1 00:00:00,680 --> 00:00:05,160 Speaker 1: Season three of Fisk starts Sunday on the ABC at 2 00:00:05,240 --> 00:00:09,959 Speaker 1: eight pm. Lock it in, you won't be sorry. Kitty 3 00:00:09,960 --> 00:00:12,400 Speaker 1: Flanagan's with us now. Good morning, Kitty Kitty. 4 00:00:12,720 --> 00:00:17,239 Speaker 2: Oh, good morning, guys. I'm sorry, I'm so early. I've 5 00:00:17,320 --> 00:00:23,600 Speaker 2: really woken you up. You're both going, you both over 6 00:00:23,640 --> 00:00:24,040 Speaker 2: there going. 7 00:00:24,600 --> 00:00:26,799 Speaker 3: We have to talk to the morning. 8 00:00:28,360 --> 00:00:31,240 Speaker 4: Since pretty pretty early time. Yes, just us, you know 9 00:00:31,280 --> 00:00:32,880 Speaker 4: how early we've been up since? 10 00:00:33,000 --> 00:00:34,600 Speaker 3: Well appreciated, Thank you so. 11 00:00:34,760 --> 00:00:36,040 Speaker 4: Good season three. 12 00:00:36,600 --> 00:00:42,320 Speaker 1: Helen is now a partner in the company. In the firm, 13 00:00:42,320 --> 00:00:45,320 Speaker 1: I should say so the stakes are higher when things 14 00:00:45,360 --> 00:00:46,400 Speaker 1: go wrong, Helen. 15 00:00:46,440 --> 00:00:48,120 Speaker 4: There's two sides to every coin. 16 00:00:49,479 --> 00:00:51,880 Speaker 2: And also, I finally I could control my own career 17 00:00:51,920 --> 00:00:57,160 Speaker 2: like this where you just right, yes, hell out of 18 00:00:57,240 --> 00:00:57,880 Speaker 2: partner now. 19 00:01:00,240 --> 00:01:01,800 Speaker 3: Yes, I've written myself a raise. 20 00:01:01,920 --> 00:01:03,440 Speaker 2: I've written myself more power. 21 00:01:03,960 --> 00:01:05,119 Speaker 3: Then. Yes, did you. 22 00:01:05,040 --> 00:01:09,000 Speaker 4: Write way friend or something the world's your oyster? 23 00:01:10,040 --> 00:01:13,280 Speaker 2: No? What I did was I wrote Ray Gruber a 24 00:01:13,319 --> 00:01:14,680 Speaker 2: hot girlfriend instead. 25 00:01:15,000 --> 00:01:16,840 Speaker 3: I'm not very comfortable. 26 00:01:16,319 --> 00:01:20,360 Speaker 2: With, not very comfortable with the sort of relationship scenes myself. 27 00:01:20,400 --> 00:01:22,880 Speaker 2: But I thought, you know, I think I think the 28 00:01:22,920 --> 00:01:25,319 Speaker 2: world of Fis needs some kind of love interest. So 29 00:01:25,440 --> 00:01:27,880 Speaker 2: I gave it to Ray Gruber, Gavest, Marty she Gold 30 00:01:27,920 --> 00:01:30,440 Speaker 2: and Justin Clark steps into the role of him. 31 00:01:32,959 --> 00:01:35,240 Speaker 3: Nice and she does a wonderful job. 32 00:01:35,319 --> 00:01:37,040 Speaker 2: And you wouldn't think of but ge they make a 33 00:01:37,080 --> 00:01:39,680 Speaker 2: sweet couple on screen, they really do. We see a 34 00:01:39,840 --> 00:01:43,080 Speaker 2: very funny, very giggly side of Ray Gruber this season. 35 00:01:43,120 --> 00:01:44,959 Speaker 4: Oh really like the sound of that. 36 00:01:45,040 --> 00:01:47,320 Speaker 5: And I noticed Justine and coming in, and I see 37 00:01:47,680 --> 00:01:50,240 Speaker 5: Claudia Carvin and have quite a few others, big names 38 00:01:50,280 --> 00:01:50,680 Speaker 5: dropping in. 39 00:01:50,920 --> 00:01:54,040 Speaker 3: A few friends that a great not a great comedians. 40 00:01:54,040 --> 00:01:58,440 Speaker 2: This time we've got Carl Baron. Yeah, the the enigma 41 00:01:58,480 --> 00:02:01,000 Speaker 2: that is Carl Baron made appear for us On Fisk 42 00:02:01,600 --> 00:02:05,600 Speaker 2: and Rees Nicholson, Tom Ballard, We've got We've got milk bottle, 43 00:02:05,720 --> 00:02:11,840 Speaker 2: We've got just basically once again, all of my comedy friends. 44 00:02:10,800 --> 00:02:18,240 Speaker 1: The ageless Claudia Carvin, she's gonna she's gonna be Yeah. 45 00:02:18,280 --> 00:02:20,160 Speaker 3: She got in contact with the producer and so she 46 00:02:20,200 --> 00:02:23,120 Speaker 3: really liked could she be honest? Is she serious? 47 00:02:23,320 --> 00:02:27,840 Speaker 5: And he said, see that happens to the iconic shows. 48 00:02:27,880 --> 00:02:29,679 Speaker 5: You know what happened with Onourage people. I want to 49 00:02:29,680 --> 00:02:30,239 Speaker 5: be on your show. 50 00:02:30,280 --> 00:02:32,200 Speaker 4: So that's great. 51 00:02:32,520 --> 00:02:37,200 Speaker 1: I assume that a returning star will be Henry, who 52 00:02:37,840 --> 00:02:41,400 Speaker 1: plays Alfie on the show You're. 53 00:02:41,600 --> 00:02:44,400 Speaker 2: My Dog, My Dog is back because I like to 54 00:02:44,440 --> 00:02:47,120 Speaker 2: have my dog with me a time, so I write 55 00:02:47,160 --> 00:02:48,440 Speaker 2: him into the show once again. 56 00:02:48,760 --> 00:02:49,880 Speaker 3: Just write what I want. 57 00:02:49,800 --> 00:02:54,200 Speaker 1: The Power of the Pen exactly, Yes, was Henry Adava. 58 00:02:56,160 --> 00:03:00,560 Speaker 3: Henry is. Henry's very Henry's very good boy. He's a 59 00:03:00,639 --> 00:03:03,760 Speaker 3: very good boy. But yeah, it's nice to be able 60 00:03:03,800 --> 00:03:04,800 Speaker 3: to have your dog on fad. 61 00:03:04,919 --> 00:03:07,160 Speaker 2: It's nice to wear a comfortable brown suit. That was 62 00:03:07,200 --> 00:03:08,040 Speaker 2: also my idea. 63 00:03:08,280 --> 00:03:11,720 Speaker 3: I don't want to be wearing spanks enough. 64 00:03:11,880 --> 00:03:15,520 Speaker 2: Thanks is Roonda with bloody high heels and all those 65 00:03:15,720 --> 00:03:18,200 Speaker 2: power suits. I said, it's going to be a big, baggy, brown, 66 00:03:18,240 --> 00:03:19,840 Speaker 2: comfortable suit and I'm going to wear the same thing 67 00:03:19,880 --> 00:03:22,080 Speaker 2: every day because I can't be bothered getting changed. 68 00:03:22,320 --> 00:03:23,240 Speaker 4: It's so lazy. 69 00:03:23,400 --> 00:03:26,520 Speaker 1: How liberating though, to be out just where the baggy 70 00:03:26,520 --> 00:03:30,520 Speaker 1: brown suit exactly, Yeah, I was getting to the suit 71 00:03:30,560 --> 00:03:31,560 Speaker 1: because you know, Richie. 72 00:03:31,320 --> 00:03:34,880 Speaker 3: Beno, how do you decide? How do you out of 73 00:03:34,920 --> 00:03:37,240 Speaker 3: my day? What am I going to wear? I fann't decide. 74 00:03:37,240 --> 00:03:39,080 Speaker 2: It holds him up every morning. So to be able 75 00:03:39,120 --> 00:03:40,640 Speaker 2: to put on the same thing every day, he's just 76 00:03:40,760 --> 00:03:42,520 Speaker 2: I think that's I think more people should wear a 77 00:03:42,600 --> 00:03:43,840 Speaker 2: uniform to go. 78 00:03:43,840 --> 00:03:47,520 Speaker 1: After school uniform quite frankly, because I mean it never 79 00:03:47,680 --> 00:03:50,120 Speaker 1: was there so much pressure on a girl, as you know, 80 00:03:50,200 --> 00:03:54,040 Speaker 1: when she's fifty. I come up with something every day 81 00:03:54,080 --> 00:03:56,240 Speaker 1: to wear, so it was it was great. 82 00:03:56,520 --> 00:03:57,400 Speaker 3: I couldn't agree more. 83 00:03:57,440 --> 00:03:59,680 Speaker 2: I used to watch those American shows where they don't 84 00:03:59,680 --> 00:04:01,480 Speaker 2: wear you one and I think, oh my god. 85 00:04:01,400 --> 00:04:04,480 Speaker 3: I was bullied turning up in what I would choose 86 00:04:04,520 --> 00:04:04,839 Speaker 3: to wear. 87 00:04:05,000 --> 00:04:09,440 Speaker 4: Everything you have to get on, I am. 88 00:04:12,040 --> 00:04:13,640 Speaker 5: I was going to mention this suit because you're risking. 89 00:04:13,680 --> 00:04:15,640 Speaker 5: You know, Richie Beno made the bone, the beige, the 90 00:04:15,680 --> 00:04:18,719 Speaker 5: off white iconic. But yeah, I mean you have to 91 00:04:18,720 --> 00:04:19,120 Speaker 5: go there again. 92 00:04:19,920 --> 00:04:22,279 Speaker 3: It's just part of the character you can't change. 93 00:04:22,279 --> 00:04:24,000 Speaker 2: I mean, what would happen if I suddenly turned up 94 00:04:24,000 --> 00:04:24,919 Speaker 2: in a different outfit everyone? 95 00:04:24,920 --> 00:04:28,240 Speaker 3: I think it was like Helen's Evil Twins exactly. Yeah, 96 00:04:29,560 --> 00:04:31,880 Speaker 3: for which, yeah, the same brain. 97 00:04:36,800 --> 00:04:40,160 Speaker 1: Love it in the first two seasons are on Netflix now, 98 00:04:40,240 --> 00:04:43,560 Speaker 1: which means the show has gained an international following. But 99 00:04:43,760 --> 00:04:45,920 Speaker 1: do you know which countries are the biggest fans? 100 00:04:47,200 --> 00:04:49,440 Speaker 3: Look, it's really unusual. 101 00:04:49,560 --> 00:04:52,080 Speaker 2: The spread like we're big in the US, to the 102 00:04:52,080 --> 00:04:54,720 Speaker 2: point where Aaron Chen gets recognized because he lives in 103 00:04:54,760 --> 00:04:57,039 Speaker 2: New York now and he gets recognized walking. 104 00:04:56,880 --> 00:04:57,560 Speaker 3: Around the streets. 105 00:04:57,560 --> 00:04:59,440 Speaker 2: There were people saying, Hey, you that guy from f 106 00:05:00,440 --> 00:05:03,880 Speaker 2: that's fantastically amazing. And I get a lot of messages 107 00:05:03,880 --> 00:05:06,719 Speaker 2: from India where women in India seem to really like 108 00:05:06,720 --> 00:05:09,440 Speaker 2: the show, which is Canada. 109 00:05:08,960 --> 00:05:09,880 Speaker 3: Canada. 110 00:05:09,960 --> 00:05:12,279 Speaker 2: I kind of thought that would be We're very similar, 111 00:05:12,320 --> 00:05:13,880 Speaker 2: so I was kind of thinking if we were going 112 00:05:13,960 --> 00:05:15,800 Speaker 2: to make it anywhere, it might be Canada. So that 113 00:05:16,320 --> 00:05:18,640 Speaker 2: wasn't as much as surprise, but just a delight because 114 00:05:18,680 --> 00:05:21,599 Speaker 2: I love the Canadian sense of humor. But yeah, in 115 00:05:21,640 --> 00:05:25,000 Speaker 2: the States, I believe they watch it with subtitles. 116 00:05:25,040 --> 00:05:30,840 Speaker 6: A lot of people I wonder why. That's funny, Yeah, buddy, 117 00:05:31,839 --> 00:05:35,200 Speaker 6: it's like my parents watched The Wire with subtimes, and 118 00:05:35,240 --> 00:05:37,960 Speaker 6: in America people watch FI with some titles because they 119 00:05:38,000 --> 00:05:39,480 Speaker 6: can't understand a word we're mumbling. 120 00:05:39,560 --> 00:05:40,599 Speaker 4: That's actually really funny. 121 00:05:41,120 --> 00:05:43,320 Speaker 1: So true with The Wire, I mean, it was such 122 00:05:43,360 --> 00:05:45,440 Speaker 1: a great show. But one of the great things about 123 00:05:45,440 --> 00:05:47,320 Speaker 1: it was some of the kids on that show were 124 00:05:47,440 --> 00:05:50,440 Speaker 1: literally kids that had plucked off the streets in Baltimore 125 00:05:50,800 --> 00:05:52,880 Speaker 1: and to stand a. 126 00:05:52,960 --> 00:05:55,880 Speaker 4: Word well and truly from the street. 127 00:05:56,800 --> 00:05:59,760 Speaker 5: Hey, Kitty, can you imagine, could you imagine when you're 128 00:05:59,760 --> 00:06:02,360 Speaker 5: making series one and someone said, who's the banana? 129 00:06:02,400 --> 00:06:05,640 Speaker 4: When you're in the yellow? This would be series three. 130 00:06:05,680 --> 00:06:07,960 Speaker 4: You'd be doing this two years later. Very cool. 131 00:06:08,040 --> 00:06:08,919 Speaker 3: No, absolutely not. 132 00:06:09,120 --> 00:06:11,200 Speaker 2: I mean we wrapped up season two with a bow 133 00:06:11,279 --> 00:06:13,279 Speaker 2: because we thought we wouldn't come back for season three. 134 00:06:13,320 --> 00:06:15,920 Speaker 2: We haven't been told we'd have another one. So when 135 00:06:15,920 --> 00:06:17,920 Speaker 2: we were told season three, we went, yeah, we'd love 136 00:06:17,960 --> 00:06:19,599 Speaker 2: to and then went, oh god, what do we do now? 137 00:06:19,720 --> 00:06:23,960 Speaker 2: And isn't it? And we made Helen happy at the end, 138 00:06:24,000 --> 00:06:25,560 Speaker 2: you know, we gave her a big excess and we 139 00:06:25,560 --> 00:06:27,560 Speaker 2: went there, we go, there's a big happy ending for everyone, 140 00:06:27,560 --> 00:06:29,400 Speaker 2: and went, oh, but we're out happy Helen. 141 00:06:29,520 --> 00:06:30,119 Speaker 3: That's funny. 142 00:06:30,440 --> 00:06:31,120 Speaker 2: We've got to make that. 143 00:06:31,440 --> 00:06:32,920 Speaker 3: We've got to make that bitch miserable again. 144 00:06:33,160 --> 00:06:35,120 Speaker 4: Take care of that. I get to knock crack at 145 00:06:35,120 --> 00:06:36,400 Speaker 4: a cafe somewhere. 146 00:06:37,000 --> 00:06:41,240 Speaker 1: That on that note, which is the perfect previce for 147 00:06:41,279 --> 00:06:44,359 Speaker 1: the show, get that bitch back and make her miserable. 148 00:06:45,960 --> 00:06:48,480 Speaker 1: Kitty Flanning and we can't wait for eight o'clock Sunday night. 149 00:06:48,520 --> 00:06:50,640 Speaker 1: Thank you so much for joining us at this early 150 00:06:50,760 --> 00:06:51,680 Speaker 1: hour this morning. 151 00:06:52,440 --> 00:06:54,839 Speaker 3: Thank you, guys, thanks for making the time, really appreciate it. 152 00:06:54,839 --> 00:06:56,600 Speaker 5: If if you're writing it and it comes true and 153 00:06:56,640 --> 00:06:58,479 Speaker 5: you're write down the powerball numbers for next week because 154 00:06:58,520 --> 00:07:00,160 Speaker 5: we want to be Richard and Rove and Rob's lex 155 00:07:00,200 --> 00:07:03,960 Speaker 5: put together, that's okay, Thanks kidding, You got kidding,