1 00:00:00,440 --> 00:00:04,720 Speaker 1: Melbury. Welcome to the Christian O'Connell Show podcast. 2 00:00:04,920 --> 00:00:06,760 Speaker 2: So the next two weeks we're playing a brand new 3 00:00:06,800 --> 00:00:08,799 Speaker 2: game with you guys, and you can do anything the 4 00:00:08,840 --> 00:00:10,120 Speaker 2: power that you have right now. 5 00:00:10,200 --> 00:00:11,440 Speaker 1: Then this is huge. 6 00:00:11,520 --> 00:00:14,400 Speaker 2: We have one hundred billboards every single show to play 7 00:00:14,400 --> 00:00:16,920 Speaker 2: with and we're going to pick a message today sometimes two, 8 00:00:16,920 --> 00:00:19,280 Speaker 2: which we did yesterday, and we can change the message 9 00:00:19,280 --> 00:00:22,000 Speaker 2: on the billboards to one hundred big digital billboards all 10 00:00:22,000 --> 00:00:23,640 Speaker 2: over Melbourne within about ten minutes. 11 00:00:24,120 --> 00:00:26,040 Speaker 1: So we're looking for a brand new one right now. 12 00:00:26,239 --> 00:00:29,320 Speaker 1: Nine four one four one oh four three. What do 13 00:00:29,360 --> 00:00:29,920 Speaker 1: you want to put up? 14 00:00:29,960 --> 00:00:32,519 Speaker 2: There might be something that you would text to just somebody, 15 00:00:32,840 --> 00:00:36,839 Speaker 2: a work mate, your boss, your husband, your wife. The 16 00:00:36,960 --> 00:00:40,000 Speaker 2: kids broadcast it to all of Melbourne. It's like send 17 00:00:40,000 --> 00:00:43,080 Speaker 2: all where the all is Melbourne. This came in overnight. 18 00:00:42,760 --> 00:00:44,320 Speaker 1: From Carl Christian. 19 00:00:44,360 --> 00:00:47,199 Speaker 2: I like to have a billboard near the Pies training 20 00:00:47,240 --> 00:00:50,240 Speaker 2: ground simply saying Jack Christopher Captain. 21 00:00:52,720 --> 00:00:54,880 Speaker 1: I love this one. From Catherine. 22 00:00:55,400 --> 00:00:57,560 Speaker 2: Our seventeen year old daughter has been living in Germany 23 00:00:57,600 --> 00:01:00,280 Speaker 2: for three months on exchange, going to school there, and 24 00:01:00,320 --> 00:01:01,440 Speaker 2: it's coming home this week. 25 00:01:01,760 --> 00:01:05,720 Speaker 1: Her real name is Miranda, but her oldest sister who 26 00:01:05,760 --> 00:01:06,119 Speaker 1: is two. 27 00:01:06,160 --> 00:01:09,000 Speaker 2: When Miranda was born, told friends and family that a 28 00:01:09,120 --> 00:01:13,520 Speaker 2: new baby sister name is Babanda Bunnett Fealzbach. We think 29 00:01:13,560 --> 00:01:15,399 Speaker 2: it'd be great if you the billboard could just say 30 00:01:15,480 --> 00:01:16,480 Speaker 2: that and nothing else. 31 00:01:16,840 --> 00:01:17,679 Speaker 1: That's what Catherine. 32 00:01:17,880 --> 00:01:20,000 Speaker 2: All right, let's go to lines on nine four one 33 00:01:20,120 --> 00:01:21,560 Speaker 2: four one oh four three. 34 00:01:21,959 --> 00:01:24,679 Speaker 1: Good morning, Vanessa, Morning Christian. 35 00:01:24,720 --> 00:01:25,160 Speaker 3: How are you? 36 00:01:25,280 --> 00:01:27,960 Speaker 1: I'm good, Vanessa. So what would you like your billboard 37 00:01:27,959 --> 00:01:28,360 Speaker 1: to say? 38 00:01:29,880 --> 00:01:32,399 Speaker 3: Keeping it short and simple. I want my partner to 39 00:01:32,560 --> 00:01:33,760 Speaker 3: hurry up and propose to me. 40 00:01:34,600 --> 00:01:36,039 Speaker 1: All right, so what's the story. Do you know that 41 00:01:36,080 --> 00:01:37,760 Speaker 1: he's got the ring? I do. 42 00:01:38,080 --> 00:01:40,360 Speaker 3: Yeah, we went shopping for it and on our ten 43 00:01:40,440 --> 00:01:43,959 Speaker 3: year anniversary, and it's sat in the safe ever since, 44 00:01:43,959 --> 00:01:46,399 Speaker 3: for about six months. So I'm still just waiting for 45 00:01:46,480 --> 00:01:47,280 Speaker 3: him to give it to me. 46 00:01:47,960 --> 00:01:49,919 Speaker 1: It must be. It must be doing you in because 47 00:01:49,920 --> 00:01:51,360 Speaker 1: you know it's in the safe. 48 00:01:51,880 --> 00:01:55,600 Speaker 3: It's very frustrating. Yeah. I just keep thinking about it, 49 00:01:55,640 --> 00:01:57,480 Speaker 3: and I'm thinking, oh, is it going to be today 50 00:01:57,600 --> 00:01:59,640 Speaker 3: or is it going to be a special occasion? But no, 51 00:02:00,120 --> 00:02:01,720 Speaker 3: just casually it still sits there. 52 00:02:01,840 --> 00:02:04,120 Speaker 1: Because you've had Christmas, you've had New Year. This has 53 00:02:04,160 --> 00:02:05,200 Speaker 1: went so many people. 54 00:02:05,240 --> 00:02:08,040 Speaker 2: Traditionally they do it on New Year's Eve or New Yesday, 55 00:02:08,080 --> 00:02:10,200 Speaker 2: the new year, new intentions and a wedding plan. 56 00:02:10,560 --> 00:02:11,760 Speaker 3: That's it. Yeah, that's it. 57 00:02:11,800 --> 00:02:14,560 Speaker 4: But no, is he waiting for the holiday? Maybe a 58 00:02:14,600 --> 00:02:16,200 Speaker 4: lot of people wait for their away somewhere. 59 00:02:16,960 --> 00:02:19,560 Speaker 3: I don't know, he knows. I like the snow, so 60 00:02:19,720 --> 00:02:21,880 Speaker 3: I thought maybe he was waiting until we go there. 61 00:02:22,080 --> 00:02:22,680 Speaker 3: But you know. 62 00:02:24,680 --> 00:02:26,880 Speaker 1: Places that snowed over Christmas a New Year. 63 00:02:27,080 --> 00:02:30,080 Speaker 4: But as we're warning our producer Tom who told us 64 00:02:30,080 --> 00:02:32,960 Speaker 4: the story on the show, he proposed in snow and 65 00:02:33,000 --> 00:02:35,360 Speaker 4: because he went down in like four feet of snow, 66 00:02:35,360 --> 00:02:36,280 Speaker 4: he almost disappeared. 67 00:02:36,280 --> 00:02:38,320 Speaker 5: And he just had a hand reaching up out of 68 00:02:38,320 --> 00:02:38,880 Speaker 5: the snow with. 69 00:02:38,800 --> 00:02:41,240 Speaker 1: A ring on it. Worried. 70 00:02:41,320 --> 00:02:42,280 Speaker 3: Sorry, it was pretty good. 71 00:02:44,040 --> 00:02:46,360 Speaker 1: So have you said to him at any moment like 72 00:02:47,760 --> 00:02:48,440 Speaker 1: the ring? You know? 73 00:02:48,880 --> 00:02:51,680 Speaker 3: I have. I have tried being subtle and it just 74 00:02:51,800 --> 00:02:52,959 Speaker 3: kind of gets brushed over. 75 00:02:53,080 --> 00:02:57,400 Speaker 2: So is it like this when are you going out 76 00:02:57,440 --> 00:02:59,359 Speaker 2: for Whenever you're out for a mill in the restaurant, 77 00:02:59,400 --> 00:03:01,519 Speaker 2: he bends down to pick something up or shoela. 78 00:03:01,639 --> 00:03:08,040 Speaker 1: So this is it? Yes, Mitch, Yeah, I feel like. 79 00:03:08,040 --> 00:03:10,800 Speaker 4: That when you say you're subtle, what what's your tactic 80 00:03:10,840 --> 00:03:11,640 Speaker 4: to being subtle? 81 00:03:12,760 --> 00:03:14,880 Speaker 3: Look? I might just say, oh if you know, if 82 00:03:14,880 --> 00:03:16,600 Speaker 3: he's going to the safe, I'm like, oh, you're getting 83 00:03:16,639 --> 00:03:22,240 Speaker 3: my ring, or you're. 84 00:03:19,760 --> 00:03:20,440 Speaker 5: Going to get my ring. 85 00:03:20,760 --> 00:03:24,079 Speaker 1: I call that subtle and beyond single ladies all the time. 86 00:03:24,600 --> 00:03:29,840 Speaker 4: Yeah, all right, nothing more subtle than than the billboard directly, 87 00:03:29,960 --> 00:03:30,720 Speaker 4: one hundred of them. 88 00:03:30,800 --> 00:03:33,760 Speaker 2: Yeah, okay, it's time to make it crystal clear. Uh 89 00:03:33,880 --> 00:03:36,080 Speaker 2: and so what would you in your mind? You probably 90 00:03:36,160 --> 00:03:38,640 Speaker 2: visualize what you think the billboard might say. What does 91 00:03:38,680 --> 00:03:39,880 Speaker 2: it say at the moment. 92 00:03:40,920 --> 00:03:44,760 Speaker 3: Says Mitch, hurry up and propose to me? Love ness, 93 00:03:45,440 --> 00:03:45,880 Speaker 3: love it. 94 00:03:45,920 --> 00:03:48,160 Speaker 1: This is direct, all right, all right? 95 00:03:48,360 --> 00:03:50,080 Speaker 3: And a couple of exes in there at the end. 96 00:03:50,280 --> 00:03:53,040 Speaker 1: Yeah, how many want to chuck in three? It's got 97 00:03:53,040 --> 00:03:56,080 Speaker 1: to be at least three. Three always standard number, isn't it. 98 00:03:56,160 --> 00:03:59,600 Speaker 4: Now we've been using exclamation marks, Willy Nilly will, were 99 00:03:59,600 --> 00:04:02,480 Speaker 4: going again, Mitch exclamation yes. 100 00:04:02,480 --> 00:04:06,840 Speaker 3: No, no, I was thinking more at the end, like Mitch, 101 00:04:06,920 --> 00:04:10,760 Speaker 3: hurry up and propose to me. Exclamation mark limit. 102 00:04:10,600 --> 00:04:15,240 Speaker 2: Today the use of the excavation mark one billboard message. 103 00:04:15,480 --> 00:04:17,400 Speaker 1: Vanessa's right, So Vanessa is just seems you're going to 104 00:04:17,480 --> 00:04:22,520 Speaker 1: begin Mitch new line, Yeah, yes, please. 105 00:04:22,360 --> 00:04:25,200 Speaker 4: Okay, and I already sorry already, Mitch, but I've already 106 00:04:25,200 --> 00:04:25,719 Speaker 4: forgotten what the. 107 00:04:25,720 --> 00:04:28,200 Speaker 6: Rest of hurry up and propose already? 108 00:04:28,600 --> 00:04:30,280 Speaker 3: Hurry yes, thanks pet. 109 00:04:30,839 --> 00:04:33,920 Speaker 2: In the movie of this, Patsy's playing euphanis you know 110 00:04:34,120 --> 00:04:36,279 Speaker 2: no sort of current affair reconstruction? 111 00:04:38,760 --> 00:04:40,160 Speaker 5: All right, refreshed. 112 00:04:40,200 --> 00:04:41,760 Speaker 4: We should be able to the three of us, should 113 00:04:41,760 --> 00:04:44,800 Speaker 4: be able to look at the example. 114 00:04:44,400 --> 00:04:46,560 Speaker 2: Bill I'm looking at this now, so Vanessa just let 115 00:04:46,560 --> 00:04:49,040 Speaker 2: me just read it back to you. Mitch, hurry up 116 00:04:49,080 --> 00:04:50,240 Speaker 2: and propose already. 117 00:04:51,440 --> 00:04:54,400 Speaker 3: Now you want to propose to me already? 118 00:04:54,400 --> 00:04:55,360 Speaker 1: Perhaps proposed? 119 00:04:55,760 --> 00:04:57,760 Speaker 5: You don't want to just proposing to the next. 120 00:04:57,600 --> 00:05:01,760 Speaker 3: Person, Yeah, to the and to the apprentice sit next. 121 00:05:01,600 --> 00:05:04,040 Speaker 1: To him, SI story. 122 00:05:04,160 --> 00:05:07,000 Speaker 6: Now why don't you put hurry up and propose already 123 00:05:07,440 --> 00:05:09,600 Speaker 6: and then put your name? That would be better, wouldn't 124 00:05:09,600 --> 00:05:11,360 Speaker 6: it as opposed to to me? 125 00:05:11,640 --> 00:05:12,200 Speaker 5: I think to me. 126 00:05:13,640 --> 00:05:17,520 Speaker 1: Proposed already, yes, just with crystal clear. 127 00:05:17,520 --> 00:05:19,000 Speaker 2: Then, so the billboard, one hundred of them is going 128 00:05:19,080 --> 00:05:23,640 Speaker 2: to say, Mitch, hurry up and propose already, love ness 129 00:05:24,760 --> 00:05:25,480 Speaker 2: x x X. 130 00:05:25,520 --> 00:05:32,640 Speaker 5: Okay, sorry, I she did say to formal okay loves XO. 131 00:05:34,000 --> 00:05:35,039 Speaker 3: No, just three ex. 132 00:05:36,800 --> 00:05:42,120 Speaker 5: Generation x three exes. But doesn't that say usually. 133 00:05:41,920 --> 00:05:45,360 Speaker 3: That that's just what I always do me too. 134 00:05:45,440 --> 00:05:47,200 Speaker 5: Three xes sometimes means sex. 135 00:05:50,160 --> 00:05:53,160 Speaker 2: Get any one those dodgy websites you go on to, 136 00:05:53,920 --> 00:05:55,080 Speaker 2: or it's a safe word for you. 137 00:05:55,160 --> 00:05:56,960 Speaker 1: I don't know, but not here. 138 00:05:57,640 --> 00:05:58,839 Speaker 5: All right, have a look at the update. 139 00:06:00,160 --> 00:06:02,760 Speaker 2: Click refresher what we've got right now, let's see what 140 00:06:02,800 --> 00:06:04,120 Speaker 2: we've got, Mitch. 141 00:06:04,160 --> 00:06:07,920 Speaker 1: Hurry up and proposed already exclamation mark. 142 00:06:10,240 --> 00:06:15,880 Speaker 2: The love ness night I'm running in paran Loveness. 143 00:06:15,960 --> 00:06:17,800 Speaker 1: Okay, should that be a separate line? 144 00:06:17,839 --> 00:06:18,440 Speaker 5: Separate line? 145 00:06:19,800 --> 00:06:21,880 Speaker 1: Sorry, we're just formating this, right, it's got to look right. 146 00:06:21,880 --> 00:06:27,320 Speaker 1: It's got to look right, thank you. So the last 147 00:06:27,360 --> 00:06:29,800 Speaker 1: line would then read jack Loveness. 148 00:06:29,680 --> 00:06:32,280 Speaker 5: X x X refresh, refreshing. 149 00:06:32,800 --> 00:06:36,280 Speaker 1: Ye, why have you got like that hyphen there? 150 00:06:37,480 --> 00:06:39,159 Speaker 5: Because it's like love ness? 151 00:06:39,160 --> 00:06:42,120 Speaker 6: Like, no, I get rid of and can you do 152 00:06:42,200 --> 00:06:43,599 Speaker 6: the xes in cat plays? 153 00:06:43,640 --> 00:06:44,600 Speaker 5: Are they in capital? 154 00:06:45,760 --> 00:06:45,880 Speaker 1: Now? 155 00:06:45,960 --> 00:06:50,200 Speaker 2: I'm with Jackie? Otherwise it's like triple x back true true, true, 156 00:06:50,480 --> 00:06:52,440 Speaker 2: chilling reminder that that even existed? 157 00:06:55,279 --> 00:06:58,279 Speaker 5: All right, refreshing now, refreshing. 158 00:06:59,240 --> 00:07:03,120 Speaker 2: Looking at the I like, what do you reckon about that? 159 00:07:03,080 --> 00:07:04,240 Speaker 2: That's a bit bunched up to me. 160 00:07:04,240 --> 00:07:06,160 Speaker 5: He's not bunched up. You need a bit can we do? 161 00:07:06,240 --> 00:07:08,520 Speaker 6: Moss can we do a space between Mitch and hurry 162 00:07:08,560 --> 00:07:09,720 Speaker 6: and already in love. 163 00:07:10,480 --> 00:07:12,280 Speaker 1: And then we're done. We're good too, We're good to. 164 00:07:16,080 --> 00:07:17,120 Speaker 5: Just talk amongst yourselves. 165 00:07:17,120 --> 00:07:20,400 Speaker 1: Please, what do you feel about taking it from Jack 166 00:07:20,440 --> 00:07:21,080 Speaker 1: to one on this bit? 167 00:07:23,160 --> 00:07:23,960 Speaker 5: He's doing all right? 168 00:07:24,040 --> 00:07:27,000 Speaker 4: Yeah, more people don't realize and I mean, I don't 169 00:07:27,040 --> 00:07:28,480 Speaker 4: have to get into the behind the scenes. 170 00:07:28,240 --> 00:07:31,400 Speaker 1: But ye don't. Let's go change your sheets. Came everyone 171 00:07:31,400 --> 00:07:33,440 Speaker 1: a reminder you have to do code. 172 00:07:35,560 --> 00:07:38,920 Speaker 6: Cod That looks great, Jack, that's much better. 173 00:07:39,040 --> 00:07:40,600 Speaker 1: Let's go. Let's have a look. Now, there we go. 174 00:07:40,720 --> 00:07:42,640 Speaker 1: That's it. Mitch, hurry up and propose. 175 00:07:42,680 --> 00:07:48,440 Speaker 2: Already loveless, kiss kiss kiss. Yeah, this is the big 176 00:07:48,480 --> 00:07:50,480 Speaker 2: bit we all look forward to. Now it's right, it's perfect, 177 00:07:50,480 --> 00:07:51,040 Speaker 2: it's beautiful. 178 00:07:51,120 --> 00:07:57,360 Speaker 1: Send it and now we wait. Could be two three 179 00:07:57,400 --> 00:07:58,080 Speaker 1: minutes and. 180 00:07:58,000 --> 00:08:03,600 Speaker 2: Then one hundred billboards all over Melbourne will go live wave. 181 00:08:03,560 --> 00:08:08,840 Speaker 3: Great, played to work now so hopefully. 182 00:08:08,240 --> 00:08:11,760 Speaker 2: Okay, any minute now, Vanessa, we'll be in touched to 183 00:08:11,760 --> 00:08:12,440 Speaker 2: you the next twenty minutes. 184 00:08:12,480 --> 00:08:13,960 Speaker 1: There's his fingers crossed. See what happens? 185 00:08:13,960 --> 00:08:15,840 Speaker 3: Good luck, lovely, Thank you so much. 186 00:08:16,360 --> 00:08:18,840 Speaker 1: Well. Christian no Connell's show podcast. 187 00:08:19,560 --> 00:08:23,239 Speaker 2: So we started this yesterday. Every morning on the show. 188 00:08:23,880 --> 00:08:26,320 Speaker 2: We have one hundred billboards, you know, the ones you 189 00:08:26,440 --> 00:08:29,040 Speaker 2: see all over up at the air you're driving along. 190 00:08:29,360 --> 00:08:32,040 Speaker 2: We can change them and put one message on one 191 00:08:32,160 --> 00:08:34,080 Speaker 2: hundred of them. 192 00:08:33,600 --> 00:08:35,280 Speaker 1: At the flick of a switch. Here in the studio. 193 00:08:35,679 --> 00:08:39,800 Speaker 2: Yesterday we had Marie who just wanted to say, Steve, 194 00:08:39,840 --> 00:08:42,560 Speaker 2: put your dishes and a dishwasher. And then the current 195 00:08:42,640 --> 00:08:45,160 Speaker 2: one is from Vanessa who called the show about an 196 00:08:45,160 --> 00:08:48,160 Speaker 2: hour ago and her partner, Mitch, has had the wedding 197 00:08:48,240 --> 00:08:50,920 Speaker 2: ring in a safe for about six months. Christmas has 198 00:08:50,960 --> 00:08:53,520 Speaker 2: come by. You hear, it's gone by. It ain't coming 199 00:08:53,559 --> 00:08:56,679 Speaker 2: out that safe. So she decided to push this come 200 00:08:56,720 --> 00:08:59,200 Speaker 2: to shove, which often happens with a woman, and she's 201 00:08:59,280 --> 00:09:01,760 Speaker 2: just got this on one hundred billboards all over Melbourne. 202 00:09:01,800 --> 00:09:06,640 Speaker 2: Right now, Mitch, hurry up and propose already, love ness, Kiss, 203 00:09:06,679 --> 00:09:09,120 Speaker 2: kiss kiss. So have we got Mitch on the line. 204 00:09:09,160 --> 00:09:11,720 Speaker 5: Now we've got Mitchell on line one. Vanessa line too. 205 00:09:12,040 --> 00:09:17,200 Speaker 2: All right, Mitch, good morning. I'm sorry that we meet 206 00:09:17,240 --> 00:09:20,520 Speaker 2: like this. I felt like I'm kind of cuckolded and 207 00:09:20,640 --> 00:09:24,400 Speaker 2: something in but I'm merely the messenger passing on the 208 00:09:24,480 --> 00:09:27,079 Speaker 2: message from your partner. 209 00:09:27,120 --> 00:09:27,440 Speaker 1: And a round. 210 00:09:27,720 --> 00:09:30,880 Speaker 2: Let's get Vanessa up here as well. Vanessa, welcome back 211 00:09:30,920 --> 00:09:31,360 Speaker 2: to the show. 212 00:09:32,200 --> 00:09:33,520 Speaker 3: Hi, thank you. Hey Mitch. 213 00:09:33,800 --> 00:09:39,200 Speaker 2: All right, So, Mitch, have you seen the sign as 214 00:09:39,200 --> 00:09:41,679 Speaker 2: your has your phone been going crazy with friends? 215 00:09:41,679 --> 00:09:44,720 Speaker 1: You all going, Mitch, I've. 216 00:09:44,559 --> 00:09:48,160 Speaker 3: Got a few messages from a few people now and 217 00:09:48,200 --> 00:09:50,439 Speaker 3: they're one of the coincidences. 218 00:09:51,400 --> 00:09:53,679 Speaker 1: And so, Vanessa, have you spoken to Mitch? Has he 219 00:09:53,720 --> 00:09:54,800 Speaker 1: called you or anything about this? 220 00:09:56,280 --> 00:09:59,439 Speaker 2: This is the first time I'm hearing from it, right, Okay, 221 00:09:59,679 --> 00:10:02,439 Speaker 2: So I'll let you two have a challenge. 222 00:10:03,000 --> 00:10:11,720 Speaker 3: Yeah, hey, I just figured it was time to get 223 00:10:11,720 --> 00:10:14,240 Speaker 3: that ring out of the safe. Let's do it? 224 00:10:14,400 --> 00:10:16,120 Speaker 1: Why not? Lovely? 225 00:10:16,400 --> 00:10:17,719 Speaker 3: Thank you? 226 00:10:18,200 --> 00:10:20,080 Speaker 1: She's got to mark your moment in life. You can't 227 00:10:20,080 --> 00:10:21,520 Speaker 1: just go, let's do it? Why not? 228 00:10:23,240 --> 00:10:24,199 Speaker 3: Well, I had a plan. 229 00:10:24,720 --> 00:10:25,320 Speaker 1: I had a plan. 230 00:10:25,480 --> 00:10:26,559 Speaker 3: This is going with my plan. 231 00:10:26,640 --> 00:10:28,440 Speaker 1: But why not? I don't know. 232 00:10:28,600 --> 00:10:29,880 Speaker 5: We don't want to tremble on the plane. 233 00:10:29,960 --> 00:10:33,440 Speaker 1: Oh yeah, this plan sudden? We heard about this secret plan. 234 00:10:34,760 --> 00:10:37,640 Speaker 1: The map must be in the safe. 235 00:10:38,520 --> 00:10:41,040 Speaker 3: It's a recent map. But we're just all She just 236 00:10:41,040 --> 00:10:43,640 Speaker 3: got a motorbikele license and I played on going off 237 00:10:43,679 --> 00:10:45,880 Speaker 3: a ride up the sky high doing up at sky High? 238 00:10:46,160 --> 00:10:46,600 Speaker 1: Right right? 239 00:10:51,440 --> 00:10:53,160 Speaker 5: How close we Yeah? 240 00:10:54,040 --> 00:10:58,040 Speaker 1: Was it? February the month she got her license on Sunday. 241 00:11:00,120 --> 00:11:00,200 Speaker 2: US. 242 00:11:00,320 --> 00:11:03,600 Speaker 1: We're going to be couple weeks. We've ruined the surprise 243 00:11:04,040 --> 00:11:06,000 Speaker 1: we have actually times. 244 00:11:07,040 --> 00:11:10,040 Speaker 3: I don't consider it ruined. I just consider it pushed forward. 245 00:11:10,200 --> 00:11:13,040 Speaker 1: Absolutely, be moved up. It's been moved up, isn't it. 246 00:11:14,720 --> 00:11:19,080 Speaker 3: Let's go for a right to do tonight? Oh the works. 247 00:11:19,160 --> 00:11:24,040 Speaker 1: There is reluctant. 248 00:11:24,520 --> 00:11:26,800 Speaker 4: Yeah, you know, just something in his voice, like, all right, 249 00:11:26,800 --> 00:11:28,480 Speaker 4: well it's ruined, but we'll do it now. 250 00:11:28,480 --> 00:11:32,000 Speaker 2: If you want to do it, it's going to be great. 251 00:11:32,000 --> 00:11:32,720 Speaker 1: Get down on one late. 252 00:11:35,160 --> 00:11:39,400 Speaker 3: All right, well, thank you? 253 00:11:39,480 --> 00:11:43,880 Speaker 1: This is anyone? Happy? 254 00:11:45,040 --> 00:11:45,400 Speaker 3: Happy? 255 00:11:45,800 --> 00:11:50,120 Speaker 1: Mitchure you happy? Or has this been sort of gate crush? Oh? Happy, 256 00:11:50,200 --> 00:11:52,720 Speaker 1: but crushed? But it's all good. 257 00:11:53,160 --> 00:11:54,679 Speaker 3: More the school was possive. 258 00:11:55,920 --> 00:11:58,480 Speaker 2: All right, Well, I'm sorry if we have actually accidentally 259 00:11:58,920 --> 00:12:01,800 Speaker 2: gate crushed anything, Mitch. I hope you do. You two 260 00:12:02,960 --> 00:12:05,439 Speaker 2: make it all work. You're obviously a great couple, rock 261 00:12:05,480 --> 00:12:10,120 Speaker 2: solid relationship, and I'm trying to get I'm trying. 262 00:12:10,160 --> 00:12:13,040 Speaker 4: Okay, take you, take your time, do what you were 263 00:12:13,040 --> 00:12:15,959 Speaker 4: going to do originally. Forget forget about the billboard, give 264 00:12:16,000 --> 00:12:16,360 Speaker 4: me to. 265 00:12:16,760 --> 00:12:19,120 Speaker 1: You can't forget about one hundred billboards. They're up there. 266 00:12:19,120 --> 00:12:21,000 Speaker 1: Now it's going to take us ten minutes to get 267 00:12:21,000 --> 00:12:21,400 Speaker 1: them down. 268 00:12:24,040 --> 00:12:26,000 Speaker 3: I heard the say the flick of a switch off. 269 00:12:26,440 --> 00:12:28,120 Speaker 1: Yeah, but the reverse switch is harder. 270 00:12:30,040 --> 00:12:34,080 Speaker 2: I'm doing it as soon as there you go, one 271 00:12:34,120 --> 00:12:36,800 Speaker 2: happy customer, one really unhappy one. 272 00:12:36,920 --> 00:12:39,800 Speaker 1: Good job everyone. On day two of Wain a. 273 00:12:39,760 --> 00:12:42,320 Speaker 2: Billboard, we had something planned here, but here's what we 274 00:12:42,360 --> 00:12:44,600 Speaker 2: need to happen right now. Wait, didn't need new message 275 00:12:44,679 --> 00:12:45,199 Speaker 2: up there. 276 00:12:45,200 --> 00:12:45,880 Speaker 1: A S A P. 277 00:12:46,520 --> 00:12:49,560 Speaker 2: So honestly, it's like a it's like a sell, an 278 00:12:49,640 --> 00:12:52,360 Speaker 2: urgent sell right now, what message you want up there? 279 00:12:52,400 --> 00:12:54,240 Speaker 1: We have to pick one as soon as possible. 280 00:12:54,280 --> 00:12:56,120 Speaker 5: Essentially, the first person through it is. 281 00:12:56,240 --> 00:12:59,080 Speaker 1: All right, So we need to change the message a SAP. 282 00:13:00,080 --> 00:13:03,160 Speaker 1: Christian O'Connell Show podcast