1 00:00:02,960 --> 00:00:08,040 Speaker 1: Christian. Hell come, Good morning, a Christian O'Connell Show podcast. 2 00:00:08,200 --> 00:00:10,840 Speaker 2: Hey, thank you very much for downloading today's podcast, which 3 00:00:10,920 --> 00:00:13,680 Speaker 2: is of a Monday breakfast show. So if you've got 4 00:00:13,680 --> 00:00:16,840 Speaker 2: any Monday Morning Miss hurd lyrics Monday Morning, Miss hurd Lyrics, 5 00:00:17,000 --> 00:00:19,360 Speaker 2: you can you know my email address Christian at Gold 6 00:00:19,400 --> 00:00:21,959 Speaker 2: one at four to three dot com dot AU. I 7 00:00:22,000 --> 00:00:24,400 Speaker 2: hope you're safe. I hope you're well thanks to downloading 8 00:00:24,400 --> 00:00:25,760 Speaker 2: the podcast, The. 9 00:00:25,840 --> 00:00:36,120 Speaker 1: Christian O'Connell Show podcast. In speaking Petrini Shams, I. 10 00:00:36,040 --> 00:00:38,760 Speaker 2: Still woke up as a naughteen forty seven year old boy. 11 00:00:39,040 --> 00:00:42,320 Speaker 1: Look Christian no connall show on Gold one oh four 12 00:00:42,360 --> 00:00:44,480 Speaker 1: point three. 13 00:00:45,479 --> 00:00:46,960 Speaker 2: Hey, good morning, Christian, I call it back for the 14 00:00:47,040 --> 00:00:50,240 Speaker 2: show Monday morning. Good morning Jack Post. 15 00:00:50,760 --> 00:00:53,040 Speaker 3: Well, it sounds like I've already said good morning, but 16 00:00:53,159 --> 00:00:53,840 Speaker 3: here it is again. 17 00:00:53,960 --> 00:00:59,720 Speaker 2: Good morning, Christian, Good morning Patsy. Hey, so I was 18 00:00:59,760 --> 00:01:02,160 Speaker 2: chanting Jack down the line. Obviously Jack and Pats are 19 00:01:02,200 --> 00:01:06,279 Speaker 2: still down the line working from home, and didn't realize 20 00:01:06,319 --> 00:01:09,360 Speaker 2: I'd accidentally put Jackie Boys Mike Live to Melbourne. I 21 00:01:09,360 --> 00:01:12,600 Speaker 2: didn't think this desk every other radio station eve at work. 22 00:01:12,640 --> 00:01:15,000 Speaker 2: You can't really do anything to the studio desk until 23 00:01:15,040 --> 00:01:17,440 Speaker 2: six am, which is probably no bad thing. It's got 24 00:01:17,440 --> 00:01:20,479 Speaker 2: like a default thing in case you're still a bit tired. However, 25 00:01:20,520 --> 00:01:22,479 Speaker 2: this one, you press any button, you could just talk 26 00:01:22,520 --> 00:01:24,880 Speaker 2: to Melbourne. And so I was chatting to Jack down 27 00:01:24,920 --> 00:01:27,440 Speaker 2: the line. You would have heard it over Queen I 28 00:01:27,520 --> 00:01:30,440 Speaker 2: want a break free, A one sided conversation about Jack's 29 00:01:30,440 --> 00:01:33,160 Speaker 2: tea preference at the moment. If you missed it, this 30 00:01:33,200 --> 00:01:35,640 Speaker 2: went out about twenty minutes ago to all of Melbourne. 31 00:01:35,959 --> 00:01:38,800 Speaker 2: Full apology, said Freddy. 32 00:01:40,040 --> 00:01:41,039 Speaker 4: I have already had my. 33 00:01:41,080 --> 00:01:50,680 Speaker 3: Team usually have English preference. We had Earl Bray kiss 34 00:01:50,760 --> 00:01:53,080 Speaker 3: your basics basics. 35 00:01:59,560 --> 00:01:59,800 Speaker 5: Own. 36 00:02:00,400 --> 00:02:03,360 Speaker 3: If Bank hid the label, I wouldn't even noticed, for 37 00:02:03,520 --> 00:02:05,240 Speaker 3: she sings some ray. 38 00:02:12,680 --> 00:02:13,400 Speaker 1: Maybe if folk. 39 00:02:13,200 --> 00:02:15,680 Speaker 6: Would look bit for the gaps. 40 00:02:15,440 --> 00:02:18,360 Speaker 2: Are where I'm talking to him a question for more detail? 41 00:02:18,840 --> 00:02:20,040 Speaker 3: What nerve to you guy this morning? 42 00:02:31,320 --> 00:02:33,399 Speaker 2: Sore you go? That was the one side of Chief 43 00:02:33,520 --> 00:02:36,520 Speaker 2: teach Out t remix. If I want to break free. 44 00:02:36,639 --> 00:02:38,440 Speaker 3: If people could only be a fly on the wall 45 00:02:38,520 --> 00:02:41,320 Speaker 3: of the wild party that happens inside and outside of 46 00:02:41,360 --> 00:02:42,320 Speaker 3: the songs on this station. 47 00:02:42,560 --> 00:02:47,080 Speaker 2: Seriously, it's it's lulls of plenty, especially on a Monday. 48 00:02:47,480 --> 00:02:49,440 Speaker 2: Just in case people do want to know about more detail, 49 00:02:49,480 --> 00:02:51,480 Speaker 2: and Freddie was getting the way of it. What herbal 50 00:02:51,520 --> 00:02:52,360 Speaker 2: tea were you have in there? 51 00:02:52,680 --> 00:02:53,320 Speaker 3: Are you asking me? 52 00:02:53,560 --> 00:02:56,760 Speaker 2: Yeah? Who else would I be asking? Minutes ago? 53 00:02:56,960 --> 00:02:58,200 Speaker 7: Waki check? 54 00:02:58,520 --> 00:03:00,440 Speaker 3: I thought I already said over the so I had 55 00:03:00,480 --> 00:03:01,040 Speaker 3: a nel Gray. 56 00:03:01,120 --> 00:03:02,480 Speaker 2: Now you couldn't hear it clearly, So you got you 57 00:03:02,560 --> 00:03:04,280 Speaker 2: gone for el Grave. But I think you also were 58 00:03:04,320 --> 00:03:07,600 Speaker 2: saying how you switched from English breakfast tea to el Gray. 59 00:03:08,080 --> 00:03:11,400 Speaker 3: Yes, that's right. Recently Biankie decided she prefers Earl Grade 60 00:03:11,400 --> 00:03:14,760 Speaker 3: at English Breakfast. Myself, I couldn't really tell the difference. 61 00:03:14,760 --> 00:03:16,120 Speaker 3: I don't think Patty. 62 00:03:16,200 --> 00:03:17,680 Speaker 2: I bet you have a preference about your tea. 63 00:03:17,800 --> 00:03:20,320 Speaker 7: Oh there's a big difference, Jack. I love a Twinings. 64 00:03:20,360 --> 00:03:22,560 Speaker 7: It's got to be Twinings. They make the best tea, 65 00:03:22,919 --> 00:03:25,959 Speaker 7: and it's got to be English breakfast, beautiful, strong cup 66 00:03:26,000 --> 00:03:27,120 Speaker 7: of tea, no dishwalder. 67 00:03:27,280 --> 00:03:29,919 Speaker 2: Yeah, that's what my wife goes for at Twinings English 68 00:03:29,919 --> 00:03:30,799 Speaker 2: breakfast tea as well. 69 00:03:32,800 --> 00:03:35,280 Speaker 1: Christian O'Connell the Christian O'Connell. 70 00:03:34,920 --> 00:03:37,120 Speaker 2: Show Friday, I was talking on the Reakfast s was 71 00:03:37,160 --> 00:03:39,680 Speaker 2: going to be involved in this big TV thing that 72 00:03:39,800 --> 00:03:42,240 Speaker 2: was going on Saturday night. Called Music from the Home Front, 73 00:03:42,560 --> 00:03:44,720 Speaker 2: which really was going to be a who's who of 74 00:03:44,920 --> 00:03:49,920 Speaker 2: a Australian musical artist and all four celebrating obviously what 75 00:03:50,000 --> 00:03:54,000 Speaker 2: happened over the weekend and Zach Day, but also about 76 00:03:54,080 --> 00:03:57,560 Speaker 2: COVID and everyone's staying indoors and really to respect frontline 77 00:03:57,600 --> 00:04:00,680 Speaker 2: workers past and present. And I only mentioned it once 78 00:04:00,720 --> 00:04:03,240 Speaker 2: because often with TV I was only asked if I'd 79 00:04:03,280 --> 00:04:05,240 Speaker 2: be happy to take part in it on Wednesday. It 80 00:04:05,360 --> 00:04:07,400 Speaker 2: was all put together in about five days, which is 81 00:04:07,440 --> 00:04:09,920 Speaker 2: incredible if you saw how actually great it was on 82 00:04:10,040 --> 00:04:13,080 Speaker 2: Saturday night, putting that all together, all those different videos 83 00:04:13,120 --> 00:04:15,440 Speaker 2: and performances that are all varied and wonderful in their 84 00:04:15,440 --> 00:04:18,160 Speaker 2: own ways, but in just five days, I didn't know. 85 00:04:18,279 --> 00:04:19,440 Speaker 2: I have to be honest, I didn't know if it 86 00:04:19,520 --> 00:04:21,159 Speaker 2: was going to be any good, because often with TV 87 00:04:21,600 --> 00:04:22,960 Speaker 2: you don't know if it's going to be any good, 88 00:04:23,000 --> 00:04:24,839 Speaker 2: and no one sets out to make a bad show. 89 00:04:24,880 --> 00:04:27,200 Speaker 2: But the fact it was so rushed, yeah, it's like 90 00:04:27,360 --> 00:04:30,480 Speaker 2: I'm mentioning it once just in case. It's music on 91 00:04:30,600 --> 00:04:33,720 Speaker 2: TV can be a little bit whiffy as well, and 92 00:04:33,880 --> 00:04:36,080 Speaker 2: all this just seemed I don't know if this is 93 00:04:36,120 --> 00:04:37,720 Speaker 2: going to be any good. I mean, I've got my 94 00:04:37,880 --> 00:04:41,400 Speaker 2: bit's live from my house, you do TV life life 95 00:04:41,440 --> 00:04:43,719 Speaker 2: in your house, got the dog yapping in the background, 96 00:04:44,080 --> 00:04:47,560 Speaker 2: moody teenagers. I don't don't know how that's going to work. 97 00:04:47,640 --> 00:04:50,640 Speaker 2: And then David Campbell's all alone, all alone in his 98 00:04:50,760 --> 00:04:54,040 Speaker 2: all studio there in Sydney. You got Delta Goodram somewhere 99 00:04:54,080 --> 00:04:57,560 Speaker 2: in Australia, Guy Sebastian somewhere else in Australia. And then 100 00:04:57,640 --> 00:05:01,239 Speaker 2: though I saw the Rundown Friday Evening and the producer 101 00:05:01,279 --> 00:05:03,560 Speaker 2: said to me, we've got all the performances now, and 102 00:05:03,600 --> 00:05:07,120 Speaker 2: they're amazing. TV producers is think all TV shows are 103 00:05:07,120 --> 00:05:10,159 Speaker 2: evolved in are amazing. Okay, So I was like, yeah, sure. 104 00:05:10,400 --> 00:05:13,400 Speaker 2: It wasn't until I started watching it live as I'm 105 00:05:13,480 --> 00:05:15,960 Speaker 2: hosting it or co hosting it from home, I started 106 00:05:15,960 --> 00:05:18,440 Speaker 2: to realize, oh my god, this is amazing. 107 00:05:18,240 --> 00:05:20,839 Speaker 3: This is actually good. It's like the exact same thought 108 00:05:21,200 --> 00:05:23,240 Speaker 3: I probably, honestly, if I wasn't trying to be a 109 00:05:23,279 --> 00:05:26,160 Speaker 3: supportive co host, I might not have even tuned in 110 00:05:26,279 --> 00:05:28,280 Speaker 3: on Saturday, but I thought I might as well because 111 00:05:28,360 --> 00:05:31,520 Speaker 3: Christian's doing his big first thing on TV. It was 112 00:05:31,760 --> 00:05:34,560 Speaker 3: awesome honestly, I love the whole thing. And then we 113 00:05:34,680 --> 00:05:36,480 Speaker 3: had a plan to watch a movie Bianco and I, 114 00:05:36,560 --> 00:05:37,880 Speaker 3: but we ended up watching the whole two and a 115 00:05:37,920 --> 00:05:38,600 Speaker 3: half hours. 116 00:05:39,080 --> 00:05:42,920 Speaker 2: Yeah, it was three hours and I was blown away 117 00:05:43,000 --> 00:05:44,840 Speaker 2: by Obviously, for you guys, you grew up with a 118 00:05:44,880 --> 00:05:47,520 Speaker 2: lot of those artists and so you know, seeing people 119 00:05:47,560 --> 00:05:49,919 Speaker 2: like Mark Seymour and James Ryan I've gotten to appreciate 120 00:05:50,200 --> 00:05:52,040 Speaker 2: over the last two years. But for you guys, it 121 00:05:52,160 --> 00:05:54,480 Speaker 2: must have been a real treat seeing some of the 122 00:05:54,560 --> 00:05:56,640 Speaker 2: new artists that of Australia have got. You also red 123 00:05:56,680 --> 00:05:58,880 Speaker 2: us how great Australian music is and how you know 124 00:05:58,920 --> 00:06:00,760 Speaker 2: you've got people like Dean lou Us, some Rule and 125 00:06:00,800 --> 00:06:01,640 Speaker 2: Missy Higgins, some. 126 00:06:01,760 --> 00:06:05,080 Speaker 3: Really talentedstic Yeah, fantastic, all really. 127 00:06:05,000 --> 00:06:09,159 Speaker 2: Really talented advanced joy. I loved his performance. I loved 128 00:06:09,200 --> 00:06:11,120 Speaker 2: his Ben drummer as well. Was a bit of a 129 00:06:11,240 --> 00:06:13,719 Speaker 2: star of me. But yeah, I thought it was incredible. 130 00:06:13,720 --> 00:06:15,320 Speaker 2: I think Australia you should be very proud. I thought 131 00:06:15,320 --> 00:06:17,640 Speaker 2: it was a really that rare thing of an amazing 132 00:06:17,680 --> 00:06:19,240 Speaker 2: bit of TV on Saturday night. 133 00:06:20,040 --> 00:06:23,120 Speaker 7: It took me back to my countdown days. Boys, And 134 00:06:23,240 --> 00:06:25,720 Speaker 7: can I say, Christian, you did an awesome job. You 135 00:06:25,800 --> 00:06:28,000 Speaker 7: were so great the way you connected with the audience 136 00:06:28,040 --> 00:06:29,160 Speaker 7: at home. Well done to you. 137 00:06:29,480 --> 00:06:31,560 Speaker 2: I be honest with you, I've never been so scared 138 00:06:31,600 --> 00:06:34,040 Speaker 2: in my life because I just kept saying to myself 139 00:06:34,080 --> 00:06:37,520 Speaker 2: all day, actors, if there's completely normal, there's a satellite 140 00:06:37,600 --> 00:06:42,440 Speaker 2: outside the house, there's film crew here, completely normal. It 141 00:06:42,560 --> 00:06:45,200 Speaker 2: sounds Zac Day. You've only been in two years. Why 142 00:06:45,240 --> 00:06:46,960 Speaker 2: have they asked me to do this? And then suddenly 143 00:06:46,960 --> 00:06:48,560 Speaker 2: in my air there's some one going and you're live 144 00:06:48,720 --> 00:06:52,719 Speaker 2: now too, all of Australia's front room on their special day. 145 00:06:52,760 --> 00:06:55,400 Speaker 2: You know, my home, my dogs asleep at my feet 146 00:06:55,480 --> 00:06:57,560 Speaker 2: and I'm thinking what if the other dog starts yapping 147 00:06:57,640 --> 00:06:59,920 Speaker 2: or Larry the cat comes in. Oh yeah, I've never 148 00:07:00,080 --> 00:07:02,200 Speaker 2: felt it was a real privilege and honor to be 149 00:07:02,240 --> 00:07:03,320 Speaker 2: part of such a special thing. 150 00:07:03,760 --> 00:07:05,680 Speaker 3: You couldn't tell it all that you were nervous. Mate, 151 00:07:06,720 --> 00:07:11,320 Speaker 3: he looks so natural than I was in Neighbors. Patty, 152 00:07:11,440 --> 00:07:13,000 Speaker 3: tell me if you had the same feeling. I kind 153 00:07:13,000 --> 00:07:16,360 Speaker 3: of real nostalgic feeling watching it to be watching a 154 00:07:16,480 --> 00:07:20,080 Speaker 3: TV show that everybody's watching at the same time. Again, 155 00:07:20,200 --> 00:07:22,760 Speaker 3: because now that we've streamed so much stuff, you don't 156 00:07:22,800 --> 00:07:25,320 Speaker 3: have that feeling of your messaging friends and family who 157 00:07:25,400 --> 00:07:27,400 Speaker 3: are all watching the same thing at the same connection. 158 00:07:27,960 --> 00:07:30,320 Speaker 7: You're the same with my social media, Jack. All my 159 00:07:30,400 --> 00:07:33,480 Speaker 7: friends were saying, this is incredible, this is awesome. It 160 00:07:33,720 --> 00:07:36,040 Speaker 7: was nice to be part of everyone, part of such 161 00:07:36,040 --> 00:07:37,800 Speaker 7: a beautiful project. It was awesome. 162 00:07:38,360 --> 00:07:41,840 Speaker 2: Yeah, And I know America did something last weekend, but 163 00:07:42,200 --> 00:07:45,200 Speaker 2: I said it on Saturday. I don'tly known. I thought 164 00:07:45,240 --> 00:07:48,160 Speaker 2: what happened here was even better. I think the performance 165 00:07:48,200 --> 00:07:51,080 Speaker 2: has had a bit more joy about them, and there 166 00:07:51,160 --> 00:07:54,760 Speaker 2: was some real variety as well. How can Delta Goodroom, 167 00:07:54,800 --> 00:07:57,240 Speaker 2: I know she's a big star. How isn't Delta Goodroom 168 00:07:57,240 --> 00:07:59,360 Speaker 2: and even biggest star. I think people have forgotten how 169 00:07:59,640 --> 00:08:02,920 Speaker 2: telling talented she is. That down Under version she did 170 00:08:03,000 --> 00:08:05,240 Speaker 2: with Colin Hay just on My Running Away, it would 171 00:08:05,240 --> 00:08:06,960 Speaker 2: just said del to Goodrom was going to do performance. 172 00:08:07,240 --> 00:08:09,440 Speaker 2: And it was a real joy because I've seen Colin 173 00:08:09,480 --> 00:08:11,960 Speaker 2: Hay a couple of times in The Underneath, really funny 174 00:08:12,080 --> 00:08:15,000 Speaker 2: between the songs. He's brilliant live that was brilliant. There 175 00:08:15,040 --> 00:08:17,560 Speaker 2: were so many Rule I've never heard anything by Rule. 176 00:08:17,640 --> 00:08:20,040 Speaker 2: I thought they were very good. Dean Lewis so I've 177 00:08:20,080 --> 00:08:21,960 Speaker 2: heard on you know, other radio stations thought it was 178 00:08:21,960 --> 00:08:23,360 Speaker 2: pretty good, but you never know what they can do 179 00:08:23,560 --> 00:08:25,400 Speaker 2: live or how good his voice is. I thought he 180 00:08:25,520 --> 00:08:28,360 Speaker 2: was incredible as well. And the DMAs, who are a 181 00:08:28,400 --> 00:08:30,760 Speaker 2: fantastic band, obviously got for me. They remind me of 182 00:08:30,840 --> 00:08:33,280 Speaker 2: the Stone Roses and Oasis. They've got that swagger and 183 00:08:33,360 --> 00:08:36,840 Speaker 2: they love that kind of heritage of the nineties britpop. However, 184 00:08:36,920 --> 00:08:40,800 Speaker 2: the because the everyone couldn't do their normal thing, especially 185 00:08:40,840 --> 00:08:42,959 Speaker 2: for a band like the DMA's that rock and roll swagger, 186 00:08:43,400 --> 00:08:45,640 Speaker 2: they showed something different in that cover version. I didn't 187 00:08:45,640 --> 00:08:51,360 Speaker 2: realize how great Tommy O'Dell's voice actually, yeah, yeah, it 188 00:08:51,480 --> 00:08:53,440 Speaker 2: was just like wow, I wonder what else they could 189 00:08:53,480 --> 00:08:55,720 Speaker 2: do because he's got a real rain. So this morning 190 00:08:55,760 --> 00:08:57,319 Speaker 2: on the show, we're going to play a couple of highlights. 191 00:08:57,320 --> 00:08:59,320 Speaker 2: If you missed it, you can see it. And obviously, 192 00:08:59,360 --> 00:09:01,240 Speaker 2: if you listen to a station like this, you love 193 00:09:01,320 --> 00:09:03,880 Speaker 2: your Aussie music, and I urge you to watch it. 194 00:09:03,960 --> 00:09:06,120 Speaker 2: You can forward wind my bits. But the music on 195 00:09:06,280 --> 00:09:08,439 Speaker 2: there is incredibleus the music you grew up with. And 196 00:09:08,520 --> 00:09:10,199 Speaker 2: also you'll see some artists that you might not be 197 00:09:10,280 --> 00:09:12,400 Speaker 2: that familiar with. And I know it's easy for us 198 00:09:12,440 --> 00:09:14,240 Speaker 2: to say, and I haven't sent myself. They don't make 199 00:09:14,320 --> 00:09:16,520 Speaker 2: them like they used to. That's partly true, but also 200 00:09:16,600 --> 00:09:19,079 Speaker 2: there are lots of really really talented young musicians in 201 00:09:19,120 --> 00:09:21,280 Speaker 2: Australia right now. It's a great time for music in 202 00:09:21,360 --> 00:09:24,240 Speaker 2: this country. And I hope Gil from the AFL was 203 00:09:24,280 --> 00:09:26,680 Speaker 2: watching it because you do not need to look overseas 204 00:09:26,960 --> 00:09:29,240 Speaker 2: if you're looking for when we get footy back. All 205 00:09:29,320 --> 00:09:31,560 Speaker 2: the artists you saw on you could pick about five 206 00:09:31,640 --> 00:09:33,760 Speaker 2: of those who had knocked out the mcg the. 207 00:09:33,920 --> 00:09:36,400 Speaker 1: Christian O'Connell show podcast all. 208 00:09:36,440 --> 00:09:39,079 Speaker 2: If you noticed this over the weekend, is it me 209 00:09:39,280 --> 00:09:42,360 Speaker 2: or is it like Australia has just decided now, Yeah, 210 00:09:42,760 --> 00:09:46,160 Speaker 2: that's enough of social distinct thing staying. 211 00:09:45,880 --> 00:09:48,040 Speaker 7: Indoors totally, what totally. 212 00:09:48,240 --> 00:09:51,040 Speaker 2: I don't think that any of the state premieres. I 213 00:09:51,080 --> 00:09:53,520 Speaker 2: don't believe that mister Morrison has come on TV going 214 00:09:53,920 --> 00:09:58,440 Speaker 2: sod it everyone outdoors in five it's a lot of bs. 215 00:09:58,679 --> 00:09:59,439 Speaker 7: We've smashed it. 216 00:10:00,520 --> 00:10:03,120 Speaker 3: Yeah, can we just set in Yeah? 217 00:10:03,160 --> 00:10:03,360 Speaker 2: Yeah. 218 00:10:03,360 --> 00:10:06,240 Speaker 7: We drove past Bunnings and that place was heaving at 219 00:10:06,280 --> 00:10:06,720 Speaker 7: the weekend. 220 00:10:06,800 --> 00:10:08,760 Speaker 2: Get me too. We had to drive past it. There 221 00:10:08,840 --> 00:10:12,080 Speaker 2: was a queue. It's like beatle Mania. It's like, what's 222 00:10:12,200 --> 00:10:20,640 Speaker 2: the big rush for Moultcho. 223 00:10:17,040 --> 00:10:20,199 Speaker 3: That Bunnings was for trade only, that they're keeping open 224 00:10:20,280 --> 00:10:23,679 Speaker 3: for only for tradees and now people lining up on 225 00:10:23,720 --> 00:10:26,040 Speaker 3: a Sunday it was it was just like everywhere. 226 00:10:26,080 --> 00:10:28,640 Speaker 2: While I was driving down Hampton Street Saturday afternoon, it 227 00:10:28,800 --> 00:10:31,760 Speaker 2: was packed down. Then there's no more this two meters 228 00:10:31,880 --> 00:10:35,280 Speaker 2: one half meters. People high five in each other, like 229 00:10:35,400 --> 00:10:39,599 Speaker 2: we've beaten the world with smash coronavirus, and like have 230 00:10:39,760 --> 00:10:41,439 Speaker 2: I missed? I even went on my phone check any 231 00:10:41,520 --> 00:10:44,839 Speaker 2: news alerts. Has there been an announcement. It's like we decided, Yeah, 232 00:10:45,000 --> 00:10:46,800 Speaker 2: it's like Australia compared to the rest of the world, 233 00:10:47,040 --> 00:10:50,719 Speaker 2: did an hour indoors and when that is enough, that 234 00:10:50,920 --> 00:10:53,079 Speaker 2: is enough, let's get out there. How bad is it? 235 00:10:53,200 --> 00:10:56,120 Speaker 2: Come on, yeah, what's happened since Friday? Just like this 236 00:10:56,240 --> 00:10:58,599 Speaker 2: weekend was just wild times And I see of the 237 00:10:58,920 --> 00:11:01,120 Speaker 2: week care that they are starting to get ready for 238 00:11:01,320 --> 00:11:03,079 Speaker 2: the loosening of it in a couple of weeks time, 239 00:11:03,160 --> 00:11:05,720 Speaker 2: and having only lived in this country for two weeks, 240 00:11:06,240 --> 00:11:08,400 Speaker 2: I think there's going to be like some kind of stampede. 241 00:11:08,880 --> 00:11:11,760 Speaker 2: I'm really worried. They're talking about sort of how we 242 00:11:11,880 --> 00:11:15,280 Speaker 2: can safely go back into restaurants and pubs. Have you 243 00:11:15,360 --> 00:11:17,800 Speaker 2: seen some of these suggested guidelines? No? 244 00:11:18,040 --> 00:11:20,960 Speaker 3: Bye, I still wonder how they're going to get as 245 00:11:21,000 --> 00:11:22,760 Speaker 3: soon as they opened the first pub, isn't it just 246 00:11:22,800 --> 00:11:23,440 Speaker 3: going to be flooded? 247 00:11:23,480 --> 00:11:25,800 Speaker 2: Water? And do you know what I mean? We'll have 248 00:11:25,920 --> 00:11:28,400 Speaker 2: one weekend of that and on Monday, mister Morrison scoma 249 00:11:28,480 --> 00:11:32,280 Speaker 2: be back on TV going bloody idiots, stay indoors and 250 00:11:32,400 --> 00:11:36,000 Speaker 2: we're locking you in. Okay, but they're talking about it. 251 00:11:36,440 --> 00:11:40,160 Speaker 2: There's no lam to keep it safe, right because the 252 00:11:40,200 --> 00:11:42,400 Speaker 2: most one thing is what about not letting too many 253 00:11:42,440 --> 00:11:44,199 Speaker 2: people in? They think the best way to keep it 254 00:11:44,200 --> 00:11:45,400 Speaker 2: safe when we go back to the pubs is no 255 00:11:45,559 --> 00:11:49,080 Speaker 2: laminated menus because I think that's what started it in Wuhan, 256 00:11:49,160 --> 00:11:52,560 Speaker 2: isn't it's all those laminated pub menus right? No shared 257 00:11:52,720 --> 00:11:55,319 Speaker 2: water jugs on the bar top, not on our doors. 258 00:11:55,800 --> 00:11:58,520 Speaker 2: Here's the other one. Hotels. Have you listening to? Hotels? 259 00:11:58,720 --> 00:12:01,720 Speaker 2: No more of those buffets? What's a hotel about the Buffy? 260 00:12:02,480 --> 00:12:06,480 Speaker 2: How can we live without Buffy? We demand our Buffy. 261 00:12:09,480 --> 00:12:11,719 Speaker 1: The Christian O'Connell show podcast. 262 00:12:14,400 --> 00:12:27,160 Speaker 2: He's a working man. I glad that sound that was 263 00:12:27,440 --> 00:12:31,800 Speaker 2: Jimmy Barnes Working Classman from Saturday Night's Extraordinary Night of 264 00:12:32,280 --> 00:12:35,360 Speaker 2: Too Many Legends almost of Australian music, music from the 265 00:12:35,440 --> 00:12:39,000 Speaker 2: home front, respecting frontline workers past and present. That was 266 00:12:39,040 --> 00:12:42,120 Speaker 2: a beautiful performance. I thought he's saying his voice is 267 00:12:42,200 --> 00:12:43,920 Speaker 2: actually getting better as he gets older. 268 00:12:44,240 --> 00:12:46,320 Speaker 3: It doesn't it? Yeah, it's aging well like why. 269 00:12:46,640 --> 00:12:48,880 Speaker 2: Yeah, it's like Springsteen, you know, it has a more 270 00:12:48,920 --> 00:12:51,240 Speaker 2: of a lived in quality to it. I think it 271 00:12:51,360 --> 00:12:53,360 Speaker 2: sounds it's so nice because you know the power and 272 00:12:53,440 --> 00:12:55,599 Speaker 2: the fury in his voice. And then suddenly when you 273 00:12:55,640 --> 00:12:58,240 Speaker 2: were here, when he slows it down, he realized. I 274 00:12:58,320 --> 00:12:59,920 Speaker 2: think he sometimes you just know this has been a 275 00:13:00,240 --> 00:13:02,439 Speaker 2: more of a screamer and a belter, you know, and 276 00:13:02,520 --> 00:13:04,319 Speaker 2: all that power he's gone it. But actually there's a 277 00:13:04,400 --> 00:13:06,680 Speaker 2: real there's a softness to it, a rawness to it all. 278 00:13:06,720 --> 00:13:08,760 Speaker 2: And I thought that was brilliant, very different kind of 279 00:13:08,840 --> 00:13:11,160 Speaker 2: version of a working class man. So many of the 280 00:13:11,280 --> 00:13:14,440 Speaker 2: songs on Saturday Night you would have you guys would 281 00:13:14,440 --> 00:13:15,840 Speaker 2: have grown up with it, must have got a lot 282 00:13:15,880 --> 00:13:18,160 Speaker 2: of your nostalgic about because that's a great thing about music. 283 00:13:18,200 --> 00:13:20,680 Speaker 2: It's like a little time portal. It's a time capsule 284 00:13:20,720 --> 00:13:23,040 Speaker 2: that takes you right back to her a different time 285 00:13:23,120 --> 00:13:25,319 Speaker 2: when you were growing up. Did it remind you of 286 00:13:25,400 --> 00:13:27,280 Speaker 2: some of those we've saw people like Mark Seymour and 287 00:13:27,880 --> 00:13:29,920 Speaker 2: James Rain, who I thought were great together in the 288 00:13:30,120 --> 00:13:33,200 Speaker 2: Mark Seymore's garage, which is the cleanest garage I've ever seen, 289 00:13:34,280 --> 00:13:36,640 Speaker 2: like a garage. I see no car tires. I was like, 290 00:13:36,840 --> 00:13:40,720 Speaker 2: where's the cartuer, where's the paintings? Kind of a setup 291 00:13:40,760 --> 00:13:43,160 Speaker 2: have you got there? It's like an Italian coffee shop. 292 00:13:43,360 --> 00:13:46,400 Speaker 3: Yeah, the flour looks spotless as well. Which garage floor 293 00:13:46,480 --> 00:13:50,439 Speaker 3: should Seeing James Rain and Mark Aymore playing together in 294 00:13:50,520 --> 00:13:53,600 Speaker 3: the garage, Biancher asked me, I guess assuming that they 295 00:13:54,040 --> 00:13:57,560 Speaker 3: shouldn't be together because of social distancing, So she asked 296 00:13:57,600 --> 00:13:59,880 Speaker 3: me do they live together? Which I got a real 297 00:14:00,280 --> 00:14:02,360 Speaker 3: out of. Imagine some kind of sitcom. 298 00:14:02,480 --> 00:14:07,839 Speaker 2: But I love the idea of them being flatmates and 299 00:14:07,880 --> 00:14:09,920 Speaker 2: getting up in the morning and strumming to each other 300 00:14:10,080 --> 00:14:12,800 Speaker 2: and then going into that beautiful garage, probably eating off 301 00:14:12,840 --> 00:14:14,920 Speaker 2: the floor. It was so clean. There are a lot 302 00:14:14,960 --> 00:14:16,800 Speaker 2: of things I noticed watching all the different us because well, 303 00:14:16,840 --> 00:14:19,560 Speaker 2: the keyboards that the guy the keyboard playing from Crowded 304 00:14:19,600 --> 00:14:22,160 Speaker 2: House seemed to be in a whare. Does he work 305 00:14:22,200 --> 00:14:23,800 Speaker 2: in a shop selling them or mending them? 306 00:14:25,280 --> 00:14:27,800 Speaker 3: Why would you need so many keyboards? I actually had 307 00:14:27,840 --> 00:14:29,240 Speaker 3: the same thought, like. 308 00:14:29,480 --> 00:14:31,400 Speaker 7: They all obviously do a different function. 309 00:14:32,280 --> 00:14:36,040 Speaker 3: No, come on, he had he had fifteen keyboards at least, 310 00:14:36,960 --> 00:14:39,480 Speaker 3: going John can troll the world with just that one piano? 311 00:14:40,800 --> 00:14:43,880 Speaker 2: What the crowded house keyboard playing? When John doesn't know? 312 00:14:44,760 --> 00:14:46,360 Speaker 3: And the idea of a keyboard is that it's an 313 00:14:46,400 --> 00:14:49,280 Speaker 3: electric piano, so it already makes a hundred different sounds, 314 00:14:49,520 --> 00:14:51,880 Speaker 3: like that's that's why it's electric. I don't know what 315 00:14:52,080 --> 00:14:53,400 Speaker 3: he needs all those keyboards for. 316 00:14:53,600 --> 00:14:56,200 Speaker 2: I seriously think he's got a workshop. He's mending them, 317 00:14:56,280 --> 00:14:58,560 Speaker 2: and these have all got be mended by Monday, So 318 00:14:58,640 --> 00:15:00,240 Speaker 2: I think that's what he was. I think that's it 319 00:15:00,320 --> 00:15:02,200 Speaker 2: was doing what would be the songs that sort of 320 00:15:02,240 --> 00:15:04,600 Speaker 2: were the soundtrack of your teenage years, that sort of 321 00:15:05,120 --> 00:15:07,560 Speaker 2: Saturday it reminded you of, because I saw a lot 322 00:15:07,560 --> 00:15:09,080 Speaker 2: of comments from our listeners saying that a lot of 323 00:15:09,080 --> 00:15:11,480 Speaker 2: these songs, you know, throw your arms around me. I remember, 324 00:15:11,520 --> 00:15:13,960 Speaker 2: you know he's going to see Aussie crawl and hunters 325 00:15:14,000 --> 00:15:16,080 Speaker 2: and collectors. What are the ones for you guys? Perhaps 326 00:15:16,120 --> 00:15:18,920 Speaker 2: what's the same that sort of sums up your teenage. 327 00:15:18,480 --> 00:15:22,120 Speaker 7: Years from Definitely, it was definitely Mark Seymour and James Rain. 328 00:15:22,200 --> 00:15:22,400 Speaker 5: For me. 329 00:15:22,480 --> 00:15:24,640 Speaker 7: We've gone to see James Rain a couple of times 330 00:15:24,720 --> 00:15:28,720 Speaker 7: over the years. I just love him. He's got an album, 331 00:15:29,160 --> 00:15:32,480 Speaker 7: oh he honestly, and he's such an attractive looking man, 332 00:15:32,560 --> 00:15:35,600 Speaker 7: I have to say, but he's he's it's beautiful and 333 00:15:35,640 --> 00:15:38,560 Speaker 7: he's done like an unplugged album quite a while ago, 334 00:15:39,080 --> 00:15:43,360 Speaker 7: which of acoustic. It takes back to its raw sort 335 00:15:43,400 --> 00:15:47,440 Speaker 7: of form and it's a really beautiful album. But definitely 336 00:15:47,560 --> 00:15:50,040 Speaker 7: those two and Jimmy Barnes of course, he's just like 337 00:15:50,560 --> 00:15:52,080 Speaker 7: the godfather of Ossie music. 338 00:15:52,120 --> 00:15:53,560 Speaker 2: I reckon, who's it for you, Jackie Boy? 339 00:15:55,120 --> 00:15:58,520 Speaker 3: I think for as far as Australian bands go, Silverchair 340 00:15:58,600 --> 00:16:01,920 Speaker 3: and powder Finger right my teenage years when they were 341 00:16:01,960 --> 00:16:04,320 Speaker 3: really big. The Living End is another one that I 342 00:16:04,360 --> 00:16:06,320 Speaker 3: saw a bunch of times that I really love. 343 00:16:06,680 --> 00:16:11,000 Speaker 2: Christian O'Connell podcast, all the artists saw the album or 344 00:16:11,080 --> 00:16:13,280 Speaker 2: the song that really reminds her of your teenage years. 345 00:16:13,320 --> 00:16:15,440 Speaker 2: I always think that's when you first sort of discover 346 00:16:15,680 --> 00:16:18,960 Speaker 2: music and get into your bands as well. All right, 347 00:16:19,000 --> 00:16:21,440 Speaker 2: let's go to Erin, Good morning Erin. 348 00:16:22,040 --> 00:16:25,880 Speaker 5: Hi Christian, Hi guys, you just played it recently Christian 349 00:16:25,960 --> 00:16:30,440 Speaker 5: as Working class Man, particularly the Barnstorming album. Ye, my 350 00:16:30,720 --> 00:16:34,680 Speaker 5: mum used to sunbake topless to the to the cassette, 351 00:16:35,480 --> 00:16:38,560 Speaker 5: so she would she would do one side to one 352 00:16:38,640 --> 00:16:42,760 Speaker 5: side of cape and then tap and slip over herself. 353 00:16:43,160 --> 00:16:43,720 Speaker 2: That's amazing. 354 00:16:43,800 --> 00:16:48,000 Speaker 5: If we came walking down the driveway and heard that 355 00:16:48,240 --> 00:16:50,920 Speaker 5: with mate, we would quickly turn around. Let's go back 356 00:16:50,960 --> 00:16:51,520 Speaker 5: to your plate. 357 00:16:51,800 --> 00:16:52,560 Speaker 2: This is a warning. 358 00:16:55,480 --> 00:16:58,920 Speaker 5: You now know that if that's playing, let's not stop 359 00:16:58,960 --> 00:17:01,440 Speaker 5: for cakes with their mate, they just keep going. 360 00:17:01,320 --> 00:17:04,200 Speaker 2: On, walk walk on. Also, I guess you'd know from 361 00:17:04,240 --> 00:17:07,000 Speaker 2: the track listing if you heard the song she's she's 362 00:17:07,040 --> 00:17:09,000 Speaker 2: flipped over as well. She's face down the moment. 363 00:17:10,960 --> 00:17:12,920 Speaker 3: To move through the back exactly. 364 00:17:13,320 --> 00:17:16,000 Speaker 2: I know she's on the side, she's upside of the moment. 365 00:17:16,240 --> 00:17:20,000 Speaker 2: All the assets are on up. Yes, it's not. 366 00:17:20,240 --> 00:17:24,240 Speaker 5: Just the track found of my Life, it's also my brother, 367 00:17:24,400 --> 00:17:29,480 Speaker 5: my sisters, the grand kids, poor grand kids. They all yeah, yeah. 368 00:17:29,800 --> 00:17:34,440 Speaker 5: And she actually went to say Jimmy Barnes with the 369 00:17:34,600 --> 00:17:38,280 Speaker 5: youngest grandson who is now obsessed with Jimmy's Barns, And 370 00:17:38,760 --> 00:17:42,960 Speaker 5: I woulded him map and when Jimmy sus singing Jimmy 371 00:17:43,200 --> 00:17:47,640 Speaker 5: working class man, he turned to Nan and said, make 372 00:17:47,680 --> 00:17:48,680 Speaker 5: sure you keep your top on. 373 00:17:48,840 --> 00:17:51,320 Speaker 2: Man. I was wondering. I was wondering how that story 374 00:17:51,440 --> 00:17:54,080 Speaker 2: was going to go there. Thought the little lad was 375 00:17:54,080 --> 00:17:55,760 Speaker 2: going to ask her to get something out like that 376 00:17:57,840 --> 00:17:59,200 Speaker 2: for just checking. 377 00:17:59,720 --> 00:18:04,600 Speaker 5: And you did an amazing job on Saturday, really amazing. 378 00:18:04,880 --> 00:18:07,840 Speaker 2: Yeah, thank you. I was. I was a genuine privilege. 379 00:18:07,880 --> 00:18:10,040 Speaker 2: You know, it's a couple of weeks away from us, 380 00:18:10,080 --> 00:18:12,399 Speaker 2: been out for two years, so to be allowed and 381 00:18:12,520 --> 00:18:15,760 Speaker 2: invited be part of your doing Saturday night, you being 382 00:18:15,840 --> 00:18:16,240 Speaker 2: a yank. 383 00:18:16,359 --> 00:18:22,080 Speaker 5: I think you're a single as now you're not a yank. 384 00:18:27,880 --> 00:18:33,040 Speaker 2: Them that's not which country or continent from. That's all 385 00:18:33,119 --> 00:18:33,359 Speaker 2: I know. 386 00:18:35,480 --> 00:18:41,359 Speaker 5: Now, musical knowledge of the music. And yeah, you did 387 00:18:41,400 --> 00:18:41,920 Speaker 5: a great job. 388 00:18:42,000 --> 00:18:44,520 Speaker 2: Pleasure. Thank you very much, Erin, thank you very much. 389 00:18:45,359 --> 00:18:47,280 Speaker 3: It's as good as a citizenship test if you. 390 00:18:49,320 --> 00:18:51,240 Speaker 2: I mean, I called many things since coming here. Do 391 00:18:51,280 --> 00:18:52,960 Speaker 2: you remember when I first got someone accused me of 392 00:18:53,040 --> 00:18:56,520 Speaker 2: being from Mortar for no reason, And now two years on, 393 00:18:56,640 --> 00:18:59,280 Speaker 2: just when you think we're getting to know me, now yank, 394 00:19:00,680 --> 00:19:04,240 Speaker 2: so many screamers about me. Matt Good morning, Good morning guys. 395 00:19:04,320 --> 00:19:07,080 Speaker 2: How are we Yes, we're very good. And what the 396 00:19:07,200 --> 00:19:09,680 Speaker 2: artist to remind you of your teenage years, Matte. 397 00:19:09,760 --> 00:19:13,600 Speaker 6: My teenage years is absolutely silver Chair in their album 398 00:19:13,680 --> 00:19:16,520 Speaker 6: frog Stomp mostly Tomorrow because they broke when I was 399 00:19:16,560 --> 00:19:19,560 Speaker 6: a teenager. From early years were summed up by John 400 00:19:19,600 --> 00:19:23,800 Speaker 6: Farnha'm sure the voice mum played whispering Jack flat Knaka 401 00:19:23,840 --> 00:19:24,520 Speaker 6: when I was a kid. 402 00:19:28,600 --> 00:19:30,280 Speaker 2: Ah, that's so funny. Yeah. I don't know whether it. 403 00:19:30,400 --> 00:19:32,359 Speaker 2: Phancie's not well at the moment, but he was missing 404 00:19:32,440 --> 00:19:35,280 Speaker 2: from Saturday Night and all the sorts of if you 405 00:19:35,320 --> 00:19:37,800 Speaker 2: have Barnsy I thought, by law you must have within 406 00:19:37,880 --> 00:19:38,840 Speaker 2: sixty minute. 407 00:19:40,640 --> 00:19:41,840 Speaker 5: They go together exactly. 408 00:19:42,880 --> 00:19:45,159 Speaker 2: Come on this redo it this weekend. We need to 409 00:19:45,240 --> 00:19:48,080 Speaker 2: make of it to correct this. Matt. Thank you very much. 410 00:19:48,119 --> 00:19:49,639 Speaker 2: You cool. Have good week. I have a great one. 411 00:19:49,760 --> 00:19:52,720 Speaker 2: Cheers and you to squeeze in. Joe now, Joe coome morning, 412 00:19:53,480 --> 00:19:54,000 Speaker 2: Good morning. 413 00:19:54,160 --> 00:19:54,480 Speaker 6: How are you. 414 00:19:54,640 --> 00:19:56,640 Speaker 2: Good morning, Joe. Have you had a nice weekend? What's 415 00:19:56,680 --> 00:19:56,960 Speaker 2: it for you? 416 00:19:58,400 --> 00:20:00,520 Speaker 5: Well, it wasn't my teenagers, it was my youth, but 417 00:20:00,640 --> 00:20:04,159 Speaker 5: it was Franky Town. I played it five times on 418 00:20:04,240 --> 00:20:05,280 Speaker 5: my twenty first. 419 00:20:06,040 --> 00:20:09,480 Speaker 2: Yeah, that's great. There are radio stations up and down 420 00:20:09,520 --> 00:20:14,040 Speaker 2: the dial that still operates shows like that, so wonderful 421 00:20:14,119 --> 00:20:14,480 Speaker 2: with my. 422 00:20:14,600 --> 00:20:16,240 Speaker 5: Perm, tre My gold Red. 423 00:20:16,840 --> 00:20:18,200 Speaker 1: It was in the community hall. 424 00:20:18,560 --> 00:20:22,439 Speaker 2: I looked wonderful, awesome. All the best birthday parties were 425 00:20:22,480 --> 00:20:24,639 Speaker 2: in community halls, weren't they. You remember that they're always 426 00:20:24,680 --> 00:20:28,240 Speaker 2: like the RSLs community halls as well. Do you know 427 00:20:28,280 --> 00:20:30,000 Speaker 2: what they need to bring back as well? Joe, Now 428 00:20:30,000 --> 00:20:35,040 Speaker 2: you've got to remembers the palm. The palm you mentioned 429 00:20:35,080 --> 00:20:38,120 Speaker 2: about having a hair permed. I don't think they need. Yeah, 430 00:20:39,040 --> 00:20:39,879 Speaker 2: the American accent. 431 00:20:44,560 --> 00:20:45,119 Speaker 8: Ok, so. 432 00:20:46,600 --> 00:20:50,000 Speaker 3: You know all that sort of retro cyclica, and it's 433 00:20:50,160 --> 00:20:51,119 Speaker 3: time for it to come back. 434 00:20:52,000 --> 00:20:53,440 Speaker 7: You won't see me with a perm again. 435 00:20:53,480 --> 00:20:55,600 Speaker 2: I'm afraid think you'd look good. Actually, some kind of 436 00:20:55,680 --> 00:20:58,080 Speaker 2: cher rush look about you. You know the power of love. 437 00:20:58,160 --> 00:21:00,520 Speaker 2: I think you look good. Patsy, All right, thank you 438 00:21:00,640 --> 00:21:00,919 Speaker 2: very much? 439 00:21:01,080 --> 00:21:08,800 Speaker 1: Cool he Christian O'Connell Show Podcast Weekend Update. 440 00:21:09,080 --> 00:21:11,159 Speaker 2: So go around the team, Jack and Patsy, myself and 441 00:21:11,160 --> 00:21:14,120 Speaker 2: we're talking about what'll been up to over the weekend. Jack, 442 00:21:14,200 --> 00:21:14,960 Speaker 2: what have you been up to? 443 00:21:15,720 --> 00:21:18,480 Speaker 3: People might have seen a cringeworthy video that we posted 444 00:21:18,520 --> 00:21:21,520 Speaker 3: on our Facebook and Instagram over the weekend of me 445 00:21:21,680 --> 00:21:26,480 Speaker 3: on Friday Show, attempting to do an American accent ahead 446 00:21:26,560 --> 00:21:31,280 Speaker 3: of my voice acting audition that took place over the weekend. Now, 447 00:21:31,359 --> 00:21:35,040 Speaker 3: I didn't really read the email before I presented it 448 00:21:35,119 --> 00:21:38,840 Speaker 3: to you on Friday that said the acting role that 449 00:21:38,920 --> 00:21:41,439 Speaker 3: I was going for had to be in an American accent. 450 00:21:41,600 --> 00:21:43,479 Speaker 3: I saw that they wanted me to do an audition, 451 00:21:44,040 --> 00:21:46,200 Speaker 3: but I hadn't really read the fine print. 452 00:21:46,560 --> 00:21:50,679 Speaker 2: I so like you not to bother scrolling down an 453 00:21:50,720 --> 00:21:53,000 Speaker 2: email or even reading an email. Do you remember you 454 00:21:53,040 --> 00:21:55,200 Speaker 2: when I remember after a year working here, I said, 455 00:21:55,240 --> 00:21:57,280 Speaker 2: I've sent you an email to your work email address, 456 00:21:57,280 --> 00:21:59,920 Speaker 2: and just went, oh, I don't. I don't read any 457 00:22:00,000 --> 00:22:00,520 Speaker 2: any of those. 458 00:22:01,400 --> 00:22:03,760 Speaker 3: Oh I still have never rud into it. I've never 459 00:22:03,840 --> 00:22:05,760 Speaker 3: logged into that work email. I don't know how. 460 00:22:05,920 --> 00:22:08,840 Speaker 2: Still they actually don't know they find you ten times, 461 00:22:09,240 --> 00:22:11,080 Speaker 2: they just find your email. 462 00:22:12,640 --> 00:22:14,800 Speaker 3: Because of social distancing, the not la of a movie 463 00:22:14,880 --> 00:22:19,120 Speaker 3: from the building. I'm not even there. So I did 464 00:22:19,200 --> 00:22:21,920 Speaker 3: my first ever really attempt at an American accent on 465 00:22:22,760 --> 00:22:26,480 Speaker 3: Friday Show and realized I wasn't very good. I sat 466 00:22:26,560 --> 00:22:30,000 Speaker 3: somewhere between Forrest Gum and Matthew McConaughey, and then as 467 00:22:30,040 --> 00:22:32,560 Speaker 3: I tried to improve it, maybe like a Pauly show 468 00:22:32,680 --> 00:22:35,600 Speaker 3: from Encino Man. When I went for that California vibe, we. 469 00:22:35,680 --> 00:22:38,280 Speaker 2: Went around not just American states, but I think we 470 00:22:38,359 --> 00:22:40,000 Speaker 2: went over to India at one point as well. 471 00:22:42,000 --> 00:22:45,159 Speaker 3: So my voice to sum up the weekend is aptly this. 472 00:22:48,080 --> 00:22:52,440 Speaker 2: So you had the voice audition Friday night, we'd actually 473 00:22:52,480 --> 00:22:53,960 Speaker 2: know how it went. How was your accent? 474 00:22:56,720 --> 00:22:59,159 Speaker 3: I'll say this. I was very nervous to do it, actually, 475 00:22:59,359 --> 00:23:02,120 Speaker 3: because once I realized I wasn't good in American accents, 476 00:23:02,560 --> 00:23:03,880 Speaker 3: I shut myself. 477 00:23:03,600 --> 00:23:04,120 Speaker 9: In my room. 478 00:23:04,520 --> 00:23:06,440 Speaker 3: I was allowed to do it down the line, so 479 00:23:06,800 --> 00:23:09,360 Speaker 3: record it at my end and send it to them 480 00:23:09,520 --> 00:23:10,880 Speaker 3: so I didn't have to do it face to face 481 00:23:10,920 --> 00:23:13,240 Speaker 3: with anyone, which was good. But I did wait until 482 00:23:13,280 --> 00:23:15,680 Speaker 3: bank had left the house to run errands. 483 00:23:15,400 --> 00:23:19,119 Speaker 2: To do it. Understand that shut but you shouldn't have 484 00:23:19,200 --> 00:23:20,040 Speaker 2: to hear you like that. 485 00:23:23,400 --> 00:23:26,200 Speaker 3: So I was auditioning for I won't say what the 486 00:23:26,240 --> 00:23:28,920 Speaker 3: show is, but I was. It's a kid's show that 487 00:23:29,040 --> 00:23:31,680 Speaker 3: runs on Netflix and it's made in Australia, but for 488 00:23:31,800 --> 00:23:36,760 Speaker 3: some reason, all the characters have American act I just read. 489 00:23:36,880 --> 00:23:39,960 Speaker 2: All I can do is read surely from them, but 490 00:23:40,240 --> 00:23:42,680 Speaker 2: surely we've got some audio to play because you've said someone, 491 00:23:43,600 --> 00:23:44,800 Speaker 2: I'll give you money. 492 00:23:46,560 --> 00:23:47,840 Speaker 3: The characters. It will give away the. 493 00:23:49,800 --> 00:23:59,200 Speaker 2: Character, but he's likely to us. I know, I know, Jack, Please, 494 00:24:00,520 --> 00:24:01,040 Speaker 2: there's all. 495 00:24:00,960 --> 00:24:03,200 Speaker 3: Kinds of things on it. They said, this script must 496 00:24:03,240 --> 00:24:06,040 Speaker 3: not be heard by anyone. Is for the auditionary only 497 00:24:06,720 --> 00:24:09,440 Speaker 3: get kicked out of the whole this saga or whatever, 498 00:24:09,560 --> 00:24:10,440 Speaker 3: like what's our. 499 00:24:10,440 --> 00:24:15,040 Speaker 2: Version of the act? Circle? Magic Circle? 500 00:24:15,440 --> 00:24:18,199 Speaker 3: Before I've even entered it, I'll read you the response 501 00:24:18,240 --> 00:24:23,120 Speaker 3: I got, which sums up the audio that I sent them. Hi, Jack, 502 00:24:23,280 --> 00:24:25,840 Speaker 3: there is a nice consistent quality to it. So already 503 00:24:25,880 --> 00:24:29,240 Speaker 3: that's way better than I expected. The accent is not bad, 504 00:24:29,400 --> 00:24:33,159 Speaker 3: but probably not. There's probably not the full expression in 505 00:24:33,240 --> 00:24:37,000 Speaker 3: each word. If you wanted, there's twenty four hours to 506 00:24:37,080 --> 00:24:42,080 Speaker 3: have another go. There is time twenty four hours. And 507 00:24:42,560 --> 00:24:45,639 Speaker 3: I wrote back. I said sadly that what sounds like 508 00:24:45,760 --> 00:24:48,200 Speaker 3: one take is actually coupled together from seven or eight 509 00:24:48,320 --> 00:24:51,320 Speaker 3: of the best takes. And I don't think I'm going 510 00:24:51,400 --> 00:24:53,720 Speaker 3: to become an overnight success at the American accent. 511 00:24:54,240 --> 00:24:56,879 Speaker 2: So now what commitment as well? Someone says, hey, we 512 00:24:57,000 --> 00:25:02,480 Speaker 2: actually like you. These hours you're in lockdown, nothing else 513 00:25:02,520 --> 00:25:05,040 Speaker 2: to do? You apply going no, I'm good. How many 514 00:25:05,119 --> 00:25:06,920 Speaker 2: actors have you heard where they go to the red 515 00:25:07,000 --> 00:25:09,280 Speaker 2: and they go they said come back in a day's time, 516 00:25:09,320 --> 00:25:11,280 Speaker 2: And I went back and I smashed it. And that's 517 00:25:11,320 --> 00:25:14,160 Speaker 2: what I'm living in this big mansion right now. Jack goes, 518 00:25:14,400 --> 00:25:17,280 Speaker 2: I'm good, no, thank you. I'd run a stay out 519 00:25:17,359 --> 00:25:21,760 Speaker 2: the window and walk my dog. So that's it. 520 00:25:22,320 --> 00:25:23,560 Speaker 7: That's the voiceover career. 521 00:25:23,760 --> 00:25:24,639 Speaker 3: That's the end of the. 522 00:25:27,720 --> 00:25:28,080 Speaker 2: All right. 523 00:25:28,200 --> 00:25:32,160 Speaker 3: I'll solicit for any voiceover acting roles in an Australian accent. 524 00:25:32,240 --> 00:25:34,159 Speaker 3: I would love to try it if you have an 525 00:25:34,200 --> 00:25:36,000 Speaker 3: Australian voice acting role for me. 526 00:25:39,920 --> 00:25:41,720 Speaker 2: You think it's out there, and now at ten, Pa said, 527 00:25:41,720 --> 00:25:44,919 Speaker 2: what kind of casting people are out there? And Hollywood producers? 528 00:25:45,040 --> 00:25:46,840 Speaker 3: Right now, I'll do it for free. 529 00:25:48,960 --> 00:25:52,400 Speaker 1: The Christian O'Connell show podcast. 530 00:25:52,680 --> 00:25:54,680 Speaker 2: Hopefully a couple of weeks time, you know where we'll 531 00:25:54,720 --> 00:25:56,240 Speaker 2: all be back together. You two are going to hate 532 00:25:56,240 --> 00:25:57,960 Speaker 2: that because you'd have to get back and do the commuting. 533 00:25:59,240 --> 00:26:03,119 Speaker 7: You know, I will like it because it's not easy 534 00:26:03,240 --> 00:26:04,080 Speaker 7: working from home. 535 00:26:04,160 --> 00:26:09,119 Speaker 2: I've got to say, I thought we're working for a 536 00:26:09,160 --> 00:26:15,639 Speaker 2: bit more detail. I mean, we're not there. It's not 537 00:26:15,720 --> 00:26:17,440 Speaker 2: a woman they do that they want you to ask 538 00:26:17,520 --> 00:26:19,359 Speaker 2: to follow up question, and you're like, can't you fill 539 00:26:19,400 --> 00:26:21,680 Speaker 2: in the gap yourself? We're not there, tell us about it. 540 00:26:22,320 --> 00:26:24,480 Speaker 7: I can't wait to get back in there, because you 541 00:26:24,560 --> 00:26:27,040 Speaker 7: know the good thing about actually going into the studio 542 00:26:27,200 --> 00:26:29,560 Speaker 7: is that you can leave work there. I find when 543 00:26:29,600 --> 00:26:32,480 Speaker 7: I'm home, I'm very inclined to just pop up to 544 00:26:32,520 --> 00:26:33,879 Speaker 7: the room and do a bit of work, and then 545 00:26:33,920 --> 00:26:34,920 Speaker 7: two hours later. 546 00:26:34,800 --> 00:26:35,840 Speaker 4: I'm still on the computer. 547 00:26:39,119 --> 00:26:41,520 Speaker 2: You go and get lunch or something or gelato. Then 548 00:26:41,560 --> 00:26:45,040 Speaker 2: you're like, you're looking for new stories? Feel freeing into 549 00:26:45,080 --> 00:26:47,679 Speaker 2: any of the shows with these stories that gam or Tony. 550 00:26:52,760 --> 00:26:53,800 Speaker 9: No, it's too tempting. 551 00:26:53,840 --> 00:26:56,600 Speaker 7: You need that definite break, and I do miss the 552 00:26:56,680 --> 00:26:59,440 Speaker 7: drive to be honest at times. It's good to get out. 553 00:27:00,280 --> 00:27:03,000 Speaker 2: Yeah, yeah, you guys been stuck indoors for a while now. Yeah, 554 00:27:03,640 --> 00:27:05,840 Speaker 2: all right, Passy, what's the song that sums up your weekend? 555 00:27:05,880 --> 00:27:07,600 Speaker 2: I guess twenty four to seven and you're looking for 556 00:27:07,720 --> 00:27:09,240 Speaker 2: news on the Citizen. 557 00:27:08,920 --> 00:27:13,879 Speaker 7: Band radio and that you know, this definitely sums up 558 00:27:13,960 --> 00:27:15,440 Speaker 7: my weekend. It's been all about this. 559 00:27:20,800 --> 00:27:23,760 Speaker 2: We've been wearing sunglasses, pursuing perpse. 560 00:27:25,680 --> 00:27:28,280 Speaker 7: You know who has been poor old the love God, 561 00:27:28,400 --> 00:27:31,840 Speaker 7: my husband Chris, So, I think you might remember a 562 00:27:31,920 --> 00:27:36,280 Speaker 7: couple of weeks ago he squashed his reading glasses down 563 00:27:36,359 --> 00:27:38,520 Speaker 7: the side of his armchair. Do you remember me telling 564 00:27:38,560 --> 00:27:38,760 Speaker 7: you that. 565 00:27:40,040 --> 00:27:42,360 Speaker 2: The more we hear about your life, it really out there. 566 00:27:42,520 --> 00:27:46,000 Speaker 2: It's like the Simpsons, it really is. 567 00:27:46,119 --> 00:27:48,640 Speaker 7: He reclined the chairback for a bit of a snooze 568 00:27:49,000 --> 00:27:51,440 Speaker 7: that he's inclined to do, and he squashed them and 569 00:27:51,600 --> 00:27:55,080 Speaker 7: snapped them in half. So anyway, and it's not easy 570 00:27:55,119 --> 00:27:57,159 Speaker 7: to go to your local optometrist because a lot of 571 00:27:57,200 --> 00:28:00,320 Speaker 7: them are closed. So anyway, we found a low one 572 00:28:00,400 --> 00:28:04,000 Speaker 7: that's open. He's finally got the new spectacles. He's had 573 00:28:04,040 --> 00:28:07,800 Speaker 7: them a matter of days, and then last night picks 574 00:28:07,840 --> 00:28:10,680 Speaker 7: them up to put them on, opens them up, but 575 00:28:10,840 --> 00:28:13,520 Speaker 7: with his whole cl like grip, just snaps off one 576 00:28:13,600 --> 00:28:17,320 Speaker 7: of the arms, snaps it off, gear off, its hinges, 577 00:28:18,040 --> 00:28:21,040 Speaker 7: off its hinges, and he's gone it. They've just busted. 578 00:28:21,200 --> 00:28:23,000 Speaker 7: I said, what are you talking about? He said, my 579 00:28:23,119 --> 00:28:26,160 Speaker 7: new glasses. I've just opened them up and the arm 580 00:28:26,200 --> 00:28:27,040 Speaker 7: of it's come off. 581 00:28:27,119 --> 00:28:29,840 Speaker 2: It's a power of one of those love God, pauls. 582 00:28:31,280 --> 00:28:34,240 Speaker 7: What So he can't use them because they won't sit 583 00:28:34,720 --> 00:28:38,960 Speaker 7: on his face. So he's back to using the prescription sunglasses. 584 00:28:41,200 --> 00:28:42,800 Speaker 2: I think it's a good look for guys we went 585 00:28:43,120 --> 00:28:45,360 Speaker 2: rock and roll. They wearing them indoors. John Stevens is 586 00:28:45,360 --> 00:28:47,320 Speaker 2: wearing Steve Wonder. 587 00:28:47,400 --> 00:28:49,760 Speaker 7: At one point he morphedn't it was wasn't he he 588 00:28:50,080 --> 00:28:52,600 Speaker 7: was doing that Saturday night? But yeah, So he's got 589 00:28:52,680 --> 00:28:54,600 Speaker 7: the song the ray bands back on. Looks a bit 590 00:28:54,880 --> 00:28:57,040 Speaker 7: Maverick style as he's watching the big screen. 591 00:28:57,160 --> 00:29:00,560 Speaker 2: Telly, we need a photo of Chris because that's right 592 00:29:00,600 --> 00:29:03,280 Speaker 2: in front of that mega sort of IMAX set up. 593 00:29:03,360 --> 00:29:03,840 Speaker 2: He's got that. 594 00:29:05,840 --> 00:29:08,200 Speaker 1: Christian Christian O'Connell show. 595 00:29:08,600 --> 00:29:12,640 Speaker 2: A song that sums up my weekend. Been an extraordinary 596 00:29:12,680 --> 00:29:16,400 Speaker 2: weekend that me and my family will always remember the 597 00:29:16,520 --> 00:29:19,560 Speaker 2: time when I did a TV show live to Australia 598 00:29:19,600 --> 00:29:28,000 Speaker 2: for three hours from the house. All the nosy neighbors 599 00:29:28,080 --> 00:29:30,480 Speaker 2: and we're all nosy neighbors at the moment because there's 600 00:29:30,560 --> 00:29:34,480 Speaker 2: nothing else to do. We're all rubbernecking. Half three. It 601 00:29:34,640 --> 00:29:37,720 Speaker 2: started Saturday afternoon when a giant truck turn up and 602 00:29:37,840 --> 00:29:41,160 Speaker 2: then starts. This giant thing came out the middle of it. 603 00:29:41,400 --> 00:29:43,440 Speaker 2: They went up about fifteen foot up into the air 604 00:29:43,480 --> 00:29:46,160 Speaker 2: with an aerial for the The satellite truck was outside 605 00:29:46,200 --> 00:29:48,680 Speaker 2: first of all, and then two other vans turned up. 606 00:29:48,720 --> 00:29:52,920 Speaker 2: TV people operate out of vans. These two eighteen vans 607 00:29:53,080 --> 00:29:54,720 Speaker 2: sort of skid it up to the front of my 608 00:29:54,800 --> 00:29:58,120 Speaker 2: house and the crew that were there for about nine hours, 609 00:29:58,120 --> 00:30:00,440 Speaker 2: who work very hardly with three great guys, came the 610 00:30:00,520 --> 00:30:03,280 Speaker 2: camera man. There was Martin the sound guy, and Greg 611 00:30:03,360 --> 00:30:05,240 Speaker 2: the man in the truck, and they're all crammed in 612 00:30:05,280 --> 00:30:07,400 Speaker 2: the hallway pressed up against my front door the other 613 00:30:07,480 --> 00:30:09,560 Speaker 2: side of it whilst they were filming and checking the 614 00:30:09,640 --> 00:30:12,400 Speaker 2: sound was right and checking the images were all going 615 00:30:12,480 --> 00:30:15,200 Speaker 2: to all of Australia. There was lucky enough, and that 616 00:30:15,320 --> 00:30:17,280 Speaker 2: is the word. It was an accidental thing. I fell 617 00:30:17,320 --> 00:30:20,680 Speaker 2: into what was an extraordinary show on extraordinary day, very 618 00:30:20,680 --> 00:30:23,240 Speaker 2: special day for Australia, an Zac Day, and it felt 619 00:30:23,320 --> 00:30:25,040 Speaker 2: like to me, and this is just my observation as 620 00:30:25,240 --> 00:30:27,280 Speaker 2: someone has been almost two years that this year Anzac 621 00:30:27,360 --> 00:30:30,800 Speaker 2: Day had an extra resonance and extra poignancy because of 622 00:30:30,960 --> 00:30:33,480 Speaker 2: the sacrifices that are happening this year. And I'd said 623 00:30:33,480 --> 00:30:35,280 Speaker 2: it on TV and said I mean it about that. 624 00:30:35,320 --> 00:30:37,920 Speaker 2: We saw the amazing stuff, all the various frontline workers 625 00:30:37,960 --> 00:30:39,880 Speaker 2: have been doing during the bush Fire and then over 626 00:30:39,880 --> 00:30:42,000 Speaker 2: the last couple of weeks during Corona as well. So 627 00:30:42,520 --> 00:30:44,520 Speaker 2: to be part of that and to be invited part 628 00:30:44,560 --> 00:30:47,240 Speaker 2: of that into the homes on TV, and then amongst 629 00:30:47,240 --> 00:30:50,640 Speaker 2: all these amazing musical performance was I didn't realize the show. 630 00:30:50,680 --> 00:30:53,280 Speaker 2: I genuinely had no one else called up Wednesday and 631 00:30:53,440 --> 00:30:55,840 Speaker 2: asked by Channel nine would I fancy doing it? And 632 00:30:55,880 --> 00:30:58,520 Speaker 2: I was like, yeah, why night, it's live TV. I 633 00:30:58,560 --> 00:31:00,800 Speaker 2: can do it from home easy. Why wouldn't I? And 634 00:31:00,880 --> 00:31:02,840 Speaker 2: it wasn't n till the show started. They had this 635 00:31:02,960 --> 00:31:06,520 Speaker 2: tiny little screen so I could see what you were seeing. Yeah, 636 00:31:06,760 --> 00:31:09,920 Speaker 2: And I was suddenly, this is a god, this is amazing. 637 00:31:10,880 --> 00:31:12,800 Speaker 2: Really better not screw this up. This will be the 638 00:31:12,880 --> 00:31:15,880 Speaker 2: end of everything. This is This is amazing, and rather 639 00:31:15,880 --> 00:31:19,280 Speaker 2: the beginning. When I heard the Last Post James Morrison, 640 00:31:19,320 --> 00:31:21,600 Speaker 2: he did that beautiful version of the Last Post. It's 641 00:31:21,960 --> 00:31:24,240 Speaker 2: always so haunting. I was reading up on it yesterday. 642 00:31:24,240 --> 00:31:28,440 Speaker 2: It's about five or six hundred years old, that Last Posts. 643 00:31:28,440 --> 00:31:31,320 Speaker 2: An amazing bit of music and they're. 644 00:31:31,120 --> 00:31:34,160 Speaker 3: Almost three times as old as Australia. 645 00:31:34,440 --> 00:31:37,960 Speaker 2: Yeah, incredible. I wasn't played, and so much significance and 646 00:31:38,080 --> 00:31:41,000 Speaker 2: always it is always so moving. It just cuts through 647 00:31:41,040 --> 00:31:42,920 Speaker 2: the end. And I know James Morrison was on the 648 00:31:42,960 --> 00:31:45,280 Speaker 2: news last week, the guy that did that amazing performance 649 00:31:45,320 --> 00:31:47,080 Speaker 2: from Aunt Gambia at the start of the show. He 650 00:31:47,200 --> 00:31:49,920 Speaker 2: was on the news asking for all brass players around 651 00:31:50,000 --> 00:31:52,080 Speaker 2: Australia to when you do, get out in the driveway 652 00:31:52,160 --> 00:31:54,360 Speaker 2: Saturday morning at six am to try and play the 653 00:31:54,440 --> 00:31:56,520 Speaker 2: last post. And I noticed our mate Andy Lee did it. 654 00:31:57,200 --> 00:32:00,400 Speaker 3: Yeah, and I heard one from the front mind driveway 655 00:32:00,440 --> 00:32:02,280 Speaker 3: on Saturday morning as well. It must have been I 656 00:32:02,360 --> 00:32:06,880 Speaker 3: reckon three or four suburbs away because he was just distance. Yeah, 657 00:32:07,000 --> 00:32:08,040 Speaker 3: but you could still hear it. 658 00:32:08,120 --> 00:32:10,000 Speaker 2: Yeah, it's so haunting. So anyway, just to let you 659 00:32:10,080 --> 00:32:13,040 Speaker 2: know that, obviously TV shows happened at TV studios, but 660 00:32:13,040 --> 00:32:14,280 Speaker 2: the way of the world, the last coil of weeks, 661 00:32:14,280 --> 00:32:17,080 Speaker 2: we're all indoors. So I'm doing this from my little 662 00:32:17,160 --> 00:32:20,000 Speaker 2: den and looking through social media. The most commented thing 663 00:32:20,040 --> 00:32:23,840 Speaker 2: on other than the Union Jack epperphone guitar that is 664 00:32:23,920 --> 00:32:26,040 Speaker 2: not up for sale, it is mine. Yes, that was 665 00:32:26,120 --> 00:32:29,160 Speaker 2: my beloved evil can eevil post just over my sholder. 666 00:32:29,560 --> 00:32:31,400 Speaker 3: But then can I say you had the best setup 667 00:32:31,440 --> 00:32:33,480 Speaker 3: I think of any of the presenters of what you put, 668 00:32:33,760 --> 00:32:35,680 Speaker 3: what you bundled into the background of your shot. 669 00:32:35,920 --> 00:32:37,400 Speaker 2: I had a load of things to do that I 670 00:32:37,440 --> 00:32:39,840 Speaker 2: was supposed to be doing Saturday and I wasted. Oh 671 00:32:39,920 --> 00:32:42,680 Speaker 2: I thought this was a good dressing that room. And 672 00:32:42,800 --> 00:32:45,120 Speaker 2: I can't tell you what that means to me. But 673 00:32:45,280 --> 00:32:47,560 Speaker 2: my wife was going, people aren't going to count went 674 00:32:47,600 --> 00:32:50,080 Speaker 2: their nosy. We're all doing this at the moment in 675 00:32:50,160 --> 00:32:53,240 Speaker 2: a nose around. I want my signed D's ball up there. 676 00:32:53,280 --> 00:32:56,480 Speaker 2: I want Evil even a shot and go get the guitar. Anyway, 677 00:32:56,520 --> 00:32:59,240 Speaker 2: the most commonly, the most commented thing on social media 678 00:32:59,400 --> 00:33:01,920 Speaker 2: wasn't any of that. It was my radiators. This is 679 00:33:01,960 --> 00:33:04,360 Speaker 2: the world we live in. What I was going through 680 00:33:04,400 --> 00:33:07,960 Speaker 2: Instagram yesterday and they were just going, oh, lovely radiators. 681 00:33:08,280 --> 00:33:11,320 Speaker 2: All he's only been in two years? How's he landed 682 00:33:11,360 --> 00:33:15,240 Speaker 2: in a house with hydroponic heating. Nothing about my words, 683 00:33:15,400 --> 00:33:18,560 Speaker 2: nothing about the guitar, evil and Evil, the signed D's ball, 684 00:33:18,680 --> 00:33:21,400 Speaker 2: nothing about any of that. All those radiators are all 685 00:33:21,560 --> 00:33:24,000 Speaker 2: codes or they're gonna He's going to benefit from those 686 00:33:24,080 --> 00:33:29,920 Speaker 2: when the winter kicks in here. And obviously Saturday night, 687 00:33:29,960 --> 00:33:31,680 Speaker 2: the kids are just all they were worried about is 688 00:33:31,760 --> 00:33:33,640 Speaker 2: this is going to interfere with Netflix? And when you 689 00:33:33,720 --> 00:33:35,840 Speaker 2: got that kind of support six feet away, you know 690 00:33:36,240 --> 00:33:39,000 Speaker 2: that everyone is behind you, you know. But they were 691 00:33:39,040 --> 00:33:41,760 Speaker 2: just they're just disinterested. It wasn't until they were getting 692 00:33:41,800 --> 00:33:44,680 Speaker 2: text messages from their friends were going, he your dad's 693 00:33:44,720 --> 00:33:47,640 Speaker 2: on TV. Much like they didn't know. We can keep 694 00:33:47,760 --> 00:33:51,760 Speaker 2: hearing him bellowing every like twenty minutes, so he's up 695 00:33:51,800 --> 00:33:54,160 Speaker 2: to down there he doing a TV show. Then suddenly 696 00:33:54,200 --> 00:33:57,080 Speaker 2: they were interested. But beforehand, because it's not TV in 697 00:33:57,120 --> 00:34:00,640 Speaker 2: a TV studio, there were no makeup people. Lois was 698 00:34:00,680 --> 00:34:03,720 Speaker 2: watching a YouTube video and then pausing it and doing 699 00:34:03,760 --> 00:34:06,200 Speaker 2: my makeup, so I no idea how I looked on. 700 00:34:09,800 --> 00:34:11,640 Speaker 2: At one point I just heard the director in my 701 00:34:11,680 --> 00:34:13,239 Speaker 2: ap so I had to sit in there in my 702 00:34:13,360 --> 00:34:15,040 Speaker 2: chair at five o'clock and they were checking the light 703 00:34:15,239 --> 00:34:16,719 Speaker 2: or and I could hear them, and I know they 704 00:34:16,760 --> 00:34:18,200 Speaker 2: didn't like what they saw, and I wasn't sure if 705 00:34:18,239 --> 00:34:22,120 Speaker 2: it was me the radiator. I just heard them go, hey, Christian, 706 00:34:22,480 --> 00:34:24,840 Speaker 2: you call the teenage stores apparently, could you get to 707 00:34:25,080 --> 00:34:27,239 Speaker 2: just take some of the shine off you coming through 708 00:34:28,040 --> 00:34:31,000 Speaker 2: very shiny? We just don't want you shining your way 709 00:34:31,719 --> 00:34:35,120 Speaker 2: around ustraight. So they were there just out of shot 710 00:34:35,160 --> 00:34:37,040 Speaker 2: with those what are those paths tool that you dab 711 00:34:37,160 --> 00:34:40,840 Speaker 2: on faces like the pancake. Yes, that's it, dabbing out on. 712 00:34:41,200 --> 00:34:43,319 Speaker 2: And then five minutes before the whole thing starts, right, 713 00:34:43,360 --> 00:34:48,120 Speaker 2: I'm really feeling the pressure. And then Lois comes up 714 00:34:48,160 --> 00:34:49,600 Speaker 2: to me and goes, hey, listen, can you help me 715 00:34:49,680 --> 00:34:55,960 Speaker 2: find my Apple AirPods? The caravan cane looks at me 716 00:34:56,080 --> 00:34:59,160 Speaker 2: like they you need to sit down? And what do 717 00:34:59,239 --> 00:35:02,160 Speaker 2: you mean? Been ible just playing catch outside? Went? It's dark? 718 00:35:02,480 --> 00:35:04,600 Speaker 2: It's half same when you've been playing catch with those 719 00:35:04,719 --> 00:35:07,960 Speaker 2: tiny white apple Where's it gone? Down a drain? But 720 00:35:08,000 --> 00:35:11,279 Speaker 2: we don't think it went all right now, So we 721 00:35:11,440 --> 00:35:13,439 Speaker 2: did my first bit and then I've got twenty minutes 722 00:35:13,440 --> 00:35:15,480 Speaker 2: before I have to speak again. So me and the 723 00:35:15,600 --> 00:35:18,600 Speaker 2: whole crew, because TV crews have always got like amazing 724 00:35:18,719 --> 00:35:21,080 Speaker 2: torches they just carry around all the seat. We're out 725 00:35:21,120 --> 00:35:24,200 Speaker 2: the front of my house looking down a drain. No, 726 00:35:24,440 --> 00:35:26,359 Speaker 2: the sound man has to then get on his hands 727 00:35:26,360 --> 00:35:30,200 Speaker 2: and knees because I don't get dirty. Obviously, show tell it. Absolutely, yeah, 728 00:35:30,600 --> 00:35:32,120 Speaker 2: I offered to it went I could do it, but 729 00:35:32,160 --> 00:35:34,279 Speaker 2: they're waited ages. And then one went I'll do it, 730 00:35:36,680 --> 00:35:39,280 Speaker 2: and they managed to open up a drain and find 731 00:35:39,320 --> 00:35:41,279 Speaker 2: a little things that were stuck down there in the dirt. 732 00:35:41,320 --> 00:35:43,120 Speaker 2: So that's how my kids helped me get in the 733 00:35:43,560 --> 00:35:45,080 Speaker 2: mood for it as well the. 734 00:35:45,239 --> 00:35:47,320 Speaker 1: Christian common shows. 735 00:35:47,719 --> 00:35:49,680 Speaker 2: So I know, it looks like more and more businesses 736 00:35:50,080 --> 00:35:52,560 Speaker 2: just started to sort of springing back into action despite 737 00:35:52,560 --> 00:35:54,680 Speaker 2: there being any kind of official word. My wife lept 738 00:35:54,760 --> 00:35:56,759 Speaker 2: with joy on Friday, which was like, oh, just that 739 00:35:56,840 --> 00:36:00,000 Speaker 2: an email my hairdresser, an eyelash lady are back in business. 740 00:36:00,600 --> 00:36:01,680 Speaker 2: Oh wow, I don't. 741 00:36:01,480 --> 00:36:03,279 Speaker 7: Want to say music to a woman's. 742 00:36:02,960 --> 00:36:06,239 Speaker 2: Ears, music to my eyes because those roots need doing. 743 00:36:06,840 --> 00:36:09,120 Speaker 2: Oh now, come on, I could say that safely here 744 00:36:09,239 --> 00:36:12,920 Speaker 2: because she's fifteen kilometers away and I tracked it down. 745 00:36:14,760 --> 00:36:17,839 Speaker 2: She was genuine She's genuinely like, oh my god, good news. 746 00:36:17,920 --> 00:36:21,640 Speaker 2: My eyelash lady is back in business. The eyelash people 747 00:36:21,680 --> 00:36:23,879 Speaker 2: are back in business. Now. Bars will we opened once 748 00:36:23,920 --> 00:36:26,160 Speaker 2: more one day, my friends, But there are still plenty 749 00:36:26,200 --> 00:36:28,919 Speaker 2: of things that people aren't aren't able to do that, yeah, 750 00:36:29,120 --> 00:36:30,360 Speaker 2: on hold for a couple of months. 751 00:36:30,760 --> 00:36:33,360 Speaker 3: Well, Chris, your husband Pat Chris not being able to 752 00:36:33,440 --> 00:36:37,480 Speaker 3: replace his glasses reminded me of my friend's dad went 753 00:36:37,600 --> 00:36:40,840 Speaker 3: into hospital. He's all good now, but went into hospital 754 00:36:40,880 --> 00:36:44,080 Speaker 3: about a month ago and put his dnches into some 755 00:36:44,280 --> 00:36:47,200 Speaker 3: tissue and put it on the side of his side table. 756 00:36:47,239 --> 00:36:50,719 Speaker 3: While he was asleep. A nurse accidentally threw away his dnches. 757 00:36:51,239 --> 00:36:53,800 Speaker 3: But because of COVID when he came out of hospital, 758 00:36:54,280 --> 00:36:56,680 Speaker 3: he hasn't been able to go get go to the 759 00:36:56,800 --> 00:36:58,800 Speaker 3: dentist and replace him. So he's been gummy for a 760 00:36:58,880 --> 00:37:00,839 Speaker 3: month and he's going to be me to at least 761 00:37:01,400 --> 00:37:01,879 Speaker 3: mid year. 762 00:37:02,120 --> 00:37:04,359 Speaker 2: Oh no way, I mean if that was me, right, 763 00:37:04,480 --> 00:37:06,239 Speaker 2: surely that you go on Amazon or something like that, 764 00:37:06,560 --> 00:37:08,680 Speaker 2: get some Dracula teeth from Halloween. 765 00:37:09,440 --> 00:37:12,520 Speaker 3: He could be on drug Calder, get some off gum Tree. 766 00:37:14,400 --> 00:37:16,400 Speaker 7: How is he eating and stuff you'd have to have 767 00:37:16,560 --> 00:37:19,080 Speaker 7: like smoothies and soup for the past month. 768 00:37:19,239 --> 00:37:23,160 Speaker 3: I guess blending it, blending everything up or eating soft parts. 769 00:37:22,880 --> 00:37:24,960 Speaker 2: If you could find that out, because that's the interesting 770 00:37:25,000 --> 00:37:25,600 Speaker 2: part of the story. 771 00:37:26,440 --> 00:37:27,879 Speaker 7: I feel sorry for the poor man. 772 00:37:28,280 --> 00:37:29,560 Speaker 3: We can get him on if you want to speak 773 00:37:29,600 --> 00:37:29,799 Speaker 3: to him. 774 00:37:30,360 --> 00:37:33,160 Speaker 2: Yeah, let's put everything on pause right now. All right, 775 00:37:33,239 --> 00:37:36,000 Speaker 2: So this morning, what is on the hold? What what 776 00:37:36,120 --> 00:37:37,520 Speaker 2: do you have booked in or what have you been 777 00:37:37,560 --> 00:37:39,719 Speaker 2: waiting on And obviously we've been in lockdown now for 778 00:37:39,760 --> 00:37:42,320 Speaker 2: a couple of weeks. Doesn't it feel like it's been longer? 779 00:37:43,440 --> 00:37:45,000 Speaker 2: It is only a couple of weeks, isn't it? But 780 00:37:45,080 --> 00:37:47,920 Speaker 2: doesn't it feel time has taken on a whole different 781 00:37:48,040 --> 00:37:51,040 Speaker 2: quality over the last couple of weeks. Days are almost irrelevant. 782 00:37:54,080 --> 00:37:56,160 Speaker 1: Christian O'Connell Show podcast. 783 00:37:56,360 --> 00:37:59,400 Speaker 2: All right, so we're asking during lockdown, what's been on 784 00:37:59,560 --> 00:38:02,440 Speaker 2: the whole? What if you haven't been able to do Stevie? 785 00:38:02,560 --> 00:38:04,799 Speaker 2: Good morning Steve, Good morning gang. 786 00:38:05,520 --> 00:38:06,839 Speaker 6: I missed my pedicures? 787 00:38:08,719 --> 00:38:12,080 Speaker 2: Yeah, with you there? What's been going on? Steve? So 788 00:38:12,200 --> 00:38:13,560 Speaker 2: obviously you haven't been at a pedicure? 789 00:38:14,200 --> 00:38:17,160 Speaker 6: No, I have them every three months or so, and 790 00:38:17,360 --> 00:38:20,160 Speaker 6: the reason being is not only because they're awesome, and 791 00:38:20,280 --> 00:38:22,319 Speaker 6: everyone that says they're stupid haven't had one yet. 792 00:38:22,719 --> 00:38:22,919 Speaker 2: Yeah. 793 00:38:23,000 --> 00:38:24,720 Speaker 3: I'm converted as well, Steve recently. 794 00:38:25,400 --> 00:38:27,880 Speaker 6: Yeah, I've got dodgy hitch and it's really tough for 795 00:38:27,960 --> 00:38:30,239 Speaker 6: me to get down and clip the nails, and of 796 00:38:30,320 --> 00:38:32,960 Speaker 6: course that the good lady wife will going nowhere near them, 797 00:38:33,440 --> 00:38:34,440 Speaker 6: and so at the moment. 798 00:38:34,200 --> 00:38:39,080 Speaker 2: I'm walking down there, hoos, So what are you doing? 799 00:38:41,160 --> 00:38:42,480 Speaker 6: What do you mean? What am I doing well. 800 00:38:42,480 --> 00:38:44,160 Speaker 1: I've just let grow out. 801 00:38:45,120 --> 00:38:48,120 Speaker 6: Yeah, that's all I can do. I packed him with 802 00:38:48,160 --> 00:38:49,560 Speaker 6: a steak knife a couple of weeks ago. 803 00:38:51,520 --> 00:38:52,880 Speaker 7: My husband's done that. 804 00:38:53,160 --> 00:38:54,200 Speaker 1: It's disgusting. 805 00:38:56,080 --> 00:38:58,319 Speaker 3: Even the term letting them grow out like it's hair 806 00:38:58,480 --> 00:38:59,640 Speaker 3: or like it's a beard. 807 00:39:00,200 --> 00:39:04,560 Speaker 2: Is disting something on the Guinness Book and records. But 808 00:39:04,800 --> 00:39:06,320 Speaker 2: dumb and dumber. You know. When he gets out the 809 00:39:06,440 --> 00:39:06,960 Speaker 2: sore and. 810 00:39:07,120 --> 00:39:12,400 Speaker 7: The angle grind. Yeah, why don't you go to a pediatrist. 811 00:39:12,520 --> 00:39:14,360 Speaker 7: I think they're still open. They might be able to 812 00:39:14,400 --> 00:39:15,239 Speaker 7: trim them for you. 813 00:39:16,360 --> 00:39:19,640 Speaker 6: They have a problem. I'm going to go to the 814 00:39:19,719 --> 00:39:20,920 Speaker 6: physio for my massage. 815 00:39:21,160 --> 00:39:26,560 Speaker 2: They're not doing, Steve. I mean, how much maintenance do 816 00:39:26,640 --> 00:39:29,880 Speaker 2: you need in the massage? The pedicule, Steve, you know, 817 00:39:30,000 --> 00:39:31,719 Speaker 2: I've never had a pedicule, But after who are you 818 00:39:31,800 --> 00:39:33,239 Speaker 2: talk about it like this? I might give it a 819 00:39:33,280 --> 00:39:35,320 Speaker 2: go when we all get out of this. You know what. 820 00:39:35,440 --> 00:39:37,280 Speaker 6: I had a friend of mine, he said, you're crazy, 821 00:39:37,360 --> 00:39:39,400 Speaker 6: that's a feminine thing, and I said, you come with 822 00:39:39,520 --> 00:39:42,000 Speaker 6: me one day, and he's converted. From the first time. 823 00:39:42,080 --> 00:39:45,800 Speaker 3: They are awesome, Yeah, totally totally. They just make you 824 00:39:45,960 --> 00:39:48,719 Speaker 3: feel like it's very girls look at you when you're 825 00:39:48,760 --> 00:39:50,600 Speaker 3: in there because you're the only guy in there. But 826 00:39:50,960 --> 00:39:53,279 Speaker 3: they should make a man's version of it, like where 827 00:39:53,320 --> 00:39:56,000 Speaker 3: they have beer on tap and you know they got 828 00:39:56,040 --> 00:39:56,560 Speaker 3: rock posters. 829 00:39:58,239 --> 00:39:59,759 Speaker 2: Just go in there anyway. Why is it going to 830 00:39:59,800 --> 00:40:05,400 Speaker 2: be are on tap alcoholic? Yeah, that's because we're Australian 831 00:40:05,840 --> 00:40:11,600 Speaker 2: people thinking I'm gay getting this done. I've got beer here? 832 00:40:11,680 --> 00:40:13,480 Speaker 2: Okay about me? 833 00:40:15,960 --> 00:40:18,400 Speaker 7: They shave your feet, it's brilliant. You come out about 834 00:40:18,440 --> 00:40:19,600 Speaker 7: two kilos lighter. 835 00:40:20,080 --> 00:40:24,040 Speaker 2: Get I don't need my feet shaved. 836 00:40:26,920 --> 00:40:28,680 Speaker 7: Don't knock at no, are you? 837 00:40:28,920 --> 00:40:29,120 Speaker 5: Yeah? 838 00:40:29,800 --> 00:40:34,960 Speaker 2: No, skin, get rid of plaining. 839 00:40:35,120 --> 00:40:39,400 Speaker 7: Note here they get rid of the skin on your heels. 840 00:40:42,520 --> 00:40:44,279 Speaker 2: I really have some sick has come up in the 841 00:40:44,320 --> 00:40:47,239 Speaker 2: back of my throat with all right, let's get a 842 00:40:47,280 --> 00:40:49,839 Speaker 2: deal on this. Cleans the show right now, Dion, good morning, 843 00:40:50,600 --> 00:40:52,680 Speaker 2: good morning. How are we? Yeah? Yeah, yeah, were struggling 844 00:40:52,760 --> 00:40:55,759 Speaker 2: right now what Patsy just told us? But thank god 845 00:40:55,760 --> 00:40:57,600 Speaker 2: you're here, buddy. So what's on hold for you with 846 00:40:57,680 --> 00:40:58,160 Speaker 2: the lockdown? 847 00:40:58,840 --> 00:41:04,040 Speaker 8: Oh honeymoon, honeymoon? Yeah we're lucky we got the wedding 848 00:41:04,120 --> 00:41:07,799 Speaker 8: away a bit. Yeah, the honeymoon's now have been put 849 00:41:07,840 --> 00:41:12,160 Speaker 8: on hold. So yeah, it doesn't look like that's happening here. 850 00:41:12,400 --> 00:41:14,080 Speaker 2: Have you thought about going see the Podetrist? 851 00:41:14,719 --> 00:41:17,160 Speaker 6: Yeah, that sounds great time. 852 00:41:18,680 --> 00:41:20,120 Speaker 3: Where were you meant to be going on? 853 00:41:21,000 --> 00:41:23,160 Speaker 8: Specially go to Europe? So we're going to do like 854 00:41:23,280 --> 00:41:30,160 Speaker 8: Santorini in all the glamorous all the glamorous places. But yeah, 855 00:41:30,400 --> 00:41:33,200 Speaker 8: not to not to eventuate, do you know what? 856 00:41:33,920 --> 00:41:36,400 Speaker 2: You obviously already looked into this. But I don't think 857 00:41:36,440 --> 00:41:38,640 Speaker 2: we'll be flying internationally until next year. 858 00:41:39,200 --> 00:41:42,480 Speaker 8: No, it might be might be giving a miss altogether. 859 00:41:42,640 --> 00:41:44,960 Speaker 8: To be honest, by the way it's all playing out, 860 00:41:45,000 --> 00:41:46,040 Speaker 8: I don't think we'll be going. 861 00:41:45,920 --> 00:41:47,919 Speaker 2: On at all. What about that when in a couple 862 00:41:47,920 --> 00:41:49,920 Speaker 2: of months time, when it is a lot safer from them, 863 00:41:49,920 --> 00:41:51,320 Speaker 2: and obviously we're told that we can do. Is do 864 00:41:51,320 --> 00:41:52,719 Speaker 2: you don't think about going on a road trip while 865 00:41:52,719 --> 00:41:54,960 Speaker 2: there are so many amazing places are here in Australia 866 00:41:54,960 --> 00:41:57,680 Speaker 2: you could go to still have a great time. Well, yeah, we're. 867 00:41:57,560 --> 00:42:01,120 Speaker 8: Thinking now maybe like Port Douglas or something, doing something 868 00:42:01,200 --> 00:42:04,680 Speaker 8: you know out that way it's beautiful, yeah, really nice 869 00:42:04,760 --> 00:42:07,600 Speaker 8: out that way. But yeah, even I was even saying 870 00:42:07,640 --> 00:42:10,040 Speaker 8: to the wife, if we go overseas, even if it 871 00:42:10,160 --> 00:42:11,840 Speaker 8: is next year, we're just going to be constantly you 872 00:42:11,880 --> 00:42:16,120 Speaker 8: know what I mean, stay away from them or you'll 873 00:42:16,360 --> 00:42:19,800 Speaker 8: probably just put a massive damper on the whole experience anyway. 874 00:42:19,640 --> 00:42:21,800 Speaker 2: So that's I'm sorry to hear that. Well, hopefully we 875 00:42:21,880 --> 00:42:23,480 Speaker 2: get to have a good break somewhere in Australia by 876 00:42:23,520 --> 00:42:24,040 Speaker 2: the end of the year. 877 00:42:24,640 --> 00:42:26,680 Speaker 8: Yeah yeah, well we'll walk into that I think. 878 00:42:26,800 --> 00:42:28,719 Speaker 2: And congratulations on getting married as well. 879 00:42:30,280 --> 00:42:32,279 Speaker 8: Yes, thank you, I'll congratulation. I'll take that. 880 00:42:33,560 --> 00:42:38,239 Speaker 2: All right, take care of you on Christian connell. I 881 00:42:38,360 --> 00:42:42,120 Speaker 2: see on social media this morning. Trending is Afterlife season two. 882 00:42:42,239 --> 00:42:45,359 Speaker 2: Ricky javaces follow up to this great show last year 883 00:42:45,440 --> 00:42:50,880 Speaker 2: and managed to binge watcher of the weekend. Uh yeah, yeah, well. 884 00:42:50,760 --> 00:42:52,719 Speaker 3: We started last night first two episodes. 885 00:42:52,920 --> 00:42:54,799 Speaker 2: Ricky's on the show this week. I can be chatting 886 00:42:54,840 --> 00:42:57,640 Speaker 2: to Ricky or towards the end of this week, so 887 00:42:58,239 --> 00:43:00,600 Speaker 2: I felt like I needed to tear through, so we 888 00:43:00,680 --> 00:43:01,239 Speaker 2: cross it as well. 889 00:43:01,400 --> 00:43:04,320 Speaker 3: But very good the justified binge watching. 890 00:43:04,200 --> 00:43:05,759 Speaker 2: Yeah yes, that's what I can write it off as 891 00:43:05,840 --> 00:43:08,640 Speaker 2: research for the radio show. But yeah, Ricky on the 892 00:43:08,719 --> 00:43:12,120 Speaker 2: show this week live from London. It's just another miss 893 00:43:12,400 --> 00:43:18,240 Speaker 2: herdman Christian O'Connell's miss heard lyrics I'll sob an emails. 894 00:43:18,280 --> 00:43:20,520 Speaker 2: By the way, Ricky has a certain way he runs 895 00:43:20,560 --> 00:43:22,719 Speaker 2: his life. You know what works best for him. And 896 00:43:22,800 --> 00:43:24,880 Speaker 2: because of the time difference working out where he is 897 00:43:25,000 --> 00:43:27,320 Speaker 2: and you know where we are in Australia. Yeah, And 898 00:43:27,360 --> 00:43:29,160 Speaker 2: at one point I said, hey, what about I think 899 00:43:29,200 --> 00:43:30,680 Speaker 2: if I work it out right, that's sort of in 900 00:43:30,760 --> 00:43:33,320 Speaker 2: the afternoon for you guys at one Ricky has some 901 00:43:33,440 --> 00:43:36,719 Speaker 2: soup then and has a nap. And I don't think 902 00:43:36,800 --> 00:43:39,040 Speaker 2: the guy I'll ask Ricky about this, I don't think 903 00:43:39,080 --> 00:43:42,840 Speaker 2: he was joking. I even emabout and what kind of suits? Lentil? 904 00:43:42,960 --> 00:43:47,200 Speaker 2: Always Lentil? All right, So it's the misshard lyrics. This 905 00:43:47,280 --> 00:43:50,640 Speaker 2: outworks within in two parts. First of all, one of you, 906 00:43:50,760 --> 00:43:52,920 Speaker 2: Big John, sends us his top five every morning of 907 00:43:53,120 --> 00:43:55,640 Speaker 2: misshard lyrics. We play them back if we agree. You 908 00:43:55,719 --> 00:43:59,919 Speaker 2: can definitely hear the miss her lyrics if we don't. 909 00:44:01,520 --> 00:44:05,480 Speaker 2: And for the really good ones Hall of Favor. Part two, 910 00:44:05,640 --> 00:44:07,520 Speaker 2: we go through the ones you've been sending in over 911 00:44:07,520 --> 00:44:09,320 Speaker 2: the last seven days. And I can tell you this 912 00:44:10,120 --> 00:44:12,320 Speaker 2: then a history of this feature. The what have I 913 00:44:12,400 --> 00:44:15,000 Speaker 2: got here six from you to play in five minutes time? 914 00:44:15,080 --> 00:44:17,160 Speaker 2: Are I think some of the best that you've ever sent. 915 00:44:17,800 --> 00:44:20,840 Speaker 2: Last week we had three Hall of Famous from you 916 00:44:21,160 --> 00:44:23,480 Speaker 2: do you remember this? Donuts, Bring me a donut? 917 00:44:24,520 --> 00:44:28,160 Speaker 4: Don bring me a donor? 918 00:44:33,520 --> 00:44:43,040 Speaker 2: Free Cow? Still heard, Free Cow? And Lisaga you need 919 00:44:47,760 --> 00:44:49,879 Speaker 2: all Right? That's going to be John's top five first 920 00:44:49,920 --> 00:44:52,799 Speaker 2: of all. Then we go to the stereophonics. Dakota, make 921 00:44:52,920 --> 00:44:59,839 Speaker 2: me feel like the One God? Or is it make 922 00:45:00,160 --> 00:45:01,320 Speaker 2: feel like a worm? 923 00:45:06,160 --> 00:45:07,080 Speaker 3: Yeah, it's probably there. 924 00:45:07,200 --> 00:45:12,839 Speaker 2: Yeah, it's there, make me feel like a worm? Yep, 925 00:45:14,880 --> 00:45:20,759 Speaker 2: Nellie Fratado. I don't know where my soul is or 926 00:45:21,160 --> 00:45:27,160 Speaker 2: is it? I don't know where my phone is. Yeah, 927 00:45:27,239 --> 00:45:32,400 Speaker 2: I'm hearing I don't know where my phone is. That 928 00:45:32,520 --> 00:45:34,759 Speaker 2: goes on in my house at least five times a 929 00:45:34,840 --> 00:45:37,000 Speaker 2: day from my life? Can you call me? Can you 930 00:45:37,160 --> 00:45:42,440 Speaker 2: call me? Hmmmop Hanson? I didn't even know how to 931 00:45:42,520 --> 00:45:49,320 Speaker 2: say what this lyric is? Do he bop pop? Or 932 00:45:49,480 --> 00:45:52,040 Speaker 2: is it chili dog? I do? This is really hard? 933 00:45:52,160 --> 00:45:55,200 Speaker 2: This is really hard A hearing Chili dog? I do? 934 00:46:03,160 --> 00:46:08,520 Speaker 2: I kind of hear chili dog? Now, I'm sorry, Big John, Nope, 935 00:46:10,280 --> 00:46:13,879 Speaker 2: Rob Thomas lonely no more? I do be angry no more? 936 00:46:17,080 --> 00:46:19,279 Speaker 2: Or is it I don't want to be ingrid no. 937 00:46:19,400 --> 00:46:25,720 Speaker 3: More ingredible, Ingred. 938 00:46:26,120 --> 00:46:29,080 Speaker 2: Oh that's really good. I don't want to be ingrid 939 00:46:29,280 --> 00:46:37,320 Speaker 2: no more. There we go Patsy's favorite here, Brian Adams. 940 00:46:37,760 --> 00:46:39,840 Speaker 2: Oh no you think I do? I do it for you? 941 00:46:40,160 --> 00:46:50,600 Speaker 2: And no other could give more love? Or is it? 942 00:46:50,960 --> 00:46:53,200 Speaker 2: And no other cookie? All of. 943 00:47:02,000 --> 00:47:02,880 Speaker 7: No, I don't hear it. 944 00:47:05,080 --> 00:47:09,520 Speaker 2: It's sorry, Big John. Yes, three out of five today, 945 00:47:09,560 --> 00:47:11,759 Speaker 2: Big John? Coming up next? There all of yours in 946 00:47:11,800 --> 00:47:14,279 Speaker 2: the last seven days, Part two of the miss her 947 00:47:14,360 --> 00:47:15,040 Speaker 2: Lyrics Coming. 948 00:47:14,920 --> 00:47:20,440 Speaker 1: Up next, Christian Hello, Christian O'Connell show podcast. 949 00:47:20,560 --> 00:47:22,360 Speaker 4: Another Miss Herdman. 950 00:47:23,520 --> 00:47:26,960 Speaker 2: Christian O'Connell's miss Herd Lyrics. All right now it's talk 951 00:47:26,960 --> 00:47:29,120 Speaker 2: of the roundup. All all the ones you've been sending 952 00:47:29,239 --> 00:47:32,759 Speaker 2: in over the last seven days. All killer, No further 953 00:47:32,840 --> 00:47:35,000 Speaker 2: for me this morning, but let's play them to Jack 954 00:47:35,040 --> 00:47:36,880 Speaker 2: and pats You will have a listener as well. Here 955 00:47:36,960 --> 00:47:39,760 Speaker 2: we go up. First, we've got a Jamie Christian sister 956 00:47:39,880 --> 00:47:42,120 Speaker 2: and I Leah and what is this the show? And 957 00:47:42,160 --> 00:47:44,160 Speaker 2: we talk about the funny stuff we get home at night. Well, 958 00:47:44,200 --> 00:47:46,680 Speaker 2: thank you very much, Jamie and Leon. We're both huge 959 00:47:46,800 --> 00:47:49,520 Speaker 2: food Fighter fans. And the other day I caught her 960 00:47:50,000 --> 00:47:52,680 Speaker 2: singing the song but she got it completely wrong. It 961 00:47:52,800 --> 00:47:55,440 Speaker 2: was monkey Wrench and this line what do you do 962 00:47:55,560 --> 00:47:57,360 Speaker 2: when all your enemies are friends? 963 00:47:58,360 --> 00:48:01,480 Speaker 4: Deal msa friend? 964 00:48:02,880 --> 00:48:04,440 Speaker 2: That feels like it could have been written about my 965 00:48:04,480 --> 00:48:08,600 Speaker 2: life on this radio show, to be honest with, what 966 00:48:08,719 --> 00:48:10,520 Speaker 2: did it when all your enemies are friends? 967 00:48:11,719 --> 00:48:14,480 Speaker 4: With your ensa friend? 968 00:48:15,920 --> 00:48:18,680 Speaker 2: But Leah Jamie's sister were singing, what do you do 969 00:48:18,840 --> 00:48:20,480 Speaker 2: when all your enemies are French? 970 00:48:21,760 --> 00:48:24,880 Speaker 4: Deal with your en mesa friend? 971 00:48:26,920 --> 00:48:29,960 Speaker 2: I love it. I'm hearing that, Leah, Dave God, what's 972 00:48:30,000 --> 00:48:31,280 Speaker 2: your problem with France? 973 00:48:32,760 --> 00:48:35,480 Speaker 4: With your en misa friend? 974 00:48:36,440 --> 00:48:42,400 Speaker 2: Yes, when all your enemies are French? Brilliant tim Sits 975 00:48:42,840 --> 00:48:45,920 Speaker 2: got this one, Missus Robinson Simon ungar funk call God 976 00:48:45,960 --> 00:48:49,560 Speaker 2: bless you, please, missus Robinson. Heaven holds a place for 977 00:48:49,719 --> 00:48:57,200 Speaker 2: those who pray. Heaven holds a place for those who pray? 978 00:48:57,400 --> 00:49:02,239 Speaker 2: Or is it Kevin? Kevin holds a place for those 979 00:49:02,280 --> 00:49:10,080 Speaker 2: who pray? What's to Robbie Williams one I can never 980 00:49:10,320 --> 00:49:15,360 Speaker 2: unhear now? Whenever I hear that, I always think of that. 981 00:49:15,400 --> 00:49:18,279 Speaker 2: I'm going to think of this now. Kevin holds a 982 00:49:18,360 --> 00:49:24,400 Speaker 2: place for those who pray? Oh, Kevin, I. 983 00:49:24,400 --> 00:49:27,000 Speaker 3: Don't know which Kevin you're picturing mine Kevin Rudd though. 984 00:49:27,000 --> 00:49:31,360 Speaker 2: Yeah, image, let's all think of Kevin Rudd now and 985 00:49:31,480 --> 00:49:41,319 Speaker 2: now hear this miss here again, very good timmy. Now 986 00:49:41,400 --> 00:49:43,720 Speaker 2: we go to one of our junior listeners, an eleven 987 00:49:43,800 --> 00:49:47,239 Speaker 2: year old Quinn. Well, this is a classic Quinn rock 988 00:49:47,280 --> 00:49:49,759 Speaker 2: around the Clock by Bill Haley, and the comments what 989 00:49:49,800 --> 00:49:52,160 Speaker 2: are mom and dad listening to her home chiving around 990 00:49:52,160 --> 00:49:58,120 Speaker 2: the dinner table in lockdown when the clock strikes twelve? 991 00:49:58,239 --> 00:50:01,480 Speaker 2: Were cooled off? Then you need to remind yourself that 992 00:50:01,680 --> 00:50:04,359 Speaker 2: Quinn is eleven years of age before I go any further, 993 00:50:04,600 --> 00:50:07,120 Speaker 2: and the mental age of the show is also eleven. 994 00:50:07,640 --> 00:50:11,520 Speaker 2: When the clock strikes twelve, we're poo are pants where 995 00:50:11,640 --> 00:50:12,719 Speaker 2: the cart stakes turp. 996 00:50:15,440 --> 00:50:17,000 Speaker 3: It's not quite there, but. 997 00:50:22,480 --> 00:50:27,759 Speaker 2: When the clock strikes twelve, poo are pants. Quinn at 998 00:50:27,760 --> 00:50:29,600 Speaker 2: the bottom of his email to me, a very nice 999 00:50:29,600 --> 00:50:31,880 Speaker 2: email using his dad's email address, put as a ps 1000 00:50:31,960 --> 00:50:34,759 Speaker 2: I hope you don't get told or for fined if 1001 00:50:34,840 --> 00:50:38,480 Speaker 2: you play this. Have you heard some of the language 1002 00:50:38,480 --> 00:50:41,759 Speaker 2: on Australian way? This is mild. When the clock strikes twelve, 1003 00:50:41,800 --> 00:50:47,960 Speaker 2: we're po our pants. The cart stags, Yes, Quinn, thank 1004 00:50:48,040 --> 00:50:51,759 Speaker 2: you very much. Hie Brown Monday as always, we now 1005 00:50:51,920 --> 00:50:55,080 Speaker 2: go to Elijah and Christian. I saw music from the 1006 00:50:55,120 --> 00:50:57,239 Speaker 2: Home Front over the weekend, loved it. Spend the day 1007 00:50:57,320 --> 00:50:59,360 Speaker 2: yesterday catching up with some of the different songs and 1008 00:50:59,680 --> 00:51:02,839 Speaker 2: going online and finding them, and I found two. One 1009 00:51:02,920 --> 00:51:05,600 Speaker 2: I got Missy Higgins who was great with Tim Minchin. 1010 00:51:05,719 --> 00:51:07,319 Speaker 2: How are you home? That was a brilliant performance at 1011 00:51:07,320 --> 00:51:11,719 Speaker 2: the weekend. Missy Higgins and Scar scrubbing grass. 1012 00:51:11,520 --> 00:51:15,760 Speaker 9: Next to in n set to use things, Danny youre bone? 1013 00:51:16,440 --> 00:51:18,640 Speaker 2: What is happening to gold? I mean DMAs half an 1014 00:51:18,680 --> 00:51:21,680 Speaker 2: hour ago, Missy Higgins. It's all happening today, all right. 1015 00:51:21,680 --> 00:51:23,680 Speaker 2: The line should be a scrubbing brush next to a 1016 00:51:23,760 --> 00:51:27,640 Speaker 2: note that said use these down your bones, scrubbing grass next. 1017 00:51:27,520 --> 00:51:31,520 Speaker 9: To inn The said to use things Danny are bone? 1018 00:51:32,320 --> 00:51:34,560 Speaker 2: Or is he a scrubbing bush next to a note 1019 00:51:34,600 --> 00:51:37,720 Speaker 2: that said use those down to your bums? 1020 00:51:38,200 --> 00:51:41,719 Speaker 9: Scrubbing grass next to inn the said to use things 1021 00:51:42,360 --> 00:51:43,640 Speaker 9: Danny are bone? 1022 00:51:47,280 --> 00:51:49,600 Speaker 2: Almost there, scrubbing brass. 1023 00:51:49,400 --> 00:51:53,640 Speaker 9: Next to inn the said to use things DWNI ure bone? 1024 00:51:57,000 --> 00:52:01,920 Speaker 2: Living in prisoner of Society? This song, Yeah, the pastor 1025 00:52:01,960 --> 00:52:06,759 Speaker 2: is in your head? Or is it the pasties in 1026 00:52:07,239 --> 00:52:10,880 Speaker 2: your hands? Very different song isn't it prisoner of society? 1027 00:52:11,160 --> 00:52:16,960 Speaker 2: The pastis in your hands. Yes, I'm sorry, it's their 1028 00:52:17,040 --> 00:52:22,839 Speaker 2: living in. That's a very good one from Elijah two 1029 00:52:22,920 --> 00:52:27,560 Speaker 2: for two for their deal. Finally, Dino leaves us with 1030 00:52:27,640 --> 00:52:29,560 Speaker 2: this one, Christian, I think I've forgot one for you 1031 00:52:29,680 --> 00:52:39,440 Speaker 2: all by myself by Eric Carmen. What a song? Or 1032 00:52:39,560 --> 00:52:50,880 Speaker 2: is it Obama's Elf? Obama's Elf? Oh, come on into 1033 00:52:51,320 --> 00:52:56,120 Speaker 2: the Hall of fame. Wow wit, What a simple one 1034 00:52:56,200 --> 00:53:07,240 Speaker 2: from Dino Obama's Elf. Of course it was there all along. 1035 00:53:07,880 --> 00:53:09,759 Speaker 2: He actually began his email was I think I've got 1036 00:53:09,800 --> 00:53:12,239 Speaker 2: one of the best missheard lyrics ever he does. He 1037 00:53:12,400 --> 00:53:21,640 Speaker 2: does Obama's Elf. Brillian, brilliant, brilliant ones. Very good. Thank 1038 00:53:21,680 --> 00:53:23,359 Speaker 2: you very much to everyone who makes his feature work 1039 00:53:23,400 --> 00:53:26,080 Speaker 2: every Monday. If you've got an email for next Monday's 1040 00:53:26,080 --> 00:53:28,680 Speaker 2: misshard lyrics, you know the email address, contact me directly 1041 00:53:28,760 --> 00:53:31,359 Speaker 2: with yours, Christian at gold one O four three dot 1042 00:53:31,440 --> 00:53:36,040 Speaker 2: com dot au. Dino take about once more Obama's Elf. 1043 00:53:42,800 --> 00:53:46,240 Speaker 1: The Christian O'Connell show podcast. 1044 00:53:46,160 --> 00:53:48,359 Speaker 2: On Friday Show. Then I was horrified I found out 1045 00:53:48,400 --> 00:53:52,000 Speaker 2: that Jack's mother in law, whilst he's in isolation, was 1046 00:53:52,080 --> 00:53:55,560 Speaker 2: kindly sending all voice notes, trying to teach him Spanish. 1047 00:53:56,680 --> 00:54:00,520 Speaker 3: Oh, she's sending me whole emails that she's crafted spoke 1048 00:54:00,600 --> 00:54:03,960 Speaker 3: for me. That's Spanish for me to translate and get 1049 00:54:04,040 --> 00:54:10,560 Speaker 3: better at my wife's family's native language. But every time 1050 00:54:10,600 --> 00:54:12,640 Speaker 3: I see it coming, it feels like homework to me, 1051 00:54:12,880 --> 00:54:15,000 Speaker 3: and I just put it in a folder to do later, 1052 00:54:15,120 --> 00:54:17,359 Speaker 3: and I never get around to it, which and made 1053 00:54:17,400 --> 00:54:20,640 Speaker 3: all the worse by so Bianca's sister and her partner 1054 00:54:20,680 --> 00:54:23,239 Speaker 3: are doing them every night and even bringing her mum 1055 00:54:23,600 --> 00:54:26,000 Speaker 3: and going, hey, this is we've learned? Are we saying 1056 00:54:26,040 --> 00:54:29,319 Speaker 3: this right? Is it being pronounced correctly? And I haven't 1057 00:54:29,360 --> 00:54:30,440 Speaker 3: done any of my lessons. 1058 00:54:30,600 --> 00:54:32,320 Speaker 2: I mean, you don't even want to part in some 1059 00:54:32,520 --> 00:54:34,560 Speaker 2: Netflix show because you'd have to put in an extra 1060 00:54:34,640 --> 00:54:37,800 Speaker 2: bit of one calorie of work in preparation for it. 1061 00:54:38,120 --> 00:54:40,120 Speaker 2: I mean, what app is the poor mama got. She's 1062 00:54:40,200 --> 00:54:42,000 Speaker 2: never going to get you speak in a native tongue. 1063 00:54:42,239 --> 00:54:43,799 Speaker 2: So what we need is so we're trying to help 1064 00:54:43,880 --> 00:54:46,240 Speaker 2: Jack account and stick approach. We all need its humans. 1065 00:54:46,280 --> 00:54:48,320 Speaker 2: He needs some encouragement, So we want this week for 1066 00:54:48,440 --> 00:54:51,360 Speaker 2: him to start going through these emails and learning Spanish, 1067 00:54:51,680 --> 00:54:54,480 Speaker 2: so to help us out we need someone who speaks Spanish. 1068 00:54:54,880 --> 00:54:57,760 Speaker 2: Multicultural city like this, I'm sure we can find somebody. 1069 00:54:57,840 --> 00:55:00,040 Speaker 2: So if you speak Spanish, give us a call. We 1070 00:55:00,120 --> 00:55:02,120 Speaker 2: need to help for something. On tomorrow's show with Jack 1071 00:55:04,520 --> 00:55:14,440 Speaker 2: The Christian O'Connell show podcast, all right, today's that were 1072 00:55:14,560 --> 00:55:20,920 Speaker 2: time wasster as we go, highbrow, highbrow Monday Shakespeare songs. 1073 00:55:21,640 --> 00:55:23,319 Speaker 2: Who knows if there's the right day of the week 1074 00:55:23,400 --> 00:55:25,680 Speaker 2: to try and stretch us all into the works of 1075 00:55:25,760 --> 00:55:28,400 Speaker 2: the great man, one of the greatest English whenever the 1076 00:55:28,520 --> 00:55:33,200 Speaker 2: bard William Shakespeare. Gotta be honest. People just presume because 1077 00:55:33,239 --> 00:55:35,960 Speaker 2: you're English you're very intelligent. I'm not, as you probably 1078 00:55:35,960 --> 00:55:38,800 Speaker 2: really lost on the show. All right, it's just the 1079 00:55:38,880 --> 00:55:41,279 Speaker 2: accent just lends it to that illusion. I'm not. I've 1080 00:55:41,320 --> 00:55:42,880 Speaker 2: had a Google. Don't get up to speed with the 1081 00:55:42,920 --> 00:55:48,760 Speaker 2: works of the great man. Billy boy, all right, Shakespeare songs, 1082 00:55:48,880 --> 00:55:53,680 Speaker 2: good luck, Oh fellow, is it me? You're looking for gold? 1083 00:55:57,239 --> 00:56:01,879 Speaker 2: Ham Let? It be ham Let, it be silver, Man, 1084 00:56:02,120 --> 00:56:06,720 Speaker 2: Ophelia like a woman, Man, Aphelia like a woman. Gold, 1085 00:56:07,400 --> 00:56:12,080 Speaker 2: don't Midsummer Night dream it's over bronze. Ah, yeah, I 1086 00:56:12,160 --> 00:56:15,279 Speaker 2: thought that was at least a silver coming away there 1087 00:56:15,360 --> 00:56:17,719 Speaker 2: soon and last one Puck. 1088 00:56:17,640 --> 00:56:19,279 Speaker 1: You excuse me. 1089 00:56:19,640 --> 00:56:21,400 Speaker 2: Puck was the name of the fall in one of 1090 00:56:21,440 --> 00:56:23,160 Speaker 2: his great plays. Puck you. 1091 00:56:23,800 --> 00:56:25,520 Speaker 3: I'll have to just take your word for that. 1092 00:56:25,880 --> 00:56:30,279 Speaker 2: Peace dirty the air wars that Puck you e U 1093 00:56:30,680 --> 00:56:32,759 Speaker 2: c K. All right, Jackie boy, what have you got? 1094 00:56:32,800 --> 00:56:38,000 Speaker 2: Shakespeare's songs Stop Hamlet time, Oh, very good? Gold plus, 1095 00:56:38,440 --> 00:56:38,919 Speaker 2: very good. 1096 00:56:40,640 --> 00:56:45,240 Speaker 3: They'll maketh my dreams come true. That maketh my dreams 1097 00:56:45,320 --> 00:56:50,600 Speaker 3: come true? Yes, hold of those gold, triple plus A 1098 00:56:50,719 --> 00:56:52,040 Speaker 3: Midsummer of sixty nine. 1099 00:56:52,320 --> 00:56:53,880 Speaker 2: Yeah, very good, Bronze. 1100 00:56:55,080 --> 00:56:58,280 Speaker 3: We all live in Othello submarine. 1101 00:57:00,120 --> 00:57:00,839 Speaker 2: For that very good. 1102 00:57:01,440 --> 00:57:02,600 Speaker 3: I'll retire the. 1103 00:57:02,760 --> 00:57:05,400 Speaker 1: Christian O'Connell show podcasts. 1104 00:57:05,480 --> 00:57:08,040 Speaker 2: Shakespeare's Songs is today? Is that word? Time waste? This 1105 00:57:08,120 --> 00:57:11,200 Speaker 2: is coming up for ten to nine? The wheels are 1106 00:57:11,360 --> 00:57:14,000 Speaker 2: coming off the show. What are you doing? I've been 1107 00:57:14,080 --> 00:57:18,720 Speaker 2: talking about twenty seconds. Come are you chatting too? 1108 00:57:20,000 --> 00:57:21,480 Speaker 3: I was away from the microphone. 1109 00:57:22,680 --> 00:57:26,040 Speaker 2: Still good, it's sill good, all right. Shakespeare's songs. You're 1110 00:57:26,080 --> 00:57:26,880 Speaker 2: ready to march? Jake? 1111 00:57:28,080 --> 00:57:29,040 Speaker 3: Now I don't know? Am I? 1112 00:57:29,320 --> 00:57:29,520 Speaker 1: Yeah? 1113 00:57:29,600 --> 00:57:35,480 Speaker 2: You are? Return of the Macbeth Silver solid start from 1114 00:57:35,640 --> 00:57:41,760 Speaker 2: Simon and box Hill North rck the voice youorick the 1115 00:57:41,920 --> 00:57:43,640 Speaker 2: voice I'll have to. 1116 00:57:43,640 --> 00:57:46,120 Speaker 3: Take his word that Urick is a character of Shakespeare. 1117 00:57:46,320 --> 00:57:50,520 Speaker 2: Silvil plus Yorick is yeah, Andrew very good, You're simply 1118 00:57:50,800 --> 00:57:56,560 Speaker 2: tim pest as in Tempests. Silver very good, Julie Moravim 1119 00:57:58,160 --> 00:58:03,160 Speaker 2: much of you About Nothing compares to you Gold Much 1120 00:58:03,200 --> 00:58:06,000 Speaker 2: Ado About Nothing was a movie they made quite a 1121 00:58:06,040 --> 00:58:09,000 Speaker 2: few years ago about Shakespeare, which is a great movie. Actually, 1122 00:58:09,680 --> 00:58:14,640 Speaker 2: HAMI let the dogs out, Gold, we will rock Thou. 1123 00:58:16,080 --> 00:58:18,200 Speaker 2: Silver chucked in the word thou, But I like it. 1124 00:58:18,320 --> 00:58:26,320 Speaker 2: Michael Blue sway true Gold. Am I ever going to 1125 00:58:26,360 --> 00:58:27,360 Speaker 2: see Macbeth again? 1126 00:58:29,160 --> 00:58:31,400 Speaker 3: Silver plus, Barred on the Run. 1127 00:58:31,320 --> 00:58:34,800 Speaker 2: That's very good, Cherny boy Colfer, that's smart. Barred on 1128 00:58:34,880 --> 00:58:41,040 Speaker 2: the Run, Twelfth Night in Bangkok, Silver Markey boy in 1129 00:58:41,320 --> 00:58:47,400 Speaker 2: Park Dell. This is a great one. Moves like dagger 1130 00:58:47,520 --> 00:58:54,400 Speaker 2: I see before me. Gold, that's very very good. Is 1131 00:58:54,480 --> 00:58:59,320 Speaker 2: that from Mick Macbeth the Knife instead of mac the Knife? 1132 00:58:59,440 --> 00:59:03,120 Speaker 2: In fact, Bronze not so about this one, Mike Inchelong, 1133 00:59:03,280 --> 00:59:09,920 Speaker 2: fat bottom Macbeth. Bronze who says this show can't do 1134 00:59:10,040 --> 00:59:17,360 Speaker 2: highbrow boom boom Shakespeare of the Room last both Runner 1135 00:59:17,520 --> 00:59:19,960 Speaker 2: hybrow and hibrow, because you don't get an more highbrown 1136 00:59:20,040 --> 00:59:22,600 Speaker 2: that song. I'm sure we can all agree. Don't let 1137 00:59:22,640 --> 00:59:26,480 Speaker 2: the sonic go down on me. Silver pass breaking, Dansel 1138 00:59:26,600 --> 00:59:30,000 Speaker 2: very good Sonnic Tonight we're going to party like it's 1139 00:59:30,120 --> 00:59:35,640 Speaker 2: fifteen ninety nine. I love that so much because you've 1140 00:59:35,680 --> 00:59:39,480 Speaker 2: had to google that. Evan and Glenroy very very good. 1141 00:59:39,640 --> 00:59:40,760 Speaker 2: Who gets the best one tonight? 1142 00:59:40,760 --> 00:59:40,800 Speaker 9: With? 1143 00:59:41,000 --> 00:59:43,720 Speaker 3: Oh, there's so many good ones. I think Boom boom 1144 00:59:43,760 --> 00:59:44,840 Speaker 3: Shakespeare the Room. 1145 00:59:44,920 --> 00:59:48,360 Speaker 1: All right, you're the winner, Christian O'Connell show podcast. 1146 00:59:48,920 --> 00:59:53,680 Speaker 2: Sometimes we'll get a text sent into this studio in box, 1147 00:59:53,760 --> 00:59:55,880 Speaker 2: I said in front of that isn't really meant for us. 1148 00:59:57,360 --> 00:59:59,760 Speaker 2: This one that someone sent that isn't meant for me. 1149 01:00:00,320 --> 01:00:02,280 Speaker 2: It's someone who's just got a gold on the network 1150 01:00:02,360 --> 01:00:06,560 Speaker 2: time waster, rightly, very proud, telling their mate get out 1151 01:00:06,560 --> 01:00:09,040 Speaker 2: of this jack. I love this. Carli has sent this 1152 01:00:09,200 --> 01:00:10,840 Speaker 2: to me, but it's obviously meant to go to a friend. 1153 01:00:11,200 --> 01:00:13,920 Speaker 2: Did you just hear the Shakespeare songs just then? On 1154 01:00:14,360 --> 01:00:17,480 Speaker 2: G one O four? I love the G one O four. 1155 01:00:17,800 --> 01:00:18,280 Speaker 2: That's us. 1156 01:00:18,560 --> 01:00:19,320 Speaker 3: That's very hippo. 1157 01:00:19,680 --> 01:00:21,880 Speaker 2: G flip g one O four, Let's get with the 1158 01:00:21,960 --> 01:00:25,920 Speaker 2: g Mine was ham Let the dogs out got another gold? 1159 01:00:26,320 --> 01:00:29,080 Speaker 2: Three exclamation wise, I love that you're proud of that, Carli, 1160 01:00:29,920 --> 01:00:34,600 Speaker 2: hold on one, tell a your friends what's having here 1161 01:00:34,680 --> 01:00:39,440 Speaker 2: on g all right. Turn of today's show has to 1162 01:00:39,520 --> 01:00:44,640 Speaker 2: be Obama's Elf, one of the best to be continued 1163 01:00:44,720 --> 01:00:47,600 Speaker 2: on tomorrow's show. If you want to tell us about 1164 01:00:47,640 --> 01:00:50,040 Speaker 2: what's on hold for you still in lockdown, you can 1165 01:00:50,120 --> 01:00:52,440 Speaker 2: email me Christian at gold one O four three dot 1166 01:00:52,520 --> 01:00:54,920 Speaker 2: com dot au. Tom on the show. We got five 1167 01:00:54,960 --> 01:00:57,080 Speaker 2: to but Tuesday. The big thing also need some help 1168 01:00:57,200 --> 01:01:01,040 Speaker 2: is we are looking for someone who speaks span Spanish. 1169 01:01:01,120 --> 01:01:04,120 Speaker 2: Please We're looking for a Spanish speaker to help Jack 1170 01:01:04,200 --> 01:01:07,520 Speaker 2: out with his family. Spanish Homework's a very important thing. 1171 01:01:07,800 --> 01:01:10,760 Speaker 2: If you speak spanishly know someone, Please get them to 1172 01:01:10,800 --> 01:01:13,040 Speaker 2: contact the show. Email me Christian at gold one A 1173 01:01:13,120 --> 01:01:16,280 Speaker 2: four three dot com dot au. Thanks for listening. Have 1174 01:01:16,360 --> 01:01:18,320 Speaker 2: a great day, Christian. 1175 01:01:19,320 --> 01:01:21,440 Speaker 1: Christian O'Connell Show Podcast