1 00:00:00,080 --> 00:00:04,200 Speaker 1: So the weekend a comedy, great pastaway, and that's Barry Humphries. 2 00:00:04,280 --> 00:00:07,520 Speaker 1: I thought this morning somebody would have explained just about 3 00:00:07,520 --> 00:00:11,200 Speaker 1: the huge, huge legend that Barry wasn't the life he 4 00:00:11,320 --> 00:00:14,319 Speaker 1: leaved is Steve Weissar. So Steve's on the line now, 5 00:00:14,360 --> 00:00:15,360 Speaker 1: Good morning Steve. 6 00:00:15,720 --> 00:00:19,480 Speaker 2: Good morning Christian. And what an appropriate, what an appropriate 7 00:00:19,560 --> 00:00:22,239 Speaker 2: anecdote that someone should have a possum in the shower. 8 00:00:24,800 --> 00:00:26,320 Speaker 1: There's something Barry about though. 9 00:00:26,600 --> 00:00:29,160 Speaker 2: There's so Barry Humphreys a possum in the show. I 10 00:00:29,200 --> 00:00:31,400 Speaker 2: thought it's an expression that the mid that would have. 11 00:00:33,000 --> 00:00:34,440 Speaker 1: It feels like the euphemism as well. 12 00:00:34,440 --> 00:00:37,160 Speaker 2: Steve to me, I've got a problem in the show 13 00:00:37,440 --> 00:00:38,159 Speaker 2: for lucky you. 14 00:00:41,560 --> 00:00:44,920 Speaker 1: So Steve tell us about the huge impact then or 15 00:00:44,920 --> 00:00:46,040 Speaker 1: the great Barry Humphries. 16 00:00:46,840 --> 00:00:49,840 Speaker 2: I mean it's way to start. I mean we wake 17 00:00:49,920 --> 00:00:52,159 Speaker 2: up today in a less funny world. He was a 18 00:00:52,200 --> 00:00:54,920 Speaker 2: man who he was born in the thirties, so he 19 00:00:54,960 --> 00:00:56,960 Speaker 2: was an old man. He was nearly ninety years old, 20 00:00:57,160 --> 00:01:00,760 Speaker 2: but even as a student he was creating him at school. 21 00:01:00,760 --> 00:01:05,960 Speaker 2: At university he became a dataist, an artist whose entire 22 00:01:06,000 --> 00:01:09,440 Speaker 2: career was focused on disrupting things. He organized an art 23 00:01:09,560 --> 00:01:13,160 Speaker 2: exhibition at Uni of data r Art, and he got 24 00:01:13,160 --> 00:01:16,600 Speaker 2: some old boots together and filled them with custard and 25 00:01:16,720 --> 00:01:23,679 Speaker 2: called his exhibition Puss in Boots. His entire life was 26 00:01:23,720 --> 00:01:26,880 Speaker 2: focused on disrupting people of those we all know those 27 00:01:26,920 --> 00:01:29,680 Speaker 2: stunts that he did, I mean those stunts as a student, 28 00:01:29,720 --> 00:01:32,800 Speaker 2: where he were on his way on an early morning 29 00:01:32,840 --> 00:01:35,920 Speaker 2: train to work, he had people bring in he got 30 00:01:35,959 --> 00:01:38,600 Speaker 2: on the first stop, and at every stop thereafter he'd 31 00:01:38,640 --> 00:01:41,400 Speaker 2: organized people to bring on a different course of breakfast. 32 00:01:41,720 --> 00:01:44,840 Speaker 2: So he was sitting on a crowded break train going 33 00:01:44,880 --> 00:01:47,800 Speaker 2: into work with all these people hanging on, and at 34 00:01:47,840 --> 00:01:51,280 Speaker 2: every station someone the first bring on the Coco pops, 35 00:01:51,520 --> 00:01:53,800 Speaker 2: and at the next station they brought on some bacon 36 00:01:53,800 --> 00:01:55,720 Speaker 2: and eggs, and the next one they brought in a 37 00:01:55,760 --> 00:01:59,320 Speaker 2: cup of tea, and nothing was said. They got on 38 00:02:00,160 --> 00:02:03,200 Speaker 2: and took off the preceding trade with Another one he 39 00:02:03,280 --> 00:02:07,960 Speaker 2: did in town was he got a sick bag and 40 00:02:08,000 --> 00:02:12,080 Speaker 2: he filled it with vegetable canned vegetables, put it on 41 00:02:12,160 --> 00:02:16,720 Speaker 2: the footpath just before peak hour, and then dressed up 42 00:02:16,919 --> 00:02:20,720 Speaker 2: wearing virtually beggar's clothes and proceeded to eat it all 43 00:02:20,840 --> 00:02:24,919 Speaker 2: up with a spoon and people peak our commutes were 44 00:02:24,960 --> 00:02:27,440 Speaker 2: gathered around his disbelief and this horror of the thing. 45 00:02:27,960 --> 00:02:30,560 Speaker 2: I mean another time in London, and for no reason 46 00:02:30,600 --> 00:02:33,840 Speaker 2: he did this. He got on a train and pretended 47 00:02:33,880 --> 00:02:36,320 Speaker 2: he was blind and he was reading a p Andola role, 48 00:02:36,560 --> 00:02:40,720 Speaker 2: you know those perforated roles, and someone started beating him 49 00:02:40,720 --> 00:02:42,600 Speaker 2: and said get out of the road to stupid old 50 00:02:42,639 --> 00:02:46,359 Speaker 2: blind man. For no reason, he thought that was performance. 51 00:02:46,520 --> 00:02:49,040 Speaker 2: H I mean, he was doing this before he got 52 00:02:49,080 --> 00:02:52,000 Speaker 2: onto a stage, and then he got onto a stage, 53 00:02:52,520 --> 00:02:56,600 Speaker 2: and for seventy years he created these characters. Dame Edna, 54 00:02:57,520 --> 00:03:00,959 Speaker 2: who charted the course of from a suban Mooney Pond's 55 00:03:01,000 --> 00:03:04,480 Speaker 2: housewife to becoming a superstar. I mean, she was the 56 00:03:04,520 --> 00:03:08,480 Speaker 2: original blogger. She was a celebrity with no good reason 57 00:03:08,960 --> 00:03:13,120 Speaker 2: before there were before there were bloggers. And maybe that 58 00:03:13,240 --> 00:03:16,400 Speaker 2: was what he was commenting on Les Pets Patterson astral 59 00:03:16,440 --> 00:03:21,839 Speaker 2: as cultural attache. You know, just this slobbering, speeding, gufforing 60 00:03:22,000 --> 00:03:27,440 Speaker 2: buffoon who was hilariously funny. And then you know there 61 00:03:27,480 --> 00:03:30,320 Speaker 2: was just a plethora of other characters. But you know, 62 00:03:30,400 --> 00:03:33,000 Speaker 2: at his heart made he was I think he was 63 00:03:33,040 --> 00:03:36,200 Speaker 2: a collector, and he collected, not only did collect books 64 00:03:36,200 --> 00:03:39,560 Speaker 2: and things. He collected characters, but he also was responsible 65 00:03:39,640 --> 00:03:43,000 Speaker 2: over seventy years for collecting great phrases. I mean, he 66 00:03:43,200 --> 00:03:46,760 Speaker 2: was a bloke who, through his character Barry McKenzie, collected 67 00:03:46,800 --> 00:03:50,000 Speaker 2: all those phrases and brought them into the into common 68 00:03:50,040 --> 00:03:54,640 Speaker 2: Pilance's phrase like you know, up at Sparrow's fat and 69 00:03:55,920 --> 00:03:58,720 Speaker 2: up she'd creeked in a barbed white canoe without a paddle, 70 00:03:59,080 --> 00:04:02,640 Speaker 2: and she goes off like an alarm clock. Or you 71 00:04:02,680 --> 00:04:06,240 Speaker 2: know he's got Buckley's or not with his bulls roar, 72 00:04:06,400 --> 00:04:09,480 Speaker 2: or flashes a rat with a gold tooth, or flat 73 00:04:09,520 --> 00:04:12,960 Speaker 2: out like a lizard drinking or more full in a 74 00:04:13,000 --> 00:04:16,640 Speaker 2: Catholic school. I mean, these were all the phrases that 75 00:04:16,680 --> 00:04:19,039 Speaker 2: he just heard in pubs and on the street, and 76 00:04:19,120 --> 00:04:22,520 Speaker 2: he incorporated them into his act, and he was a giant. 77 00:04:22,680 --> 00:04:24,800 Speaker 2: I mean, the best way of thinking about it is, 78 00:04:25,040 --> 00:04:28,039 Speaker 2: we've just had the comedy festival in Melbourne Christian and 79 00:04:28,320 --> 00:04:30,800 Speaker 2: you know, we're the best comedians in the world and 80 00:04:30,880 --> 00:04:32,880 Speaker 2: some might do a set of twenty minutes and the 81 00:04:32,960 --> 00:04:36,280 Speaker 2: best might do a set of an hour. Barry Humphreys, 82 00:04:37,000 --> 00:04:39,760 Speaker 2: even as a seventy year old man, was doing a 83 00:04:39,839 --> 00:04:45,039 Speaker 2: three hour show himself alone on stage all of his characters. 84 00:04:45,360 --> 00:04:48,840 Speaker 2: He did dozens of those shows on three continents, A 85 00:04:48,920 --> 00:04:52,360 Speaker 2: Star in the US, a Star in the UK, Star 86 00:04:52,480 --> 00:04:56,680 Speaker 2: in Australia, dozens of hundreds of TV specials, his own 87 00:04:56,760 --> 00:05:00,040 Speaker 2: shows with the greatest stars in the world. But he 88 00:05:00,000 --> 00:05:04,920 Speaker 2: he would fulfill an available space all by himself. And 89 00:05:04,960 --> 00:05:06,880 Speaker 2: you know anyone who stood on a stage in fro 90 00:05:07,080 --> 00:05:08,960 Speaker 2: and you know you do it every day, but you 91 00:05:09,000 --> 00:05:11,480 Speaker 2: know the ad breaks. He would stand on a stage 92 00:05:11,880 --> 00:05:16,000 Speaker 2: by himself for three hours flat and entertained people. And 93 00:05:16,040 --> 00:05:18,800 Speaker 2: it's not like singing songs where people can tune in 94 00:05:18,839 --> 00:05:21,120 Speaker 2: on out or listen to that song and not the next. 95 00:05:21,320 --> 00:05:23,919 Speaker 2: When you're doing comedy, you have to have people's attention 96 00:05:24,400 --> 00:05:28,200 Speaker 2: every second. He would get a laugh for five laughs 97 00:05:28,200 --> 00:05:32,560 Speaker 2: a minute, non stop for three hours. It's an unheard 98 00:05:32,560 --> 00:05:36,760 Speaker 2: of feet And he did that in the sixties, the seventies, 99 00:05:36,839 --> 00:05:40,920 Speaker 2: the eighties, the nineties. That he was even touring a 100 00:05:40,920 --> 00:05:44,039 Speaker 2: one man show his own life all through the UK 101 00:05:44,160 --> 00:05:47,359 Speaker 2: and Australia last year right up to the moment of 102 00:05:47,400 --> 00:05:51,560 Speaker 2: his demise. So you know, what a talent and you 103 00:05:51,600 --> 00:05:54,359 Speaker 2: know he's going to be sarely missed. He wasn't just 104 00:05:54,400 --> 00:05:57,800 Speaker 2: a great performer, he was a great writer. He was 105 00:05:57,839 --> 00:06:01,520 Speaker 2: a great social observer and I think you know these 106 00:06:01,560 --> 00:06:04,040 Speaker 2: are these are unique. It was kind of like a 107 00:06:04,120 --> 00:06:07,599 Speaker 2: Mark Dwain of Australia or an Oscar Wild of Australia. 108 00:06:07,920 --> 00:06:10,680 Speaker 2: You know, a penetrating wit and a one off. 109 00:06:11,320 --> 00:06:13,880 Speaker 1: What high praise as well, Steve, you've done, You've done 110 00:06:13,920 --> 00:06:16,600 Speaker 1: the great man justice. You're right, a colossal talent and 111 00:06:17,480 --> 00:06:19,880 Speaker 1: like you Steve, and I'm sure many people listening right 112 00:06:19,920 --> 00:06:23,719 Speaker 1: now disappeared down a very pleasurable wormhole yesterday watching there's 113 00:06:23,760 --> 00:06:26,680 Speaker 1: so many clips you're right, from the sixties and seventies 114 00:06:26,680 --> 00:06:30,960 Speaker 1: with Parkinson, Joan Rivers and he's holding court. They were 115 00:06:31,000 --> 00:06:34,400 Speaker 1: all his timing and his use of words and phrasing 116 00:06:34,480 --> 00:06:37,560 Speaker 1: and look to cameras and to the audience is yeah 117 00:06:37,640 --> 00:06:39,400 Speaker 1: or real one off there You never get another one 118 00:06:39,440 --> 00:06:39,920 Speaker 1: like Barry. 119 00:06:40,480 --> 00:06:43,640 Speaker 2: No, he's a one off mate. And you know if 120 00:06:43,680 --> 00:06:45,080 Speaker 2: you say what are we going to miss? We're going 121 00:06:45,120 --> 00:06:47,280 Speaker 2: to miss a laughter. I mean it is a rare 122 00:06:47,320 --> 00:06:49,720 Speaker 2: thing to be able to make a stranger laugh. It's 123 00:06:49,720 --> 00:06:52,240 Speaker 2: a unique gallup and he could take a room full 124 00:06:52,279 --> 00:06:55,800 Speaker 2: of strangers, an auditorium full of strangers and make them 125 00:06:55,839 --> 00:06:58,760 Speaker 2: laugh and in the best way doing this one thing 126 00:06:58,839 --> 00:07:02,720 Speaker 2: that is a very rare gift self recognition. He would 127 00:07:02,839 --> 00:07:05,600 Speaker 2: turn the mirror on themselves and very few people can 128 00:07:05,640 --> 00:07:08,560 Speaker 2: get a lot doing that. He was a genius. He's 129 00:07:08,600 --> 00:07:10,720 Speaker 2: a genius or one of a one of a kind, 130 00:07:10,720 --> 00:07:12,560 Speaker 2: and he's going to be mismade. Ah. 131 00:07:12,720 --> 00:07:14,920 Speaker 1: You did him justice there, Steve. Thanks for talking to 132 00:07:15,000 --> 00:07:16,640 Speaker 1: us this morning. I'll catch up with you asume, mate, 133 00:07:16,640 --> 00:07:17,720 Speaker 1: but thank you Steve for doing that. 134 00:07:18,160 --> 00:07:19,520 Speaker 2: Thanks Christing any time, mate,