1 00:00:01,440 --> 00:00:03,360 Speaker 1: And Amanda jam Nation. 2 00:00:03,640 --> 00:00:08,480 Speaker 2: When you hear this, you know it's back. Idle starts 3 00:00:08,520 --> 00:00:10,959 Speaker 2: tonight seven thirty, Channel seven and seventh plus. And it 4 00:00:11,000 --> 00:00:14,520 Speaker 2: wouldn't be Idle without this man himself, the nasty judge, 5 00:00:14,520 --> 00:00:16,680 Speaker 2: but the big soft man. 6 00:00:17,320 --> 00:00:19,000 Speaker 1: I think you and I hear that music, I get 7 00:00:19,040 --> 00:00:21,040 Speaker 1: a shiver run down my spine. I know it's three 8 00:00:21,040 --> 00:00:26,880 Speaker 1: months of hell. Really, that's three months of watching children 9 00:00:27,040 --> 00:00:29,480 Speaker 1: sing and breaking their hearts. 10 00:00:29,920 --> 00:00:31,680 Speaker 2: See, I want to ask you about that, because that 11 00:00:31,800 --> 00:00:34,519 Speaker 2: bit must be hard, Because how hard it must be 12 00:00:34,600 --> 00:00:37,159 Speaker 2: to audition, even if your Grandma's told you your whole 13 00:00:37,200 --> 00:00:39,800 Speaker 2: life you're a great singer, and maybe you're terrible, maybe 14 00:00:39,800 --> 00:00:41,800 Speaker 2: you are a great singer. To stand in front of 15 00:00:41,840 --> 00:00:44,800 Speaker 2: you and the other judges and television and sing is hard. 16 00:00:45,400 --> 00:00:47,800 Speaker 2: So how do you go about telling someone their crap? 17 00:00:48,000 --> 00:00:50,760 Speaker 1: I don't care about their feelings. Marsha is back and 18 00:00:50,800 --> 00:00:53,040 Speaker 1: she handles the feeling like I can tell if someone's 19 00:00:53,120 --> 00:00:55,240 Speaker 1: very nervous. They won't even make eye contact with me. 20 00:00:55,840 --> 00:00:59,320 Speaker 1: They're only looking at the girls, Marsha. Or they'll try 21 00:00:59,320 --> 00:01:02,040 Speaker 1: and find some one like if some you know, you know, 22 00:01:02,120 --> 00:01:04,959 Speaker 1: the fringe of society types. You know, you throw the 23 00:01:05,000 --> 00:01:09,479 Speaker 1: coins in their in their buckets. Yeah, buskers, they come, 24 00:01:09,880 --> 00:01:12,600 Speaker 1: they're the worst. So and they just look at Amy 25 00:01:12,640 --> 00:01:16,400 Speaker 1: because Amy is like the queen of all buskers because 26 00:01:16,440 --> 00:01:21,199 Speaker 1: she's got that feral hair and the shoeless Byron. Ye right, 27 00:01:22,000 --> 00:01:24,279 Speaker 1: So they picked And then I have to say to Marsha, 28 00:01:24,880 --> 00:01:27,800 Speaker 1: you can't just put all the black people through. The 29 00:01:27,880 --> 00:01:31,119 Speaker 1: Marsh's like, oh, darling, where are you from? And They're like, oh, 30 00:01:31,200 --> 00:01:33,320 Speaker 1: you get it, You're through. And I'm like, hey, they've 31 00:01:33,360 --> 00:01:35,640 Speaker 1: got a scene. You've got a scene. 32 00:01:35,840 --> 00:01:37,000 Speaker 3: So what's your specialty? 33 00:01:37,000 --> 00:01:38,679 Speaker 2: Who looks to you? 34 00:01:38,720 --> 00:01:42,160 Speaker 1: No one? No one. Producers look to me, just to 35 00:01:42,560 --> 00:01:45,200 Speaker 1: because I don't know that, you know, when they say, 36 00:01:45,200 --> 00:01:47,400 Speaker 1: oh you're a bit pitchy, I don't. I just pretended. 37 00:01:47,480 --> 00:01:48,600 Speaker 1: I don't know what that means. Do you know what 38 00:01:48,640 --> 00:01:50,000 Speaker 1: that means? Do you? Brenda? 39 00:01:50,160 --> 00:01:50,760 Speaker 3: I don't know what pitch? 40 00:01:50,960 --> 00:01:51,200 Speaker 2: What is it? 41 00:01:51,280 --> 00:01:54,280 Speaker 3: Well, how many pits if your pitch changes throughout them? 42 00:01:54,440 --> 00:01:55,240 Speaker 1: But what is the pitch? 43 00:01:55,280 --> 00:01:56,480 Speaker 3: What pitch? You're all over the shop? 44 00:01:56,560 --> 00:01:56,800 Speaker 1: Give it? 45 00:01:56,880 --> 00:01:59,960 Speaker 3: What is it? What pitch is the level of the song. 46 00:02:00,160 --> 00:02:06,320 Speaker 3: So you're singing hitting say, for example, Rod Stewart, Rod 47 00:02:06,360 --> 00:02:14,320 Speaker 3: Stewart's and Elton John have all lowered their pitch because 48 00:02:14,360 --> 00:02:16,000 Speaker 3: as you get older, your vocal cords. 49 00:02:16,680 --> 00:02:20,440 Speaker 1: I shouldn't have asked, I don't need the great why 50 00:02:20,440 --> 00:02:21,120 Speaker 1: are you doing it? 51 00:02:21,200 --> 00:02:25,960 Speaker 3: I should be doing either, because but you know what 52 00:02:26,000 --> 00:02:28,440 Speaker 3: I saw are you're doing? And I loved it? Little 53 00:02:28,480 --> 00:02:30,760 Speaker 3: baby Iodo sitting on your lap and you're playing the piano. 54 00:02:30,919 --> 00:02:32,120 Speaker 3: I've known you for a thousand years. 55 00:02:32,160 --> 00:02:36,880 Speaker 1: Oh no, No, that's one of those pianos. 56 00:02:33,840 --> 00:02:38,560 Speaker 3: That hits the dead the hell and my wife I said, hey, 57 00:02:38,600 --> 00:02:41,280 Speaker 3: did you know Cayle? And she's gone. Man, he is 58 00:02:41,320 --> 00:02:41,880 Speaker 3: so good. 59 00:02:42,040 --> 00:02:45,200 Speaker 1: Got many skills that saying less outside of the bedroom. 60 00:02:45,280 --> 00:02:45,919 Speaker 1: No skills. 61 00:02:46,240 --> 00:02:49,760 Speaker 3: Second part of my question, Dylan the young that's on idol? 62 00:02:49,800 --> 00:02:52,959 Speaker 3: Who Dylan, don't you apparently go the blob over him? 63 00:02:53,240 --> 00:02:57,639 Speaker 1: The blob, the bloob? What is did he seeing something beautiful? 64 00:02:57,680 --> 00:02:59,639 Speaker 3: He's my wife's second cousin or something. 65 00:02:59,480 --> 00:03:02,000 Speaker 1: He was to get eliminated. Then that's too close to 66 00:03:02,040 --> 00:03:07,000 Speaker 1: come for no. In all honesty, having Marshall back was 67 00:03:07,040 --> 00:03:08,520 Speaker 1: great because we tried to get her the first year, 68 00:03:08,560 --> 00:03:10,480 Speaker 1: but she was doing too many hourselves and Tamworth and 69 00:03:10,520 --> 00:03:13,919 Speaker 1: I just couldn't book. So this year we've secured her 70 00:03:14,120 --> 00:03:18,160 Speaker 1: regional Australia. You will not see the queen. She loves that. 71 00:03:18,960 --> 00:03:22,080 Speaker 1: I think she gets you know. They flame me, you know, 72 00:03:22,320 --> 00:03:24,440 Speaker 1: they put me up in like your best Western. I 73 00:03:24,480 --> 00:03:26,919 Speaker 1: was like, oh, that's not that anyway. I don't want 74 00:03:26,919 --> 00:03:31,280 Speaker 1: to break up. But she's back and she is delightful. Really, 75 00:03:31,320 --> 00:03:31,800 Speaker 1: she's great. 76 00:03:31,800 --> 00:03:34,320 Speaker 3: They didn't try for Mark Holden or no Marks. 77 00:03:34,320 --> 00:03:38,040 Speaker 1: Still he's very he's very brittle boned. Yeah, a lot 78 00:03:38,080 --> 00:03:40,560 Speaker 1: of your listeners might be able to relate if you 79 00:03:40,640 --> 00:03:42,960 Speaker 1: hit your back. Sorry, man is going to hit me 80 00:03:43,000 --> 00:03:43,480 Speaker 1: with a ruler. 81 00:03:44,080 --> 00:03:45,080 Speaker 2: My bone's broken. 82 00:03:45,080 --> 00:03:46,920 Speaker 1: Hour you have broken bone. 83 00:03:47,000 --> 00:03:51,440 Speaker 2: You had replacements. It happens to young people like. 84 00:03:51,440 --> 00:03:53,400 Speaker 1: Me because you don't seem hip replacement. 85 00:03:54,280 --> 00:03:56,680 Speaker 2: No, it's because of I'm a supreme athlete. 86 00:03:57,560 --> 00:03:59,360 Speaker 1: It wasn't a sexual related. 87 00:04:00,120 --> 00:04:01,920 Speaker 2: No, I did put that on the forms. 88 00:04:01,960 --> 00:04:05,680 Speaker 1: But you, I can't believe. Do you have anything replaced? 89 00:04:06,160 --> 00:04:06,960 Speaker 3: No? 90 00:04:07,040 --> 00:04:10,480 Speaker 1: Nothing you've had obviously, no work, no bowtops, the. 91 00:04:10,400 --> 00:04:11,480 Speaker 2: Same jokes from the eighties. 92 00:04:11,480 --> 00:04:15,640 Speaker 1: He's holding onto everything, but he recrafts them and pictures. 93 00:04:15,640 --> 00:04:16,440 Speaker 2: It works. 94 00:04:16,800 --> 00:04:20,800 Speaker 1: I listen to you guys off here sometimes. Yeah, I 95 00:04:20,880 --> 00:04:22,919 Speaker 1: used to enjoy listening to you guys on the way in. 96 00:04:23,000 --> 00:04:25,520 Speaker 1: You had all your fat. But you did some weird thing. 97 00:04:25,640 --> 00:04:27,880 Speaker 1: It's some weird news where you sound like Sandra Sulley. 98 00:04:27,960 --> 00:04:33,560 Speaker 2: That's right. Do it. In further news, today, a man 99 00:04:33,600 --> 00:04:36,960 Speaker 2: has been arrested for stealing a croissant. We have footage 100 00:04:37,000 --> 00:04:38,320 Speaker 2: of that. We're crossing to it now. 101 00:04:38,360 --> 00:04:40,479 Speaker 1: It's so good. I get movement. I feel that is 102 00:04:40,560 --> 00:04:46,039 Speaker 1: Sandra's a story about you. No, no, but idol is 103 00:04:46,040 --> 00:04:51,480 Speaker 1: on tonight. I'll probably be watching maths. But no, I'm not. 104 00:04:51,640 --> 00:04:53,599 Speaker 1: I'm not into that mass. I used to be the 105 00:04:53,600 --> 00:04:55,680 Speaker 1: first few, but now I just don't care. 106 00:04:56,040 --> 00:04:58,880 Speaker 2: I'm sticking to mustard dogs, just little border Collie pups 107 00:04:58,920 --> 00:05:01,640 Speaker 2: that are taught to mustard sheep. That's what I'm watching. 108 00:05:01,920 --> 00:05:04,800 Speaker 2: What we do you watch? 109 00:05:06,600 --> 00:05:08,120 Speaker 1: That place should be burnt to the ground. 110 00:05:08,600 --> 00:05:10,280 Speaker 3: Amanda is loved by the A B. 111 00:05:10,400 --> 00:05:11,000 Speaker 1: So I don't care. 112 00:05:11,160 --> 00:05:11,440 Speaker 3: You know what. 113 00:05:11,440 --> 00:05:15,280 Speaker 1: I sat there as a young boy watching beyond two 114 00:05:15,360 --> 00:05:17,960 Speaker 1: thousand and none of that's happened. Look, none of it, 115 00:05:18,320 --> 00:05:20,200 Speaker 1: all of it. Where's the flying cars? 116 00:05:20,320 --> 00:05:23,400 Speaker 2: That's the only story? People say, Where's that? We were 117 00:05:23,480 --> 00:05:26,240 Speaker 2: never going to have? Justine, how you drive in the air? 118 00:05:26,360 --> 00:05:29,160 Speaker 1: Why didn't you say back then, listen before you do that? 119 00:05:29,160 --> 00:05:32,320 Speaker 1: That's what we can expect beyond too, not a mention 120 00:05:32,400 --> 00:05:33,640 Speaker 1: of it's probably not going to. 121 00:05:33,640 --> 00:05:35,760 Speaker 2: Have that, well do but self driving cars. 122 00:05:37,320 --> 00:05:39,720 Speaker 3: He didn't see the mobile phone, all the internet. 123 00:05:39,320 --> 00:05:46,200 Speaker 1: Coming FaceTime missed it. 124 00:05:46,279 --> 00:05:49,000 Speaker 2: I saw chopsticks that had an engine on them. An engine, 125 00:05:49,120 --> 00:05:51,760 Speaker 2: that's all you need to know. Chopsticks that moved themselves. 126 00:05:51,960 --> 00:05:55,360 Speaker 2: It was increased interesting. 127 00:05:55,680 --> 00:05:56,600 Speaker 1: What episode was that? 128 00:05:56,640 --> 00:05:57,320 Speaker 2: Episode five? 129 00:05:57,440 --> 00:05:59,320 Speaker 1: Series seven? I'm going to watch that on the YouTube, 130 00:05:59,360 --> 00:06:00,880 Speaker 1: please do. I'm interested in that. 131 00:06:01,080 --> 00:06:04,280 Speaker 3: I love I know I just missed our chats. 132 00:06:05,320 --> 00:06:07,640 Speaker 1: You know, a lot of people won't realize that Brenda 133 00:06:07,680 --> 00:06:09,440 Speaker 1: and I lived in the same street in Brisado, and 134 00:06:09,480 --> 00:06:12,320 Speaker 1: we're very good friends. We could have been homosexuals if 135 00:06:12,360 --> 00:06:14,680 Speaker 1: we didn't both love women, we could have a lot 136 00:06:14,720 --> 00:06:17,200 Speaker 1: of in comments find each other attracted not at all. 137 00:06:18,040 --> 00:06:20,320 Speaker 1: I remember when in a string being type of lady 138 00:06:20,400 --> 00:06:22,600 Speaker 1: is very very handsome. He is a handsome man. 139 00:06:22,760 --> 00:06:23,120 Speaker 3: Thank you. 140 00:06:23,160 --> 00:06:24,240 Speaker 1: Have you ever thought maybe? 141 00:06:24,520 --> 00:06:31,279 Speaker 3: No, no, you didn't even finish the question. It's always 142 00:06:31,279 --> 00:06:32,680 Speaker 3: a tree to catch up with you. 143 00:06:33,000 --> 00:06:33,400 Speaker 1: Thank you. 144 00:06:33,520 --> 00:06:35,280 Speaker 3: Straight and Idle is on tonight at seven thirty on 145 00:06:35,360 --> 00:06:37,400 Speaker 3: Channel seven and seven plus. Carl Sandlers, thank. 146 00:06:37,320 --> 00:06:39,400 Speaker 1: You for ye. 147 00:06:40,839 --> 00:06:41,400 Speaker 3: Home and away. 148 00:06:43,600 --> 00:06:46,599 Speaker 1: I should should be thank you, Amanda. It's lovely to 149 00:06:46,600 --> 00:06:48,520 Speaker 1: see you both you too, Thanks for having me. 150 00:06:48,880 --> 00:06:49,560 Speaker 2: Love to Jackie,