1 00:00:08,360 --> 00:00:13,600 Speaker 1: Hello, it's me the gorgeous, intelligent and talented artsimone. I'm 2 00:00:13,640 --> 00:00:16,280 Speaker 1: in a quest to find people that look very normal 3 00:00:16,400 --> 00:00:20,200 Speaker 1: and seem like the average person, except they're not. They're 4 00:00:20,239 --> 00:00:23,040 Speaker 1: concealing something that makes them stand out from the crowd. 5 00:00:23,720 --> 00:00:26,880 Speaker 1: Each episode, I'll meet with a regular seeming person and 6 00:00:27,080 --> 00:00:30,760 Speaker 1: try to uncover what weird profession, creepy hobby, or dirty 7 00:00:30,840 --> 00:00:34,400 Speaker 1: little secret they're concealing. The catch is I don't know 8 00:00:34,440 --> 00:00:37,639 Speaker 1: who the guest is or what they're concealing. I'll get 9 00:00:37,680 --> 00:00:40,680 Speaker 1: to know them, ask them three questions, and then we 10 00:00:40,720 --> 00:00:45,600 Speaker 1: will find out together. Welcome to Concealed with Arts swermone. Oh, 11 00:00:45,640 --> 00:00:50,680 Speaker 1: I think our guest is here roll the type. 12 00:00:51,440 --> 00:00:55,480 Speaker 2: Hello. I'm Jilly. I live in Melbourne and I work 13 00:00:55,560 --> 00:00:58,840 Speaker 2: as a mental health crisis supporter. I mainly work with 14 00:00:59,080 --> 00:01:03,200 Speaker 2: university student So before I did that, i was living 15 00:01:03,360 --> 00:01:07,160 Speaker 2: and working in Spain as a chef. And I'm also 16 00:01:07,480 --> 00:01:11,440 Speaker 2: a musician. I had a blues band and I love 17 00:01:11,640 --> 00:01:15,400 Speaker 2: reading and I draw as well. Drawing is one of 18 00:01:15,440 --> 00:01:20,920 Speaker 2: my main passions. 19 00:01:21,600 --> 00:01:25,319 Speaker 1: Hello, Jillie, love me to meet you. Welcome to the studio. 20 00:01:25,640 --> 00:01:27,839 Speaker 1: You've come in looking absolutely beautiful. That you're as suave 21 00:01:28,360 --> 00:01:30,440 Speaker 1: black on black on black is what you're wearing today, 22 00:01:30,480 --> 00:01:33,560 Speaker 1: which is basically the uniform of people from Melbourne. So 23 00:01:33,640 --> 00:01:38,080 Speaker 1: you were assimilating with us wonderfully. Yes, you're here is wonderful. 24 00:01:38,120 --> 00:01:41,280 Speaker 1: You got some lovely purple eyes shadow on? What color 25 00:01:41,280 --> 00:01:41,760 Speaker 1: your nails? 26 00:01:41,800 --> 00:01:42,440 Speaker 3: Oh? 27 00:01:42,800 --> 00:01:43,240 Speaker 2: Purple? 28 00:01:43,360 --> 00:01:47,600 Speaker 3: Good? Is purple your favorite color? Can you tell? I 29 00:01:47,720 --> 00:01:48,760 Speaker 3: cracked it practic. 30 00:01:49,200 --> 00:01:51,360 Speaker 1: We don't need to ask any questions. She's grimis, she's 31 00:01:51,400 --> 00:01:58,160 Speaker 1: premis from McDonald's. I've worked it out in disguise. All right, 32 00:01:58,240 --> 00:02:01,840 Speaker 1: So let's go through some things. You work with university students, 33 00:02:01,920 --> 00:02:04,360 Speaker 1: my health support. Do you work with like a particular 34 00:02:04,480 --> 00:02:07,440 Speaker 1: uni or can I like call it a hotline and go. 35 00:02:07,840 --> 00:02:10,760 Speaker 3: Hey, Julie, just want to chat what's going on? 36 00:02:11,040 --> 00:02:13,520 Speaker 1: And you say, I'm busy, all right, I'm out at 37 00:02:13,520 --> 00:02:14,880 Speaker 1: a restaurant because I'm in Melbourne. 38 00:02:14,919 --> 00:02:19,639 Speaker 3: Stop calling me exactly. Sometimes maybe I wish I could 39 00:02:19,680 --> 00:02:21,440 Speaker 3: do that. I know right now. 40 00:02:21,520 --> 00:02:23,840 Speaker 2: We actually, we actually are a small team and we 41 00:02:23,919 --> 00:02:27,440 Speaker 2: cover about twenty three universities all over Australia. 42 00:02:27,639 --> 00:02:32,400 Speaker 3: Wow, now, have you been to university? No? I love it, 43 00:02:32,400 --> 00:02:35,360 Speaker 3: though it'd be like I have no, I love it. 44 00:02:35,760 --> 00:02:38,399 Speaker 2: Say no, I have been to university university's life there 45 00:02:38,440 --> 00:02:38,799 Speaker 2: you go. 46 00:02:38,880 --> 00:02:41,400 Speaker 1: No, but think if I had a bunch of university 47 00:02:41,440 --> 00:02:43,320 Speaker 1: students calling me, I wouldn't know what they are they're 48 00:02:43,360 --> 00:02:43,880 Speaker 1: talking about. 49 00:02:43,880 --> 00:02:45,960 Speaker 3: They'd be like, oh my, I don't even know what 50 00:02:46,000 --> 00:02:48,120 Speaker 3: a lingo is. Okay. 51 00:02:48,880 --> 00:02:51,640 Speaker 1: An ex chef, yes, Now when you say exit, sounds 52 00:02:51,680 --> 00:02:55,680 Speaker 1: like you have been like removed from the chef like knighthood. 53 00:02:55,720 --> 00:02:58,799 Speaker 1: They've said no more, jilly. You know, you served one 54 00:02:58,880 --> 00:03:03,200 Speaker 1: meal that was bad, and they say, but tell me 55 00:03:03,200 --> 00:03:04,240 Speaker 1: about being chef. 56 00:03:04,080 --> 00:03:06,360 Speaker 3: Or an X chift? Sorry X chift? What was What 57 00:03:06,440 --> 00:03:08,240 Speaker 3: was your posty resistance? 58 00:03:08,520 --> 00:03:11,600 Speaker 2: Something? Probably very simple, like I don't know. 59 00:03:12,120 --> 00:03:15,799 Speaker 3: I'm really good at cereal. That's pretty good. Yeah, I know. 60 00:03:16,480 --> 00:03:17,880 Speaker 2: You know there's a technique in the pouring. 61 00:03:18,000 --> 00:03:20,320 Speaker 1: Well, it's aorts of the ratio because you wanted to 62 00:03:20,360 --> 00:03:21,640 Speaker 1: stay crunchy long enough. 63 00:03:21,800 --> 00:03:22,040 Speaker 2: You know. 64 00:03:22,400 --> 00:03:27,000 Speaker 3: Oh you're good. Yeah, it's very and the milk temperature. 65 00:03:27,200 --> 00:03:27,680 Speaker 3: It is. 66 00:03:30,880 --> 00:03:35,000 Speaker 1: Also multi talent a singer, yeah, oh my goodness. 67 00:03:35,200 --> 00:03:36,840 Speaker 3: And you have a blues ban and blue is my 68 00:03:36,880 --> 00:03:37,960 Speaker 3: favorite color. So I reckon. 69 00:03:40,800 --> 00:03:42,800 Speaker 1: All right, So I've got a bit of history. Okay, 70 00:03:42,840 --> 00:03:45,960 Speaker 1: Now I've got three questions for you. Question number one, 71 00:03:46,560 --> 00:03:47,839 Speaker 1: what is your favorite thing? 72 00:03:48,040 --> 00:03:48,560 Speaker 3: To draw. 73 00:03:49,320 --> 00:03:57,360 Speaker 4: Ooh, my favorite thing to draw. I do have a 74 00:03:57,640 --> 00:04:17,360 Speaker 4: fascination with hands. 75 00:04:13,800 --> 00:04:17,360 Speaker 3: Hands. 76 00:04:17,360 --> 00:04:25,400 Speaker 1: I think it's like deep but okay, hands, you love 77 00:04:25,440 --> 00:04:26,239 Speaker 1: to draw hands? 78 00:04:26,680 --> 00:04:29,000 Speaker 2: Yeah, I did have a little bit of thing about hands. 79 00:04:29,120 --> 00:04:32,720 Speaker 3: Okay, okay, all right. 80 00:04:33,600 --> 00:04:37,120 Speaker 1: Question number two, what is an essential part of your 81 00:04:37,200 --> 00:04:38,120 Speaker 1: daily routine? 82 00:04:39,200 --> 00:04:41,920 Speaker 2: Essential part of my daily routine would be to go 83 00:04:42,400 --> 00:04:43,440 Speaker 2: walking in nature. 84 00:04:43,920 --> 00:04:45,719 Speaker 1: When you say walking in nature, do you mean you 85 00:04:45,760 --> 00:04:47,479 Speaker 1: have to go out into like the bush or you 86 00:04:47,520 --> 00:04:48,960 Speaker 1: just mean like going outside, going for a walk. 87 00:04:49,440 --> 00:04:51,599 Speaker 2: She's going outside going okay, yeah, but I mean I 88 00:04:51,640 --> 00:04:55,000 Speaker 2: do try and head towards some greenery somewhere, you know, 89 00:04:55,120 --> 00:04:57,320 Speaker 2: like just so I can immerse myself. 90 00:04:57,520 --> 00:04:58,279 Speaker 3: Okay. 91 00:04:58,560 --> 00:05:02,680 Speaker 1: And question number three, question what are you currently reading? 92 00:05:03,120 --> 00:05:09,240 Speaker 2: Okay, so, I'm currently reading a book called Rewild. It's 93 00:05:09,400 --> 00:05:16,520 Speaker 2: about people's experiences and adventures and how it influences their life. 94 00:05:17,000 --> 00:05:24,120 Speaker 1: Okay, okay, book about adventures Charlie Brown, something like that. Okay, 95 00:05:24,920 --> 00:05:28,960 Speaker 1: let's summarize what I've got going, because I'll admit sometimes 96 00:05:29,000 --> 00:05:31,560 Speaker 1: I've got a very big incline. 97 00:05:31,800 --> 00:05:34,880 Speaker 3: Today I am so lost. 98 00:05:35,040 --> 00:05:38,640 Speaker 1: Okay, all right, ex chef, does it like to stay 99 00:05:38,640 --> 00:05:43,359 Speaker 1: in the same place? Can sing? Loves hands? Likes to 100 00:05:43,440 --> 00:05:48,599 Speaker 1: leave the house and likes adventure books. Okay, now, the 101 00:05:48,640 --> 00:05:50,560 Speaker 1: only thing that I can put together is the regular job, 102 00:05:50,600 --> 00:05:52,640 Speaker 1: and that's all I can guess. So I'm going to 103 00:05:52,680 --> 00:05:55,560 Speaker 1: be asking Julie, are you a travel agent? 104 00:05:58,200 --> 00:06:01,080 Speaker 3: That's like together? No? 105 00:06:01,080 --> 00:06:10,080 Speaker 2: No, I'm a psychic parmist. I read people's hands. I 106 00:06:10,160 --> 00:06:14,719 Speaker 2: also read the tarot cards. I'm a tarost and I've 107 00:06:14,720 --> 00:06:19,840 Speaker 2: been doing it professionally for over thirty years. 108 00:06:20,320 --> 00:06:23,039 Speaker 3: You're a psychic, yes, Sally. Oh my god. 109 00:06:26,200 --> 00:06:28,880 Speaker 1: I usually say people, I'm really telepathetic. I can get things, 110 00:06:28,960 --> 00:06:31,600 Speaker 1: but I got nothing. You should have put some of 111 00:06:31,640 --> 00:06:35,800 Speaker 1: those ideas in my head out right, like hands. 112 00:06:35,440 --> 00:06:35,919 Speaker 3: I get her. 113 00:06:36,240 --> 00:06:40,120 Speaker 1: Oh, you should have just said palms, damn it, damn it. 114 00:06:42,800 --> 00:06:43,600 Speaker 2: Oh. 115 00:06:43,640 --> 00:06:45,839 Speaker 1: So it turns out that Jillie is not in fact 116 00:06:45,920 --> 00:06:50,839 Speaker 1: a travel agent. She is a psychic palmist. Yes, a palmist? 117 00:06:51,000 --> 00:06:53,240 Speaker 1: How does that even work? Is someone talking to her 118 00:06:53,320 --> 00:06:53,719 Speaker 1: right now? 119 00:06:53,880 --> 00:06:56,200 Speaker 3: Are there more people in the room? I want to know? Also, 120 00:06:56,600 --> 00:06:58,520 Speaker 3: how much hand sanitized does she go through? 121 00:07:10,520 --> 00:07:12,760 Speaker 1: All Right, we're here with Jili, and I found out 122 00:07:12,800 --> 00:07:15,200 Speaker 1: that you were not, in fact a traveler. 123 00:07:17,040 --> 00:07:20,080 Speaker 3: No, my love, I'm not a traveler. You're a what's 124 00:07:20,120 --> 00:07:21,320 Speaker 3: the correct terminology. 125 00:07:21,400 --> 00:07:24,160 Speaker 2: You are a well, I would say I was a 126 00:07:24,200 --> 00:07:25,320 Speaker 2: psychic parmist. 127 00:07:25,480 --> 00:07:27,560 Speaker 3: A parmist. I've never heard that before. 128 00:07:27,600 --> 00:07:31,440 Speaker 1: A parmis. It makes me think of a parmesana chef. 129 00:07:31,560 --> 00:07:35,840 Speaker 1: It's making sense. Now, You're like, I'm not cooking chicken today, 130 00:07:36,040 --> 00:07:43,880 Speaker 1: I'm cooking palms parmasana. Okay, so a psychic parmas I 131 00:07:43,920 --> 00:07:45,679 Speaker 1: have never met a psychic parmis before. 132 00:07:45,920 --> 00:07:46,600 Speaker 3: What does that mean? 133 00:07:47,400 --> 00:07:49,600 Speaker 1: How did you get started into the world of psychic 134 00:07:49,680 --> 00:07:50,600 Speaker 1: psychic parmastro. 135 00:07:50,840 --> 00:07:53,360 Speaker 2: I mean, I suppose in some ways I'm quite lucky 136 00:07:53,560 --> 00:07:56,320 Speaker 2: because I was given it as a gift, if you like. 137 00:07:56,400 --> 00:07:58,720 Speaker 2: It was brought down for my family. I didn't really 138 00:07:58,760 --> 00:08:00,200 Speaker 2: recognize it and really want to do and while I 139 00:08:00,280 --> 00:08:03,480 Speaker 2: was in my late twenties. But yeah, it's a natural thing. 140 00:08:03,560 --> 00:08:05,920 Speaker 2: But also I developed it. I learned skills. I went 141 00:08:05,960 --> 00:08:08,680 Speaker 2: to Psychic College in London for five years. 142 00:08:08,880 --> 00:08:14,800 Speaker 3: What, yes, psychic college. 143 00:08:14,400 --> 00:08:19,440 Speaker 2: Yes, the College of Psychic Oh, school. 144 00:08:19,240 --> 00:08:21,000 Speaker 3: For psyche there's a school for us. 145 00:08:21,040 --> 00:08:21,280 Speaker 2: Love. 146 00:08:21,320 --> 00:08:24,400 Speaker 3: There's quite a few colleges like that. Actually really yeah, yeah? 147 00:08:24,440 --> 00:08:25,640 Speaker 3: What was psychic school? 148 00:08:25,800 --> 00:08:28,440 Speaker 2: Like? You know, Oh my god, that was amazing. You 149 00:08:28,640 --> 00:08:33,880 Speaker 2: just meet the most incredible people, and it expands your horizons, 150 00:08:34,000 --> 00:08:37,160 Speaker 2: you know, and you just yeah, you just immerse in 151 00:08:37,240 --> 00:08:38,840 Speaker 2: this other world, alternative world. 152 00:08:39,000 --> 00:08:39,920 Speaker 3: Yeah, it's fantastic. 153 00:08:40,120 --> 00:08:41,680 Speaker 2: Yeah, developing skills. 154 00:08:41,720 --> 00:08:45,199 Speaker 1: It's no different to someone teaching you how to use 155 00:08:45,240 --> 00:08:46,680 Speaker 1: your voice to sing exactly. 156 00:08:46,840 --> 00:08:47,760 Speaker 3: It's just psych. 157 00:08:47,679 --> 00:08:50,400 Speaker 2: Yeah, can you get more confidence? It's about it builds 158 00:08:50,440 --> 00:08:52,600 Speaker 2: your confidence. So you know, the more you do, the 159 00:08:52,600 --> 00:08:55,120 Speaker 2: more you're learning. And you know, you sort of testing 160 00:08:55,120 --> 00:08:56,000 Speaker 2: your skills as well. 161 00:08:56,200 --> 00:08:58,440 Speaker 1: Is it test a really long thing? Like you read 162 00:08:58,480 --> 00:09:00,480 Speaker 1: someone and then you have to wait like six months ago. 163 00:09:01,160 --> 00:09:08,079 Speaker 2: Will No, you do exercises, you know, like development exercises, 164 00:09:08,320 --> 00:09:10,679 Speaker 2: or you know, you'd we'd do things like you'd sit 165 00:09:10,720 --> 00:09:13,600 Speaker 2: in the chair and then you'd swap chairs and you'd 166 00:09:13,600 --> 00:09:15,080 Speaker 2: sit in the chair that other person was in, but 167 00:09:15,120 --> 00:09:18,680 Speaker 2: you'd read their vibration like crazy things like that, you know. 168 00:09:18,800 --> 00:09:21,040 Speaker 2: Or you'd hold a flower and then you'd give that 169 00:09:21,080 --> 00:09:23,040 Speaker 2: flower to the next person and then they'd read it. 170 00:09:23,960 --> 00:09:25,840 Speaker 2: Or you do certain things like you'd give someone a 171 00:09:25,840 --> 00:09:28,559 Speaker 2: piece of jewelry of yours and then you'd do you'd 172 00:09:28,600 --> 00:09:30,480 Speaker 2: read their jewelry and stuff like that, so you know, 173 00:09:30,600 --> 00:09:32,360 Speaker 2: and you do it in the moment so you could 174 00:09:32,360 --> 00:09:33,040 Speaker 2: tell you know. 175 00:09:34,880 --> 00:09:40,120 Speaker 1: Okay, okay, it was a gift for you. That opens 176 00:09:40,200 --> 00:09:42,240 Speaker 1: up my brain going, well, is it something you can 177 00:09:42,320 --> 00:09:45,120 Speaker 1: learn to do? Does everyone have something that they can 178 00:09:45,200 --> 00:09:46,319 Speaker 1: learn to tap into or. 179 00:09:47,200 --> 00:09:50,480 Speaker 2: I mean it's an interesting one in terms of how 180 00:09:50,520 --> 00:09:53,080 Speaker 2: we are, how we're brought into this world, and we're 181 00:09:53,080 --> 00:09:55,800 Speaker 2: brought into the world and we're taught how to be practical, 182 00:09:56,240 --> 00:09:58,320 Speaker 2: you know, I call it the right handed We taught 183 00:09:58,320 --> 00:10:02,240 Speaker 2: the practical elements, but actually we're all very intuitive. That's 184 00:10:02,280 --> 00:10:04,600 Speaker 2: that's part of our nature. We're just naturally intuitive, but 185 00:10:04,600 --> 00:10:07,480 Speaker 2: we're not taught how to do that. So that's why 186 00:10:07,480 --> 00:10:08,640 Speaker 2: you got a psychic coverage. 187 00:10:12,880 --> 00:10:13,440 Speaker 3: Yes I did. 188 00:10:13,520 --> 00:10:17,120 Speaker 2: I went to psychic University and yes, over the years, 189 00:10:17,120 --> 00:10:18,920 Speaker 2: I have my thirty ye old plus years of doing this. 190 00:10:19,000 --> 00:10:21,080 Speaker 2: You know, I've just learned how to use that other 191 00:10:21,120 --> 00:10:23,640 Speaker 2: little quiet skill that you know, we're not taught. 192 00:10:24,080 --> 00:10:28,520 Speaker 1: So what made you discover that you had this? Like, 193 00:10:28,600 --> 00:10:30,720 Speaker 1: did you did your mom sit you down. 194 00:10:30,520 --> 00:10:33,400 Speaker 3: And go you will be a psychic? Yeah? 195 00:10:34,120 --> 00:10:36,319 Speaker 1: How did it work for you to then go on 196 00:10:36,360 --> 00:10:40,040 Speaker 1: the road to psychic school? What's like, what's the steps 197 00:10:40,040 --> 00:10:40,600 Speaker 1: in between? 198 00:10:40,960 --> 00:10:42,760 Speaker 2: So when I was growing up, I grew up between 199 00:10:42,800 --> 00:10:43,880 Speaker 2: Jamaica and the UK. 200 00:10:44,080 --> 00:10:44,400 Speaker 3: Yes. 201 00:10:44,480 --> 00:10:46,240 Speaker 2: So when I was growing up and did part of 202 00:10:46,280 --> 00:10:49,840 Speaker 2: my growing up in Jamaica, my grandmother would tell me 203 00:10:49,960 --> 00:10:53,120 Speaker 2: things and show me things, and she was actually called 204 00:10:53,200 --> 00:10:56,240 Speaker 2: an obia woman. So an obia woman in Jamaica is 205 00:10:56,320 --> 00:10:59,640 Speaker 2: someone who does like natural herbalism, but also they've got 206 00:10:59,679 --> 00:11:01,040 Speaker 2: a little whichy vibe to. 207 00:11:01,040 --> 00:11:01,640 Speaker 3: Them as well. 208 00:11:02,400 --> 00:11:04,840 Speaker 2: And I grew up with that. She would pick me 209 00:11:04,880 --> 00:11:07,080 Speaker 2: up when I was little, literally, I mean carry me, 210 00:11:07,640 --> 00:11:09,920 Speaker 2: and she'd pick up her machete, you know this big 211 00:11:10,200 --> 00:11:13,320 Speaker 2: big knives, right, and she'd pick me up, throw me 212 00:11:13,320 --> 00:11:15,439 Speaker 2: on her hip, pick up her machelle. 213 00:11:15,480 --> 00:11:16,199 Speaker 3: And she was beautiful. 214 00:11:16,280 --> 00:11:18,120 Speaker 2: She was what we call my latter She was black. 215 00:11:18,240 --> 00:11:21,120 Speaker 2: She had black, dark black black skin, and she had 216 00:11:21,240 --> 00:11:24,920 Speaker 2: blue eyes, so she really stunning. Yeah, she was beautiful. 217 00:11:24,920 --> 00:11:28,440 Speaker 2: She has piercing blue eyes and black black skin. So 218 00:11:28,520 --> 00:11:32,920 Speaker 2: when she looked at you, it was really scary. She 219 00:11:32,960 --> 00:11:36,319 Speaker 2: would yeah, like seriously, like, don't mess with this woman. 220 00:11:36,640 --> 00:11:38,960 Speaker 2: So she would throw me on her hip, pick up 221 00:11:38,960 --> 00:11:42,040 Speaker 2: a machette, and then she'd say, come on, I'm going 222 00:11:42,080 --> 00:11:44,480 Speaker 2: to take you into the bush, right, and my mom 223 00:11:44,480 --> 00:11:48,280 Speaker 2: would go, don't take my child, and she'd say, shut up, 224 00:11:48,400 --> 00:11:50,679 Speaker 2: she has to come and she has to learn right. 225 00:11:50,760 --> 00:11:52,280 Speaker 2: And then she would take me and I was like 226 00:11:52,440 --> 00:11:55,080 Speaker 2: ten or eleven, and she would take me and this 227 00:11:55,320 --> 00:11:56,920 Speaker 2: take me up into the bush and then she'd show 228 00:11:56,960 --> 00:11:59,200 Speaker 2: me things. Not that I remembered that much because I 229 00:11:59,280 --> 00:12:01,839 Speaker 2: was teeny. You go into her house and she'd always 230 00:12:01,840 --> 00:12:05,360 Speaker 2: have something boiling on the stove. It's always a bit dodger. 231 00:12:07,160 --> 00:12:10,880 Speaker 3: What are you cooking up? People cooking up myths. It's 232 00:12:10,960 --> 00:12:12,080 Speaker 3: a lot more starting them. 233 00:12:13,600 --> 00:12:15,920 Speaker 2: She'd have all this stuff, and she'd have all these 234 00:12:15,920 --> 00:12:18,199 Speaker 2: bottles and yeah, it's just beautiful. And then she'd have 235 00:12:18,240 --> 00:12:20,280 Speaker 2: people just coming into the house all the time, and 236 00:12:20,320 --> 00:12:23,080 Speaker 2: they'd be coming for healing, you know. So they'd go 237 00:12:23,120 --> 00:12:26,040 Speaker 2: to traditional doctors and they wouldn't get healed or they 238 00:12:26,080 --> 00:12:28,080 Speaker 2: wouldn't find their solutions, and then they'd just come to 239 00:12:28,120 --> 00:12:30,680 Speaker 2: my grandmother. One of the things I started to do 240 00:12:30,720 --> 00:12:34,120 Speaker 2: when I actually started working, first off, is that I 241 00:12:34,120 --> 00:12:36,000 Speaker 2: would people say, well, you know, I've heard that you 242 00:12:36,000 --> 00:12:38,319 Speaker 2: can do this thing jile, And I was like, yeah, 243 00:12:38,400 --> 00:12:41,320 Speaker 2: I've just got this ability to sit and connect. So 244 00:12:41,400 --> 00:12:42,680 Speaker 2: I just say to people, come and sit with me, 245 00:12:42,720 --> 00:12:45,199 Speaker 2: which is what my grandmother would do. So I said, yeah, 246 00:12:45,320 --> 00:12:47,160 Speaker 2: just come sit with me and we'd talk and then 247 00:12:47,200 --> 00:12:50,120 Speaker 2: I'd use some of my practical skills on my Palmestree 248 00:12:50,200 --> 00:12:52,240 Speaker 2: or my Taro cards. But majority of the time I'm 249 00:12:52,280 --> 00:12:52,760 Speaker 2: just tuning. 250 00:12:53,280 --> 00:12:56,000 Speaker 1: I wonder you're a good chef as well, from boiling 251 00:12:56,120 --> 00:12:59,960 Speaker 1: from boiling on the on the stove in Jamaica to hear. 252 00:13:01,800 --> 00:13:07,000 Speaker 3: Skills passed down. My family didn't really pass much down 253 00:13:07,040 --> 00:13:09,720 Speaker 3: to me. What do you get passed down? 254 00:13:11,040 --> 00:13:16,600 Speaker 1: Worry, overthinking everything, that's what passes down in my family. 255 00:13:17,040 --> 00:13:17,360 Speaker 4: Jeez. 256 00:13:18,120 --> 00:13:20,600 Speaker 3: So you you'd already been hinted to that world. 257 00:13:20,800 --> 00:13:22,520 Speaker 2: Yeah, yeah, yeah. My grandma would just look at me 258 00:13:22,559 --> 00:13:24,080 Speaker 2: and go, you have my eyes and you can see 259 00:13:24,080 --> 00:13:26,760 Speaker 2: you know, things, And I'd just like, really, I wasn't interested. 260 00:13:28,559 --> 00:13:29,520 Speaker 2: I was interesting in boys. 261 00:13:31,640 --> 00:13:33,480 Speaker 3: That's nice. Can you see a boyfriend for me? 262 00:13:33,520 --> 00:13:33,840 Speaker 1: Please? 263 00:13:35,760 --> 00:13:37,199 Speaker 3: That's all I want to see. 264 00:13:37,760 --> 00:13:42,439 Speaker 1: Okay, So was there a specific thing or a series 265 00:13:42,480 --> 00:13:43,600 Speaker 1: of events that made you go. 266 00:13:43,720 --> 00:13:47,439 Speaker 3: Oh, I think I might have a little a little. 267 00:13:47,160 --> 00:13:50,120 Speaker 2: Skill actually know what I still do that now, even 268 00:13:50,160 --> 00:13:54,280 Speaker 2: thirty years later. Yeah, I still get shocked. Okay what 269 00:13:54,400 --> 00:13:57,959 Speaker 2: I'm reading or you know, I work online majority of 270 00:13:58,000 --> 00:14:00,559 Speaker 2: the time now, so I have clients all of the world. 271 00:14:00,880 --> 00:14:05,160 Speaker 2: So you could be in India and I'm reading for you. 272 00:14:05,160 --> 00:14:07,040 Speaker 3: How can you get through the internet that. 273 00:14:07,160 --> 00:14:08,760 Speaker 2: It's not through the internet, it's through me. 274 00:14:09,520 --> 00:14:09,720 Speaker 1: You know. 275 00:14:09,800 --> 00:14:13,480 Speaker 2: That's why I said, it's all intuitive, right, So if 276 00:14:13,520 --> 00:14:16,079 Speaker 2: I have your name, I can just read. 277 00:14:16,679 --> 00:14:20,240 Speaker 1: Really yeah, because I've always understood you know, like with 278 00:14:20,520 --> 00:14:22,600 Speaker 1: palm reading. Yeah, like okay, well you're touching, you can 279 00:14:22,640 --> 00:14:25,080 Speaker 1: see yeah, yeah, yeah, you know feel because I'm a 280 00:14:25,080 --> 00:14:29,200 Speaker 1: big believer in like energy, right, okay, especially when you're 281 00:14:29,200 --> 00:14:30,120 Speaker 1: in the space with someone. 282 00:14:30,200 --> 00:14:32,960 Speaker 3: But like it's just you can just hear it, know 283 00:14:33,080 --> 00:14:36,920 Speaker 3: someone's name and you can yeah really yeah, yeah. Yeah. 284 00:14:37,360 --> 00:14:40,960 Speaker 2: I'm what they call Claire audience. So I hear my information. 285 00:14:41,640 --> 00:14:45,440 Speaker 2: But Claire audiency isn't It isn't the simplicity of just 286 00:14:46,440 --> 00:14:49,080 Speaker 2: like you hearing a voice. It actually comes in the 287 00:14:49,120 --> 00:14:53,800 Speaker 2: realms of feeling. So it's it's a little bit different. 288 00:14:53,920 --> 00:14:56,080 Speaker 2: You kind of feel information. What I have to do 289 00:14:56,200 --> 00:14:58,120 Speaker 2: is I have to put it into language. I have 290 00:14:58,200 --> 00:15:01,760 Speaker 2: to put words to it. So I will sometimes I 291 00:15:01,760 --> 00:15:04,600 Speaker 2: will literally hear somebody like I will hear voice and 292 00:15:04,640 --> 00:15:07,480 Speaker 2: someone talking, and then other times I'll just get a feeling. 293 00:15:07,560 --> 00:15:09,840 Speaker 2: But then I have to turn it into language. So 294 00:15:09,840 --> 00:15:12,160 Speaker 2: as two things kind of happen at the same time. 295 00:15:12,360 --> 00:15:14,840 Speaker 2: It's pretty weird interesting. 296 00:15:15,080 --> 00:15:17,880 Speaker 3: Yeah, it's hard to pull apart. Yeah it is. 297 00:15:17,960 --> 00:15:21,240 Speaker 2: It's such a different expression. It's such a different world. 298 00:15:21,400 --> 00:15:23,320 Speaker 3: You're a translator, yeah. 299 00:15:22,920 --> 00:15:26,040 Speaker 2: You are. You become the conduit, like for energy, so 300 00:15:26,080 --> 00:15:29,640 Speaker 2: you know, things come in and you're just that little 301 00:15:29,680 --> 00:15:32,000 Speaker 2: conduit where the energy comes through and then you have 302 00:15:32,080 --> 00:15:35,560 Speaker 2: to translate it. Sometimes, if I'm sitting with someone, if 303 00:15:35,600 --> 00:15:38,760 Speaker 2: I'm reading their hands, I'm also connecting to them as well. 304 00:15:38,840 --> 00:15:41,040 Speaker 2: So i'm holding someone's hand, I will be connecting and 305 00:15:41,160 --> 00:15:44,720 Speaker 2: reading your energy. So yeah, there's a lot of things 306 00:15:44,760 --> 00:15:45,800 Speaker 2: all happening at the same time. 307 00:15:45,920 --> 00:15:48,240 Speaker 1: What happens is someone like me when I've got two names, 308 00:15:49,800 --> 00:15:52,920 Speaker 1: I'm curious, Yeah, because I've got a name for art 309 00:15:53,000 --> 00:15:54,640 Speaker 1: to the moment, I've got a name for me out 310 00:15:54,640 --> 00:15:55,120 Speaker 1: of drag. 311 00:15:55,280 --> 00:15:57,840 Speaker 2: So it doesn't kind of matter really or maybe like 312 00:15:57,840 --> 00:16:00,600 Speaker 2: it just as long as you identify with it. If 313 00:16:00,600 --> 00:16:04,040 Speaker 2: it's your name, then you identify with it. That's all 314 00:16:04,040 --> 00:16:04,560 Speaker 2: that's important. 315 00:16:04,600 --> 00:16:06,040 Speaker 1: I was going to say, maybe you could tap into 316 00:16:06,120 --> 00:16:10,000 Speaker 1: art and you'd be like very sore feet, tap into 317 00:16:10,400 --> 00:16:15,080 Speaker 1: my boy name Jack and be like tired. I don't know, 318 00:16:15,640 --> 00:16:19,960 Speaker 1: maybe they've got different traits, different moods. I've always been fascinated, 319 00:16:20,480 --> 00:16:23,400 Speaker 1: but I'm scared because I don't like the unknown, and 320 00:16:23,480 --> 00:16:27,360 Speaker 1: I'm like, I'm very in my like everything is organized 321 00:16:27,360 --> 00:16:31,600 Speaker 1: and what's happening, like everything laid out a plus big 322 00:16:31,720 --> 00:16:35,520 Speaker 1: or see done. Really, So I'm terrified because I also 323 00:16:35,640 --> 00:16:40,240 Speaker 1: hate bad news. Is there any times when you're reading 324 00:16:40,400 --> 00:16:42,960 Speaker 1: where you're like, oh, this isn't very good because there's 325 00:16:42,960 --> 00:16:43,560 Speaker 1: your whole. 326 00:16:43,360 --> 00:16:47,120 Speaker 2: Difficult difficult moments. Yeah, of course, you know, it's like 327 00:16:48,000 --> 00:16:53,360 Speaker 2: it's life, you know. You know where the skill is 328 00:16:53,400 --> 00:16:56,840 Speaker 2: as a reader is that you're able to give the 329 00:16:56,880 --> 00:17:01,320 Speaker 2: information to that person in a way that it you know, 330 00:17:01,520 --> 00:17:04,639 Speaker 2: it doesn't harm or hurt you know, you give it 331 00:17:04,680 --> 00:17:07,560 Speaker 2: in a way that helps them to understand that situation 332 00:17:07,960 --> 00:17:10,800 Speaker 2: or how they can manage it better. You know, so 333 00:17:11,600 --> 00:17:14,880 Speaker 2: you have to be really diplomatic, but yeah, you can 334 00:17:14,920 --> 00:17:17,959 Speaker 2: find a way to communicate with someone if something is 335 00:17:18,400 --> 00:17:21,680 Speaker 2: difficult or coming up or challenging, you know, you find 336 00:17:21,720 --> 00:17:23,680 Speaker 2: a way to just give them the information that it 337 00:17:23,760 --> 00:17:26,760 Speaker 2: doesn't harm them, but it helps them to manage it, 338 00:17:26,880 --> 00:17:29,560 Speaker 2: which is the reason they call in you, you know 339 00:17:29,560 --> 00:17:34,040 Speaker 2: what I mean, it's got to be there scared. Yeah, yeah, 340 00:17:34,240 --> 00:17:37,320 Speaker 2: but it's like it's truth, you know. And it's like 341 00:17:37,720 --> 00:17:39,720 Speaker 2: I often say the clients like, I'm not telling you 342 00:17:39,760 --> 00:17:42,520 Speaker 2: stuff you don't already know true, you know, like people 343 00:17:42,560 --> 00:17:45,040 Speaker 2: kind of go, oh, it's all mystic and it has 344 00:17:45,040 --> 00:17:47,119 Speaker 2: got magic and it is beautiful. But at the end 345 00:17:47,119 --> 00:17:48,720 Speaker 2: of the day, I'm not telling you anything that you 346 00:17:48,720 --> 00:17:50,879 Speaker 2: don't already feel and you don't reason to know. What 347 00:17:50,960 --> 00:17:53,240 Speaker 2: I do is I put it on the table right 348 00:17:53,320 --> 00:17:55,199 Speaker 2: and make it and make you look at it, Look 349 00:17:55,200 --> 00:17:57,600 Speaker 2: at it, take a good look at it. 350 00:17:57,640 --> 00:18:00,680 Speaker 3: Come on, well, I guess it's true. 351 00:18:00,720 --> 00:18:04,160 Speaker 1: It's also like tapping into something that they may subconsciously 352 00:18:04,200 --> 00:18:05,880 Speaker 1: be wanting to address or think. 353 00:18:06,000 --> 00:18:07,600 Speaker 2: Yeah, yeah, I'll think about it and you pull stuff 354 00:18:07,600 --> 00:18:10,480 Speaker 2: out and it's and it's you know, it has a 355 00:18:10,560 --> 00:18:13,119 Speaker 2: beauty about it, yeah, you know, and it's lovely. And 356 00:18:13,119 --> 00:18:15,520 Speaker 2: that's what I love about this work. You go on 357 00:18:15,560 --> 00:18:20,639 Speaker 2: these incredible journeys with people. It's intimate and unique, and 358 00:18:20,720 --> 00:18:23,520 Speaker 2: they you step into someone's world, you know, I step 359 00:18:23,520 --> 00:18:25,000 Speaker 2: into your well for half an hour. And I say 360 00:18:25,040 --> 00:18:26,920 Speaker 2: that sometimes my clients I'm looking at their hands like 361 00:18:27,480 --> 00:18:31,320 Speaker 2: I'm going to do your whole life right from whenever 362 00:18:31,359 --> 00:18:33,239 Speaker 2: that is, I mean from not to fifty, Say you're 363 00:18:33,240 --> 00:18:34,600 Speaker 2: fifty years old, I'm going to do you from not 364 00:18:34,680 --> 00:18:36,679 Speaker 2: to fifty and half an hour, Like really give me 365 00:18:36,720 --> 00:18:41,640 Speaker 2: some space, like really, don't expect any. 366 00:18:41,440 --> 00:18:43,440 Speaker 3: Miracles like bam. Yeah, And I've got to. 367 00:18:43,400 --> 00:18:46,640 Speaker 2: Hit it straight on where the struggle is or where 368 00:18:46,680 --> 00:18:49,120 Speaker 2: the challenge is or what we need to address. I've 369 00:18:49,119 --> 00:18:51,199 Speaker 2: got to hit it in half an hour. Can you 370 00:18:51,240 --> 00:18:55,120 Speaker 2: imagine then, from my suspective as a reader, how much 371 00:18:55,119 --> 00:18:58,199 Speaker 2: pressure that is? Right, I've got to find it and 372 00:18:58,240 --> 00:19:00,760 Speaker 2: I've got to address it and hopefully give some guidance 373 00:19:01,080 --> 00:19:02,880 Speaker 2: in your life structure in half an hour. 374 00:19:03,280 --> 00:19:07,760 Speaker 3: What if someone doesn't want guidance? What color do I 375 00:19:07,800 --> 00:19:08,399 Speaker 3: have around me? 376 00:19:08,680 --> 00:19:08,880 Speaker 2: Yeah? 377 00:19:08,880 --> 00:19:14,120 Speaker 3: I don't know. I'm not your reader, so to go to. 378 00:19:14,080 --> 00:19:18,240 Speaker 1: You specifically for like life guidance, Yeah, I mean that's 379 00:19:18,280 --> 00:19:19,160 Speaker 1: what I'm good at. 380 00:19:21,080 --> 00:19:25,000 Speaker 3: That scary, isn't it? Okay? 381 00:19:25,240 --> 00:19:29,560 Speaker 1: Okay? Have you ever touched someone's hand and then got 382 00:19:29,560 --> 00:19:36,399 Speaker 1: an electric shock? Like damn it? Just like just like 383 00:19:36,400 --> 00:19:39,240 Speaker 1: like you know, a serious moment and some person's been 384 00:19:39,320 --> 00:19:40,800 Speaker 1: rubbing their feet on the carpet. 385 00:19:41,080 --> 00:19:49,520 Speaker 3: You're like, could you not please serious moments? Okay? 386 00:19:49,560 --> 00:19:52,720 Speaker 1: Well, I think The only way to end this will 387 00:19:52,760 --> 00:19:55,840 Speaker 1: be to ask you to read my giant part. 388 00:19:56,960 --> 00:20:00,280 Speaker 3: I'm sweaty and glittery. You can see. 389 00:20:00,760 --> 00:20:02,520 Speaker 2: Let's have a look at those little myths. 390 00:20:03,320 --> 00:20:08,040 Speaker 1: They wouldn't say a little beautiful little mits you've got. 391 00:20:09,240 --> 00:20:15,199 Speaker 2: Okay, so you need constant stimulation, all right. You're you 392 00:20:15,240 --> 00:20:19,280 Speaker 2: get bored really easily, really fast, So you've got to 393 00:20:19,280 --> 00:20:24,840 Speaker 2: be stimulated. You need lots of interaction like constant. Okay, 394 00:20:26,600 --> 00:20:28,360 Speaker 2: you've got a lovely heartline. 395 00:20:28,760 --> 00:20:30,720 Speaker 3: I like this, and. 396 00:20:32,280 --> 00:20:36,520 Speaker 2: You have this ability to hold people in a very 397 00:20:36,600 --> 00:20:39,199 Speaker 2: very special, unique way with your heart. I love that. 398 00:20:40,040 --> 00:20:42,119 Speaker 2: So it also tells me about the elements of your 399 00:20:42,160 --> 00:20:48,480 Speaker 2: imagination as well, so in terms of your stimulation. For you, 400 00:20:49,040 --> 00:20:52,120 Speaker 2: anything in the realms of fantasy is also a really 401 00:20:52,160 --> 00:20:52,600 Speaker 2: big thing. 402 00:20:53,359 --> 00:20:56,680 Speaker 3: Look at that. M m m mmm. 403 00:21:00,240 --> 00:21:02,879 Speaker 2: There is one thing that is for absolute sure is 404 00:21:02,880 --> 00:21:04,800 Speaker 2: that whatever happens, you've got to be the boss. 405 00:21:05,480 --> 00:21:06,000 Speaker 3: Wel you. 406 00:21:16,800 --> 00:21:20,080 Speaker 1: Well, that was Jilly, and no she's not a travel agent, 407 00:21:20,119 --> 00:21:22,520 Speaker 1: although she's done all that crazy shit all her life. 408 00:21:22,760 --> 00:21:27,360 Speaker 1: She's in fact a psychic palmist, so she's been traveling 409 00:21:27,400 --> 00:21:32,080 Speaker 1: a whole different world psychedelic baby. But the good news 410 00:21:32,200 --> 00:21:35,520 Speaker 1: is I'm the boss, always have been, always will be. 411 00:21:36,000 --> 00:21:36,640 Speaker 3: It's written in. 412 00:21:36,560 --> 00:21:40,560 Speaker 1: The stars on my palm, you've been listening to an 413 00:21:40,600 --> 00:21:43,679 Speaker 1: iHeart and Kiss production concealed with artsimone. 414 00:21:44,200 --> 00:21:45,040 Speaker 3: Listen for free on the. 415 00:21:44,960 --> 00:21:48,920 Speaker 1: iHeartRadio app and listen to your arts content. And don't 416 00:21:48,960 --> 00:21:51,080 Speaker 1: forget to check us out on the socials where you 417 00:21:51,080 --> 00:21:52,119 Speaker 1: can have a go at reading me. 418 00:21:52,600 --> 00:21:54,840 Speaker 3: I dare you go on read me. 419 00:22:00,200 --> 00:22:02,320 Speaker 1: Momma. 420 00:22:02,520 --> 00:22:03,000 Speaker 4: Yes,