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Speaker 1: Welcome to the podcast.

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Speaker 2: And that is true. And that is true. Hell hath

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Speaker 2: no fury like you in general, although interestingly your your

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Speaker 2: bladder is the antithesis of that.

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Speaker 1: You're quite an extraordinary human being. Will mcmutt.

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Speaker 2: Thanks man, You know you help so okay. So when

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Speaker 2: you have fury behind you, you know you coming. But

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Speaker 2: then you've got this adorable little bladder stage fright. It's

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Speaker 2: cute if I'm in the same room as you.

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Speaker 3: It's the soul of me, isn't it.

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Speaker 2: You can't wat and it's adorable. When I go to

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Speaker 2: the toyur with you sometimes and you.

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Speaker 3: Passed in there and go, you're gonna have to get

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Speaker 3: out of here.

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Speaker 1: Nothing's happening here.

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Speaker 3: You're gonna need to clear the internet to clear the area.

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Speaker 2: When we were filming Ninja Warrior was a real hazard

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Speaker 2: for you because, so Joel, we'd have like two minute

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Speaker 2: toilet breaks. We've got a barrel in there, go to

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Speaker 2: the toilet and we're busting. We've been there for six hours.

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Speaker 2: We're working like absolutely dogs out there.

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Speaker 1: Anyway, Everyone gets it, man, we work hard.

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Speaker 3: Yeah, that's right, working.

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Speaker 2: Dogs busting to go to the door, you get into

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Speaker 2: the toilet, nothing comes.

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Speaker 3: With you for you to go. That's the way for

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Speaker 3: him to leave.

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Speaker 4: I have a lot of simper If I can hit

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Speaker 4: the cubicle, I can hit the cube a cube, I

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Speaker 4: can do a cube.

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Speaker 5: Yeah that's cool.

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Speaker 6: But if you're saying a concert, or if you're a

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Speaker 6: very busy place where you're at the trough as a man,

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Speaker 6: it is extremely demoralizing when you're standing there and there's

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Speaker 6: a big line behind you, and and she was like,

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Speaker 6: you're thinking to yourself, he's thinking, what's wrong with this guy?

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Speaker 4: Yeah?

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Speaker 3: It gets in your it gets in your hand. Do

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Speaker 3: you still do.

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Speaker 1: You still when those moments happening? Something next you?

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Speaker 2: Do you still shake like something's come out and gone?

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Speaker 3: So I used to what do you do nowt I

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Speaker 3: used to?

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Speaker 4: But okay, so first and foremost, I've got a few

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Speaker 4: tricks up my sleeve.

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Speaker 3: So if I change hands, often.

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Speaker 1: Get things going.

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Speaker 3: That's so interesting, very interesting. What else do you leave it?

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Speaker 1: You leave with the right obviously right? Yeah, yeah, when

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Speaker 1: you got savage, have just starting with the left.

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Speaker 3: So yeah, normally right and change it up.

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Speaker 4: But then no, yeah, I wouldn't just start with the left,

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Speaker 4: because then the trick would go away. Because I go

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Speaker 4: back to the right and this is right hand, and

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Speaker 4: then then you're your emergency glass hands broken already, Yeah,

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Speaker 4: what are you going to do?

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Speaker 3: No hands? Its savage.

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Speaker 4: So but the other thing I'd say is, interestingly, amongst

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Speaker 4: a bunch of guys that I've never met for never

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Speaker 4: met before in a strange trough, I'm okay.

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Speaker 3: I'm generally okay.

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Speaker 4: Like if I walk into a really busy toilet at

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Speaker 4: like a festival or at the MCG or something like that,

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Speaker 4: I'm absolutely fine.

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Speaker 1: When you know someone.

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Speaker 4: When you know someone, yeah, yeah, it's almost like when

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Speaker 4: you have sex with someone that you don't know, right,

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Speaker 4: you don't really care as much about what they think.

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Speaker 3: You're never going to see them again. But if you

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Speaker 3: have sex with.

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Speaker 4: Someone that you know, when you yeah, I'm vulnerable, you

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Speaker 4: know me, I feel exposed, So, you know, not like

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Speaker 4: pissing in a urine all the MCG is like having

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Speaker 4: sex with a stranger.

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Speaker 1: Into your bedroom.

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Speaker 3: Like I know what I meant.

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Speaker 4: I haven't had sex with a stranger in at least

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Speaker 4: ten years, So, like, you know.

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Speaker 1: It's like pissing in a strange.

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Speaker 3: It was, and that's no reflection on her. But anyway. Yeah, yeah,

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Speaker 3: that's that's what I say. How did we get here?

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Speaker 3: A couple of things from today's show.

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Speaker 4: Obviously, in the podcast yesterday, we had a very good

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Speaker 4: chat about the Veggiemite saga, which a lot of you

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Speaker 4: might be tuning in and thinking that's going to happen

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Speaker 4: in this show. It doesn't, and that's because one of

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Speaker 4: the finalists calls the show with a very significant let's

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Speaker 4: call it a kink in the hose. That is the

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Speaker 4: final It could have nice metaphors, but back at.

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Speaker 7: The urinal.

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Speaker 3: If you think my yeah, anyway.

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Speaker 1: It didn't need to be on this little kink. It

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Speaker 1: should have been an offer she had.

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Speaker 4: Well, no, she had a significant issue and she came

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Speaker 4: to the arbitrator me and that was voice heard and

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Speaker 4: she was given a free run.

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Speaker 8: Pressured.

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Speaker 1: Was she pressured into into saying what she said on

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Speaker 1: ED today? She wasn't. No, feels like she was pressured.

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Speaker 3: Yeah, no, now that's loser talk. No, I don't know.

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Speaker 3: It just feels like she was shot. I'm not going

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Speaker 3: to give away what happened, but you're still in with

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Speaker 3: a shot, all right.

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Speaker 4: But yes, Michelle called the show and basically said she

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Speaker 4: doesn't want to work with Woody anymore. You'll hear that

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Speaker 4: a little bit later on Enjoy Guys.

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Speaker 3: The Hills were a great chat as well. We'll see

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Speaker 3: you to.

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Speaker 4: More Room.

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Speaker 9: Moody podcast.

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Speaker 3: Towards my partners in the drop Zone.

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Speaker 4: The baby could come at any time, and yesterday you

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Speaker 4: pranked me.

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Speaker 3: You made me On Monday, you prankek me.

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Speaker 4: I should say, you can see this on Instagram, Wheel

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Speaker 4: and Woody, you made me think the baby was arriving.

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Speaker 4: I had to abruptly wrap up a spot on air,

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Speaker 4: which really was a bit of a saving grace because

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Speaker 4: it was shocking chat.

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Speaker 2: About a seventeen year old Italian girl having a cake stolen.

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Speaker 1: I was from memory.

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Speaker 4: I was. I'm really sure how they got the show

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Speaker 4: in the first instance, but everyone was relieved when I

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Speaker 4: wrapped up that chat and had to bolt out of

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Speaker 4: the studio to go and get to my partner, who

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Speaker 4: I thought was in labor.

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Speaker 3: We're going to get out of here. Well, we're gonna go.

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Speaker 3: We're just going to go to a song.

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Speaker 2: Okay, great story though, Okay, we've set Will up to

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Speaker 2: think that his baby is on the way.

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Speaker 1: Now, Kate, you're set up outside.

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Speaker 2: Okay, Will and time, she's not funny.

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Speaker 1: That was a great test run.

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Speaker 2: But Annaly's has just run fifty bucks because.

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Speaker 1: Her bet was plus a minute.

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Speaker 3: You equated that. Yeah, it was a great stitch up.

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Speaker 1: It was a little funny.

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Speaker 3: It was a great stitch up. It was a very

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Speaker 3: very good touch stitch up, very well played.

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Speaker 4: Tip of the camp cheese, Well, el's fair in love

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Speaker 4: and warn't a bit of a prank between the boys.

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Speaker 3: On radio, Yeah, well said, And a lot of people

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Speaker 3: said it was on the line. You know who's toying

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Speaker 3: around with the fact that my partner might be in labor.

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Speaker 3: A lot of people said it was on the line.

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Speaker 1: I didn't get her involved.

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Speaker 3: I didn't listen to those haters.

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Speaker 1: I didn't know. Neither did I didn't even know they

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Speaker 1: were there. Where are they?

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Speaker 2: I couldn't complain, So I didn't get her involved, which

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Speaker 2: I think was an important moment. And I wouldn't get

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Speaker 2: her scared or anything. I wouldn't get her to call

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Speaker 2: you or anything.

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Speaker 1: No, no, And my intention, yeah, was to get you prepared.

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Speaker 3: Yeah, get me ready, get ready, You get the speed down,

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Speaker 3: you need to.

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Speaker 1: Get home quickly.

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Speaker 3: True, you get ready, you move like a wall, right, yeah, yeah.

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Speaker 2: No one needs I need to train you, And I

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Speaker 2: thought Monday was a really great first step.

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Speaker 4: Do we think that running a book amongst the team

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Speaker 4: among as to how fast I get to the bottom

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Speaker 4: of the building might have.

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Speaker 3: Been over the line.

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Speaker 1: That might have crept over the line.

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Speaker 2: And I'm actually angry about that because analyst did been

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Speaker 2: fifty bucks because she picked a slow drunk knew well.

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Speaker 3: Under a minute to a minute to get down there.

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Speaker 4: But look, I obviously went home on Monday night and

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Speaker 4: had a very good chat with my partner Sam about this.

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Speaker 4: She thought it was very funny as well. But she

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Speaker 4: also said to me, we've got.

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Speaker 3: To get him back.

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Speaker 4: So in the audio meeting just before the show had started,

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Speaker 4: when the dust was settling, no one thought there was

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Speaker 4: a prank coming. No one thought in her wild streams

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Speaker 4: that we would return.

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Speaker 3: Prank you on this.

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Speaker 4: But I got my partner Sam to call our analyse,

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Speaker 4: the woman who won the our junior producer, Analase, who

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Speaker 4: won fifty bucks on me being too slow at the

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Speaker 4: bottom of the building.

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Speaker 1: It's been a real roller coaster for analysts.

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Speaker 4: Has been revenge is sweet Analse, and revenge was sweet

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Speaker 4: on the whole team, as sim called her while we're

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Speaker 4: in the middle of an audio meeting, and she ran

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Speaker 4: in with this news.

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Speaker 7: Well see.

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Speaker 5: She called you called me.

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Speaker 7: She said, she can't get ahold of anyone.

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Speaker 5: I've got my phone off.

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Speaker 7: And eggs out there. Oh my god, my heart's actually done.

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Speaker 1: Why did no one have their bone on them?

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Speaker 10: It's all good, excited, good luck, big boy.

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Speaker 3: No, take the lollies.

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Speaker 1: You might pass out. Take the lollies. No, I've heard

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Speaker 1: you can pass out. I've heard you can pass out.

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Speaker 3: Take the lollies. You excited. I run out of the building.

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Speaker 3: I run out of the front of reception.

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Speaker 4: You want to.

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Speaker 1: Drink Analys was so calm, No I know I was.

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Speaker 7: Oh my god, ms calls from Sam Jesus retreat.

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Speaker 3: You shouldn't do that.

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Speaker 2: You shouldn't loving to unpackage.

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Speaker 1: There's a lot of this was almost in tease.

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Speaker 3: Let's go to a song. Let's go to a song.

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Speaker 3: There's a lot of time the video. I'll be online

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Speaker 3: William Woody on the song just a little bit later

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Speaker 3: on the first point.

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Speaker 4: Of order for me, when we can make the other

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Speaker 4: side of the song is when my baby was in labor,

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Speaker 4: or when my wife's in labor. You're just yelled two things. A.

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Speaker 4: You're yelling at me to take the lollies on my desk.

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Speaker 1: I've heard you can pass out. The partner can pass.

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Speaker 3: Out with me.

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Speaker 4: As soon I was out of the building for ten

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Speaker 4: seconds and you just turned to everyone and you're like,

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Speaker 4: let's get beers.

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Speaker 1: I'm really not happy they picked up on the market.

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Speaker 1: That was bad.

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Speaker 3: My partner Sam's actually going to join us. Great, talk

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Speaker 3: a bit more about it.

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Speaker 4: If you haven't seen this on our socials, will and

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Speaker 4: a couple of days ago, would stitch me out? My

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Speaker 4: partner is in the drop zone. Semi is in the

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Speaker 4: drop zone. The baby could arrive at any moment. At

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Speaker 4: the moment, would you convince me she was going into labor.

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Speaker 4: I ran out of the show mid show, and then

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Speaker 4: I found out at the bottom you had been running

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Speaker 4: a book with the rest of the team as to

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Speaker 4: how fast I'd get to the bottom of the stairs.

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Speaker 3: And yeah, and it was all a bit of a

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Speaker 3: gig all bit of fun and time.

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Speaker 11: She's not funny.

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Speaker 1: That was a great test run.

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Speaker 10: But Annaly's has just won fifty bucks because her bet

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Speaker 10: was plus.

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Speaker 2: Bookies had lost that day honestly, I thought, no, I

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Speaker 2: guess it.

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Speaker 4: So I got home on Monday night and I was like, right, Sam,

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Speaker 4: we need to get these bastards back, and which men's earlier,

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Speaker 4: right before the show started today. I got her to

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Speaker 4: call one all of the producers. Really, we're all in

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Speaker 4: the studio, all six or seven. I was in the

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Speaker 4: studio doing an audio meeting, which we do just before.

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Speaker 1: The show so starts.

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Speaker 4: So Sam had to call our junior producer, Analyse, who

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Speaker 4: was outside.

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Speaker 3: God, no, it's preparing cakes or something. That's what she

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Speaker 3: tends to do out there.

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Speaker 4: Calls calls Analise, and then Analyse runs into the studio

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Speaker 4: with the news that Sam actually is in.

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Speaker 5: Later she called you.

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Speaker 7: She said, you can't get ahold of anyone.

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Speaker 5: I've got my phone off and.

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Speaker 8: Is out there.

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Speaker 7: Oh my god, my heart's actually done.

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Speaker 1: Why did no one have their bone on them? It's

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Speaker 1: all good, good luck, big boy.

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Speaker 2: I'm sorry, just to paint the picture like I feel

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Speaker 2: like Analyse has been collateral damage here, like you were

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Speaker 2: trying to get me back. Analyse came to the door

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Speaker 2: of the studio with tears in her eyes.

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Speaker 4: Yes she was she was that Sam called her.

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Speaker 3: Sam called her.

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Speaker 4: She singled, everybody else is in the studio and Analyse

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Speaker 4: was the messenger.

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Speaker 3: She was, she really was.

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Speaker 5: It was.

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Speaker 4: It was the weight of the world on her shoulders

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Speaker 4: for about twenty seconds.

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Speaker 3: The poor girl.

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Speaker 2: Surely at that point you pull out of the prank,

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Speaker 2: like poor Analise.

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Speaker 3: I was in that because Sam called her my partner.

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Speaker 3: Sam joins us right now.

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Speaker 4: You will be able to watch that video Instagram will

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Speaker 4: and what a little bit later on that stitch up.

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Speaker 4: But Sam joins us right now? Semi yes, right, first

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Speaker 4: and foremost, do you feel you feel awful for taking

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Speaker 4: Analyse to the edge?

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Speaker 8: I feel so bad.

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Speaker 11: I feel so bad. I can't but like none of

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Speaker 11: you picked up.

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Speaker 8: Yeah, she hadn't wanna hurry anything.

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Speaker 4: Yeah, yeah, you can't swear man, Sorry, she's English is

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Speaker 4: the second language every allright? Yeah yeah, yeah, yeah, and

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Speaker 4: then you yeah the.

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Speaker 12: Other day and I was like, oh, well I know,

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Speaker 12: yeah anyway, it doesn't matter.

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Speaker 8: Yeah, I feel awful.

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Speaker 13: I'm so sorry and.

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Speaker 5: Sorry.

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Speaker 2: Can I ask you, Sammy, how good was your performance

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Speaker 2: on the phone to Analise?

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Speaker 11: Was it? Yeah?

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Speaker 8: Well, no, yeah it was it was really good.

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Speaker 1: Start.

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Speaker 2: She did come in super said, I said, it was like, oh,

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Speaker 2: if you get Will, make sure to call my mom

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Speaker 2: better than me.

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Speaker 12: And then I was like, if I say to call

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Speaker 12: my mom, then it must be she must think like, wow, yeah.

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Speaker 3: Very well thought.

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Speaker 2: And the other thing that keeps highlighting is the fact

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Speaker 2: that when Will was leaving and I genuinely thought you

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Speaker 2: were also about to give birth, I said to merl

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Speaker 2: I said to it, mate, take the lollies.

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Speaker 12: I would kick in my head.

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Speaker 13: I was like, drink the lillies.

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Speaker 3: For you, you absolute garbage cuts. That's what you would

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Speaker 3: have been diging. Take the lollies for me. The other

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Speaker 3: thing on the okay sspurg before you mate, if you're

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Speaker 3: in labor, I.

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Speaker 4: Mean, yeah, yeah, we get little treats here on a Friday.

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Speaker 14: Yeah.

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Speaker 1: But I brought up the lollies not for you during

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Speaker 1: that childbirth. Sorry, Sammy.

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Speaker 2: It was actually more are you concerned at all that

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Speaker 2: he will pass out during the whole shebang?

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Speaker 3: No, I'm not. I'm not.

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Speaker 8: But now that you're saying this, it hasn't crossed my mind.

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Speaker 12: But now I'm like, maybe I should be worried about that.

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Speaker 1: I didn't meant to bring that into that.

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Speaker 4: What I'm talking abost to the bone right now, could

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Speaker 4: happen at any moment.

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Speaker 3: I'll remind you of that.

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Speaker 1: Sorry about that.

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Speaker 3: A lot of birth in class hypno birthing gone into this.

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Speaker 4: Sorry, But but Sam, you and I actually you and

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Speaker 4: I went to the midwife today, and I think this

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Speaker 4: is really very important chat for a lot of people.

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Speaker 3: The Hollywood sort of tells you.

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Speaker 4: That if the labor does happen, I've sort of got

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Speaker 4: to leave here in a blitz bowl over people, get

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Speaker 4: anything over, to get at home as quick as I can.

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Speaker 4: But Sam, you were saying that you'd probably well after.

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Speaker 3: Well, you won't call me during the show. The show.

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Speaker 12: What do you mean it's just going to take a

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Speaker 12: little while, I reckon it's it's a little springe like

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Speaker 12: a marathon. It will be hours. Yeah, I don't really

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Speaker 12: know what real is going to do there.

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Speaker 1: Right effectively, Will's used less you don't need it.

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Speaker 2: I think what she's trying to say, she doesn't mind,

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Speaker 2: you know, the show, do another podcast.

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Speaker 3: Maybe I was actually speaking.

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Speaker 15: None of the people in the studio were dead, except

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Speaker 15: for Joel.

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Speaker 11: Joe would have been in the studio.

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Speaker 8: He probably would have said, oh mate, take it.

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Speaker 3: Easy, No Dad, Joel you would have been like, mate,

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Speaker 3: chill out.

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Speaker 1: Both of my kids.

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Speaker 6: Both of my kids had done through IVY F and

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Speaker 6: C section, so I wouldn't have had.

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Speaker 2: A clueless The team still has no ideas less.

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Speaker 4: As always Sammy, thanks for joining us.

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Speaker 3: Yeah, very good man. All right, I love you, Okay.

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Speaker 1: By bye, Will and Woody.

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Speaker 3: We've got some very special guests in the studio. Our

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Speaker 3: next guest. So why have we regarded as some.

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Speaker 1: Of the pioneers of Australian hip hop and for.

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Speaker 5: The last thirty years they've.

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Speaker 16: Been doing it for more people?

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Speaker 3: Oh wearing sweaters.

366
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Speaker 1: Today they announced their brand new.

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Speaker 2: Tour and their brand new single featuring Gamon.

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Speaker 3: Welcome to the.

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00:16:00,120 --> 00:16:04,600
Speaker 2: Shells, Suffer Un Pressure is the Hills, Yes.

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Speaker 3: The Boys Dan welcome. It's good, thank you, it's use.

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Speaker 3: It feels good.

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Speaker 4: It's actually really nice to have Ossie artists in here

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Speaker 4: being like, A got some new tunes, but B like

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Speaker 4: we're on the road, like you know, come and see this.

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Speaker 3: We're not we're not announcing like a lockdown session. That's great.

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00:16:21,920 --> 00:16:23,760
Speaker 3: How I recorded this thing in my kitchen the other day.

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Speaker 15: We got a few shows away over the last week.

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Speaker 15: Yeah the moon did Yeah, Yeah, how was amazing, so

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Speaker 15: good to.

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Speaker 4: Be like, yeah, great crowd always you and I went

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Speaker 4: to agree with the move over in Perfin Bunbury.

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Speaker 2: My memories yeah yeah, yeah, were you guys performing in

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Speaker 2: Bunbury like six years ago?

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Speaker 1: Memory hazy as well?

385
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Speaker 16: That one in Bunbury.

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Speaker 4: I got it.

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00:16:47,080 --> 00:16:49,520
Speaker 3: I got a five hundred dollars seatbelt. Fine.

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00:16:49,640 --> 00:16:52,840
Speaker 16: Leaving the festival, the cops sat set up on the

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Speaker 16: one exit onto that road and we're just pinging people left.

390
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Speaker 3: Here and we came around the corner.

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Speaker 1: We're in a van.

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Speaker 3: I didn't have my I was about to put it on.

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Speaker 3: I wear belts. They pulled us over.

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Speaker 16: And they go, you were wearing a belt, and they

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Speaker 16: gave me the option of giving it to the driver

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Speaker 16: or taking it.

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Speaker 1: Of course I'm going to take it. Debrie.

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Speaker 3: Our DJ is in the back. He was so hung over,

399
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Speaker 3: he goes, I was wearing one. Give me a piece

400
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Speaker 3: of what do you think.

401
00:17:29,200 --> 00:17:29,440
Speaker 4: Of the.

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Speaker 1: Years ago public.

403
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Speaker 3: St So this is one of the strangest things I've

404
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Speaker 3: ever seen him do. Speaking of catching people coming out

405
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Speaker 3: of festivals, I've.

406
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Speaker 15: Never understood why they didn't just set the breath thaws

407
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Speaker 15: up from the artist's entry point.

408
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Speaker 11: They're the wrong.

409
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Speaker 4: They really you guys have an exclusive of course you've

410
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Speaker 4: got an exclusive entry and exit.

411
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Speaker 3: This must be like Hello turf.

412
00:17:59,160 --> 00:18:02,879
Speaker 16: Not really, it's just sort of like a It depends

413
00:18:02,880 --> 00:18:04,520
Speaker 16: on the federally security guard with the.

414
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Speaker 3: Like, depends on the festival, because I must I saw.

415
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Speaker 4: You guys at falls when I'm trying to think it

416
00:18:13,560 --> 00:18:14,320
Speaker 4: was it was on that bill.

417
00:18:14,480 --> 00:18:15,720
Speaker 1: Moby was on that bill.

418
00:18:15,640 --> 00:18:21,119
Speaker 4: Right bby hit on our wives you kidding, remind trying

419
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Speaker 4: to get our wives back to his room.

420
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Speaker 3: Because there was no kind of proud of movie. I

421
00:18:27,240 --> 00:18:31,080
Speaker 3: was a proud of moybe is a dirt bag for

422
00:18:31,119 --> 00:18:31,879
Speaker 3: himself as he.

423
00:18:32,240 --> 00:18:34,320
Speaker 2: Didn't he he brought out a biography or was effectively

424
00:18:34,320 --> 00:18:36,280
Speaker 2: saying he was in a relationship with Natalie Portman.

425
00:18:36,119 --> 00:18:38,320
Speaker 3: And Natalie had no idea about it.

426
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Speaker 15: Yes, yes, I was in one of those relationships.

427
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Speaker 3: And about you three, Moby could not pull my wife.

428
00:18:46,840 --> 00:18:49,600
Speaker 4: Oh boys, let's talk about let's talk about you from

429
00:18:49,880 --> 00:18:53,159
Speaker 4: whether or not. Let's move past Moby pulling your wife

430
00:18:53,560 --> 00:18:56,120
Speaker 4: and get into your brand new tune, which we're going.

431
00:18:56,119 --> 00:19:00,480
Speaker 3: To play now featuring this guy. By the way, what

432
00:19:00,600 --> 00:19:02,119
Speaker 3: I said tell me.

433
00:19:03,560 --> 00:19:06,840
Speaker 4: With am on flashback to when was that song out

434
00:19:06,920 --> 00:19:11,160
Speaker 4: nineties naughties? Okay, okay, so right on the cusp there,

435
00:19:11,520 --> 00:19:12,800
Speaker 4: how do you how do you link up with a

436
00:19:12,800 --> 00:19:13,560
Speaker 4: guy like am On?

437
00:19:14,520 --> 00:19:16,840
Speaker 3: I was a fan of Amen.

438
00:19:17,720 --> 00:19:21,480
Speaker 9: He put out like a comeback record called the Golden

439
00:19:21,560 --> 00:19:24,720
Speaker 9: Royal Motelne and it had a song I Got Soul

440
00:19:25,000 --> 00:19:26,879
Speaker 9: that I fell in love with and we just hit

441
00:19:26,960 --> 00:19:29,399
Speaker 9: him up and yeah, like he's he's a he's a

442
00:19:29,600 --> 00:19:30,400
Speaker 9: really nice guy.

443
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Speaker 3: That song kind of ruined his life.

444
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Speaker 1: I think, like it was so big.

445
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Speaker 2: Yeah, it's the biggest song in the world, Wasn't it

446
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Speaker 2: quite a time? And then it's to the point where

447
00:19:39,600 --> 00:19:42,560
Speaker 2: his expart I assume still ex partner.

448
00:19:44,080 --> 00:19:49,120
Speaker 1: He doesn't want to back. Clear she brought.

449
00:19:48,880 --> 00:19:50,760
Speaker 2: Out a song as well, like she brought out a

450
00:19:50,800 --> 00:19:52,960
Speaker 2: reply song, and then that was the biggest song in

451
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Speaker 2: the world.

452
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Speaker 16: Was crazy, And I think there was even a third

453
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Speaker 16: one that was I Still don't want You back.

454
00:19:58,160 --> 00:19:59,920
Speaker 1: That one really didn't get as much track.

455
00:20:00,280 --> 00:20:04,120
Speaker 3: Yeah, I might have Gilded Lily at that point.

456
00:20:05,560 --> 00:20:08,560
Speaker 4: Brand new gear from the Hilltop Hoods show Business fates

457
00:20:08,800 --> 00:20:10,880
Speaker 4: aim On on that track there. The boys are also

458
00:20:10,880 --> 00:20:13,120
Speaker 4: touring Hilltop Hoods dot com. If you want to get

459
00:20:13,119 --> 00:20:15,840
Speaker 4: at the first headline tour in over three years. They're

460
00:20:15,840 --> 00:20:17,640
Speaker 4: in the studio with us right now. We've got Matt

461
00:20:17,680 --> 00:20:18,760
Speaker 4: and Dan in the studio.

462
00:20:18,800 --> 00:20:21,640
Speaker 3: Boys. Congratulations on the new gear on the tour as well,

463
00:20:21,840 --> 00:20:23,040
Speaker 3: Thank you, thank you.

464
00:20:23,320 --> 00:20:24,560
Speaker 4: How does it feel to be back on the road,

465
00:20:24,600 --> 00:20:27,040
Speaker 4: Like it must be invigorating to be back out there.

466
00:20:27,200 --> 00:20:29,720
Speaker 15: Yeah, absolutely, I mean we're not built for daytime television.

467
00:20:33,240 --> 00:20:35,960
Speaker 4: Yeah, but I mean that's seriously, it could almost be

468
00:20:36,000 --> 00:20:38,800
Speaker 4: like someone who you know, like anybody who lives and

469
00:20:38,920 --> 00:20:41,280
Speaker 4: breathes something, you know, who was like born to dance

470
00:20:41,359 --> 00:20:42,920
Speaker 4: or to or to write or to.

471
00:20:43,160 --> 00:20:44,560
Speaker 16: You saying I was born to dance.

472
00:20:44,720 --> 00:20:48,000
Speaker 4: Yeah, I know, but I know that it's like like

473
00:20:48,200 --> 00:20:50,760
Speaker 4: like performing for you guys hip hop, like that looks

474
00:20:50,800 --> 00:20:53,400
Speaker 4: like it's like breathing for you, Like it's that essential

475
00:20:53,440 --> 00:20:54,200
Speaker 4: to your psyche.

476
00:20:54,320 --> 00:20:56,960
Speaker 3: So what's the relief getting back up on a stage.

477
00:20:57,280 --> 00:20:59,639
Speaker 16: I mean, we were pretty lucky, like we'd kind of

478
00:21:00,080 --> 00:21:03,160
Speaker 16: finished the bulk of our touring. We were lucky ones

479
00:21:03,200 --> 00:21:05,359
Speaker 16: and a lot of our friends who were just going

480
00:21:05,400 --> 00:21:09,000
Speaker 16: out at that time. They so we feel pretty lucky, Like,

481
00:21:09,280 --> 00:21:12,400
Speaker 16: you know, we didn't miss out on as much touring, yeah,

482
00:21:12,600 --> 00:21:15,160
Speaker 16: as probably a lot of people did, so we feel

483
00:21:15,240 --> 00:21:16,119
Speaker 16: lucky in that respect.

484
00:21:16,280 --> 00:21:18,119
Speaker 3: Was that the show with the orchestra that you that

485
00:21:18,160 --> 00:21:18,960
Speaker 3: you guys were doing with.

486
00:21:18,920 --> 00:21:19,879
Speaker 5: You one after that?

487
00:21:20,040 --> 00:21:23,720
Speaker 1: Yeah? Okay, okay, yeah sure.

488
00:21:23,240 --> 00:21:24,320
Speaker 15: Well the tour after.

489
00:21:24,160 --> 00:21:25,280
Speaker 4: And you had a tour with them, and you too

490
00:21:25,359 --> 00:21:27,600
Speaker 4: with Eminem as well in there. Yeah, you guys had

491
00:21:27,600 --> 00:21:28,080
Speaker 4: done your tour.

492
00:21:29,480 --> 00:21:30,760
Speaker 1: No one feel sorry for Hilltop.

493
00:21:35,160 --> 00:21:37,119
Speaker 3: You needed a three year break. Everyone had seen you

494
00:21:37,160 --> 00:21:40,280
Speaker 3: for a while then, but was people feeling sorry for us?

495
00:21:43,560 --> 00:21:46,359
Speaker 15: That's an amazing chance for us to reset, make some

496
00:21:46,400 --> 00:21:48,080
Speaker 15: new music, take some time out.

497
00:21:48,280 --> 00:21:48,879
Speaker 3: Yeah.

498
00:21:48,960 --> 00:21:52,160
Speaker 15: I was pretty burnt out personally after many years.

499
00:21:52,280 --> 00:21:52,920
Speaker 5: Yeah.

500
00:21:53,160 --> 00:21:54,320
Speaker 1: Can I ask you, Eminem?

501
00:21:54,400 --> 00:21:56,639
Speaker 2: So you you were the warmut packed four Eminem Obviously

502
00:21:56,680 --> 00:21:59,920
Speaker 2: you idolize him, you know, you know, I imagine ah

503
00:22:00,080 --> 00:22:02,720
Speaker 2: inspiration for your music that you create. Is that just

504
00:22:02,760 --> 00:22:05,560
Speaker 2: incredibly nerve racking or could you enjoy that experience a

505
00:22:05,600 --> 00:22:06,160
Speaker 2: bit of both.

506
00:22:06,160 --> 00:22:08,920
Speaker 15: It is pretty daunting a going on a stage for

507
00:22:09,280 --> 00:22:13,880
Speaker 15: someone of his caliber, but his fans are pretty I'm

508
00:22:13,880 --> 00:22:18,400
Speaker 15: gonna I'm going to say loyal yea all about Eminem. Yeah,

509
00:22:18,880 --> 00:22:21,280
Speaker 15: It's not like going in front of a festival crowd

510
00:22:21,320 --> 00:22:22,959
Speaker 15: where the people are there just to see a lot

511
00:22:23,000 --> 00:22:24,920
Speaker 15: of different music. They're there to see Eminem's.

512
00:22:25,000 --> 00:22:26,600
Speaker 1: Yeah, you have to win them over a bit.

513
00:22:27,240 --> 00:22:28,920
Speaker 4: I was going to say it was just a vacant

514
00:22:28,960 --> 00:22:30,199
Speaker 4: stadium for the war.

515
00:22:32,119 --> 00:22:34,600
Speaker 3: It was a full stadium of people judging as hard.

516
00:22:36,440 --> 00:22:38,159
Speaker 4: Because they're up there like in terms of like what

517
00:22:38,200 --> 00:22:39,160
Speaker 4: they expect out of him.

518
00:22:39,240 --> 00:22:41,960
Speaker 3: So you feel you sit need to elevate almost well,

519
00:22:42,240 --> 00:22:44,040
Speaker 3: I mean we had we had a great time.

520
00:22:44,080 --> 00:22:45,320
Speaker 16: We had great shows, and.

521
00:22:45,440 --> 00:22:47,720
Speaker 15: Yeah, that's that's an opportunity to get in front of

522
00:22:47,760 --> 00:22:49,560
Speaker 15: a lot of people that might not have heard our music.

523
00:22:49,600 --> 00:22:52,920
Speaker 16: So yeah, of course, and obviously they'll open the white wrappers.

524
00:22:53,040 --> 00:22:57,440
Speaker 2: So can I ask him for the song? You said

525
00:22:57,480 --> 00:23:01,320
Speaker 2: Moby tried to pick up your wives? Did Eminem try

526
00:23:01,320 --> 00:23:02,080
Speaker 2: to pick up your wives?

527
00:23:02,400 --> 00:23:04,960
Speaker 1: No? Was that disappointing for your wives?

528
00:23:10,240 --> 00:23:12,560
Speaker 15: If I just not don't say yes, you can't see me.

529
00:23:13,800 --> 00:23:18,280
Speaker 3: It's an audible medium. Just coming to understand how radio

530
00:23:21,880 --> 00:23:22,960
Speaker 3: final question for you guys.

531
00:23:23,160 --> 00:23:24,679
Speaker 4: I know you're going to go, But Woody and I

532
00:23:24,720 --> 00:23:28,879
Speaker 4: obviously working a duo and our livelihoods is based really

533
00:23:28,920 --> 00:23:30,680
Speaker 4: just on the chemistry that we have with each other

534
00:23:30,840 --> 00:23:31,920
Speaker 4: in the radio studio.

535
00:23:32,320 --> 00:23:34,040
Speaker 3: You got Helen, you has been doing this for now.

536
00:23:34,440 --> 00:23:36,399
Speaker 16: Very long time since we were at high school.

537
00:23:36,520 --> 00:23:39,280
Speaker 3: Yeah, we started early, Yeah, very early.

538
00:23:39,560 --> 00:23:41,479
Speaker 4: And do you feel like, you know, given how long

539
00:23:41,520 --> 00:23:43,119
Speaker 4: it's been going on between the two of you and

540
00:23:43,119 --> 00:23:44,800
Speaker 4: as you just said, down like when you're on stage,

541
00:23:44,800 --> 00:23:47,199
Speaker 4: it is all about, you know, the chemistry between you

542
00:23:47,240 --> 00:23:48,880
Speaker 4: two picking up where the other one is putting down

543
00:23:48,920 --> 00:23:50,360
Speaker 4: and feeling and vibing off each other.

544
00:23:50,560 --> 00:23:51,360
Speaker 3: Has that changed?

545
00:23:51,480 --> 00:23:54,399
Speaker 4: Like do you feel like it's it's, you know, fading.

546
00:23:54,440 --> 00:23:56,560
Speaker 4: Do you feel like it's still burning as bright as ever?

547
00:23:57,320 --> 00:24:01,600
Speaker 3: It's the.

548
00:24:02,800 --> 00:24:05,760
Speaker 15: It's actually, to be honest, it's got stronger over the years.

549
00:24:07,200 --> 00:24:10,000
Speaker 15: It's the body language cues for us now really consists

550
00:24:10,040 --> 00:24:11,240
Speaker 15: of frowns and unimpressed.

551
00:24:13,359 --> 00:24:16,800
Speaker 3: Gave him the didn't maybe to sleep with my life? Yeah,

552
00:24:16,800 --> 00:24:24,880
Speaker 3: we've got a hand signal for that again. Hey boys,

553
00:24:24,880 --> 00:24:26,200
Speaker 3: it's supposed to have you in the studio.

554
00:24:27,280 --> 00:24:30,640
Speaker 4: Killtop hoards dot com if you want tickets to their

555
00:24:30,640 --> 00:24:33,520
Speaker 4: brand new tour all over Australia and brand new music

556
00:24:33,640 --> 00:24:35,359
Speaker 4: is there. You would have just missed it show business

557
00:24:35,400 --> 00:24:36,800
Speaker 4: feet amon if you want to go and download it

558
00:24:36,800 --> 00:24:38,119
Speaker 4: wherever you get your tunes, go and get it to

559
00:24:38,280 --> 00:24:39,280
Speaker 4: listen to it now, guys.

560
00:24:39,280 --> 00:24:41,040
Speaker 3: Matt Dan always good to talk to you boys. Thanks

561
00:24:41,080 --> 00:24:42,240
Speaker 3: coming in, Thanks guys.

562
00:24:42,760 --> 00:24:50,680
Speaker 2: What Tommy Grennan the bloke, that guy.

563
00:24:48,760 --> 00:24:50,080
Speaker 1: He came on the show yesterday.

564
00:24:50,080 --> 00:24:51,240
Speaker 2: If you want to hear the whole chap, go to

565
00:24:51,280 --> 00:24:52,800
Speaker 2: our podcast Will and Woody.

566
00:24:52,880 --> 00:24:54,680
Speaker 1: He is a ripper of a bloke and we always do.

567
00:24:55,040 --> 00:24:56,120
Speaker 3: Was a bit cooked yesterday.

568
00:24:56,320 --> 00:24:56,560
Speaker 10: Yep.

569
00:24:56,880 --> 00:24:59,439
Speaker 2: Yeah, when he had any crown on his head and

570
00:24:59,480 --> 00:25:03,320
Speaker 2: he was where the suchy sunglasses, I was twigging a

571
00:25:03,320 --> 00:25:03,719
Speaker 2: little bit.

572
00:25:03,920 --> 00:25:05,920
Speaker 3: Yeah, yeah, maybe might have been going on.

573
00:25:06,119 --> 00:25:09,080
Speaker 2: I had a big lunch, a big lunch nos out. Anyway,

574
00:25:09,080 --> 00:25:11,359
Speaker 2: he told us a great story and it was a

575
00:25:11,440 --> 00:25:15,600
Speaker 2: lesson to him into why apparently you are never supposed

576
00:25:15,600 --> 00:25:19,240
Speaker 2: to use the toilet that is on a bus.

577
00:25:20,000 --> 00:25:23,600
Speaker 17: Yeah, I wasn't told about this universal rule and I

578
00:25:23,640 --> 00:25:25,840
Speaker 17: had I had a pooh on the bus right sure,

579
00:25:26,400 --> 00:25:29,640
Speaker 17: and honestly have to pay three hundred pound this yeah

580
00:25:30,000 --> 00:25:31,399
Speaker 17: for having this pooh.

581
00:25:31,600 --> 00:25:35,000
Speaker 3: That's how much it was to clean to clean out

582
00:25:35,040 --> 00:25:35,720
Speaker 3: of the bank.

583
00:25:36,280 --> 00:25:40,399
Speaker 1: Three hundred pounds pop. Running figure, running figure.

584
00:25:40,760 --> 00:25:43,440
Speaker 4: We've brought this bank very no, no, now go on,

585
00:25:43,640 --> 00:25:45,600
Speaker 4: you who do you want to shirk the blame to him?

586
00:25:45,640 --> 00:25:46,720
Speaker 1: I'm not shirking any blame.

587
00:25:46,760 --> 00:25:48,879
Speaker 2: But it was Captain Poopant's idea, and I know that

588
00:25:48,920 --> 00:25:51,560
Speaker 2: makes it sound even sillier because he's the executive producer.

589
00:25:52,480 --> 00:25:54,800
Speaker 2: His nickname is Captain pooh Pants. And after the interview,

590
00:25:54,840 --> 00:25:57,119
Speaker 2: he stormed in the studio and he was like, guys,

591
00:25:57,320 --> 00:25:57,960
Speaker 2: there's your phone.

592
00:25:58,200 --> 00:25:59,360
Speaker 3: There's your tomorrow.

593
00:25:59,400 --> 00:26:01,680
Speaker 2: Boys, this is the phone that he pitched, and we're

594
00:26:01,680 --> 00:26:02,680
Speaker 2: doing it right now.

595
00:26:02,800 --> 00:26:03,680
Speaker 1: Number is thirteen.

596
00:26:05,000 --> 00:26:08,639
Speaker 4: About that, he's absolutely furious because he turns around to

597
00:26:08,680 --> 00:26:10,800
Speaker 4: all that bosses and goes, oh god, the boy's pitch

598
00:26:10,880 --> 00:26:13,200
Speaker 4: filthy content and he's been caught in mind the fun

599
00:26:13,280 --> 00:26:16,159
Speaker 4: with his pants around his ankles, taking a very expensive

600
00:26:17,000 --> 00:26:19,560
Speaker 4: and shouldn't be shouldn't be what's the most expensive food?

601
00:26:19,560 --> 00:26:22,080
Speaker 3: Should be what's your most expensive phone? Topic? Because this is.

602
00:26:22,040 --> 00:26:24,760
Speaker 4: Coming straight out of your pocket when the sponsors drop

603
00:26:24,800 --> 00:26:25,320
Speaker 4: off the show.

604
00:26:25,400 --> 00:26:28,600
Speaker 2: My friend, all right, But when he did storm in there,

605
00:26:28,640 --> 00:26:32,560
Speaker 2: his idea was this, what is the most damaging visit

606
00:26:32,680 --> 00:26:35,879
Speaker 2: to the toilet you have ever experienced? So look right,

607
00:26:36,080 --> 00:26:38,560
Speaker 2: this doesn't have to get crash to try and defend

608
00:26:39,320 --> 00:26:41,040
Speaker 2: quite like him, I don't want him to lose his job.

609
00:26:41,359 --> 00:26:43,320
Speaker 1: It doesn't have to get crash. So it could have

610
00:26:43,359 --> 00:26:45,000
Speaker 1: cost you a lot of money for some reason, a

611
00:26:45,080 --> 00:26:46,359
Speaker 1: damaging visit to the toilet.

612
00:26:46,840 --> 00:26:48,600
Speaker 2: Maybe there was a time that a visit to the

613
00:26:48,600 --> 00:26:51,280
Speaker 2: toilet just cost you your relationship somehow.

614
00:26:51,440 --> 00:26:54,480
Speaker 4: Oh nice, Oh you're taking it away from money. Yes,

615
00:26:54,920 --> 00:26:56,159
Speaker 4: you've always had away with words.

616
00:26:56,200 --> 00:26:57,119
Speaker 1: Maybe thank you.

617
00:26:57,200 --> 00:26:59,880
Speaker 2: Maybe you got injured in a bathroom somehow, or around

618
00:26:59,880 --> 00:27:03,680
Speaker 2: a I know for you. Well, when we were expensive, well,

619
00:27:03,720 --> 00:27:05,800
Speaker 2: you know, if you hit your head, it's it's a

620
00:27:05,880 --> 00:27:06,879
Speaker 2: damaging experience.

621
00:27:08,040 --> 00:27:10,440
Speaker 1: The phone topic was damaging.

622
00:27:10,119 --> 00:27:12,160
Speaker 3: Visits to the visits not most expensive.

623
00:27:12,560 --> 00:27:15,399
Speaker 1: Tweaked it slightly. You when we were working at a

624
00:27:15,400 --> 00:27:17,240
Speaker 1: former station, Jewels.

625
00:27:17,000 --> 00:27:20,000
Speaker 2: Lund, where you're at the urinal, yes, And he was

626
00:27:20,000 --> 00:27:21,359
Speaker 2: telling you he pushed me in a urinal.

627
00:27:21,440 --> 00:27:22,359
Speaker 1: He pushed you in a urinal.

628
00:27:22,440 --> 00:27:24,560
Speaker 3: He did. He bullied me that you didn't.

629
00:27:25,119 --> 00:27:26,640
Speaker 2: He was actually getting round. He was saying, like, mate,

630
00:27:26,640 --> 00:27:29,199
Speaker 2: I'm loving your show. He was smacking you on the

631
00:27:29,200 --> 00:27:32,440
Speaker 2: bum go I'm listening to it. Bang, it sounding really good.

632
00:27:32,880 --> 00:27:33,200
Speaker 1: Bang.

633
00:27:33,240 --> 00:27:36,040
Speaker 2: And in between us smacks, you said, now, Jewels, I

634
00:27:36,119 --> 00:27:38,520
Speaker 2: really appreciate that, mate, but if you hit me on

635
00:27:38,520 --> 00:27:40,720
Speaker 2: the ars by more time, I'm a chance to fall

636
00:27:40,720 --> 00:27:43,240
Speaker 2: in the urinals. And Jewels didn't hear, and he wound

637
00:27:43,280 --> 00:27:45,600
Speaker 2: it right over it and the phone call was whack

638
00:27:45,880 --> 00:27:49,719
Speaker 2: and a final whagon you fell headfirst into a urinol.

639
00:27:50,240 --> 00:27:54,439
Speaker 2: That was a damaging visit to the toilet, now, if

640
00:27:54,440 --> 00:27:55,480
Speaker 2: you've got a story like.

641
00:27:55,440 --> 00:27:56,480
Speaker 3: It, I forgot about that.

642
00:27:56,800 --> 00:27:58,600
Speaker 1: Thirteen six five is that number?

643
00:27:58,680 --> 00:27:58,840
Speaker 2: Yeah?

644
00:27:58,920 --> 00:27:59,560
Speaker 11: Yeah, yeah?

645
00:27:59,600 --> 00:28:02,800
Speaker 1: What was your most damaging visit to a toilet?

646
00:28:03,040 --> 00:28:05,280
Speaker 4: So he calls up next with the quick reminder, you

647
00:28:05,320 --> 00:28:06,800
Speaker 4: don't want to miss the movie event of the year

648
00:28:06,800 --> 00:28:09,800
Speaker 4: of Marvel Studios, Doctor Strange in Multiverse of Madness is

649
00:28:09,800 --> 00:28:10,920
Speaker 4: in cinemas tomorrow.

650
00:28:11,240 --> 00:28:12,120
Speaker 1: Strouth Almighty.

651
00:28:12,280 --> 00:28:15,000
Speaker 2: You wouldn't want to go to the toilet midway through

652
00:28:15,040 --> 00:28:18,399
Speaker 2: that movie and miss an important part of the plot

653
00:28:19,080 --> 00:28:21,880
Speaker 2: that arguably would be a damaging visit to the toilet.

654
00:28:22,000 --> 00:28:23,840
Speaker 2: And that's exactly what we're doing right now. Gee, that

655
00:28:23,880 --> 00:28:25,560
Speaker 2: was a smooth Segwayne, thirteen.

656
00:28:25,320 --> 00:28:26,120
Speaker 1: One sixty five.

657
00:28:26,280 --> 00:28:29,600
Speaker 2: Jesus, what was your most damaging visit to the toilet?

658
00:28:29,640 --> 00:28:31,960
Speaker 2: We're talking about it because Tommy Grenn and the Blowgo

659
00:28:32,119 --> 00:28:39,240
Speaker 2: sings fell this song. I won't go to his audio,

660
00:28:39,240 --> 00:28:41,760
Speaker 2: but effectively he was on the two of us and

661
00:28:41,960 --> 00:28:43,680
Speaker 2: he didn't realize that there's a rule that you just

662
00:28:43,680 --> 00:28:44,000
Speaker 2: don't do.

663
00:28:44,080 --> 00:28:46,360
Speaker 1: Number twos on buses. Did you know that was a rule?

664
00:28:46,400 --> 00:28:49,880
Speaker 4: By the way, I think I probably always just like,

665
00:28:50,840 --> 00:28:52,760
Speaker 4: to be honest with you, I would get a little

666
00:28:52,760 --> 00:28:55,160
Speaker 4: bit too nervous doing a number two with that many

667
00:28:55,160 --> 00:28:57,000
Speaker 4: people on the bus and them knowing that I was

668
00:28:57,040 --> 00:28:58,680
Speaker 4: a guy who did it, because.

669
00:28:58,440 --> 00:28:59,960
Speaker 3: You know, like it's a very obvious toil.

670
00:29:00,360 --> 00:29:02,200
Speaker 1: Yeah, yeah, yeah, you get a lot of stage fright.

671
00:29:02,760 --> 00:29:05,200
Speaker 3: It really a really shy bladder.

672
00:29:05,360 --> 00:29:06,480
Speaker 1: Oh it's so adorable.

673
00:29:06,480 --> 00:29:07,400
Speaker 3: It is a little bit, isn't it.

674
00:29:07,680 --> 00:29:10,280
Speaker 1: Anyway, Effectively, Tommy Grennan did it.

675
00:29:10,680 --> 00:29:12,920
Speaker 4: The full story is hilarious, Like if you go to

676
00:29:12,960 --> 00:29:14,560
Speaker 4: our podcast net was he did it on like a

677
00:29:14,600 --> 00:29:16,720
Speaker 4: whole bunch on a tour bus with a whole.

678
00:29:16,520 --> 00:29:17,280
Speaker 3: Bunch of rappers.

679
00:29:17,360 --> 00:29:21,080
Speaker 1: Yeah, yeah, yeah, and absolutely ruined it. Yeah.

680
00:29:21,080 --> 00:29:22,200
Speaker 2: Well we had to run to the front of the

681
00:29:22,200 --> 00:29:24,320
Speaker 2: bus and explain, oh, ask the question how do you

682
00:29:24,320 --> 00:29:26,440
Speaker 2: flush the tour and everyone laughed at him because he.

683
00:29:26,400 --> 00:29:27,440
Speaker 1: Took a pop on a bus.

684
00:29:27,760 --> 00:29:29,920
Speaker 2: Let's go to Ellie here thirty one oh six y

685
00:29:30,000 --> 00:29:32,560
Speaker 2: five Ellie damaging visits to the toilet.

686
00:29:33,120 --> 00:29:34,720
Speaker 1: This happened at your friend's house.

687
00:29:35,560 --> 00:29:36,760
Speaker 8: Yeah, how are you guys?

688
00:29:37,040 --> 00:29:37,920
Speaker 1: So good? Thank you?

689
00:29:39,440 --> 00:29:40,960
Speaker 8: Yeah, we were at a friend's house and we just

690
00:29:41,000 --> 00:29:43,080
Speaker 8: had a bit of a late night, and so my

691
00:29:43,200 --> 00:29:47,520
Speaker 8: husband obviously woken up to go to the toilet. We

692
00:29:47,640 --> 00:29:49,400
Speaker 8: must have got out of bed too fast, because when

693
00:29:49,400 --> 00:29:53,400
Speaker 8: he was skating there doing his number one. We work

694
00:29:53,440 --> 00:29:55,480
Speaker 8: out the story was that he must have just passed out,

695
00:29:55,720 --> 00:29:57,880
Speaker 8: but as he fell down he hit his head on

696
00:29:57,920 --> 00:30:00,600
Speaker 8: the toilet roll holder, because he woke up actually in

697
00:30:00,640 --> 00:30:04,360
Speaker 8: the kitty little box a little while later, wasn't sure

698
00:30:04,360 --> 00:30:06,760
Speaker 8: what happened, but had claret coming out of his head.

699
00:30:07,160 --> 00:30:09,440
Speaker 1: Oh, hang on, hang on, hang on.

700
00:30:09,960 --> 00:30:11,960
Speaker 3: He hid his hell down, hit his head and then

701
00:30:12,120 --> 00:30:13,200
Speaker 3: landed in the kitty litter.

702
00:30:14,000 --> 00:30:15,920
Speaker 8: Yeah, so last thing he knew, he got up to

703
00:30:15,920 --> 00:30:17,680
Speaker 8: go to the toilet, but when it came like when

704
00:30:17,680 --> 00:30:19,560
Speaker 8: he woke up next he was in the bathroom with

705
00:30:19,600 --> 00:30:20,800
Speaker 8: his head in the kitty little box.

706
00:30:20,800 --> 00:30:21,680
Speaker 6: And you like, what the.

707
00:30:23,320 --> 00:30:26,000
Speaker 1: That's an extraordinary story. I believe you had a former

708
00:30:26,040 --> 00:30:27,000
Speaker 1: housemate of yours.

709
00:30:27,480 --> 00:30:30,040
Speaker 3: I feel like I'm getting thrown under the bus a lot.

710
00:30:29,880 --> 00:30:32,480
Speaker 4: And this is very much laughing that you'll come back

711
00:30:32,520 --> 00:30:33,800
Speaker 4: to find you talk.

712
00:30:33,640 --> 00:30:37,200
Speaker 1: To me now. I'm scared. No, just was torching your friends.

713
00:30:37,760 --> 00:30:40,200
Speaker 2: You came home from a night out and you found

714
00:30:40,240 --> 00:30:43,160
Speaker 2: your made Legs asleep on your toilet.

715
00:30:43,600 --> 00:30:43,800
Speaker 3: Yes.

716
00:30:43,920 --> 00:30:47,120
Speaker 4: Yes, I used to have an en suite and the

717
00:30:47,160 --> 00:30:49,640
Speaker 4: other boys in the house had a separate toilet, and

718
00:30:49,920 --> 00:30:52,320
Speaker 4: the rules obviously don't use my toilet. And then one

719
00:30:52,400 --> 00:30:54,240
Speaker 4: night I came home and I walked into my room

720
00:30:54,280 --> 00:30:55,120
Speaker 4: and I was like, God.

721
00:30:55,000 --> 00:30:57,840
Speaker 3: It really stinks like yeah in here.

722
00:30:58,320 --> 00:31:00,840
Speaker 4: And I went into the toilet and yeah, Legs was

723
00:31:01,160 --> 00:31:03,120
Speaker 4: passed out on the toilet with his pants around his ankle.

724
00:31:03,120 --> 00:31:04,520
Speaker 1: Extraordinary. Let's go to Harrison here.

725
00:31:05,840 --> 00:31:10,680
Speaker 2: Harrison, Uh, you've had a damaging visit to the toilet, mate, Yes.

726
00:31:10,600 --> 00:31:14,960
Speaker 14: Sir, I'm nine years old and about two years ago,

727
00:31:15,560 --> 00:31:18,360
Speaker 14: I had a broken arm and I was going to

728
00:31:18,440 --> 00:31:21,720
Speaker 14: the toilet and then I slipped because it was wet

729
00:31:21,720 --> 00:31:25,840
Speaker 14: on the ground, and I fell down and I let

730
00:31:25,880 --> 00:31:28,720
Speaker 14: go of my doodle all with my broken arm, and

731
00:31:28,800 --> 00:31:31,520
Speaker 14: I peed all loads of floor, floor and the walls.

732
00:31:36,280 --> 00:31:40,760
Speaker 2: Has an extraordinary story, My friend, you didn't break the

733
00:31:40,760 --> 00:31:41,440
Speaker 2: other arm, did you?

734
00:31:41,480 --> 00:31:41,960
Speaker 1: Harrison?

735
00:31:43,000 --> 00:31:43,200
Speaker 7: No?

736
00:31:43,320 --> 00:31:44,080
Speaker 14: I was okay.

737
00:31:44,480 --> 00:31:46,640
Speaker 3: Oh, huge result.

738
00:31:46,680 --> 00:31:51,160
Speaker 4: Hey Harrison, Harrison mate, such a good story. You can

739
00:31:51,240 --> 00:31:53,479
Speaker 4: have two hundred bucks to spend on your mom this

740
00:31:53,560 --> 00:31:54,160
Speaker 4: Mother's Day?

741
00:31:54,280 --> 00:31:54,720
Speaker 3: How about that?

742
00:31:57,040 --> 00:31:59,680
Speaker 4: About thanks to Flora celebrating Mom's Day with flowers and

743
00:31:59,680 --> 00:32:01,040
Speaker 4: plants some fifty nine bucks.

744
00:32:01,040 --> 00:32:02,640
Speaker 3: Not a problem at all, mate, you can it's all

745
00:32:02,680 --> 00:32:03,520
Speaker 3: got to go to mum though.

746
00:32:03,600 --> 00:32:09,560
Speaker 4: Okay, okay, all right, perfect, great stuff, extraordinary, very good.

747
00:32:09,640 --> 00:32:11,000
Speaker 1: And we've got my partner Mim here.

748
00:32:11,080 --> 00:32:11,200
Speaker 4: Now.

749
00:32:11,320 --> 00:32:13,680
Speaker 1: Now, men, I think I know what story you want

750
00:32:13,720 --> 00:32:15,440
Speaker 1: to tell here? Is this a bit.

751
00:32:15,320 --> 00:32:18,280
Speaker 12: Sick and slightly? I mean I was going to just

752
00:32:18,320 --> 00:32:20,120
Speaker 12: bring up the story about you cooing the bed and

753
00:32:20,160 --> 00:32:21,800
Speaker 12: we had to spend hundreds on new bedding.

754
00:32:21,920 --> 00:32:24,240
Speaker 1: But yeah, but that wasn't in the toilet. That was

755
00:32:24,240 --> 00:32:25,160
Speaker 1: in the bedroom, So.

756
00:32:26,640 --> 00:32:29,560
Speaker 12: Why not bring it up while I can? No, it's

757
00:32:29,640 --> 00:32:34,959
Speaker 12: the classic story of the Christmas Day tale. So I

758
00:32:35,000 --> 00:32:37,480
Speaker 12: had a toilet pump connected to my clot which was

759
00:32:37,480 --> 00:32:40,560
Speaker 12: connected to the garage in my old bedroom at home.

760
00:32:41,560 --> 00:32:44,480
Speaker 12: It was out of use on Christmas Day, but one

761
00:32:44,520 --> 00:32:47,800
Speaker 12: of the sister in laws forgot the memo, and it

762
00:32:47,840 --> 00:32:50,560
Speaker 12: seems to go after a big nine on Christmasy to

763
00:32:50,640 --> 00:32:55,840
Speaker 12: the toilet and the pump exploded and sprayed all over

764
00:32:56,080 --> 00:33:01,000
Speaker 12: my dad's quite expensive car. Episode. Good old Terry was

765
00:33:01,040 --> 00:33:04,360
Speaker 12: out on Christmas Day cleaning Pooh off his car and

766
00:33:04,400 --> 00:33:06,840
Speaker 12: had to get that detailed and six hundred dollars later

767
00:33:06,880 --> 00:33:07,680
Speaker 12: the pump fixed.

768
00:33:08,800 --> 00:33:10,400
Speaker 1: And is it true that you took the fall?

769
00:33:10,480 --> 00:33:10,640
Speaker 14: Then?

770
00:33:10,720 --> 00:33:15,040
Speaker 3: Then yeah, you spraying the car? Is that true? Why

771
00:33:15,200 --> 00:33:15,880
Speaker 3: you can't talk?

772
00:33:16,000 --> 00:33:20,680
Speaker 12: When she was mortified as the hero and be like, look, Dad,

773
00:33:20,840 --> 00:33:22,440
Speaker 12: I've taken a juice on your car.

774
00:33:24,040 --> 00:33:28,600
Speaker 4: Coming up next the more Will and Woody, the Will

775
00:33:28,640 --> 00:33:30,120
Speaker 4: and Woody podcast that n.

776
00:33:30,160 --> 00:33:31,960
Speaker 3: One o six y five of opened the phone lines.

777
00:33:32,000 --> 00:33:35,680
Speaker 4: Here, have you got a food story that you're ashamed of?

778
00:33:37,360 --> 00:33:38,000
Speaker 5: So good?

779
00:33:38,480 --> 00:33:47,960
Speaker 3: Can't stop eating? What if you're listening to this anything

780
00:33:48,000 --> 00:33:48,479
Speaker 3: in yourself?

781
00:33:48,560 --> 00:33:51,120
Speaker 4: Jeez, I'm just not sure what the yardstick is here, boys,

782
00:33:51,160 --> 00:33:55,239
Speaker 4: I mean, what constitutes a food story that you're ashamed of?

783
00:33:56,160 --> 00:33:58,360
Speaker 3: Here are some examples of people that have called before.

784
00:34:02,880 --> 00:34:03,960
Speaker 1: Mick, what's your food shame?

785
00:34:04,040 --> 00:34:04,240
Speaker 4: Mick?

786
00:34:04,560 --> 00:34:05,960
Speaker 11: When had all you could eat?

787
00:34:06,040 --> 00:34:06,280
Speaker 14: Ribs?

788
00:34:06,320 --> 00:34:09,360
Speaker 8: So I had thirty six racks of ribs?

789
00:34:10,080 --> 00:34:13,920
Speaker 1: How much as a rat? I think it was eight?

790
00:34:15,920 --> 00:34:17,040
Speaker 11: They wouldn't serve me any more.

791
00:34:17,120 --> 00:34:22,359
Speaker 4: Chips, extraordinary gig, extraordinary gear and button bush of Joel Joe,

792
00:34:22,440 --> 00:34:23,360
Speaker 4: welcome back to the studio.

793
00:34:23,440 --> 00:34:29,160
Speaker 3: By the way, don't alad I've.

794
00:34:29,000 --> 00:34:29,680
Speaker 1: Got a food shame.

795
00:34:29,719 --> 00:34:32,680
Speaker 6: Actually, recently on holidays in queenslande with the family the

796
00:34:32,680 --> 00:34:36,320
Speaker 6: school holidays, and we'd had a big afternoon at a

797
00:34:36,360 --> 00:34:38,480
Speaker 6: pub catching up with some friends of ours. All the

798
00:34:38,520 --> 00:34:40,759
Speaker 6: pub food you could think of. We filled ourselves up with,

799
00:34:40,920 --> 00:34:44,879
Speaker 6: you know, your little platter of chips and the geese, aaron,

800
00:34:44,960 --> 00:34:48,640
Speaker 6: chiny balls and everything and everything on the menu, a

801
00:34:48,640 --> 00:34:51,839
Speaker 6: couple of pizzas. Then on the way back to.

802
00:34:51,800 --> 00:34:53,520
Speaker 1: The hotel, the wife and I looked at each other

803
00:34:53,560 --> 00:34:55,120
Speaker 1: and said, can't possibly eat dinner.

804
00:34:55,880 --> 00:34:57,640
Speaker 6: We've just eaten everything off the menu, of course, And

805
00:34:57,680 --> 00:35:00,520
Speaker 6: then we drove past a KFC. Now we love on

806
00:35:00,560 --> 00:35:03,320
Speaker 6: this show. If they want to sponsor any segment bringing

807
00:35:03,320 --> 00:35:03,799
Speaker 6: in we love it.

808
00:35:03,880 --> 00:35:04,279
Speaker 3: Yeah, we do.

809
00:35:04,719 --> 00:35:07,759
Speaker 6: We're in the state of Victoria at the moment, and

810
00:35:08,520 --> 00:35:11,719
Speaker 6: they don't do the hot and spicy chicken.

811
00:35:11,480 --> 00:35:13,640
Speaker 1: Here, right, you don't do it, Yeah right.

812
00:35:13,680 --> 00:35:15,359
Speaker 6: I found that out on a night home that I'll

813
00:35:15,560 --> 00:35:17,719
Speaker 6: not go into right now. Yeah, but they do it

814
00:35:17,760 --> 00:35:20,480
Speaker 6: in Queensland. So on the way past, I said to

815
00:35:20,520 --> 00:35:23,040
Speaker 6: the wife, we're stopping for a bucket of chicken and

816
00:35:23,200 --> 00:35:24,960
Speaker 6: ate a full twenty one piece bucket of hot and

817
00:35:24,960 --> 00:35:25,800
Speaker 6: spicy chickens.

818
00:35:26,160 --> 00:35:28,959
Speaker 1: Wow, twenty one piece, and.

819
00:35:28,920 --> 00:35:32,560
Speaker 2: Only because the justification to yourself was that because I

820
00:35:32,600 --> 00:35:34,640
Speaker 2: can't experience hot and Spicy at home.

821
00:35:35,200 --> 00:35:38,000
Speaker 1: It'd be stupid. I'd be doing myself at gest service.

822
00:35:38,320 --> 00:35:42,480
Speaker 6: You're not feast upon the hot and Spicy KFC.

823
00:35:42,239 --> 00:35:45,919
Speaker 1: Which is not available here. It's the justifications that really

824
00:35:45,920 --> 00:35:46,239
Speaker 1: get me.

825
00:35:46,520 --> 00:35:48,319
Speaker 2: So if you're like a Budon Bush and Joel, give

826
00:35:48,400 --> 00:35:50,520
Speaker 2: us a call on thirteen one six five.

827
00:35:51,000 --> 00:35:52,520
Speaker 1: What was your food shame moment?

828
00:35:52,560 --> 00:35:55,600
Speaker 2: When did you gorge on an excessive amount of food?

829
00:35:55,680 --> 00:35:55,879
Speaker 7: Yes?

830
00:35:55,920 --> 00:35:57,680
Speaker 1: And again it's safe space. There's no judgment here.

831
00:35:57,760 --> 00:35:59,080
Speaker 3: Take the calls right up next to You've got a

832
00:35:59,080 --> 00:36:01,680
Speaker 3: food story, you're a share of. Word has got out.

833
00:36:01,680 --> 00:36:04,719
Speaker 4: There's another radio host who fleeced an egregious amount, an

834
00:36:04,760 --> 00:36:07,040
Speaker 4: offensive amount of the Patti's pies sitting out the front

835
00:36:07,040 --> 00:36:08,960
Speaker 4: of the studio here. I'll tell you who that was

836
00:36:09,000 --> 00:36:10,040
Speaker 4: ten plus apparently.

837
00:36:10,080 --> 00:36:13,040
Speaker 3: Wow, Yeah, Will and Woody. Six five, you've got a

838
00:36:13,040 --> 00:36:18,400
Speaker 3: food story you're ashamed of? Song can't stop?

839
00:36:26,520 --> 00:36:29,160
Speaker 4: All right, let's get into it. Third one and six five.

840
00:36:29,200 --> 00:36:30,960
Speaker 4: It's food shame right here on Will and Woody. I

841
00:36:31,040 --> 00:36:37,200
Speaker 4: will name the radio star that gorged on like really

842
00:36:37,200 --> 00:36:41,200
Speaker 4: a disappointing amount of pies Patty's Pires Patty's Pies sponsor

843
00:36:41,280 --> 00:36:42,719
Speaker 4: us on a Wednesday. They get around us and they

844
00:36:42,719 --> 00:36:44,640
Speaker 4: put a nice little platter of pies out there for us.

845
00:36:44,719 --> 00:36:46,880
Speaker 2: It brings in the radio station kind of say Patty's

846
00:36:46,880 --> 00:36:47,800
Speaker 2: Pies are extraordinary.

847
00:36:47,840 --> 00:36:49,600
Speaker 1: Like, yes, I think we need to tread carefully here.

848
00:36:49,600 --> 00:36:50,759
Speaker 1: This person is a radio legend.

849
00:36:50,840 --> 00:36:51,880
Speaker 3: They are a radio legend.

850
00:36:51,960 --> 00:36:54,200
Speaker 2: I have already given it away, yes, saying that, yes,

851
00:36:54,320 --> 00:36:56,800
Speaker 2: they do a show, yes before.

852
00:36:56,480 --> 00:36:58,680
Speaker 3: Us, before us in an around the three o'clock hour.

853
00:36:59,040 --> 00:37:01,200
Speaker 2: Good, and I think we leave it there. But apparently

854
00:37:01,680 --> 00:37:04,960
Speaker 2: that person hit double Diggies on the on the.

855
00:37:05,680 --> 00:37:07,919
Speaker 4: If I was going to say that their name rhyme

856
00:37:07,960 --> 00:37:10,520
Speaker 4: did something, I'd say, mate, hangs shook.

857
00:37:12,560 --> 00:37:16,000
Speaker 1: That's vague enough. Yeah, good job, good job.

858
00:37:15,880 --> 00:37:20,920
Speaker 3: Ten pies. Apparently I had remembered I remember the twelve. Well,

859
00:37:20,960 --> 00:37:25,640
Speaker 3: we're trying to call her. That's Kate book everyone. We

860
00:37:25,760 --> 00:37:26,520
Speaker 3: tried to call her.

861
00:37:26,840 --> 00:37:31,080
Speaker 4: Yeah, she said she's got car troubles which are preventing

862
00:37:31,120 --> 00:37:32,040
Speaker 4: her from getting on the phone.

863
00:37:32,160 --> 00:37:34,800
Speaker 3: Very so unless the hands free in her car.

864
00:37:34,719 --> 00:37:38,359
Speaker 4: Is broken the result of those card troubles very sas

865
00:37:38,440 --> 00:37:40,040
Speaker 4: there's a bit of food cham going on right there.

866
00:37:40,120 --> 00:37:42,640
Speaker 4: Kara is called on thirty one O sixty five, Kiara,

867
00:37:42,840 --> 00:37:43,920
Speaker 4: what was your food shame?

868
00:37:45,560 --> 00:37:48,000
Speaker 13: Hey, so me and my friend were on a school campus.

869
00:37:48,000 --> 00:37:51,520
Speaker 13: He used that and we had a bet going for

870
00:37:51,680 --> 00:37:53,839
Speaker 13: who could eat the most bananas in one day?

871
00:37:56,560 --> 00:37:57,759
Speaker 8: And that was.

872
00:37:57,680 --> 00:38:00,879
Speaker 13: Basically for who had to do like table cleaning. Yeah,

873
00:38:01,920 --> 00:38:03,799
Speaker 13: he had seventeen bananas.

874
00:38:03,960 --> 00:38:05,120
Speaker 1: Well wait.

875
00:38:06,560 --> 00:38:07,920
Speaker 13: And I had nineteen?

876
00:38:08,400 --> 00:38:08,600
Speaker 4: Oh?

877
00:38:09,960 --> 00:38:11,080
Speaker 3: What were the side effects?

878
00:38:11,200 --> 00:38:11,879
Speaker 5: Kiara?

879
00:38:12,000 --> 00:38:14,920
Speaker 3: Like we did you become banana man?

880
00:38:16,440 --> 00:38:16,840
Speaker 5: Kiara?

881
00:38:17,440 --> 00:38:18,080
Speaker 13: Potassium?

882
00:38:18,560 --> 00:38:18,759
Speaker 14: Yeah?

883
00:38:19,040 --> 00:38:20,600
Speaker 1: Much? But what does that mean?

884
00:38:20,719 --> 00:38:24,480
Speaker 3: Like were you're sweating? Were you constipated? Like nineteen bananas?

885
00:38:25,560 --> 00:38:26,480
Speaker 11: I don't think you want to know?

886
00:38:27,160 --> 00:38:30,960
Speaker 3: No, I do? I really do you really want to know?

887
00:38:31,320 --> 00:38:31,640
Speaker 5: Yes?

888
00:38:31,680 --> 00:38:32,120
Speaker 3: Of course?

889
00:38:32,200 --> 00:38:33,480
Speaker 13: On the trip to the bathroom?

890
00:38:34,280 --> 00:38:35,200
Speaker 3: What what? What do you mean?

891
00:38:35,239 --> 00:38:35,359
Speaker 4: How?

892
00:38:35,440 --> 00:38:35,680
Speaker 3: What?

893
00:38:35,680 --> 00:38:35,839
Speaker 13: What?

894
00:38:35,840 --> 00:38:37,640
Speaker 3: What happened? How many days were you? How long we

895
00:38:37,680 --> 00:38:37,960
Speaker 3: there for?

896
00:38:39,880 --> 00:38:43,040
Speaker 13: It was just a three day school camp and luckily

897
00:38:43,160 --> 00:38:44,439
Speaker 13: enough this was on the last day.

898
00:38:46,400 --> 00:38:46,840
Speaker 8: Yeah it was.

899
00:38:47,040 --> 00:38:49,080
Speaker 13: It was a long bus ride home and painful.

900
00:38:49,520 --> 00:38:53,759
Speaker 1: Oh yeah, ok, how did monkeys do it?

901
00:38:55,600 --> 00:38:56,120
Speaker 3: Not? Sure?

902
00:38:57,200 --> 00:39:01,400
Speaker 4: Let's go to Banana. Let's go to Aaron one of

903
00:39:01,640 --> 00:39:07,480
Speaker 4: six five Aaron. Aaron, Right, what you have a story?

904
00:39:07,960 --> 00:39:09,480
Speaker 4: A food story you're ashamed of?

905
00:39:10,719 --> 00:39:12,839
Speaker 11: You know, I'm not really too ashamed? Of it. But

906
00:39:13,640 --> 00:39:17,200
Speaker 11: I'm really lactose intolerant, right, and every now and then

907
00:39:17,239 --> 00:39:19,160
Speaker 11: I try and push my boundaries of what I can

908
00:39:19,160 --> 00:39:21,319
Speaker 11: eat and how much I can eat and how many

909
00:39:21,320 --> 00:39:26,200
Speaker 11: things I can eat with lactose in it. That I

910
00:39:26,200 --> 00:39:28,800
Speaker 11: was sitting at home and I went to Aldie and

911
00:39:28,840 --> 00:39:33,080
Speaker 11: I found these amazing yogurts right at one fine, one fine,

912
00:39:33,120 --> 00:39:35,960
Speaker 11: sometimes to a fine. And then I bought like six, right,

913
00:39:36,000 --> 00:39:39,160
Speaker 11: and I was like, yeah, I'll be fine, had one,

914
00:39:39,239 --> 00:39:42,479
Speaker 11: had to had six at the end and went to bed.

915
00:39:43,080 --> 00:39:44,759
Speaker 11: Wasn't feeling too great, but I was like, no, I can.

916
00:39:44,840 --> 00:39:48,279
Speaker 11: I can make it the middle of the night. Woke

917
00:39:48,360 --> 00:39:50,360
Speaker 11: up in the middle of the night, I had to

918
00:39:50,480 --> 00:39:53,960
Speaker 11: run to the toilet, having the absolute ships right, and

919
00:39:54,000 --> 00:39:56,919
Speaker 11: then I wasn't just shitting myself. I ended up having

920
00:39:56,920 --> 00:39:59,839
Speaker 11: to throw up as well. While I was sitting, I

921
00:39:59,920 --> 00:40:03,239
Speaker 11: was I was throwing up in the bin right next

922
00:40:03,239 --> 00:40:05,480
Speaker 11: to me for about and an hour. Summing cramps for

923
00:40:05,520 --> 00:40:06,120
Speaker 11: two days.

924
00:40:08,040 --> 00:40:14,480
Speaker 3: All right, leave that one bell fasting.

925
00:40:14,600 --> 00:40:15,920
Speaker 1: Now it's will.

926
00:40:16,480 --> 00:40:21,000
Speaker 4: Did you butcher your one job with devastating effect? So

927
00:40:21,080 --> 00:40:24,839
Speaker 4: you had one job, one job and you absolutely cooked it.

928
00:40:25,719 --> 00:40:27,760
Speaker 4: Or often this is the case that you give someone

929
00:40:27,840 --> 00:40:31,080
Speaker 4: one job and they absolutely butcher. You can also call

930
00:40:31,120 --> 00:40:33,520
Speaker 4: with that obviously, if you don't feel like nominating yourself,

931
00:40:33,680 --> 00:40:36,080
Speaker 4: rag on someone else. Now, the reason we're bringing this

932
00:40:36,160 --> 00:40:37,800
Speaker 4: up is because I said, I have the best example

933
00:40:37,840 --> 00:40:40,319
Speaker 4: of somebody ruining their one job and the story comes

934
00:40:40,320 --> 00:40:43,400
Speaker 4: from Peru. Hit me with that Peru music. Now, we

935
00:40:43,400 --> 00:40:45,919
Speaker 4: didn't organize that. We didn't organize that. That's that's my fault,

936
00:40:45,920 --> 00:40:48,040
Speaker 4: beautiful spot, that's my fault, beautiful spot.

937
00:40:48,800 --> 00:40:51,040
Speaker 3: Give me some Peru music with your mouth sing.

938
00:40:50,840 --> 00:40:52,120
Speaker 14: It ermm.

939
00:40:54,520 --> 00:41:00,960
Speaker 3: Okay ah.

940
00:41:01,000 --> 00:41:04,719
Speaker 4: I knew that would be bad, but nothing prepared when

941
00:41:04,719 --> 00:41:06,760
Speaker 4: I was there.

942
00:41:08,280 --> 00:41:11,560
Speaker 3: A woman, a woman. So what I'm going to do.

943
00:41:11,880 --> 00:41:14,560
Speaker 4: This story is actually a really sad story which gets

944
00:41:14,560 --> 00:41:15,120
Speaker 4: really happy.

945
00:41:15,160 --> 00:41:16,799
Speaker 3: So I've got to start off sad if I can.

946
00:41:17,239 --> 00:41:17,560
Speaker 11: Okay.

947
00:41:19,600 --> 00:41:22,560
Speaker 3: The family of Arosa Isabel.

948
00:41:22,200 --> 00:41:27,160
Speaker 4: Kesped Galaka had gathered in the city of Lambayeke to

949
00:41:27,200 --> 00:41:30,880
Speaker 4: pay their final respects. On April twenty six, she died

950
00:41:31,400 --> 00:41:32,400
Speaker 4: in a serious crash.

951
00:41:33,000 --> 00:41:33,600
Speaker 1: This is pretty cool.

952
00:41:33,600 --> 00:41:38,640
Speaker 3: In the region's roadworks there she died, so she was

953
00:41:38,680 --> 00:41:40,440
Speaker 3: pronounced dead. Horrific crash.

954
00:41:40,760 --> 00:41:44,480
Speaker 4: Coffin later loaded and then they're all on the funerals

955
00:41:44,480 --> 00:41:47,040
Speaker 4: standing around. They do the funeral. They put her up

956
00:41:47,080 --> 00:41:49,080
Speaker 4: on their shoulders. They're leaving the funeral.

957
00:41:49,360 --> 00:41:51,400
Speaker 1: I wouldn't mind. That's getting happy in super grim.

958
00:41:51,920 --> 00:41:55,520
Speaker 4: They're walking out. Then they hear a strange knocking inside

959
00:41:55,520 --> 00:41:58,880
Speaker 4: the coffin. They lower the coffin, open the lid and

960
00:41:58,920 --> 00:41:59,640
Speaker 4: she's alive.

961
00:42:00,880 --> 00:42:03,840
Speaker 1: Okay, so I got They got through the whole funeral.

962
00:42:04,000 --> 00:42:06,040
Speaker 3: Rosa Isabel coesthetic is alive.

963
00:42:06,200 --> 00:42:09,480
Speaker 2: Well she's doing sleepy, she's a live on but hang on,

964
00:42:09,680 --> 00:42:10,440
Speaker 2: she's alive.

965
00:42:11,000 --> 00:42:12,040
Speaker 1: But how could you stay?

966
00:42:12,080 --> 00:42:14,600
Speaker 3: So she's alive, let's get into the semantics.

967
00:42:14,640 --> 00:42:16,200
Speaker 1: But that is absolute, it's absurd.

968
00:42:16,239 --> 00:42:19,080
Speaker 3: But it's an extraordinary story. It's an extraordinary story. So

969
00:42:18,880 --> 00:42:21,640
Speaker 3: they're happy. They're happy, I mean they're happy. Yeah, well

970
00:42:21,640 --> 00:42:22,520
Speaker 3: they're having a great time.

971
00:42:23,280 --> 00:42:25,719
Speaker 4: They wanted to and they rushed at the hospital and

972
00:42:25,719 --> 00:42:26,680
Speaker 4: then she died again.

973
00:42:27,960 --> 00:42:28,919
Speaker 1: Are you kidding now?

974
00:42:28,960 --> 00:42:31,760
Speaker 3: She died just a few hours later. Oh yeah, tragic.

975
00:42:31,760 --> 00:42:33,839
Speaker 1: Trying to finish with absolutely, have just cut that bit.

976
00:42:33,800 --> 00:42:37,520
Speaker 2: Out, just just end on the happy Are you serious?

977
00:42:37,920 --> 00:42:38,520
Speaker 1: He's a joke.

978
00:42:39,000 --> 00:42:43,640
Speaker 3: It's a wild story. It's such a roller coast. I know.

979
00:42:43,840 --> 00:42:48,239
Speaker 1: So she so she was able to I thought you would, no,

980
00:42:48,280 --> 00:42:48,800
Speaker 1: But I want.

981
00:42:48,640 --> 00:42:51,200
Speaker 4: To focus if I can can I just focus?

982
00:42:51,360 --> 00:42:53,319
Speaker 3: No, no, no, well, let's let's get back to the happy.

983
00:42:53,320 --> 00:42:53,920
Speaker 3: Give me the home back.

984
00:42:54,440 --> 00:42:56,640
Speaker 5: She's alive, she's alive.

985
00:42:56,880 --> 00:43:01,680
Speaker 3: So that the guy, the coroner, you had one job.

986
00:43:02,320 --> 00:43:03,320
Speaker 1: Of course, he did.

987
00:43:03,239 --> 00:43:06,359
Speaker 3: Pronounce her dead. Mate, check for signs of life. You've

988
00:43:06,400 --> 00:43:08,319
Speaker 3: got one job. Is she dead? Is she alive?

989
00:43:08,400 --> 00:43:10,920
Speaker 4: He says she's dead, and they just chuck us straight

990
00:43:10,920 --> 00:43:13,520
Speaker 4: in the coffin. Three hours later, having her funeral, she

991
00:43:13,600 --> 00:43:15,879
Speaker 4: wakes up and she's like, I am.

992
00:43:16,360 --> 00:43:18,400
Speaker 1: Also, what's with the funeral on the same day? Is that?

993
00:43:18,680 --> 00:43:21,080
Speaker 3: I reckon? If they dig into this, it's a great

994
00:43:21,120 --> 00:43:21,920
Speaker 3: movie here. I reckon.

995
00:43:22,719 --> 00:43:25,719
Speaker 4: Rosa is A had a lot of money in her will,

996
00:43:25,760 --> 00:43:27,960
Speaker 4: and they were like, she's dead. Rush it, she's dead,

997
00:43:28,000 --> 00:43:31,839
Speaker 4: whisker off, rush it. And then someone's going, she's not dead. No, no,

998
00:43:32,080 --> 00:43:34,920
Speaker 4: put her in the coffin. Put it in the coffin. Terrifying, right,

999
00:43:35,040 --> 00:43:35,919
Speaker 4: nearly got buried alive.

1000
00:43:36,560 --> 00:43:39,760
Speaker 3: Yeah, yeah, terrify, yeah, totally strongly. But anyway, the coroner

1001
00:43:39,800 --> 00:43:41,399
Speaker 3: had one job. He had one job.

1002
00:43:41,440 --> 00:43:42,439
Speaker 1: Friend of mine had one job.

1003
00:43:42,680 --> 00:43:45,040
Speaker 2: He was on his way to one of those what

1004
00:43:45,080 --> 00:43:48,520
Speaker 2: do they call weddings when they're somewhere else an elopement.

1005
00:43:48,680 --> 00:43:50,440
Speaker 1: No no, no, no, no, you know you have like a wedding.

1006
00:43:51,760 --> 00:43:53,560
Speaker 2: So we had a destination wedding, which is like three

1007
00:43:53,680 --> 00:43:55,000
Speaker 2: three hours out of the city whatever.

1008
00:43:55,280 --> 00:43:56,960
Speaker 1: And he's and he was coming straight from work. So

1009
00:43:57,000 --> 00:43:59,080
Speaker 1: his wife said to him, look, I've packed all your stuff.

1010
00:43:59,360 --> 00:44:01,800
Speaker 1: I've got your suit, I've got your tie, I've got everything.

1011
00:44:02,160 --> 00:44:05,320
Speaker 1: Just packed shoes. One thing to pack your shoes.

1012
00:44:05,880 --> 00:44:08,880
Speaker 2: Gets to the place realizes he didn't pack shoes, so

1013
00:44:08,920 --> 00:44:10,960
Speaker 2: he had to go to the wedding in thongs in

1014
00:44:11,000 --> 00:44:11,359
Speaker 2: a suit.

1015
00:44:12,360 --> 00:44:15,080
Speaker 1: You've seen those buttons, have you said? Those butters of

1016
00:44:15,160 --> 00:44:17,799
Speaker 1: bear men, you know, the big Bear. And this bloke

1017
00:44:17,960 --> 00:44:21,160
Speaker 1: is about as subtle as a sledgehammer. You don't think

1018
00:44:21,160 --> 00:44:24,560
Speaker 1: anyone will look at my feet. So he whacks his

1019
00:44:24,640 --> 00:44:27,040
Speaker 1: way in with these songs. And it was a black

1020
00:44:27,120 --> 00:44:31,600
Speaker 1: tie event. He said, his wife lose my thongs at black.

1021
00:44:33,239 --> 00:44:34,000
Speaker 3: I remember that.

1022
00:44:34,360 --> 00:44:38,680
Speaker 4: Also, our ap captain poop Pants had to fill in

1023
00:44:38,880 --> 00:44:41,040
Speaker 4: during the week. We've had some button pushing issues as

1024
00:44:41,239 --> 00:44:43,680
Speaker 4: our button push of Joel went down with COVID and

1025
00:44:43,719 --> 00:44:45,640
Speaker 4: our ep ed came into the studio.

1026
00:44:45,760 --> 00:44:46,479
Speaker 3: He had one job.

1027
00:44:46,560 --> 00:44:49,480
Speaker 4: Don't touch any other buttons on the desk other than

1028
00:44:49,560 --> 00:44:52,040
Speaker 4: record We've got a very serious interview we're doing, and

1029
00:44:52,080 --> 00:44:54,000
Speaker 4: in the middle of the interview this happened.

1030
00:44:54,719 --> 00:44:57,040
Speaker 8: I will channel you, so there's no me no silk,

1031
00:44:57,160 --> 00:44:57,759
Speaker 8: there's no silk.

1032
00:45:00,480 --> 00:45:02,560
Speaker 17: You kind of have dirted the butter a little bit.

1033
00:45:03,239 --> 00:45:04,279
Speaker 1: Sorry about bad meil.

1034
00:45:05,200 --> 00:45:08,240
Speaker 2: We've got a new button pusher who's hit the wrong button.

1035
00:45:09,360 --> 00:45:12,320
Speaker 4: The Will and Woody Podcast for it's very excited to

1036
00:45:12,360 --> 00:45:17,080
Speaker 4: announce that tomorrow we will be deciding once and forever

1037
00:45:17,360 --> 00:45:22,480
Speaker 4: and always how to give the perfect instruction to make

1038
00:45:22,760 --> 00:45:25,319
Speaker 4: the perfect piece of vegimite toast.

1039
00:45:25,400 --> 00:45:28,040
Speaker 3: This has been going on now far too long for yes,

1040
00:45:28,400 --> 00:45:28,839
Speaker 3: too long?

1041
00:45:28,920 --> 00:45:31,200
Speaker 4: Yes, yeah, yes, a little bit like this introduction, it's

1042
00:45:31,280 --> 00:45:32,439
Speaker 4: veggiemite gate.

1043
00:45:33,120 --> 00:45:34,720
Speaker 6: Wait of the water Gate revelation.

1044
00:45:35,239 --> 00:45:37,279
Speaker 4: What's the perfect amount of vegimi on a piece of

1045
00:45:37,320 --> 00:45:38,400
Speaker 4: toast to.

1046
00:45:40,320 --> 00:45:40,560
Speaker 15: Gate?

1047
00:45:42,200 --> 00:45:44,120
Speaker 3: That's right, it's vegimie toast gat. Guys.

1048
00:45:44,200 --> 00:45:46,399
Speaker 4: It's been going on for three weeks and like that's

1049
00:45:46,400 --> 00:45:49,719
Speaker 4: because we had a we had a false start, many many,

1050
00:45:49,800 --> 00:45:53,080
Speaker 4: many false starts. We tried percentages. Martha Caler Fertitas tried

1051
00:45:53,120 --> 00:45:54,880
Speaker 4: to make the perfect piece of dose. Jocks On Filler

1052
00:45:54,960 --> 00:45:56,920
Speaker 4: tried to make the perfect piece of toast, and this

1053
00:45:57,040 --> 00:45:58,720
Speaker 4: was all with instruction from you guys.

1054
00:45:58,760 --> 00:46:01,280
Speaker 3: You guys are the ones who have been You're passionate.

1055
00:46:01,320 --> 00:46:03,640
Speaker 4: I've never seen so many people fired up about how

1056
00:46:03,680 --> 00:46:05,600
Speaker 4: to make the perfect piece of vegemite toast. But we

1057
00:46:05,719 --> 00:46:09,239
Speaker 4: whittled it down to three finalists. Tomorrow that will be

1058
00:46:09,320 --> 00:46:12,440
Speaker 4: in him making toast with fresh soundurdough. The bits not

1059
00:46:12,440 --> 00:46:16,080
Speaker 4: sponsored by Vegimark. We've approached them, but they're doing very well,

1060
00:46:16,120 --> 00:46:16,839
Speaker 4: Thank you very much.

1061
00:46:16,920 --> 00:46:19,759
Speaker 3: You think oil was liquid was black gold? You were wrong?

1062
00:46:20,560 --> 00:46:21,600
Speaker 3: So woods.

1063
00:46:21,719 --> 00:46:21,919
Speaker 1: Yeah.

1064
00:46:21,920 --> 00:46:26,840
Speaker 4: The three finalists are the grandson James Callistar, the grandson.

1065
00:46:26,360 --> 00:46:27,560
Speaker 3: Of the founder of Veggimite.

1066
00:46:27,640 --> 00:46:29,560
Speaker 1: Yep, yep. He's our big celebrity name.

1067
00:46:30,480 --> 00:46:32,359
Speaker 3: Yeah, he's a bit like Celebrity Splash.

1068
00:46:33,120 --> 00:46:33,279
Speaker 6: You know.

1069
00:46:33,880 --> 00:46:36,360
Speaker 1: Well he's a bit like the TV show Celebrity Splash.

1070
00:46:36,440 --> 00:46:37,040
Speaker 3: Well, it's a bit like that.

1071
00:46:37,040 --> 00:46:40,239
Speaker 2: You couldn't have said saying more offensive to the grandson

1072
00:46:40,280 --> 00:46:43,000
Speaker 2: of the creator of veggimin like celebrity.

1073
00:46:43,440 --> 00:46:45,719
Speaker 4: You weren't watching it for the diving, You're watching it

1074
00:46:45,800 --> 00:46:46,480
Speaker 4: for the celebs.

1075
00:46:46,560 --> 00:46:48,600
Speaker 3: Yes, he's our celebrity splash entrant.

1076
00:46:48,760 --> 00:46:50,520
Speaker 1: Nice, nice, thank you, recovery, thank you.

1077
00:46:51,440 --> 00:46:53,839
Speaker 3: He so he's going to be involved. Then we've got this.

1078
00:46:53,760 --> 00:46:56,399
Speaker 4: Woman called Emma, who does this smell test Yep, And

1079
00:46:56,440 --> 00:46:59,239
Speaker 4: she says that the perfect piece of vegemite toast is

1080
00:46:59,320 --> 00:47:02,560
Speaker 4: when this smell of the veggimite starts to overpower the

1081
00:47:02,600 --> 00:47:04,600
Speaker 4: smell of the melted butter in the toast. Yep.

1082
00:47:04,640 --> 00:47:05,960
Speaker 3: Great, she's going to be involved.

1083
00:47:06,360 --> 00:47:10,640
Speaker 4: Then we've got this woman called Michelle, and she says

1084
00:47:10,680 --> 00:47:15,920
Speaker 4: that you cold blend a ratio of butter too veggiemite. Yes,

1085
00:47:15,920 --> 00:47:19,080
Speaker 4: a predetermined ratio, Yes, she says, you then fridge that,

1086
00:47:19,200 --> 00:47:20,799
Speaker 4: and then you've got this perfect spread which you can

1087
00:47:20,840 --> 00:47:21,520
Speaker 4: put on at any time.

1088
00:47:21,560 --> 00:47:23,280
Speaker 3: You don't need to worry about butter. The veggiemite.

1089
00:47:23,440 --> 00:47:26,520
Speaker 4: It's a pre made like looks like marble chocolate. If

1090
00:47:26,560 --> 00:47:27,799
Speaker 4: you could put a name on it.

1091
00:47:27,880 --> 00:47:28,880
Speaker 1: Yeah, as in the.

1092
00:47:30,760 --> 00:47:33,160
Speaker 4: Looks like that you put it in the fridge. You

1093
00:47:33,280 --> 00:47:35,360
Speaker 4: also threw in this thing called the golden ratio.

1094
00:47:35,680 --> 00:47:39,279
Speaker 2: Yes, and I liked the idea yesterday of making the

1095
00:47:39,320 --> 00:47:43,279
Speaker 2: golden ratio present in Michelle's theory. Yes, so make the

1096
00:47:43,400 --> 00:47:46,040
Speaker 2: ratio of the pre mix one to one point six

1097
00:47:46,080 --> 00:47:46,399
Speaker 2: to two.

1098
00:47:46,560 --> 00:47:50,239
Speaker 1: Yes, So that was your idea to join forces, and

1099
00:47:50,280 --> 00:47:50,879
Speaker 1: we need each other.

1100
00:47:50,920 --> 00:47:52,560
Speaker 3: In other words, well, she doesn't need you.

1101
00:47:52,600 --> 00:47:53,279
Speaker 1: And she joins us.

1102
00:47:53,280 --> 00:47:53,920
Speaker 3: Now on.

1103
00:47:55,760 --> 00:47:59,960
Speaker 4: Michelle, Hi, you've got some news for Woody.

1104
00:48:00,640 --> 00:48:01,360
Speaker 8: Oh Woodie.

1105
00:48:01,400 --> 00:48:03,719
Speaker 13: I'm so sorry, but I was thinking about it, and

1106
00:48:03,800 --> 00:48:06,960
Speaker 13: I just think my theory and ratio is the best,

1107
00:48:07,000 --> 00:48:10,080
Speaker 13: and I'm just gonna call quits on our team.

1108
00:48:10,560 --> 00:48:10,799
Speaker 14: Here.

1109
00:48:11,800 --> 00:48:13,600
Speaker 1: A text message would have sufficed Michelle.

1110
00:48:14,080 --> 00:48:15,120
Speaker 7: We didn't.

1111
00:48:15,239 --> 00:48:16,960
Speaker 1: We didn't have to get on air.

1112
00:48:18,480 --> 00:48:19,600
Speaker 14: And name.

1113
00:48:20,040 --> 00:48:22,040
Speaker 2: Yeah, we didn't have to make the public embarrassment that

1114
00:48:22,080 --> 00:48:23,080
Speaker 2: you don't want my help.

1115
00:48:23,239 --> 00:48:26,480
Speaker 4: Michelle did some facts and figures and she figured that

1116
00:48:26,600 --> 00:48:29,759
Speaker 4: her ratio of vegimite to butter for her blend is

1117
00:48:29,800 --> 00:48:35,279
Speaker 4: like one two point two, suggesting one to one point

1118
00:48:35,280 --> 00:48:35,919
Speaker 4: six one eight.

1119
00:48:35,840 --> 00:48:37,839
Speaker 1: Which is a lot more veggimite. Are you sure you've

1120
00:48:37,840 --> 00:48:39,440
Speaker 1: got enough veggiemine in there, Michelle?

1121
00:48:39,880 --> 00:48:41,960
Speaker 4: Look, I'm pretty I'm pretty cold.

1122
00:48:43,160 --> 00:48:44,400
Speaker 3: Out of the team, mate, You're out.

1123
00:48:44,239 --> 00:48:46,920
Speaker 4: Of the team, okay, So, Michelle, thank you so much

1124
00:48:46,920 --> 00:48:48,879
Speaker 4: for joining us. You will be running your own race

1125
00:48:48,920 --> 00:48:51,560
Speaker 4: tomorrow looking forward to tasting the blend. It sounds awesome,

1126
00:48:51,640 --> 00:48:53,000
Speaker 4: to be honest, The bookies have got you at the

1127
00:48:53,000 --> 00:48:54,240
Speaker 4: short price favorite at the moment.

1128
00:48:54,600 --> 00:48:56,880
Speaker 1: Yeah, yeah, I think it is brilliant. Thank you, Michelle.

1129
00:48:56,960 --> 00:48:58,560
Speaker 3: That's why you trying to piggyback on her.

1130
00:48:58,600 --> 00:49:02,319
Speaker 2: Well, it's a great idea. She's going to fall short

1131
00:49:02,360 --> 00:49:04,400
Speaker 2: down because she's not using the golden ratio. Am I

1132
00:49:04,480 --> 00:49:06,200
Speaker 2: back in the game if you want to be I

1133
00:49:06,200 --> 00:49:09,040
Speaker 2: would love to be. Okay, Michelle, Sorry, you're an idiot.

1134
00:49:08,719 --> 00:49:11,279
Speaker 4: Which means that tomorrow you're going to have to make

1135
00:49:11,360 --> 00:49:13,320
Speaker 4: up your perfect ratio, your golden ratio.

1136
00:49:13,560 --> 00:49:15,719
Speaker 1: Fine, absolutely fine, Great, so.

1137
00:49:15,760 --> 00:49:17,520
Speaker 4: You will have your own piece of toast tomorrow with

1138
00:49:17,560 --> 00:49:20,240
Speaker 4: the golden ratio of vegimit to butter.

1139
00:49:20,440 --> 00:49:23,520
Speaker 1: Fine, absolutely fine. Michelle's the fath.

1140
00:49:23,440 --> 00:49:24,759
Speaker 3: They're not providing a market.

1141
00:49:26,400 --> 00:49:26,919
Speaker 1: Fair enough.

1142
00:49:28,320 --> 00:49:29,240
Speaker 3: It's happening tomorrow.

1143
00:49:29,520 --> 00:49:32,319
Speaker 4: Can we make the perfect piece of veggimite toast, the

1144
00:49:32,320 --> 00:49:34,440
Speaker 4: perfect instruction for the perfect piece of vegemitees.

1145
00:49:34,520 --> 00:49:39,640
Speaker 3: You don't have to buy some scales. It'll bit tomorrow, Millingwood,

1146
00:49:39,719 --> 00:49:40,240
Speaker 3: It's kiss