaker 3: next movie, Yes, Boy who loves to read is involved

772
00:33:12,640 --> 00:33:14,240
Speaker 3: in terrible equestrian accident.

773
00:33:15,920 --> 00:33:18,120
Speaker 6: Boy who loves to read is involved in a terrible

774
00:33:18,120 --> 00:33:22,120
Speaker 6: equestrian accident. Thirty one six five. You think you know

775
00:33:22,160 --> 00:33:22,760
Speaker 6: the movie.

776
00:33:22,880 --> 00:33:29,320
Speaker 3: Very very hard, I've never ending story.

777
00:33:29,800 --> 00:33:33,640
Speaker 6: Alright now I'm on here, you've won, You've won.

778
00:33:33,680 --> 00:33:35,160
Speaker 3: I mean it's as the pots, the best of three there,

779
00:33:36,200 --> 00:33:38,440
Speaker 3: like all three? Okay, okay, Now do you want to

780
00:33:38,440 --> 00:33:41,120
Speaker 3: hear the scene though? Oh yeah it's a horse ye yeah, yeah, yeah, yeah,

781
00:33:41,120 --> 00:33:55,200
Speaker 3: it's pretty wild. Oh totally what kids movie as a

782
00:33:55,240 --> 00:33:57,080
Speaker 3: kids and the horses in quicksands.

783
00:33:57,600 --> 00:33:58,520
Speaker 6: It's in like this swamp.

784
00:33:58,640 --> 00:34:02,840
Speaker 1: Oh that yeah, and the swamp itself was shut out.

785
00:34:03,640 --> 00:34:09,960
Speaker 3: Oh that audio really traumatizing it since as well.

786
00:34:11,040 --> 00:34:13,200
Speaker 6: I'll do that'll do final one here.

787
00:34:13,280 --> 00:34:18,080
Speaker 3: Yeah, come on, old bags, take face masks to a

788
00:34:18,120 --> 00:34:18,960
Speaker 3: whole new level.

789
00:34:21,640 --> 00:34:27,400
Speaker 4: Mission impossible, Face masks to new level, to.

790
00:34:27,400 --> 00:34:29,960
Speaker 3: A whole new level, Old bags, take face masks to

791
00:34:30,000 --> 00:34:32,120
Speaker 3: a whole new level with face cowboys.

792
00:34:32,600 --> 00:34:35,520
Speaker 4: Sorry to kids movies, kids movies, Old boys, old.

793
00:34:35,360 --> 00:34:39,879
Speaker 3: Bags, I've just been informed by the authorities that if

794
00:34:39,920 --> 00:34:42,960
Speaker 3: Australia gets this it's worth two points, So that's fair,

795
00:34:43,000 --> 00:34:43,680
Speaker 3: it would be even.

796
00:34:43,800 --> 00:34:46,080
Speaker 4: That's fair. Old boys take face masks to.

797
00:34:46,120 --> 00:34:50,239
Speaker 6: Whole new old bags. Old bags take face masks to

798
00:34:50,320 --> 00:34:50,919
Speaker 6: whole new level.

799
00:34:51,360 --> 00:34:52,279
Speaker 4: The movie cocon.

800
00:34:52,080 --> 00:34:55,120
Speaker 3: Incorrect Christy to levels the plot on this Tuesday.

801
00:34:55,120 --> 00:34:55,720
Speaker 6: What's the movie?

802
00:34:56,640 --> 00:34:59,640
Speaker 8: It's the Witches? Very good?

803
00:35:00,239 --> 00:35:01,160
Speaker 6: Are you with me?

804
00:35:02,400 --> 00:35:02,760
Speaker 2: Bitch?

805
00:35:03,000 --> 00:35:06,840
Speaker 4: Ance us back must boom and her bones are.

806
00:35:08,640 --> 00:35:11,640
Speaker 6: Terrifying. Have you seen the new one? No? I tried

807
00:35:11,680 --> 00:35:12,920
Speaker 6: to got two minutes in.

808
00:35:13,719 --> 00:35:16,440
Speaker 4: Turn it off because it's bad or scary scary?

809
00:35:16,520 --> 00:35:19,560
Speaker 6: Right, yeah, terrifying? Yeah, and Hathaway stars in it.

810
00:35:20,040 --> 00:35:21,360
Speaker 4: Yeah.

811
00:35:21,480 --> 00:35:24,960
Speaker 3: It's about witches who cover their faces with human looking

812
00:35:25,000 --> 00:35:27,760
Speaker 3: masks to they're out there just to eat children.

813
00:35:28,160 --> 00:35:29,080
Speaker 4: Yeah, that's messed up.

814
00:35:29,320 --> 00:35:31,000
Speaker 1: Do they do that scene where they all take their

815
00:35:31,360 --> 00:35:33,120
Speaker 1: their wigs off and scratch their heads?

816
00:35:33,200 --> 00:35:33,439
Speaker 6: Yeah?

817
00:35:33,480 --> 00:35:35,800
Speaker 1: Oh that's got me in the book that got you

818
00:35:36,560 --> 00:35:37,280
Speaker 1: eating children?

819
00:35:38,360 --> 00:35:41,080
Speaker 2: You know, the image of them all taking their oh.

820
00:35:41,080 --> 00:35:43,279
Speaker 6: God, oh god, take my eyes. But not a bad

821
00:35:43,440 --> 00:35:45,120
Speaker 6: not a bad scalp pimple they eat

822
00:35:45,200 --> 00:35:48,240
Speaker 1: Children, mate, Yeah, but the scalps will the psoriasis