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Speaker 1: Fatboy Slim Norman Cook.

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Speaker 2: He will be in town at Burswood Park this Sunday,

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Speaker 2: May seven from five o'clock. Tickets are through Ticketmaster and we.

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Speaker 1: Are very wrap to having joined us.

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Speaker 3: Now. Good morning, good morning, Perth. How are you doing?

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Speaker 2: Very good now, Perth is really looking forward to Sunday show,

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Speaker 2: of course to have you here. But the other thing

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Speaker 2: that's happening this weekend is the release of your documentary

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Speaker 2: right here, right now, that's going to be on the Telly.

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Speaker 2: It's been twenty years since the Big Beach Boutique, that

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Speaker 2: iconic Brighton Beach party where forty thousand people were expected

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Speaker 2: and over two hundred and fifty thousand, quarter of a

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Speaker 2: million people turned up. I can't even get my head

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Speaker 2: around what that must have looked like when you stepped

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Speaker 2: out and there was just a sea and ocean of people.

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Speaker 4: Well, it was two things. It was very very beautiful,

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Speaker 4: but also very scary to see that many people in

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Speaker 4: my my home city. But also there was way too

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Speaker 4: many of them we could really deal with. We ran

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Speaker 4: out quickly, run out of toilet facilities, alcohol, the whole

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Speaker 4: city ran out of alcohol.

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Speaker 1: Wow.

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Speaker 4: And yeah, so we were silent at Swan, So it

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Speaker 4: was it was a near disaster, which I think is

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Speaker 4: what makes the documentary kind of interesting. Yeah, we were

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Speaker 4: always just flirting between triumph and disaster.

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Speaker 2: Oh, it could have gone either way. It could have

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Speaker 2: been really bad.

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Speaker 1: Yeah.

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Speaker 4: Yeah, the behavior of the people who did come that

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Speaker 4: we didn't have any serious incidents. So yeah, it's quite

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Speaker 4: it's quite an edgy story, and which is why we

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Speaker 4: thought twenty years later it was worth making a documentary

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Speaker 4: about it.

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Speaker 1: There was a lot to do with the crowd, like

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Speaker 1: it was an olymp biscuit crowd or something.

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Speaker 5: Well, that's the thing that we do at the time,

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Speaker 5: was that the Woodstock ninety nine experience in your mind,

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Speaker 5: because that was a very different event, but a feral

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Speaker 5: crowd that that one I remember.

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Speaker 3: Which came first. I haven't really thought about that.

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Speaker 4: Yeah, I mean the difference in the behavior of the

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Speaker 4: Woodstock crowd and my Brian crowd was markedly.

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Speaker 3: Yes, it is more affable, not a much distraction.

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Speaker 4: Not saying they weren't both as drunk as each other,

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Speaker 4: but one was a lot more good natured.

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Speaker 1: Yes, absolutely.

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Speaker 3: Well.

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Speaker 2: Also it is testament to you because I mean the

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Speaker 2: thing about being a DJ is you truly do hold

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Speaker 2: the crowd in the palm of your hand like nothing else,

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Speaker 2: and you know they respond to you, and they really

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Speaker 2: must have responded to you on that day.

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Speaker 3: Well, I think, I.

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Speaker 4: Mean also, I think one of the purposes of dance

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Speaker 4: music is to bring people together. It's like you could

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Speaker 4: listen to these records at home, but there's something that

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Speaker 4: happens when we all commune and we all get together, absolutely,

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Speaker 4: and a lot of it tends to be based more

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Speaker 4: on love and a feeling of community and togetherness, whereas

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Speaker 4: some rock music may maybe more you know, in terms

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Speaker 4: of getting rid of your excess aggression. So rock gigs

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Speaker 4: can have an air of aggression about them and individuality.

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Speaker 4: Dance music in tensibly more about a coming together or

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Speaker 4: being a you know, a kind of loved up group.

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Speaker 4: So I don't think. I don't think it's just me.

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Speaker 4: I mean, i'd like to think that they would do

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Speaker 4: if if I had to go on on the mic

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Speaker 4: and move likely to listen to me.

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Speaker 3: But I'm not sure that that's necessarily true.

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Speaker 5: Yeah, I've spoken to a few people recently and they've

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Speaker 5: told me about the love for you and that part

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Speaker 5: of the world in Brighton, that must have helped as well.

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Speaker 5: I mean, not only to get their numbers there, but

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Speaker 5: for it to be such a successful event when it

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Speaker 5: could have as you say, it could have gone.

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Speaker 3: Yeah, I mean that's another thing that comes out.

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Speaker 4: I think when you watch the documentary, it's kind of

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Speaker 4: a it's a love letter from me to the city,

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Speaker 4: and the city does seem very proud of me, and

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Speaker 4: so yeah, I mean for the last thirty five years

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Speaker 4: there's been this ongoing love affair between the two of us.

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Speaker 4: And I think because what happens is where I live. Generally,

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Speaker 4: if you become successful, is automatic that you move up

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Speaker 4: to London.

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Speaker 3: It's I don't know if you have the same.

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Speaker 1: In Perth in Australia.

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Speaker 3: Time.

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Speaker 4: Yes, So I think everybody in my city respects the

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Speaker 4: fact that I still live there and I still love it,

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Speaker 4: and like I said, it's an ongoing thing and it

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Speaker 4: ties in with the football team and a lot of

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Speaker 4: the stuff I do for the community, so it's yeah,

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Speaker 4: it's a sort of it's a two way love affair.

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Speaker 3: And that show on the Beach.

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Speaker 4: One of the reasons why that show was so popular

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Speaker 4: was it was a kind of celebration of my relationship

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Speaker 4: with the city.

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Speaker 2: Now, did you ever think growing up and I'm old

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Speaker 2: enough that I've watched the sort of this return to

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Speaker 2: DJing with a couple of decks and at the rise

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Speaker 2: of all that, did you ever think as a kid

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Speaker 2: growing up in seventies Britain that being a DJ could

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Speaker 2: end up being a lifelong career on your own performing.

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Speaker 4: When I was young, it wasn't even a career, let

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Speaker 4: alone in life long career. Jay's were kind of we

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Speaker 4: were just the people who stood in the corner, were

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Speaker 4: the people who's stupid enough to have.

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Speaker 3: Bought all the records?

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Speaker 4: Yeah, kind of a bit nerdy, and we were the

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Speaker 4: people who were standing in the corner and play records

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Speaker 4: to people and largely.

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Speaker 3: Ignored by people.

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Speaker 4: Yeah, something has happened during my career and during my

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Speaker 4: lifetime where we've been elevated to this kind of superstar stage. Yes,

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Speaker 4: which a glorious ride for me because yeah, I mean

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Speaker 4: I always DJed as a hobby because I love music,

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Speaker 4: but as a career I kind of thought being in

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Speaker 4: a pop band e The House Martians, Yeah it was

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Speaker 4: that's the career move and the DJing was just a hobby.

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Speaker 4: And then somewhere along halfway through my career, I realized

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Speaker 4: that more people wanted to hear me.

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Speaker 3: DJ Thana.

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Speaker 2: Yeah you were really right place, right time. Move You

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Speaker 2: were really right place, right time for it.

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Speaker 3: Yeah yeah, I mean.

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Speaker 4: A bit like I mean, it's a bit like me

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Speaker 4: and my Hawaiian shirts. If you do something, it comes

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Speaker 4: in fashion.

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Speaker 1: A broken crock is right, exactly right.

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Speaker 5: It's funny you say that because I read an article yesterday,

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Speaker 5: you know, and I was one of those DJ's that

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Speaker 5: was the idiot in the room. I bought every record,

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Speaker 5: so I had no money, and you're just hoping everyone's

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Speaker 5: dancers to everything you're playing. But I read out of

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Speaker 5: yesterday that says that a large percentage of people buying

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Speaker 5: vinyl now now that vinyl's cool again, don't actually have

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Speaker 5: a record player at home. They're buying vinyl. There's a

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Speaker 5: keepsake they have no they had no tim able to

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Speaker 5: play it on. It is bizarre, But it's really come

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Speaker 5: back in a big way now, isn't it.

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Speaker 4: On one level, I can totally understand that, because there

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Speaker 4: was something you must know. If you were a vinyl junkie,

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Speaker 4: you must know there's something about owning a record, it

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Speaker 4: means you're buying into the story of it, or you're

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Speaker 4: buying into the gang of the band that you like,

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Speaker 4: and when you get it, you feel like you're part

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Speaker 4: of it. You know. Streaming is just like you kind

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Speaker 4: of you just wander past things and you have access

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Speaker 4: to them. But there was something about buying something and

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Speaker 4: taking it home and looking at it. I mean, obviously

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Speaker 4: I would have advocate playing it on a record laer

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Speaker 4: as well. It's going back to that some kind of

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Speaker 4: sort of tribalism, some kind of you know, buying into

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Speaker 4: a lifestyle. Yeah, and which you don't get, which you

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Speaker 4: know that you don't get that with streaming.

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Speaker 1: No, well they don't get to lie.

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Speaker 2: They're on their stomach reading the out them, you know,

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Speaker 2: all the notes.

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Speaker 1: And everything from cover to the back and the putures

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Speaker 1: of the artwork.

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Speaker 3: And showing it to your friends.

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Speaker 4: I mean, when I was younger, if I'd gone back

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Speaker 4: to a girl's house to cop off, the first thing

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Speaker 4: I do to check out our record collection, because you

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Speaker 4: can tell a lot about someone's character about record collection totally.

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Speaker 1: So what's there, what's cool, and what's not. When he

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Speaker 1: did start out.

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Speaker 4: While she was making the coffee record, I'm going to

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Speaker 4: do a swift exit or.

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Speaker 1: Not its you were still there? Would you go back

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Speaker 1: with the coffee.

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Speaker 3: Rollers?

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Speaker 1: How about?

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Speaker 2: So when he did start out, sampling was a very

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Speaker 2: new thing, and then the law got involved and it

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Speaker 2: got very complicated. Is it still complicated now to sample

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Speaker 2: other people's tracks?

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Speaker 4: It's not that complicated anymore, no, because we we all

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Speaker 4: know the rules. It was complicated at first because it

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Speaker 4: was like the wild West. It was like all this

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Speaker 4: and no one knew you could get away with what

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Speaker 4: you could. And then with you know, there's a there's

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Speaker 4: a very old adage in the music businesses with the

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Speaker 4: hits come to the ritz and if people smell there

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Speaker 4: to be made, ambulance chasing noise will get on it.

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Speaker 4: So it did get very very bad. But at the time,

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Speaker 4: but I mean, no, I mean I feel for poor

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Speaker 4: old Oh who's getting sharing. You know, he's getting by

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Speaker 4: people on really tenuous you know, tenuous things. And at

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Speaker 4: least with sampling, you know, if you sample someone or

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Speaker 4: not a machine. Now it's getting a lot easy because

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Speaker 4: with Shazam and that, you know, machine.

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Speaker 3: Can tell you what what you've done and what you haven't.

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Speaker 4: So it's a bit more it's a bit more clear

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Speaker 4: club when you sampled rather than when you might unconsciously

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Speaker 4: borrowed a card.

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Speaker 2: Progression and now they're sampling you. It's come full circle.

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Speaker 2: I meant, or a song praising you is awesome.

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Speaker 1: I love it. And she said, crazy.

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Speaker 3: That meme or that samples on its third generation.

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Speaker 4: Now, I think that's a beautiful thing, especially because Camelle Yarborough,

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Speaker 4: who I sampled. She said, she wrote that about the

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Speaker 4: civil rights move in the early seventies, about black kids

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Speaker 4: coming back from Vietnam, and it's a love letter there.

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Speaker 3: Wow, And she said he loved it.

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Speaker 4: That like thirty years later some guy in England just

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Speaker 4: took some of the words out of it and but

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Speaker 4: it made it, didn't I mean, for me, it was

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Speaker 4: more about a kind of relationships or you know, sporting.

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Speaker 4: My football team plays it at the end of every match.

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Speaker 4: You know that that actually come a long one together,

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Speaker 4: fished a lot of people. But then Rita has now

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Speaker 4: turned it back into a sure enough love song.

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Speaker 3: You know, yeah, it really is.

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Speaker 4: It's just a love letter to her new husband and yeah,

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Speaker 4: it's lovely that it's it's got a new generation and

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Speaker 4: a new new life to it and there's.

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Speaker 3: Been Yeah, it's been great fun working with Rita.

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Speaker 4: I can ask you by the way, yeah please you

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Speaker 4: know the Eurovision Song Contests.

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Speaker 3: Why is Australia and the Urish.

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Speaker 1: It's as big a mystery to us.

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Speaker 5: It's developed over the last few years.

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Speaker 1: We've been trying to work it out.

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Speaker 3: Yeah.

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Speaker 2: I think we got invited as some kind of weird

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Speaker 2: let's let's, you know, have these guy's over as guests,

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Speaker 2: some kind of wild card type of friendly and then

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Speaker 2: we just kept we kept coming back.

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Speaker 3: I'm not saying you're not welcome.

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Speaker 4: A mystery, yeah, all right, okay, and.

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Speaker 1: It has a huge fan base here. We represented there

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Speaker 1: this year. It is pretty amazing. Ford of the World.

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Speaker 1: All right, well, very good. The show is this Sunday

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Speaker 1: from five o'clock.

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Speaker 2: Tickets through Ticketmaster for Fat Boyceliam at Bursley Park and

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Speaker 2: the documentary The most Frightening thing that Norman may.

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Speaker 1: Have ever seen in his life looking out at that crowd.

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Speaker 2: He is also on Saturday night on Binge. I can't

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Speaker 2: wait to watch that and it's been an absolute treat.

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Speaker 5: Good to catch up with you.

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Speaker 3: Thanks for having me Sunday.

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Speaker 1: Yeah, we'll see you