WEBVTT - A handful ✋

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<v Speaker 1>Hello, it's me the gorgeous, intelligent and talented artsimone. I'm

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<v Speaker 1>in a quest to find people that look very normal

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<v Speaker 1>and seem like the average person, except they're not. They're

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<v Speaker 1>concealing something that makes them stand out from the crowd.

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<v Speaker 1>Each episode, I'll meet with a regular seeming person and

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<v Speaker 1>try to uncover what weird profession, creepy hobby, or dirty

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<v Speaker 1>little secret they're concealing. The catch is I don't know

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<v Speaker 1>who the guest is or what they're concealing. I'll get

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<v Speaker 1>to know them, ask them three questions, and then we

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<v Speaker 1>will find out together. Welcome to Concealed with Arts swermone. Oh,

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<v Speaker 1>I think our guest is here roll the type.

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<v Speaker 2>Hello. I'm Jilly. I live in Melbourne and I work

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<v Speaker 2>as a mental health crisis supporter. I mainly work with

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<v Speaker 2>university student So before I did that, i was living

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<v Speaker 2>and working in Spain as a chef. And I'm also

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<v Speaker 2>a musician. I had a blues band and I love

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<v Speaker 2>reading and I draw as well. Drawing is one of

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<v Speaker 2>my main passions.

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<v Speaker 1>Hello, Jillie, love me to meet you. Welcome to the studio.

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<v Speaker 1>You've come in looking absolutely beautiful. That you're as suave

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<v Speaker 1>black on black on black is what you're wearing today,

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<v Speaker 1>which is basically the uniform of people from Melbourne. So

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<v Speaker 1>you were assimilating with us wonderfully. Yes, you're here is wonderful.

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<v Speaker 1>You got some lovely purple eyes shadow on? What color

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<v Speaker 1>your nails?

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<v Speaker 3>Oh?

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<v Speaker 2>Purple?

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<v Speaker 3>Good? Is purple your favorite color? Can you tell? I

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<v Speaker 3>cracked it practic.

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<v Speaker 1>We don't need to ask any questions. She's grimis, she's

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<v Speaker 1>premis from McDonald's. I've worked it out in disguise. All right,

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<v Speaker 1>So let's go through some things. You work with university students,

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<v Speaker 1>my health support. Do you work with like a particular

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<v Speaker 1>uni or can I like call it a hotline and go.

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<v Speaker 3>Hey, Julie, just want to chat what's going on?

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<v Speaker 1>And you say, I'm busy, all right, I'm out at

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<v Speaker 1>a restaurant because I'm in Melbourne.

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<v Speaker 3>Stop calling me exactly. Sometimes maybe I wish I could

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<v Speaker 3>do that. I know right now.

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<v Speaker 2>We actually, we actually are a small team and we

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<v Speaker 2>cover about twenty three universities all over Australia.

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<v Speaker 3>Wow, now, have you been to university? No? I love it,

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<v Speaker 3>though it'd be like I have no, I love it.

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<v Speaker 2>Say no, I have been to university university's life there

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<v Speaker 2>you go.

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<v Speaker 1>No, but think if I had a bunch of university

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<v Speaker 1>students calling me, I wouldn't know what they are they're

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<v Speaker 1>talking about.

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<v Speaker 3>They'd be like, oh my, I don't even know what

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<v Speaker 3>a lingo is. Okay.

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<v Speaker 1>An ex chef, yes, Now when you say exit, sounds

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<v Speaker 1>like you have been like removed from the chef like knighthood.

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<v Speaker 1>They've said no more, jilly. You know, you served one

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<v Speaker 1>meal that was bad, and they say, but tell me

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<v Speaker 1>about being chef.

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<v Speaker 3>Or an X chift? Sorry X chift? What was What

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<v Speaker 3>was your posty resistance?

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<v Speaker 2>Something? Probably very simple, like I don't know.

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<v Speaker 3>I'm really good at cereal. That's pretty good. Yeah, I know.

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<v Speaker 2>You know there's a technique in the pouring.

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<v Speaker 1>Well, it's aorts of the ratio because you wanted to

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<v Speaker 1>stay crunchy long enough.

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<v Speaker 2>You know.

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<v Speaker 3>Oh you're good. Yeah, it's very and the milk temperature.

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<v Speaker 3>It is.

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<v Speaker 1>Also multi talent a singer, yeah, oh my goodness.

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<v Speaker 3>And you have a blues ban and blue is my

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<v Speaker 3>favorite color. So I reckon.

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<v Speaker 1>All right, So I've got a bit of history. Okay,

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<v Speaker 1>Now I've got three questions for you. Question number one,

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<v Speaker 1>what is your favorite thing?

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<v Speaker 3>To draw.

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<v Speaker 4>Ooh, my favorite thing to draw. I do have a

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<v Speaker 4>fascination with hands.

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<v Speaker 3>Hands.

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<v Speaker 1>I think it's like deep but okay, hands, you love

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<v Speaker 1>to draw hands?

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<v Speaker 2>Yeah, I did have a little bit of thing about hands.

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<v Speaker 3>Okay, okay, all right.

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<v Speaker 1>Question number two, what is an essential part of your

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<v Speaker 1>daily routine?

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<v Speaker 2>Essential part of my daily routine would be to go

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<v Speaker 2>walking in nature.

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<v Speaker 1>When you say walking in nature, do you mean you

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<v Speaker 1>have to go out into like the bush or you

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<v Speaker 1>just mean like going outside, going for a walk.

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<v Speaker 2>She's going outside going okay, yeah, but I mean I

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<v Speaker 2>do try and head towards some greenery somewhere, you know,

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<v Speaker 2>like just so I can immerse myself.

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<v Speaker 3>Okay.

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<v Speaker 1>And question number three, question what are you currently reading?

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<v Speaker 2>Okay, so, I'm currently reading a book called Rewild. It's

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<v Speaker 2>about people's experiences and adventures and how it influences their life.

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<v Speaker 1>Okay, okay, book about adventures Charlie Brown, something like that. Okay,

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<v Speaker 1>let's summarize what I've got going, because I'll admit sometimes

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<v Speaker 1>I've got a very big incline.

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<v Speaker 3>Today I am so lost.

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<v Speaker 1>Okay, all right, ex chef, does it like to stay

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<v Speaker 1>in the same place? Can sing? Loves hands? Likes to

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<v Speaker 1>leave the house and likes adventure books. Okay, now, the

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<v Speaker 1>only thing that I can put together is the regular job,

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<v Speaker 1>and that's all I can guess. So I'm going to

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<v Speaker 1>be asking Julie, are you a travel agent?

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<v Speaker 3>That's like together? No?

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<v Speaker 2>No, I'm a psychic parmist. I read people's hands. I

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<v Speaker 2>also read the tarot cards. I'm a tarost and I've

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<v Speaker 2>been doing it professionally for over thirty years.

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<v Speaker 3>You're a psychic, yes, Sally. Oh my god.

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<v Speaker 1>I usually say people, I'm really telepathetic. I can get things,

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<v Speaker 1>but I got nothing. You should have put some of

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<v Speaker 1>those ideas in my head out right, like hands.

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<v Speaker 3>I get her.

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<v Speaker 1>Oh, you should have just said palms, damn it, damn it.

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<v Speaker 2>Oh.

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<v Speaker 1>So it turns out that Jillie is not in fact

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<v Speaker 1>a travel agent. She is a psychic palmist. Yes, a palmist?

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<v Speaker 1>How does that even work? Is someone talking to her

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<v Speaker 1>right now?

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<v Speaker 3>Are there more people in the room? I want to know? Also,

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<v Speaker 3>how much hand sanitized does she go through?

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<v Speaker 1>All Right, we're here with Jili, and I found out

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<v Speaker 1>that you were not, in fact a traveler.

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<v Speaker 3>No, my love, I'm not a traveler. You're a what's

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<v Speaker 3>the correct terminology.

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<v Speaker 2>You are a well, I would say I was a

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<v Speaker 2>psychic parmist.

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<v Speaker 3>A parmist. I've never heard that before.

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<v Speaker 1>A parmis. It makes me think of a parmesana chef.

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<v Speaker 1>It's making sense. Now, You're like, I'm not cooking chicken today,

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<v Speaker 1>I'm cooking palms parmasana. Okay, so a psychic parmas I

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<v Speaker 1>have never met a psychic parmis before.

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<v Speaker 3>What does that mean?

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<v Speaker 1>How did you get started into the world of psychic

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<v Speaker 1>psychic parmastro.

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<v Speaker 2>I mean, I suppose in some ways I'm quite lucky

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<v Speaker 2>because I was given it as a gift, if you like.

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<v Speaker 2>It was brought down for my family. I didn't really

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<v Speaker 2>recognize it and really want to do and while I

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<v Speaker 2>was in my late twenties. But yeah, it's a natural thing.

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<v Speaker 2>But also I developed it. I learned skills. I went

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<v Speaker 2>to Psychic College in London for five years.

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<v Speaker 3>What, yes, psychic college.

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<v Speaker 2>Yes, the College of Psychic Oh, school.

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<v Speaker 3>For psyche there's a school for us.

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<v Speaker 2>Love.

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<v Speaker 3>There's quite a few colleges like that. Actually really yeah, yeah?

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<v Speaker 3>What was psychic school?

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<v Speaker 2>Like? You know, Oh my god, that was amazing. You

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<v Speaker 2>just meet the most incredible people, and it expands your horizons,

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<v Speaker 2>you know, and you just yeah, you just immerse in

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<v Speaker 2>this other world, alternative world.

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<v Speaker 3>Yeah, it's fantastic.

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<v Speaker 2>Yeah, developing skills.

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<v Speaker 1>It's no different to someone teaching you how to use

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<v Speaker 1>your voice to sing exactly.

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<v Speaker 3>It's just psych.

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<v Speaker 2>Yeah, can you get more confidence? It's about it builds

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<v Speaker 2>your confidence. So you know, the more you do, the

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<v Speaker 2>more you're learning. And you know, you sort of testing

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<v Speaker 2>your skills as well.

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<v Speaker 1>Is it test a really long thing? Like you read

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<v Speaker 1>someone and then you have to wait like six months ago.

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<v Speaker 2>Will No, you do exercises, you know, like development exercises,

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<v Speaker 2>or you know, you'd we'd do things like you'd sit

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<v Speaker 2>in the chair and then you'd swap chairs and you'd

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<v Speaker 2>sit in the chair that other person was in, but

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<v Speaker 2>you'd read their vibration like crazy things like that, you know.

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<v Speaker 2>Or you'd hold a flower and then you'd give that

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<v Speaker 2>flower to the next person and then they'd read it.

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<v Speaker 2>Or you do certain things like you'd give someone a

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<v Speaker 2>piece of jewelry of yours and then you'd do you'd

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<v Speaker 2>read their jewelry and stuff like that, so you know,

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<v Speaker 2>and you do it in the moment so you could

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<v Speaker 2>tell you know.

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<v Speaker 1>Okay, okay, it was a gift for you. That opens

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<v Speaker 1>up my brain going, well, is it something you can

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<v Speaker 1>learn to do? Does everyone have something that they can

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<v Speaker 1>learn to tap into or.

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<v Speaker 2>I mean it's an interesting one in terms of how

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<v Speaker 2>we are, how we're brought into this world, and we're

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<v Speaker 2>brought into the world and we're taught how to be practical,

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<v Speaker 2>you know, I call it the right handed We taught

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<v Speaker 2>the practical elements, but actually we're all very intuitive. That's

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<v Speaker 2>that's part of our nature. We're just naturally intuitive, but

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<v Speaker 2>we're not taught how to do that. So that's why

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<v Speaker 2>you got a psychic coverage.

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<v Speaker 3>Yes I did.

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<v Speaker 2>I went to psychic University and yes, over the years,

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<v Speaker 2>I have my thirty ye old plus years of doing this.

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<v Speaker 2>You know, I've just learned how to use that other

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<v Speaker 2>little quiet skill that you know, we're not taught.

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<v Speaker 1>So what made you discover that you had this? Like,

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<v Speaker 1>did you did your mom sit you down.

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<v Speaker 3>And go you will be a psychic? Yeah?

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<v Speaker 1>How did it work for you to then go on

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<v Speaker 1>the road to psychic school? What's like, what's the steps

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<v Speaker 1>in between?

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<v Speaker 2>So when I was growing up, I grew up between

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<v Speaker 2>Jamaica and the UK.

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<v Speaker 3>Yes.

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<v Speaker 2>So when I was growing up and did part of

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<v Speaker 2>my growing up in Jamaica, my grandmother would tell me

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<v Speaker 2>things and show me things, and she was actually called

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<v Speaker 2>an obia woman. So an obia woman in Jamaica is

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<v Speaker 2>someone who does like natural herbalism, but also they've got

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<v Speaker 2>a little whichy vibe to.

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<v Speaker 3>Them as well.

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<v Speaker 2>And I grew up with that. She would pick me

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<v Speaker 2>up when I was little, literally, I mean carry me,

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<v Speaker 2>and she'd pick up her machete, you know this big

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<v Speaker 2>big knives, right, and she'd pick me up, throw me

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<v Speaker 2>on her hip, pick up her machelle.

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<v Speaker 3>And she was beautiful.

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<v Speaker 2>She was what we call my latter She was black.

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<v Speaker 2>She had black, dark black black skin, and she had

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<v Speaker 2>blue eyes, so she really stunning. Yeah, she was beautiful.

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<v Speaker 2>She has piercing blue eyes and black black skin. So

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<v Speaker 2>when she looked at you, it was really scary. She

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<v Speaker 2>would yeah, like seriously, like, don't mess with this woman.

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<v Speaker 2>So she would throw me on her hip, pick up

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<v Speaker 2>a machette, and then she'd say, come on, I'm going

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<v Speaker 2>to take you into the bush, right, and my mom

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<v Speaker 2>would go, don't take my child, and she'd say, shut up,

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<v Speaker 2>she has to come and she has to learn right.

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<v Speaker 2>And then she would take me and I was like

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<v Speaker 2>ten or eleven, and she would take me and this

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<v Speaker 2>take me up into the bush and then she'd show

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<v Speaker 2>me things. Not that I remembered that much because I

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<v Speaker 2>was teeny. You go into her house and she'd always

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<v Speaker 2>have something boiling on the stove. It's always a bit dodger.

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<v Speaker 3>What are you cooking up? People cooking up myths. It's

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<v Speaker 3>a lot more starting them.

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<v Speaker 2>She'd have all this stuff, and she'd have all these

0:12:15.920 --> 0:12:18.199
<v Speaker 2>bottles and yeah, it's just beautiful. And then she'd have

0:12:18.240 --> 0:12:20.280
<v Speaker 2>people just coming into the house all the time, and

0:12:20.320 --> 0:12:23.080
<v Speaker 2>they'd be coming for healing, you know. So they'd go

0:12:23.120 --> 0:12:26.040
<v Speaker 2>to traditional doctors and they wouldn't get healed or they

0:12:26.080 --> 0:12:28.080
<v Speaker 2>wouldn't find their solutions, and then they'd just come to

0:12:28.120 --> 0:12:30.680
<v Speaker 2>my grandmother. One of the things I started to do

0:12:30.720 --> 0:12:34.120
<v Speaker 2>when I actually started working, first off, is that I

0:12:34.120 --> 0:12:36.000
<v Speaker 2>would people say, well, you know, I've heard that you

0:12:36.000 --> 0:12:38.319
<v Speaker 2>can do this thing jile, And I was like, yeah,

0:12:38.400 --> 0:12:41.320
<v Speaker 2>I've just got this ability to sit and connect. So

0:12:41.400 --> 0:12:42.680
<v Speaker 2>I just say to people, come and sit with me,

0:12:42.720 --> 0:12:45.199
<v Speaker 2>which is what my grandmother would do. So I said, yeah,

0:12:45.320 --> 0:12:47.160
<v Speaker 2>just come sit with me and we'd talk and then

0:12:47.200 --> 0:12:50.120
<v Speaker 2>I'd use some of my practical skills on my Palmestree

0:12:50.200 --> 0:12:52.240
<v Speaker 2>or my Taro cards. But majority of the time I'm

0:12:52.280 --> 0:12:52.760
<v Speaker 2>just tuning.

0:12:53.280 --> 0:12:56.000
<v Speaker 1>I wonder you're a good chef as well, from boiling

0:12:56.120 --> 0:12:59.960
<v Speaker 1>from boiling on the on the stove in Jamaica to hear.

0:13:01.800 --> 0:13:07.000
<v Speaker 3>Skills passed down. My family didn't really pass much down

0:13:07.040 --> 0:13:09.720
<v Speaker 3>to me. What do you get passed down?

0:13:11.040 --> 0:13:16.600
<v Speaker 1>Worry, overthinking everything, that's what passes down in my family.

0:13:17.040 --> 0:13:17.360
<v Speaker 4>Jeez.

0:13:18.120 --> 0:13:20.600
<v Speaker 3>So you you'd already been hinted to that world.

0:13:20.800 --> 0:13:22.520
<v Speaker 2>Yeah, yeah, yeah. My grandma would just look at me

0:13:22.559 --> 0:13:24.080
<v Speaker 2>and go, you have my eyes and you can see

0:13:24.080 --> 0:13:26.760
<v Speaker 2>you know, things, And I'd just like, really, I wasn't interested.

0:13:28.559 --> 0:13:29.520
<v Speaker 2>I was interesting in boys.

0:13:31.640 --> 0:13:33.480
<v Speaker 3>That's nice. Can you see a boyfriend for me?

0:13:33.520 --> 0:13:33.840
<v Speaker 1>Please?

0:13:35.760 --> 0:13:37.199
<v Speaker 3>That's all I want to see.

0:13:37.760 --> 0:13:42.439
<v Speaker 1>Okay, So was there a specific thing or a series

0:13:42.480 --> 0:13:43.600
<v Speaker 1>of events that made you go.

0:13:43.720 --> 0:13:47.439
<v Speaker 3>Oh, I think I might have a little a little.

0:13:47.160 --> 0:13:50.120
<v Speaker 2>Skill actually know what I still do that now, even

0:13:50.160 --> 0:13:54.280
<v Speaker 2>thirty years later. Yeah, I still get shocked. Okay what

0:13:54.400 --> 0:13:57.959
<v Speaker 2>I'm reading or you know, I work online majority of

0:13:58.000 --> 0:14:00.559
<v Speaker 2>the time now, so I have clients all of the world.

0:14:00.880 --> 0:14:05.160
<v Speaker 2>So you could be in India and I'm reading for you.

0:14:05.160 --> 0:14:07.040
<v Speaker 3>How can you get through the internet that.

0:14:07.160 --> 0:14:08.760
<v Speaker 2>It's not through the internet, it's through me.

0:14:09.520 --> 0:14:09.720
<v Speaker 1>You know.

0:14:09.800 --> 0:14:13.480
<v Speaker 2>That's why I said, it's all intuitive, right, So if

0:14:13.520 --> 0:14:16.079
<v Speaker 2>I have your name, I can just read.

0:14:16.679 --> 0:14:20.240
<v Speaker 1>Really yeah, because I've always understood you know, like with

0:14:20.520 --> 0:14:22.600
<v Speaker 1>palm reading. Yeah, like okay, well you're touching, you can

0:14:22.640 --> 0:14:25.080
<v Speaker 1>see yeah, yeah, yeah, you know feel because I'm a

0:14:25.080 --> 0:14:29.200
<v Speaker 1>big believer in like energy, right, okay, especially when you're

0:14:29.200 --> 0:14:30.120
<v Speaker 1>in the space with someone.

0:14:30.200 --> 0:14:32.960
<v Speaker 3>But like it's just you can just hear it, know

0:14:33.080 --> 0:14:36.920
<v Speaker 3>someone's name and you can yeah really yeah, yeah. Yeah.

0:14:37.360 --> 0:14:40.960
<v Speaker 2>I'm what they call Claire audience. So I hear my information.

0:14:41.640 --> 0:14:45.440
<v Speaker 2>But Claire audiency isn't It isn't the simplicity of just

0:14:46.440 --> 0:14:49.080
<v Speaker 2>like you hearing a voice. It actually comes in the

0:14:49.120 --> 0:14:53.800
<v Speaker 2>realms of feeling. So it's it's a little bit different.

0:14:53.920 --> 0:14:56.080
<v Speaker 2>You kind of feel information. What I have to do

0:14:56.200 --> 0:14:58.120
<v Speaker 2>is I have to put it into language. I have

0:14:58.200 --> 0:15:01.760
<v Speaker 2>to put words to it. So I will sometimes I

0:15:01.760 --> 0:15:04.600
<v Speaker 2>will literally hear somebody like I will hear voice and

0:15:04.640 --> 0:15:07.480
<v Speaker 2>someone talking, and then other times I'll just get a feeling.

0:15:07.560 --> 0:15:09.840
<v Speaker 2>But then I have to turn it into language. So

0:15:09.840 --> 0:15:12.160
<v Speaker 2>as two things kind of happen at the same time.

0:15:12.360 --> 0:15:14.840
<v Speaker 2>It's pretty weird interesting.

0:15:15.080 --> 0:15:17.880
<v Speaker 3>Yeah, it's hard to pull apart. Yeah it is.

0:15:17.960 --> 0:15:21.240
<v Speaker 2>It's such a different expression. It's such a different world.

0:15:21.400 --> 0:15:23.320
<v Speaker 3>You're a translator, yeah.

0:15:22.920 --> 0:15:26.040
<v Speaker 2>You are. You become the conduit, like for energy, so

0:15:26.080 --> 0:15:29.640
<v Speaker 2>you know, things come in and you're just that little

0:15:29.680 --> 0:15:32.000
<v Speaker 2>conduit where the energy comes through and then you have

0:15:32.080 --> 0:15:35.560
<v Speaker 2>to translate it. Sometimes, if I'm sitting with someone, if

0:15:35.600 --> 0:15:38.760
<v Speaker 2>I'm reading their hands, I'm also connecting to them as well.

0:15:38.840 --> 0:15:41.040
<v Speaker 2>So i'm holding someone's hand, I will be connecting and

0:15:41.160 --> 0:15:44.720
<v Speaker 2>reading your energy. So yeah, there's a lot of things

0:15:44.760 --> 0:15:45.800
<v Speaker 2>all happening at the same time.

0:15:45.920 --> 0:15:48.240
<v Speaker 1>What happens is someone like me when I've got two names,

0:15:49.800 --> 0:15:52.920
<v Speaker 1>I'm curious, Yeah, because I've got a name for art

0:15:53.000 --> 0:15:54.640
<v Speaker 1>to the moment, I've got a name for me out

0:15:54.640 --> 0:15:55.120
<v Speaker 1>of drag.

0:15:55.280 --> 0:15:57.840
<v Speaker 2>So it doesn't kind of matter really or maybe like

0:15:57.840 --> 0:16:00.600
<v Speaker 2>it just as long as you identify with it. If

0:16:00.600 --> 0:16:04.040
<v Speaker 2>it's your name, then you identify with it. That's all

0:16:04.040 --> 0:16:04.560
<v Speaker 2>that's important.

0:16:04.600 --> 0:16:06.040
<v Speaker 1>I was going to say, maybe you could tap into

0:16:06.120 --> 0:16:10.000
<v Speaker 1>art and you'd be like very sore feet, tap into

0:16:10.400 --> 0:16:15.080
<v Speaker 1>my boy name Jack and be like tired. I don't know,

0:16:15.640 --> 0:16:19.960
<v Speaker 1>maybe they've got different traits, different moods. I've always been fascinated,

0:16:20.480 --> 0:16:23.400
<v Speaker 1>but I'm scared because I don't like the unknown, and

0:16:23.480 --> 0:16:27.360
<v Speaker 1>I'm like, I'm very in my like everything is organized

0:16:27.360 --> 0:16:31.600
<v Speaker 1>and what's happening, like everything laid out a plus big

0:16:31.720 --> 0:16:35.520
<v Speaker 1>or see done. Really, So I'm terrified because I also

0:16:35.640 --> 0:16:40.240
<v Speaker 1>hate bad news. Is there any times when you're reading

0:16:40.400 --> 0:16:42.960
<v Speaker 1>where you're like, oh, this isn't very good because there's

0:16:42.960 --> 0:16:43.560
<v Speaker 1>your whole.

0:16:43.360 --> 0:16:47.120
<v Speaker 2>Difficult difficult moments. Yeah, of course, you know, it's like

0:16:48.000 --> 0:16:53.360
<v Speaker 2>it's life, you know. You know where the skill is

0:16:53.400 --> 0:16:56.840
<v Speaker 2>as a reader is that you're able to give the

0:16:56.880 --> 0:17:01.320
<v Speaker 2>information to that person in a way that it you know,

0:17:01.520 --> 0:17:04.639
<v Speaker 2>it doesn't harm or hurt you know, you give it

0:17:04.680 --> 0:17:07.560
<v Speaker 2>in a way that helps them to understand that situation

0:17:07.960 --> 0:17:10.800
<v Speaker 2>or how they can manage it better. You know, so

0:17:11.600 --> 0:17:14.880
<v Speaker 2>you have to be really diplomatic, but yeah, you can

0:17:14.920 --> 0:17:17.959
<v Speaker 2>find a way to communicate with someone if something is

0:17:18.400 --> 0:17:21.680
<v Speaker 2>difficult or coming up or challenging, you know, you find

0:17:21.720 --> 0:17:23.680
<v Speaker 2>a way to just give them the information that it

0:17:23.760 --> 0:17:26.760
<v Speaker 2>doesn't harm them, but it helps them to manage it,

0:17:26.880 --> 0:17:29.560
<v Speaker 2>which is the reason they call in you, you know

0:17:29.560 --> 0:17:34.040
<v Speaker 2>what I mean, it's got to be there scared. Yeah, yeah,

0:17:34.240 --> 0:17:37.320
<v Speaker 2>but it's like it's truth, you know. And it's like

0:17:37.720 --> 0:17:39.720
<v Speaker 2>I often say the clients like, I'm not telling you

0:17:39.760 --> 0:17:42.520
<v Speaker 2>stuff you don't already know true, you know, like people

0:17:42.560 --> 0:17:45.040
<v Speaker 2>kind of go, oh, it's all mystic and it has

0:17:45.040 --> 0:17:47.119
<v Speaker 2>got magic and it is beautiful. But at the end

0:17:47.119 --> 0:17:48.720
<v Speaker 2>of the day, I'm not telling you anything that you

0:17:48.720 --> 0:17:50.879
<v Speaker 2>don't already feel and you don't reason to know. What

0:17:50.960 --> 0:17:53.240
<v Speaker 2>I do is I put it on the table right

0:17:53.320 --> 0:17:55.199
<v Speaker 2>and make it and make you look at it, Look

0:17:55.200 --> 0:17:57.600
<v Speaker 2>at it, take a good look at it.

0:17:57.640 --> 0:18:00.680
<v Speaker 3>Come on, well, I guess it's true.

0:18:00.720 --> 0:18:04.160
<v Speaker 1>It's also like tapping into something that they may subconsciously

0:18:04.200 --> 0:18:05.880
<v Speaker 1>be wanting to address or think.

0:18:06.000 --> 0:18:07.600
<v Speaker 2>Yeah, yeah, I'll think about it and you pull stuff

0:18:07.600 --> 0:18:10.480
<v Speaker 2>out and it's and it's you know, it has a

0:18:10.560 --> 0:18:13.119
<v Speaker 2>beauty about it, yeah, you know, and it's lovely. And

0:18:13.119 --> 0:18:15.520
<v Speaker 2>that's what I love about this work. You go on

0:18:15.560 --> 0:18:20.639
<v Speaker 2>these incredible journeys with people. It's intimate and unique, and

0:18:20.720 --> 0:18:23.520
<v Speaker 2>they you step into someone's world, you know, I step

0:18:23.520 --> 0:18:25.000
<v Speaker 2>into your well for half an hour. And I say

0:18:25.040 --> 0:18:26.920
<v Speaker 2>that sometimes my clients I'm looking at their hands like

0:18:27.480 --> 0:18:31.320
<v Speaker 2>I'm going to do your whole life right from whenever

0:18:31.359 --> 0:18:33.239
<v Speaker 2>that is, I mean from not to fifty, Say you're

0:18:33.240 --> 0:18:34.600
<v Speaker 2>fifty years old, I'm going to do you from not

0:18:34.680 --> 0:18:36.679
<v Speaker 2>to fifty and half an hour, Like really give me

0:18:36.720 --> 0:18:41.640
<v Speaker 2>some space, like really, don't expect any.

0:18:41.440 --> 0:18:43.440
<v Speaker 3>Miracles like bam. Yeah, And I've got to.

0:18:43.400 --> 0:18:46.640
<v Speaker 2>Hit it straight on where the struggle is or where

0:18:46.680 --> 0:18:49.120
<v Speaker 2>the challenge is or what we need to address. I've

0:18:49.119 --> 0:18:51.199
<v Speaker 2>got to hit it in half an hour. Can you

0:18:51.240 --> 0:18:55.120
<v Speaker 2>imagine then, from my suspective as a reader, how much

0:18:55.119 --> 0:18:58.199
<v Speaker 2>pressure that is? Right, I've got to find it and

0:18:58.240 --> 0:19:00.760
<v Speaker 2>I've got to address it and hopefully give some guidance

0:19:01.080 --> 0:19:02.880
<v Speaker 2>in your life structure in half an hour.

0:19:03.280 --> 0:19:07.760
<v Speaker 3>What if someone doesn't want guidance? What color do I

0:19:07.800 --> 0:19:08.399
<v Speaker 3>have around me?

0:19:08.680 --> 0:19:08.880
<v Speaker 2>Yeah?

0:19:08.880 --> 0:19:14.120
<v Speaker 3>I don't know. I'm not your reader, so to go to.

0:19:14.080 --> 0:19:18.240
<v Speaker 1>You specifically for like life guidance, Yeah, I mean that's

0:19:18.280 --> 0:19:19.160
<v Speaker 1>what I'm good at.

0:19:21.080 --> 0:19:25.000
<v Speaker 3>That scary, isn't it? Okay?

0:19:25.240 --> 0:19:29.560
<v Speaker 1>Okay? Have you ever touched someone's hand and then got

0:19:29.560 --> 0:19:36.399
<v Speaker 1>an electric shock? Like damn it? Just like just like

0:19:36.400 --> 0:19:39.240
<v Speaker 1>like you know, a serious moment and some person's been

0:19:39.320 --> 0:19:40.800
<v Speaker 1>rubbing their feet on the carpet.

0:19:41.080 --> 0:19:49.520
<v Speaker 3>You're like, could you not please serious moments? Okay?

0:19:49.560 --> 0:19:52.720
<v Speaker 1>Well, I think The only way to end this will

0:19:52.760 --> 0:19:55.840
<v Speaker 1>be to ask you to read my giant part.

0:19:56.960 --> 0:20:00.280
<v Speaker 3>I'm sweaty and glittery. You can see.

0:20:00.760 --> 0:20:02.520
<v Speaker 2>Let's have a look at those little myths.

0:20:03.320 --> 0:20:08.040
<v Speaker 1>They wouldn't say a little beautiful little mits you've got.

0:20:09.240 --> 0:20:15.199
<v Speaker 2>Okay, so you need constant stimulation, all right. You're you

0:20:15.240 --> 0:20:19.280
<v Speaker 2>get bored really easily, really fast, So you've got to

0:20:19.280 --> 0:20:24.840
<v Speaker 2>be stimulated. You need lots of interaction like constant. Okay,

0:20:26.600 --> 0:20:28.360
<v Speaker 2>you've got a lovely heartline.

0:20:28.760 --> 0:20:30.720
<v Speaker 3>I like this, and.

0:20:32.280 --> 0:20:36.520
<v Speaker 2>You have this ability to hold people in a very

0:20:36.600 --> 0:20:39.199
<v Speaker 2>very special, unique way with your heart. I love that.

0:20:40.040 --> 0:20:42.119
<v Speaker 2>So it also tells me about the elements of your

0:20:42.160 --> 0:20:48.480
<v Speaker 2>imagination as well, so in terms of your stimulation. For you,

0:20:49.040 --> 0:20:52.120
<v Speaker 2>anything in the realms of fantasy is also a really

0:20:52.160 --> 0:20:52.600
<v Speaker 2>big thing.

0:20:53.359 --> 0:20:56.680
<v Speaker 3>Look at that. M m m mmm.

0:21:00.240 --> 0:21:02.879
<v Speaker 2>There is one thing that is for absolute sure is

0:21:02.880 --> 0:21:04.800
<v Speaker 2>that whatever happens, you've got to be the boss.

0:21:05.480 --> 0:21:06.000
<v Speaker 3>Wel you.

0:21:16.800 --> 0:21:20.080
<v Speaker 1>Well, that was Jilly, and no she's not a travel agent,

0:21:20.119 --> 0:21:22.520
<v Speaker 1>although she's done all that crazy shit all her life.

0:21:22.760 --> 0:21:27.360
<v Speaker 1>She's in fact a psychic palmist, so she's been traveling

0:21:27.400 --> 0:21:32.080
<v Speaker 1>a whole different world psychedelic baby. But the good news

0:21:32.200 --> 0:21:35.520
<v Speaker 1>is I'm the boss, always have been, always will be.

0:21:36.000 --> 0:21:36.640
<v Speaker 3>It's written in.

0:21:36.560 --> 0:21:40.560
<v Speaker 1>The stars on my palm, you've been listening to an

0:21:40.600 --> 0:21:43.679
<v Speaker 1>iHeart and Kiss production concealed with artsimone.

0:21:44.200 --> 0:21:45.040
<v Speaker 3>Listen for free on the.

0:21:44.960 --> 0:21:48.920
<v Speaker 1>iHeartRadio app and listen to your arts content. And don't

0:21:48.960 --> 0:21:51.080
<v Speaker 1>forget to check us out on the socials where you

0:21:51.080 --> 0:21:52.119
<v Speaker 1>can have a go at reading me.

0:21:52.600 --> 0:21:54.840
<v Speaker 3>I dare you go on read me.

0:22:00.200 --> 0:22:02.320
<v Speaker 1>Momma.

0:22:02.520 --> 0:22:03.000
<v Speaker 4>Yes,