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Speaker 1: This is Will and Woody.

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Speaker 2: Good guys. Obviously, the big topic today, which you can

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Speaker 2: look forward a little bit later on in this episode,

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Speaker 2: is the fact that in about an hour's time, Woody

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Speaker 2: Mail mayn't have a girlfriend. So that's a big deal.

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Speaker 1: It won't happen in an hour something.

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Speaker 2: Well, when have you got to be at her place?

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Speaker 2: It's currently six o'clock.

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Speaker 3: Well, she said, well, I'm not going to do it

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Speaker 3: right at the start, That's what I'm saying, and probably

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Speaker 3: more like eight point thirty.

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Speaker 1: Have a couple of reds, a couple of glasses of red.

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Speaker 1: Settle the nerves a bit. Well, I'm not going to

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Speaker 1: say like that. I'm not gonna say like Games but

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Speaker 1: that was n sync. That was n sync. I'm gonna

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Speaker 1: say like JT.

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Speaker 3: But I'll probably I'm going to go for what you

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Speaker 3: were saying. Actually Will, But again.

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Speaker 2: You can get the emphasis on a small word.

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Speaker 1: Yeah, what is this?

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Speaker 4: Yeah?

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Speaker 1: Yeah, And I think I'll do that at some stage

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Speaker 1: during dinner just go I'll just put my fork down

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Speaker 1: and what is Just.

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Speaker 2: Make sure when you put the emphasis you put it

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Speaker 2: on the ears and not the what, because then they'll

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Speaker 2: be like, what is this is? So yeah, is what

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Speaker 2: is this? And then it's like then you're like, I've

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Speaker 2: you got a cookie in front of you. It's offensive. Yeah, anyway,

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Speaker 2: we discussed it in the podcast Guys and get so

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Speaker 2: actually to come on and be a little bit of

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Speaker 2: a bit of a trial, bit of a try, rum

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Speaker 2: bit of a dress rehearsal for you, that was a

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Speaker 2: real hood of a time. You really cocked that up

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Speaker 2: a number of times. Long word run plays to enjoy

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Speaker 2: woods pitch to be the milky bar kid. But you

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Speaker 2: guys can wrap your ears around. I mean, there's lots

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Speaker 2: of good gear there. It's lots of good gear.

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Speaker 3: We got one of my favorite calls ever from a

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Speaker 3: guy called Jake, which was he talks about.

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Speaker 2: My least favorite call.

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Speaker 1: He talks about an encounter with a green alien.

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Speaker 2: So we're not sure whether or not he was on

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Speaker 2: LSD's a check that out later on.

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Speaker 1: It's deeper in the podcast. But just hang in there, guys,

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Speaker 1: enjoy Jake.

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Speaker 2: All right, guys, enjoy the podcast. Yes, so big News today. Look,

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Speaker 2: we've got lots to get on with with the show.

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Speaker 2: But I just wanted It's almost like a pitch that

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Speaker 2: I wanted to make at you because I saw this

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Speaker 2: in the news and instantly I was thinking, g whiz well,

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Speaker 2: them being honest dollars for the boys.

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Speaker 1: So you know I like cash well, I know, I

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Speaker 1: know you do.

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Speaker 2: So the Milky Nestle are looking for an adult Milky

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Speaker 2: Bar kid.

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Speaker 5: It's a Milky Bar.

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Speaker 2: Kid, the Milky Milky Bar.

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Speaker 1: We're playing the whole It's sweet, well way for it,

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Speaker 1: the Milky Bars from me.

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Speaker 2: Now, I would have gone for a much modern, more

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Speaker 2: modern ad, but they ended up animating him recently. And

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Speaker 2: also our panel operator Joel's like forty five, so all

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Speaker 2: his kids quite dated.

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Speaker 1: Sure, of course, of course I know this. So yes,

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Speaker 1: I've obviously seen that they're looking for a new Milky

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Speaker 1: Bar kid, and I feel like splash adult. They want

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Speaker 1: to adult.

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Speaker 2: It wanted, they want adult. They want a man more

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Speaker 2: of an older thing.

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Speaker 1: To be the Milky Bar kid, which is super weird

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Speaker 1: if I'm being honest, but I'm obviously excited.

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Speaker 2: I'm looking at you, blonde hair, blue eyes. Obviously physically

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Speaker 2: you've got it nailed. Remember at Marty Gray you wore

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Speaker 2: the cowboy outfit. You probably have to put a chap

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Speaker 2: on that ass.

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Speaker 1: Well, No, it is adult milky bar.

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Speaker 2: No, he's not, he's not. He's not a sex worker.

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Speaker 2: He hands out, he hands out chocolate bar of kids,

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Speaker 2: so they might need to be as separate as they

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Speaker 2: possibly can.

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Speaker 1: I'm the Milky Bar kid, and I've got an immaculate peach.

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Speaker 2: I'm sorry, I'm sorry. That's not going to be part

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Speaker 2: of the pitch. If you're the Milky Bar kid, you've

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Speaker 2: got to have a bum on your pants.

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Speaker 1: Now.

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Speaker 2: You're the only issue I think we've got with you

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Speaker 2: being the milky Bar kid, because I'm actually very keen

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Speaker 2: to make this pitch like they're genuinely looking for this

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Speaker 2: person that'll be the face of the campaign.

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Speaker 1: Amazing. It has been a dream of mine to be

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Speaker 1: the Milky Bar kid for a long time. I would

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Speaker 1: imagine as a child like walking into saloons and shouting

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Speaker 1: grown men milky bars, extraordinary premise, grown man drinking beers

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Speaker 1: and a child walks in after getting off.

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Speaker 2: Of a horse, and everyone just has a nibble on

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Speaker 2: some white chocolate that one's wondering, where where are that?

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Speaker 1: Cowboys? Parents like where anyone.

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Speaker 2: Where's he got?

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Speaker 1: Where at a bar? And Howe and.

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Speaker 2: Fifty milky shortage set up well actually, no, The generosity

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Speaker 2: of the Milky bar kid is the one part that

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Speaker 2: I thought we might be a little bit worried about,

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Speaker 2: because you know the idea of the milky bar kid

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Speaker 2: is that he's just generous. Yeah, he just you know,

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Speaker 2: you're walking down the street, your bum and the Milky

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Speaker 2: Bay kid. He's gonna have a milky bar because the

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Speaker 2: milky bars are on now. Yeah, of course I've found you. Yeah,

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Speaker 2: exactly shocking for his bank account. Exactly a milky back here.

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Speaker 2: I found you in nightclubs after the lights have gone on,

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Speaker 2: underneath bars, scavenging the coins that have dropped down from

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Speaker 2: the bar during the night.

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Speaker 1: Yeah, and that's just smart footy. No, but it's also

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Speaker 1: had a lot of coins fall out during those time.

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Speaker 2: I understand. I understand that I.

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Speaker 1: Made twenty seven dollars, but but I.

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Speaker 2: Can't see the milky bar kid on all fours picking

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Speaker 2: up coins.

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Speaker 3: Okay, what if after I picked up those coins, I

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Speaker 3: bought myself twenty seven milki bars. Now we're talking, and

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Speaker 3: then went down to a local tram stop or the

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Speaker 3: milky bars are and I'm the milki backer.

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Speaker 1: Good, I'll leave it with you.

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Speaker 2: We've got a bit of work to do on an application. Yeah,

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Speaker 2: I think we actually genuinely could though, because that you

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Speaker 2: could be right for it. So thank you, Matte. Watch

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Speaker 2: this space here. If anybody knows anything about the Milky

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Speaker 2: Bar Kid, the adult Milky Bar Kid, yes, let us know,

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Speaker 2: because we're very keen to get involved with podcasting.

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Speaker 3: Wow, I am about to help you how to avoid

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Speaker 3: most of the fights in your life. Hate hate fights,

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Speaker 3: fights are awful. Now, technically speaking, this isn't my idea.

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Speaker 3: It's Jerry Seinfeld's idea.

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Speaker 1: Have listened to this?

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Speaker 6: Is it me?

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Speaker 1: Or was that the ugliest baby you have ever seen?

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Speaker 1: And you know the thing is, Bill never know, no

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Speaker 1: one's ever going to tell oh you have to lie.

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Speaker 1: Oh it's a much lie situation. Yes, it's a must

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Speaker 1: lie situation.

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Speaker 2: So before we go into that, do we play that

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Speaker 2: same audio on the show yesterday?

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Speaker 1: We did. That's what inspired the idea. Will lazy, but

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Speaker 1: I would say it's genius. It's a bit like Leonardo

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Speaker 1: DiCaprio in inception. It's an idea in an idea. Anyway,

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Speaker 1: let me get back on track. Here, must lie situations.

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Speaker 1: I couldn't agree more with Jerry. They exist and they're

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Speaker 1: in the world.

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Speaker 2: I disagree, and I what I disagree?

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Speaker 3: Okay, hang on, okay, let me let me throw a

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Speaker 3: little hypothetically by the way, thirteen one oh six five.

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Speaker 3: I'd love to hear from anyone listening what they believe

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Speaker 3: is a must lie situation.

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Speaker 1: For example, will after you have an intimacy with a

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Speaker 1: woman or a man or anything.

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Speaker 2: Let's do with men and women.

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Speaker 3: I think if you're asked about performance at all, that

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Speaker 3: is a must lie situation.

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Speaker 1: Yes, let's remember what happened to Jim Carey in the

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Speaker 1: film Lie a Liar. I've had better That didn't go

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Speaker 1: well for him. From memory, he got kicked out of

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Speaker 1: bed and it went horrifically. Gets a must situation. Yeah,

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Speaker 1: here's another one. I broke. I broke my father's heart

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Speaker 1: last year. He makes a banana bread.

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Speaker 2: Oh yeah, so someone's cooking, someone's cooking for someone.

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Speaker 1: It's a must You got to tell him's situation. I

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Speaker 1: want to hear some more. Thirteen one oh six fives

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Speaker 1: out number must lie situations. Let's make a list Australia,

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Speaker 1: and let's take that list home. Let's have better lives.

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Speaker 2: Now.

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Speaker 1: Jerry Seinfeld once said this is it me or.

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Speaker 6: Was that the ugliest baby you have ever seen?

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Speaker 2: And you know the thing is, they'll never know.

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Speaker 1: No one's ever going to tell Oh you have to lie.

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Speaker 1: Oh it's a much lie situation. It's a must lie situation.

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Speaker 2: Nobody case for for not lying.

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Speaker 1: I don't want you to, Okay, well I don't have

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Speaker 1: to perfect thirteen one I six y five. I want

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Speaker 1: to hear from you guys that I didn't want to hear.

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Speaker 2: I know, but you're going to have to. I think

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Speaker 2: should try to avoid lying as mach as you can.

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Speaker 1: I agree, No, I agree, but like it's actually the

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Speaker 1: most unhealthy thing to do.

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Speaker 2: I think, full stop. But in life, but.

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Speaker 1: There are must lie situation and I'm not saying I

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Speaker 1: don't think it's must lie.

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Speaker 2: I think, yeah, well.

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Speaker 1: We'll wait to hear from the people who have called up.

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Speaker 3: We've got Ellie here on thirteen one oh six five

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Speaker 3: high Ellie, Hi, Ellie.

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Speaker 1: What is a must lie situation?

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Speaker 7: I think a mus fly situation is like when you're

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Speaker 7: family member buys you're a really bad present and you

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Speaker 7: want to tell them, but you can't you don't want

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Speaker 7: to be rude.

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Speaker 1: I disagree. Yeah, well you'll hurt their feelings.

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Speaker 2: Will Yeah, but I'd much rather like no when I

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Speaker 2: buy them. Hey, I'm not really into this. Can I

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Speaker 2: take a bank get another one? You know, rather than

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Speaker 2: what you do when your sister brought you those orchards

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Speaker 2: and you hated them and you hit them, and now

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Speaker 2: you've got to keep them on your table because she

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Speaker 2: found out that you might have liked them, and you're

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Speaker 2: over compensating.

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Speaker 1: Yeah, I'm in a shocking, shocking situation.

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Speaker 2: They're shocking if I'm honest.

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Speaker 1: Yeah, my grandparents got me scrabble when I was twelve,

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Speaker 1: said I loved it. Now I always get scrabble. How

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Speaker 1: many scrabble scrabbles can you get? They get me different additions?

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Speaker 1: This is the this is the scrabble for you know, kirstenone?

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Speaker 1: What's the scrabble? By the ways covered of scrabbles?

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Speaker 2: Kirsten? What's a Muskler situation?

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Speaker 4: A Musklis situation is when you get a survey for

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Speaker 4: your work of employer and you're not sure if it's

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Speaker 4: actually anonymous or not. Say that you love working at

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Speaker 4: your current job. There's no issue.

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Speaker 1: I think it's a great person. She's brave. You should

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Speaker 1: lose her job.

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Speaker 2: Will We've got Mark here, Mark, what's a musline stitch?

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Speaker 7: Well, when you look at your wife, she's dressed.

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Speaker 5: Up in a dress and she looks beautiful.

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Speaker 3: But Mark, you would always you must live situation. You

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Speaker 3: would always genuinely think your wife looks beautiful.

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Speaker 1: Wouldn't you know?

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Speaker 4: They were okay?

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Speaker 5: Just where she doesn't really fit the dress?

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Speaker 2: Yeah, well, Mark, she might still look beautiful though, Jesus no,

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Speaker 2: it's Mark, I don't think it necessarily your wife. And

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Speaker 2: then just think in general, partners when they stand in

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Speaker 2: front of you, it doesn't it be just a woman thing.

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Speaker 2: Partners when they stand in front of you in genuine

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Speaker 2: they don't look good?

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Speaker 1: Yes, yeah, yeah, although it's not a sex.

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Speaker 2: Thing, like you need to lie to your partner, make

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Speaker 2: and feel good before they go outside.

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Speaker 3: Yeah, But like I mean, so, I wish my ex

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Speaker 3: partner would have told me I didn't look that good

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Speaker 3: in those tight green velvet Shortyes.

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Speaker 2: She's still wear that. We've got Lily here, and everyone

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Speaker 2: who six five Lily, what's a mask light situation?

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Speaker 8: So my parents have just recently split up, and I've

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Speaker 8: been living with my dad and every night he like

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Speaker 8: tries to cook, and every night he just tastes like,

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Speaker 8: absolutely disgusting. But I'm telling him every night how yummy

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Speaker 8: it is, and it's sort of encourages. I get to

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Speaker 8: the end and I just order Ober eat after he's

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Speaker 8: gone space.

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Speaker 1: Jesus, that's very good of you. Out of all days, we're.

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Speaker 2: Going to go to the traffic. But the one that

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Speaker 2: I think is definitely a muscles situation is when someone

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Speaker 2: asks you if they're replaceable at work or not. M

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Speaker 2: You've got to lie there. Well, most people you'd think

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Speaker 2: you'd think so, yeah, you think unless their replacement could

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Speaker 2: potentially be Pete Hellier.

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Speaker 1: Do you actually believe that the show would be better

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Speaker 1: if you replaced me with Pete Hellier?

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Speaker 2: Oh my god, the fact that you're thinking about this

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Speaker 2: is killing me. Helly is good. Helly is good.

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Speaker 1: You should have lied. You should have lied, my point

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Speaker 1: being proven.

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Speaker 2: No, it actually hasn't. I think it's a good thing

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Speaker 2: to say to you.

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Speaker 1: Okay, Right.

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Speaker 2: Podcasting would Lisa Kudrow dare you play the Friends? Then

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Speaker 2: we all know she did very well in analyze this

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Speaker 2: and analyzed that she was great in that she was

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Speaker 2: very good.

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Speaker 1: She was in a movie with Travolta.

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Speaker 2: We're not going to go through everything Cura Joe did

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Speaker 2: above from Friends, she was amazing and Phoebe that's all

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Speaker 2: she needs. She didn't anything more. Sure, she's not washed up.

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Speaker 2: So she was talking about how much security was actually

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Speaker 2: on the set of Friends. I'm sure there was similar

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Speaker 2: security on both Analyze This and Analyze That and the

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Speaker 2: movie with She revealed that she apparently she couldn't get

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Speaker 2: a car every night because they would have to do

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Speaker 2: a full sweep of the car before she got in there.

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Speaker 2: That's how intense it was. And it kind of got

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Speaker 2: me thinking about, like, you know, security is not just

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Speaker 2: a you know, security for your personal security. For these people,

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Speaker 2: it's a status symbol. You've actually got someone who's employed

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Speaker 2: to sweep your car.

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Speaker 1: Yeah. Absolutely. When big guests come in here and they've

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Speaker 1: got a bit of a poss with them, yeah, a possi, yeah, posse.

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Speaker 1: So yeah, yeah, that's always like, oh yeah, we've we've

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Speaker 1: got we've got a big on it.

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Speaker 2: That's right, that's right. So who has who has had

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Speaker 2: a bit of a post that's coming.

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Speaker 1: Julia had a poss she had a pass, she had

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Speaker 1: a substantial pass. Yeah, that must that's like the two

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Speaker 1: or three car set up.

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Speaker 2: I think Mills, rob millsy Mills had a poss Yeah, yeah,

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Speaker 2: they could have just been his friend we love. But look,

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Speaker 2: I was thinking about this. I was thinking, jeez, it'd

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Speaker 2: be good if we had some security.

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Speaker 1: I'll get a pass.

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Speaker 2: Yeah, well essentially, Well, I mean and how many how

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Speaker 2: many make a pass?

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Speaker 1: Eight?

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Speaker 2: Yeah, no, not a post, but like just just a guard,

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Speaker 2: just like one, just one man or woman to be

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Speaker 2: with us.

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Speaker 1: So and you're just saying for we don't need it

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Speaker 1: because we don't need it at all.

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Speaker 2: Yeah, Okay, we don't need it at all, Like no

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Speaker 2: one's you know, we're not in any sort of physical

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Speaker 2: danger at all. Let's just flag that. But it would

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Speaker 2: be really nice to have it.

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Speaker 1: So when people look at they're like, wow, yeah, who's

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Speaker 1: this big dog?

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Speaker 2: Who's that?

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Speaker 1: Yeah?

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Speaker 2: Sure, But then here's here's the part of the equation

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Speaker 2: that I kind of want other people to chip in with,

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Speaker 2: because if we don't need them for security, yeap, we're

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Speaker 2: still going to be hanging out with them a lot.

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Speaker 1: So twenty four seven job, yeah, we exactly, Well maybe

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Speaker 1: not twenty four seven, but let's sell Kevin Costner Whitney Houston.

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Speaker 1: That was twenty four seven job even his holiday house.

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Speaker 2: Well, it's because they were hooking up. Secondly, her life

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Speaker 2: was in danger. Yeah, that's not us. And we also

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Speaker 2: won't be hooking up with the security. I can't speak

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Speaker 2: for you. You're you're you're a hard man to pin down.

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Speaker 1: But come on with the topics. I'll let that pass.

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Speaker 1: I'll let that slide. The daggers that I can.

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Speaker 2: Oh you can see it happening. Oh no, okay, okay,

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Speaker 2: So here's I want to he don I want to do.

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Speaker 2: What would you like, given that they're not actually protecting

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Speaker 2: us from anything, what would you like our security guard

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Speaker 2: to have as an asset?

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Speaker 1: Really good question.

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Speaker 2: For example, they have to know where the nearest nandos

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Speaker 2: is at all times.

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Speaker 1: Oh yeah, great one like we should be able to

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Speaker 1: turn them and go mate chicky nandos. Yeah how far away? Yeah,

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Speaker 1: epic great foot rubs. Yeah, well imagine if you.

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Speaker 2: Just heading back down that pathway physical touching okay, no

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Speaker 2: physical touching, okay, just be able to pump me up.

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00:15:33,320 --> 00:15:35,440
Speaker 2: Oh yeah, like get deliver a good pump up and

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Speaker 2: we're going to give a talk or something like that.

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Speaker 3: You smell good, boss, I'll be like thanks, chief, and

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Speaker 3: then you know that that'll pump me up.

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Speaker 1: Okay, that was just an example.

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Speaker 2: Yeah, that's fine. So look what I want to do.

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Speaker 2: I want to throw the phones open thirty one and

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Speaker 2: six five. Maybe this is you. Maybe you can offer

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Speaker 2: this to us. Oh yeah, what do you think our

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Speaker 2: security guard needs? Is someone going to hang out with?

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Speaker 2: And as said, maybe that's you. Maybe you can offer

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Speaker 2: that right now. Maybe you've got a hot in perse nation.

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Speaker 2: Maybe you'd like to nominate yourself as a security guard.

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Speaker 2: I'm just throwing it open. Yeah, the positions definitely need

353
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Speaker 2: to be filled, so give us calling. Wow, but let's

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00:16:09,080 --> 00:16:10,720
Speaker 2: get down to brass tax woods. You and I looking

355
00:16:10,720 --> 00:16:18,600
Speaker 2: for a security guard? Yeah, key, key point being the

356
00:16:18,720 --> 00:16:20,840
Speaker 2: job has nothing to do with protecting us, and we're

357
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Speaker 2: not under thread at all, and to be honest with

358
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Speaker 2: most security guards and not being pretty boring, and we

359
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Speaker 2: just want someone to hang out with.

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Speaker 3: Well pretty much this twenty four to seven job. We think,

361
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Speaker 3: given that you know that's that that is a security job.

362
00:16:34,120 --> 00:16:36,000
Speaker 3: So why not have someone that you want to spend

363
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Speaker 3: the time with. Yeah, we've got Emily here on thirty

364
00:16:39,080 --> 00:16:42,760
Speaker 3: one six or five. Well, Emily, well, what sort of

365
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Speaker 3: what sort of thing do you think the security guard

366
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Speaker 3: should have?

367
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Speaker 5: I think a security guard should have a lot of enthusiasm.

368
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Speaker 7: Like in my family, I'm the person that always fights

369
00:16:53,440 --> 00:16:56,160
Speaker 7: the bright side, Like I really want a puppy.

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Speaker 4: I'm going to drive out to Maudura.

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Speaker 7: It was like a six hour drive, but I'm going

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Speaker 7: to look that puppy.

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Speaker 4: I'm going to stay there.

374
00:17:01,680 --> 00:17:03,960
Speaker 7: I'm going to find a puppy that I really want.

375
00:17:03,600 --> 00:17:05,360
Speaker 8: I have a lot of enthusiasm.

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Speaker 1: Hell yeah, I'm feeling that. Emily. Can you pump up Will?

377
00:17:08,960 --> 00:17:09,280
Speaker 1: Right now?

378
00:17:10,520 --> 00:17:12,719
Speaker 2: We kind of have our security just driving six hours.

379
00:17:13,920 --> 00:17:15,680
Speaker 1: If I wanted the puppy, If I wanted the puppy,

380
00:17:15,720 --> 00:17:16,359
Speaker 1: she's there to be.

381
00:17:17,920 --> 00:17:20,560
Speaker 2: She's not just down servant like she's got to hang

382
00:17:20,600 --> 00:17:21,520
Speaker 2: out with this wybe.

383
00:17:21,640 --> 00:17:28,159
Speaker 1: We should reframe this. Can you quit? Emily? Will is

384
00:17:28,160 --> 00:17:32,560
Speaker 1: a balding sort of man. Can you give him a

385
00:17:32,560 --> 00:17:35,439
Speaker 1: pump up? I don't know how else to describe him.

386
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Speaker 7: It doesn't matter if he's bold. There are worse things

387
00:17:37,720 --> 00:17:39,959
Speaker 7: in life. The coronavirus. You could have a coronavirus.

388
00:17:39,960 --> 00:17:43,880
Speaker 2: I don't want to. She's brilliant. How do you feel well,

389
00:17:45,280 --> 00:17:47,840
Speaker 2: I've just been compared to the coronavirus. What can I say?

390
00:17:48,200 --> 00:17:49,200
Speaker 2: We've got.

391
00:17:50,400 --> 00:17:54,000
Speaker 1: I want to immediate, We've got let's go to Kayla. Kayla,

392
00:17:54,080 --> 00:17:55,760
Speaker 1: what do you think this is?

393
00:17:55,800 --> 00:17:59,000
Speaker 2: This is this is not about just what you want.

394
00:17:59,080 --> 00:18:01,080
Speaker 2: We both have to like this person. We've both got

395
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Speaker 2: to get on with it.

396
00:18:01,640 --> 00:18:02,680
Speaker 1: I thought we were getting one each.

397
00:18:03,119 --> 00:18:03,960
Speaker 2: No, it's one.

398
00:18:05,080 --> 00:18:07,080
Speaker 1: No, I was thinking of getting looking.

399
00:18:06,840 --> 00:18:10,600
Speaker 2: For a security guard, Kayla. What attribute do you reckon?

400
00:18:10,640 --> 00:18:12,359
Speaker 2: The security guard is going to have? What are you thinking?

401
00:18:13,400 --> 00:18:13,800
Speaker 1: Ah?

402
00:18:14,320 --> 00:18:16,560
Speaker 5: I like you to go out to a restaurant. Yeah,

403
00:18:16,880 --> 00:18:20,200
Speaker 5: having the balls to speak up and send you back.

404
00:18:21,080 --> 00:18:22,880
Speaker 1: Oh, because I can't do that.

405
00:18:22,960 --> 00:18:25,679
Speaker 2: You actually can't do it. Yeah, but and I normally

406
00:18:25,680 --> 00:18:29,040
Speaker 2: do that for you, and I'm doing that. Yeah, that's huge.

407
00:18:29,320 --> 00:18:31,119
Speaker 2: You enjoyed that, You're kidding. They walk over with a

408
00:18:31,119 --> 00:18:33,000
Speaker 2: plate of nacho's and you stare at it and start eating.

409
00:18:33,000 --> 00:18:34,160
Speaker 2: And I know that you're just going to be faring

410
00:18:34,200 --> 00:18:35,240
Speaker 2: for the next forty two hours.

411
00:18:35,359 --> 00:18:36,240
Speaker 1: I've got a lot of allergies.

412
00:18:36,320 --> 00:18:38,159
Speaker 2: Character stick my hand up and go sorry, maybe you

413
00:18:38,160 --> 00:18:38,840
Speaker 2: can't eat cheese.

414
00:18:38,840 --> 00:18:39,440
Speaker 1: Great suggestion.

415
00:18:39,520 --> 00:18:41,760
Speaker 2: Can't seek of doing that. Thanks Thanks the call case suggestion.

416
00:18:41,840 --> 00:18:44,680
Speaker 2: Steve Security guard that actually has nothing to do with security?

417
00:18:44,680 --> 00:18:46,119
Speaker 2: What else? What else do you need him to do?

418
00:18:48,840 --> 00:18:51,680
Speaker 8: Mate, I'm pretty intimidating present.

419
00:18:55,040 --> 00:18:57,879
Speaker 1: You are things really going that badly that you're currently

420
00:18:57,880 --> 00:19:00,639
Speaker 1: applying for a jump in my security guard? Look, I

421
00:19:00,680 --> 00:19:01,199
Speaker 1: didn't want to.

422
00:19:01,440 --> 00:19:03,320
Speaker 8: I wanted to go under an alias nine.

423
00:19:03,440 --> 00:19:13,760
Speaker 2: But boy, happily have you on his a security guard.

424
00:19:13,800 --> 00:19:18,280
Speaker 2: That'd be fantastic. Just put your application in any other

425
00:19:18,359 --> 00:19:21,160
Speaker 2: than anything else you're bringing, anything else you're bringing with you.

426
00:19:22,160 --> 00:19:22,440
Speaker 4: Uh?

427
00:19:22,800 --> 00:19:26,480
Speaker 7: Yeah, Well, I've got I write, write poetry.

428
00:19:26,520 --> 00:19:27,160
Speaker 4: I'm a good cook.

429
00:19:27,240 --> 00:19:30,840
Speaker 1: I'm a very good chip. I'll cook you a mean.

430
00:19:32,400 --> 00:19:36,760
Speaker 6: Had last night. It's very good. Let's work as a

431
00:19:36,880 --> 00:19:46,280
Speaker 6: coming on swamped his poetry book? Did you get him

432
00:19:46,280 --> 00:19:46,919
Speaker 6: to call up?

433
00:19:48,920 --> 00:19:49,080
Speaker 4: Well?

434
00:19:49,080 --> 00:19:50,159
Speaker 1: Things are going to be tough for him.

435
00:19:50,160 --> 00:19:56,119
Speaker 2: He needs a job, will and what he got the

436
00:19:56,119 --> 00:19:59,879
Speaker 2: big chat with his new woman to know?

437
00:20:00,640 --> 00:20:02,199
Speaker 1: Well, it's not like children or not.

438
00:20:02,600 --> 00:20:03,280
Speaker 2: That's the big one.

439
00:20:03,320 --> 00:20:04,119
Speaker 1: That's not the question.

440
00:20:05,560 --> 00:20:06,040
Speaker 2: What is it?

441
00:20:06,119 --> 00:20:07,520
Speaker 1: All? The question is do you need to have the

442
00:20:07,640 --> 00:20:09,560
Speaker 1: chat where you go are we boyfriend girlfriend?

443
00:20:09,640 --> 00:20:09,760
Speaker 4: Now?

444
00:20:09,840 --> 00:20:11,199
Speaker 2: Yes, that's a big chat, isn't it.

445
00:20:11,200 --> 00:20:11,840
Speaker 1: It's a huge chat.

446
00:20:11,880 --> 00:20:13,679
Speaker 3: But I'm just not sure if adults need to have

447
00:20:13,720 --> 00:20:16,480
Speaker 3: that chat. It feels like quite a primary school and will.

448
00:20:16,320 --> 00:20:19,560
Speaker 2: You scare away? Well, that's I mean. The big question

449
00:20:19,640 --> 00:20:20,400
Speaker 2: is are you in love?

450
00:20:21,840 --> 00:20:23,200
Speaker 1: No? No, I'm not okay.

451
00:20:23,359 --> 00:20:25,800
Speaker 2: But if she was listening, woudn't it.

452
00:20:26,160 --> 00:20:28,680
Speaker 3: No, I don't think she would expect that. But the trajectory, though,

453
00:20:28,680 --> 00:20:31,080
Speaker 3: if she is listening, is looking promising. Let's do the

454
00:20:31,119 --> 00:20:39,000
Speaker 3: quizus today.

455
00:20:39,040 --> 00:20:42,280
Speaker 1: We've got Glenn, Glenn. There are thirty seconds on the clock.

456
00:20:42,440 --> 00:20:44,639
Speaker 1: You've got to get ten questions right. You can pass

457
00:20:44,680 --> 00:20:46,320
Speaker 1: on any question and we have to take the first

458
00:20:46,400 --> 00:20:49,359
Speaker 1: question first. How we feel? And Glenn, oh, very excited.

459
00:20:49,400 --> 00:20:50,359
Speaker 5: We're very excited.

460
00:20:51,040 --> 00:20:53,600
Speaker 1: Beautiful. Maybe you'd be more pumped if you had five

461
00:20:53,680 --> 00:20:54,680
Speaker 1: hundred bucks in your pocket.

462
00:20:54,720 --> 00:21:01,119
Speaker 9: So let's do it all right, all right, just eighty

463
00:21:01,160 --> 00:21:06,560
Speaker 9: seconds thirty seconds on the clock.

464
00:21:07,320 --> 00:21:09,720
Speaker 1: You're ready, goo mate?

465
00:21:09,920 --> 00:21:13,040
Speaker 2: Okay? What boy band was Niall Horan? Previously a part

466
00:21:13,080 --> 00:21:18,000
Speaker 2: of how many meters in two hundred meters? What's your

467
00:21:18,000 --> 00:21:22,520
Speaker 2: favorite type of bird? Who's your favorite judge on the voice?

468
00:21:24,600 --> 00:21:24,919
Speaker 5: Gelda?

469
00:21:25,000 --> 00:21:28,840
Speaker 2: What's eight plus five? You got a favorite app on

470
00:21:28,880 --> 00:21:29,480
Speaker 2: your iPhone?

471
00:21:30,960 --> 00:21:31,240
Speaker 5: Yep?

472
00:21:31,640 --> 00:21:35,840
Speaker 2: What sport would you associate with? The soccer's with? What's

473
00:21:35,840 --> 00:21:39,960
Speaker 2: out as a mere cat mate.

474
00:21:38,520 --> 00:21:39,040
Speaker 1: What country?

475
00:21:39,119 --> 00:21:41,560
Speaker 2: Five seconds? The summer from?

476
00:21:42,119 --> 00:21:42,440
Speaker 1: What day?

477
00:21:42,520 --> 00:21:42,600
Speaker 4: Was it?

478
00:21:42,680 --> 00:21:43,120
Speaker 1: Yesterday?

479
00:21:44,440 --> 00:21:53,840
Speaker 2: Funday, Sunday, Sunday? He choked at the death. There's no

480
00:21:54,080 --> 00:21:58,560
Speaker 2: hiding away from you. I mean, I know it has

481
00:21:58,560 --> 00:22:02,320
Speaker 2: been a bit confusing. Time come back to me, Glenn.

482
00:22:02,520 --> 00:22:04,960
Speaker 2: I also, are you calling from a bunker?

483
00:22:06,000 --> 00:22:09,199
Speaker 1: I also quite liked what's your favorite app on your phone?

484
00:22:10,680 --> 00:22:14,239
Speaker 2: I said, I said, no, I didn't stitch him up.

485
00:22:14,240 --> 00:22:16,280
Speaker 2: I said, do you have a favorite app on your phone?

486
00:22:17,040 --> 00:22:20,320
Speaker 1: Yes, we're correct, Then we'd give to him. That's correct.

487
00:22:20,359 --> 00:22:23,320
Speaker 3: You did bloody well as well, obviously, apart from the

488
00:22:23,640 --> 00:22:25,920
Speaker 3: day question, the first one you passed on, which I

489
00:22:26,000 --> 00:22:29,520
Speaker 3: let everyone know Niall Horan he's actually a member or

490
00:22:29,640 --> 00:22:30,720
Speaker 3: was a member of One Direction.

491
00:22:33,280 --> 00:22:35,440
Speaker 1: You're not not a fan of the direction, is Glenn?

492
00:22:35,920 --> 00:22:37,000
Speaker 5: It's not your favorite night.

493
00:22:39,200 --> 00:22:39,959
Speaker 2: Have you've got a partner?

494
00:22:41,119 --> 00:22:41,320
Speaker 4: Yep?

495
00:22:42,400 --> 00:22:45,920
Speaker 2: Did you have the chat with your partner before you started,

496
00:22:45,920 --> 00:22:47,400
Speaker 2: you know, solidly being with them?

497
00:22:47,400 --> 00:22:47,560
Speaker 4: You know?

498
00:22:47,640 --> 00:22:48,920
Speaker 2: Are we boyfriend and girlfriend?

499
00:22:49,600 --> 00:22:50,919
Speaker 5: No? I think it's just a given. I think it

500
00:22:51,000 --> 00:22:53,920
Speaker 5: was just everyone new, I think, and that's what I'm thinking.

501
00:22:53,920 --> 00:22:54,919
Speaker 1: It just kind of rolls into it.

502
00:22:54,920 --> 00:22:56,480
Speaker 2: Doesn't want to talk about him all up next because

503
00:22:56,480 --> 00:22:59,359
Speaker 2: what is having that chat to none? Tonight is the

504
00:22:59,480 --> 00:23:03,840
Speaker 2: night he's go out for dinner? Will he go for

505
00:23:03,920 --> 00:23:06,160
Speaker 2: the chat? On New Australia thirty one of six five

506
00:23:06,160 --> 00:23:07,240
Speaker 2: you got a point view and that I'd love to

507
00:23:07,240 --> 00:23:11,560
Speaker 2: hear me up next on Kiss. Look, let's get down

508
00:23:11,600 --> 00:23:14,960
Speaker 2: to brass tacks. You've been seeing a woman for a

509
00:23:15,000 --> 00:23:17,040
Speaker 2: little while now, a couple of months, three and a

510
00:23:17,119 --> 00:23:19,800
Speaker 2: half weeks, three and a half weeks. Geez, you're exact

511
00:23:19,840 --> 00:23:23,639
Speaker 2: on the times we call it Joel lean on this show.

512
00:23:23,920 --> 00:23:26,200
Speaker 1: So the question I'm asking the first three and a

513
00:23:26,240 --> 00:23:29,160
Speaker 1: half weeks has gone has gone really well? Yeah, it has.

514
00:23:29,960 --> 00:23:32,960
Speaker 3: But my question is as an adult, I'm a thirty

515
00:23:33,000 --> 00:23:35,120
Speaker 3: one year old man, will I'm a hot blooded man.

516
00:23:35,720 --> 00:23:39,640
Speaker 1: Do I have to have the are we girlfriend boyfriend?

517
00:23:39,760 --> 00:23:40,440
Speaker 2: Chat?

518
00:23:40,880 --> 00:23:44,000
Speaker 3: Or does it just sort of roll into its like this,

519
00:23:44,040 --> 00:23:45,840
Speaker 3: It's just sort of assumed after you've been hanging out

520
00:23:45,880 --> 00:23:48,320
Speaker 3: for long enough that you're you're you're now exclusive?

521
00:23:49,160 --> 00:23:52,480
Speaker 2: Are you going to be using the words boyfriend? Girlfriend?

522
00:23:53,280 --> 00:23:56,119
Speaker 1: And this is the second half of this how do

523
00:23:56,200 --> 00:23:57,439
Speaker 1: you phrase that question?

524
00:23:57,520 --> 00:23:59,520
Speaker 2: All? Right, Well, it's just one question in a time, that's

525
00:23:59,560 --> 00:24:01,120
Speaker 2: just two quick Well, I actually think it's the same

526
00:24:01,200 --> 00:24:03,240
Speaker 2: question if I'm being honest, because I don't think I

527
00:24:03,280 --> 00:24:06,719
Speaker 2: think a rolling on sort of an event can occur

528
00:24:07,400 --> 00:24:09,800
Speaker 2: without using the boyfriend girlfriend works. I think that's a

529
00:24:09,800 --> 00:24:12,760
Speaker 2: bit juvenile. Okay, what I think? You know, you're not

530
00:24:12,800 --> 00:24:14,960
Speaker 2: taking out of the back you know, the back oval

531
00:24:15,160 --> 00:24:17,359
Speaker 2: at school and giving her a daisy chain, and you know,

532
00:24:17,359 --> 00:24:18,320
Speaker 2: I think that's a bit young.

533
00:24:18,720 --> 00:24:20,520
Speaker 1: I was going to give her a daisy chain tonight.

534
00:24:20,840 --> 00:24:24,440
Speaker 2: Well, but I'll pocket that you have to burn it.

535
00:24:25,640 --> 00:24:29,480
Speaker 2: What you can say, though, yeah, is I always fine?

536
00:24:29,680 --> 00:24:32,879
Speaker 2: Just putting the emphasis on a particular word can really

537
00:24:33,480 --> 00:24:34,440
Speaker 2: be quite enlightening.

538
00:24:34,920 --> 00:24:37,280
Speaker 1: So I've been so cryptic what do I do jazz?

539
00:24:38,760 --> 00:24:42,719
Speaker 1: Such as what is this? Do you think I'm going

540
00:24:42,760 --> 00:24:45,320
Speaker 1: to over dinner? Or what what I'm saying her tonight?

541
00:24:45,720 --> 00:24:48,280
Speaker 2: Can I get another these? What are we?

542
00:24:50,560 --> 00:24:54,879
Speaker 1: Cavemn halfway through dinner? Who are we? And what are

543
00:24:54,880 --> 00:25:01,320
Speaker 1: we doing? Stupid? What are so? What are you going

544
00:25:01,320 --> 00:25:02,640
Speaker 1: to say? Human beings?

545
00:25:03,280 --> 00:25:03,399
Speaker 4: So?

546
00:25:03,440 --> 00:25:05,200
Speaker 2: What are we? What are we doing?

547
00:25:05,240 --> 00:25:05,800
Speaker 1: What is this?

548
00:25:05,960 --> 00:25:06,439
Speaker 2: What is this?

549
00:25:06,640 --> 00:25:07,720
Speaker 1: That's the first thing I said.

550
00:25:07,760 --> 00:25:08,800
Speaker 2: That was my first example.

551
00:25:08,840 --> 00:25:11,199
Speaker 1: What is this? It's growing on me, you know what,

552
00:25:11,440 --> 00:25:14,480
Speaker 1: I think? What is this? So using tonight and to

553
00:25:14,480 --> 00:25:15,840
Speaker 1: say what what is?

554
00:25:16,160 --> 00:25:18,399
Speaker 2: And get your hand going, get your hand going in

555
00:25:18,440 --> 00:25:20,840
Speaker 2: between you, so you're obviously gesturing at both of you.

556
00:25:20,840 --> 00:25:22,359
Speaker 2: Don't make sure you don't point out your food, because

557
00:25:24,720 --> 00:25:25,280
Speaker 2: what is it?

558
00:25:25,960 --> 00:25:28,359
Speaker 1: Okay? You know, I wouldn't mind hearing from it. I

559
00:25:28,400 --> 00:25:30,400
Speaker 1: love you, I love your advice. I feel like I'm

560
00:25:30,400 --> 00:25:32,520
Speaker 1: already stepped in the right direction. What is this?

561
00:25:33,200 --> 00:25:36,520
Speaker 2: Yeah, he's up on the fanning on the hand because.

562
00:25:36,440 --> 00:25:38,960
Speaker 1: Okay, but I'm quite nervous about it. Yeah, of course

563
00:25:39,359 --> 00:25:41,160
Speaker 1: there's another concern there in being like, oh, I don't

564
00:25:41,160 --> 00:25:42,600
Speaker 1: want to come across as too keen. It's only been

565
00:25:42,600 --> 00:25:43,560
Speaker 1: three and a half weeks.

566
00:25:44,320 --> 00:25:45,720
Speaker 2: How many dates have you been on in three and

567
00:25:45,760 --> 00:25:46,359
Speaker 2: a half weeks?

568
00:25:46,359 --> 00:25:48,640
Speaker 1: Hard to say because we're blurring dates now.

569
00:25:48,680 --> 00:25:50,280
Speaker 2: So like, if this is what's what the hell?

570
00:25:51,320 --> 00:25:53,600
Speaker 1: She came over for dinner on Friday night? Yeah, and

571
00:25:53,600 --> 00:25:55,680
Speaker 1: then stayed over and then we spent Saturday together.

572
00:25:55,840 --> 00:25:57,880
Speaker 2: Is that two days or one day?

573
00:25:58,760 --> 00:25:59,000
Speaker 1: Yeah?

574
00:25:59,080 --> 00:26:00,840
Speaker 2: So have you done the horzon? I mean, I don't

575
00:26:00,840 --> 00:26:01,800
Speaker 2: want to get too personal here.

576
00:26:01,920 --> 00:26:02,760
Speaker 1: That is too personal?

577
00:26:03,200 --> 00:26:03,639
Speaker 2: Is it?

578
00:26:03,680 --> 00:26:04,200
Speaker 1: Definitely?

579
00:26:04,280 --> 00:26:04,720
Speaker 2: Okay?

580
00:26:05,680 --> 00:26:06,680
Speaker 1: That's not fair to say on it?

581
00:26:06,880 --> 00:26:07,520
Speaker 2: No, that's fine.

582
00:26:07,600 --> 00:26:11,399
Speaker 3: Yeah, don't leave the pause, all right, I don't hear

583
00:26:11,440 --> 00:26:12,240
Speaker 3: from some women here.

584
00:26:12,320 --> 00:26:17,520
Speaker 1: I need to hear from some women women thirteen there's

585
00:26:17,520 --> 00:26:20,719
Speaker 1: all sorts of It's absolutely not fair to say blurred

586
00:26:20,720 --> 00:26:22,360
Speaker 1: the date and she stayed the night.

587
00:26:22,400 --> 00:26:24,639
Speaker 2: I mean, I was just joining the dots.

588
00:26:24,720 --> 00:26:27,160
Speaker 3: The blurriness is is that two dates or one date?

589
00:26:27,560 --> 00:26:30,320
Speaker 3: If it's asleep in the middle. So she did sleep over,

590
00:26:30,400 --> 00:26:33,080
Speaker 3: she's left over? Okay, all right, well look we did.

591
00:26:33,560 --> 00:26:36,280
Speaker 1: There's a pillow for it potentially thirteen one O six five.

592
00:26:36,320 --> 00:26:39,080
Speaker 1: I don't hear from some women here thinking about having

593
00:26:39,119 --> 00:26:41,320
Speaker 1: the chat tonight where it's like, are we exclusive?

594
00:26:41,600 --> 00:26:41,919
Speaker 2: What?

595
00:26:41,920 --> 00:26:44,680
Speaker 1: What is this? I don't need to advise from women

596
00:26:44,720 --> 00:26:46,720
Speaker 1: on how a bloody hell you do that? Right? All right?

597
00:26:47,160 --> 00:26:48,920
Speaker 2: And if I should do that, all right, well, I

598
00:26:48,960 --> 00:26:50,720
Speaker 2: don't want to six five and five number from some

599
00:26:50,720 --> 00:26:55,320
Speaker 2: people up next on kiss fillt wow, tonight you've got

600
00:26:55,320 --> 00:26:57,320
Speaker 2: a big chat with your new squeeze.

601
00:26:57,600 --> 00:27:00,680
Speaker 1: Let's not call her a squeeze or call then.

602
00:27:00,960 --> 00:27:03,400
Speaker 2: This is the issue. You know, all of a sudden,

603
00:27:03,400 --> 00:27:05,080
Speaker 2: I'm going to delivery pickle right now, and we just

604
00:27:05,119 --> 00:27:08,040
Speaker 2: moved to the partner phase because you know the woman

605
00:27:08,080 --> 00:27:09,879
Speaker 2: you're dating. It's clunky, it's clumsy.

606
00:27:09,960 --> 00:27:13,800
Speaker 1: Let's use her name and name's Joline.

607
00:27:14,040 --> 00:27:15,840
Speaker 2: If you didn't give me a handle, I mean, what

608
00:27:15,880 --> 00:27:17,879
Speaker 2: if you don't have the chat tonight, what do we

609
00:27:17,920 --> 00:27:18,320
Speaker 2: call her?

610
00:27:18,680 --> 00:27:19,680
Speaker 1: The girl that you're seeing?

611
00:27:19,800 --> 00:27:22,760
Speaker 2: It's it's commercial radio. Boards've got to give them. You

612
00:27:22,800 --> 00:27:24,399
Speaker 2: got to give him listening TSL.

613
00:27:24,040 --> 00:27:26,439
Speaker 1: Bro Okay, Well, we're trying to move past this area

614
00:27:26,600 --> 00:27:27,280
Speaker 1: by getting to.

615
00:27:28,080 --> 00:27:29,679
Speaker 2: You're thinking you need to have the chat tonight. But

616
00:27:29,680 --> 00:27:31,959
Speaker 2: the question I'm asking is too serious. By the way,

617
00:27:32,000 --> 00:27:33,119
Speaker 2: you can't be saying to her do you want to

618
00:27:33,119 --> 00:27:33,719
Speaker 2: be my partner?

619
00:27:34,600 --> 00:27:37,280
Speaker 3: This and this is the exact issue for my life

620
00:27:37,359 --> 00:27:39,080
Speaker 3: right now, thirteen one o sixty five, And it's some

621
00:27:39,080 --> 00:27:43,960
Speaker 3: advice on having the conversation tonight of you know, are

622
00:27:44,000 --> 00:27:46,320
Speaker 3: we like girlfriend boyfriend?

623
00:27:46,359 --> 00:27:47,959
Speaker 1: Are we like? Are we dating?

624
00:27:48,200 --> 00:27:52,440
Speaker 2: We've got Joline on the phone right now. Different Joline, Joline,

625
00:27:52,440 --> 00:27:52,720
Speaker 2: what do you.

626
00:27:52,720 --> 00:27:55,600
Speaker 7: Think I think you should have a chat about whether

627
00:27:55,640 --> 00:27:56,439
Speaker 7: you're exclusive?

628
00:27:56,840 --> 00:28:02,080
Speaker 1: Okay, how would you actually do that? Joline? So tyronic?

629
00:28:02,160 --> 00:28:05,360
Speaker 1: My name, This is terrifying. It feels like a dry

630
00:28:05,480 --> 00:28:06,120
Speaker 1: run right now.

631
00:28:08,520 --> 00:28:10,200
Speaker 5: I heard it and thought I have to call.

632
00:28:12,800 --> 00:28:14,960
Speaker 7: With me a couple of weeks ago and said, hey,

633
00:28:15,280 --> 00:28:16,920
Speaker 7: what are we doing? Are we exclusive?

634
00:28:17,040 --> 00:28:19,560
Speaker 5: Because I wouldn't be okay if you were seeing someone else.

635
00:28:19,960 --> 00:28:21,399
Speaker 1: Okay, it's a pretty good way to go about it.

636
00:28:21,400 --> 00:28:25,719
Speaker 2: Can I seeing other people? Yeah? No, no, no, not

637
00:28:25,760 --> 00:28:30,200
Speaker 2: asking you right now, Joel. I believe you within the hypothetical.

638
00:28:30,280 --> 00:28:31,320
Speaker 2: That's a great question.

639
00:28:31,560 --> 00:28:33,280
Speaker 1: Yeah, that this is this is good stuff. Can I

640
00:28:33,320 --> 00:28:35,840
Speaker 1: ask you another question, Joline? How long had you been

641
00:28:35,920 --> 00:28:38,040
Speaker 1: like seeing him before he said that to you?

642
00:28:39,160 --> 00:28:40,560
Speaker 7: Probably about three weeks?

643
00:28:40,800 --> 00:28:42,160
Speaker 1: Oh, this is exactly the same.

644
00:28:43,280 --> 00:28:46,280
Speaker 2: I think that's a wonderful question because then you're not

645
00:28:46,440 --> 00:28:50,040
Speaker 2: putting it on her to say we're necessarily taking their

646
00:28:50,040 --> 00:28:53,240
Speaker 2: relationship to the next level. But you can agree that

647
00:28:53,280 --> 00:28:54,760
Speaker 2: you're not going to see other people, which is like

648
00:28:54,760 --> 00:28:55,400
Speaker 2: a half step.

649
00:28:55,720 --> 00:28:56,640
Speaker 1: Oh, this is brilliant.

650
00:28:56,640 --> 00:28:59,320
Speaker 2: And then if that goes, well this is brilliant, then yeah,

651
00:29:00,120 --> 00:29:01,000
Speaker 2: good Meg.

652
00:29:01,360 --> 00:29:02,840
Speaker 3: I feel like I'm on a bit of a heater here.

653
00:29:03,680 --> 00:29:06,000
Speaker 3: What do you think about this whole chat?

654
00:29:06,080 --> 00:29:09,480
Speaker 1: Don't do it? Don't do it? Well, so why don't

655
00:29:09,520 --> 00:29:10,000
Speaker 1: do it? Meg?

656
00:29:10,680 --> 00:29:13,400
Speaker 5: Oh, I'm just listening to you and I'm cringing.

657
00:29:13,560 --> 00:29:16,280
Speaker 8: I'm actually like sying inside.

658
00:29:16,320 --> 00:29:20,240
Speaker 1: If you go, I would be like, God, that's what

659
00:29:20,280 --> 00:29:23,080
Speaker 1: you really think? Meg? You're ghosting me?

660
00:29:23,840 --> 00:29:24,160
Speaker 2: Yeah?

661
00:29:24,200 --> 00:29:27,840
Speaker 1: Well, it's a concern national radio. She could be listening.

662
00:29:28,560 --> 00:29:31,120
Speaker 8: Hang on, Yeah, you've pretty much already done it.

663
00:29:31,200 --> 00:29:36,640
Speaker 2: Sorry, Oh my god, what did I do? It might

664
00:29:36,680 --> 00:29:38,960
Speaker 2: be a scary thing conversation.

665
00:29:39,040 --> 00:29:40,320
Speaker 1: I've got to go back to make it. Meg. So

666
00:29:40,480 --> 00:29:42,200
Speaker 1: just too keen, just too keen, too desperate.

667
00:29:42,680 --> 00:29:44,320
Speaker 7: Yeah, just too early.

668
00:29:44,560 --> 00:29:49,440
Speaker 2: And three and a half weeks is early. You can, Yeah, casual,

669
00:29:49,840 --> 00:29:51,040
Speaker 2: you're having a bit of fun.

670
00:29:50,880 --> 00:29:51,640
Speaker 5: Happening, you can.

671
00:29:51,880 --> 00:29:54,160
Speaker 2: Yeah, just relax because if you sit down and have

672
00:29:54,240 --> 00:29:56,400
Speaker 2: a chat with someone and you're like, geez, where are

673
00:29:56,440 --> 00:29:59,440
Speaker 2: we going with this? All of a sudden, whoa. I

674
00:29:59,440 --> 00:30:01,160
Speaker 2: thought we were just hanging out and just having a

675
00:30:01,200 --> 00:30:03,120
Speaker 2: good time. Like maybe she's seen a couple of other

676
00:30:03,120 --> 00:30:04,440
Speaker 2: people who knows, and you know.

677
00:30:04,440 --> 00:30:06,600
Speaker 1: That's fine, that's absolutely fine. If that's the case. We

678
00:30:06,800 --> 00:30:10,120
Speaker 1: devastated that that's fine. Actually that's fine. We haven't had

679
00:30:10,160 --> 00:30:13,920
Speaker 1: the exclusive chat. Let's go to Chloe. Chloe, the confidence

680
00:30:13,960 --> 00:30:16,360
Speaker 1: is low. I'm going to be honest and I'm talking

681
00:30:16,400 --> 00:30:20,640
Speaker 1: about having this chat with the woman that I'm seeing.

682
00:30:20,800 --> 00:30:21,480
Speaker 1: What do you think?

683
00:30:22,360 --> 00:30:26,120
Speaker 7: Look personally, I think it's a good idea. So pretty

684
00:30:26,200 --> 00:30:28,320
Speaker 7: much the wait me and my partner started it was

685
00:30:28,360 --> 00:30:30,400
Speaker 7: we were just sort of hanging out. We both had

686
00:30:30,480 --> 00:30:33,080
Speaker 7: days off work, so it worked out well. We're seeing

687
00:30:33,120 --> 00:30:35,480
Speaker 7: each other probably two or three times a week, and

688
00:30:35,520 --> 00:30:38,239
Speaker 7: by the week three Mark, we'd already stayed over at

689
00:30:38,240 --> 00:30:41,760
Speaker 7: each other's house probably twice. And I said to him,

690
00:30:41,800 --> 00:30:43,760
Speaker 7: I said, look, I don't want to waste your time.

691
00:30:43,880 --> 00:30:46,600
Speaker 7: I don't want to waste my time. I wouldn't be

692
00:30:46,640 --> 00:30:49,480
Speaker 7: really comfortable if you were seeing other people. So I

693
00:30:49,560 --> 00:30:51,520
Speaker 7: just sort of want to know what's happening with us,

694
00:30:51,760 --> 00:30:53,480
Speaker 7: you know, do you want to be exclusive or do

695
00:30:53,520 --> 00:30:55,840
Speaker 7: you just want to keep this scene being fun? Like

696
00:30:56,000 --> 00:30:57,600
Speaker 7: what do you want to do? And I just sort

697
00:30:57,600 --> 00:30:59,680
Speaker 7: of felt him out as we were talking about it.

698
00:30:59,760 --> 00:30:59,960
Speaker 4: Mark.

699
00:31:00,320 --> 00:31:01,960
Speaker 7: You know, you can read a person's face. You can

700
00:31:02,040 --> 00:31:03,680
Speaker 7: see if they're cringing or not when you say do

701
00:31:03,720 --> 00:31:06,560
Speaker 7: you want to be exclusive? Sure, it's just just something fun.

702
00:31:06,680 --> 00:31:09,040
Speaker 7: So I think throw the question out there, make it

703
00:31:09,160 --> 00:31:12,160
Speaker 7: sort of lighthearted, but not too much that she thinks

704
00:31:12,160 --> 00:31:14,560
Speaker 7: she's just joking and just sort.

705
00:31:14,360 --> 00:31:17,640
Speaker 2: Of read it so glowy. I mean, you're speaking logic.

706
00:31:17,720 --> 00:31:20,760
Speaker 2: You lost him a long time ago. He's going across.

707
00:31:20,800 --> 00:31:21,800
Speaker 1: There was a lot of directions.

708
00:31:21,800 --> 00:31:22,400
Speaker 2: He's going.

709
00:31:24,240 --> 00:31:24,400
Speaker 4: Right.

710
00:31:24,440 --> 00:31:25,719
Speaker 1: It work for you, great advice.

711
00:31:25,760 --> 00:31:26,960
Speaker 2: I think what we need to do is this? I

712
00:31:26,960 --> 00:31:28,240
Speaker 2: think we need to do is this? Because you've just

713
00:31:28,280 --> 00:31:30,560
Speaker 2: taken a lot of advice and I was overwhelming. You

714
00:31:30,600 --> 00:31:31,360
Speaker 2: see that.

715
00:31:33,560 --> 00:31:33,960
Speaker 1: Paper with.

716
00:31:35,800 --> 00:31:38,360
Speaker 2: Yeah, what we do is up next? Because there's lots

717
00:31:38,360 --> 00:31:40,480
Speaker 2: of things that she could say which might rattle the conversation.

718
00:31:41,160 --> 00:31:43,280
Speaker 2: How about we get somebody to call up and you

719
00:31:43,320 --> 00:31:45,080
Speaker 2: do a bit of a dry run with it on air.

720
00:31:45,200 --> 00:31:45,880
Speaker 1: That's a good idea.

721
00:31:46,040 --> 00:31:48,440
Speaker 2: So we're third one of six. Five you're willing to

722
00:31:48,480 --> 00:31:51,240
Speaker 2: be our fake Joline and then Woods you can sit

723
00:31:51,280 --> 00:31:53,440
Speaker 2: down and just run through the chat and just see

724
00:31:53,440 --> 00:31:54,360
Speaker 2: if it works perfect.

725
00:31:54,400 --> 00:31:58,040
Speaker 1: Okay, yeah, yeah, great idea, great idea, just proof tested

726
00:31:58,320 --> 00:31:59,240
Speaker 1: that just makes perfect?

727
00:31:59,280 --> 00:32:01,800
Speaker 2: Will yeah exactly?

728
00:32:01,920 --> 00:32:02,120
Speaker 1: Yep.

729
00:32:02,280 --> 00:32:07,040
Speaker 2: Kiss posting Right now. We're talking about this chat that

730
00:32:07,120 --> 00:32:09,200
Speaker 2: you feel like you need to have with the woman

731
00:32:09,240 --> 00:32:13,000
Speaker 2: you're currently seeing. We call it jolly on this show.

732
00:32:13,320 --> 00:32:15,640
Speaker 2: It's the serious chat. It's the what are we doing?

733
00:32:15,800 --> 00:32:16,480
Speaker 2: Where are we going?

734
00:32:16,560 --> 00:32:16,680
Speaker 5: Oh?

735
00:32:16,720 --> 00:32:19,320
Speaker 2: We exclusive? Are we partners? It's a load, It's a

736
00:32:19,360 --> 00:32:22,840
Speaker 2: loaded conversation. You look like you've just been at the

737
00:32:22,880 --> 00:32:25,560
Speaker 2: Old Hall of Mirrors given some of the calls.

738
00:32:25,600 --> 00:32:28,280
Speaker 1: We just have a woman called Med called and said,

739
00:32:28,280 --> 00:32:29,240
Speaker 1: oh mate, I've ghost to do.

740
00:32:29,600 --> 00:32:33,000
Speaker 2: It's a polarizing topic to be honest, like to be like,

741
00:32:33,240 --> 00:32:34,960
Speaker 2: if I'm playing Devil's advocate, You've been saying it for

742
00:32:35,000 --> 00:32:36,680
Speaker 2: three and a half weeks. It's probably on the earlier

743
00:32:36,800 --> 00:32:40,600
Speaker 2: side of sure, what are we doing? Chat? But you're

744
00:32:40,640 --> 00:32:42,920
Speaker 2: really keen on this, So I'm I'm pro I'm on

745
00:32:42,960 --> 00:32:45,440
Speaker 2: your team. So I thought we'd do is a little

746
00:32:45,440 --> 00:32:47,840
Speaker 2: bit of a dress rehearsal. Yeah, Fortunately, I think this is.

747
00:32:47,840 --> 00:32:52,280
Speaker 1: Good little practice will perfect practice prevents piss poor performance,

748
00:32:52,360 --> 00:32:54,000
Speaker 1: is what my high jump coach used to tell me.

749
00:32:55,360 --> 00:32:58,040
Speaker 1: So here we go. We've got Kate here is called

750
00:32:58,040 --> 00:32:59,520
Speaker 1: on thirteen one oh six five high.

751
00:32:59,400 --> 00:33:01,000
Speaker 5: Kate, Hi, babe?

752
00:33:01,200 --> 00:33:04,440
Speaker 1: Okay, very good character character? All right?

753
00:33:04,480 --> 00:33:08,400
Speaker 2: So Kate's going to be playing Joline tonight? Now woulds

754
00:33:08,920 --> 00:33:11,280
Speaker 2: I think Kate's job, Kate, if you're cool with this,

755
00:33:11,720 --> 00:33:15,520
Speaker 2: you just throw in like curveballs, because I think that's

756
00:33:15,560 --> 00:33:17,400
Speaker 2: what we want to that's what we want to iron out,

757
00:33:17,640 --> 00:33:19,640
Speaker 2: you know, just in case Joline says anything tonight, which

758
00:33:19,640 --> 00:33:21,600
Speaker 2: is a bit rattling for you, Yes, do you still

759
00:33:21,600 --> 00:33:23,440
Speaker 2: want to go ahead with it? How do you continue

760
00:33:23,440 --> 00:33:25,120
Speaker 2: to go ahead with that? Given the curve balls? Great

761
00:33:25,120 --> 00:33:27,560
Speaker 2: idea will all right, and you can tamp out whenever

762
00:33:27,560 --> 00:33:29,160
Speaker 2: you want. We've got a little boxing bell here.

763
00:33:29,760 --> 00:33:30,880
Speaker 1: That'll just mean that's the end.

764
00:33:30,840 --> 00:33:31,320
Speaker 2: Of the round.

765
00:33:31,520 --> 00:33:33,600
Speaker 3: Okay, Okay, So okay, if we're going to set the scene,

766
00:33:33,600 --> 00:33:36,120
Speaker 3: we'll probably be eating dinner because I'm having dinner at

767
00:33:36,120 --> 00:33:38,600
Speaker 3: her place. Okay, So let's just let's just fast forward

768
00:33:38,600 --> 00:33:41,440
Speaker 3: to like mid meal, Kate, if that's okay, because I

769
00:33:41,480 --> 00:33:43,360
Speaker 3: think that would be probably when I'm going to do it.

770
00:33:43,840 --> 00:33:44,640
Speaker 1: So you know, here we go.

771
00:33:44,800 --> 00:33:51,920
Speaker 3: Oh, Kate, this cockle varn is absolutely delicious. What was

772
00:33:51,960 --> 00:33:52,920
Speaker 3: what is this sauce?

773
00:33:55,760 --> 00:33:58,280
Speaker 5: It's just a white sauce, just something I cooked up.

774
00:33:58,200 --> 00:34:01,720
Speaker 1: Today, so just to saw sort of sort of by itself.

775
00:34:01,720 --> 00:34:03,320
Speaker 2: Now, look, I know we're going for realism here. This

776
00:34:03,360 --> 00:34:07,240
Speaker 2: is dead said boring for the radio audience. I understand that, Kate.

777
00:34:07,520 --> 00:34:09,280
Speaker 1: Are we are we? What is this.

778
00:34:11,040 --> 00:34:11,360
Speaker 8: Chicken?

779
00:34:11,840 --> 00:34:15,800
Speaker 1: No? O? Kate? What are we? Are we seeing?

780
00:34:15,840 --> 00:34:15,960
Speaker 2: Other?

781
00:34:16,080 --> 00:34:18,399
Speaker 1: Are we seeing other people? Are were you doing that?

782
00:34:19,480 --> 00:34:21,279
Speaker 5: Do you know what? I'm so glad you've brought this

783
00:34:21,480 --> 00:34:25,120
Speaker 5: up right. You know how obviously we've spoken about my

784
00:34:25,239 --> 00:34:28,960
Speaker 5: ex before. I probably I wanted to let you know

785
00:34:29,080 --> 00:34:31,359
Speaker 5: he actually reached out to me a couple of days ago,

786
00:34:31,560 --> 00:34:35,560
Speaker 5: and obviously I didn't get closed, so like, yeah, we're

787
00:34:35,560 --> 00:34:37,319
Speaker 5: going to go for a coffee and like, yeah, I've been.

788
00:34:37,560 --> 00:34:39,000
Speaker 5: I just didn't know how to tell you.

789
00:34:39,280 --> 00:34:42,480
Speaker 1: Okay, sorry, So there is that one in are you

790
00:34:42,520 --> 00:34:45,799
Speaker 1: wanting to? Are you wanting that? To get going again.

791
00:34:46,000 --> 00:34:51,880
Speaker 2: We'll tap out how'd you go? Terrible now