1 00:00:00,400 --> 00:00:05,080 Speaker 1: Well and whatdy podcast many Heyes, Weller Mordy and the 2 00:00:05,160 --> 00:00:08,039 Speaker 1: Hundred premieres tonight nine o'clock on Channel nine and nine. 3 00:00:08,320 --> 00:00:11,959 Speaker 2: Now the hokey monk Ross Noble, Pat Cash is facing 4 00:00:12,000 --> 00:00:16,239 Speaker 2: the hundred Pat Cash Wow Yeah and Mike GOLs in 5 00:00:16,280 --> 00:00:18,600 Speaker 2: the moment where so asked where the pack Cash famous 6 00:00:18,600 --> 00:00:21,320 Speaker 2: tennis player who won wom would and wore his checkered 7 00:00:21,680 --> 00:00:23,600 Speaker 2: iconic check at headband in the bedroom, whether he did 8 00:00:23,640 --> 00:00:26,439 Speaker 2: that and just see him kind of try and compute 9 00:00:26,440 --> 00:00:28,760 Speaker 2: how to answer that properly. That's my favorite moment tonight. 10 00:00:29,760 --> 00:00:30,400 Speaker 2: That's tonight. 11 00:00:30,960 --> 00:00:33,240 Speaker 3: How did you How did you keep control of Ross Noble, 12 00:00:33,320 --> 00:00:35,040 Speaker 3: by the way, because he comes in for interviews with 13 00:00:35,120 --> 00:00:37,920 Speaker 3: us sometimes and he just goes yes. 14 00:00:37,960 --> 00:00:40,760 Speaker 2: He like, what's what's good is you can just slowly 15 00:00:40,760 --> 00:00:44,680 Speaker 2: turn down Ross's mind? But he's excellent. 16 00:00:45,840 --> 00:00:46,120 Speaker 3: For him. 17 00:00:46,120 --> 00:00:47,559 Speaker 1: We had a segment with him months and we had 18 00:00:47,560 --> 00:00:49,440 Speaker 1: to try and we tried to make him. The idea 19 00:00:49,560 --> 00:00:52,279 Speaker 1: was you have to be as concise as possible. So 20 00:00:53,159 --> 00:00:55,560 Speaker 1: he had ten seconds to answer everything and he's headdenly 21 00:00:55,600 --> 00:00:59,279 Speaker 1: exploded so annoyed with it. All Right, let's get down 22 00:00:59,320 --> 00:00:59,959 Speaker 1: to the Too Shop show. 23 00:01:01,160 --> 00:01:04,040 Speaker 3: Did you go a lineup of Australia's best male toushes. 24 00:01:03,800 --> 00:01:04,880 Speaker 1: Would be in the lineups. 25 00:01:04,880 --> 00:01:07,160 Speaker 3: Matt Shervington by Bottom would be much better than in 26 00:01:07,200 --> 00:01:09,479 Speaker 3: his twenty He's got me covered now, that's. 27 00:01:19,240 --> 00:01:19,559 Speaker 2: Alright. 28 00:01:19,880 --> 00:01:21,399 Speaker 1: He said he got the best arts in Australia. 29 00:01:21,480 --> 00:01:23,959 Speaker 3: I feel I to give some context here because basically 30 00:01:24,040 --> 00:01:26,479 Speaker 3: I ran acted a photo that Steph Claire Smith took 31 00:01:26,800 --> 00:01:29,440 Speaker 3: in a bikini and I noticed upon reflection that my 32 00:01:29,600 --> 00:01:31,000 Speaker 3: tush actually looks better than hers. 33 00:01:31,120 --> 00:01:33,600 Speaker 2: Yes, I think I think that happens to males of 34 00:01:33,680 --> 00:01:36,680 Speaker 2: females quite a bit. Oh really, yes, you think. 35 00:01:36,520 --> 00:01:39,800 Speaker 3: Your often looks better than bikini models. 36 00:01:39,840 --> 00:01:42,400 Speaker 2: Well, I've had this discussion with Beck Sometimes he's got 37 00:01:42,400 --> 00:01:45,360 Speaker 2: a wonderful rump. Yeah right, but I think the extra 38 00:01:45,520 --> 00:01:48,280 Speaker 2: running that that I was doing something like so yeah, 39 00:01:48,560 --> 00:01:50,840 Speaker 2: times it can happen for so I wouldn't get ahead 40 00:01:50,840 --> 00:01:54,800 Speaker 2: of yourself with the soft Steph Claire Smith. No, okay, interesting, No, 41 00:01:54,920 --> 00:01:57,800 Speaker 2: that's really interesting. Rules, because you know, I like if 42 00:01:57,920 --> 00:01:59,520 Speaker 2: everything's being fair. I just want to check on a 43 00:01:59,520 --> 00:02:00,000 Speaker 2: couple of rules. 44 00:02:00,080 --> 00:02:01,240 Speaker 1: Yeah sure, sure, sure. 45 00:02:01,560 --> 00:02:04,760 Speaker 2: The way we stand for the toosh. 46 00:02:04,560 --> 00:02:05,080 Speaker 3: Off right now? 47 00:02:05,280 --> 00:02:08,320 Speaker 2: Yeah, yeah, how are you going to stand? I'd like 48 00:02:08,360 --> 00:02:10,520 Speaker 2: to mimic that because there's ways you can kind of 49 00:02:10,520 --> 00:02:12,560 Speaker 2: push your bottom out to get you know, for it 50 00:02:12,639 --> 00:02:14,200 Speaker 2: to peer firm or all those type of things. 51 00:02:14,200 --> 00:02:16,239 Speaker 3: I think that's totally fair. I think you're allowed to 52 00:02:17,120 --> 00:02:19,560 Speaker 3: sort of kick it out a little bit. I'm allowing 53 00:02:19,680 --> 00:02:21,639 Speaker 3: a what do we call it a pop? Okay, I'm 54 00:02:21,680 --> 00:02:23,720 Speaker 3: allowing a pop because I would say your ability to 55 00:02:23,880 --> 00:02:26,880 Speaker 3: pop goes into having a great toolsh Okay, you're okay. 56 00:02:26,600 --> 00:02:28,239 Speaker 2: With a pop, So we will be popped. 57 00:02:28,240 --> 00:02:30,040 Speaker 1: And just keep in mind if you're just joining this segment, 58 00:02:30,320 --> 00:02:32,799 Speaker 1: Matt Matt Shervington is the goal here. We think he's 59 00:02:32,800 --> 00:02:34,880 Speaker 1: got the best ass in Australia and he is really 60 00:02:34,919 --> 00:02:37,240 Speaker 1: just canceling out the bottom fifty percent of asses. 61 00:02:37,360 --> 00:02:39,560 Speaker 2: Oh yeah, I mean I wouldn't even mean to the 62 00:02:39,600 --> 00:02:42,480 Speaker 2: top percent fifty percent, I don't think. Okay, I'm basically 63 00:02:42,480 --> 00:02:44,360 Speaker 2: a wildcut entry. If you don't pass me. 64 00:02:45,440 --> 00:02:45,960 Speaker 4: Good trouble. 65 00:02:46,040 --> 00:02:48,520 Speaker 3: Sure. Okay, So we are taking this very seriously where 66 00:02:48,560 --> 00:02:49,720 Speaker 3: you're going to be blindfolded. 67 00:02:50,080 --> 00:02:53,440 Speaker 2: We have realized some people just for everyone in their cars. 68 00:02:53,480 --> 00:02:55,160 Speaker 2: Often there's like you know, a scarf that your wrap 69 00:02:55,160 --> 00:02:57,920 Speaker 2: brand you can see underneath. This is a serious blind 70 00:02:58,280 --> 00:03:00,200 Speaker 2: headphones working our blindfold's work year. 71 00:03:00,240 --> 00:03:02,639 Speaker 5: We're on three. 72 00:03:02,680 --> 00:03:05,639 Speaker 3: We are to go. I'm going to go around there, 73 00:03:05,680 --> 00:03:08,600 Speaker 3: but you need to be blindfolded, Andy, if you're okay? 74 00:03:08,720 --> 00:03:09,120 Speaker 2: You okay? 75 00:03:09,120 --> 00:03:10,000 Speaker 3: To take your shorts off? 76 00:03:10,440 --> 00:03:12,120 Speaker 2: Perfect, so we'll both be in jocks. 77 00:03:12,600 --> 00:03:15,160 Speaker 3: We've realized before during the song there that we're both 78 00:03:15,160 --> 00:03:17,040 Speaker 3: wearing similar jocks, so you won't be able to tell 79 00:03:17,080 --> 00:03:18,200 Speaker 3: who's us it is based on. 80 00:03:18,480 --> 00:03:20,160 Speaker 1: And am I going for a grope and a spank 81 00:03:20,720 --> 00:03:21,880 Speaker 1: or just a just a spank? 82 00:03:22,639 --> 00:03:24,520 Speaker 3: And are you comfortable with grope and spank? 83 00:03:24,639 --> 00:03:30,160 Speaker 2: Yeah? Nothing, Will hasn't done to me before, so fine, okay, 84 00:03:30,960 --> 00:03:33,320 Speaker 2: and Will we're going to decide the order, aren't we? 85 00:03:33,560 --> 00:03:33,760 Speaker 4: Yeah? 86 00:03:33,800 --> 00:03:34,680 Speaker 2: Yeah, yeah, I can't know. 87 00:03:35,080 --> 00:03:38,480 Speaker 1: I can't know. I might need and maybe I'm asking 88 00:03:38,520 --> 00:03:41,320 Speaker 1: too much about digital producer kV here, but I might 89 00:03:41,440 --> 00:03:43,280 Speaker 1: in my hand guide it onto cheek. 90 00:03:43,480 --> 00:03:46,800 Speaker 2: Yep, that's fine, you've got to produce it there, Yeah, okay. 91 00:03:48,120 --> 00:03:50,080 Speaker 1: I got a microphone importantly. 92 00:03:49,920 --> 00:03:50,400 Speaker 5: Okay. 93 00:03:52,600 --> 00:03:52,840 Speaker 4: For me? 94 00:03:54,120 --> 00:04:08,200 Speaker 5: Okay, Yeah, it's quite. 95 00:04:11,120 --> 00:04:13,600 Speaker 2: Fern bloody fern. 96 00:04:14,160 --> 00:04:20,320 Speaker 4: All right, jesus, Okay, that's enough problem. 97 00:04:24,720 --> 00:04:24,880 Speaker 2: Or not? 98 00:04:27,720 --> 00:04:30,040 Speaker 1: I feel like it was like a prize ball that 99 00:04:30,160 --> 00:04:34,960 Speaker 1: was amazing, all right? Oh geez march bonier. 100 00:04:37,120 --> 00:04:39,240 Speaker 5: It's like a film before if I was feeling up 101 00:04:39,240 --> 00:04:40,520 Speaker 5: a prize ball, because it would. 102 00:04:40,320 --> 00:04:43,360 Speaker 2: Be more like a. 103 00:04:42,080 --> 00:04:47,360 Speaker 1: Almost like a lamb, more like a runty chicken, because 104 00:04:48,120 --> 00:04:50,080 Speaker 1: that's just lacking that the beef. 105 00:04:51,720 --> 00:04:58,159 Speaker 2: That's tiny. All right, Okay, there's my microphone, take me back. Okay, 106 00:04:58,160 --> 00:04:59,680 Speaker 2: we're all back on our mics now. 107 00:05:00,160 --> 00:05:00,680 Speaker 4: She is. 108 00:05:02,200 --> 00:05:09,920 Speaker 1: Tush one v to Okay, all right, Uh well, it's 109 00:05:09,920 --> 00:05:15,680 Speaker 1: pretty easy to be honest toush one. Despite the fact 110 00:05:15,680 --> 00:05:21,000 Speaker 1: that it was a bit warmer, we just had a 111 00:05:21,040 --> 00:05:23,040 Speaker 1: lot more flesh to it. It felt stronger. 112 00:05:23,360 --> 00:05:25,440 Speaker 3: Well, we've taken into account strength here though. I mean, 113 00:05:25,480 --> 00:05:27,040 Speaker 3: I don't want to give anything away of so who 114 00:05:27,120 --> 00:05:30,200 Speaker 3: tush one too felt scrawny? 115 00:05:31,360 --> 00:05:33,000 Speaker 2: Mm hmm interesting. 116 00:05:33,560 --> 00:05:36,200 Speaker 1: I'm tush one was a much better ask for mine. 117 00:05:37,320 --> 00:05:46,160 Speaker 4: Yeah, under playing it, I do have a very good 118 00:05:53,000 --> 00:05:55,159 Speaker 4: Actually walked up from my house to get it, so 119 00:05:55,160 --> 00:06:00,360 Speaker 4: I was warm. He's gonna give me away. Walk in 120 00:06:00,440 --> 00:06:01,320 Speaker 4: the sun all the way. 121 00:06:01,200 --> 00:06:08,200 Speaker 2: To the studio. Seriously, victory. Look if I thank my dad, 122 00:06:09,640 --> 00:06:10,919 Speaker 2: they pretty much blessed me with this. 123 00:06:11,279 --> 00:06:12,560 Speaker 3: I've lost to the common. 124 00:06:14,000 --> 00:06:15,400 Speaker 2: Parties I do around the corner. 125 00:06:15,839 --> 00:06:18,440 Speaker 1: That is not a common ass Andy Lee let it 126 00:06:18,480 --> 00:06:20,920 Speaker 1: be known, and he's obviously kept it well under wraps here. 127 00:06:21,240 --> 00:06:22,920 Speaker 1: He has got an immaculate bottom. 128 00:06:23,200 --> 00:06:24,680 Speaker 2: He really does you if I have. 129 00:06:24,680 --> 00:06:30,440 Speaker 3: A little touch of that. 130 00:06:32,440 --> 00:06:35,280 Speaker 1: Tonight nine o'clock on Channel nine and nine. Now I 131 00:06:35,720 --> 00:06:37,400 Speaker 1: just added, like the Tshof could be over. 132 00:06:37,360 --> 00:06:37,600 Speaker 5: You're not. 133 00:06:39,040 --> 00:06:40,520 Speaker 1: We're going to go to the tramwy that's coming in 134 00:06:40,560 --> 00:06:42,440 Speaker 1: and willing what he kiss. 135 00:06:44,080 --> 00:06:46,960 Speaker 3: Hear more of the boys on the Full Show podcast, 136 00:06:47,120 --> 00:06:49,960 Speaker 3: all on the iHeartRadio wrapp oh where I mean, get 137 00:06:50,000 --> 00:06:50,640 Speaker 3: your podcast