1 00:00:00,440 --> 00:00:03,480 Speaker 1: Jersey and Amanda Jam Nation. 2 00:00:03,520 --> 00:00:06,680 Speaker 2: Breaking news Crowded House and returning with the Gravity Scares Tour. 3 00:00:06,720 --> 00:00:09,959 Speaker 2: They're playing live at the Sydney Opera House, four Cut 4 00:00:10,119 --> 00:00:12,959 Speaker 2: Court on the fourth and fifth December. Tickets go on 5 00:00:13,039 --> 00:00:16,560 Speaker 2: sale to the thirtieth of May, the Thursday, the thirty May. 6 00:00:16,600 --> 00:00:19,960 Speaker 2: Wins It when that's next week. Info and tickets available 7 00:00:19,960 --> 00:00:23,040 Speaker 2: at livenation dot com dot au. And we've got Neil 8 00:00:23,079 --> 00:00:24,360 Speaker 2: on the zoom right now. 9 00:00:24,400 --> 00:00:28,360 Speaker 1: Hello Kneel Neil Finn. Hello, look at hello. How we're 10 00:00:28,360 --> 00:00:32,360 Speaker 1: doing very well? I love this thirty five years touring again, 11 00:00:32,960 --> 00:00:37,280 Speaker 1: new music. How different is life? Well, obviously life's so 12 00:00:37,320 --> 00:00:39,440 Speaker 1: different now. But what were some of those early tours, 13 00:00:39,479 --> 00:00:42,320 Speaker 1: like thirty five years ago? Did you get a kitcat backstage? 14 00:00:42,320 --> 00:00:43,160 Speaker 1: And that was about it. 15 00:00:44,360 --> 00:00:48,560 Speaker 3: I was fond of the odd kitcat actually, but you know, well, 16 00:00:49,040 --> 00:00:50,840 Speaker 3: the first tour that we ever did with Crowded House 17 00:00:50,920 --> 00:00:52,519 Speaker 3: was actually we were called the Mulanes and it was 18 00:00:52,520 --> 00:00:55,360 Speaker 3: Paul and Nick and I and Craig Hooper and we 19 00:00:55,400 --> 00:00:57,000 Speaker 3: all fitted it in won high car and I was 20 00:00:57,000 --> 00:00:58,960 Speaker 3: the tour manager and I was having to hit the 21 00:00:59,000 --> 00:01:01,320 Speaker 3: promoters up for the money after the show, and we 22 00:01:01,360 --> 00:01:05,600 Speaker 3: almost universally lost money at every show. Well they lost money. 23 00:01:06,080 --> 00:01:08,520 Speaker 3: We were on guarantees. It was really quite a good 24 00:01:08,600 --> 00:01:11,080 Speaker 3: education for me to go and count out the cash 25 00:01:11,120 --> 00:01:13,360 Speaker 3: over the ironing board backstage and have the promoter go. 26 00:01:13,959 --> 00:01:16,840 Speaker 3: But we only had fifty people make can we negotiate? 27 00:01:16,920 --> 00:01:19,120 Speaker 3: And I was quite hard asked about it, I'd said no, 28 00:01:19,840 --> 00:01:20,479 Speaker 3: and over. 29 00:01:21,160 --> 00:01:24,200 Speaker 2: All rightly so, because you had all the success of 30 00:01:24,240 --> 00:01:27,000 Speaker 2: Split Ends and you almost had to pretty much start 31 00:01:27,040 --> 00:01:28,640 Speaker 2: over again with Crowded House. 32 00:01:29,200 --> 00:01:31,440 Speaker 3: Well we did under that name. We didn't draw very 33 00:01:31,440 --> 00:01:33,399 Speaker 3: big crowds, but as soon as Crowded House turned up, 34 00:01:33,440 --> 00:01:36,360 Speaker 3: we actually started to actually I think, you know, your 35 00:01:36,440 --> 00:01:39,720 Speaker 3: good stations started playing mean to me before. It was 36 00:01:39,760 --> 00:01:41,840 Speaker 3: the first sort of hint of any success that we 37 00:01:41,880 --> 00:01:43,880 Speaker 3: got with that. And then the tours started to get 38 00:01:43,920 --> 00:01:46,679 Speaker 3: real good. And that pub circuit, as some may remember, 39 00:01:46,840 --> 00:01:50,560 Speaker 3: was a really vibrant time in Australian music. People were 40 00:01:50,600 --> 00:01:52,800 Speaker 3: turning out big time. There were nos, no health and 41 00:01:52,840 --> 00:01:56,040 Speaker 3: safety whatsoever. They were packing a thousand people into four 42 00:01:56,120 --> 00:02:00,240 Speaker 3: hundred person rooms, and you know which was memorable and 43 00:02:00,320 --> 00:02:02,520 Speaker 3: quite exciting really those days. There was a lot of 44 00:02:02,560 --> 00:02:03,640 Speaker 3: a lot of energy in the room. 45 00:02:03,960 --> 00:02:06,200 Speaker 2: I remember hearing a story about you guys many years 46 00:02:06,200 --> 00:02:09,000 Speaker 2: ago supporting ac DC, and that was like when you 47 00:02:09,040 --> 00:02:12,920 Speaker 2: were Split Ends, and that was a really big mix 48 00:02:12,960 --> 00:02:15,280 Speaker 2: of crowds because you had you guys with your kooky 49 00:02:15,360 --> 00:02:18,040 Speaker 2: faces and your makeup, and then you've got Bond Scott's 50 00:02:18,040 --> 00:02:20,639 Speaker 2: bull tearing rock and roll, and you guys were great 51 00:02:20,639 --> 00:02:22,960 Speaker 2: with rock and roll as well. But the crowd got 52 00:02:23,000 --> 00:02:23,680 Speaker 2: a bit hostile. 53 00:02:24,400 --> 00:02:27,280 Speaker 3: The crowd got That was even before I joined Split Ins. 54 00:02:27,320 --> 00:02:29,440 Speaker 3: But that is a famous story now in the legacy. 55 00:02:30,000 --> 00:02:31,920 Speaker 3: And yeah, they were booed off by a whole bunch 56 00:02:31,919 --> 00:02:39,560 Speaker 3: of sharpies at the festival hall, and Sebanski was one 57 00:02:39,639 --> 00:02:44,200 Speaker 3: of those sharpies apparently who threw some kind of plastic 58 00:02:44,240 --> 00:02:47,400 Speaker 3: item a term. There wasn't really a match made in 59 00:02:47,440 --> 00:02:50,600 Speaker 3: heaven ac DC and split Ins, but both yan bands 60 00:02:50,639 --> 00:02:52,600 Speaker 3: and their own right, But yeah, it was. You know, 61 00:02:52,919 --> 00:02:54,880 Speaker 3: you can get over these things. They make you stronger. 62 00:02:55,040 --> 00:02:58,960 Speaker 1: Yeah, the sharpies make you stronger. So here are new music. 63 00:02:59,240 --> 00:03:02,080 Speaker 1: You've all done your own thing in the meantime. How's 64 00:03:02,120 --> 00:03:04,600 Speaker 1: a collaborative has it been? Do you say, here's what 65 00:03:04,639 --> 00:03:05,320 Speaker 1: I'm interested in? 66 00:03:05,360 --> 00:03:05,480 Speaker 3: Now? 67 00:03:05,520 --> 00:03:06,720 Speaker 1: How do you make it work. 68 00:03:07,320 --> 00:03:09,160 Speaker 3: Well with a band? The great thing about a band 69 00:03:09,200 --> 00:03:11,760 Speaker 3: is that nobody does exactly what you would do, so 70 00:03:11,800 --> 00:03:14,520 Speaker 3: you get the light is let into your arrangement to 71 00:03:14,560 --> 00:03:18,200 Speaker 3: your song, and you get lovely surprises. And I'm very 72 00:03:18,200 --> 00:03:21,000 Speaker 3: fortunate to have my two sons, Liam and Elro who 73 00:03:21,080 --> 00:03:25,639 Speaker 3: become incredible musicians and writers in their own right, and 74 00:03:26,040 --> 00:03:28,600 Speaker 3: Mitchell Frum who was our original producer, and with my 75 00:03:28,639 --> 00:03:31,160 Speaker 3: old friend Nick Seymour, who's been there from the beginning, 76 00:03:32,000 --> 00:03:34,800 Speaker 3: it feels like a very soulful lineup, and everyone's very 77 00:03:34,800 --> 00:03:39,120 Speaker 3: collaborative and rehearsals a fun and hard work. We're determined, 78 00:03:39,160 --> 00:03:41,960 Speaker 3: you know. We a lot of endurance built up over 79 00:03:42,000 --> 00:03:44,800 Speaker 3: the years and a compulsion to try and make every 80 00:03:44,880 --> 00:03:48,120 Speaker 3: record better than the last. And yeah, it was still 81 00:03:48,120 --> 00:03:48,800 Speaker 3: a lot of hunger. 82 00:03:49,360 --> 00:03:52,960 Speaker 2: Do you remember doing a Simon Tawm's's Wonderworld story with 83 00:03:53,000 --> 00:03:56,160 Speaker 2: Amanda Keller a young Amanda color dress in a wedding 84 00:03:56,200 --> 00:03:57,240 Speaker 2: dress many years ago? 85 00:03:57,480 --> 00:03:59,680 Speaker 1: I was a researcher and I wrote myself into the 86 00:03:59,720 --> 00:04:01,720 Speaker 1: story and turned up in a wedding dress. This would 87 00:04:01,720 --> 00:04:03,520 Speaker 1: have been about one hundred and fifty eight million years ago. 88 00:04:03,720 --> 00:04:05,640 Speaker 3: You're up to team what was a memorable thing because 89 00:04:05,680 --> 00:04:07,640 Speaker 3: not many people, In fact, I don't think anybody else 90 00:04:07,680 --> 00:04:09,520 Speaker 3: has ever turned up in a wedding dress, Amanda, So 91 00:04:09,680 --> 00:04:13,120 Speaker 3: you kudos to me into our history quite well there. 92 00:04:13,320 --> 00:04:15,120 Speaker 1: I may not have turned up for the Sharpies, but 93 00:04:15,200 --> 00:04:17,159 Speaker 1: I was there at Simon townshend Tunderworld. 94 00:04:17,520 --> 00:04:20,800 Speaker 2: So you've got Magda Zebanski throwing plastic items at you're 95 00:04:20,800 --> 00:04:22,120 Speaker 2: Amanda Keller and a wedding dress. 96 00:04:22,160 --> 00:04:23,680 Speaker 1: You've covered all options, you really have. 97 00:04:24,480 --> 00:04:25,599 Speaker 3: It's a very check at history. 98 00:04:26,480 --> 00:04:30,840 Speaker 1: Having joined Fleetwood Mac, did you have to when you 99 00:04:30,880 --> 00:04:33,320 Speaker 1: came home again? Do you bring that with you or 100 00:04:33,360 --> 00:04:35,679 Speaker 1: do you have to put that aside to be crowded 101 00:04:35,680 --> 00:04:36,200 Speaker 1: house again? 102 00:04:36,400 --> 00:04:39,040 Speaker 3: Well? Do you take everything? Every musical experience that I've had, 103 00:04:39,080 --> 00:04:42,560 Speaker 3: I've managed to, I think learn and grow from and 104 00:04:42,680 --> 00:04:46,880 Speaker 3: the same with Fleetwood Mac. A very different experience and 105 00:04:46,960 --> 00:04:48,080 Speaker 3: you know, quite wonderful. 106 00:04:48,400 --> 00:04:51,240 Speaker 2: They would have had some great backstage stuff though like 107 00:04:51,320 --> 00:04:53,919 Speaker 2: Fleetwood Mac two Cats, they would have had some great 108 00:04:53,960 --> 00:04:54,919 Speaker 2: backstage stuff. 109 00:04:55,600 --> 00:04:57,360 Speaker 3: Yeah, more so in the old days. I think there 110 00:04:57,360 --> 00:04:59,880 Speaker 3: would have been a lot of reveling and carousing and 111 00:05:00,720 --> 00:05:06,200 Speaker 3: canoodling and all of that. But they were relatively well 112 00:05:06,240 --> 00:05:08,920 Speaker 3: behaved when I was there, although you know, Mick will 113 00:05:08,920 --> 00:05:11,919 Speaker 3: always have a little red wine in hand after a show, 114 00:05:12,040 --> 00:05:14,720 Speaker 3: and you know, bless them, but I think things were 115 00:05:14,720 --> 00:05:17,599 Speaker 3: a little bit more crazy back in the day. They're 116 00:05:17,640 --> 00:05:20,279 Speaker 3: all trying to preserve themselves as the two and they 117 00:05:20,279 --> 00:05:22,000 Speaker 3: could play well, you know, and with. 118 00:05:21,920 --> 00:05:23,880 Speaker 1: You touring with your two sons, do you ever go 119 00:05:23,920 --> 00:05:26,040 Speaker 1: into dad mode and go look at the time, guys, 120 00:05:26,160 --> 00:05:27,360 Speaker 1: come on, come on, just. 121 00:05:27,320 --> 00:05:32,640 Speaker 3: To bed halfway through the show? Yeah, And I can't speak. No, 122 00:05:32,760 --> 00:05:35,760 Speaker 3: I don't need to do that. You know, we're all 123 00:05:35,800 --> 00:05:37,640 Speaker 3: in pretty well, pretty good sync. They stay up on 124 00:05:37,680 --> 00:05:39,279 Speaker 3: the two of us a bit later than I do. 125 00:05:40,760 --> 00:05:43,080 Speaker 3: And you know, watch some kind of you know, freaky 126 00:05:43,120 --> 00:05:47,320 Speaker 3: series on TV, Murder and Mayhem or something like everyone 127 00:05:47,320 --> 00:05:48,839 Speaker 3: seems to like these days. 128 00:05:49,200 --> 00:05:51,320 Speaker 1: And you're just watching blue and having an early night. 129 00:05:51,320 --> 00:05:53,080 Speaker 2: Why wouldn't you'll be watching Blue? 130 00:05:54,200 --> 00:05:54,880 Speaker 1: Well, I have. 131 00:05:54,880 --> 00:05:58,040 Speaker 3: Watched Bluey Affair, but actually in the company of children, 132 00:05:58,080 --> 00:06:01,760 Speaker 3: and it's pretty damn good entertainment. I actually was in 133 00:06:01,800 --> 00:06:05,560 Speaker 3: an episode of Bluey. It was very lovely invitation to be. 134 00:06:06,040 --> 00:06:11,839 Speaker 3: I played a doctor and I was assessing Bandit's good health. 135 00:06:11,960 --> 00:06:15,440 Speaker 3: It turned into a controversial episode because some people were 136 00:06:15,480 --> 00:06:17,919 Speaker 3: saying that it was about fat shaming, which because Bandit 137 00:06:17,960 --> 00:06:20,080 Speaker 3: was a little out of shape. But anyway, it got 138 00:06:20,080 --> 00:06:22,039 Speaker 3: a write up and you know, I'm glad to be 139 00:06:22,080 --> 00:06:23,479 Speaker 3: part of a blue controversy. 140 00:06:23,760 --> 00:06:26,440 Speaker 2: Yeah, I like that. That's what you need. You've got 141 00:06:26,480 --> 00:06:28,720 Speaker 2: it all. You've been had objects thrown at you by 142 00:06:28,720 --> 00:06:34,000 Speaker 2: magndu Zebanski, wedding dress, a mandickella and now bluey controversy. 143 00:06:35,000 --> 00:06:38,680 Speaker 2: You can retire, No, you can't retire because tickets for 144 00:06:38,720 --> 00:06:41,040 Speaker 2: Crowded House go and sale Wednesday the twenty ninth from 145 00:06:41,080 --> 00:06:42,600 Speaker 2: nine am on Live Nation. 146 00:06:42,960 --> 00:06:44,680 Speaker 1: You see, you're back in there, Neil. 147 00:06:44,839 --> 00:06:48,039 Speaker 3: You're back in yeah, and with a vengeance. And we'll 148 00:06:48,040 --> 00:06:50,120 Speaker 3: have come fresh from a lots of touring in the 149 00:06:50,160 --> 00:06:53,039 Speaker 3: Northern Hemisphere, so we'll be really in practice in hot 150 00:06:53,120 --> 00:06:56,240 Speaker 3: and hot form and back with our own people. So yeah, 151 00:06:56,400 --> 00:06:57,440 Speaker 3: very excited about that. 152 00:06:57,880 --> 00:06:59,520 Speaker 2: We're looking forward to seeing you mate. Thank you for 153 00:06:59,600 --> 00:07:00,000 Speaker 2: joining us. 154 00:07:00,080 --> 00:07:00,640 Speaker 1: Thank you, Neil. 155 00:07:01,080 --> 00:07:02,680 Speaker 3: Okay, all the best you guys. 156 00:07:02,720 --> 00:07:03,280 Speaker 2: Good on your b