1 00:00:00,080 --> 00:00:03,360 Speaker 1: Hey, this is Christian with a very small request. It 2 00:00:03,400 --> 00:00:06,120 Speaker 1: would only take you a small amount of your time. 3 00:00:06,960 --> 00:00:09,559 Speaker 1: I've got to do a talk, a speech about radio, 4 00:00:09,960 --> 00:00:12,639 Speaker 1: and I want to talk about the show, and I'd 5 00:00:12,680 --> 00:00:15,360 Speaker 1: love to use your words because if you listen to this, 6 00:00:16,040 --> 00:00:18,840 Speaker 1: you hopefully enjoy what we do and what we make 7 00:00:19,000 --> 00:00:22,480 Speaker 1: and what we send out with love every day. So 8 00:00:22,560 --> 00:00:26,119 Speaker 1: if you could email me Christian at christiano'connell dot com dot. 9 00:00:25,880 --> 00:00:29,960 Speaker 2: Au and tell me in one line or. 10 00:00:29,960 --> 00:00:32,159 Speaker 1: A couple of lines whatever, I don't want to take 11 00:00:32,200 --> 00:00:36,760 Speaker 1: up too much of your time. What does the show 12 00:00:36,800 --> 00:00:39,720 Speaker 1: make you feel? Why do you listen to it? I'd 13 00:00:39,760 --> 00:00:43,320 Speaker 1: be genuinely really interested. I know that Jack and Pats 14 00:00:43,320 --> 00:00:47,360 Speaker 1: and Caitlin and Real and Whitney my team would as well. So, yeah, 15 00:00:47,800 --> 00:00:50,320 Speaker 1: what does the show make you feel? Why do you 16 00:00:50,680 --> 00:00:53,640 Speaker 1: listen to the show? That'd be great, Thank you very much. 17 00:00:53,800 --> 00:00:56,720 Speaker 2: Just one line or two would be awesome, big love, 18 00:00:56,880 --> 00:00:57,720 Speaker 2: enjoy today's show. 19 00:00:58,400 --> 00:01:01,720 Speaker 3: Yeah, welcome friends to the Quest you know, O'Connell's show podcast. 20 00:01:02,520 --> 00:01:06,399 Speaker 1: Okay, your phone's on silent please? Yes, oh, preferably off. 21 00:01:08,360 --> 00:01:09,840 Speaker 4: Yeah that's a good idea, Yeah. 22 00:01:09,680 --> 00:01:10,880 Speaker 2: It is because it's good radio. 23 00:01:11,720 --> 00:01:13,600 Speaker 4: Good do you have your phone off during the show. 24 00:01:14,240 --> 00:01:19,880 Speaker 1: No, I write a lot of no not that she 25 00:01:20,080 --> 00:01:23,160 Speaker 1: does use that avenue that I keep saying, I am 26 00:01:23,200 --> 00:01:26,240 Speaker 1: at work, and she goes, you ain't doing a ten 27 00:01:26,280 --> 00:01:28,280 Speaker 1: hour No, you're right. 28 00:01:28,200 --> 00:01:31,400 Speaker 2: I'm doing a three hour Yeah, correct, I've seen it. 29 00:01:31,760 --> 00:01:36,520 Speaker 1: There's there's recharge show, there's okay, there's there's recovery time 30 00:01:36,560 --> 00:01:38,640 Speaker 1: for you to respond to messages. I went, I can't 31 00:01:38,880 --> 00:01:40,840 Speaker 1: once I'm in that zone, it must be there. 32 00:01:40,880 --> 00:01:43,000 Speaker 5: We have to talk about this because Zim always says, 33 00:01:43,040 --> 00:01:46,760 Speaker 5: your job's just fun, and I said, no, yes, there's 34 00:01:46,840 --> 00:01:51,720 Speaker 5: partitive that fun, absolutely, but it's also we're very busy, 35 00:01:51,760 --> 00:01:54,000 Speaker 5: so sometimes I cannot respond to you, and she can't 36 00:01:54,040 --> 00:01:54,520 Speaker 5: understand that. 37 00:01:54,560 --> 00:01:56,520 Speaker 1: And when anyone comes in to watch a show, right, 38 00:01:56,600 --> 00:01:58,120 Speaker 1: the first thing I say is that, oh my god, 39 00:01:58,160 --> 00:02:02,720 Speaker 1: it goes so quickly. Amount of people that go, oh who, 40 00:02:03,400 --> 00:02:06,080 Speaker 1: I've done stuff with listeners who are great on the phones, 41 00:02:06,600 --> 00:02:08,280 Speaker 1: and go, I really want to come into the show 42 00:02:08,520 --> 00:02:11,400 Speaker 1: and love to go on airs of that. And then 43 00:02:11,840 --> 00:02:14,600 Speaker 1: most of those people struggle when they're on air because 44 00:02:15,520 --> 00:02:18,079 Speaker 1: when you're listening to the show, you relax, Yes, you're 45 00:02:18,080 --> 00:02:20,120 Speaker 1: not performing, and when you come to that studio and 46 00:02:20,120 --> 00:02:22,799 Speaker 1: you see the microphones, you see the clock. It's people 47 00:02:22,840 --> 00:02:25,280 Speaker 1: don't realize there's a performance element to this as well, 48 00:02:25,680 --> 00:02:29,160 Speaker 1: and they then have a different expectation about speaking. 49 00:02:29,440 --> 00:02:29,639 Speaker 5: Yes. 50 00:02:29,760 --> 00:02:33,880 Speaker 1: Suddenly they're obsessing about it, going well yeah, and not 51 00:02:34,000 --> 00:02:37,960 Speaker 1: wanting to make a mistake, and they find it harder. 52 00:02:37,600 --> 00:02:38,280 Speaker 2: Than they think. 53 00:02:38,480 --> 00:02:41,240 Speaker 5: Yeah, they're on a stage then, and that's when they like, 54 00:02:41,320 --> 00:02:42,920 Speaker 5: in your car, you're not on a stage. It's not 55 00:02:42,960 --> 00:02:44,800 Speaker 5: the environment for it's not the space for it. But 56 00:02:44,840 --> 00:02:47,560 Speaker 5: when you are in that studio, it is. It's big lights. 57 00:02:47,600 --> 00:02:49,880 Speaker 5: It's amazing. Whenever I bring people around to like have 58 00:02:49,880 --> 00:02:52,960 Speaker 5: a look at a studio, they always go wow, and 59 00:02:53,000 --> 00:02:59,560 Speaker 5: I think, oh, it's just like. 60 00:02:55,160 --> 00:02:59,160 Speaker 1: It still has an appeal to me when I come 61 00:02:59,200 --> 00:03:01,079 Speaker 1: in every morning, when I walk into a radio studio, 62 00:03:01,160 --> 00:03:02,600 Speaker 1: it's still a very special space to me. 63 00:03:02,680 --> 00:03:03,160 Speaker 2: I love it. 64 00:03:03,280 --> 00:03:05,720 Speaker 1: Oh god, yeah, I see the phades, I see the microphone. 65 00:03:06,000 --> 00:03:07,799 Speaker 1: To me, it's like a blank It's literally looks like 66 00:03:07,840 --> 00:03:10,320 Speaker 1: a blank canvas. It's like, I wonder what we might 67 00:03:10,440 --> 00:03:13,880 Speaker 1: say into these microphones today and what might happen that 68 00:03:13,919 --> 00:03:17,280 Speaker 1: When even if I see another radio studio wherever I 69 00:03:17,320 --> 00:03:19,200 Speaker 1: am in the world, I get excited. I just think 70 00:03:19,240 --> 00:03:23,120 Speaker 1: about for me, it's possibility, it's potential. I remember I 71 00:03:23,160 --> 00:03:25,160 Speaker 1: came into the radio station before I start my first 72 00:03:25,160 --> 00:03:28,000 Speaker 1: show on the Monday morning, and we'd only emigrated here 73 00:03:28,040 --> 00:03:31,519 Speaker 1: two weeks beforehand, and i'd left that that last show 74 00:03:31,560 --> 00:03:33,960 Speaker 1: that I did for twelve years, which is a really big. 75 00:03:34,160 --> 00:03:35,480 Speaker 2: Very big part of my life. 76 00:03:35,760 --> 00:03:38,960 Speaker 1: And I remember coming by myself on the Sunday before, 77 00:03:40,000 --> 00:03:42,320 Speaker 1: about nine o'clock on a Sunday morning, and I remember 78 00:03:42,480 --> 00:03:44,800 Speaker 1: almost having what I was. I was looking out the 79 00:03:44,840 --> 00:03:48,800 Speaker 1: window out into the city and I remember sort of 80 00:03:48,840 --> 00:03:52,480 Speaker 1: silently saying to the microphone, you know, I really wonder 81 00:03:52,480 --> 00:03:54,840 Speaker 1: what we can do here, and it was just like, 82 00:03:54,960 --> 00:03:57,200 Speaker 1: it's all going to come down to it is. It's 83 00:03:57,240 --> 00:03:58,760 Speaker 1: like if you're a footy player and you've been hiding 84 00:03:58,800 --> 00:04:00,760 Speaker 1: and play for another team, walk out to the over 85 00:04:00,880 --> 00:04:02,320 Speaker 1: with the ball, your materials, you go. 86 00:04:02,680 --> 00:04:04,760 Speaker 2: It's all about what I can or can't do. This 87 00:04:04,840 --> 00:04:05,760 Speaker 2: is what it will come down to. 88 00:04:06,160 --> 00:04:08,160 Speaker 1: And there's something very pure about that, which is what 89 00:04:08,200 --> 00:04:11,880 Speaker 1: communication is about. I believe it's a it's a sacred 90 00:04:12,080 --> 00:04:14,800 Speaker 1: art form having something to say, and so I do it. 91 00:04:14,800 --> 00:04:17,400 Speaker 1: It's a pinnacle moment for me. Was just thinking it's 92 00:04:17,400 --> 00:04:19,920 Speaker 1: all going to be about what I can do into 93 00:04:19,920 --> 00:04:22,720 Speaker 1: this microphone or can't do. And it was exciting but 94 00:04:22,760 --> 00:04:28,480 Speaker 1: also like wow, it's all so much. Yeah, exactly, how bizarre. 95 00:04:28,640 --> 00:04:30,040 Speaker 4: That also sounds like a movie. 96 00:04:30,480 --> 00:04:33,480 Speaker 1: Yeah, probably not a very popular one. 97 00:04:34,200 --> 00:04:37,000 Speaker 3: Did you have a favorite radio station? Rex, sorry, favorite 98 00:04:37,080 --> 00:04:37,720 Speaker 3: radio studio? 99 00:04:37,960 --> 00:04:39,920 Speaker 1: So I don't know, some children coming to interview me. 100 00:04:40,839 --> 00:04:41,800 Speaker 1: Oh that's lovely. 101 00:04:42,000 --> 00:04:45,520 Speaker 3: I'm curious as to basically how our studio at gold 102 00:04:45,640 --> 00:04:48,080 Speaker 3: FM compares to the UK one. 103 00:04:48,160 --> 00:04:50,840 Speaker 1: Well, I've been because obviously I did twenty years of 104 00:04:50,880 --> 00:04:54,360 Speaker 1: Breakfast Ready in the UK, so that was one, two, three, 105 00:04:54,520 --> 00:04:57,640 Speaker 1: four breakfast shows in those times, so three and eight 106 00:04:57,680 --> 00:05:00,839 Speaker 1: years and then the last one from the Absolute Studios 107 00:05:00,920 --> 00:05:02,360 Speaker 1: in right in the middle of Soho, London. 108 00:05:02,560 --> 00:05:03,680 Speaker 2: Well the best ones I've ever been. 109 00:05:03,680 --> 00:05:05,640 Speaker 1: And they got to do them when we had new 110 00:05:05,640 --> 00:05:09,560 Speaker 1: owners and they redesigned it. They changed the whole philosophy 111 00:05:09,560 --> 00:05:12,559 Speaker 1: of the radio station. And I don't know, it's interesting people, 112 00:05:12,560 --> 00:05:14,920 Speaker 1: but actually it was really good. Because we've all worked 113 00:05:14,960 --> 00:05:17,800 Speaker 1: at rais radio stations. Sometimes the people that work at 114 00:05:17,839 --> 00:05:20,560 Speaker 1: radio stations that what goes on in the studios is that, 115 00:05:20,600 --> 00:05:22,960 Speaker 1: oh they did the radio in there, and this is 116 00:05:22,960 --> 00:05:26,359 Speaker 1: a boardroom, you know, and they do that's it's almost 117 00:05:26,440 --> 00:05:29,080 Speaker 1: like they did the radio there. Whereas when we had 118 00:05:29,120 --> 00:05:31,640 Speaker 1: new owners and I had this amazing Baskell Clive Dickens, 119 00:05:31,680 --> 00:05:36,000 Speaker 1: he created something called the studio A philosophy and it 120 00:05:36,040 --> 00:05:38,760 Speaker 1: was all about he reframed it all. He did a 121 00:05:38,800 --> 00:05:40,920 Speaker 1: total staff meeting in about one hundred and eighteen people 122 00:05:40,920 --> 00:05:43,440 Speaker 1: and said, the most important building, the most important room 123 00:05:43,440 --> 00:05:46,480 Speaker 1: in this building is studio A. It's all about what 124 00:05:46,520 --> 00:05:48,479 Speaker 1: the breakfast show, what Christian and his team can do 125 00:05:48,720 --> 00:05:50,120 Speaker 1: on any given morning. 126 00:05:50,320 --> 00:05:53,039 Speaker 2: It's all about that everything you do has to sport that. 127 00:05:53,120 --> 00:05:55,120 Speaker 1: If it doesn't work there, they're at the top of 128 00:05:55,120 --> 00:05:57,039 Speaker 1: the apex, it doesn't work for the rest of us. 129 00:05:57,400 --> 00:05:59,520 Speaker 1: This is no longer just a radio studio. This is 130 00:05:59,560 --> 00:06:02,159 Speaker 1: where the magic has to happen there and you all 131 00:06:02,200 --> 00:06:04,640 Speaker 1: pay a part in that. Don't ever forget that. And 132 00:06:04,680 --> 00:06:07,839 Speaker 1: it changed everything. So then actually we had studios built 133 00:06:08,279 --> 00:06:09,560 Speaker 1: that were broadcast studios. 134 00:06:09,600 --> 00:06:11,040 Speaker 2: They looked great, they were joy. 135 00:06:10,839 --> 00:06:12,360 Speaker 4: To use, oh nice. 136 00:06:12,600 --> 00:06:15,520 Speaker 1: And so before that I'd worked in some ship boxes, 137 00:06:15,760 --> 00:06:19,960 Speaker 1: some terrible ones, windowless, horrible sales one. There was one 138 00:06:20,040 --> 00:06:22,000 Speaker 1: radio station I went. I did a year in Liverpool 139 00:06:22,000 --> 00:06:24,200 Speaker 1: for breakfast up there. Loved living in Liverpool before we 140 00:06:24,240 --> 00:06:26,400 Speaker 1: had kids. We had a great year up there, but 141 00:06:26,480 --> 00:06:29,680 Speaker 1: that was a really rough area. Most Sundays I'd come 142 00:06:29,720 --> 00:06:31,480 Speaker 1: in and the door had been kicked in or the 143 00:06:31,560 --> 00:06:34,719 Speaker 1: station had broken into. One day they'd stole him on 144 00:06:34,760 --> 00:06:37,960 Speaker 1: the CD players. Oh no, no, we get this one 145 00:06:38,000 --> 00:06:40,320 Speaker 1: of the weekend presenters. We had knew a lot of 146 00:06:41,120 --> 00:06:47,279 Speaker 1: really shady people. Liverpool's a shady London shady, but it's 147 00:06:47,320 --> 00:06:49,600 Speaker 1: thirty million people, Liverpool shady, but if you know the 148 00:06:49,680 --> 00:06:52,760 Speaker 1: right people. And I just rank him one more and said, Charlie, 149 00:06:52,760 --> 00:06:54,760 Speaker 1: you know you ever said you knew some people. Within 150 00:06:54,800 --> 00:06:57,360 Speaker 1: an hour, that CD player came back. 151 00:06:57,240 --> 00:06:57,839 Speaker 2: To the studio. 152 00:06:58,640 --> 00:07:02,040 Speaker 1: Wow, noticed that, and then Charlie had two hundred pounds me. 153 00:07:02,160 --> 00:07:02,960 Speaker 1: I went, what's this for? 154 00:07:03,600 --> 00:07:06,360 Speaker 2: He goes, they would like to offer you a cash apology. 155 00:07:06,360 --> 00:07:10,080 Speaker 1: He went, oh no, Charlie, I don't want any of bart. 156 00:07:10,160 --> 00:07:17,600 Speaker 2: This maybe a hundred amazing That studio was so bad. 157 00:07:18,440 --> 00:07:21,160 Speaker 1: We didn't even have an in house engineer, so there 158 00:07:21,240 --> 00:07:22,360 Speaker 1: used to be a lot of technical problems. 159 00:07:22,360 --> 00:07:23,480 Speaker 2: But there are radio stations. 160 00:07:23,640 --> 00:07:28,160 Speaker 1: I would have to ring the engineers in India and have. 161 00:07:28,160 --> 00:07:29,520 Speaker 2: To walk out to all the racks. 162 00:07:29,560 --> 00:07:32,520 Speaker 1: This is during a show, right, I'd have to just 163 00:07:32,800 --> 00:07:34,720 Speaker 1: do it pre recorded Quicklyn go out to the rat 164 00:07:34,720 --> 00:07:38,040 Speaker 1: and start rebooting and trying to mend the radio station. 165 00:07:38,240 --> 00:07:42,240 Speaker 2: I was doing the breakfast sharing. Oh my god, god, yeah, wow. 166 00:07:42,440 --> 00:07:44,080 Speaker 2: And so I got I tell one thing I'm doing. 167 00:07:44,200 --> 00:07:46,160 Speaker 1: I've got to learn a lot about how ready works. 168 00:07:46,440 --> 00:07:48,480 Speaker 1: So much so I worked out that I could take 169 00:07:48,480 --> 00:07:50,760 Speaker 1: the show affair for a bit and no one would 170 00:07:50,760 --> 00:07:51,920 Speaker 1: know that I had done it to the belie. 171 00:07:52,080 --> 00:07:54,400 Speaker 2: I remember coming in one Friday morning when we are 172 00:07:54,480 --> 00:07:58,040 Speaker 2: really bad hangover, did the first break, shut the station 173 00:07:58,160 --> 00:08:00,280 Speaker 2: down for an hour, slept under the desk. You know, 174 00:08:00,320 --> 00:08:03,040 Speaker 2: you just need an hour, showed the canna coat was 175 00:08:03,040 --> 00:08:03,760 Speaker 2: like about. 176 00:08:03,560 --> 00:08:05,320 Speaker 1: Five ercent, and I'm really sorry about that. My boss 177 00:08:05,400 --> 00:08:06,960 Speaker 1: was like, this has gone too far. We have to 178 00:08:07,040 --> 00:08:07,840 Speaker 1: hire an engineer. 179 00:08:08,240 --> 00:08:10,040 Speaker 2: No no, no, no, no, no no. Don't blame our 180 00:08:10,040 --> 00:08:12,600 Speaker 2: Indian friends. So where does that rank? 181 00:08:15,240 --> 00:08:16,280 Speaker 4: That's so good? 182 00:08:16,720 --> 00:08:20,960 Speaker 1: It's I like the fact it's got a big window, right, 183 00:08:21,960 --> 00:08:25,160 Speaker 1: it's also a room to be fair. For six years, 184 00:08:25,200 --> 00:08:28,680 Speaker 1: that has become a home for me and us. And 185 00:08:29,280 --> 00:08:31,920 Speaker 1: I remember moaning it about it to our chief executive 186 00:08:32,040 --> 00:08:35,440 Speaker 1: because a rival show that works for the same group 187 00:08:35,480 --> 00:08:38,040 Speaker 1: we do has an amazing mega studio at the moment, 188 00:08:38,360 --> 00:08:40,360 Speaker 1: and I was moaning that we don't have that, and 189 00:08:40,440 --> 00:08:43,679 Speaker 1: he goes, look a typical chief exeit where you always 190 00:08:43,720 --> 00:08:45,720 Speaker 1: upsell the positive, like any ex sales me. He goes, 191 00:08:45,760 --> 00:08:50,719 Speaker 1: and look what you've achieved that I. 192 00:08:50,679 --> 00:08:53,480 Speaker 2: Had nothing to say. I was like, God, he's good. 193 00:08:55,760 --> 00:08:59,079 Speaker 2: He took away my power. Yes, God, there's levels of 194 00:08:59,120 --> 00:09:00,440 Speaker 2: this talk game. 195 00:09:02,920 --> 00:09:05,880 Speaker 4: Imagine what we could do with an amazing. 196 00:09:07,600 --> 00:09:10,959 Speaker 1: Make the show better. It's more enjoyable to do it 197 00:09:11,000 --> 00:09:14,160 Speaker 1: in a night. I remember doing the show in Amsterdam. 198 00:09:14,200 --> 00:09:16,199 Speaker 1: I was doing a keynote speech at a big radio 199 00:09:16,280 --> 00:09:18,800 Speaker 1: festival and I said, look, I'll come out and do it, 200 00:09:18,840 --> 00:09:20,280 Speaker 1: but can I take the team out with me. We'll 201 00:09:20,320 --> 00:09:21,760 Speaker 1: have a night out in Amsterdam. We'll do the whole 202 00:09:21,760 --> 00:09:24,079 Speaker 1: show the next day. And so there was a big 203 00:09:24,160 --> 00:09:28,560 Speaker 1: radio station there and they gave us their actual breakfast 204 00:09:28,559 --> 00:09:30,520 Speaker 1: show studio, and there were fans of my show, and 205 00:09:30,520 --> 00:09:32,040 Speaker 1: they did it in a Spanis studio. 206 00:09:32,320 --> 00:09:34,160 Speaker 2: It was the most beautiful studio I ever been in. 207 00:09:34,679 --> 00:09:38,720 Speaker 1: I had couches for like, if guests were coming in 208 00:09:38,760 --> 00:09:40,760 Speaker 1: on the show, they'd come and they'd be in the studio, 209 00:09:41,120 --> 00:09:42,719 Speaker 1: but before they did the interview, they could just sit 210 00:09:42,760 --> 00:09:43,440 Speaker 1: and watch the show. 211 00:09:43,520 --> 00:09:46,319 Speaker 2: In the studio, I had a couch. 212 00:09:46,080 --> 00:09:50,959 Speaker 1: In there, It had a piano, an area for live performances. 213 00:09:51,600 --> 00:09:54,440 Speaker 1: It was it was so and I had a really 214 00:09:54,480 --> 00:09:57,640 Speaker 1: nice little coffee machine in the corner see and a 215 00:09:57,640 --> 00:09:59,320 Speaker 1: toasting machine. 216 00:09:59,120 --> 00:09:59,320 Speaker 4: See. 217 00:09:59,559 --> 00:09:59,719 Speaker 2: Yeah. 218 00:10:00,120 --> 00:10:03,040 Speaker 5: See, I'd completely agree with you as in our show 219 00:10:03,120 --> 00:10:05,480 Speaker 5: is great as it is. And yes, the environment, it 220 00:10:05,480 --> 00:10:07,960 Speaker 5: doesn't matter if we're doing it here in. 221 00:10:07,559 --> 00:10:12,360 Speaker 4: A duney, but there is certain things about spaces that 222 00:10:12,480 --> 00:10:13,400 Speaker 4: do bring out. 223 00:10:13,240 --> 00:10:16,800 Speaker 1: More inspirational and more enjoyment in what you're doing making. 224 00:10:17,000 --> 00:10:19,720 Speaker 5: Yeah, exactly, And so I think that you have spaces 225 00:10:19,720 --> 00:10:21,720 Speaker 5: that bring you joy, and it would be good to 226 00:10:22,320 --> 00:10:24,360 Speaker 5: do it up in a way to make you know, 227 00:10:24,480 --> 00:10:26,600 Speaker 5: who knows what. But I think that the space is 228 00:10:26,880 --> 00:10:29,560 Speaker 5: important as much as what we do already in what 229 00:10:29,600 --> 00:10:31,800 Speaker 5: we in our in our studio is great. 230 00:10:32,240 --> 00:10:35,360 Speaker 4: I think that. Yeah, I wouldn't mind a bloody. 231 00:10:35,080 --> 00:10:37,880 Speaker 1: Toaster sometimes I kind of like the rough and rawness 232 00:10:37,920 --> 00:10:41,120 Speaker 1: of it though as well is kind of grounding as well. Yeah, 233 00:10:42,000 --> 00:10:46,079 Speaker 1: clossy doesn't make for great things, do you know what 234 00:10:46,080 --> 00:10:47,800 Speaker 1: I mean? Yeah? I know what the TV shows you 235 00:10:47,920 --> 00:10:49,720 Speaker 1: like I was even think about this week with with 236 00:10:49,800 --> 00:10:52,079 Speaker 1: all the big news as we're doing this, it's a 237 00:10:52,160 --> 00:10:54,800 Speaker 1: day after the big Tuesday, the twenty seventh of August, 238 00:10:55,120 --> 00:10:58,040 Speaker 1: that the big unbelievable for mean is that Oasis are 239 00:10:59,360 --> 00:11:02,040 Speaker 1: reunited and they're going to be doing live shows next year. 240 00:11:02,120 --> 00:11:06,520 Speaker 1: It's an unbelievable moment in time, really, and I was thinking, 241 00:11:06,559 --> 00:11:10,360 Speaker 1: how aunt of times I've seen them live. They're nowhere 242 00:11:10,440 --> 00:11:12,640 Speaker 1: near my top twenty live gigs up them into in 243 00:11:12,720 --> 00:11:15,040 Speaker 1: terms of how good the life was, but in terms 244 00:11:15,040 --> 00:11:18,480 Speaker 1: of the experience and being in it. You're at Oasis. 245 00:11:19,040 --> 00:11:21,800 Speaker 1: They don't do any stage banter. They don't care if 246 00:11:21,800 --> 00:11:23,319 Speaker 1: you're having a good time or not, but all that 247 00:11:23,440 --> 00:11:26,520 Speaker 1: is part of rock and roll. They don't really care. 248 00:11:27,080 --> 00:11:29,400 Speaker 1: It's almost like it's not almost like it's very clear 249 00:11:29,640 --> 00:11:32,800 Speaker 1: you're lucky to witness this. There's something so exciting about 250 00:11:32,840 --> 00:11:35,200 Speaker 1: that we live in a world now where these celebrities 251 00:11:35,200 --> 00:11:38,520 Speaker 1: and rock stars, you pop stars, they care about the 252 00:11:38,520 --> 00:11:40,560 Speaker 1: fans so much, and I get it. I saw Taylor 253 00:11:40,640 --> 00:11:42,719 Speaker 1: Swift and what it means to my daughters and all 254 00:11:42,720 --> 00:11:45,160 Speaker 1: those hundreds thousand people that were there at. 255 00:11:45,080 --> 00:11:46,359 Speaker 2: The mcgen January. 256 00:11:46,760 --> 00:11:49,960 Speaker 1: She's really serving the fans having a good time, and 257 00:11:50,000 --> 00:11:52,640 Speaker 1: it's all made. When I saw Coldplay many times, they. 258 00:11:52,480 --> 00:11:54,199 Speaker 2: Put a lot of time and effort into you. 259 00:11:54,160 --> 00:11:55,480 Speaker 1: Having a good and all the wrist bands and the 260 00:11:55,559 --> 00:11:58,760 Speaker 1: light that's genuine, that's from the band. Oases really were 261 00:11:58,840 --> 00:12:02,080 Speaker 1: and that's this, that's their attitude. It was genuine, like 262 00:12:02,160 --> 00:12:04,400 Speaker 1: you're lucky to see we are one of the best bands. 263 00:12:04,920 --> 00:12:07,560 Speaker 1: There's something so exciting if someone not giving a fuck 264 00:12:08,000 --> 00:12:09,720 Speaker 1: about what you think, because why. 265 00:12:09,559 --> 00:12:10,960 Speaker 2: Would they We're a racist? 266 00:12:11,120 --> 00:12:13,880 Speaker 1: Yeah, it was almost confrontational. Lean would just staring the crowd. 267 00:12:13,960 --> 00:12:16,040 Speaker 1: You been like, where does that come for? 268 00:12:17,600 --> 00:12:18,160 Speaker 2: Yeah? 269 00:12:18,360 --> 00:12:21,160 Speaker 4: Confidence is something that's undeniable. 270 00:12:21,360 --> 00:12:23,839 Speaker 5: Like if you see someone with that, you want you 271 00:12:24,400 --> 00:12:25,200 Speaker 5: want to be there. 272 00:12:25,240 --> 00:12:26,560 Speaker 4: Like if someone treats you like that and. 273 00:12:26,559 --> 00:12:28,960 Speaker 5: They're like we don't care, You're like I care, and 274 00:12:29,000 --> 00:12:30,640 Speaker 5: I care more. 275 00:12:30,920 --> 00:12:31,319 Speaker 2: Yeah. 276 00:12:31,400 --> 00:12:33,640 Speaker 1: I remember one of the first times I was lucky 277 00:12:33,720 --> 00:12:36,000 Speaker 1: enough to interview Nold. It was like two thousand and seven, 278 00:12:36,040 --> 00:12:38,400 Speaker 1: so two years before the band broke up, and I 279 00:12:38,520 --> 00:12:40,920 Speaker 1: was we would just talking about music that changes your life, 280 00:12:41,240 --> 00:12:42,920 Speaker 1: and he was saying what a big fan he was 281 00:12:42,920 --> 00:12:46,040 Speaker 1: as a kid of you two and he's saying how 282 00:12:46,160 --> 00:12:50,439 Speaker 1: there was an album used to play Theirs, and he 283 00:12:50,480 --> 00:12:52,280 Speaker 1: used to play the song Pride in the Name of 284 00:12:52,320 --> 00:12:54,760 Speaker 1: Love a lot, and he would stare out of this 285 00:12:54,840 --> 00:12:57,840 Speaker 1: tiny council house bedroom window that he lived in with 286 00:12:57,960 --> 00:13:01,000 Speaker 1: his brother and his mum, Peggy, and he would dream 287 00:13:01,120 --> 00:13:04,719 Speaker 1: that he could write music as big as that and 288 00:13:04,880 --> 00:13:08,480 Speaker 1: change his world and the world. This is what Bono done, 289 00:13:08,800 --> 00:13:11,199 Speaker 1: and then he went on to do it. There's something 290 00:13:11,200 --> 00:13:14,079 Speaker 1: incredible and their early songs, if you listen to Oasis 291 00:13:14,120 --> 00:13:17,520 Speaker 1: songs are about wanting to be a rock star, and 292 00:13:17,559 --> 00:13:21,000 Speaker 1: then they actually became rock stars and megastars and trank 293 00:13:21,440 --> 00:13:24,320 Speaker 1: every last drop of what that meant up and it 294 00:13:24,400 --> 00:13:25,440 Speaker 1: was only ever going to implode. 295 00:13:25,720 --> 00:13:25,920 Speaker 2: Yeah. 296 00:13:25,960 --> 00:13:28,000 Speaker 1: One of the biggest songs is Champagne super and Nova, 297 00:13:28,040 --> 00:13:30,800 Speaker 1: and they were always going to be a Champagne super 298 00:13:30,840 --> 00:13:32,120 Speaker 1: Nova that was going to flame out. 299 00:13:32,320 --> 00:13:33,760 Speaker 2: But what incredible story. 300 00:13:33,920 --> 00:13:36,560 Speaker 1: Yeah, that's why I think that's why it's so interesting 301 00:13:36,559 --> 00:13:38,400 Speaker 1: to people who might not even be Mega fans. It's 302 00:13:38,440 --> 00:13:41,880 Speaker 1: like families found this happens in real life, and families 303 00:13:41,920 --> 00:13:45,640 Speaker 1: they fall out and some riffs never heal. But then 304 00:13:45,800 --> 00:13:48,319 Speaker 1: there's been hundreds of millions for those two boys to 305 00:13:48,360 --> 00:13:50,800 Speaker 1: reunite and play the money's always been there because the 306 00:13:50,800 --> 00:13:53,200 Speaker 1: demand's been there because of how big they were, and 307 00:13:53,240 --> 00:13:55,000 Speaker 1: so it isn't just about the money. It's a lot 308 00:13:55,000 --> 00:13:57,160 Speaker 1: of money they're going to make now. I think it's 309 00:13:57,160 --> 00:14:00,000 Speaker 1: about them getting into their fifties. As someone who is fifty, 310 00:14:00,080 --> 00:14:01,760 Speaker 1: you are now, you know you're in the second half 311 00:14:01,760 --> 00:14:04,200 Speaker 1: of your life. You do know you don't have a 312 00:14:04,200 --> 00:14:05,760 Speaker 1: lot more wiggle room now, you've got to get on 313 00:14:05,840 --> 00:14:08,000 Speaker 1: with it. I think it's not coincidence they're both in 314 00:14:08,040 --> 00:14:10,840 Speaker 1: their fifties. The mom isterlive she's been begging them for 315 00:14:10,920 --> 00:14:14,120 Speaker 1: years for Noel to forgive Liam and to heal the rift. 316 00:14:14,440 --> 00:14:17,040 Speaker 1: Their kids now as well, often see each other at 317 00:14:17,080 --> 00:14:21,120 Speaker 1: music festivals. Don't want to upset their own separate dads. 318 00:14:22,440 --> 00:14:23,800 Speaker 2: That would really up heartbreaking. 319 00:14:24,640 --> 00:14:27,760 Speaker 1: So you understand, Actually it's bigger than just a band 320 00:14:27,800 --> 00:14:31,880 Speaker 1: re united. It's a family coming back. It's Peggy, their mum. 321 00:14:32,000 --> 00:14:33,680 Speaker 1: What this was mean to her? Does that mean this 322 00:14:33,760 --> 00:14:36,840 Speaker 1: year at Christmas time she might have the two families 323 00:14:36,960 --> 00:14:38,560 Speaker 1: together round a Christmas But. 324 00:14:38,600 --> 00:14:40,520 Speaker 2: That's bigger than the music is all. 325 00:14:40,560 --> 00:14:43,680 Speaker 1: Part of what this is about, really, you know, is 326 00:14:44,200 --> 00:14:46,760 Speaker 1: healing family rifts and coming back to a place of 327 00:14:46,760 --> 00:14:48,960 Speaker 1: love and also I think the really big thing as 328 00:14:48,960 --> 00:14:53,080 Speaker 1: well as like they went from being the biggest band 329 00:14:53,120 --> 00:14:57,000 Speaker 1: in the world and they both had successful solo careers 330 00:14:57,000 --> 00:14:59,640 Speaker 1: that done really well, but it's tapering off. It's never 331 00:14:59,680 --> 00:15:01,440 Speaker 1: going to be like what it was, And so suddenly 332 00:15:01,960 --> 00:15:05,000 Speaker 1: this is a chance at healing. And then also like 333 00:15:05,480 --> 00:15:07,360 Speaker 1: how much fun would it to be from the band 334 00:15:07,400 --> 00:15:10,640 Speaker 1: with my brother and actually matter again? You imagine what 335 00:15:10,640 --> 00:15:12,520 Speaker 1: they've been looking at the last couple of days. Yeah, 336 00:15:12,920 --> 00:15:14,400 Speaker 1: did they know There's no way you could have guessed 337 00:15:14,400 --> 00:15:15,880 Speaker 1: how big a news story this was going to become. 338 00:15:15,880 --> 00:15:16,240 Speaker 3: I don't know. 339 00:15:16,320 --> 00:15:18,800 Speaker 1: Yeah, And so it's become the biggest news story in 340 00:15:18,840 --> 00:15:20,800 Speaker 1: the world, lead news story ever here in Australia, the 341 00:15:20,840 --> 00:15:22,800 Speaker 1: other side of the world. About this band that haven't 342 00:15:22,800 --> 00:15:25,640 Speaker 1: done anything for fifteen years, how good must may feel 343 00:15:25,720 --> 00:15:28,360 Speaker 1: right now about their legacy and their legacy is that 344 00:15:28,440 --> 00:15:29,760 Speaker 1: there were two idiots that just fell out. 345 00:15:29,920 --> 00:15:33,160 Speaker 5: Yeah, you know, having met them, you've interviewed them quite 346 00:15:33,160 --> 00:15:36,280 Speaker 5: a few times, both of them over X amount of years. 347 00:15:36,800 --> 00:15:40,280 Speaker 5: Did you see that hatred kind of lessened throughout those 348 00:15:40,360 --> 00:15:42,360 Speaker 5: years or did you ever imagine there would be a 349 00:15:42,440 --> 00:15:46,120 Speaker 5: day like today where they would reunite? Knowing and experiencing 350 00:15:46,200 --> 00:15:46,960 Speaker 5: their energies. 351 00:15:47,400 --> 00:15:51,240 Speaker 1: You could tell Liam's always publicly and personally wanting this 352 00:15:51,360 --> 00:15:53,320 Speaker 1: to happen. But he's the one that really broke the 353 00:15:53,360 --> 00:15:55,960 Speaker 1: band up because of what he did and Noel's part 354 00:15:55,960 --> 00:15:58,680 Speaker 1: of it were in every interview it would vairely come 355 00:15:58,760 --> 00:16:00,840 Speaker 1: up because there was always rumors. But she run festival 356 00:16:00,840 --> 00:16:02,960 Speaker 1: time in glass Formy and he was always like, that 357 00:16:03,080 --> 00:16:05,920 Speaker 1: is never going to happen again because there was so 358 00:16:05,920 --> 00:16:07,880 Speaker 1: so much pain and hurt there. Yeah, it's like anyone 359 00:16:07,920 --> 00:16:10,680 Speaker 1: it doesn't really understand it. You know what goes on 360 00:16:10,760 --> 00:16:14,080 Speaker 1: in families and so. But I saw an interview a 361 00:16:14,120 --> 00:16:17,440 Speaker 1: couple of months ago and I thought, then, oh, something 362 00:16:17,600 --> 00:16:20,200 Speaker 1: is happening here. And then when I saw the rumors 363 00:16:20,200 --> 00:16:22,080 Speaker 1: on Sunday night, I went, this is actually going to happen. 364 00:16:22,080 --> 00:16:23,840 Speaker 1: I really believe its gonna happen. It's the first time 365 00:16:23,840 --> 00:16:26,680 Speaker 1: I saw Noel interview saying something nice about his brother, 366 00:16:27,120 --> 00:16:28,640 Speaker 1: and I mean that a flipping way. It was like, 367 00:16:29,080 --> 00:16:32,760 Speaker 1: Noel is such a brilliant storyteller and a really good articulator. 368 00:16:32,800 --> 00:16:36,520 Speaker 1: It was like, this is really important that he's saying 369 00:16:36,520 --> 00:16:38,640 Speaker 1: this into an interview and I can see then I 370 00:16:38,760 --> 00:16:41,920 Speaker 1: wonder because there's no way this has been organized the 371 00:16:41,960 --> 00:16:44,920 Speaker 1: last couple of weeks. Oh no, Wembley Stadium always mega 372 00:16:44,960 --> 00:16:47,960 Speaker 1: stadiums in the UK. There's months of planning, there's lawyers, 373 00:16:48,040 --> 00:16:50,040 Speaker 1: there's deposits you have to put down, there's so many 374 00:16:50,080 --> 00:16:52,600 Speaker 1: contracts that have to be signed. What's the amazing thing 375 00:16:52,680 --> 00:16:55,520 Speaker 1: is we live in an era of leaks. There was 376 00:16:55,560 --> 00:16:57,600 Speaker 1: a photo shoot I now know that happened on the 377 00:16:57,600 --> 00:16:59,320 Speaker 1: twenty fifth of July of those two in a room 378 00:16:59,360 --> 00:17:01,040 Speaker 1: together time fifteen years. 379 00:17:01,480 --> 00:17:04,560 Speaker 2: How did not that any incredible? I was thinking, Yeah, I. 380 00:17:04,480 --> 00:17:07,200 Speaker 1: Know people sign these NDAs. I'm signing these and anyone 381 00:17:07,200 --> 00:17:09,840 Speaker 1: who signs an NDA, one thing guarantee, they will tell 382 00:17:09,880 --> 00:17:11,560 Speaker 1: someone they've signed an NDA and what's on it. 383 00:17:13,000 --> 00:17:15,520 Speaker 2: How it kept quiet? We wouldn't learn about this for months. 384 00:17:15,600 --> 00:17:19,959 Speaker 3: Ye, there's so many peoples everything. 385 00:17:19,480 --> 00:17:23,320 Speaker 2: Such big news dealing with T and T. None of 386 00:17:23,359 --> 00:17:25,000 Speaker 2: it get leaked. Yeah, I mean, both. 387 00:17:24,840 --> 00:17:26,520 Speaker 4: Of them scare the hell out of me. So I 388 00:17:26,560 --> 00:17:27,640 Speaker 4: would just be like, I'm not signing. 389 00:17:28,200 --> 00:17:30,520 Speaker 1: They're not like that anymore. I remember though, in the 390 00:17:30,560 --> 00:17:35,040 Speaker 1: early days of interviewing then and it would be sometimes 391 00:17:35,119 --> 00:17:38,600 Speaker 1: quite intimidating. Yeah, and they wanted it like that. I've 392 00:17:38,600 --> 00:17:40,760 Speaker 1: known times when I won't name which one, where we 393 00:17:40,840 --> 00:17:43,120 Speaker 1: turn up with some stuff that we wanted to give 394 00:17:43,160 --> 00:17:45,919 Speaker 1: away to specific listeners have been having a tough time, 395 00:17:46,320 --> 00:17:48,600 Speaker 1: and one of them was just like, I'm not funk 396 00:17:48,640 --> 00:17:50,840 Speaker 1: that I'm not signing anything, and I always it was just. 397 00:17:50,800 --> 00:17:52,640 Speaker 2: So cold and shitty. 398 00:17:52,800 --> 00:17:54,720 Speaker 1: And then later on I tried again with that person. 399 00:17:54,800 --> 00:17:56,080 Speaker 1: He was like, yeah, have you got anything else? 400 00:17:56,080 --> 00:17:58,000 Speaker 2: She was I think because you don't know what mood 401 00:17:58,080 --> 00:18:00,560 Speaker 2: somebody is in what's happening in the world. But also, 402 00:18:00,600 --> 00:18:01,159 Speaker 2: I'll tell you what. 403 00:18:01,280 --> 00:18:04,840 Speaker 1: Interviewing them, they're just wildly funny, entertaining. 404 00:18:04,920 --> 00:18:07,840 Speaker 2: Liam is very eccentric and odd. Noel could have been 405 00:18:07,880 --> 00:18:08,360 Speaker 2: a comedian. 406 00:18:08,720 --> 00:18:13,120 Speaker 1: He's extremely funny and he really is a funny dude. Yeah, 407 00:18:13,200 --> 00:18:16,600 Speaker 1: they were both hugely entertaining people to interview as well talent, 408 00:18:16,760 --> 00:18:20,280 Speaker 1: and they really I think because they're from working class backgrounds, 409 00:18:20,560 --> 00:18:24,120 Speaker 1: they knew that storytelling and being funny was everything they knew. 410 00:18:24,119 --> 00:18:26,920 Speaker 1: The whole thing was ludicrous, absolutely ludicrous. 411 00:18:27,400 --> 00:18:30,600 Speaker 2: You know. Yeah, I can't wait. I'm so excited whether 412 00:18:30,720 --> 00:18:31,119 Speaker 2: or not I'm. 413 00:18:31,000 --> 00:18:32,679 Speaker 1: Lucky enough to get the tickets to go back to 414 00:18:32,720 --> 00:18:35,119 Speaker 1: London next year and watch them. It's already just given 415 00:18:35,119 --> 00:18:39,120 Speaker 1: me so much joy and reconnecting with that twenty one 416 00:18:39,160 --> 00:18:41,560 Speaker 1: year old me that used to listen to them before 417 00:18:41,560 --> 00:18:43,399 Speaker 1: they even had their first album out, and there are 418 00:18:43,480 --> 00:18:46,439 Speaker 1: you have a band like this that when you're like 419 00:18:46,520 --> 00:18:49,800 Speaker 1: in your lateeens or your twenties and you're dreaming life 420 00:18:49,920 --> 00:18:51,560 Speaker 1: is just a dream of what you might be able 421 00:18:51,600 --> 00:18:54,240 Speaker 1: to do in it. And Oasis encourage me, and I 422 00:18:54,240 --> 00:18:56,119 Speaker 1: guess in my part of it, I'm probably speaking from 423 00:18:56,160 --> 00:19:00,480 Speaker 1: millions of other people that actually your little world dream 424 00:19:00,520 --> 00:19:02,840 Speaker 1: it into a bigger world and all you had to do, 425 00:19:02,960 --> 00:19:06,680 Speaker 1: like those two boys, was just command it, demand it 426 00:19:06,720 --> 00:19:08,439 Speaker 1: and get after it, because that's what they did and 427 00:19:08,480 --> 00:19:10,760 Speaker 1: I was I was inspired from that. I am a 428 00:19:10,760 --> 00:19:13,160 Speaker 1: super fan that went from buying their songs to playing 429 00:19:13,200 --> 00:19:16,040 Speaker 1: their songs and then interviewing them. And I've done stuff 430 00:19:16,040 --> 00:19:20,479 Speaker 1: at Abbey Road Studios with Noel as well, and you know, 431 00:19:20,520 --> 00:19:24,800 Speaker 1: done so many things with them separately. They still remain 432 00:19:25,040 --> 00:19:28,520 Speaker 1: such a very very special band and the UK right 433 00:19:28,520 --> 00:19:29,680 Speaker 1: now is going through a tough time. 434 00:19:30,000 --> 00:19:32,280 Speaker 2: It is great news for the UK, you know. 435 00:19:32,440 --> 00:19:35,160 Speaker 5: Yeah, it's like their hearts are healing, but the world's 436 00:19:35,200 --> 00:19:37,119 Speaker 5: heart is healing. 437 00:19:37,680 --> 00:19:40,240 Speaker 1: Yeah, and this is the lovely thing about what music 438 00:19:40,320 --> 00:19:40,919 Speaker 1: means to us. 439 00:19:40,960 --> 00:19:41,720 Speaker 2: Oh yeah. 440 00:19:41,760 --> 00:19:43,520 Speaker 1: And also what happens is that as you get a 441 00:19:43,520 --> 00:19:47,359 Speaker 1: bit older, I think in any song, two different people 442 00:19:47,400 --> 00:19:48,800 Speaker 1: can have a different meaning to a song. 443 00:19:48,920 --> 00:19:51,600 Speaker 2: And I love that the lyrics are exactly the same. 444 00:19:51,960 --> 00:19:54,000 Speaker 1: But I can say I love this song and it 445 00:19:54,040 --> 00:19:56,800 Speaker 1: means this to me, and someone else goes, really, oh no, 446 00:19:57,080 --> 00:19:59,080 Speaker 1: but it's about this, and I know it's about that 447 00:19:59,119 --> 00:20:03,720 Speaker 1: to me. So their songs now have a very very 448 00:20:03,720 --> 00:20:06,159 Speaker 1: different meaning to me than they did when I was 449 00:20:06,200 --> 00:20:09,440 Speaker 1: twenty one. Will I ever get into radio? Will I 450 00:20:09,520 --> 00:20:12,119 Speaker 1: make it as a stand up comedian? What will I become? 451 00:20:12,160 --> 00:20:14,480 Speaker 1: What will I make of my life? And these songs, 452 00:20:14,520 --> 00:20:19,000 Speaker 1: you know what they were. They were explosive songs of hope, 453 00:20:19,480 --> 00:20:23,040 Speaker 1: and they invited you to dream a bigger dream. That's 454 00:20:23,080 --> 00:20:25,160 Speaker 1: what their music was, and that's what I remember. There's 455 00:20:25,160 --> 00:20:28,600 Speaker 1: this priest who gave up being a priest. He was 456 00:20:28,640 --> 00:20:31,679 Speaker 1: a philosopher and he'd called John o'donahue and he's done 457 00:20:31,720 --> 00:20:34,560 Speaker 1: a couple of podcasts before he passed away. An amazing guy, 458 00:20:34,640 --> 00:20:37,119 Speaker 1: wrote a couple of amazing books. I was listening to 459 00:20:37,160 --> 00:20:39,439 Speaker 1: this interview with him once on one of my favorite 460 00:20:39,480 --> 00:20:43,000 Speaker 1: podcasts called on Being with Christa Tippett, and he was 461 00:20:43,000 --> 00:20:45,919 Speaker 1: talking about language and he had such a gift for language, 462 00:20:46,160 --> 00:20:49,119 Speaker 1: and he said, but music is the language of the 463 00:20:49,119 --> 00:20:51,719 Speaker 1: heart and soul and he had this line, I've got 464 00:20:51,760 --> 00:20:55,920 Speaker 1: it in my phone. Music is what language aspires to me? 465 00:20:57,000 --> 00:21:00,439 Speaker 1: Is that amazing? We are wordsmith's everybody is. You know, 466 00:21:00,520 --> 00:21:02,159 Speaker 1: we think a lot about our words. What we going 467 00:21:02,200 --> 00:21:04,600 Speaker 1: to call this feature? What's the right wording? It's not that? 468 00:21:05,280 --> 00:21:07,480 Speaker 1: And then you know we play songs on the show. 469 00:21:07,560 --> 00:21:09,439 Speaker 1: Why does Oasis mean so much to people? 470 00:21:09,560 --> 00:21:10,160 Speaker 2: Or any band? 471 00:21:10,720 --> 00:21:13,359 Speaker 1: Is Taylor Swift connect with a fan so much? It's 472 00:21:13,400 --> 00:21:15,680 Speaker 1: that thing of what you know, music is what language 473 00:21:15,760 --> 00:21:17,320 Speaker 1: dreams of being a smart to me? 474 00:21:17,720 --> 00:21:19,840 Speaker 2: What music does to a heart? And songes it does. 475 00:21:19,920 --> 00:21:22,840 Speaker 1: Because you could be in a certain mindset, all the 476 00:21:22,920 --> 00:21:25,520 Speaker 1: worst journey life, and you hear a song suddenly come on. 477 00:21:25,800 --> 00:21:27,439 Speaker 1: You go, oh my god, I haven't heard this nature. 478 00:21:27,520 --> 00:21:27,720 Speaker 2: Yeah. 479 00:21:27,800 --> 00:21:30,920 Speaker 1: You turn it up and you're turning your brightness back up, 480 00:21:31,080 --> 00:21:33,640 Speaker 1: you're lighting your sound back up with the volume, and. 481 00:21:33,560 --> 00:21:35,399 Speaker 2: You hear that song. You feel a bit different. 482 00:21:35,760 --> 00:21:38,399 Speaker 1: Nothing's changed massively or cured, but you do feel very 483 00:21:38,400 --> 00:21:39,960 Speaker 1: differently and music still. 484 00:21:39,760 --> 00:21:40,480 Speaker 2: Has that power. 485 00:21:40,560 --> 00:21:43,080 Speaker 5: Yeah, And it's so different for everyone because even like 486 00:21:43,200 --> 00:21:47,040 Speaker 5: I think about what I do with music, and I 487 00:21:47,040 --> 00:21:48,720 Speaker 5: think a lot of the time like if I'm sad, 488 00:21:48,800 --> 00:21:51,040 Speaker 5: I'll listen to sad music. Yeah, I love to just 489 00:21:51,080 --> 00:21:54,000 Speaker 5: to feel myself, to feel that and be in it 490 00:21:54,080 --> 00:21:57,040 Speaker 5: and be okay. And it's like that soundtrack that kind 491 00:21:57,040 --> 00:21:59,240 Speaker 5: of doesn't like you don't feel like you're alone. You 492 00:21:59,280 --> 00:22:01,359 Speaker 5: have that soundtrack. They're with you while you're in that 493 00:22:01,440 --> 00:22:03,840 Speaker 5: moment or you're having the time of your life and 494 00:22:03,880 --> 00:22:05,879 Speaker 5: it's the best day ever and an amazing song comes 495 00:22:05,880 --> 00:22:08,240 Speaker 5: on and you get the best feeling in the world. 496 00:22:08,600 --> 00:22:11,680 Speaker 4: It's just music without a doubt. How you said it perfectly. 497 00:22:12,600 --> 00:22:14,880 Speaker 2: Is it just for you? 498 00:22:16,119 --> 00:22:19,680 Speaker 5: It depends on how I'm feeling, so like real laugh 499 00:22:19,680 --> 00:22:21,159 Speaker 5: at this, but I love pop music. 500 00:22:21,600 --> 00:22:24,200 Speaker 2: So if it's just great, that's the stuff of life. 501 00:22:24,600 --> 00:22:25,000 Speaker 2: Is great. 502 00:22:25,160 --> 00:22:27,320 Speaker 5: It just brings me up and sometimes it's light so 503 00:22:27,440 --> 00:22:29,560 Speaker 5: you know, on a hard day, it just kind of go. 504 00:22:29,880 --> 00:22:31,800 Speaker 5: I just want to, like, you know, take my hair out, 505 00:22:31,840 --> 00:22:33,360 Speaker 5: have a bit of fun, drive in the car and 506 00:22:33,520 --> 00:22:37,520 Speaker 5: bop along. But like slower music like Adele, I absolutely 507 00:22:37,560 --> 00:22:40,280 Speaker 5: love She's you know, similar. 508 00:22:39,880 --> 00:22:45,119 Speaker 1: A like a great soul singer Franklin, great motown singers. 509 00:22:45,200 --> 00:22:46,360 Speaker 4: She's my songs. 510 00:22:46,520 --> 00:22:49,560 Speaker 5: So she's the only album I've ever bought on Apple Music. 511 00:22:50,119 --> 00:22:52,080 Speaker 4: And so get the card. 512 00:22:55,400 --> 00:22:58,640 Speaker 1: You got me a certain vibe, she's not a vibe. 513 00:22:59,680 --> 00:23:00,840 Speaker 2: I was her manager. 514 00:23:00,840 --> 00:23:02,919 Speaker 1: I say, listen, why don't you just to big up numbers? 515 00:23:02,920 --> 00:23:06,360 Speaker 1: Now gone, just do a couple of bangers. 516 00:23:07,119 --> 00:23:10,280 Speaker 5: But like Rita Aura, I absolutely love like a banger, 517 00:23:10,640 --> 00:23:12,640 Speaker 5: love her songs, Yea any day? 518 00:23:12,960 --> 00:23:16,160 Speaker 2: And who was your artist? Rio? Who would you save that? If? Oasi? 519 00:23:16,240 --> 00:23:18,440 Speaker 2: Is it for me sort of soundtrack of my late 520 00:23:18,440 --> 00:23:20,600 Speaker 2: teens and twenties? Who was that for you? 521 00:23:20,960 --> 00:23:22,600 Speaker 3: Undoubtedly the Chili Peppers. 522 00:23:23,160 --> 00:23:24,240 Speaker 2: Wow, And even though I. 523 00:23:24,240 --> 00:23:26,720 Speaker 3: Was born probably a little bit after you, because in 524 00:23:26,800 --> 00:23:28,680 Speaker 3: ninety ninety one was when I was born, and that's 525 00:23:28,680 --> 00:23:31,840 Speaker 3: when they were huge. Me and my you know, five 526 00:23:31,960 --> 00:23:36,040 Speaker 3: closest mates were just absolutely obsessed with Chili Peppers from 527 00:23:36,520 --> 00:23:39,119 Speaker 3: year seven to all the way through high school. So 528 00:23:39,119 --> 00:23:41,720 Speaker 3: I seen them twice now and yeah, for us, we 529 00:23:42,119 --> 00:23:44,719 Speaker 3: you know, we weren't. We were all kind of nerdy, 530 00:23:44,720 --> 00:23:47,320 Speaker 3: none of us were ever going to be rock stars, 531 00:23:47,359 --> 00:23:48,320 Speaker 3: but we love the CHII. 532 00:23:48,640 --> 00:23:51,240 Speaker 2: They had an edge to them naughty and playful. 533 00:23:51,440 --> 00:23:54,280 Speaker 3: Yes, yeah, and my mate Jordan played guitar, I sung 534 00:23:54,320 --> 00:23:56,520 Speaker 3: a bit, Nathan played the bass, Eddie played the drums 535 00:23:56,840 --> 00:23:59,840 Speaker 3: and we would just play Chili Peppers covers whenever we could. 536 00:24:00,040 --> 00:24:02,520 Speaker 3: We'd go to Jordan's garage like he lived way out 537 00:24:02,560 --> 00:24:03,560 Speaker 3: in Sydney. All go there. 538 00:24:03,600 --> 00:24:06,560 Speaker 2: So what was the first Chili album you got? Oh, 539 00:24:06,600 --> 00:24:07,880 Speaker 2: it would have. 540 00:24:07,440 --> 00:24:11,760 Speaker 3: Been by the Way or Californication, one of those. And 541 00:24:11,760 --> 00:24:13,919 Speaker 3: then I still look albums huge. 542 00:24:14,080 --> 00:24:16,520 Speaker 2: Just when you would buy an album, yes CD. 543 00:24:16,520 --> 00:24:18,600 Speaker 3: Yeah, you'd go out and actually buy the physical CD. 544 00:24:18,760 --> 00:24:20,200 Speaker 2: And I still remember when. 545 00:24:21,840 --> 00:24:24,679 Speaker 3: Stadium Arcadium came out and we're all on the school 546 00:24:24,720 --> 00:24:26,679 Speaker 3: bus listening to it just come out, and we were 547 00:24:26,720 --> 00:24:28,840 Speaker 3: so excited. We've been waiting for months and we all 548 00:24:28,840 --> 00:24:31,760 Speaker 3: had it like I had one headphone in, Daniel. 549 00:24:31,400 --> 00:24:34,800 Speaker 2: Had the other. I still love doing that. Yeah, just 550 00:24:34,800 --> 00:24:35,320 Speaker 2: the best. 551 00:24:35,440 --> 00:24:38,879 Speaker 1: Yeah, it's now music has changed how people listen to it, 552 00:24:38,920 --> 00:24:40,920 Speaker 1: because then it was like it's just come out. Yes, 553 00:24:40,960 --> 00:24:43,480 Speaker 1: they're playing on the radio. Yeah, I remember the DJ 554 00:24:43,600 --> 00:24:46,520 Speaker 1: ago at ten past eight today we're playing the new 555 00:24:46,560 --> 00:24:49,560 Speaker 1: song from the Reaction. Yeah, you rearranged the morning like Dad, 556 00:24:49,600 --> 00:24:51,639 Speaker 1: we gotta get in the car earlier he's playing the 557 00:24:51,720 --> 00:24:54,720 Speaker 1: new Chili Peper song because there was no YouTube. 558 00:24:54,440 --> 00:24:54,960 Speaker 2: That was it. 559 00:24:55,280 --> 00:24:58,159 Speaker 1: Yeah, it was a really really rare commodity like music 560 00:24:58,560 --> 00:24:59,439 Speaker 1: and discovering it. 561 00:24:59,440 --> 00:25:00,680 Speaker 2: It was all about the radio. 562 00:25:00,760 --> 00:25:04,000 Speaker 1: Now it's Spotify, it's TikTok, It's it's not radio anymore. 563 00:25:04,040 --> 00:25:05,440 Speaker 2: Right, it doesn't have the same power to make or 564 00:25:05,440 --> 00:25:06,080 Speaker 2: break an answers. 565 00:25:06,600 --> 00:25:10,359 Speaker 5: The world would listen to it together, come out just 566 00:25:10,400 --> 00:25:12,720 Speaker 5: at that one moment, and everyone, as you said, would 567 00:25:12,760 --> 00:25:14,480 Speaker 5: rearrange and you'd sit there and you'd wait for it, 568 00:25:14,520 --> 00:25:15,439 Speaker 5: and you'd listen for it. 569 00:25:15,560 --> 00:25:19,240 Speaker 2: Yeah, I still remember I missed those days. Yeah, same, Yeah, 570 00:25:19,280 --> 00:25:19,919 Speaker 2: we don't have that. 571 00:25:20,080 --> 00:25:23,040 Speaker 1: No, No, what's the same as like streaming Now it's 572 00:25:23,080 --> 00:25:26,280 Speaker 1: like you remember where watching a TV show. You sat 573 00:25:26,359 --> 00:25:28,480 Speaker 1: down at eight o'clock on a Wednesday night to watch 574 00:25:28,560 --> 00:25:31,320 Speaker 1: whatever that show was, and if you didn't see it, 575 00:25:31,359 --> 00:25:33,240 Speaker 1: you might be like a friend, I might recorded it 576 00:25:33,440 --> 00:25:35,280 Speaker 1: to come around and watch it, borrow it from them. 577 00:25:35,840 --> 00:25:38,040 Speaker 1: But you you all watch it at the same time. 578 00:25:38,600 --> 00:25:41,840 Speaker 1: Nowadays you go, oh, you know, oh, I'm season three. 579 00:25:42,359 --> 00:25:43,800 Speaker 4: Yeah get. 580 00:25:46,040 --> 00:25:50,359 Speaker 2: Oh, you wait together, and then it ends the conversation. 581 00:25:50,480 --> 00:25:52,880 Speaker 1: Yes, yeah, you can't talk about it if we're all 582 00:25:52,880 --> 00:25:54,640 Speaker 1: watching Game of Thrones or whatever it was. Once we're 583 00:25:54,680 --> 00:25:56,320 Speaker 1: the same time and go, hey, yes to that last 584 00:25:56,359 --> 00:25:59,879 Speaker 1: night love talking about last night's TV shows. It was 585 00:26:00,040 --> 00:26:02,240 Speaker 1: you were all in on the same conversation at the 586 00:26:02,280 --> 00:26:04,399 Speaker 1: same time. Now and that's the same thing with TV, 587 00:26:04,960 --> 00:26:08,920 Speaker 1: movies and music. Now it's all fragmented. Yeah, I miss that. 588 00:26:09,080 --> 00:26:11,520 Speaker 3: Yeah, there's something to be said for the inconvenience of 589 00:26:11,640 --> 00:26:13,639 Speaker 3: having to do that, because then everyone has to go 590 00:26:13,720 --> 00:26:16,840 Speaker 3: through it. But now everything's so everything's so customizable. You 591 00:26:16,880 --> 00:26:20,879 Speaker 3: can make everything suit perfectly to your last You don't 592 00:26:21,040 --> 00:26:21,800 Speaker 3: have the crossover. 593 00:26:21,800 --> 00:26:22,720 Speaker 2: That year, there were so many. 594 00:26:22,640 --> 00:26:25,120 Speaker 1: Times I remember getting up early to go on queue 595 00:26:25,119 --> 00:26:28,080 Speaker 1: to buy the album that came out that Antickets. Yeah, 596 00:26:28,200 --> 00:26:32,480 Speaker 1: I still remember queuing to buy that be the third 597 00:26:33,000 --> 00:26:36,000 Speaker 1: Oasis album be here Now. And if I go back 598 00:26:36,000 --> 00:26:37,640 Speaker 1: in time now, I say to me, dune bother quing 599 00:26:37,720 --> 00:26:40,080 Speaker 1: for this one. This is what happens if you take 600 00:26:40,200 --> 00:26:40,919 Speaker 1: too much cooking. 601 00:26:42,080 --> 00:26:45,159 Speaker 2: I remember even once chatting to No and I was 602 00:26:45,160 --> 00:26:45,560 Speaker 2: still good. 603 00:26:45,600 --> 00:26:48,359 Speaker 1: He goes, why your favorite Oasis albums? And I said, 604 00:26:49,520 --> 00:26:50,920 Speaker 1: I said well, and I talked about the power of 605 00:26:50,920 --> 00:26:52,720 Speaker 1: the first two. I said they were incredible, and No 606 00:26:52,800 --> 00:26:54,919 Speaker 1: would just go and he didn't. He wasn't being ironically 607 00:26:55,000 --> 00:26:59,760 Speaker 1: go agreed. I would just think that's definitely maybe the 608 00:26:59,800 --> 00:27:02,639 Speaker 1: great debut album. They went correct and he wasn't. He 609 00:27:03,520 --> 00:27:06,520 Speaker 1: was he knew yes, and he goes trouble is he 610 00:27:06,800 --> 00:27:10,600 Speaker 1: was trouble. I was just too good, too soon, and 611 00:27:10,640 --> 00:27:12,520 Speaker 1: I want too many great songs too soon. 612 00:27:14,040 --> 00:27:16,040 Speaker 2: I said to him about be here now. He goes, oh, 613 00:27:16,480 --> 00:27:17,200 Speaker 2: too much drugs. 614 00:27:18,480 --> 00:27:21,240 Speaker 1: Let that be a warning to all you young kids. 615 00:27:22,040 --> 00:27:23,080 Speaker 1: He goes go back now. 616 00:27:23,119 --> 00:27:27,880 Speaker 2: There's no there's no track on there that's not bloated. 617 00:27:28,600 --> 00:27:31,240 Speaker 2: I said. The lyrics you go back now are terrible. 618 00:27:31,440 --> 00:27:32,000 Speaker 2: They're bloated. 619 00:27:32,040 --> 00:27:34,199 Speaker 1: The light six or seven minutes of a lot of 620 00:27:34,320 --> 00:27:38,320 Speaker 1: nonsense stuff. There's one song called gas Panic, which is 621 00:27:38,359 --> 00:27:39,960 Speaker 1: about He's He thought there needs to be a song 622 00:27:40,000 --> 00:27:42,240 Speaker 1: about trapped gas and he turned it into something. 623 00:27:41,960 --> 00:27:45,360 Speaker 2: Else that is too much. Yeah, yeah, wow, all right. 624 00:27:45,440 --> 00:27:48,679 Speaker 1: So it's been nice to talk about music actually just 625 00:27:48,720 --> 00:27:51,879 Speaker 1: what it is. There is a buzz this week about 626 00:27:51,920 --> 00:27:54,520 Speaker 1: the Oasis stuff. I think even I've been chatting to 627 00:27:54,520 --> 00:27:56,200 Speaker 1: people here and obviously with I'm on the other side 628 00:27:56,200 --> 00:27:58,520 Speaker 1: of the world, I feel quite On Sunday at night, 629 00:27:58,560 --> 00:28:01,639 Speaker 1: I felt quite disconnected to London, and I was thinking. 630 00:28:01,520 --> 00:28:02,720 Speaker 2: Oh my god, what I would have done if it 631 00:28:02,760 --> 00:28:03,840 Speaker 2: was on the radio show. 632 00:28:03,800 --> 00:28:06,040 Speaker 1: Back on the Old Chow about this and Oasis, and 633 00:28:06,480 --> 00:28:10,240 Speaker 1: I guess they'd be in. They'd be in together to announces. 634 00:28:10,320 --> 00:28:12,879 Speaker 1: That's what I'd be planning right now, all organizing and 635 00:28:13,119 --> 00:28:16,000 Speaker 1: I'll be scheduling the songs are to do, like what 636 00:28:16,160 --> 00:28:19,159 Speaker 1: songs to play before and after I've had disconnected it. 637 00:28:19,200 --> 00:28:20,919 Speaker 1: I wasn't sure if it was going to be that 638 00:28:21,040 --> 00:28:21,960 Speaker 1: big a thing here. 639 00:28:21,920 --> 00:28:22,960 Speaker 2: But actually must quite nice. 640 00:28:22,960 --> 00:28:25,680 Speaker 1: P one interested in it and also people are there 641 00:28:25,680 --> 00:28:27,280 Speaker 1: are a lot of Oasis fans. 642 00:28:27,040 --> 00:28:28,640 Speaker 2: Here heaps so many. 643 00:28:28,760 --> 00:28:31,800 Speaker 1: Yeah, all right, So ideas then about the show? 644 00:28:31,840 --> 00:28:33,159 Speaker 2: What do you think, Katelen? What have you got on 645 00:28:33,200 --> 00:28:33,560 Speaker 2: your mind? 646 00:28:33,800 --> 00:28:34,000 Speaker 4: So? 647 00:28:34,080 --> 00:28:37,639 Speaker 5: I have a couple of ideas. The first one is 648 00:28:38,320 --> 00:28:41,440 Speaker 5: for the at work time waster. So I was thinking, 649 00:28:41,480 --> 00:28:43,200 Speaker 5: at the end of the year, for our last couple 650 00:28:43,280 --> 00:28:45,760 Speaker 5: of weeks, everyone's doing their work Christmas parties. 651 00:28:45,880 --> 00:28:46,040 Speaker 2: Yep. 652 00:28:46,360 --> 00:28:49,080 Speaker 5: We love when we get offices involved in the at 653 00:28:49,080 --> 00:28:49,840 Speaker 5: work time waster. 654 00:28:50,320 --> 00:28:52,520 Speaker 4: So I thought, could we pay for your. 655 00:28:52,480 --> 00:28:54,880 Speaker 5: Work Christmas party or give you like five hundred dollars 656 00:28:54,920 --> 00:28:56,240 Speaker 5: towards your work Christmas party? 657 00:28:56,440 --> 00:28:57,840 Speaker 2: That's a nice idea. 658 00:28:57,920 --> 00:28:59,080 Speaker 4: And then we can have a bit of a party, 659 00:28:59,640 --> 00:29:01,160 Speaker 4: a lot to be doing. 660 00:29:00,920 --> 00:29:04,600 Speaker 2: It, a lot of it. We bring your own for 661 00:29:04,640 --> 00:29:05,200 Speaker 2: your own drinks. 662 00:29:05,360 --> 00:29:06,560 Speaker 4: Well we've got them sorded. 663 00:29:06,880 --> 00:29:09,120 Speaker 5: So yeah, I thought maybe that for the utwik time waster. 664 00:29:10,080 --> 00:29:14,760 Speaker 5: Now we have a load of dishwashers. 665 00:29:14,040 --> 00:29:17,720 Speaker 4: And washing machines, Oh my god, we do many. We 666 00:29:17,760 --> 00:29:18,760 Speaker 4: have a lot such as a. 667 00:29:18,800 --> 00:29:23,160 Speaker 1: Hangover from the Gold of Thon, right, because when we 668 00:29:23,160 --> 00:29:25,240 Speaker 1: were doing the Gold of Thon and we're giving away 669 00:29:25,360 --> 00:29:28,440 Speaker 1: dishwashers and washing machines for every gold medal, there was 670 00:29:28,440 --> 00:29:30,920 Speaker 1: obviously so many to give away because Australia did really well. 671 00:29:31,080 --> 00:29:32,720 Speaker 2: Yes, we've got a load. 672 00:29:32,600 --> 00:29:34,920 Speaker 4: Left over, Yes, so we will I think listens. 673 00:29:35,080 --> 00:29:37,560 Speaker 1: So let's probably think we've got a warehouse or a van. 674 00:29:38,360 --> 00:29:40,160 Speaker 1: We have got equipment, what twenty five? 675 00:29:40,360 --> 00:29:42,640 Speaker 5: We may need to look into a warehouse because I 676 00:29:42,680 --> 00:29:43,720 Speaker 5: think we've got about forty. 677 00:29:44,840 --> 00:29:46,640 Speaker 2: But what are we going to do? What are we 678 00:29:46,680 --> 00:29:47,440 Speaker 2: going to do with them? All? 679 00:29:47,520 --> 00:29:50,440 Speaker 5: Okay, so I have a suggestion. You said hangover, I 680 00:29:50,480 --> 00:29:54,040 Speaker 5: say leftovers. Everyone loves leftovers. 681 00:29:54,560 --> 00:29:56,640 Speaker 2: The next day he doesn't like leftovers? Is the client 682 00:29:56,680 --> 00:29:57,400 Speaker 2: who's paid. 683 00:29:57,200 --> 00:29:58,280 Speaker 4: For all this heating? 684 00:29:58,320 --> 00:29:59,480 Speaker 1: It up. No, that's all. 685 00:29:59,400 --> 00:30:03,760 Speaker 2: Right, We've got some leftovers bosh washing machines. Yeah, that's 686 00:30:03,800 --> 00:30:05,080 Speaker 2: amazing brand. 687 00:30:05,200 --> 00:30:07,760 Speaker 4: You've still got the chance to win these amazing Bosh washers. 688 00:30:07,800 --> 00:30:09,480 Speaker 2: Every phrase leftovers. 689 00:30:09,520 --> 00:30:11,680 Speaker 4: Everything tastes better when it's heated up the next day. 690 00:30:11,960 --> 00:30:12,240 Speaker 2: True. 691 00:30:12,400 --> 00:30:16,640 Speaker 1: Interesting, Yet to go to a Michelin or Hattid restaurant 692 00:30:16,640 --> 00:30:20,000 Speaker 1: where this is reheated from last night, and trust us, 693 00:30:20,560 --> 00:30:23,040 Speaker 1: Jeff said it's better. He's not here today. We're just 694 00:30:23,040 --> 00:30:24,200 Speaker 1: going to reheat in the microwave. 695 00:30:25,400 --> 00:30:27,479 Speaker 4: That's a great business idea. 696 00:30:27,760 --> 00:30:31,960 Speaker 5: Leftover and we just take everyone's food that's left overs 697 00:30:31,960 --> 00:30:34,320 Speaker 5: and heat it up for everyone, give it time for free. Anyway, 698 00:30:35,200 --> 00:30:38,080 Speaker 5: So I just thought that maybe we could do leftovers week. 699 00:30:39,000 --> 00:30:42,360 Speaker 4: Obviously you don't like the name, but it was just 700 00:30:42,400 --> 00:30:42,880 Speaker 4: a thought. 701 00:30:43,040 --> 00:30:45,840 Speaker 1: What about there's a lot of these washing machines. We 702 00:30:46,040 --> 00:30:49,880 Speaker 1: actually physically get hold of them and overnight place them, 703 00:30:50,080 --> 00:30:54,280 Speaker 1: hide them around Melbourne, actually put them on the streets, yes, 704 00:30:54,320 --> 00:30:55,360 Speaker 1: and then give awak clues. 705 00:30:55,440 --> 00:30:56,560 Speaker 2: Now people might go. 706 00:30:57,240 --> 00:31:00,800 Speaker 6: Jack and none can wake out about three am, be 707 00:31:00,920 --> 00:31:02,480 Speaker 6: driving to his bakery and. 708 00:31:02,560 --> 00:31:04,440 Speaker 2: Just have a washing machine. 709 00:31:04,880 --> 00:31:07,800 Speaker 1: Most people, right, good decent people would not straight away 710 00:31:07,920 --> 00:31:10,320 Speaker 1: just pick up a washing machine they think it was. 711 00:31:10,640 --> 00:31:12,440 Speaker 2: It's too hot, stolen all they were. 712 00:31:12,920 --> 00:31:16,120 Speaker 4: Okay, okay, I have a name. 713 00:31:17,600 --> 00:31:25,160 Speaker 5: Surprise and Shine like Rise and Shine Surprise and the 714 00:31:25,240 --> 00:31:26,040 Speaker 5: washing machines on it. 715 00:31:26,080 --> 00:31:28,400 Speaker 4: Of course if he is, for example. 716 00:31:28,280 --> 00:31:32,800 Speaker 1: Mystery machine, where are you mystery machine? Like you know 717 00:31:32,880 --> 00:31:35,720 Speaker 1: the Zold time machine in Big. 718 00:31:37,360 --> 00:31:43,320 Speaker 2: Old? Are the washing machines give the clues? Washed Star? 719 00:31:44,520 --> 00:31:44,720 Speaker 3: Like that? 720 00:31:44,840 --> 00:31:49,080 Speaker 1: I am the washing machine you use Petty Cashman's microphone. 721 00:31:50,200 --> 00:31:55,440 Speaker 1: Hello Christian, I'll spin you like a motherfucker. 722 00:31:57,680 --> 00:31:58,080 Speaker 5: Washed up. 723 00:31:59,440 --> 00:32:03,000 Speaker 2: Oh never call me a leftover robbery and s won't 724 00:32:03,120 --> 00:32:06,240 Speaker 2: like that. I really really like it. 725 00:32:07,600 --> 00:32:10,440 Speaker 6: What about then, because I know straightway see the master aging. 726 00:32:10,440 --> 00:32:13,400 Speaker 6: They might have their backs and they're see the station. 727 00:32:13,720 --> 00:32:16,160 Speaker 5: I have a suggestion, then, if we're worried about randoms 728 00:32:16,200 --> 00:32:19,000 Speaker 5: that don't listen to the show winning, why don't we 729 00:32:19,040 --> 00:32:21,680 Speaker 5: get people to enter if they want to win a 730 00:32:21,800 --> 00:32:24,280 Speaker 5: washing machine? And then one morning we just go out 731 00:32:24,320 --> 00:32:26,240 Speaker 5: and they wake up and there's just washers on their 732 00:32:26,520 --> 00:32:28,200 Speaker 5: on their driveway. 733 00:32:28,640 --> 00:32:30,320 Speaker 2: You just left it. There's like a little Christmas pre 734 00:32:30,680 --> 00:32:31,240 Speaker 2: like a little. 735 00:32:31,360 --> 00:32:35,200 Speaker 5: Like a Christmas present? Is there something in Christmas presents? 736 00:32:35,240 --> 00:32:36,640 Speaker 5: Like we do it for the last two weeks of 737 00:32:36,680 --> 00:32:37,000 Speaker 5: the year. 738 00:32:37,080 --> 00:32:38,840 Speaker 2: I like the idea of surprising people. 739 00:32:41,800 --> 00:32:44,360 Speaker 4: You knock, knock, oh, hello, Hello, come on hello. 740 00:32:44,600 --> 00:32:47,400 Speaker 2: No one asks a doll like that. Hello. If you 741 00:32:47,440 --> 00:32:49,440 Speaker 2: get a knock early morning at seven thirty prime. 742 00:32:49,280 --> 00:32:54,200 Speaker 4: Time, Hi, Who's who's there? 743 00:32:54,280 --> 00:32:55,240 Speaker 2: Ever answered the door? 744 00:32:55,360 --> 00:32:55,600 Speaker 4: Yeah? 745 00:32:55,760 --> 00:32:57,280 Speaker 5: No, Well I would just I would open the door 746 00:32:57,320 --> 00:33:00,600 Speaker 5: and say hello, Hello yet out TV? 747 00:33:05,520 --> 00:33:07,800 Speaker 4: Hi, who are you washed up? 748 00:33:12,200 --> 00:33:14,479 Speaker 2: I have a washing machine? Let me in. 749 00:33:15,360 --> 00:33:17,520 Speaker 3: This is so there's the washing machine on the doorstep 750 00:33:17,560 --> 00:33:20,520 Speaker 3: and it's got like a speaker and it's saying about that. 751 00:33:20,560 --> 00:33:24,840 Speaker 4: But I love that wishy washers wish for the. 752 00:33:24,880 --> 00:33:32,400 Speaker 2: Wash, wishy washy washes, wishy washing machine. We wish washing washing. 753 00:33:32,440 --> 00:33:36,320 Speaker 2: You were grismas very wish wash you were happy. 754 00:33:36,440 --> 00:33:38,680 Speaker 4: Chrismis mery washmers. 755 00:33:38,920 --> 00:33:41,080 Speaker 3: Sometimes it's hard to see how the sausage is made. 756 00:33:43,080 --> 00:33:43,920 Speaker 4: This is a lot of it. 757 00:33:44,000 --> 00:33:49,160 Speaker 2: We go back so much met being crammed into the Okay, 758 00:33:49,160 --> 00:33:50,360 Speaker 2: So I like to those ideas. 759 00:33:50,440 --> 00:33:54,000 Speaker 1: I do like just going hey, overnight, we have placed 760 00:33:54,000 --> 00:33:57,200 Speaker 1: in washing machines, and maybe we don't even tell Jack, otherwise. 761 00:33:56,880 --> 00:33:58,680 Speaker 2: It would just actually just sleep. 762 00:33:58,880 --> 00:34:00,920 Speaker 1: I actually think he'd hire a budget van and go 763 00:34:00,960 --> 00:34:08,320 Speaker 1: and get them back, and we just give clues away. 764 00:34:08,640 --> 00:34:10,560 Speaker 5: Yes, right, okay, I love that. 765 00:34:10,920 --> 00:34:14,960 Speaker 1: Awesome if someone just three of them just have gone, 766 00:34:15,320 --> 00:34:16,279 Speaker 1: we don't even know who's taken. 767 00:34:17,400 --> 00:34:19,120 Speaker 2: Were still like that's funny. 768 00:34:19,440 --> 00:34:21,360 Speaker 1: I hope it goes to people that needed them. But 769 00:34:21,440 --> 00:34:23,440 Speaker 1: we say this is from the Christian O'Connell show. So 770 00:34:23,440 --> 00:34:26,000 Speaker 1: even if they get they still maybe they're a non listener. 771 00:34:26,120 --> 00:34:27,440 Speaker 1: Go I might give it a go and gave me 772 00:34:27,480 --> 00:34:28,240 Speaker 1: a washing machine. 773 00:34:28,400 --> 00:34:30,760 Speaker 2: Yeah, guys like Saint Teresa. 774 00:34:31,040 --> 00:34:33,759 Speaker 5: Yes, I love it, alrighty, I'm happy to do that 775 00:34:33,880 --> 00:34:36,919 Speaker 5: lock Andy Dick and. 776 00:34:36,800 --> 00:34:38,319 Speaker 1: Then the other one I do like it or people 777 00:34:38,360 --> 00:34:40,360 Speaker 1: that want them, and then we just surprise some of 778 00:34:40,360 --> 00:34:42,879 Speaker 1: them for a week by just knocking on their door 779 00:34:43,040 --> 00:34:45,400 Speaker 1: during the show and go, happy Christmas. 780 00:34:45,440 --> 00:34:45,840 Speaker 2: This is for you. 781 00:34:47,080 --> 00:34:48,320 Speaker 4: Okay, we've got both ideas. 782 00:34:48,400 --> 00:34:50,000 Speaker 5: Let's keep with it and we'll have a think further 783 00:34:50,120 --> 00:34:52,040 Speaker 5: and then figure out what one's the best. 784 00:34:52,239 --> 00:34:54,120 Speaker 2: Those are Both of those ideas are happening. We don't 785 00:34:54,120 --> 00:34:54,640 Speaker 2: need to keep with it. 786 00:34:54,680 --> 00:35:00,040 Speaker 4: Actually, that's a great idea. Let's do both of them both. Okay, great, done, 787 00:35:00,520 --> 00:35:01,400 Speaker 4: I have more about. 788 00:35:01,760 --> 00:35:02,560 Speaker 2: Excuse me real. 789 00:35:02,680 --> 00:35:05,479 Speaker 1: Caitlin actually went through the motion of writing that idea down. 790 00:35:06,000 --> 00:35:10,000 Speaker 1: Rio put a picked a pen up and then just 791 00:35:10,080 --> 00:35:13,399 Speaker 1: put a dot on a piece of paper. I would think, oh, 792 00:35:13,719 --> 00:35:14,800 Speaker 1: he's just written down everything. 793 00:35:14,840 --> 00:35:16,600 Speaker 2: I just said. You're very good at short hand. I 794 00:35:16,680 --> 00:35:21,800 Speaker 2: just wrote rishi washy. What about washed? Flushed? I didn't 795 00:35:21,800 --> 00:35:22,680 Speaker 2: make it to the pain. 796 00:35:23,480 --> 00:35:25,640 Speaker 1: The pen run out, the power of my words washed 797 00:35:26,440 --> 00:35:27,759 Speaker 1: the washing machine. 798 00:35:28,320 --> 00:35:30,799 Speaker 2: I know they'll be German. Oh why I wanted the 799 00:35:30,800 --> 00:35:31,440 Speaker 2: German in. 800 00:35:31,480 --> 00:35:34,600 Speaker 5: Case it comes out fun fact, I do know how 801 00:35:34,600 --> 00:35:36,160 Speaker 5: to write shorthand, do you ye. 802 00:35:38,480 --> 00:35:40,120 Speaker 1: We often see some of that benefit sometimes when we 803 00:35:40,280 --> 00:35:42,879 Speaker 1: label up the callers. 804 00:35:43,000 --> 00:35:49,560 Speaker 2: So Nike with a KA. 805 00:35:47,360 --> 00:35:48,799 Speaker 4: Went to university? 806 00:35:49,800 --> 00:35:50,760 Speaker 2: What have you got? Okay? 807 00:35:50,840 --> 00:35:54,120 Speaker 3: I have one, maybe not an idea for this year, 808 00:35:54,160 --> 00:35:56,560 Speaker 3: but one that I think would be really fun. Q 809 00:35:56,920 --> 00:36:00,600 Speaker 3: our video producer is in the UK at the moment. 810 00:36:01,160 --> 00:36:03,560 Speaker 3: He's never left the country, never ever. 811 00:36:03,400 --> 00:36:04,480 Speaker 2: Been out of Australia. 812 00:36:05,040 --> 00:36:09,400 Speaker 3: I thought it would be awesome to have because especially 813 00:36:09,400 --> 00:36:11,480 Speaker 3: in the podcast, we have a lot of overseas listeners. 814 00:36:11,840 --> 00:36:16,120 Speaker 3: Have someone who's never come to Australia bring them to Australia. 815 00:36:16,200 --> 00:36:16,560 Speaker 2: Love this. 816 00:36:16,760 --> 00:36:18,320 Speaker 3: We do have ether billeted. 817 00:36:18,480 --> 00:36:20,000 Speaker 4: Yes, I billeted when I was younger. 818 00:36:20,800 --> 00:36:21,520 Speaker 2: We could bill at them. 819 00:36:21,560 --> 00:36:23,359 Speaker 3: They could stay at your place, they could stay at 820 00:36:23,400 --> 00:36:25,239 Speaker 3: Jack's place they could stay. 821 00:36:27,440 --> 00:36:30,239 Speaker 2: He actually it's you. 822 00:36:31,800 --> 00:36:33,560 Speaker 1: Let's not bring someone over in a twenty four hour 823 00:36:33,600 --> 00:36:35,759 Speaker 1: flight from England or anywhere around the world and. 824 00:36:35,719 --> 00:36:38,680 Speaker 2: Let Jack be their house counchsurfing with. 825 00:36:40,120 --> 00:36:45,360 Speaker 3: And that would actually and then just give them like 826 00:36:45,400 --> 00:36:47,400 Speaker 3: a tour of Melbourne two of Australia and see what 827 00:36:47,400 --> 00:36:48,279 Speaker 3: they think about. 828 00:36:48,920 --> 00:36:51,680 Speaker 1: Yeah, yeah, I love that. Yeah, bring someone to Australia 829 00:36:51,920 --> 00:36:55,239 Speaker 1: A great idea. Yeah, I love that. A couple of 830 00:36:55,280 --> 00:36:57,719 Speaker 1: those to me, I really do want to take the 831 00:36:57,760 --> 00:36:59,759 Speaker 1: show and do it live from London from week next 832 00:36:59,840 --> 00:37:02,360 Speaker 1: year and take a load of us to go and 833 00:37:02,360 --> 00:37:04,440 Speaker 1: see the Oasis show, take some listeners on the plane 834 00:37:04,440 --> 00:37:07,720 Speaker 1: with us who've never been to the UK and design 835 00:37:07,760 --> 00:37:09,920 Speaker 1: like an itinery of all that's great to go and 836 00:37:09,960 --> 00:37:13,759 Speaker 1: see there. It's from Scotland, Edinburgh, bath in London as well. 837 00:37:13,800 --> 00:37:15,719 Speaker 1: Patsy's never been to London or the UK. 838 00:37:16,480 --> 00:37:18,480 Speaker 4: You imagine Europe some sort of. 839 00:37:18,400 --> 00:37:24,920 Speaker 2: Bog bogan in London. That's what we should call it 840 00:37:26,760 --> 00:37:32,240 Speaker 2: in London. What's that sting song? An Englishman in New York? Oh, 841 00:37:32,480 --> 00:37:36,520 Speaker 2: I'm an Englishman. I'm a little Englishman. How do we 842 00:37:36,640 --> 00:37:38,360 Speaker 2: I'm a bogan in London? 843 00:37:40,120 --> 00:37:45,000 Speaker 4: Okay, I've got a name. Oh well, take us oasis, 844 00:37:45,320 --> 00:37:46,840 Speaker 4: what like take us away? 845 00:37:47,600 --> 00:37:53,920 Speaker 1: To take us home an oasis. 846 00:37:53,920 --> 00:38:00,200 Speaker 2: Surprisingly that pen has not moved again. Shorthand you I 847 00:38:00,200 --> 00:38:10,640 Speaker 2: could fly together, gala some of the words. Some more. 848 00:38:17,719 --> 00:38:19,120 Speaker 2: Teamwork makes the dream work. 849 00:38:19,400 --> 00:38:21,920 Speaker 1: Wow, just got to get hold of the tickets to 850 00:38:22,000 --> 00:38:23,720 Speaker 1: plane the accommodation. 851 00:38:23,920 --> 00:38:26,560 Speaker 2: Mine in details. Oh my god, easy one fune call. 852 00:38:26,960 --> 00:38:28,440 Speaker 4: Yeah, absolutely, don't worry about it. 853 00:38:28,440 --> 00:38:28,879 Speaker 2: We got it. 854 00:38:29,520 --> 00:38:31,239 Speaker 1: The other thing I was thinking about, i'd really like 855 00:38:31,320 --> 00:38:34,880 Speaker 1: to form some kind of still thinking about how we 856 00:38:34,880 --> 00:38:38,840 Speaker 1: could do a book club that wasn't teddously boring. I 857 00:38:38,840 --> 00:38:42,400 Speaker 1: would actually like to do. And I do like the idea. 858 00:38:42,400 --> 00:38:43,759 Speaker 1: I think I'm going to get signed off from you 859 00:38:43,800 --> 00:38:45,160 Speaker 1: guys of a wine club. 860 00:38:45,360 --> 00:38:52,240 Speaker 3: I mean, wowed, instant interestant tell me more. 861 00:38:53,320 --> 00:38:55,439 Speaker 2: Pretty sure it speaks for itself. Wait till we don't. 862 00:38:55,560 --> 00:38:57,439 Speaker 2: There's no Christians Wine of the week on the front. 863 00:38:57,480 --> 00:38:59,560 Speaker 2: Oh we just drink wine. Yeah, we're going to try 864 00:38:59,600 --> 00:39:03,200 Speaker 2: it first, right right right, thoroughly test everything. I don't 865 00:39:03,200 --> 00:39:05,680 Speaker 2: just mean one little sip. I mean it might take 866 00:39:05,719 --> 00:39:07,600 Speaker 2: me six months to get through some wins. We'll go. 867 00:39:07,640 --> 00:39:10,080 Speaker 2: I'm still working my mind out about this, but a 868 00:39:10,120 --> 00:39:10,839 Speaker 2: wine club like. 869 00:39:11,760 --> 00:39:14,840 Speaker 1: Wine of the Week or two so twenty bucks or under, 870 00:39:15,120 --> 00:39:17,160 Speaker 1: and then one that's twenty to thirty or forty. 871 00:39:17,440 --> 00:39:18,800 Speaker 2: I love that. 872 00:39:18,719 --> 00:39:21,680 Speaker 5: Work on getting discounts for listeners because we can work 873 00:39:21,719 --> 00:39:22,440 Speaker 5: with wine makers. 874 00:39:22,920 --> 00:39:25,160 Speaker 4: We're in a great you know state in the country for. 875 00:39:25,120 --> 00:39:28,800 Speaker 1: Wine country that has some amazing wines, right, And sometimes 876 00:39:28,880 --> 00:39:30,879 Speaker 1: you go to the wine shop and you don't know 877 00:39:31,120 --> 00:39:33,000 Speaker 1: what to get, and you might want to try something 878 00:39:33,000 --> 00:39:36,560 Speaker 1: a bit different, to try something not tried before, surprise people. 879 00:39:36,600 --> 00:39:38,799 Speaker 1: So whether it's a pino he wants to have a 880 00:39:38,840 --> 00:39:40,760 Speaker 1: cool climate one or a bit more full body peanut 881 00:39:40,880 --> 00:39:43,839 Speaker 1: or shiraz or a cab. You know, we can cut 882 00:39:43,880 --> 00:39:45,799 Speaker 1: through all that that crap there is with wine. There's 883 00:39:46,120 --> 00:39:47,399 Speaker 1: bs around with wine as well. 884 00:39:47,440 --> 00:39:48,680 Speaker 4: Yeah, and you're just not sure. 885 00:39:48,880 --> 00:39:51,719 Speaker 5: Yes, yeah, even I who love like I love wine. 886 00:39:51,920 --> 00:39:54,040 Speaker 5: But when sometimes you go to you know, a generic 887 00:39:54,200 --> 00:39:57,440 Speaker 5: alcohol shop, they don't have all of those kind of 888 00:39:57,440 --> 00:39:59,880 Speaker 5: ones that you've experienced, the fancy or ones that the 889 00:40:00,080 --> 00:40:03,480 Speaker 5: yes reas and whatnot. Yeah, so you just go, well, gee, 890 00:40:03,480 --> 00:40:05,439 Speaker 5: what do I get and what's a good one? I 891 00:40:05,480 --> 00:40:11,360 Speaker 5: love wine, car being surprised, Yes, trying something new to Yes, yes. 892 00:40:11,200 --> 00:40:13,080 Speaker 1: Yes, I remember when I first moved here, and obviously 893 00:40:13,560 --> 00:40:16,040 Speaker 1: the rest of the world doesn't have drive through bottle shops. 894 00:40:16,560 --> 00:40:16,920 Speaker 2: That was. 895 00:40:18,840 --> 00:40:22,839 Speaker 1: And I said, wait, so you you can't even bother 896 00:40:22,960 --> 00:40:25,960 Speaker 1: to park outside and just walk in and get it. 897 00:40:26,440 --> 00:40:28,200 Speaker 2: The car can actually be you don't even get out 898 00:40:28,200 --> 00:40:28,440 Speaker 2: of the car. 899 00:40:29,000 --> 00:40:30,920 Speaker 1: You can just open the boot and they bring booze 900 00:40:30,960 --> 00:40:32,799 Speaker 1: to you. We're busy people, and I think, why don't 901 00:40:32,800 --> 00:40:35,319 Speaker 1: you have this like chemists. You've got sick people, you'll 902 00:40:35,360 --> 00:40:39,280 Speaker 1: insist that they park and get out walk into a chemist. 903 00:40:39,640 --> 00:40:42,399 Speaker 1: But you know people that are very well you want 904 00:40:42,440 --> 00:40:43,680 Speaker 1: to keep they can just drive through. 905 00:40:46,840 --> 00:40:49,080 Speaker 2: You can't waste any time get out of the car. No, exactly, 906 00:40:49,160 --> 00:40:50,360 Speaker 2: you're wasting valuable drinking. 907 00:40:50,920 --> 00:40:54,320 Speaker 1: But I remember I went quite a all bottle shops 908 00:40:54,360 --> 00:40:58,560 Speaker 1: as they call them here. Some of them are quite basic. 909 00:40:58,360 --> 00:41:03,080 Speaker 2: Aren't they. One of them minimalists? Yeah, this was right. 910 00:41:03,160 --> 00:41:06,960 Speaker 1: So they had some wines there, and you know, sometimes 911 00:41:06,960 --> 00:41:09,880 Speaker 1: they go like full bodied wines. They might give a 912 00:41:09,920 --> 00:41:12,279 Speaker 1: little bit of advice, you know, climb it's all. This 913 00:41:12,360 --> 00:41:15,239 Speaker 1: might be nice with certain type of food, great with fish, 914 00:41:15,560 --> 00:41:18,040 Speaker 1: to a type of white wine. This is said a 915 00:41:18,160 --> 00:41:22,040 Speaker 1: handwritten sticker right on like a fluoro thing, I'm great 916 00:41:22,080 --> 00:41:24,120 Speaker 1: with Lasagna, And I was like. 917 00:41:24,160 --> 00:41:28,000 Speaker 2: That's so damn specific. Who is ever wandered in here 918 00:41:28,520 --> 00:41:29,120 Speaker 2: going so much? 919 00:41:29,200 --> 00:41:34,040 Speaker 3: Or what's good with the fanciest food in the world, only. 920 00:41:33,840 --> 00:41:37,879 Speaker 2: The finest wines with Did you say Lasanya? I'm good? 921 00:41:37,960 --> 00:41:40,960 Speaker 2: There was no other recommendations, I'm good with Lasanya. 922 00:41:41,560 --> 00:41:43,200 Speaker 3: They must have a lot of people come in being like, 923 00:41:43,200 --> 00:41:50,960 Speaker 3: what's your best lazagn your wine. 924 00:41:48,480 --> 00:41:50,520 Speaker 2: So wine club maybe. 925 00:41:50,320 --> 00:41:55,000 Speaker 3: Definitely, definitely, and a good tax ride. 926 00:41:57,320 --> 00:42:00,000 Speaker 2: One of my biggest outgoings was it bigger than the mortgage? 927 00:42:02,880 --> 00:42:03,239 Speaker 1: All right? 928 00:42:03,400 --> 00:42:07,440 Speaker 2: Meeting over what on everybody? The Christian O'Connell show podcast