1 00:00:00,840 --> 00:00:04,400 Speaker 1: Great per flick with benha. 2 00:00:05,519 --> 00:00:08,719 Speaker 2: I actually got I'm actually too busy seeing movies. They 3 00:00:08,760 --> 00:00:12,080 Speaker 2: are all late at night. All the movies happen at nighttime. 4 00:00:12,160 --> 00:00:14,960 Speaker 2: So I can't I can't be breakfast radio. You won't 5 00:00:14,960 --> 00:00:18,079 Speaker 2: be here at five thro or six o'clock any no, no, 6 00:00:18,680 --> 00:00:21,000 Speaker 2: but look it is it is a great tragedy that 7 00:00:21,480 --> 00:00:24,439 Speaker 2: you are leaving us clzy. Yet we still seem to 8 00:00:24,440 --> 00:00:27,920 Speaker 2: be subjected to Liam Neeson movies. Oh my god, put 9 00:00:27,960 --> 00:00:31,200 Speaker 2: that guy out to pasture. Sorry so, but it's really 10 00:00:31,840 --> 00:00:35,400 Speaker 2: like once like I love Liam Neeson once upon a time, 11 00:00:35,600 --> 00:00:38,279 Speaker 2: Like I think he's probably twenty years past his use 12 00:00:38,320 --> 00:00:41,640 Speaker 2: by date in the last But if anything, the older 13 00:00:41,680 --> 00:00:43,400 Speaker 2: he gets, the more movies, it doesn't make it look 14 00:00:43,440 --> 00:00:45,720 Speaker 2: doesn't he is prolific. I would say in the last 15 00:00:45,760 --> 00:00:48,320 Speaker 2: ten years he's made over twenty movies. Every single one 16 00:00:48,320 --> 00:00:49,360 Speaker 2: of them has been terrible. 17 00:00:50,840 --> 00:00:52,640 Speaker 1: He was on the on the farm and Who's trying 18 00:00:52,640 --> 00:00:53,880 Speaker 1: to save the farm shoots everybody. 19 00:00:53,920 --> 00:00:57,320 Speaker 2: Every movie is basically the same plot. Someone he loves 20 00:00:57,440 --> 00:00:59,800 Speaker 2: is taken away from him, and eventually it gets to 21 00:00:59,800 --> 00:01:02,240 Speaker 2: the point where it's like, you gotta look at yourself, mate, 22 00:01:02,280 --> 00:01:05,440 Speaker 2: Why does this keep happening, I know, so anyway, so 23 00:01:05,480 --> 00:01:08,160 Speaker 2: he's hit so with Liam Neeson is now in a 24 00:01:08,200 --> 00:01:12,000 Speaker 2: comedic role in The Naked Gun. It's kind of like 25 00:01:12,080 --> 00:01:14,080 Speaker 2: a reboot. It's kind of like a. 26 00:01:14,200 --> 00:01:16,800 Speaker 3: Sea Felie Nielsen. 27 00:01:16,920 --> 00:01:22,160 Speaker 2: He's technically playing Frank Drebben's horse was made iconic by 28 00:01:22,280 --> 00:01:26,360 Speaker 2: Leslie Nielsen. He's playing Frank Dreben Junior, his son of 29 00:01:26,480 --> 00:01:30,279 Speaker 2: Frank Drebbond. But it's very similar to the Believe Brother 30 00:01:34,440 --> 00:01:36,559 Speaker 2: hang On was the original Naked Gun movie in nineteen 31 00:01:36,600 --> 00:01:41,120 Speaker 2: twenty eight. No, it's you know, there are some films 32 00:01:41,600 --> 00:01:43,119 Speaker 2: that you think, as soon as you think of them, 33 00:01:43,120 --> 00:01:46,360 Speaker 2: you can instantly picture the cover of the VHS in 34 00:01:46,400 --> 00:01:50,200 Speaker 2: the civic videos, and The Naked Gun in nineteen eighty 35 00:01:50,200 --> 00:01:53,080 Speaker 2: eight is one of those. Leslie Nilsen sort of surfing 36 00:01:53,080 --> 00:01:55,480 Speaker 2: the bullet through the guy when he's holding a police 37 00:01:55,520 --> 00:01:57,639 Speaker 2: ID and the gun. It is just you just picture 38 00:01:57,640 --> 00:02:00,440 Speaker 2: it straight away. And it was such a comedy. And 39 00:02:00,480 --> 00:02:02,560 Speaker 2: there was two films that came afterwards in the nineties 40 00:02:02,640 --> 00:02:05,600 Speaker 2: ninety one and ninety four I think that were also 41 00:02:05,960 --> 00:02:09,320 Speaker 2: commercially successful. Critically, they were pretty well received and certainly 42 00:02:09,320 --> 00:02:12,639 Speaker 2: by the fans. They were beloved because Leslie Nielsen is 43 00:02:12,680 --> 00:02:13,520 Speaker 2: Frank Dreben. 44 00:02:14,120 --> 00:02:16,360 Speaker 3: Nice faver having this stuff. 45 00:02:16,400 --> 00:02:19,800 Speaker 2: It was just joke after joke after joke, and the 46 00:02:19,880 --> 00:02:22,799 Speaker 2: films and the films were also they also featured O. J. 47 00:02:22,960 --> 00:02:28,160 Speaker 2: Simpson before he murdered two people, and so when it 48 00:02:28,200 --> 00:02:30,720 Speaker 2: was okay to laugh at him. But and you think, 49 00:02:31,040 --> 00:02:32,760 Speaker 2: surely knowes have an age very well, but you go 50 00:02:32,800 --> 00:02:34,920 Speaker 2: back and watch them and it's just basically, you know, 51 00:02:35,040 --> 00:02:38,400 Speaker 2: nineteen minutes of O. J. Simpson getting the absolute you 52 00:02:38,480 --> 00:02:40,040 Speaker 2: know what, getting beaten out of him, and. 53 00:02:40,680 --> 00:02:43,280 Speaker 3: Yeah, good on it. I like it. You laugh, you 54 00:02:43,320 --> 00:02:45,520 Speaker 3: almost laugh even hard chair on the grand stand. Why 55 00:02:45,560 --> 00:02:46,320 Speaker 3: four there exactly? 56 00:02:46,720 --> 00:02:50,480 Speaker 2: Oh he does absolutely cop it. So this time around 57 00:02:51,840 --> 00:02:54,799 Speaker 2: Leslie Nielson, Leslie Wilson, Liam Neeson. It's hard to say 58 00:02:54,840 --> 00:02:58,600 Speaker 2: that both Liam Neeson plays Frank Dreben Junior, who very 59 00:02:58,639 --> 00:03:02,119 Speaker 2: similar kind of character, sort of a bumbling cop, sort 60 00:03:02,120 --> 00:03:05,320 Speaker 2: of classic sort of you know, sort of film noir vibes, 61 00:03:05,960 --> 00:03:10,000 Speaker 2: and he's got to solve this murder of this kind 62 00:03:10,040 --> 00:03:13,639 Speaker 2: of tech developer who worked for it, this tech guru 63 00:03:13,720 --> 00:03:18,399 Speaker 2: like Elon Musk electric vehicle kind of manufacturer who maybe 64 00:03:18,560 --> 00:03:21,680 Speaker 2: has you know, some kind of agenda to take over 65 00:03:21,720 --> 00:03:23,560 Speaker 2: the world, and the murder is linked to that, so 66 00:03:23,720 --> 00:03:27,080 Speaker 2: kind of like again, it's quite similar in plot to 67 00:03:27,080 --> 00:03:30,839 Speaker 2: the original film. And the sister of the guy who 68 00:03:30,880 --> 00:03:35,040 Speaker 2: dies played by Pamela Anderson. She's the classic fem fatale 69 00:03:35,280 --> 00:03:39,360 Speaker 2: damsel in distress sort of character. Which that set up 70 00:03:39,480 --> 00:03:43,040 Speaker 2: sounds fine, right like, that sounds okay, But the problem 71 00:03:43,120 --> 00:03:48,760 Speaker 2: comes in because Liam Neeson is just so ancient he 72 00:03:49,760 --> 00:03:53,720 Speaker 2: barely is able to talk in a way that you go, 73 00:03:54,000 --> 00:03:56,560 Speaker 2: what is he even saying right now? His voice is 74 00:03:56,680 --> 00:03:59,720 Speaker 2: so crotchety, his face. 75 00:03:59,680 --> 00:04:01,280 Speaker 4: Turned into clares his impersonation. 76 00:04:02,000 --> 00:04:03,160 Speaker 3: Look, I think now's the perfect time. 77 00:04:03,440 --> 00:04:06,800 Speaker 1: Let's hear bring me back my daughter. I will find 78 00:04:08,120 --> 00:04:10,640 Speaker 1: I will find you. I have a particular set of skills. 79 00:04:10,720 --> 00:04:11,240 Speaker 4: That's not bad. 80 00:04:11,240 --> 00:04:15,240 Speaker 3: You've been practicing, honestly, honestly, that's better. That is that 81 00:04:15,320 --> 00:04:16,200 Speaker 3: sounds better. 82 00:04:15,960 --> 00:04:19,200 Speaker 4: Than did you play that from my eye and just 83 00:04:19,240 --> 00:04:19,480 Speaker 4: leave you? 84 00:04:19,880 --> 00:04:21,560 Speaker 3: I did you notice that I'm canny? 85 00:04:21,560 --> 00:04:25,360 Speaker 2: I'm actually shook by that, discombobulated to be honest, sorry, 86 00:04:25,839 --> 00:04:29,280 Speaker 2: and so yeah, and so like you remember Leslie Nielsen, 87 00:04:29,320 --> 00:04:31,320 Speaker 2: right like he could do so much with just like 88 00:04:31,360 --> 00:04:34,040 Speaker 2: one cocked eyebrow, like a character would say something and 89 00:04:34,080 --> 00:04:36,680 Speaker 2: he'd be like yes, and you would be in stitches. 90 00:04:37,160 --> 00:04:39,839 Speaker 2: Not only can Liam Neeson not do that, his face 91 00:04:40,240 --> 00:04:44,080 Speaker 2: is in a grimace. He honestly looks like he's a corpse. 92 00:04:44,400 --> 00:04:47,200 Speaker 2: It's like a weekend at Bernie's kind of situation. And 93 00:04:47,240 --> 00:04:50,799 Speaker 2: then you've got Pamela Anderson as his love interest. And look, Pammy, 94 00:04:50,880 --> 00:04:52,599 Speaker 2: I love her, and she's had a bit of a 95 00:04:52,720 --> 00:04:55,960 Speaker 2: renaissance in recent yas, but if we're being honest, she's 96 00:04:56,000 --> 00:04:57,360 Speaker 2: never really the best actor. 97 00:04:57,360 --> 00:04:59,080 Speaker 3: Like she's not. 98 00:05:01,760 --> 00:05:04,039 Speaker 2: I don't know that was acting, and I'm not sure 99 00:05:04,040 --> 00:05:07,760 Speaker 2: which bits of our actor anyway, and so so she's 100 00:05:07,800 --> 00:05:09,640 Speaker 2: not great. Liam Neeson is not great, and they're the 101 00:05:09,680 --> 00:05:12,120 Speaker 2: center of the film. And so then you've really got 102 00:05:12,360 --> 00:05:16,680 Speaker 2: nothing that you're enjoying as you're watching it. And the jokes, 103 00:05:16,880 --> 00:05:18,680 Speaker 2: you know, you'd think, how hard is it to get 104 00:05:18,680 --> 00:05:21,120 Speaker 2: some naked gun jokes? Even though we live in a 105 00:05:21,120 --> 00:05:23,840 Speaker 2: more politically correct time, you can still there's plenty of 106 00:05:23,880 --> 00:05:27,280 Speaker 2: slapstick humor opportunities, but they're not funny because the guys, 107 00:05:27,360 --> 00:05:29,200 Speaker 2: the guys who wrote this movie, right, do you know 108 00:05:29,279 --> 00:05:32,880 Speaker 2: what the biggest achievement on their resumes is Chip and 109 00:05:32,960 --> 00:05:36,080 Speaker 2: Dale Rescue Rangers. Oh yeah, like, I'm not even joking you. 110 00:05:36,120 --> 00:05:39,040 Speaker 2: The guys who wrote Chip and Dale Rescue Rangers are 111 00:05:39,080 --> 00:05:42,400 Speaker 2: the people who wrote the Naked Gut and and it's 112 00:05:42,400 --> 00:05:46,640 Speaker 2: made even worse the strips and you know, nothing to 113 00:05:46,720 --> 00:05:48,919 Speaker 2: do with those Dales, and we're talking about the squirrels 114 00:05:48,920 --> 00:05:53,760 Speaker 2: and the squirrels and to make matters even worse. So 115 00:05:53,760 --> 00:05:55,200 Speaker 2: you got these guys who are probably a little bit 116 00:05:55,240 --> 00:05:58,120 Speaker 2: out of their depth. The producer is Seth McFarlane, the 117 00:05:58,120 --> 00:06:00,719 Speaker 2: guy who created The Family Guy MO So, I reckon, 118 00:06:00,839 --> 00:06:03,960 Speaker 2: I reckon. These two writers were trying to impress Seth McFarlane. 119 00:06:04,000 --> 00:06:06,520 Speaker 2: Sounds like so and so that some of the jokes 120 00:06:06,560 --> 00:06:10,200 Speaker 2: are honestly so crass and not crass in a kind 121 00:06:10,240 --> 00:06:14,599 Speaker 2: of naked Gun Leslie Nielsen funny way, crass in a Ted. 122 00:06:14,440 --> 00:06:16,560 Speaker 3: Way, Superfamily Guy way. 123 00:06:16,720 --> 00:06:19,520 Speaker 2: Yeah, and honestly I couldn't even repeat some of them 124 00:06:19,920 --> 00:06:20,960 Speaker 2: on this on this show. 125 00:06:21,080 --> 00:06:23,799 Speaker 4: Here's what I don't understand. Why do they keep trying 126 00:06:23,839 --> 00:06:27,680 Speaker 4: to remake really good movies remake crap movies? And then 127 00:06:27,720 --> 00:06:30,400 Speaker 4: you've got somewhere low to start with. Don't do things 128 00:06:30,480 --> 00:06:33,039 Speaker 4: like naked gun, don't touch flying high. 129 00:06:33,520 --> 00:06:36,960 Speaker 3: That about Leslie Nielsen, you just can't recreate that. You 130 00:06:36,960 --> 00:06:39,680 Speaker 3: can't because him just looking at it, you cannot, like, 131 00:06:39,760 --> 00:06:42,400 Speaker 3: maybe it's done. Maybe you could have Steve with Steve 132 00:06:42,480 --> 00:06:44,479 Speaker 3: Martin ten years ago, years ago. 133 00:06:44,680 --> 00:06:47,080 Speaker 2: Maybe, but like you need, you need a comedian, right, 134 00:06:48,080 --> 00:06:50,839 Speaker 2: Leslie Nielsen. His his brilliance was he was once like 135 00:06:50,880 --> 00:06:53,320 Speaker 2: a classic Hollywood leader. He was he's very handsome, and 136 00:06:53,360 --> 00:06:56,839 Speaker 2: then and then he evolved into this comic actor with 137 00:06:57,040 --> 00:07:00,719 Speaker 2: Flying High and then obviously then they good gun movies. 138 00:07:00,920 --> 00:07:03,560 Speaker 3: Liam Neeson, he's just not funny what he was in 139 00:07:03,600 --> 00:07:07,039 Speaker 3: Shindle's list. Yeah, but like honestly, Shindle's list was funny 140 00:07:07,080 --> 00:07:08,240 Speaker 3: than this wonderful. 141 00:07:09,320 --> 00:07:12,640 Speaker 4: All right, now closely, if you will, would you ask 142 00:07:12,800 --> 00:07:17,680 Speaker 4: Ben for a writing as Liam Neson plays, Then I. 143 00:07:17,680 --> 00:07:22,080 Speaker 1: Know, my friend, you have a particular skill. How many 144 00:07:22,360 --> 00:07:24,720 Speaker 1: no makeup pammies? Would you give this one a fine? 145 00:07:26,480 --> 00:07:35,280 Speaker 2: Oh my god, for the two of them skills? All right, 146 00:07:35,640 --> 00:07:38,880 Speaker 2: Thank you Ben, thanks guys, and thank you thanks mate,