1 00:00:06,240 --> 00:00:09,600 Speaker 1: Ward's Donald Trump found guilty on all thirty four counts 2 00:00:09,640 --> 00:00:13,200 Speaker 1: of fraud. That is that he falsified business records to 3 00:00:13,240 --> 00:00:16,880 Speaker 1: cover up payments of one hundred and thirty thousand US 4 00:00:16,920 --> 00:00:19,560 Speaker 1: dollars to a porn star, Stormy Daniels. This is the 5 00:00:19,600 --> 00:00:22,079 Speaker 1: woman that described it as toad from Mario cut with 6 00:00:22,200 --> 00:00:22,919 Speaker 1: Yetti pubes. 7 00:00:24,000 --> 00:00:28,640 Speaker 2: And yes, he's not very happy about it. 8 00:00:28,800 --> 00:00:34,360 Speaker 1: So to help us with this right now, live from America, 9 00:00:34,920 --> 00:00:39,240 Speaker 1: is Scott Jennings, who is CNN's chief Republican analyst, former 10 00:00:39,560 --> 00:00:42,640 Speaker 1: member of Trump's staff. We've got Scott Jennings, wh Joins 11 00:00:42,680 --> 00:00:43,640 Speaker 1: is welcome, Scott. 12 00:00:43,440 --> 00:00:44,960 Speaker 3: Hey, gaz is good to be with you, Scott. 13 00:00:45,000 --> 00:00:46,200 Speaker 2: First question from me, mate. 14 00:00:46,640 --> 00:00:49,400 Speaker 4: Obviously I know that he's been found guilty of these charges, 15 00:00:49,440 --> 00:00:51,680 Speaker 4: but does this mean he is going to jail? 16 00:00:52,080 --> 00:00:55,200 Speaker 3: Well, he could. These penalties there were felonies, so the 17 00:00:55,240 --> 00:00:58,120 Speaker 3: penalties do include jail time. That doesn't mean he will go. 18 00:00:58,320 --> 00:01:01,200 Speaker 3: He's not a repeat offender, he's not a violent offender. 19 00:01:01,400 --> 00:01:04,560 Speaker 3: He's old, which are things the court takes into consideration. 20 00:01:04,959 --> 00:01:06,960 Speaker 3: So I doubt they throw him in jail. But that 21 00:01:07,000 --> 00:01:09,560 Speaker 3: doesn't mean the prosecutors won't ask the court to throw 22 00:01:09,600 --> 00:01:13,080 Speaker 3: him in jail, which would actually be quite a remarkable thing. Remember, 23 00:01:13,120 --> 00:01:15,360 Speaker 3: he's leading in the polls, he is the most likely 24 00:01:15,480 --> 00:01:17,760 Speaker 3: next president of the United States, and they could well 25 00:01:17,800 --> 00:01:19,880 Speaker 3: ask a judge to toss him in a New York 26 00:01:19,920 --> 00:01:20,440 Speaker 3: City jail. 27 00:01:20,600 --> 00:01:23,080 Speaker 1: So I think this is a really interesting thing I 28 00:01:23,120 --> 00:01:26,480 Speaker 1: was reading earlier today, Scott, which is Trump is a campaign, 29 00:01:26,480 --> 00:01:28,960 Speaker 1: a piece, a pr machine, and you know, anyone else 30 00:01:28,959 --> 00:01:30,959 Speaker 1: in his positions, he's a court case like this as 31 00:01:31,000 --> 00:01:33,160 Speaker 1: a nightmare. They make sure they run away from the 32 00:01:33,160 --> 00:01:34,920 Speaker 1: cameras out the front. You know, they're covering their face, 33 00:01:34,920 --> 00:01:37,720 Speaker 1: they're ducking into a car. Trump has walked out the 34 00:01:37,720 --> 00:01:40,800 Speaker 1: front of the courthouse every day in front of just 35 00:01:40,840 --> 00:01:45,720 Speaker 1: a swathe of partisan supporters on either side, baying in 36 00:01:45,760 --> 00:01:48,080 Speaker 1: front of him, and he's used it as a chance 37 00:01:48,200 --> 00:01:52,360 Speaker 1: to get more attention effectively, how much do you think, 38 00:01:52,600 --> 00:01:57,120 Speaker 1: if any this court case has actually helped his presidential campaign. 39 00:01:57,360 --> 00:02:00,200 Speaker 3: Well, I was looking at the reactions to some Republics 40 00:02:00,240 --> 00:02:03,000 Speaker 3: who aren't the biggest Trump fans tonight, and I can't 41 00:02:03,160 --> 00:02:07,160 Speaker 3: find a single Republican elected official who is saying, hey, 42 00:02:07,240 --> 00:02:09,680 Speaker 3: good job, way to convict Donald Trump. I mean, even 43 00:02:09,720 --> 00:02:13,520 Speaker 3: people like the Republican Senate leader Mitch McConnell, Republican Senator 44 00:02:13,560 --> 00:02:16,640 Speaker 3: Susan Collins of Maine. These people are not pro Trump, Okay, 45 00:02:16,520 --> 00:02:19,200 Speaker 3: they don't love Trump. They don't even like Trump. Yeah, 46 00:02:19,240 --> 00:02:22,800 Speaker 3: and they've got statements out saying Donald Trump's been railroaded 47 00:02:22,880 --> 00:02:25,680 Speaker 3: and this should be overturned on appeal. And so what 48 00:02:25,760 --> 00:02:29,120 Speaker 3: you see is a an alignment of all corners of 49 00:02:29,120 --> 00:02:32,040 Speaker 3: the Republican Party that Donald Trump has been wronged here, 50 00:02:32,080 --> 00:02:34,200 Speaker 3: and I suspect that's going to manifest itself in some 51 00:02:34,400 --> 00:02:37,959 Speaker 3: additional support tonight. So many donors went to the Trump 52 00:02:38,000 --> 00:02:40,720 Speaker 3: website to give him money that it actually crashed their. 53 00:02:40,680 --> 00:02:44,079 Speaker 2: Online God, that's horrific. 54 00:02:44,320 --> 00:02:46,480 Speaker 1: But it doesn't make any sense though, Scott, because like 55 00:02:46,680 --> 00:02:49,639 Speaker 1: if you think about a you know, traditional Republican, the 56 00:02:49,720 --> 00:02:52,080 Speaker 1: conservative people have surely the idea of him slaving with 57 00:02:52,120 --> 00:02:53,519 Speaker 1: the porn star and then paying a whole bunch of 58 00:02:53,520 --> 00:02:56,399 Speaker 1: money to shut it up is not something which appeals 59 00:02:56,400 --> 00:02:56,800 Speaker 1: to them. 60 00:02:57,120 --> 00:02:59,120 Speaker 3: The thing about the story at the heart of the 61 00:02:59,160 --> 00:03:01,080 Speaker 3: case is that we are knew it. I mean, remember, 62 00:03:01,080 --> 00:03:04,239 Speaker 3: we found all this out years ago. Nothing really came 63 00:03:04,240 --> 00:03:07,120 Speaker 3: out in the case that voters didn't already know, and 64 00:03:07,600 --> 00:03:10,400 Speaker 3: the timeline here is actually kind of fascinating. The sex 65 00:03:10,480 --> 00:03:13,280 Speaker 3: that allegedly occurred, because you know, Trump still denies it. 66 00:03:13,320 --> 00:03:15,000 Speaker 3: She says it happened, he says it didn't. But the 67 00:03:15,360 --> 00:03:19,560 Speaker 3: sex allegedly happened in two thousand and six, eighteen years ago, 68 00:03:20,280 --> 00:03:24,120 Speaker 3: and then the payment, the payment happened in twenty sixteen, 69 00:03:24,480 --> 00:03:26,560 Speaker 3: and here we now are in twenty twenty four. I 70 00:03:26,600 --> 00:03:28,200 Speaker 3: don't know about you guys, but if if I had 71 00:03:28,240 --> 00:03:30,160 Speaker 3: to sit in a room and listen to somebody described 72 00:03:30,200 --> 00:03:32,000 Speaker 3: the sex I had back in two thousand and six, 73 00:03:32,040 --> 00:03:33,680 Speaker 3: I think I dig a hole had never come out. 74 00:03:33,600 --> 00:03:37,320 Speaker 1: Of it, two. 75 00:03:37,240 --> 00:03:40,920 Speaker 3: Thousand and six sexual escapade, and it's like affecting your 76 00:03:40,920 --> 00:03:42,880 Speaker 3: twenty twenty four presidential CAMPAIGD. 77 00:03:42,960 --> 00:03:44,440 Speaker 2: I mean, you can't make this stuff up. 78 00:03:44,640 --> 00:03:45,000 Speaker 5: Wow. 79 00:03:47,200 --> 00:03:50,040 Speaker 3: Wow, he's a little bit ahead of Biden right now. 80 00:03:50,120 --> 00:03:53,080 Speaker 3: The voters I'm looking at are senior citizens. Senior voters 81 00:03:53,160 --> 00:03:56,280 Speaker 3: probably not thrilled about this. Also, you have a lot 82 00:03:56,320 --> 00:03:59,280 Speaker 3: of what I call low info flow voters, people who 83 00:03:59,280 --> 00:04:01,640 Speaker 3: don't really track the news. They may hear about this, 84 00:04:01,720 --> 00:04:03,760 Speaker 3: and all they ever may hear is that, oh yeah, 85 00:04:03,760 --> 00:04:06,400 Speaker 3: Trump got convicted. They may never know the details. So 86 00:04:06,480 --> 00:04:08,760 Speaker 3: I'd be watching if I were in his command center, 87 00:04:09,000 --> 00:04:11,040 Speaker 3: I'd be watching those two groups over the next few 88 00:04:11,080 --> 00:04:13,560 Speaker 3: weeks to see if there's any movement. I'll tell you this, 89 00:04:13,840 --> 00:04:17,640 Speaker 3: June is a consequential month. You've got Trump convicted. Now, 90 00:04:17,960 --> 00:04:19,960 Speaker 3: at the end of the month, Trump and Biden are 91 00:04:19,960 --> 00:04:23,000 Speaker 3: supposed to debate, and so in one month from today, 92 00:04:23,240 --> 00:04:26,279 Speaker 3: if the polls have not changed and Joe Biden is 93 00:04:26,360 --> 00:04:29,279 Speaker 3: still losing to Donald Trump after all of this, I 94 00:04:29,320 --> 00:04:31,080 Speaker 3: think you're going to see some freaking out in the 95 00:04:31,120 --> 00:04:33,360 Speaker 3: Democratic Party, like we may have to throw this guy 96 00:04:33,400 --> 00:04:36,600 Speaker 3: overboard and get somebody else, because, I mean, Trump's convicted, 97 00:04:36,680 --> 00:04:38,719 Speaker 3: we debated him, and we're still not ahead. 98 00:04:39,040 --> 00:04:39,320 Speaker 6: Wow. 99 00:04:39,640 --> 00:04:41,640 Speaker 3: You know, Democrats spend a lot of time arguing that 100 00:04:41,680 --> 00:04:45,120 Speaker 3: Trump is a threat to the republic, a threat to democracy. 101 00:04:45,279 --> 00:04:47,800 Speaker 3: If you really mean that, if you actually believe that, 102 00:04:48,040 --> 00:04:50,880 Speaker 3: and Joe Biden is not capable of beating him, my 103 00:04:51,040 --> 00:04:53,200 Speaker 3: question to a Democrat would be, what are you prepared 104 00:04:53,240 --> 00:04:54,560 Speaker 3: to do about it? You're just going to leave this 105 00:04:54,560 --> 00:04:56,520 Speaker 3: guy in and take his beating. I don't think so. 106 00:04:57,040 --> 00:04:57,720 Speaker 6: Yeah. 107 00:04:57,760 --> 00:05:01,600 Speaker 4: Wow, I'm scotty sorry back on that, Gile. Let's let's 108 00:05:01,640 --> 00:05:03,440 Speaker 4: live in a world where he does get thrown in Gile. 109 00:05:03,720 --> 00:05:07,040 Speaker 4: He can still run for president even though he's in Chile. 110 00:05:07,360 --> 00:05:10,680 Speaker 3: Yeah, the US Constitution actually has very few qualifications to 111 00:05:10,720 --> 00:05:12,719 Speaker 3: be the president. All you have to be is thirty 112 00:05:12,720 --> 00:05:15,320 Speaker 3: five years old and a natural born citizen. Other than that, 113 00:05:15,680 --> 00:05:18,920 Speaker 3: it's silent. And so Trump can be convicted of a 114 00:05:18,920 --> 00:05:21,320 Speaker 3: crime and run. He could be in a jail and run. 115 00:05:21,440 --> 00:05:24,479 Speaker 3: And I don't think the founding fathers contemplated a situation 116 00:05:24,839 --> 00:05:27,000 Speaker 3: like that, as much as they might have might have 117 00:05:27,040 --> 00:05:30,479 Speaker 3: wanted to contemplate, like, you know, sex, sex that you 118 00:05:30,560 --> 00:05:32,760 Speaker 3: had eighteen years ago may keep you from being president. 119 00:05:32,800 --> 00:05:33,440 Speaker 2: I don't think they're not. 120 00:05:36,040 --> 00:05:39,080 Speaker 3: The legal reality is there is nothing stopping him from 121 00:05:39,160 --> 00:05:43,080 Speaker 3: running and winning. And also remember this, there are two 122 00:05:43,160 --> 00:05:45,920 Speaker 3: other cases where he's been indicted, and these are federal 123 00:05:45,960 --> 00:05:48,440 Speaker 3: in nature. One has to do with January sixth, the 124 00:05:48,480 --> 00:05:50,839 Speaker 3: other has to do with classified documents that he took 125 00:05:50,880 --> 00:05:54,720 Speaker 3: to Florida after his president. If he becomes the president, 126 00:05:54,920 --> 00:05:57,480 Speaker 3: he can make those cases go away because obviously at 127 00:05:57,480 --> 00:05:59,320 Speaker 3: that point he'll be at the top of the federal government. 128 00:05:59,440 --> 00:06:02,880 Speaker 3: So in some ways, whether he wins or loses will 129 00:06:02,920 --> 00:06:06,000 Speaker 3: be a real determinant in whether he faces any more 130 00:06:06,040 --> 00:06:07,159 Speaker 3: courtroom time or not. 131 00:06:07,480 --> 00:06:10,080 Speaker 1: Scott, thank you so much. It's been super informative, it's 132 00:06:10,080 --> 00:06:11,160 Speaker 1: been funny, it's been interesting. 133 00:06:11,440 --> 00:06:15,320 Speaker 3: Here's the lesson, guys, if you have sexual relations with 134 00:06:15,360 --> 00:06:18,960 Speaker 3: someone today, in eighteen years, this may come back to hall. 135 00:06:19,000 --> 00:06:21,720 Speaker 3: I'm just telling you keep a notebook because eighteen years 136 00:06:21,760 --> 00:06:23,680 Speaker 3: from today you may have to recall details that you've 137 00:06:23,680 --> 00:06:25,279 Speaker 3: long since forgotten. It can't happen. 138 00:06:25,360 --> 00:06:28,600 Speaker 2: It does happen. Okay, we both have wives. It shouldn't 139 00:06:28,600 --> 00:06:32,080 Speaker 2: be a problem. Scott shout hey, he did too. I 140 00:06:32,240 --> 00:06:39,640 Speaker 2: just say it. Scott Jennings, CNN senior political. 141 00:06:39,240 --> 00:06:42,000 Speaker 1: Commentator and form a special assistant to President George W. 142 00:06:42,080 --> 00:06:42,400 Speaker 2: Bush. 143 00:06:42,440 --> 00:06:44,240 Speaker 1: It's been fascinating, Scott, thanks for joining us here on 144 00:06:44,240 --> 00:06:45,320 Speaker 1: Willlingwody from Kentucky. 145 00:06:47,400 --> 00:06:48,960 Speaker 7: It was hypothetical. 146 00:06:49,320 --> 00:06:54,520 Speaker 2: It's a hypothetical. Joe's hypothetical. This man's the best. 147 00:06:54,640 --> 00:06:56,200 Speaker 4: He's the best at what he does, and what he 148 00:06:56,279 --> 00:06:57,960 Speaker 4: does is give great hypotheticals. 149 00:06:58,040 --> 00:06:59,320 Speaker 2: Joe, welcome back to the show. 150 00:07:00,400 --> 00:07:01,480 Speaker 7: It's good to hear a voice. 151 00:07:01,480 --> 00:07:02,479 Speaker 2: It's good to hear a voice. 152 00:07:02,760 --> 00:07:05,400 Speaker 4: One of my favorite times of the week. Dollars when 153 00:07:05,440 --> 00:07:08,960 Speaker 4: you join us, crack into your hypothetical, please mate. 154 00:07:09,400 --> 00:07:12,960 Speaker 7: Okay, so this isn't an original, And if anyone comes 155 00:07:13,000 --> 00:07:16,560 Speaker 7: at me for coffee, right I I'll deny it. But 156 00:07:18,120 --> 00:07:21,680 Speaker 7: for fifteen hundred dollars a week, it's a yearly it's 157 00:07:21,720 --> 00:07:26,240 Speaker 7: a yearly contract. Yeah, fifteen hundred a week. You have 158 00:07:27,200 --> 00:07:31,480 Speaker 7: like similar to an orchestra to play. You have music 159 00:07:31,520 --> 00:07:37,120 Speaker 7: that matches your mood like all the time. 160 00:07:37,440 --> 00:07:39,920 Speaker 4: Yeah, so hang on, am I paying fifteen hundred a 161 00:07:39,960 --> 00:07:40,960 Speaker 4: week to have this orchestra? 162 00:07:41,000 --> 00:07:41,080 Speaker 1: Do? 163 00:07:41,160 --> 00:07:41,840 Speaker 7: No? 164 00:07:41,840 --> 00:07:41,920 Speaker 8: No? 165 00:07:42,080 --> 00:07:44,400 Speaker 7: You get no, you get fifteen you get fifteen hundred, 166 00:07:44,440 --> 00:07:46,680 Speaker 7: and other people can hit and the people around you 167 00:07:46,720 --> 00:07:47,240 Speaker 7: can hear it. 168 00:07:47,960 --> 00:07:50,680 Speaker 2: But I love this, like I want this. So you're 169 00:07:50,720 --> 00:07:52,000 Speaker 2: saying that matches your mood. 170 00:07:52,040 --> 00:07:54,600 Speaker 1: So like, let's say you walk into the verse you 171 00:07:54,600 --> 00:07:56,120 Speaker 1: feel like you've eaten a bit too much at lunch. 172 00:07:56,200 --> 00:08:02,160 Speaker 2: There's going to be okay, And then like. 173 00:08:04,080 --> 00:08:06,560 Speaker 1: And you're saying this is a bad thing because like 174 00:08:06,600 --> 00:08:08,200 Speaker 1: I kind of it would get annoying. 175 00:08:08,320 --> 00:08:08,880 Speaker 2: I mean it would. 176 00:08:09,000 --> 00:08:11,280 Speaker 7: I can't believe it is. You can't even be pent up, 177 00:08:11,440 --> 00:08:13,120 Speaker 7: Like you can't even be like, oh, I'm just going 178 00:08:13,200 --> 00:08:14,760 Speaker 7: to keep this one uried very Yeah. 179 00:08:17,280 --> 00:08:20,880 Speaker 4: They so the orchestra knows exactly how you're feeling, even 180 00:08:21,000 --> 00:08:22,840 Speaker 4: if you're putting on a front of es. 181 00:08:23,920 --> 00:08:26,000 Speaker 2: They've got the insight, they've got the door. 182 00:08:26,000 --> 00:08:28,600 Speaker 4: Full insights into your brain activity and emotions. 183 00:08:28,640 --> 00:08:32,880 Speaker 1: Interesting, wow, Okay, and are they following you around or 184 00:08:32,920 --> 00:08:34,880 Speaker 1: is it just like on like a It's just like 185 00:08:34,920 --> 00:08:37,560 Speaker 1: on speakers that just play around you all the time. 186 00:08:38,080 --> 00:08:39,840 Speaker 7: It's like a super power, but just like a really 187 00:08:39,840 --> 00:08:40,360 Speaker 7: bad one. 188 00:08:40,480 --> 00:08:44,560 Speaker 3: Okay, an orchestra, but there's sound playing. 189 00:08:44,400 --> 00:08:46,960 Speaker 1: So everywhere you go and everyone else can hear it. 190 00:08:47,000 --> 00:08:49,560 Speaker 1: So I was obviously incredibly frustrating from other people. 191 00:08:50,760 --> 00:08:51,680 Speaker 7: Yeah, run around. 192 00:08:51,679 --> 00:08:53,520 Speaker 1: Ever, I'm just trying to think about the situation where 193 00:08:53,520 --> 00:08:56,040 Speaker 1: this would be worse for me because obviously fifteen hundred 194 00:08:56,040 --> 00:08:56,880 Speaker 1: a week pretty good. 195 00:08:57,000 --> 00:08:58,920 Speaker 2: You're not doing anything for that, and. 196 00:08:58,880 --> 00:09:00,760 Speaker 4: There's it's definite perk. You're going for a run, you 197 00:09:00,800 --> 00:09:02,640 Speaker 4: need some inspiration. All of a sudden, there's an orchestra 198 00:09:02,760 --> 00:09:04,160 Speaker 4: is playing inspirational music for you. 199 00:09:04,280 --> 00:09:05,480 Speaker 2: Right, Yeah, that's true. 200 00:09:05,480 --> 00:09:07,200 Speaker 1: Like when you're running and stuff, you're like, well, you 201 00:09:07,240 --> 00:09:10,160 Speaker 1: know you've just you know, you've got a backing track. Absolutely, 202 00:09:10,240 --> 00:09:12,680 Speaker 1: you delete your streaming subscriptions. 203 00:09:12,720 --> 00:09:15,240 Speaker 4: You'd never need headphones because you have an orchestra twenty 204 00:09:15,280 --> 00:09:16,760 Speaker 4: four seven just matching your mood. 205 00:09:16,920 --> 00:09:19,360 Speaker 1: But like if you but if you're angry though, and 206 00:09:19,400 --> 00:09:20,800 Speaker 1: you don't want to be angry, it's just going to 207 00:09:20,840 --> 00:09:21,400 Speaker 1: make you angrier. 208 00:09:22,360 --> 00:09:24,720 Speaker 7: That's that's that was my That was my thing because 209 00:09:24,760 --> 00:09:25,760 Speaker 7: like sometimes I'm at. 210 00:09:25,600 --> 00:09:27,480 Speaker 1: Work or if you say that and you're like, I 211 00:09:27,559 --> 00:09:29,720 Speaker 1: don't want to be Yeah, I don't want to feel 212 00:09:29,800 --> 00:09:31,520 Speaker 1: upset right now, I've got to go to work or 213 00:09:31,559 --> 00:09:33,960 Speaker 1: whatever it is, and you've got, you know, bleeding strings 214 00:09:34,000 --> 00:09:34,480 Speaker 1: playing in the. 215 00:09:34,480 --> 00:09:37,040 Speaker 4: Background, or if your partner says like, hey, you know 216 00:09:37,280 --> 00:09:39,560 Speaker 4: you feel and you're in the mood, you're in the mood, 217 00:09:39,640 --> 00:09:42,080 Speaker 4: and then like the orchestra goes and you've been like, 218 00:09:42,080 --> 00:09:43,800 Speaker 4: oh no, no, no, I don't. 219 00:09:43,679 --> 00:09:47,360 Speaker 7: Mean we're having this conversation right now. But I'm I'm 220 00:09:47,520 --> 00:09:49,600 Speaker 7: entirely aware that one of you is pissed off because 221 00:09:49,600 --> 00:09:50,559 Speaker 7: I can hear it on the phone. 222 00:09:51,679 --> 00:09:53,080 Speaker 2: Oh you can hear it through the phone as well. 223 00:09:53,160 --> 00:09:54,959 Speaker 2: Every phone call, where do you where do. 224 00:09:54,960 --> 00:09:56,880 Speaker 1: You see the every time you spoke to your mum 225 00:09:56,880 --> 00:09:59,800 Speaker 1: and you were like, you know, just like oh sounds amazing, mam. 226 00:10:00,280 --> 00:10:01,840 Speaker 7: Yeah, like you didn't want to answer the phone, but 227 00:10:01,880 --> 00:10:05,400 Speaker 7: I've answered it because I'm you know, like, so you're portraying. 228 00:10:05,520 --> 00:10:08,440 Speaker 1: The orchestra portrays how you feel all the time to 229 00:10:08,480 --> 00:10:11,280 Speaker 1: everyone around you. I'm just trying to think about the 230 00:10:11,280 --> 00:10:13,640 Speaker 1: lowest situation for me. I agree, like, you know, particularly 231 00:10:13,640 --> 00:10:14,959 Speaker 1: if you're not feeling in the mood, but you're trying 232 00:10:15,000 --> 00:10:16,680 Speaker 1: to you know, just you know. 233 00:10:18,440 --> 00:10:19,840 Speaker 2: And sometimes my mind drifts as well. 234 00:10:19,880 --> 00:10:21,319 Speaker 4: So imagine if I am in the bedroom, I'm sorry 235 00:10:21,360 --> 00:10:22,760 Speaker 4: to take to the bedroom again, but then all you 236 00:10:22,840 --> 00:10:26,760 Speaker 4: hear is like did a little It's like, what are 237 00:10:26,800 --> 00:10:27,439 Speaker 4: you thinking about? 238 00:10:27,440 --> 00:10:31,880 Speaker 1: What you or more importantly, yeah, if you're meant to 239 00:10:31,920 --> 00:10:36,360 Speaker 1: feel sad and there's just this laughter, peaceful. 240 00:10:36,000 --> 00:10:37,280 Speaker 2: Music playing in the background. 241 00:10:37,520 --> 00:10:39,520 Speaker 1: If you're at a funeral and this is playing and 242 00:10:39,559 --> 00:10:42,000 Speaker 1: I'm like, dade have some remorse? 243 00:10:43,559 --> 00:10:46,560 Speaker 2: Oh man, yeah. 244 00:10:45,920 --> 00:10:48,640 Speaker 1: It's tar, or someone says to you, like take it seriously, 245 00:10:48,920 --> 00:10:51,440 Speaker 1: and you've got like a comedic bed playing in the background. 246 00:10:51,440 --> 00:10:53,280 Speaker 1: So like, let's say, you know, they're like, you know, 247 00:10:53,360 --> 00:10:54,400 Speaker 1: you're getting in trouble at work. 248 00:10:54,440 --> 00:10:56,000 Speaker 2: They're like, hey, you just can't keep performing like this. 249 00:10:56,080 --> 00:11:02,240 Speaker 1: And then in the background, we've got a bloody wild idea. 250 00:11:03,360 --> 00:11:06,319 Speaker 9: My idea is that we get the kids to paint 251 00:11:06,400 --> 00:11:07,280 Speaker 9: their emotion. 252 00:11:07,960 --> 00:11:11,320 Speaker 4: That's actually genius genius, genius, nine year old boy, and 253 00:11:11,360 --> 00:11:14,040 Speaker 4: so over the last week we met five kids who 254 00:11:14,080 --> 00:11:17,160 Speaker 4: painted five different emotions from inside out to Hi. 255 00:11:17,280 --> 00:11:18,880 Speaker 6: I'm Abby, I'm eleven years old. 256 00:11:18,920 --> 00:11:20,040 Speaker 4: I painted embarrassment. 257 00:11:20,200 --> 00:11:23,040 Speaker 6: My name's Zali. I'm nine years old and I painted joint. 258 00:11:23,160 --> 00:11:26,040 Speaker 6: My name's Abby. I'm ten years old, and I painted fear. 259 00:11:26,400 --> 00:11:29,400 Speaker 6: My name is Banjo. I painted anger and I'm eight 260 00:11:29,520 --> 00:11:32,760 Speaker 6: years old. My name's Sophie. I'm nine years old. I 261 00:11:32,840 --> 00:11:33,400 Speaker 6: painted sand. 262 00:11:33,480 --> 00:11:35,400 Speaker 1: This okay, so we're good to go. We've got the 263 00:11:35,480 --> 00:11:38,320 Speaker 1: child artists. We've got the emotions from inside out too. 264 00:11:38,720 --> 00:11:40,560 Speaker 2: Oh, we haven't got no gallery. 265 00:11:40,640 --> 00:11:42,280 Speaker 7: Hello, Louise, come to an ancent. 266 00:11:42,320 --> 00:11:42,880 Speaker 10: Can I help you? 267 00:11:43,280 --> 00:11:47,160 Speaker 4: We have come into our possessions some beautiful pieces from 268 00:11:47,240 --> 00:11:49,880 Speaker 4: some smaller known artists. So I was wondering if we 269 00:11:49,880 --> 00:11:51,600 Speaker 4: could use your gallery? 270 00:11:51,679 --> 00:11:52,040 Speaker 2: Please? 271 00:11:52,840 --> 00:11:55,839 Speaker 8: No, no, I don't think what you've got there is 272 00:11:55,880 --> 00:11:57,080 Speaker 8: appropriate for what we have. 273 00:11:57,480 --> 00:12:02,080 Speaker 4: And see you later, okay, later gallery. 274 00:12:01,800 --> 00:12:03,040 Speaker 8: Feller right just into speaking. 275 00:12:03,400 --> 00:12:06,400 Speaker 10: Look, I love your enthusiasm, but we won't be shifting 276 00:12:06,400 --> 00:12:08,280 Speaker 10: any of our artwork server for yours. 277 00:12:08,559 --> 00:12:12,680 Speaker 2: Is there all the best our fresco allan. We appreciate that, right, We'll. 278 00:12:12,559 --> 00:12:16,880 Speaker 7: Buy now Londing Street Gallery, Freddy speaking next week. 279 00:12:17,040 --> 00:12:19,160 Speaker 4: You know, we can talk numbers another time, but can 280 00:12:19,160 --> 00:12:21,559 Speaker 4: we hang the pieces there bring in some patrons? 281 00:12:22,760 --> 00:12:23,680 Speaker 2: Unfortunately not. 282 00:12:23,920 --> 00:12:26,800 Speaker 1: Sadly, we do have a concurrent exhibition on at the 283 00:12:26,800 --> 00:12:28,080 Speaker 1: moment collab. 284 00:12:29,160 --> 00:12:33,000 Speaker 2: No okay, thank you very much. No, okay, yeah, not 285 00:12:33,080 --> 00:12:36,320 Speaker 2: a problem. But you can always rely on Boody to 286 00:12:36,400 --> 00:12:38,200 Speaker 2: leave the best to last. That's right. 287 00:12:38,440 --> 00:12:43,120 Speaker 4: I secured the number for Australia's biggest gallery in Tasmania, 288 00:12:43,360 --> 00:12:44,920 Speaker 4: called Mona. 289 00:12:44,360 --> 00:12:47,480 Speaker 1: And ask them whether you could hang up five pieces 290 00:12:47,480 --> 00:12:51,040 Speaker 1: of children's artwork in the most prestigious gallery in the 291 00:12:51,080 --> 00:12:52,079 Speaker 1: Southern Hemisphere. 292 00:12:52,160 --> 00:12:53,400 Speaker 2: Yeah, it's my vision. 293 00:12:53,720 --> 00:12:56,280 Speaker 4: My vision has been Mona, so I just wanted to 294 00:12:56,520 --> 00:12:58,800 Speaker 4: reach out to you and see if perhaps that could 295 00:12:58,840 --> 00:12:59,600 Speaker 4: be a possibility. 296 00:13:00,120 --> 00:13:02,640 Speaker 11: Not a good week, unfortunately. I mean we do like 297 00:13:02,720 --> 00:13:05,880 Speaker 11: to hear from younger and emerging artists. 298 00:13:05,880 --> 00:13:07,720 Speaker 4: Do you want to know any more about the artists? 299 00:13:07,760 --> 00:13:08,200 Speaker 2: Maybe? 300 00:13:08,280 --> 00:13:10,680 Speaker 4: You know, just in case, maybe that'll entice you into. 301 00:13:10,720 --> 00:13:14,319 Speaker 2: Not really, that's completely fair enough. 302 00:13:14,400 --> 00:13:17,479 Speaker 12: He could could move on because it's pretty buggy museum. 303 00:13:17,559 --> 00:13:20,920 Speaker 2: Yeah no, Enoughel free. 304 00:13:20,800 --> 00:13:22,920 Speaker 8: To come down, just don't bring an exhibition. 305 00:13:25,960 --> 00:13:27,640 Speaker 2: So we still don't have a gallery. 306 00:13:27,679 --> 00:13:30,400 Speaker 4: Will and I look, I feel like I handled this 307 00:13:30,480 --> 00:13:31,600 Speaker 4: to you two days ago. 308 00:13:31,640 --> 00:13:35,640 Speaker 2: And what have you done? I passed, I passed. Look, 309 00:13:35,760 --> 00:13:38,600 Speaker 2: you know what I've done. I've found a space. Have 310 00:13:38,720 --> 00:13:41,560 Speaker 2: we secured it? Have you seen that who wants to 311 00:13:41,600 --> 00:13:45,160 Speaker 2: be a millionaire? Clip? Where the guys playing in the UK? 312 00:13:45,320 --> 00:13:45,760 Speaker 2: Or something? 313 00:13:45,880 --> 00:13:49,040 Speaker 1: He doesn't. He doesn't use any of his lifelines. He 314 00:13:49,040 --> 00:13:51,560 Speaker 1: doesn't use any of his lifelines until the million dollar question, 315 00:13:51,640 --> 00:13:53,360 Speaker 1: and then he asks if he can phone a friend yes, 316 00:13:53,400 --> 00:13:55,480 Speaker 1: and then he calls his dad. Yes, And he just 317 00:13:55,559 --> 00:13:57,200 Speaker 1: calls his dad to tell that he knows the answer 318 00:13:57,200 --> 00:13:58,199 Speaker 1: to the question is going to win. 319 00:13:58,320 --> 00:13:59,960 Speaker 2: Yes. I feel like that's what I'm about to do. 320 00:14:00,600 --> 00:14:03,240 Speaker 4: So you're so confident that a gallery? 321 00:14:03,400 --> 00:14:06,280 Speaker 1: Know that if I need to sound like an art snob, 322 00:14:06,400 --> 00:14:08,400 Speaker 1: it's true, I can put the car into that gear. 323 00:14:08,440 --> 00:14:11,240 Speaker 2: That's true, you can, and I'm not looking forward to it. Yes, 324 00:14:11,320 --> 00:14:12,280 Speaker 2: so next week you'll see that. 325 00:14:12,400 --> 00:14:13,880 Speaker 4: But again, to pull off the prank, we need a 326 00:14:14,000 --> 00:14:17,160 Speaker 4: very very good looking gallery or like you know, like 327 00:14:17,240 --> 00:14:18,400 Speaker 4: quite a pompous space. 328 00:14:18,480 --> 00:14:23,040 Speaker 1: I found a space, great Fitzroy North Gallery in Fitzroy. 329 00:14:23,040 --> 00:14:26,320 Speaker 1: It's on Gertrude Street in Fitzroy. Yeah, okay, So you 330 00:14:26,360 --> 00:14:30,760 Speaker 1: know pretty you know, art snobs everywhere, Sure, absolutely everywhere 331 00:14:30,800 --> 00:14:31,400 Speaker 1: in Fitzroy. 332 00:14:31,440 --> 00:14:33,680 Speaker 4: I just remind you I've had four galleries that have 333 00:14:33,720 --> 00:14:34,720 Speaker 4: effectively told me. 334 00:14:34,640 --> 00:14:35,560 Speaker 2: To get lost. 335 00:14:35,720 --> 00:14:38,040 Speaker 1: Yeah, and you were the wrong guy for the job. Okay, 336 00:14:38,080 --> 00:14:39,800 Speaker 1: And I didn't want it to come to this, but 337 00:14:40,200 --> 00:14:41,840 Speaker 1: you know that I've got this gear when I need to. 338 00:14:42,760 --> 00:14:45,000 Speaker 2: It does pain me, but it doesn't pay. You know. 339 00:14:45,320 --> 00:14:47,760 Speaker 1: You know, I've got this language my sleeve and I'm 340 00:14:47,800 --> 00:14:49,360 Speaker 1: willing to release it to get the art gallery for 341 00:14:49,360 --> 00:14:52,920 Speaker 1: this weekend, make the coll Okay, here we block your ears. 342 00:14:54,200 --> 00:14:55,840 Speaker 8: Hello, this Brook from North Gallery. 343 00:14:56,440 --> 00:14:58,280 Speaker 2: Oh High Brooke. My name is William. 344 00:14:58,320 --> 00:15:03,320 Speaker 1: I'm just reaching out in accordance with a new installation 345 00:15:03,400 --> 00:15:06,840 Speaker 1: which we'd like to firstly extend to you. Obviously we're 346 00:15:06,880 --> 00:15:08,840 Speaker 1: in contact with Faely Galleries at the moment, but we 347 00:15:08,960 --> 00:15:11,600 Speaker 1: just thought that you guys might be the appropriate space 348 00:15:11,640 --> 00:15:13,760 Speaker 1: for the expression was sort of going with with this 349 00:15:13,800 --> 00:15:14,280 Speaker 1: collection of. 350 00:15:14,280 --> 00:15:18,200 Speaker 8: Paintings, right, But tell me a little bit more about 351 00:15:18,240 --> 00:15:18,880 Speaker 8: the paintings. 352 00:15:19,040 --> 00:15:20,800 Speaker 1: Yeah, sure, we're kind of like, I know, this is 353 00:15:21,000 --> 00:15:22,720 Speaker 1: sort of in vogue at the moment, but I feel 354 00:15:22,720 --> 00:15:24,960 Speaker 1: as if we're sort of pioneering this space in terms 355 00:15:24,960 --> 00:15:28,160 Speaker 1: of getting in touch with sort of like the narrative 356 00:15:28,760 --> 00:15:29,880 Speaker 1: of your inner child. 357 00:15:30,480 --> 00:15:32,280 Speaker 8: Sure, sure, Yeah. 358 00:15:32,120 --> 00:15:34,240 Speaker 1: So we're like, we're really excited about some young and 359 00:15:34,280 --> 00:15:38,600 Speaker 1: emerging artists who have got some techniques, expression and devotion 360 00:15:38,880 --> 00:15:41,120 Speaker 1: to canvas that I really haven't seen a long time. 361 00:15:41,240 --> 00:15:44,840 Speaker 8: Wow. I mean, we love supporting emerging artists here at North, 362 00:15:44,920 --> 00:15:48,160 Speaker 8: So that sounds really exciting. What are the mediums that 363 00:15:48,600 --> 00:15:49,840 Speaker 8: the artists are working? 364 00:15:50,680 --> 00:15:54,680 Speaker 1: All sorts of mediums really, I mean, largely oil, largely 365 00:15:54,760 --> 00:15:57,640 Speaker 1: oil acrylics, those sorts of things. I mean, there's a 366 00:15:57,880 --> 00:16:01,800 Speaker 1: little bit of texturing which sort of used some very 367 00:16:01,840 --> 00:16:04,880 Speaker 1: interesting I'm going to say more organic materials, particularly sort 368 00:16:04,880 --> 00:16:06,560 Speaker 1: of just getting in touch with that the rawness of 369 00:16:06,920 --> 00:16:09,560 Speaker 1: childhood and you know, sort of being in playgrounds and 370 00:16:10,080 --> 00:16:13,880 Speaker 1: outside and all those sorts of things that are deeply nostalgic. 371 00:16:14,920 --> 00:16:16,320 Speaker 1: And I think that some of them have used that 372 00:16:16,320 --> 00:16:17,040 Speaker 1: to great effects. 373 00:16:17,040 --> 00:16:20,120 Speaker 2: So and I think particularly at North that, as. 374 00:16:19,960 --> 00:16:21,360 Speaker 1: You said, that's sort of the sort of space that's 375 00:16:21,400 --> 00:16:22,880 Speaker 1: going to be able to capture and that in the 376 00:16:22,960 --> 00:16:23,240 Speaker 1: right way. 377 00:16:23,320 --> 00:16:28,080 Speaker 8: Yeah, amazing, amazing sounds sounds very interesting and definitely something 378 00:16:28,120 --> 00:16:31,560 Speaker 8: that we could we could accommodate here. Beautiful and what 379 00:16:31,640 --> 00:16:35,000 Speaker 8: about the influences of the work, where are they sort 380 00:16:35,000 --> 00:16:37,280 Speaker 8: of coming from? As as the influences go, could to. 381 00:16:37,200 --> 00:16:38,080 Speaker 2: Be pretty abstract. 382 00:16:38,120 --> 00:16:40,120 Speaker 1: So I've kind of just like opened the door to 383 00:16:40,200 --> 00:16:43,600 Speaker 1: them to sort of see what sort of derivatives they 384 00:16:43,640 --> 00:16:45,960 Speaker 1: want to use for their work, particularly when you're thinking 385 00:16:45,960 --> 00:16:49,400 Speaker 1: about you know, expression of imagination and childhood that's always 386 00:16:49,440 --> 00:16:51,200 Speaker 1: you know, I don't know if you painted as a child, Brook, 387 00:16:51,240 --> 00:16:53,760 Speaker 1: I certainly didn't. 388 00:16:53,760 --> 00:16:54,160 Speaker 2: I don't want to. 389 00:16:54,160 --> 00:16:55,800 Speaker 1: I don't want to over sell it to you as well, 390 00:16:55,880 --> 00:16:58,720 Speaker 1: so I have a think about it. But you know, 391 00:16:58,720 --> 00:17:00,360 Speaker 1: if that sounds like something that you're in soon, then 392 00:17:00,360 --> 00:17:02,240 Speaker 1: we can then Yeah, just reach out. 393 00:17:02,720 --> 00:17:06,399 Speaker 8: Definitely, definitely, definitely sounds like something that we could ward 394 00:17:06,400 --> 00:17:08,360 Speaker 8: helps you out at all. 395 00:17:08,520 --> 00:17:10,840 Speaker 1: Oh beautiful, it's a beautiful space. So just get your 396 00:17:10,840 --> 00:17:11,920 Speaker 1: people in touch with mine and we. 397 00:17:11,840 --> 00:17:14,119 Speaker 8: Can definitely will appreciate it. 398 00:17:14,160 --> 00:17:16,320 Speaker 2: Thank thank you so much, William so nice to me. 399 00:17:16,800 --> 00:17:25,520 Speaker 4: Okay, thanks slamy, oh god, you can turn that on. 400 00:17:26,119 --> 00:17:28,640 Speaker 2: Yeah, why didn't you make the calls a couple of days? 401 00:17:28,800 --> 00:17:29,400 Speaker 2: Was entertaining? 402 00:17:29,440 --> 00:17:31,840 Speaker 1: I mean it's not I don't I don't love doing that, 403 00:17:31,880 --> 00:17:33,520 Speaker 1: but you know, sometimes going to pull out the big guns. 404 00:17:33,560 --> 00:17:36,960 Speaker 1: The great news is though, that's happening this weekend. Our 405 00:17:37,040 --> 00:17:40,080 Speaker 1: kids have a van. Go all five of our children. 406 00:17:40,160 --> 00:17:42,360 Speaker 1: We've got the artwork, We've got the kids. Now we've 407 00:17:42,359 --> 00:17:44,840 Speaker 1: got the space. Let's fling open the doors and get 408 00:17:44,880 --> 00:17:46,840 Speaker 1: some arts knobs up there. Let's get some baby Kishas 409 00:17:46,880 --> 00:17:49,920 Speaker 1: and a dry reasoning going, and let's get these bastards 410 00:17:49,920 --> 00:17:51,440 Speaker 1: paying tens of thousands for these things. 411 00:17:51,560 --> 00:17:52,800 Speaker 2: Love it well, that's the goal. 412 00:17:53,000 --> 00:17:55,560 Speaker 1: You guys, tune in on Monday to see how it went. 413 00:17:55,680 --> 00:17:57,280 Speaker 1: Can do we actually pull this off? 414 00:17:57,400 --> 00:17:59,879 Speaker 2: I'm so pumped. I just see whether or not this 415 00:18:00,040 --> 00:18:04,159 Speaker 2: experiment comes good. I'm confident, could be more confident. They're cooked. 416 00:18:04,640 --> 00:18:08,320 Speaker 1: That's happening this weekend. Our kids have a van. Go 417 00:18:08,800 --> 00:18:11,200 Speaker 1: all five of our children. We've got the artwork, We've 418 00:18:11,200 --> 00:18:13,920 Speaker 1: got the kids. Now we've got the space. Let's fling 419 00:18:13,920 --> 00:18:15,560 Speaker 1: open the doors and get some art snobs up there. 420 00:18:15,640 --> 00:18:17,920 Speaker 1: Let's get some baby Kisha's and a dry reasoning going, 421 00:18:18,280 --> 00:18:20,840 Speaker 1: and let's get these bastards paying tens of thousands for 422 00:18:20,880 --> 00:18:21,320 Speaker 1: these things. 423 00:18:21,440 --> 00:18:22,680 Speaker 2: Love it well. That's the goal. 424 00:18:22,880 --> 00:18:25,480 Speaker 1: You guys, tune in on Monday to see how it went. 425 00:18:25,560 --> 00:18:27,160 Speaker 1: Can do we actually pull this off? 426 00:18:27,280 --> 00:18:28,600 Speaker 2: I'm so pumped. 427 00:18:28,640 --> 00:18:30,840 Speaker 1: I don't know whether or not this experiment comes good. 428 00:18:30,880 --> 00:18:34,760 Speaker 2: I'm confident, could be more confident. They're cooked. They do 429 00:18:34,840 --> 00:18:35,640 Speaker 2: not stand a chance. 430 00:18:35,720 --> 00:18:38,240 Speaker 4: Yep, Coppet snubs and we can hide in the cuteness. 431 00:18:38,840 --> 00:18:41,399 Speaker 4: If these auntie people get angry and want revenge, we'll 432 00:18:41,440 --> 00:18:43,360 Speaker 4: go whoa, whoa, whoa children And that's a huge win 433 00:18:43,440 --> 00:18:47,560 Speaker 4: for you. Mama Sarah, Now your daughter is going to 434 00:18:47,600 --> 00:18:49,960 Speaker 4: be someone who is doing a piece of work for us. 435 00:18:50,000 --> 00:18:52,119 Speaker 2: First leak, Welcome to the studio. Welcome Sarah. 436 00:18:52,760 --> 00:18:54,560 Speaker 1: I'm not sure you've have been referred to as Mama 437 00:18:54,600 --> 00:18:59,720 Speaker 1: Sarah before. Interesting papologies, super strange. 438 00:19:00,040 --> 00:19:01,359 Speaker 2: Sorry, we all thought that was weird. 439 00:19:02,160 --> 00:19:08,919 Speaker 1: But Sarah, So your daughter, Sophie, she is going to 440 00:19:08,960 --> 00:19:10,640 Speaker 1: be painting sadness. 441 00:19:10,920 --> 00:19:13,640 Speaker 10: She is going to be painting sadness, which, for anyone 442 00:19:13,640 --> 00:19:19,159 Speaker 10: that knows Sophie is quite not how you would describe her. Okay, 443 00:19:19,920 --> 00:19:22,119 Speaker 10: probably the opposite of sadness. So I'm very interested to 444 00:19:22,160 --> 00:19:22,520 Speaker 10: see what. 445 00:19:22,720 --> 00:19:25,800 Speaker 1: Yeah, yeah, so if you welcome to Will and Woody Hella. 446 00:19:26,200 --> 00:19:30,359 Speaker 4: Hello, how did the process go? Like trying to paint 447 00:19:30,720 --> 00:19:31,480 Speaker 4: the emotion of. 448 00:19:31,480 --> 00:19:35,320 Speaker 6: Sadness hard and easy at the same. 449 00:19:35,119 --> 00:19:38,080 Speaker 1: Time, Okay, it's very meta already doing like an artist. 450 00:19:38,160 --> 00:19:38,760 Speaker 12: I like it. 451 00:19:38,880 --> 00:19:40,719 Speaker 4: Do you do you believe now, we haven't seen your 452 00:19:40,760 --> 00:19:42,240 Speaker 4: piece of art yet, Sophie. 453 00:19:42,520 --> 00:19:44,800 Speaker 2: You've you've obviously seen it. You're the one who did it. 454 00:19:45,320 --> 00:19:48,639 Speaker 4: Do you do you think this will trick artsy people 455 00:19:48,840 --> 00:19:51,439 Speaker 4: into thinking that maybe this was done by a professional artist? 456 00:19:51,680 --> 00:19:52,280 Speaker 1: Yeah? 457 00:19:52,640 --> 00:19:55,080 Speaker 2: I love the confidence. And do you like Do you 458 00:19:55,200 --> 00:19:57,000 Speaker 2: like the idea of tricking some adults? 459 00:19:57,200 --> 00:19:57,400 Speaker 8: Yes? 460 00:19:58,240 --> 00:19:59,560 Speaker 2: Yeah, okay, great? Love this? 461 00:20:00,000 --> 00:20:02,440 Speaker 1: All right, you're ready to get you ready to unveil 462 00:20:02,840 --> 00:20:05,480 Speaker 1: your painting, which we'll be hanging in our kids art gallery, 463 00:20:05,840 --> 00:20:08,240 Speaker 1: trying to convince a whole bunch of white people they 464 00:20:08,280 --> 00:20:09,280 Speaker 1: are looking at modern art. 465 00:20:09,359 --> 00:20:10,720 Speaker 2: Do we think we can pull this off? 466 00:20:10,920 --> 00:20:13,760 Speaker 1: Keep in mind her mum, Sarah hasn't seen it yet, Sarah, 467 00:20:13,800 --> 00:20:14,399 Speaker 1: are you ready? 468 00:20:15,119 --> 00:20:16,440 Speaker 10: I am as ready as a lever. 469 00:20:17,680 --> 00:20:18,119 Speaker 2: Here we go? 470 00:20:24,520 --> 00:20:24,920 Speaker 1: Like it? 471 00:20:25,200 --> 00:20:27,520 Speaker 2: It looks like rain and then a road to nowhere? 472 00:20:27,680 --> 00:20:27,960 Speaker 1: Is that? 473 00:20:28,359 --> 00:20:28,600 Speaker 7: Yeah? 474 00:20:29,240 --> 00:20:30,119 Speaker 6: Like a bus stop? 475 00:20:31,080 --> 00:20:34,320 Speaker 1: Yeah? Talk us through the painting, if you can talk 476 00:20:34,400 --> 00:20:35,439 Speaker 1: us through all the different parts. 477 00:20:35,640 --> 00:20:38,320 Speaker 6: I wanted to do, like dark colors, we said, like 478 00:20:39,160 --> 00:20:44,080 Speaker 6: dark and miserable, rainy tear drops coming out of the 479 00:20:44,080 --> 00:20:47,080 Speaker 6: clouds and abandoned desert. 480 00:20:47,359 --> 00:20:48,879 Speaker 4: I don't want to sound to artsy here, but I 481 00:20:48,880 --> 00:20:51,880 Speaker 4: do love the ideas Sophie of the road going into. 482 00:20:51,720 --> 00:20:53,840 Speaker 1: Dark nowhere and it goes into the middle of the 483 00:20:53,840 --> 00:20:56,000 Speaker 1: ocean as well, there's a road that goes. 484 00:20:56,400 --> 00:20:59,159 Speaker 2: Into a deep blue ocean. 485 00:20:59,520 --> 00:21:02,080 Speaker 1: We've got the these rain clouds. He's going to somber, 486 00:21:02,760 --> 00:21:05,000 Speaker 1: macabre rain clouds. God, I'm saying that one of those 487 00:21:05,040 --> 00:21:05,720 Speaker 1: art wing as well. 488 00:21:07,400 --> 00:21:07,720 Speaker 2: It's hard. 489 00:21:07,760 --> 00:21:09,600 Speaker 1: It's this is what we want them to But I 490 00:21:09,920 --> 00:21:12,160 Speaker 1: feel like I'm looking at that like if you told 491 00:21:12,200 --> 00:21:15,840 Speaker 1: me that that was sadness, I would be like, absolutely, 492 00:21:16,800 --> 00:21:17,200 Speaker 1: Oh my. 493 00:21:17,200 --> 00:21:19,320 Speaker 4: God, Sarah, what are you what are you thinking looking 494 00:21:19,320 --> 00:21:19,560 Speaker 4: at this? 495 00:21:19,600 --> 00:21:23,480 Speaker 10: Erah, I'm obviously biased, but it's making me feel quite depressed. Wow, 496 00:21:24,680 --> 00:21:27,640 Speaker 10: in a good way. 497 00:21:25,560 --> 00:21:36,640 Speaker 2: So well time, well done, great work. I feel awful 498 00:21:37,840 --> 00:21:38,480 Speaker 2: what i' laughter? 499 00:21:39,240 --> 00:21:45,040 Speaker 1: Well, wow, congratulations and thank you. It is all thanks 500 00:21:45,040 --> 00:21:47,880 Speaker 1: to Disney and Pixars Inside Out to Only in Cinema's 501 00:21:47,960 --> 00:21:50,879 Speaker 1: June thirteen. And when the plan is that this is 502 00:21:50,920 --> 00:21:52,639 Speaker 1: going to happen this weekend, we're still had to secure 503 00:21:52,640 --> 00:21:54,560 Speaker 1: an art gallery that call happening a little bit later 504 00:21:54,600 --> 00:21:56,520 Speaker 1: on the show. But you guys should be able to 505 00:21:56,560 --> 00:21:59,840 Speaker 1: listen to all of the thrills, the spills, and hopefully 506 00:21:59,840 --> 00:22:03,240 Speaker 1: the money spending from all of those art snobs this weekend. 507 00:22:03,280 --> 00:22:05,000 Speaker 1: We're doing it this weekend, so make sure you're ching 508 00:22:05,000 --> 00:22:08,040 Speaker 1: in on Monday so you can hear exactly how it 509 00:22:08,080 --> 00:22:09,760 Speaker 1: all went. As I said, all thanks Dizzy and picks 510 00:22:09,800 --> 00:22:11,760 Speaker 1: us inside out too on the Incinus June thirteen. I mean, 511 00:22:11,800 --> 00:22:14,560 Speaker 1: if anything woulds I am as excited about the money 512 00:22:14,600 --> 00:22:16,840 Speaker 1: as I am about just seeing all of these paintings 513 00:22:17,160 --> 00:22:19,280 Speaker 1: hung in a gallery, like all these kids so in 514 00:22:19,320 --> 00:22:21,520 Speaker 1: touch with each of the emotions that they're painted from 515 00:22:21,520 --> 00:22:23,440 Speaker 1: the film, it's going to be a spectacle. 516 00:22:25,520 --> 00:22:33,160 Speaker 2: They may take our life light Woods. 517 00:22:33,200 --> 00:22:36,560 Speaker 1: We pitch thousands of ideas every week, and the producers 518 00:22:36,760 --> 00:22:42,480 Speaker 1: they guard the gates to the show stringently. Absolutely, they nitpick, 519 00:22:43,280 --> 00:22:46,520 Speaker 1: they throw them back in our faces. All our hard work, 520 00:22:46,600 --> 00:22:49,640 Speaker 1: and we're only allowed ten minutes every Friday afternoon where 521 00:22:49,640 --> 00:22:51,080 Speaker 1: we get to do whatever the hell, buddy hell we want, 522 00:22:51,119 --> 00:22:52,879 Speaker 1: where we get to throw the ideas back into the 523 00:22:52,880 --> 00:22:55,159 Speaker 1: show that deserve to be in the show. And the 524 00:22:55,200 --> 00:22:58,000 Speaker 1: producers can't vet these guys. So what have you got 525 00:22:58,040 --> 00:22:58,360 Speaker 1: this week? 526 00:22:58,400 --> 00:23:00,280 Speaker 2: Big film? This is an absolute ripper to call me 527 00:23:00,320 --> 00:23:07,080 Speaker 2: big fel you got me big. I can't fire a 528 00:23:07,080 --> 00:23:10,840 Speaker 2: big felt. I tell you what, it's awful. That's why 529 00:23:10,880 --> 00:23:14,560 Speaker 2: I like it so much. Like what's the most condescending. 530 00:23:16,119 --> 00:23:18,000 Speaker 4: That's a great topic because when people call me chief, 531 00:23:18,320 --> 00:23:22,240 Speaker 4: I'm like, oh, I get called muscles sometimes like muzzles. 532 00:23:23,240 --> 00:23:25,840 Speaker 1: I to say that to kids I was teaching swimming. 533 00:23:26,200 --> 00:23:29,920 Speaker 1: When you forgot their name, muscles I got. I went 534 00:23:30,080 --> 00:23:32,000 Speaker 1: to I was like, quite quite a serious thing. The 535 00:23:32,080 --> 00:23:33,960 Speaker 1: other day I was I went to go and like 536 00:23:35,040 --> 00:23:37,240 Speaker 1: something I was doing at the bank and went to 537 00:23:37,320 --> 00:23:38,840 Speaker 1: the bank and the guy was like, hey, are you 538 00:23:38,960 --> 00:23:43,200 Speaker 1: right there, Champ? And I was like, came in a bank, 539 00:23:43,480 --> 00:23:45,840 Speaker 1: Like maybe if I was like getting the car fixed 540 00:23:45,960 --> 00:23:47,600 Speaker 1: or something, but Champ. 541 00:23:48,160 --> 00:23:49,520 Speaker 2: Yeah. I mean it's a great topic. 542 00:23:49,520 --> 00:23:52,080 Speaker 4: But I think we've covered all the condescending names that 543 00:23:52,119 --> 00:23:52,879 Speaker 4: people can give you. 544 00:23:52,920 --> 00:23:55,840 Speaker 1: I think I think, well, look, we haven't even opened 545 00:23:55,920 --> 00:23:58,840 Speaker 1: the female can of worms here. I mean women would 546 00:23:58,840 --> 00:24:01,720 Speaker 1: get way more condescending names and men. Well, maybe this 547 00:24:01,760 --> 00:24:02,320 Speaker 1: is a good topic. 548 00:24:03,320 --> 00:24:04,359 Speaker 2: What were we talking about the other day? 549 00:24:04,440 --> 00:24:06,239 Speaker 1: There was a there was a woman that we were 550 00:24:06,280 --> 00:24:09,400 Speaker 1: talking to who said someone called a kiddo over text. 551 00:24:09,200 --> 00:24:13,200 Speaker 4: Oh kid, Well is another absolute sticker on I don't 552 00:24:13,200 --> 00:24:13,560 Speaker 4: do that. 553 00:24:14,040 --> 00:24:17,000 Speaker 2: Yeah, yeah, I mean I don't mind it. Another one yeah, 554 00:24:17,000 --> 00:24:17,760 Speaker 2: whatever your one. 555 00:24:17,840 --> 00:24:21,520 Speaker 4: So basically, there was a guy this week who ran 556 00:24:21,680 --> 00:24:25,399 Speaker 4: down a playing naked. Yep, saw that got nude down 557 00:24:25,440 --> 00:24:27,840 Speaker 4: and playing naked, So you might just find I just 558 00:24:27,880 --> 00:24:30,280 Speaker 4: find it very interesting that you know, he was naked 559 00:24:30,600 --> 00:24:38,680 Speaker 4: and he was I just find that an interesting combination. 560 00:24:38,840 --> 00:24:41,280 Speaker 4: So I just wanted to ask have you ever been naked? 561 00:24:41,400 --> 00:24:46,679 Speaker 4: And I'll take it and like like, why were you running? 562 00:24:48,080 --> 00:24:50,040 Speaker 1: Yeah? 563 00:24:48,320 --> 00:24:50,919 Speaker 2: I didn't take that. 564 00:24:50,960 --> 00:24:52,479 Speaker 1: I mean, if you've got a content, maybe I tell 565 00:24:52,520 --> 00:24:54,119 Speaker 1: you what the fue topic is. 566 00:24:54,560 --> 00:24:56,679 Speaker 2: One six five? Have you ever been naked and running? 567 00:24:56,960 --> 00:24:57,200 Speaker 7: Right? 568 00:24:57,280 --> 00:25:02,000 Speaker 1: Yeah, but you have to start your story by greeting 569 00:25:02,080 --> 00:25:04,159 Speaker 1: us with a condescending greeting. 570 00:25:06,200 --> 00:25:06,679 Speaker 5: I love that. 571 00:25:06,960 --> 00:25:07,960 Speaker 2: That's a great idea. 572 00:25:08,080 --> 00:25:13,879 Speaker 1: Okay, great idea, So give us a call, champions. Third 573 00:25:13,880 --> 00:25:18,520 Speaker 1: one six five have you ever been naked and running? 574 00:25:18,600 --> 00:25:23,720 Speaker 1: And again, just kick off your story a muscles with 575 00:25:23,840 --> 00:25:36,080 Speaker 1: a little condescending intro. So we take our lives. Friday 576 00:25:36,160 --> 00:25:37,879 Speaker 1: is all about freedom and it's the same here on 577 00:25:37,960 --> 00:25:39,119 Speaker 1: we the Woddy at the end of the week, and 578 00:25:39,160 --> 00:25:41,840 Speaker 1: it's also our chance woulds for ten minutes. So just 579 00:25:41,920 --> 00:25:44,199 Speaker 1: talk about what we want to talk about. All of 580 00:25:44,240 --> 00:25:47,920 Speaker 1: our ideas are vetted by producers and companies and red 581 00:25:47,960 --> 00:25:52,160 Speaker 1: tape and commercial dogs. This is this is unadulterated. These 582 00:25:52,200 --> 00:25:54,920 Speaker 1: are these are our ideas. We've pitched them live just then, 583 00:25:55,000 --> 00:25:59,400 Speaker 1: and the the spot we stumbled on was. 584 00:25:58,920 --> 00:26:04,120 Speaker 4: Wait, wait, wait eight we'll practiced this. Okay, sorry, thirteen 585 00:26:04,160 --> 00:26:13,000 Speaker 4: one oh six five nude somewhere perfect, very happy. 586 00:26:13,160 --> 00:26:15,680 Speaker 2: Oh no, I didn't go again, nude. 587 00:26:16,040 --> 00:26:21,600 Speaker 3: No, you did not exist to get the second. 588 00:26:22,320 --> 00:26:24,880 Speaker 2: That wasn't rehearsal. It wasn't rehearsal. 589 00:26:25,200 --> 00:26:28,639 Speaker 4: But so yeah, have you ever been nude and running? 590 00:26:28,680 --> 00:26:30,960 Speaker 4: I just find that a fascinating combination. 591 00:26:31,200 --> 00:26:34,359 Speaker 2: Have I done it? Sure? So I was holidaying. 592 00:26:35,400 --> 00:26:38,200 Speaker 4: I was holidaying, you know, this holiday when it was 593 00:26:38,200 --> 00:26:40,480 Speaker 4: a weird holiday. I was staying in a tent for 594 00:26:40,520 --> 00:26:42,840 Speaker 4: four for ten days. I was staying in a tent 595 00:26:43,080 --> 00:26:45,080 Speaker 4: about two hours south of Broom. 596 00:26:44,840 --> 00:26:47,360 Speaker 2: In Western Australia. Remember that, And I happen to saw 597 00:26:47,359 --> 00:26:49,359 Speaker 2: the ball in the bush. Ball in a bush almost 598 00:26:49,400 --> 00:26:50,800 Speaker 2: killed me. Yeah, absolutely. 599 00:26:51,160 --> 00:26:53,480 Speaker 4: Now, no one knows if that bull actually exists or not, 600 00:26:53,520 --> 00:26:55,560 Speaker 4: but I think I saw a bull in a bush anyway, 601 00:26:55,800 --> 00:26:57,879 Speaker 4: My other treacherous moment on that trip was when I 602 00:26:57,880 --> 00:26:59,920 Speaker 4: thought I was on a secluded beach all by myself. 603 00:27:00,160 --> 00:27:02,800 Speaker 4: Will When you're on a secluded beach in the gorgeous 604 00:27:02,840 --> 00:27:06,280 Speaker 4: weathers and waters of Western Australia, what do you do? 605 00:27:06,280 --> 00:27:06,600 Speaker 2: You get? 606 00:27:06,640 --> 00:27:09,040 Speaker 4: Well, you go for a swim, you get naked, you 607 00:27:09,119 --> 00:27:11,400 Speaker 4: get completely nude, and you just go how bloody good 608 00:27:11,480 --> 00:27:12,760 Speaker 4: is this nature's backyard? 609 00:27:13,000 --> 00:27:13,320 Speaker 2: Anyway? 610 00:27:13,359 --> 00:27:16,160 Speaker 4: I'm sitting there naked on the beach, loving my life, 611 00:27:16,160 --> 00:27:17,960 Speaker 4: and all of a sudden I heard the ominous sound 612 00:27:17,960 --> 00:27:23,000 Speaker 4: of a helicopter and I was like, oh no, it's 613 00:27:23,040 --> 00:27:26,280 Speaker 4: one of those tourists going down the coastline. So I 614 00:27:26,480 --> 00:27:29,600 Speaker 4: absolutely leg it to the water, sprinting to the water, 615 00:27:30,040 --> 00:27:32,199 Speaker 4: dive into the water, but then realize the water was 616 00:27:32,240 --> 00:27:36,280 Speaker 4: crystal clear and they saw me completely nude. 617 00:27:36,840 --> 00:27:37,320 Speaker 6: Nude? 618 00:27:38,640 --> 00:27:44,520 Speaker 2: All right, so explined with your calls right now? 619 00:27:44,560 --> 00:27:46,840 Speaker 1: Now, Remember the other little kicker, the other little sweetening 620 00:27:46,840 --> 00:27:48,840 Speaker 1: to this spot is you you have to start the 621 00:27:48,880 --> 00:27:52,040 Speaker 1: phone call with a particularly condescending greeting. 622 00:27:52,400 --> 00:27:54,520 Speaker 4: Yes, all right, okay, let's go to Cassie. 623 00:27:54,600 --> 00:28:00,639 Speaker 2: Hello, Cassie, Hey chi a disgusting Okay, when did you 624 00:28:00,720 --> 00:28:01,320 Speaker 2: run naked? 625 00:28:01,359 --> 00:28:06,280 Speaker 13: Cass one night, my ex and I had a night out. 626 00:28:06,240 --> 00:28:09,840 Speaker 11: Walked all the way home and then got up near 627 00:28:09,840 --> 00:28:14,320 Speaker 11: the shops near my house and got. 628 00:28:14,280 --> 00:28:18,240 Speaker 8: Naked from there and ran home from the shops. What 629 00:28:18,400 --> 00:28:20,200 Speaker 8: do you do with cameras? 630 00:28:21,520 --> 00:28:23,480 Speaker 2: Why do you Why did you decide to run naked 631 00:28:23,520 --> 00:28:23,960 Speaker 2: from the shop? 632 00:28:24,200 --> 00:28:24,719 Speaker 11: I don't know. 633 00:28:24,920 --> 00:28:28,119 Speaker 8: And we ran up home naked. 634 00:28:28,359 --> 00:28:30,440 Speaker 2: Yes we're drunk, Yes, he drunk? 635 00:28:30,480 --> 00:28:44,280 Speaker 8: Now no, no, no no, and then. 636 00:28:39,800 --> 00:28:48,120 Speaker 1: No, let's go to Richard. 637 00:28:51,120 --> 00:28:52,280 Speaker 12: You go, sow you going? 638 00:28:57,720 --> 00:29:00,760 Speaker 2: When were you naked and running rich So. 639 00:29:01,120 --> 00:29:04,360 Speaker 12: Back in back at U. I went to UNI Games 640 00:29:04,400 --> 00:29:06,240 Speaker 12: down in Wollongong and it was the middle of winter. 641 00:29:06,760 --> 00:29:09,960 Speaker 12: It was about minus two degrees down there, and because 642 00:29:10,000 --> 00:29:12,720 Speaker 12: I missed the layup when playing basketball, my punishment was 643 00:29:12,760 --> 00:29:15,080 Speaker 12: to go for a quick newdy run from the hotel 644 00:29:15,120 --> 00:29:18,000 Speaker 12: down to the waters. So strip the clothes off. There's 645 00:29:18,040 --> 00:29:20,120 Speaker 12: about three of us, We stay ready to go off. 646 00:29:20,120 --> 00:29:22,120 Speaker 12: We go down to the waters coming back and I 647 00:29:22,120 --> 00:29:24,000 Speaker 12: could have sworn there was an old couple that gave 648 00:29:24,000 --> 00:29:26,560 Speaker 12: me a bit of a dirty look from their toota prius. 649 00:29:27,640 --> 00:29:31,040 Speaker 1: That's interesting punchline. 650 00:29:32,280 --> 00:29:35,880 Speaker 2: Nobody saw that. 651 00:29:37,200 --> 00:29:41,080 Speaker 1: I was like, okay, it's it's a hoax. The police 652 00:29:41,160 --> 00:29:44,320 Speaker 1: arrest him. Someone's taking his clothes when he comes mate. 653 00:29:44,480 --> 00:29:47,280 Speaker 1: Funnily enough, there was a couple in a Prius who 654 00:29:47,400 --> 00:29:49,280 Speaker 1: kindish looked at me a little bit weird. 655 00:29:49,920 --> 00:29:53,920 Speaker 4: I liked Bungeline because I think the car making model 656 00:29:54,000 --> 00:29:55,600 Speaker 4: was very important. 657 00:29:55,920 --> 00:29:57,520 Speaker 2: They didn't. We didn't even know it. Had we just said, 658 00:29:57,600 --> 00:30:01,320 Speaker 2: and I could have sworn. Who can't be sure sitting 659 00:30:01,360 --> 00:30:04,520 Speaker 2: in are. 660 00:30:05,120 --> 00:30:08,640 Speaker 4: Let's go to Molly now though, Hello Molly? 661 00:30:09,600 --> 00:30:09,760 Speaker 3: Hi? 662 00:30:11,200 --> 00:30:15,280 Speaker 4: What do you call us Molly? 663 00:30:20,920 --> 00:30:23,280 Speaker 2: This sort of stuff really gets me going. Well. 664 00:30:23,560 --> 00:30:26,640 Speaker 4: A TikTok star called Georgia Godworth was doing her thing 665 00:30:26,640 --> 00:30:29,040 Speaker 4: where she just kind of hits the streets and speaks 666 00:30:29,080 --> 00:30:32,480 Speaker 4: to random people and asks them random questions. Now she 667 00:30:32,600 --> 00:30:36,040 Speaker 4: stops a middle aged man, quite attractive middle aged man 668 00:30:36,080 --> 00:30:38,920 Speaker 4: and just starts talking to him and has no idea 669 00:30:39,560 --> 00:30:44,320 Speaker 4: that that person is famous Hollywood director Baz Lerman have 670 00:30:44,440 --> 00:30:45,080 Speaker 4: to listen to this. 671 00:30:45,880 --> 00:30:46,680 Speaker 2: So are you single? 672 00:30:47,000 --> 00:30:49,720 Speaker 5: I'm married, I get married the person I married when 673 00:30:49,760 --> 00:30:54,040 Speaker 5: I found our own really genuine, authentic concept of what 674 00:30:54,280 --> 00:30:57,040 Speaker 5: our contract to each other should be. But I think 675 00:30:57,080 --> 00:30:59,840 Speaker 5: more importantly it's about advertising to the people that you. 676 00:31:00,040 --> 00:31:02,880 Speaker 5: I don't care as to what the delio is. 677 00:31:03,120 --> 00:31:03,520 Speaker 13: That's it. 678 00:31:03,600 --> 00:31:04,360 Speaker 4: I hear you. 679 00:31:04,720 --> 00:31:07,520 Speaker 2: So, I mean, what is the point of the conversation. 680 00:31:07,120 --> 00:31:08,800 Speaker 4: We're having just talking about dating? 681 00:31:09,080 --> 00:31:10,600 Speaker 2: What I do is not a job. 682 00:31:10,640 --> 00:31:14,320 Speaker 5: It's alive. Every relationship I ever had just grew organically out. 683 00:31:14,200 --> 00:31:14,960 Speaker 4: Of that organically. 684 00:31:15,640 --> 00:31:17,600 Speaker 2: I'll be on my way, don't you. 685 00:31:18,200 --> 00:31:19,000 Speaker 4: Thank you very much. 686 00:31:19,400 --> 00:31:19,800 Speaker 13: I'm on it. 687 00:31:19,960 --> 00:31:20,440 Speaker 2: I'm honored. 688 00:31:20,440 --> 00:31:25,080 Speaker 4: I love your jacket. So he did more one Rouge 689 00:31:25,400 --> 00:31:26,000 Speaker 4: bas Lehman. 690 00:31:26,080 --> 00:31:29,000 Speaker 2: He did Elvis, Romeo and Juliet. He's huge. 691 00:31:30,160 --> 00:31:32,040 Speaker 1: And then he did an interview on the street with 692 00:31:32,200 --> 00:31:35,640 Speaker 1: someone who had no idea and he even usually don't 693 00:31:35,640 --> 00:31:39,040 Speaker 1: do interview, which does you kind to see you? 694 00:31:39,080 --> 00:31:39,880 Speaker 2: Guys got to see him. 695 00:31:39,880 --> 00:31:44,360 Speaker 1: He drove his skin tight late ex green zip up 696 00:31:45,000 --> 00:31:48,560 Speaker 1: cardigan effectively he couldn't. 697 00:31:48,800 --> 00:31:50,040 Speaker 10: And then his. 698 00:31:50,120 --> 00:31:53,200 Speaker 1: Answer is so sincere. Obviously he doesn't have a great 699 00:31:53,240 --> 00:31:56,480 Speaker 1: sense of human bes erman like. He just straighted. It's 700 00:31:56,560 --> 00:31:59,720 Speaker 1: all about the contract we make with it. Come on, mate, 701 00:32:00,080 --> 00:32:02,320 Speaker 1: on a vox spot for a TikTok video. It is 702 00:32:02,480 --> 00:32:03,360 Speaker 1: not one hundred and. 703 00:32:03,280 --> 00:32:06,040 Speaker 2: Twenty minutes of cinematic it's not filmed on red big guy, 704 00:32:06,280 --> 00:32:06,960 Speaker 2: Let's move it on. 705 00:32:07,400 --> 00:32:09,920 Speaker 4: Come on, he only got one this video, He's only 706 00:32:09,920 --> 00:32:12,400 Speaker 4: got one speed. I would love to hear though, more 707 00:32:12,480 --> 00:32:16,440 Speaker 4: stories like this where you had no idea who you 708 00:32:16,520 --> 00:32:19,440 Speaker 4: were talking to, So they're great stories. Thirteen one oh 709 00:32:19,520 --> 00:32:21,000 Speaker 4: sixty five is the number. It doesn't have to be 710 00:32:21,000 --> 00:32:23,400 Speaker 4: a celebrity though. And I'll give you another example which 711 00:32:23,400 --> 00:32:26,680 Speaker 4: goes away from the celebrity sphere. Will Earlier this week, 712 00:32:27,360 --> 00:32:30,440 Speaker 4: our boss said to us that he was leaving work 713 00:32:30,480 --> 00:32:31,920 Speaker 4: early to go to a client lunch. 714 00:32:32,720 --> 00:32:35,400 Speaker 2: Now you were a little bit sus that maybe he wasn't. 715 00:32:35,920 --> 00:32:37,680 Speaker 4: You're a little bit suss that maybe he wasn't going 716 00:32:37,680 --> 00:32:39,760 Speaker 4: to a client lunch and that maybe he was just 717 00:32:39,840 --> 00:32:43,400 Speaker 4: going home. So you came into the station and there 718 00:32:43,440 --> 00:32:45,360 Speaker 4: was a there was a group of people and you 719 00:32:45,400 --> 00:32:49,360 Speaker 4: were going, oh god, I mean, DV, can you can 720 00:32:49,360 --> 00:32:49,960 Speaker 4: you believe it? 721 00:32:50,040 --> 00:32:52,520 Speaker 2: Client lunch? As if he's surely going home? 722 00:32:52,600 --> 00:32:55,200 Speaker 4: I mean, what an absolute croc Anyway, one of the 723 00:32:55,200 --> 00:32:59,000 Speaker 4: women who was in the circle goes, m, I'm sure 724 00:32:59,000 --> 00:33:05,560 Speaker 4: if you've met me, will I'm DB's wife. 725 00:33:05,320 --> 00:33:08,440 Speaker 1: And then she went on to say, yeah, sure, client lunch. 726 00:33:09,480 --> 00:33:10,240 Speaker 2: What an idiot. 727 00:33:10,600 --> 00:33:12,080 Speaker 1: But you know that that was a real heart and 728 00:33:12,120 --> 00:33:14,880 Speaker 1: mouth moment for me. Hey, I've got another celeb on here. 729 00:33:14,880 --> 00:33:17,560 Speaker 1: I was in Grand Prix earlier this year with my 730 00:33:17,680 --> 00:33:23,040 Speaker 1: partner with SEM, and we got introduced to Jonathan Lapalia, 731 00:33:23,120 --> 00:33:26,479 Speaker 1: who just finished shooting top Gear. Oh yeah, yeah, right anyway, 732 00:33:26,520 --> 00:33:29,520 Speaker 1: because the cars are very noisy and whatever. Or when 733 00:33:29,560 --> 00:33:32,880 Speaker 1: I introduced Sem to Jonathan Lapalia, she only heard top 734 00:33:32,920 --> 00:33:35,120 Speaker 1: Gear and she didn't hear She's not from SEM's Dutch, 735 00:33:35,160 --> 00:33:37,440 Speaker 1: so she's got no idea Jonathan Polia is and she 736 00:33:37,520 --> 00:33:40,760 Speaker 1: assumed that I was introducing her to a producer or 737 00:33:40,800 --> 00:33:43,360 Speaker 1: someone who worked in sales at Paramount for the show 738 00:33:43,400 --> 00:33:43,880 Speaker 1: top Gear. 739 00:33:44,320 --> 00:33:46,800 Speaker 2: Anyway, so I introduced them. They start talking. 740 00:33:46,920 --> 00:33:50,440 Speaker 1: Sam's first question to Jonathan Lapalia, the host of top Gear, 741 00:33:50,480 --> 00:33:54,600 Speaker 1: an actor who takes himself very seriously, She said, how 742 00:33:54,640 --> 00:33:57,120 Speaker 1: does it feel to know that you were just effectively 743 00:33:57,160 --> 00:34:03,920 Speaker 1: making a copy of an already successful show to his face, yeah, 744 00:34:04,040 --> 00:34:05,920 Speaker 1: he put his down In turn the other way. I 745 00:34:05,920 --> 00:34:07,200 Speaker 1: think we have to hear the audio again. 746 00:34:07,680 --> 00:34:08,200 Speaker 2: It's too good. 747 00:34:08,680 --> 00:34:09,440 Speaker 10: So are you single? 748 00:34:09,800 --> 00:34:10,360 Speaker 2: I'm married. 749 00:34:10,480 --> 00:34:13,560 Speaker 5: I married the person I married when I found our 750 00:34:13,640 --> 00:34:18,160 Speaker 5: own really genuine, authentic concept of what our contract to 751 00:34:18,239 --> 00:34:20,839 Speaker 5: each other should be. But I think more importantly it's 752 00:34:20,880 --> 00:34:22,359 Speaker 5: about advertising to people. 753 00:34:22,960 --> 00:34:25,680 Speaker 1: It's quite a skill that a skill to be able 754 00:34:25,680 --> 00:34:28,040 Speaker 1: to hear somebody's teeth when they talk. 755 00:34:28,880 --> 00:34:32,920 Speaker 2: Let's go to make Jamaica. You didn't realize how you 756 00:34:32,920 --> 00:34:35,120 Speaker 2: were talking to No, I didn't. 757 00:34:35,200 --> 00:34:37,560 Speaker 13: So I was in year ten at the time, so 758 00:34:37,760 --> 00:34:40,440 Speaker 13: was my school form that I went to a Catholic school, 759 00:34:40,480 --> 00:34:41,879 Speaker 13: so it was a little bit later in the year. 760 00:34:42,440 --> 00:34:44,439 Speaker 13: They went to a face got my hair makeup done 761 00:34:44,480 --> 00:34:46,400 Speaker 13: and the lady was just topping me and saying, oh, like, 762 00:34:46,480 --> 00:34:48,560 Speaker 13: you know, your form was quite late in the year 763 00:34:49,040 --> 00:34:50,839 Speaker 13: and I was like, yeah, what school did you get? 764 00:34:50,880 --> 00:34:51,239 Speaker 7: She out to? 765 00:34:51,280 --> 00:34:51,720 Speaker 11: What school? 766 00:34:51,800 --> 00:34:54,279 Speaker 13: I told her? She says, oh, so do you know 767 00:34:54,520 --> 00:34:55,160 Speaker 13: this teacher? 768 00:34:55,239 --> 00:34:56,000 Speaker 8: And I was like, oh, they. 769 00:34:56,080 --> 00:34:58,520 Speaker 13: Really hot pea that everybody knows. I'm like, yeah, I 770 00:34:58,600 --> 00:34:58,880 Speaker 13: know him. 771 00:34:58,920 --> 00:35:03,120 Speaker 11: She oh, that's my husband. So needless to. 772 00:35:03,120 --> 00:35:06,840 Speaker 13: Say, I literally I said out of that room and left. 773 00:35:07,960 --> 00:35:08,280 Speaker 7: Compliment. 774 00:35:08,320 --> 00:35:09,240 Speaker 2: At least it was a compliment. 775 00:35:09,280 --> 00:35:11,320 Speaker 4: At least it wasn't something like oh, yeah, that teacher 776 00:35:11,360 --> 00:35:14,520 Speaker 4: that stinks or zaying you know, it's a compliment. It's 777 00:35:14,560 --> 00:35:20,680 Speaker 4: got a Jimmy here, jemmy, what happened? 778 00:35:22,239 --> 00:35:23,840 Speaker 11: I didn't know that. I was on the phone to 779 00:35:23,960 --> 00:35:26,840 Speaker 11: Dawn French. I used to work at a pub in 780 00:35:26,880 --> 00:35:29,920 Speaker 11: London and we were always super busy for the Sunday 781 00:35:30,000 --> 00:35:32,640 Speaker 11: roast there. And she rings up at like twelve o'clock. 782 00:35:32,680 --> 00:35:35,160 Speaker 11: We're already fully packed out. She's like, oh, have you 783 00:35:35,160 --> 00:35:37,719 Speaker 11: got a table? I was like no, sorry, like looked out, 784 00:35:37,800 --> 00:35:40,400 Speaker 11: no way. And she's like, oh, let me talk to 785 00:35:40,440 --> 00:35:42,920 Speaker 11: the manager, Darren Say he's a friend of mine. I 786 00:35:42,960 --> 00:35:46,080 Speaker 11: was like, look, there's no tables, you know. Like she's like, no, no, 787 00:35:46,120 --> 00:35:48,760 Speaker 11: it's okay. I'll walk to Darren. I was like, fine, 788 00:35:48,880 --> 00:35:52,080 Speaker 11: here you go. He's like, yeah, no worries, we'll get 789 00:35:52,120 --> 00:35:54,200 Speaker 11: your table. Of course we will. Like, no problem. 790 00:35:54,480 --> 00:35:55,120 Speaker 8: She comes in. 791 00:35:55,239 --> 00:35:57,440 Speaker 11: I'm like, oh my god, it's Dawn French. And then 792 00:35:57,480 --> 00:36:01,879 Speaker 11: I put two and two together, like oh, no way. 793 00:36:03,400 --> 00:36:05,440 Speaker 4: Well a bit like the people who knocked back pink 794 00:36:06,400 --> 00:36:09,120 Speaker 4: in Manly from that restaurant there. 795 00:36:09,280 --> 00:36:11,840 Speaker 2: Let's go to Emily Now. I think they knew it 796 00:36:11,840 --> 00:36:13,719 Speaker 2: was pink. They knew it was pink. I think, so 797 00:36:13,920 --> 00:36:15,960 Speaker 2: the star has fallen. Let's go to Emily. 798 00:36:16,239 --> 00:36:19,799 Speaker 4: Now on that's a lie. 799 00:36:19,880 --> 00:36:21,720 Speaker 2: Blow She sold out shows. 800 00:36:21,400 --> 00:36:23,920 Speaker 4: Absolutely shows you were suggesting that. 801 00:36:24,280 --> 00:36:26,520 Speaker 1: You know there were pink gators. There were pink gators 802 00:36:26,520 --> 00:36:28,480 Speaker 1: out there. There were people sitting out in front of 803 00:36:28,520 --> 00:36:29,080 Speaker 1: the stadiums. 804 00:36:29,160 --> 00:36:30,959 Speaker 2: No doubt. It was a phenomenon, no doubt. 805 00:36:31,080 --> 00:36:34,560 Speaker 4: Let's go to Emily. Now, Emily, who were you talking to? 806 00:36:36,000 --> 00:36:38,400 Speaker 9: I was in high school and we had our school 807 00:36:38,400 --> 00:36:41,200 Speaker 9: production and I was at work and I was just, 808 00:36:41,440 --> 00:36:44,120 Speaker 9: you know, I was talking about the lead cast girl. 809 00:36:44,480 --> 00:36:46,400 Speaker 9: She was just not taking her job seriously. You know, 810 00:36:46,440 --> 00:36:48,960 Speaker 9: she's been really annoying. Everyone was really frustrated with her, 811 00:36:49,239 --> 00:36:53,520 Speaker 9: could not stand her. And then we had the we 812 00:36:53,560 --> 00:36:55,880 Speaker 9: went to school and I found out that I was 813 00:36:55,920 --> 00:37:02,200 Speaker 9: actually talking to her. Mum, Oh yeah, and her mum 814 00:37:02,280 --> 00:37:04,120 Speaker 9: said nothing. The whole conversation. 815 00:37:05,960 --> 00:37:09,399 Speaker 2: Yep, yep, ing all pretty good gear. 816 00:37:09,600 --> 00:37:12,120 Speaker 1: I still think the story that Trump's this all of 817 00:37:12,160 --> 00:37:16,560 Speaker 1: this gear would is my dad. He was getting flown 818 00:37:16,600 --> 00:37:20,279 Speaker 1: over to go and give a conference in Europe a 819 00:37:20,520 --> 00:37:23,879 Speaker 1: very haughty, taughty medical authority. Anyway, So he was sitting 820 00:37:23,880 --> 00:37:26,319 Speaker 1: at the pointing end of the plane, got off the 821 00:37:26,360 --> 00:37:27,520 Speaker 1: plane at the end. 822 00:37:28,040 --> 00:37:30,439 Speaker 2: Called us. His kids were on the phone, and we. 823 00:37:30,320 --> 00:37:31,600 Speaker 1: Were like, oh, Dad, that was a flight, and he 824 00:37:31,680 --> 00:37:33,640 Speaker 1: was like, oh yeah, I look pretty amazing sitting up 825 00:37:33,640 --> 00:37:35,799 Speaker 1: in business class there for it. You know, a whole 826 00:37:35,800 --> 00:37:38,719 Speaker 1: totally different trip, kids, etc. It sounds amazing. And then 827 00:37:38,719 --> 00:37:41,319 Speaker 1: he goes look just slowly annoying. There was this woman 828 00:37:41,360 --> 00:37:44,520 Speaker 1: sitting next to me, you know, and the staff just 829 00:37:44,600 --> 00:37:46,440 Speaker 1: kept leaning over me the whole time, saying, oh, you know, 830 00:37:46,560 --> 00:37:51,680 Speaker 1: miss Moss, this miss Mostat. And it turns out he'd 831 00:37:51,719 --> 00:37:54,759 Speaker 1: spent twenty two hours sitting next to Kate Moss and 832 00:37:54,800 --> 00:38:00,160 Speaker 1: he had no idea. I think at one stage the 833 00:38:00,200 --> 00:38:03,279 Speaker 1: only thing he asked her about was whether she'd tried 834 00:38:03,320 --> 00:38:05,160 Speaker 1: the pajamas lies