1 00:00:00,440 --> 00:00:03,480 Speaker 1: Hearty six CFM with Claresy and Lisa John Farnham. Finding 2 00:00:03,480 --> 00:00:06,160 Speaker 1: the Voice is in cinemas today. We've seen this, Lisa, 3 00:00:06,200 --> 00:00:09,119 Speaker 1: and this was This really had a huge impact on us, 4 00:00:09,119 --> 00:00:11,520 Speaker 1: didness certainly? It is incredibly put together. And the late 5 00:00:11,560 --> 00:00:14,080 Speaker 1: great Glenn Wheatley was right by John's side, not just 6 00:00:14,120 --> 00:00:16,360 Speaker 1: for Whispering Jack, but for so much of his life 7 00:00:16,440 --> 00:00:18,840 Speaker 1: and so much of his wonderful career. And by Glen's 8 00:00:18,840 --> 00:00:21,720 Speaker 1: side of course, and John's Gaina Wheatley, gooday, and welcome, 9 00:00:21,720 --> 00:00:22,600 Speaker 1: good morning, good. 10 00:00:22,520 --> 00:00:25,560 Speaker 2: Morning to you. I wasn't there just as long as 11 00:00:25,800 --> 00:00:28,000 Speaker 2: John was there. I came in there just a little 12 00:00:28,000 --> 00:00:31,400 Speaker 2: bit later, long enough, so important. 13 00:00:32,159 --> 00:00:34,720 Speaker 3: As Claeresy said, we went along to this preview and 14 00:00:35,000 --> 00:00:37,599 Speaker 3: I thought, well this should be good. Little did I 15 00:00:37,640 --> 00:00:40,600 Speaker 3: know I was gonna laugh and cry and everything in 16 00:00:40,600 --> 00:00:42,519 Speaker 3: between and go home and text everyone I knew to 17 00:00:42,560 --> 00:00:43,920 Speaker 3: go and see it as soon as they could. 18 00:00:44,520 --> 00:00:46,920 Speaker 2: It is beautiful. It is beautiful. 19 00:00:47,000 --> 00:00:51,120 Speaker 4: Poppy Sockle, the director, She's done an extraordinary job pulling 20 00:00:51,200 --> 00:00:54,680 Speaker 4: some pieces and some stories together that I don't think 21 00:00:54,760 --> 00:00:59,080 Speaker 4: have been part of our collective history before. No. I 22 00:00:59,080 --> 00:01:03,320 Speaker 4: think you think you know the farm story, but I 23 00:01:03,360 --> 00:01:07,880 Speaker 4: think she's just found other elements to make it more interesting. 24 00:01:08,120 --> 00:01:10,119 Speaker 3: Yeah, that's exactly how we felt so. 25 00:01:10,160 --> 00:01:12,280 Speaker 1: Right, and she personalized so much of it. But even 26 00:01:12,319 --> 00:01:15,080 Speaker 1: following John's career, the things that we all learned along 27 00:01:15,080 --> 00:01:18,160 Speaker 1: the way, and you know, the voice of stuff came later. 28 00:01:18,319 --> 00:01:21,039 Speaker 1: Early on, he was a teen pop idol, wasn't he John? 29 00:01:21,080 --> 00:01:22,880 Speaker 1: And the career developed from there. 30 00:01:22,920 --> 00:01:25,839 Speaker 4: It was And I think, you know, he was discovered 31 00:01:26,600 --> 00:01:30,520 Speaker 4: very quickly sad Sadie, and it was basically. 32 00:01:30,200 --> 00:01:31,319 Speaker 2: An overnight success. 33 00:01:31,360 --> 00:01:34,000 Speaker 4: And I think that was a lot of his problem 34 00:01:34,280 --> 00:01:38,200 Speaker 4: in feeling like he hadn't earnt his stripes, hadn't paid 35 00:01:38,280 --> 00:01:41,679 Speaker 4: his musical jews per sae. 36 00:01:41,680 --> 00:01:43,320 Speaker 2: And it took him a long time. 37 00:01:43,800 --> 00:01:46,800 Speaker 4: You know, he was thirty eight by the time he 38 00:01:46,840 --> 00:01:47,760 Speaker 4: did Whispering Jack. 39 00:01:48,600 --> 00:01:50,480 Speaker 2: I think he felt it took. 40 00:01:50,320 --> 00:01:54,520 Speaker 4: That long, for twenty years to actually believe that he 41 00:01:54,600 --> 00:01:58,120 Speaker 4: deserved the success that was then coming his life. 42 00:01:58,680 --> 00:02:03,040 Speaker 1: It's a lot of recdorship, certainly is from a plumber 43 00:02:03,080 --> 00:02:05,560 Speaker 1: to that in those early days. 44 00:02:05,640 --> 00:02:07,960 Speaker 3: Just how much do you think he rude the day 45 00:02:08,040 --> 00:02:11,679 Speaker 3: he recorded Sadie the Lady he came to love it. 46 00:02:12,400 --> 00:02:14,720 Speaker 2: Do you know what he looks at Sadie now? With 47 00:02:15,040 --> 00:02:16,119 Speaker 2: such fondness. 48 00:02:16,520 --> 00:02:18,880 Speaker 4: There was a period of time where he did not 49 00:02:19,480 --> 00:02:21,480 Speaker 4: want to sing it, or play or hear it, got 50 00:02:21,520 --> 00:02:25,600 Speaker 4: anything else, And then came an acceptance and that he 51 00:02:25,639 --> 00:02:27,160 Speaker 4: says to this day. 52 00:02:27,000 --> 00:02:29,240 Speaker 2: If it wasn't for Sadie, he wouldn't be. 53 00:02:29,240 --> 00:02:32,760 Speaker 4: Where he is right, So he has great respect for it, 54 00:02:32,800 --> 00:02:33,320 Speaker 4: as he should. 55 00:02:33,360 --> 00:02:35,640 Speaker 2: It just shit out song, but he. 56 00:02:37,880 --> 00:02:39,880 Speaker 4: Did, he say it, and now he sings it in 57 00:02:40,240 --> 00:02:45,919 Speaker 4: fiction and that audiences still go nuts for it. 58 00:02:46,120 --> 00:02:48,639 Speaker 2: And he used to think they're all sending him up, but. 59 00:02:48,680 --> 00:02:51,680 Speaker 4: Now I think people have gone on the journey and 60 00:02:51,760 --> 00:02:53,440 Speaker 4: actually do want to hear him sing it. 61 00:02:53,600 --> 00:02:54,560 Speaker 3: No, it's sending him up. 62 00:02:54,720 --> 00:02:55,320 Speaker 1: Absolutely. 63 00:02:55,360 --> 00:02:55,560 Speaker 2: Yeah. 64 00:02:55,600 --> 00:02:58,919 Speaker 1: The White Poppies put this together, and you understand completely 65 00:02:58,960 --> 00:03:01,680 Speaker 1: the other dimension that comes into this, and hearing Olivia's 66 00:03:01,720 --> 00:03:05,120 Speaker 1: voice and so much content, so much of Glenn in 67 00:03:05,120 --> 00:03:09,000 Speaker 1: there as well, and then John's health later on. It's 68 00:03:09,040 --> 00:03:12,280 Speaker 1: a project like none other. The way that unfolded, how 69 00:03:12,760 --> 00:03:13,280 Speaker 1: it was not. 70 00:03:13,360 --> 00:03:15,680 Speaker 2: The original plan obviously. 71 00:03:17,240 --> 00:03:21,760 Speaker 4: For everyone, was not meant to be everybody's final interview, let. 72 00:03:21,600 --> 00:03:26,120 Speaker 2: Me tell you, But it was just the way it happened. 73 00:03:26,120 --> 00:03:28,400 Speaker 2: And I'm so glad Glenn. 74 00:03:28,160 --> 00:03:31,840 Speaker 4: Actually started this project and had the foresight to have 75 00:03:32,000 --> 00:03:34,400 Speaker 4: his interviews done early because I think he needed to 76 00:03:34,440 --> 00:03:34,920 Speaker 4: do that to. 77 00:03:35,040 --> 00:03:36,440 Speaker 2: Get the project underway. 78 00:03:36,640 --> 00:03:39,080 Speaker 4: Yes, and then of course you didn't know there would 79 00:03:39,080 --> 00:03:43,800 Speaker 4: be Alivia's last interview. Although her voice was fairly feeble, 80 00:03:43,880 --> 00:03:48,160 Speaker 4: but she was so positive even at that particular time 81 00:03:48,240 --> 00:03:49,800 Speaker 4: that she would be okay. 82 00:03:50,640 --> 00:03:53,680 Speaker 5: And you know, she was in what she said, he 83 00:03:53,840 --> 00:03:57,360 Speaker 5: was my favorite singer, and she sung with everybody and 84 00:03:57,440 --> 00:04:01,600 Speaker 5: she still had to tell everybody that John is her 85 00:04:01,640 --> 00:04:02,440 Speaker 5: favorite singer. 86 00:04:03,640 --> 00:04:05,040 Speaker 2: That was That was great. 87 00:04:05,080 --> 00:04:09,720 Speaker 4: And then of course we went on another tangent, you know, 88 00:04:09,760 --> 00:04:11,600 Speaker 4: when John became unwell. 89 00:04:11,760 --> 00:04:14,680 Speaker 2: So it's got it all in fact. You go, you know, 90 00:04:15,160 --> 00:04:17,599 Speaker 2: do you want to get interviewed? No, thanks, I'd rather 91 00:04:17,680 --> 00:04:23,000 Speaker 2: not be hear the interviewing list is a bit shorter. 92 00:04:24,480 --> 00:04:24,760 Speaker 4: The way. 93 00:04:24,800 --> 00:04:28,160 Speaker 3: There are times when you thought John's too nice for 94 00:04:28,200 --> 00:04:28,960 Speaker 3: this business. 95 00:04:29,279 --> 00:04:32,440 Speaker 2: He is. He is too nice for his business. 96 00:04:32,800 --> 00:04:37,280 Speaker 4: He's authentic, he's nice, he cares about his fans. He 97 00:04:37,360 --> 00:04:40,680 Speaker 4: is a genuine, great human being. 98 00:04:41,240 --> 00:04:43,919 Speaker 2: He is too nice because you know, most of a 99 00:04:43,960 --> 00:04:45,560 Speaker 2: lot of artists have a lot of ego. 100 00:04:46,320 --> 00:04:50,360 Speaker 4: He seems to leave his somewhere packed away very nicely. 101 00:04:50,920 --> 00:04:53,520 Speaker 4: He's giving, and he's authentic. 102 00:04:53,839 --> 00:04:55,919 Speaker 1: Yeah, I go to what about. I mean, we know 103 00:04:56,040 --> 00:04:59,159 Speaker 1: about John's telling. He understands he's got this wonderful voice 104 00:04:59,320 --> 00:05:03,160 Speaker 1: and the incredible talent and incredible career. But that moment, 105 00:05:03,360 --> 00:05:05,360 Speaker 1: you know, those moments, all those days or that day 106 00:05:05,400 --> 00:05:08,400 Speaker 1: when the Whispering Jack album is about to be launched, 107 00:05:08,600 --> 00:05:11,200 Speaker 1: and this incredible fear that he obviously went through. It 108 00:05:11,240 --> 00:05:13,640 Speaker 1: must have been the depths that he was he was 109 00:05:13,640 --> 00:05:15,880 Speaker 1: going into. It seems quite strange for someone so talented, 110 00:05:15,920 --> 00:05:17,400 Speaker 1: But it was all writing on that album. 111 00:05:17,160 --> 00:05:21,560 Speaker 4: Wasn't that This was his moment and he was absolutely terrified, 112 00:05:21,960 --> 00:05:25,240 Speaker 4: and we weren't even playing it to press. We were 113 00:05:25,240 --> 00:05:29,400 Speaker 4: playing it to you friends and family, and he still 114 00:05:29,800 --> 00:05:33,200 Speaker 4: just could barely get into that car. And thank goodness 115 00:05:33,200 --> 00:05:36,120 Speaker 4: Sedule for I don't know how she did it, probably 116 00:05:36,160 --> 00:05:37,960 Speaker 4: you know, with the broomstick. 117 00:05:37,600 --> 00:05:41,440 Speaker 2: Into the car and off they went in and then 118 00:05:41,480 --> 00:05:42,120 Speaker 2: he came out. 119 00:05:42,200 --> 00:05:46,039 Speaker 4: And it was so well received within this group that 120 00:05:46,440 --> 00:05:48,160 Speaker 4: I think he felt better. I think there was just 121 00:05:48,240 --> 00:05:50,159 Speaker 4: there was just so much fighting on it. There was 122 00:05:50,160 --> 00:05:54,120 Speaker 4: so much stress and a fear of letting Glen dawn. 123 00:05:54,520 --> 00:05:55,160 Speaker 2: There looked so. 124 00:05:55,200 --> 00:05:58,200 Speaker 4: Many elements and this was basically his last roll of 125 00:05:58,279 --> 00:06:01,120 Speaker 4: the dice and he was to go back to the plumbing. 126 00:06:06,600 --> 00:06:08,880 Speaker 2: Still he did still fix it out. We go to 127 00:06:08,960 --> 00:06:14,480 Speaker 2: motels or hotels or whatever. Water precious, crappy, I'll fix it, 128 00:06:14,680 --> 00:06:19,240 Speaker 2: and he goes along stealing things. He's got the skills. 129 00:06:19,120 --> 00:06:20,400 Speaker 2: He's still very handy. 130 00:06:21,480 --> 00:06:25,120 Speaker 3: There is an awful lot to be said for John's 131 00:06:25,120 --> 00:06:29,080 Speaker 3: relationship with Glenn Wheatley. It strikes me as one of 132 00:06:29,120 --> 00:06:34,320 Speaker 3: the most true cases of actual loyalty and respect for 133 00:06:34,360 --> 00:06:37,279 Speaker 3: each other in the industry. And that's got to have 134 00:06:37,320 --> 00:06:39,920 Speaker 3: gone a long way to the success that they had together. 135 00:06:40,320 --> 00:06:40,880 Speaker 2: I think. 136 00:06:42,520 --> 00:06:46,520 Speaker 4: The stories of love affair and about Glenn John not 137 00:06:46,640 --> 00:06:47,760 Speaker 4: our skirls we have. 138 00:06:47,880 --> 00:06:48,720 Speaker 2: They got a looking. 139 00:06:49,160 --> 00:06:55,600 Speaker 4: Children that they could they could communicate and speed and 140 00:06:55,800 --> 00:06:57,880 Speaker 4: for a couple of deaf guys, they can. 141 00:06:57,839 --> 00:06:59,000 Speaker 2: Actually view each other. 142 00:07:00,440 --> 00:07:03,120 Speaker 4: Jill and I could talk at nausea and you know, no, 143 00:07:03,200 --> 00:07:05,800 Speaker 4: you never told me that. But Glenn and John they 144 00:07:05,960 --> 00:07:07,239 Speaker 4: spoke on another level. 145 00:07:07,360 --> 00:07:11,320 Speaker 2: It was really a lot of privilege. It was so. 146 00:07:11,520 --> 00:07:17,000 Speaker 4: Incredible to watch to humans and me, you know, just 147 00:07:17,640 --> 00:07:20,840 Speaker 4: have a connection and an understanding and a love for 148 00:07:20,920 --> 00:07:21,360 Speaker 4: each other. 149 00:07:21,480 --> 00:07:22,800 Speaker 2: That was really special. 150 00:07:23,080 --> 00:07:25,960 Speaker 1: Yeah, John talks a lot, and the story's been out 151 00:07:25,960 --> 00:07:27,920 Speaker 1: there a lot about the risks that you and Glenn 152 00:07:27,960 --> 00:07:30,920 Speaker 1: took with your finances to help John get to this project. 153 00:07:31,000 --> 00:07:33,760 Speaker 1: Was there a certain moment when you all realized it 154 00:07:33,760 --> 00:07:35,760 Speaker 1: had just clicked? There was when it went to number one, 155 00:07:35,760 --> 00:07:38,240 Speaker 1: when it started getting airplay, and John, you know, in 156 00:07:38,280 --> 00:07:40,600 Speaker 1: his humble way, probably find a very personal way to 157 00:07:40,640 --> 00:07:40,960 Speaker 1: thank you. 158 00:07:42,440 --> 00:07:47,880 Speaker 4: John's been thanking us forever since, you know, through loyalty 159 00:07:48,240 --> 00:07:50,440 Speaker 4: and my goodness, He's been. 160 00:07:50,280 --> 00:07:53,160 Speaker 2: A steadfast friend and wonderful. 161 00:07:53,920 --> 00:07:55,560 Speaker 4: I think we were just when we got on the 162 00:07:55,640 --> 00:07:59,480 Speaker 4: role of the success when we realized it was resonating 163 00:07:59,520 --> 00:08:03,280 Speaker 4: with everybody, When we realized that it was when it 164 00:08:03,320 --> 00:08:05,440 Speaker 4: went to number one, it was enough to have a 165 00:08:05,520 --> 00:08:08,400 Speaker 4: play on the air, let alone go to number one. 166 00:08:08,720 --> 00:08:11,360 Speaker 4: When we got to that, it was a whole new 167 00:08:11,520 --> 00:08:15,000 Speaker 4: world and John was just so incredibly happy. 168 00:08:15,120 --> 00:08:19,320 Speaker 2: That was the payment. Luckily it was on Weekly Records, so. 169 00:08:21,560 --> 00:08:24,600 Speaker 4: That certainly we've been hard coping and cheering from the 170 00:08:24,640 --> 00:08:26,880 Speaker 4: sides had it been on B energy or. 171 00:08:29,360 --> 00:08:29,640 Speaker 2: Record. 172 00:08:29,720 --> 00:08:32,120 Speaker 4: So it was just it was just a win win 173 00:08:32,240 --> 00:08:34,360 Speaker 4: all around, and a lot of joy. 174 00:08:35,120 --> 00:08:36,679 Speaker 2: It's continued, you know what I mean. 175 00:08:36,720 --> 00:08:42,200 Speaker 4: The second album, Major Reason, amazing creation, but it wasn't 176 00:08:42,280 --> 00:08:44,440 Speaker 4: number one hit one but we're not talking about just 177 00:08:44,520 --> 00:08:45,160 Speaker 4: saw this one. 178 00:08:45,360 --> 00:08:49,079 Speaker 2: The gift we had was, of course, you know you're 179 00:08:49,160 --> 00:08:49,600 Speaker 2: the voice. 180 00:08:49,720 --> 00:08:52,680 Speaker 4: That's that's the gift that we still have today, this 181 00:08:53,240 --> 00:08:58,520 Speaker 4: extraordinary song that is going to be elevated to another stratosphere. 182 00:08:58,960 --> 00:09:01,160 Speaker 3: I have to say that you go away from the 183 00:09:01,200 --> 00:09:04,400 Speaker 3: movie as if we weren't already invested enough in how 184 00:09:04,520 --> 00:09:10,200 Speaker 3: John's doing. You leave the movie thinking please be okay, yeah, 185 00:09:10,200 --> 00:09:13,200 Speaker 3: please yeah, please be okay. 186 00:09:12,280 --> 00:09:15,599 Speaker 2: Yeah, please be okay. There's nothing else to say. It 187 00:09:15,720 --> 00:09:19,160 Speaker 2: really is there. That's it. 188 00:09:18,320 --> 00:09:22,400 Speaker 4: Just please I can't. 189 00:09:22,120 --> 00:09:24,400 Speaker 2: Lose both of them. I've seen it before. 190 00:09:26,080 --> 00:09:30,640 Speaker 3: No, no, well gain well, thank you so much for 191 00:09:30,720 --> 00:09:31,199 Speaker 3: joining us. 192 00:09:32,400 --> 00:09:36,200 Speaker 4: Absolute pleasure, and I'm glad you enjoyed it and hope 193 00:09:36,240 --> 00:09:37,559 Speaker 4: everyone goes to see it too,