1 00:00:00,080 --> 00:00:02,360 Speaker 1: Hello everyone, this is Christian. I know you're about to 2 00:00:02,400 --> 00:00:04,000 Speaker 1: hear from me, and now I just I just need 3 00:00:04,000 --> 00:00:05,760 Speaker 1: to tell you something else I didn't say on the show. 4 00:00:05,920 --> 00:00:07,280 Speaker 1: The show, as you were about to hear, has come 5 00:00:07,320 --> 00:00:08,720 Speaker 1: in to an end in a couple of weeks time 6 00:00:08,800 --> 00:00:12,119 Speaker 1: for this year. However, I know a lot of you 7 00:00:12,200 --> 00:00:14,440 Speaker 1: still like listening to the show when we're not on, 8 00:00:14,920 --> 00:00:18,079 Speaker 1: so we are going to be doing over twenty mini podcasts. 9 00:00:18,160 --> 00:00:21,239 Speaker 1: We've done this before. They're about fifteen twenty minute episodes 10 00:00:21,239 --> 00:00:23,560 Speaker 1: of various bits from the shows, so we will be 11 00:00:23,600 --> 00:00:25,840 Speaker 1: doing those those even though the show won't be here, 12 00:00:26,160 --> 00:00:29,240 Speaker 1: we will still be here. If you have anything you'd 13 00:00:29,280 --> 00:00:32,040 Speaker 1: love to hear again while we're putting them together this week, 14 00:00:32,040 --> 00:00:34,239 Speaker 1: please let me know email if you want Christian at 15 00:00:34,280 --> 00:00:37,520 Speaker 1: christiano'connell dot com dot au on with the show. Thanks 16 00:00:37,560 --> 00:00:39,160 Speaker 1: for listening and still supporting the show. 17 00:00:39,560 --> 00:00:44,560 Speaker 2: Christ Yeah, welcome friends to the Christian O'Connell Show podcast 18 00:00:44,640 --> 00:00:45,400 Speaker 2: the third. 19 00:00:47,400 --> 00:00:47,879 Speaker 1: Weekend. 20 00:00:48,720 --> 00:00:50,839 Speaker 3: Can I just have a sausage straight off the barbecue? 21 00:00:50,960 --> 00:00:51,360 Speaker 3: No bread? 22 00:00:51,479 --> 00:00:55,080 Speaker 1: When you see him mending of fence posts, I get aroused. 23 00:00:55,240 --> 00:00:58,520 Speaker 2: The Christian O'Connell Show Gold one oh four point three. 24 00:01:00,160 --> 00:01:03,160 Speaker 1: Those words Hey, good morning Thing, Good morning Jack, Good morning, 25 00:01:03,240 --> 00:01:07,600 Speaker 1: Patty morning. How was the girl's day out? On Saturday? 26 00:01:07,680 --> 00:01:11,560 Speaker 4: Patsy had the best best day And Mulan Rouge is, 27 00:01:12,160 --> 00:01:15,319 Speaker 4: I'm going to put it out there the best stage 28 00:01:15,520 --> 00:01:17,000 Speaker 4: show I have ever seen. 29 00:01:17,240 --> 00:01:22,080 Speaker 1: Wow, it is Hockey went I think Thursday night and 30 00:01:22,240 --> 00:01:24,440 Speaker 1: he was saying it's the best musical he's ever seen. 31 00:01:24,800 --> 00:01:27,479 Speaker 4: It's wonderful. And I was delighted to learn the lead 32 00:01:29,040 --> 00:01:31,680 Speaker 4: a guy by the name of whose name escapes me 33 00:01:31,959 --> 00:01:33,640 Speaker 4: right now, which is really appropriate. 34 00:01:34,800 --> 00:01:36,680 Speaker 1: You've had all weekend your notes. 35 00:01:39,040 --> 00:01:46,320 Speaker 4: Half three, there's floodinggin Oh, I do believe is a 36 00:01:46,400 --> 00:01:49,600 Speaker 4: local boy from Wangaratta, from my hometown, and he was fantastic. 37 00:01:49,840 --> 00:01:51,920 Speaker 4: He played the role of Christian and it was so 38 00:01:52,080 --> 00:01:55,040 Speaker 4: lovely to see local boy do good up there on 39 00:01:55,120 --> 00:01:55,560 Speaker 4: the stage. 40 00:01:55,960 --> 00:01:58,520 Speaker 1: Awesome. And what made it so great, Patsy? Oh? 41 00:01:58,640 --> 00:01:59,200 Speaker 3: The music. 42 00:01:59,440 --> 00:02:00,720 Speaker 4: It's know what I reckon? 43 00:02:00,760 --> 00:02:04,360 Speaker 1: They love that. I love the movie so changed bits of. 44 00:02:04,360 --> 00:02:07,080 Speaker 4: It modern music. You know what I reckon, they've stolen 45 00:02:07,160 --> 00:02:10,079 Speaker 4: your idea of the mashups, because there's about seventy five 46 00:02:10,240 --> 00:02:13,440 Speaker 4: mash ups, seventy five songs across the show, and they're 47 00:02:13,480 --> 00:02:14,000 Speaker 4: all mash up. 48 00:02:14,040 --> 00:02:15,200 Speaker 1: I heard of a musical doing that. 49 00:02:15,720 --> 00:02:20,240 Speaker 4: That's really They've stolen your idea Christian by the way, 50 00:02:20,240 --> 00:02:24,040 Speaker 4: I just played them, did we say? But yeah, just 51 00:02:24,120 --> 00:02:29,320 Speaker 4: a really polished performance and the system put a picture 52 00:02:29,400 --> 00:02:31,519 Speaker 4: up on my Instagram. The city is incredible. 53 00:02:32,280 --> 00:02:34,480 Speaker 1: And how was the lady's lunch beforehand? 54 00:02:34,520 --> 00:02:35,160 Speaker 3: It's very good. 55 00:02:35,560 --> 00:02:36,959 Speaker 1: This sounds like you said off cut. 56 00:02:39,240 --> 00:02:39,880 Speaker 3: Last week. 57 00:02:40,040 --> 00:02:41,880 Speaker 4: I'm happy, it's a great time. 58 00:02:42,080 --> 00:02:42,600 Speaker 3: She's happy. 59 00:02:42,680 --> 00:02:45,400 Speaker 1: She's only got to see it for five days. Oh 60 00:02:45,560 --> 00:02:50,799 Speaker 1: dere's Flannagan begin again. Hey guys, omni Crons coming against 61 00:02:50,880 --> 00:02:54,600 Speaker 1: us Kron word of the week. Never heard of him 62 00:02:54,600 --> 00:02:58,080 Speaker 1: on Friday? Now is our new best mate Omnikron? Hide 63 00:02:58,160 --> 00:03:01,480 Speaker 1: on your Bed's Omnia Crons coming? What is Omniicron? It 64 00:03:01,560 --> 00:03:05,840 Speaker 1: sounds like a robot overlord, doesn't it Megatron? I am Omniicron? 65 00:03:07,160 --> 00:03:11,320 Speaker 1: Is it Omikron or omniicron omicron Omicron? It feels like 66 00:03:11,400 --> 00:03:15,079 Speaker 1: it should be omniicron I. This became the word of 67 00:03:15,120 --> 00:03:19,000 Speaker 1: our weekend because obviously Sarah's mum was supposed to be 68 00:03:19,200 --> 00:03:24,440 Speaker 1: flying out yesterday from London to Australia and then suddenly 69 00:03:25,040 --> 00:03:29,200 Speaker 1: Omikron is around, and my wife yesterday and our mum. 70 00:03:29,280 --> 00:03:31,560 Speaker 1: They were hysterical because it was like it was a 71 00:03:31,639 --> 00:03:34,400 Speaker 1: day when they should just be excited. Yeah, just a 72 00:03:34,520 --> 00:03:36,680 Speaker 1: long dragon. She didn't get on the plane. She's coming 73 00:03:36,760 --> 00:03:38,480 Speaker 1: to see us after two long years apart. 74 00:03:38,600 --> 00:03:40,800 Speaker 3: And then on the news, other countries are shutting their 75 00:03:40,840 --> 00:03:43,880 Speaker 3: board and imagine we shut them after just opening them up. 76 00:03:44,640 --> 00:03:46,960 Speaker 1: So it got to the point where then they announced 77 00:03:47,000 --> 00:03:49,840 Speaker 1: that all overseas travelers now coming into it. So I 78 00:03:49,920 --> 00:03:51,960 Speaker 1: have to quarantine for seventy two hours. So yes, they 79 00:03:52,000 --> 00:03:53,600 Speaker 1: were thinking, oh my god, where's she going to go. 80 00:03:54,160 --> 00:03:57,040 Speaker 1: She's seventy eight, she's she's a really nervous fly. Right, 81 00:03:57,200 --> 00:03:59,920 Speaker 1: first time she's done his trip alone. Normally a friend 82 00:04:00,160 --> 00:04:02,200 Speaker 1: comes out with her or Sarah was going to go 83 00:04:02,240 --> 00:04:03,720 Speaker 1: back and get to show. She had to do it alone. 84 00:04:03,800 --> 00:04:06,200 Speaker 1: So this has been our weekend, right, this is amazing. 85 00:04:06,240 --> 00:04:08,880 Speaker 1: Two things happened. One, we remember that the house next 86 00:04:08,960 --> 00:04:11,520 Speaker 1: door has recently been sold, right, and a friend of 87 00:04:11,560 --> 00:04:14,480 Speaker 1: mine knows the owner. He called in a favor. There's 88 00:04:14,480 --> 00:04:16,640 Speaker 1: an empty house next door. They don't complete till January. 89 00:04:17,240 --> 00:04:19,920 Speaker 1: Sarah's mum is quarantining at the house next door. 90 00:04:20,400 --> 00:04:22,120 Speaker 3: Convenience's perfect. 91 00:04:22,440 --> 00:04:27,000 Speaker 1: Welcome to Australia. You're next door. You are next door. 92 00:04:26,880 --> 00:04:28,560 Speaker 3: After your grandma from the window. 93 00:04:28,800 --> 00:04:31,240 Speaker 1: Yes, that's it. Chuck a sausage over the fence for 94 00:04:31,360 --> 00:04:35,160 Speaker 1: her dinner, Get a catter bult, go into drop stuff there? 95 00:04:35,440 --> 00:04:36,320 Speaker 3: So is there no food? 96 00:04:38,200 --> 00:04:40,640 Speaker 1: Yesterday? I had to drive around various friends who could 97 00:04:40,680 --> 00:04:44,120 Speaker 1: lend me one the mattress? Yeah, yeah, then the bed bass. 98 00:04:44,440 --> 00:04:47,680 Speaker 1: This is my day yesterday. It was a lovely sunny day. 99 00:04:47,760 --> 00:04:50,080 Speaker 1: I don't know. I was just stressfully, just trying to 100 00:04:50,160 --> 00:04:51,160 Speaker 1: calm my wife down. 101 00:04:51,200 --> 00:04:53,400 Speaker 3: Wouldn't it be easier for to just stay in the 102 00:04:53,440 --> 00:04:56,520 Speaker 3: hotel for three days because they've got bear's mattresses running 103 00:04:56,560 --> 00:04:58,200 Speaker 3: water jacket? 104 00:04:58,640 --> 00:05:01,360 Speaker 1: Want some mom next to it? I said? The poor 105 00:05:01,400 --> 00:05:04,480 Speaker 1: old lady, right, fly for twenty four hours? Right then 106 00:05:04,560 --> 00:05:08,640 Speaker 1: she be shoved next door in a cell. Oh we've 107 00:05:08,720 --> 00:05:13,120 Speaker 1: got her right. Oh there is a bet a mattress. 108 00:05:13,279 --> 00:05:15,440 Speaker 1: Have you ever walked in? There's no TV, there's nothing. 109 00:05:15,560 --> 00:05:17,840 Speaker 3: Think of your house before you put for any so 110 00:05:18,000 --> 00:05:20,600 Speaker 3: echo weird to stay in there. She's going to be 111 00:05:20,640 --> 00:05:21,120 Speaker 3: for three. 112 00:05:21,440 --> 00:05:24,280 Speaker 1: Need to see you, Jackie. There's your cell for three days. 113 00:05:25,000 --> 00:05:27,720 Speaker 2: The Christian O'Connell show podcast. 114 00:05:27,560 --> 00:05:30,520 Speaker 1: Oh Dear some sci Fi Nerd has sent me a 115 00:05:30,880 --> 00:05:33,720 Speaker 1: very long article about how the word omikron is from 116 00:05:33,760 --> 00:05:37,040 Speaker 1: Star Trek staff leet in twenty three thirty eight. I 117 00:05:37,200 --> 00:05:41,120 Speaker 1: don't care, Jackie boy. How did the prepping the nursery 118 00:05:41,200 --> 00:05:42,040 Speaker 1: go over the weekend? 119 00:05:42,160 --> 00:05:45,039 Speaker 3: You joke about the prepping. Prepping is the most important 120 00:05:45,080 --> 00:05:48,120 Speaker 3: part of painting you do. You've got to clean the walls, 121 00:05:48,520 --> 00:05:52,520 Speaker 3: send them, fill the holes, tape the edges. I know 122 00:05:52,640 --> 00:05:55,200 Speaker 3: you painted your daughter's bedrooms. I bet you didn't tape 123 00:05:55,279 --> 00:05:59,440 Speaker 3: and clean and save tape some of them. You strive 124 00:05:59,560 --> 00:06:03,320 Speaker 3: still still staying on like the radiator carpet. Yeah, there's 125 00:06:03,320 --> 00:06:05,320 Speaker 3: a couple of little blobs. I reckon. You just come 126 00:06:05,360 --> 00:06:08,719 Speaker 3: home with the paint and start costing. Absolutely, you gotta prep. 127 00:06:08,880 --> 00:06:11,320 Speaker 3: You gotta prep. So I'm not at the paint. The 128 00:06:11,400 --> 00:06:12,400 Speaker 3: final coat of paint is. 129 00:06:12,480 --> 00:06:15,120 Speaker 1: Going on an entire weekend. All you've done is sound. 130 00:06:15,040 --> 00:06:20,120 Speaker 3: Wall no, no, four walls, oh wow. And the taping 131 00:06:20,200 --> 00:06:21,040 Speaker 3: and the filling of the hole. 132 00:06:21,120 --> 00:06:22,920 Speaker 1: So there's like half an out of a little bit 133 00:06:22,960 --> 00:06:23,360 Speaker 1: of taping. 134 00:06:23,640 --> 00:06:25,640 Speaker 3: I can tell you how long I was doing it 135 00:06:25,720 --> 00:06:28,360 Speaker 3: all for, because I listened to a whole audio book 136 00:06:28,400 --> 00:06:30,400 Speaker 3: that went for nine and a half hour and not 137 00:06:30,560 --> 00:06:31,160 Speaker 3: doing anything. 138 00:06:31,240 --> 00:06:34,320 Speaker 1: You're standing out the window. Listen to chapter nine. That's 139 00:06:34,360 --> 00:06:36,800 Speaker 1: why you don't see trade. He's going chapter five. 140 00:06:37,480 --> 00:06:39,680 Speaker 3: They could traders could listen to so many can get 141 00:06:39,800 --> 00:06:43,480 Speaker 3: no work, no buildings. I was busy with my hands 142 00:06:43,520 --> 00:06:45,840 Speaker 3: the whole time and enjoying the book. 143 00:06:45,960 --> 00:06:49,280 Speaker 1: Possible, an audiobook's going to have a slower pace. It's 144 00:06:49,279 --> 00:06:50,360 Speaker 1: effective productivity. 145 00:06:50,800 --> 00:06:52,960 Speaker 3: It did have a slow pace book, but I was 146 00:06:53,360 --> 00:06:55,800 Speaker 3: active the whole time. But whenever I now go into 147 00:06:55,839 --> 00:06:58,680 Speaker 3: my baby's room, I will think of Lily Bloom, the 148 00:06:58,800 --> 00:07:03,560 Speaker 3: character from the book, caught between two lovers, and the 149 00:07:03,680 --> 00:07:05,120 Speaker 3: story of her life in Boston. 150 00:07:05,200 --> 00:07:06,960 Speaker 1: What are you doing to the nursery, by the way, 151 00:07:07,080 --> 00:07:09,159 Speaker 1: What color is it going to be once it finally 152 00:07:09,240 --> 00:07:09,920 Speaker 1: gets painted? 153 00:07:09,960 --> 00:07:12,640 Speaker 3: At some point we're still discussing the color. I think 154 00:07:12,680 --> 00:07:16,200 Speaker 3: it's going to be a sage green, but what does 155 00:07:16,280 --> 00:07:16,680 Speaker 3: that mean? 156 00:07:19,040 --> 00:07:19,560 Speaker 1: Light green? 157 00:07:19,720 --> 00:07:22,560 Speaker 3: That was that was being his choice? No more and 158 00:07:22,720 --> 00:07:24,640 Speaker 3: olive is sage oli? 159 00:07:24,920 --> 00:07:27,400 Speaker 1: Yeah, psychotch calming tones. 160 00:07:27,520 --> 00:07:32,400 Speaker 3: I'm thinking though, of painting a mural. I've never painted 161 00:07:32,400 --> 00:07:34,280 Speaker 3: a mural before. Well, I've never. 162 00:07:34,240 --> 00:07:36,120 Speaker 1: Judged by the standard of most of them. I see 163 00:07:36,240 --> 00:07:38,560 Speaker 1: around some of the buildings in Melbourne don't worry. The 164 00:07:38,600 --> 00:07:42,040 Speaker 1: bar's pretty low here. That Dusty Martin one around the 165 00:07:42,080 --> 00:07:43,360 Speaker 1: corner looks like he's melting. 166 00:07:44,880 --> 00:07:48,600 Speaker 2: So he's the Christian Connor Show podcast. 167 00:07:49,200 --> 00:07:51,960 Speaker 1: Time for the mash ups. Of course, have invented mashups 168 00:07:52,000 --> 00:07:55,000 Speaker 1: so we can I cutting together all these various songs. 169 00:07:55,040 --> 00:07:58,280 Speaker 1: Flip flip blisters all of my fingers from making these 170 00:07:58,400 --> 00:08:01,440 Speaker 1: mash ups. All right, So mash ups where you take 171 00:08:01,520 --> 00:08:03,920 Speaker 1: two very very different songs, like last week we heard 172 00:08:03,960 --> 00:08:13,840 Speaker 1: this one Nickelback's photograph and the Pokemon theme tune, mash 173 00:08:13,920 --> 00:08:17,240 Speaker 1: them together, A great one, you strange hybrid song. This 174 00:08:17,480 --> 00:08:20,880 Speaker 1: is awful Poke. 175 00:08:23,920 --> 00:08:25,720 Speaker 3: This actually does sound like you could have made it. 176 00:08:29,840 --> 00:08:32,760 Speaker 1: All right, brand new one saying, first of all from Jordan, 177 00:08:32,840 --> 00:08:35,760 Speaker 1: you've got Leo say you make me feel like dancing banger. 178 00:08:37,520 --> 00:08:54,480 Speaker 1: Don't Leo Sayer meet Metallica Saba true, you know put 179 00:08:54,520 --> 00:09:07,160 Speaker 1: them together. You've got Leo Tellica. Yeah, this is very good. 180 00:09:17,559 --> 00:09:21,400 Speaker 1: That's very good. I like Leo Tala listener, philipp has 181 00:09:21,440 --> 00:09:29,600 Speaker 1: got this a C D C back in black Vanessa 182 00:09:29,640 --> 00:09:31,480 Speaker 1: Carton A thousand miles you. 183 00:09:31,880 --> 00:09:35,959 Speaker 2: Know I want a thousand miles back. 184 00:09:37,480 --> 00:09:51,720 Speaker 1: I'm curious, curious. Let's having us back in miles. Yeah, 185 00:09:52,120 --> 00:10:01,360 Speaker 1: very good. This is one of the best ones we've 186 00:10:01,360 --> 00:10:01,800 Speaker 1: ever had. 187 00:10:09,960 --> 00:10:12,240 Speaker 5: This is brilliant. A. S. 188 00:10:13,920 --> 00:10:16,280 Speaker 1: Stephan's got this one. Rage against the Machine, killing in 189 00:10:16,320 --> 00:10:24,960 Speaker 1: the name of what they talked up, up against Credien's 190 00:10:25,000 --> 00:10:35,599 Speaker 1: clear Water Revival and bad Moon Rising, killing in the 191 00:10:35,640 --> 00:10:36,120 Speaker 1: Bad Moon. 192 00:10:39,760 --> 00:10:51,640 Speaker 6: He's all really good this week. Actually all right, one. 193 00:10:51,600 --> 00:10:54,559 Speaker 1: Last one from Pipper Mariah Carey all I want for 194 00:10:54,679 --> 00:11:04,760 Speaker 1: Christmas and Queen don't stop me now because you don't 195 00:11:04,880 --> 00:11:24,400 Speaker 1: Christmas Now, let's give me a headache. This is the 196 00:11:24,440 --> 00:11:24,959 Speaker 1: winning one. 197 00:11:27,240 --> 00:11:31,120 Speaker 6: Ac and Vanessa dug that's the best mashup. 198 00:11:32,920 --> 00:11:35,240 Speaker 1: Guy and you can email them Christian at Christian O'Connell 199 00:11:35,320 --> 00:11:36,400 Speaker 1: dot com dot a youth. 200 00:11:36,600 --> 00:11:39,000 Speaker 2: Well Christian Connell's show podcast. 201 00:11:40,080 --> 00:11:43,719 Speaker 1: Last five shows of the year. In the course of 202 00:11:43,840 --> 00:11:47,719 Speaker 1: a year on breakfast Radio, there are a lot of 203 00:11:47,840 --> 00:11:50,199 Speaker 1: you think you hear some shabby ideas coming out the speakers. 204 00:11:50,240 --> 00:11:53,000 Speaker 1: There's stuff we actually turn away, the stuff we say 205 00:11:53,160 --> 00:11:56,560 Speaker 1: no to. I know, go figure there is and we've 206 00:11:57,040 --> 00:12:01,120 Speaker 1: dug out some of the bad ideas we rejected. We thought, actually, 207 00:12:01,200 --> 00:12:03,560 Speaker 1: do you know what, there's a closing down sale field 208 00:12:03,559 --> 00:12:08,079 Speaker 1: to the show this week. Why don't we doing some 209 00:12:08,160 --> 00:12:11,280 Speaker 1: of the bad ideas this week that we've said no 210 00:12:11,440 --> 00:12:13,480 Speaker 1: to Jack, Some of the bad ideas that we've come 211 00:12:13,559 --> 00:12:14,160 Speaker 1: up with this year. 212 00:12:14,280 --> 00:12:20,439 Speaker 3: There's a long list, yes, just some examples. Sue's singing 213 00:12:20,480 --> 00:12:21,720 Speaker 3: Happy birthday for Sue. 214 00:12:22,000 --> 00:12:23,640 Speaker 1: Yeah, my boss is called Sue. I was going to 215 00:12:23,679 --> 00:12:25,360 Speaker 1: try and find ten of you to call her up 216 00:12:25,400 --> 00:12:27,680 Speaker 1: to sing happy birthday somewhere call us of Sue's. 217 00:12:27,760 --> 00:12:32,400 Speaker 3: He started with fifty because she was celebrating a milestone birthday. 218 00:12:32,400 --> 00:12:37,200 Speaker 3: You thought we could youngest Nigels. 219 00:12:37,320 --> 00:12:38,200 Speaker 1: We never got there. 220 00:12:38,280 --> 00:12:40,640 Speaker 3: What a shamed Nigel. The name was dying out. So 221 00:12:40,720 --> 00:12:42,400 Speaker 3: we're going to speak to the youngest Nigel. 222 00:12:42,679 --> 00:12:42,880 Speaker 1: Yep. 223 00:12:43,040 --> 00:12:44,959 Speaker 3: I can't even remember where this came from. Have you 224 00:12:45,040 --> 00:12:47,120 Speaker 3: eaten dog food as a phone in topic? 225 00:12:47,320 --> 00:12:48,679 Speaker 1: I do know where that came from. You. 226 00:12:51,960 --> 00:12:55,040 Speaker 3: I would never pick such a blead, all right. So 227 00:12:55,120 --> 00:12:57,720 Speaker 3: there's now we've got them all labeled on ping pong balls. 228 00:12:58,400 --> 00:13:00,240 Speaker 3: I'm just going to pull one at random and then 229 00:13:00,280 --> 00:13:03,160 Speaker 3: whichever one we get is the segment that we do. 230 00:13:05,360 --> 00:13:07,640 Speaker 1: How long are you going to spend it for? I mean, 231 00:13:07,720 --> 00:13:10,200 Speaker 1: this sounds like another idea for another list of bad ideas. 232 00:13:10,240 --> 00:13:11,040 Speaker 3: How do you get him out? 233 00:13:11,120 --> 00:13:12,920 Speaker 1: Really? How do you get him out? Is there a 234 00:13:13,000 --> 00:13:13,480 Speaker 1: little door? 235 00:13:13,600 --> 00:13:13,640 Speaker 7: No? 236 00:13:13,720 --> 00:13:15,240 Speaker 3: I think it's meant to sit in that little thing. 237 00:13:15,920 --> 00:13:18,640 Speaker 3: Wait just listen, sorry, please spare with me. 238 00:13:19,000 --> 00:13:21,760 Speaker 1: Now there's one come out there, you go, there we go. 239 00:13:22,440 --> 00:13:26,920 Speaker 3: What does this correspond to? Number five? Boom, boom, guess 240 00:13:27,040 --> 00:13:27,440 Speaker 3: the room? 241 00:13:27,760 --> 00:13:30,480 Speaker 1: Now? Producer Rio pitched this one? How did this one work? 242 00:13:31,040 --> 00:13:34,600 Speaker 1: I think this was you give me the I think 243 00:13:35,559 --> 00:13:35,839 Speaker 1: you know. 244 00:13:36,600 --> 00:13:39,400 Speaker 3: You know, a listener is in a room of their house. 245 00:13:39,559 --> 00:13:42,079 Speaker 3: They call in and talk to us and using the 246 00:13:42,280 --> 00:13:44,400 Speaker 3: echoes and the ambience of the room, and you're very 247 00:13:44,520 --> 00:13:47,160 Speaker 3: highly it tuned radio ears. You guess which room that 248 00:13:47,240 --> 00:13:47,680 Speaker 3: they are in. 249 00:13:47,880 --> 00:13:50,480 Speaker 1: All right, and you even made a theme tune for this. 250 00:13:51,640 --> 00:13:57,000 Speaker 1: Boom Guess the room? Boom, yes, yes, the room? All right? 251 00:13:57,200 --> 00:14:01,200 Speaker 1: Cooling Now from your rooms, from any room, any room 252 00:14:01,600 --> 00:14:04,600 Speaker 1: up to you pick upstairs, downstairs, front back, it doesn't matter. 253 00:14:04,679 --> 00:14:07,360 Speaker 1: Give us a call. We're trying to guess the room 254 00:14:07,440 --> 00:14:10,280 Speaker 1: you're in. Yeah, like I say, we finished nine o'clock 255 00:14:10,440 --> 00:14:11,720 Speaker 1: or fight and maybe. 256 00:14:11,960 --> 00:14:14,080 Speaker 3: Maybe you win a prize if we get the room wrong. 257 00:14:14,280 --> 00:14:19,400 Speaker 1: If you can fool us, all right, give us a call. 258 00:14:20,400 --> 00:14:23,840 Speaker 2: This is the Christian O'Connell Show podcast. 259 00:14:24,320 --> 00:14:27,160 Speaker 1: So ideas that we've rejected this year. We're digging them 260 00:14:27,200 --> 00:14:30,320 Speaker 1: out on our last five days kicking off. Then with 261 00:14:30,680 --> 00:14:35,080 Speaker 1: this one boom boom gets the room boom, Just guess 262 00:14:35,160 --> 00:14:39,480 Speaker 1: the room boom? Yes, yes, the room. We said no 263 00:14:39,680 --> 00:14:42,040 Speaker 1: to this because obviously we should have said no to 264 00:14:42,120 --> 00:14:45,160 Speaker 1: it and doing it. Now you call in from a 265 00:14:45,240 --> 00:14:46,960 Speaker 1: room in your house and guess what we try and 266 00:14:47,000 --> 00:14:51,360 Speaker 1: guess what room it is? All right, let's get this 267 00:14:51,440 --> 00:14:55,040 Speaker 1: a spend. We're ready team. All right, we committed, yes, 268 00:14:55,240 --> 00:14:55,480 Speaker 1: so we. 269 00:14:55,600 --> 00:14:58,200 Speaker 3: Just ask them normal questions, like about their weekend. Then 270 00:14:58,240 --> 00:15:00,360 Speaker 3: we each get a guess yeah, and if we get 271 00:15:00,400 --> 00:15:00,760 Speaker 3: it right. 272 00:15:00,920 --> 00:15:03,560 Speaker 1: They win a prize. All right, let's go to word Jenny, 273 00:15:03,680 --> 00:15:06,040 Speaker 1: who is calling from a room in her house. 274 00:15:06,080 --> 00:15:09,960 Speaker 8: Come on in, Jenny, Hi, Christian, how you guess what 275 00:15:10,200 --> 00:15:11,200 Speaker 8: room I need? 276 00:15:12,320 --> 00:15:15,000 Speaker 1: Okay, that we called the wrong line? 277 00:15:16,160 --> 00:15:17,520 Speaker 3: Are we paying five dollars an? 278 00:15:17,560 --> 00:15:23,400 Speaker 1: Now it's a different kind of game, Jenny. First of all, 279 00:15:23,440 --> 00:15:25,040 Speaker 1: how was your weekend? Jenny? What did you do? 280 00:15:26,080 --> 00:15:28,960 Speaker 8: I went window shopping, looking at lots of things for 281 00:15:29,080 --> 00:15:30,720 Speaker 8: clothes and finding nothing. 282 00:15:31,880 --> 00:15:33,800 Speaker 1: The worst, isn't it? The worst? That feeling? 283 00:15:34,920 --> 00:15:37,560 Speaker 8: Yes, it was really boring. So I came home. 284 00:15:38,800 --> 00:15:42,040 Speaker 1: Okay, all right, we went a guest. Yes, Jack, you 285 00:15:42,160 --> 00:15:42,640 Speaker 1: go first. 286 00:15:42,840 --> 00:15:44,000 Speaker 3: I think you're in the bedroom. 287 00:15:45,240 --> 00:15:47,640 Speaker 1: I think you're wrong, okay, Patty. 288 00:15:47,880 --> 00:15:50,120 Speaker 4: Oh there's not a lot of echo, so lots of 289 00:15:50,200 --> 00:15:52,760 Speaker 4: petting and like mattresses. Are you in the bedroom? 290 00:15:54,200 --> 00:15:54,240 Speaker 8: No? 291 00:15:54,480 --> 00:15:59,640 Speaker 3: No, no, you know it sounds si stuff. 292 00:16:00,120 --> 00:16:02,640 Speaker 1: What just happened before you? Jack? Who's the guys on it? 293 00:16:02,880 --> 00:16:05,400 Speaker 1: And these headphones on? He says? The bedroom? 294 00:16:06,480 --> 00:16:12,040 Speaker 3: Sorry, Jenny, Sorry, Jenny. 295 00:16:12,760 --> 00:16:17,480 Speaker 5: It's a very noisy room, very noisy. 296 00:16:19,240 --> 00:16:21,560 Speaker 3: Her subsequent bedroom to Jack's bedroom. 297 00:16:22,440 --> 00:16:25,880 Speaker 5: There's a door that goes out from here to the backyard. 298 00:16:28,800 --> 00:16:30,600 Speaker 1: Jenny, Are you in the utility room? 299 00:16:32,080 --> 00:16:32,120 Speaker 8: No? 300 00:16:32,520 --> 00:16:35,520 Speaker 1: No, no, Which room are you in? Jenny? 301 00:16:36,200 --> 00:16:42,840 Speaker 5: I'm in the laundry, a very noisy room. If the 302 00:16:42,960 --> 00:16:46,640 Speaker 5: dog goes back to the back yeah, the clothesline, lovely. 303 00:16:46,800 --> 00:16:49,880 Speaker 1: Alright, thank you very much, Jenny. Thanks for playing. What 304 00:16:50,000 --> 00:16:52,280 Speaker 1: are you doing? What are you doing? You're not putting 305 00:16:52,280 --> 00:16:57,520 Speaker 1: another one on? No, this is why we said no moving. 306 00:16:57,600 --> 00:16:58,000 Speaker 1: I'm done. 307 00:16:59,320 --> 00:17:03,080 Speaker 2: You're listening to the Christian Call Show podcast yesterday. 308 00:17:03,560 --> 00:17:05,359 Speaker 1: I was having my you know, last week we were 309 00:17:05,400 --> 00:17:08,320 Speaker 1: talking about school plays and I was talking about our 310 00:17:09,320 --> 00:17:13,959 Speaker 1: Ruby audition for the school play Matilda. She's got a callback, 311 00:17:15,000 --> 00:17:17,679 Speaker 1: so this week she's got to sing for a minute, right, 312 00:17:18,119 --> 00:17:19,600 Speaker 1: And my wife said to me and to say, you 313 00:17:19,640 --> 00:17:21,680 Speaker 1: know what, what wasn't your dad help you with this 314 00:17:21,800 --> 00:17:24,359 Speaker 1: sort of that area? Okay, just you know what my 315 00:17:24,520 --> 00:17:27,320 Speaker 1: voice sounds like. Can want my wife's voice? Poor kids, 316 00:17:27,400 --> 00:17:30,359 Speaker 1: por kids. This is us singing happy birthday to our 317 00:17:30,440 --> 00:17:37,160 Speaker 1: daughter here her actually earlier this year. Vocal coach, vocal coach, 318 00:17:37,880 --> 00:17:46,879 Speaker 1: that's my white people day. So yeah, yesterday, right, she 319 00:17:47,320 --> 00:17:48,639 Speaker 1: we were doing the bit so she's got to do 320 00:17:48,760 --> 00:17:50,800 Speaker 1: this a singing from it. So we were going through 321 00:17:50,840 --> 00:17:52,480 Speaker 1: that for about twenty minutes. Then we got into the 322 00:17:52,560 --> 00:17:54,800 Speaker 1: song that she's got to sing right from her brilliant 323 00:17:54,880 --> 00:17:58,080 Speaker 1: musical Matilda, And I was helping her. I was trying 324 00:17:58,119 --> 00:18:00,600 Speaker 1: to coach her. And then you know, I guess when 325 00:18:00,640 --> 00:18:02,480 Speaker 1: you're coaching someone, you've got to sort of do it yourself, 326 00:18:02,520 --> 00:18:04,400 Speaker 1: haven't you. Yeah, so I started doing it. She goes, 327 00:18:04,520 --> 00:18:08,120 Speaker 1: this is not helping. Actually, whatever key you're in isn't 328 00:18:08,160 --> 00:18:12,040 Speaker 1: the song. You're actually making it harder. She goes, Now 329 00:18:12,359 --> 00:18:14,720 Speaker 1: I'm trying to remember what the actual tone the key is, 330 00:18:15,040 --> 00:18:17,880 Speaker 1: and all I'm hearing is this awful version you've done 331 00:18:17,920 --> 00:18:20,120 Speaker 1: on it, so you know who I need to hire. 332 00:18:20,320 --> 00:18:22,480 Speaker 1: You know we've got that vocal coaching. I need Scott. 333 00:18:23,160 --> 00:18:25,720 Speaker 1: I need Scott. He was brilliant with hugging Next week, guys, 334 00:18:25,760 --> 00:18:27,360 Speaker 1: I genuine need to give a called after the show 335 00:18:27,400 --> 00:18:30,359 Speaker 1: today because she's got this audition Thursday and I am 336 00:18:30,520 --> 00:18:31,560 Speaker 1: no how whatsoever. 337 00:18:32,080 --> 00:18:34,200 Speaker 2: The Christian O'Connell Show podcast. 338 00:18:34,640 --> 00:18:37,600 Speaker 1: In the second week of our Twelve Days of Christmas, 339 00:18:39,080 --> 00:18:41,440 Speaker 1: two thousand dollars to spend every single day on the 340 00:18:41,480 --> 00:18:44,520 Speaker 1: show down a Chapel Street precinct. You could be spending 341 00:18:44,560 --> 00:18:50,080 Speaker 1: money Chapel Street, Bizarre and paran Undiscovered. Vince's gems are 342 00:18:50,119 --> 00:18:51,560 Speaker 1: the places around there. 343 00:18:51,760 --> 00:18:55,200 Speaker 3: Yes, you could spend your Chapel Street dollars at Oh 344 00:18:55,760 --> 00:18:59,679 Speaker 3: Cafe Ekucina, be transported into Little Italy for the finest 345 00:19:00,640 --> 00:19:02,960 Speaker 3: at Cafe Echucina South Era Beauty. 346 00:19:03,000 --> 00:19:07,800 Speaker 1: Done, Jake, all right, let's play today's carry hokey. It's 347 00:19:08,000 --> 00:19:13,520 Speaker 1: Christmas o'connall's Twelve Days of Christmas. You just got to 348 00:19:13,560 --> 00:19:17,120 Speaker 1: guess what the song is today that Santa is doing. 349 00:19:18,240 --> 00:19:20,880 Speaker 1: By the way, we have a new Santa, a new 350 00:19:20,960 --> 00:19:23,479 Speaker 1: Santa this week. Let's see how he sounds. All right, 351 00:19:23,680 --> 00:19:35,119 Speaker 1: what is this song this morning, that is he's supposed 352 00:19:35,119 --> 00:19:38,119 Speaker 1: to be. That sounds like someone in the dentist just 353 00:19:38,359 --> 00:19:41,240 Speaker 1: you know, when they've got the little little hoover in there. 354 00:19:41,560 --> 00:19:47,000 Speaker 1: What song is this? Crazy? 355 00:19:50,840 --> 00:19:51,960 Speaker 3: What's Santa choking on? 356 00:19:52,160 --> 00:19:52,680 Speaker 1: I don't know? 357 00:19:53,720 --> 00:19:56,520 Speaker 2: The Christian O'Connell show podcast. 358 00:19:56,560 --> 00:19:59,119 Speaker 1: Between carry hokey. You gotta guess what the song is 359 00:19:59,359 --> 00:20:02,760 Speaker 1: Santa is? Here's this morning's? Hey? 360 00:20:04,520 --> 00:20:04,720 Speaker 4: Hey? 361 00:20:09,359 --> 00:20:11,880 Speaker 1: I mean, if that's how he's going to be singing Friday, 362 00:20:12,600 --> 00:20:13,520 Speaker 1: what's with the wheeze? 363 00:20:13,800 --> 00:20:15,760 Speaker 3: I know what it sounds like when someone gives you 364 00:20:15,800 --> 00:20:17,760 Speaker 3: a bear hug and you lose all the air in 365 00:20:17,960 --> 00:20:18,479 Speaker 3: your lungs. 366 00:20:18,640 --> 00:20:21,879 Speaker 1: That's what horr old Santy, he's got a for semia. 367 00:20:22,600 --> 00:20:28,680 Speaker 6: Hey hey, hey. 368 00:20:30,040 --> 00:20:32,240 Speaker 1: Yeah, this week you got to guess what song Santa's 369 00:20:32,600 --> 00:20:35,040 Speaker 1: something being squeezed out of him. All right, let's take 370 00:20:35,080 --> 00:20:38,080 Speaker 1: some guesses. Don't give away two thousand dollars. Annie, good morning, 371 00:20:39,320 --> 00:20:41,320 Speaker 1: Good morning. How are you going? I'm good, al Each. 372 00:20:41,320 --> 00:20:42,919 Speaker 1: You have a good weekend? Oh? 373 00:20:42,920 --> 00:20:44,560 Speaker 8: I certainly did, busy, but it was great. 374 00:20:44,920 --> 00:20:45,720 Speaker 7: I really enjoyed it. 375 00:20:45,840 --> 00:20:47,920 Speaker 1: Awesome. That's great, Alie. What do you think the song 376 00:20:48,040 --> 00:20:49,560 Speaker 1: is that Santa's wheezing out? 377 00:20:50,200 --> 00:20:50,400 Speaker 2: Look? 378 00:20:50,480 --> 00:20:52,440 Speaker 1: I think it's Barbie Girl by Aqwitz. 379 00:20:52,480 --> 00:20:53,359 Speaker 4: What it sounds like to me? 380 00:20:53,680 --> 00:20:56,240 Speaker 1: Well, we yes, you are a winner. You won two 381 00:20:56,280 --> 00:20:57,040 Speaker 1: thousand dollars. 382 00:20:57,840 --> 00:20:59,400 Speaker 3: Oh that's amazing. 383 00:20:59,480 --> 00:21:00,880 Speaker 5: What a wonder for Christmas gift? 384 00:21:01,119 --> 00:21:03,600 Speaker 1: Ah awesome. Yeah, you got two thousand dollars spend down 385 00:21:03,600 --> 00:21:06,240 Speaker 1: at Chapel Street Precinct. Load to go and spend it 386 00:21:06,280 --> 00:21:08,800 Speaker 1: on down there. How can you know the song that? Well, 387 00:21:08,960 --> 00:21:10,840 Speaker 1: it's not exactly a huge song these days. 388 00:21:11,480 --> 00:21:12,399 Speaker 2: Look, I'm not gonna lie. 389 00:21:12,760 --> 00:21:14,280 Speaker 8: It's one of those songs in the car that my 390 00:21:14,400 --> 00:21:16,879 Speaker 8: partner and I will really turn up loud and absolutely 391 00:21:16,960 --> 00:21:18,680 Speaker 8: blust together and do a bit of karaoke. 392 00:21:19,640 --> 00:21:21,080 Speaker 4: So always in the back of my mind. 393 00:21:21,119 --> 00:21:23,680 Speaker 1: To be honest, Ali, you know that we do have 394 00:21:24,119 --> 00:21:27,000 Speaker 1: spots for this Friday's Last Final Hour. There are quite 395 00:21:27,000 --> 00:21:28,960 Speaker 1: a few other singers who are doing their song that 396 00:21:29,000 --> 00:21:32,560 Speaker 1: they smashed out with karaoke. Do you and your husband 397 00:21:32,560 --> 00:21:33,399 Speaker 1: want an audition for it? 398 00:21:34,119 --> 00:21:36,879 Speaker 5: Look, I don't think I've got quite the pipes for that, 399 00:21:37,000 --> 00:21:37,960 Speaker 5: to be perfectly honest. 400 00:21:38,000 --> 00:21:40,360 Speaker 1: Mita, you haven't heard how you doing Jesse's Girl yet? 401 00:21:40,440 --> 00:21:42,840 Speaker 1: The bar is well, it actually just as a bar. 402 00:21:44,320 --> 00:21:46,400 Speaker 3: Give us a little bit of the chorus of barber girl. 403 00:21:46,480 --> 00:21:48,639 Speaker 1: I mean they wann't great singers. You're not dealing with ambony. 404 00:21:49,720 --> 00:21:50,880 Speaker 5: Okay, we'll give it a crack. 405 00:21:51,440 --> 00:21:51,720 Speaker 1: Okay. 406 00:21:52,480 --> 00:21:57,119 Speaker 4: I'm a bubby girl in a bubby world, wrapped in plastic. 407 00:21:57,720 --> 00:21:58,680 Speaker 7: It's fantastic. 408 00:21:58,960 --> 00:21:59,919 Speaker 1: You can brush my hair. 409 00:22:00,280 --> 00:22:02,040 Speaker 5: Don't trust me anywhere. 410 00:22:03,280 --> 00:22:07,280 Speaker 1: Here, you guys. Really good daddie. But you got your 411 00:22:07,320 --> 00:22:10,320 Speaker 1: two thousand dollars. Okay, awesome, Thank you so much. 412 00:22:10,400 --> 00:22:11,560 Speaker 5: Guys, have a great day and. 413 00:22:11,720 --> 00:22:14,119 Speaker 1: You Tim, because of the Monday, we're going to go 414 00:22:14,400 --> 00:22:17,360 Speaker 1: another two thousand dollars spend a Chapel Street precinct as well. Tim, 415 00:22:17,440 --> 00:22:19,960 Speaker 1: you had the right answer. You've got two thousand dollars 416 00:22:20,000 --> 00:22:20,320 Speaker 1: as well. 417 00:22:21,040 --> 00:22:21,480 Speaker 6: Awesome. 418 00:22:22,040 --> 00:22:24,840 Speaker 1: Yes, that's all right, Tim, enjoy you are spending your 419 00:22:24,840 --> 00:22:29,359 Speaker 1: money down at Chapel Street Precinct. Tim, great, girls, ah, awesome, 420 00:22:29,480 --> 00:22:30,879 Speaker 1: have a great Christmas. If we don't speak to you 421 00:22:30,880 --> 00:22:31,640 Speaker 1: before the end of the week. 422 00:22:32,080 --> 00:22:36,679 Speaker 2: Thanks christ Thanks Jakes, Petty, Christian Connells Show Podcast. 423 00:22:37,280 --> 00:22:39,880 Speaker 1: This is our final week with you guys of the year, 424 00:22:39,920 --> 00:22:42,200 Speaker 1: and this Friday, the last show of the year. The 425 00:22:42,320 --> 00:22:44,679 Speaker 1: last hour between eight and nine we are live from 426 00:22:44,720 --> 00:22:47,840 Speaker 1: our local pub, the London Tavern. Great pub, really really 427 00:22:47,880 --> 00:22:50,600 Speaker 1: good pub right here in Richmond, and it's a live 428 00:22:50,760 --> 00:22:53,160 Speaker 1: hour by live. I don't just mean the show. There's 429 00:22:53,200 --> 00:22:54,960 Speaker 1: going to be live musical performances. 430 00:22:55,280 --> 00:22:55,359 Speaker 7: Now. 431 00:22:55,440 --> 00:22:58,240 Speaker 1: Normally when radio show says this, they've got someone lined 432 00:22:58,320 --> 00:23:01,800 Speaker 1: up actually coming into the live we have. It's the 433 00:23:01,840 --> 00:23:04,560 Speaker 1: guy who does mid mornings on the station. He's doing 434 00:23:04,640 --> 00:23:07,440 Speaker 1: his version of Jesse's Girl with a live karaoke band. 435 00:23:07,680 --> 00:23:11,480 Speaker 1: We're building this whole last hour around Huggy really because 436 00:23:11,480 --> 00:23:13,680 Speaker 1: a couple of months ago he started something I don't 437 00:23:13,680 --> 00:23:15,760 Speaker 1: think he realized at the time. He said he can 438 00:23:15,840 --> 00:23:19,160 Speaker 1: do a really great version at karaoke of Jesse's Girl 439 00:23:19,200 --> 00:23:23,680 Speaker 1: by Rick Springfield. He does it with a sorry, it's 440 00:23:23,680 --> 00:23:24,160 Speaker 1: my series. 441 00:23:26,000 --> 00:23:28,600 Speaker 3: Huggy was telling us how much that he could go 442 00:23:28,760 --> 00:23:31,720 Speaker 3: to Bali smash out Jesse's Girl. I was trying to 443 00:23:31,720 --> 00:23:32,159 Speaker 3: cover for you. 444 00:23:32,200 --> 00:23:34,240 Speaker 1: How to do you did great kick going? I was 445 00:23:34,280 --> 00:23:36,360 Speaker 1: actually in all the boy became the man. 446 00:23:39,080 --> 00:23:40,959 Speaker 3: They love him so much in the Bali bar, they 447 00:23:41,000 --> 00:23:43,680 Speaker 3: put a photo of him seeing Jesse's Girl behind the 448 00:23:43,760 --> 00:23:46,199 Speaker 3: bar and he goes back every year. The crowd loves him, 449 00:23:46,240 --> 00:23:48,800 Speaker 3: the staff loves him. We want to bring that to Melbourne, 450 00:23:48,840 --> 00:23:50,240 Speaker 3: to Richmond, to that too. 451 00:23:50,720 --> 00:23:53,399 Speaker 1: So there is room on the bill for you. Huggy 452 00:23:53,640 --> 00:23:57,040 Speaker 1: is our headliner. Okay, Jesse's Girl you heard him doing 453 00:23:57,200 --> 00:24:01,800 Speaker 1: stak He's gonna be wheezing this This Girl for our ears. 454 00:24:01,840 --> 00:24:04,600 Speaker 1: The last song you hear from us on Friday as 455 00:24:04,600 --> 00:24:06,920 Speaker 1: we say goodbye to this year with you guys, is 456 00:24:06,960 --> 00:24:09,600 Speaker 1: how you doing Jesse's Girl? Right? We've got room on 457 00:24:09,680 --> 00:24:11,280 Speaker 1: the bill for you, guys. We want a couple of 458 00:24:11,359 --> 00:24:13,840 Speaker 1: you to do that one song, whatever it is that 459 00:24:13,920 --> 00:24:16,320 Speaker 1: you can do at karaoke, the one you do really well. 460 00:24:16,760 --> 00:24:24,679 Speaker 1: So far we have Julia what well with Chada Man Aaron. 461 00:24:32,040 --> 00:24:34,840 Speaker 1: Now you know this show, there's always room for a 462 00:24:34,960 --> 00:24:40,480 Speaker 1: wild card. Michael, Why are Chris if you played the 463 00:24:40,480 --> 00:24:45,159 Speaker 1: wrong clip that's Rainbow Connection by him doing Kermit? Like 464 00:24:45,280 --> 00:24:49,080 Speaker 1: I said, Michael as Kermit? Do I think this is 465 00:24:49,119 --> 00:24:51,600 Speaker 1: going to be the show's topper doing Rainbow Connection? 466 00:24:52,080 --> 00:24:57,040 Speaker 2: Why are so many long Rainbow? 467 00:24:57,520 --> 00:24:59,520 Speaker 1: This is going to be an hour radio like you've 468 00:24:59,600 --> 00:25:02,120 Speaker 1: never before. And I don't know whether that's good or bad, 469 00:25:02,440 --> 00:25:05,000 Speaker 1: but it is happening this Friday. So we are opening 470 00:25:05,080 --> 00:25:07,760 Speaker 1: up the audition lines right now. You've heard what we've 471 00:25:07,800 --> 00:25:09,960 Speaker 1: got so far. There's room on the bill for you 472 00:25:10,760 --> 00:25:14,200 Speaker 1: nine four one four one oh four three. What song 473 00:25:14,320 --> 00:25:17,199 Speaker 1: could you be doing Friday to Melbourne? Nine four one 474 00:25:17,320 --> 00:25:20,119 Speaker 1: four one o four three? Jacket boy? Who would we 475 00:25:20,280 --> 00:25:20,840 Speaker 1: like to hear from? 476 00:25:20,880 --> 00:25:23,920 Speaker 3: We're looking for trade's, we're looking for truck drivers, we're 477 00:25:23,920 --> 00:25:27,280 Speaker 3: looking for shift workers. We're looking for the white collar crowd. 478 00:25:28,000 --> 00:25:30,040 Speaker 3: Do you carry a briefcase and we're a tie? 479 00:25:30,280 --> 00:25:31,800 Speaker 1: Is that you on your final ef FAXA. 480 00:25:33,320 --> 00:25:36,640 Speaker 3: Anybody is welcome as long as you passionately do one 481 00:25:36,760 --> 00:25:37,520 Speaker 3: karaoke song. 482 00:25:38,440 --> 00:25:41,879 Speaker 2: This is the Christian O'Connell show podcast. 483 00:25:42,680 --> 00:25:48,080 Speaker 3: No business like show business like no business. 484 00:25:47,680 --> 00:25:51,320 Speaker 1: Line Yeah, show Miss is calling you Friday morning. What 485 00:25:51,520 --> 00:25:54,920 Speaker 1: song could you be singing? With us? Live to Melbourne 486 00:25:55,160 --> 00:25:58,320 Speaker 1: from the London Tavern, last hour of the year from us, 487 00:25:58,760 --> 00:26:00,480 Speaker 1: we are to camping. We take in the show to 488 00:26:00,520 --> 00:26:03,120 Speaker 1: the pub down the road, the London Tavent and we've 489 00:26:03,160 --> 00:26:05,840 Speaker 1: got a live house band who are brilliant. You're going 490 00:26:05,880 --> 00:26:08,119 Speaker 1: to be doing karaoke so at the moment on the 491 00:26:08,160 --> 00:26:10,040 Speaker 1: bill then we do have to I forgot. We've got 492 00:26:10,480 --> 00:26:14,439 Speaker 1: Marty him and his best mate are doing meatloaf. The Meatloaf, 493 00:26:14,480 --> 00:26:17,600 Speaker 1: aren't they. We've got Julia to set out of mind? 494 00:26:18,119 --> 00:26:24,600 Speaker 1: What with Chad Man. Then there's Aaron can you pull 495 00:26:24,640 --> 00:26:26,400 Speaker 1: off the Beg? So one man beg. 496 00:26:29,359 --> 00:26:30,200 Speaker 2: S live. 497 00:26:35,119 --> 00:26:39,640 Speaker 1: Wildcard the what is Wildcard ever? Michael becoming Kermit doing 498 00:26:39,840 --> 00:26:41,000 Speaker 1: Rainbow Connection? 499 00:26:41,600 --> 00:26:46,600 Speaker 7: Why are there so many bong Rainbow? 500 00:26:48,520 --> 00:26:51,000 Speaker 1: All right, then we've got some people lined up to audition. Now, 501 00:26:51,040 --> 00:26:52,680 Speaker 1: if you want an audition for us, there's room on 502 00:26:52,760 --> 00:26:55,560 Speaker 1: the bill for you. Nine four one four one o 503 00:26:55,760 --> 00:27:01,119 Speaker 1: four three Tina, Good morning morning Christian Tina. So you 504 00:27:01,200 --> 00:27:02,640 Speaker 1: fancy joining us this Friday. 505 00:27:03,880 --> 00:27:04,440 Speaker 7: I'd love to. 506 00:27:04,680 --> 00:27:07,440 Speaker 8: I've got a song for you from the movie Flashdance 507 00:27:07,680 --> 00:27:09,119 Speaker 8: by Irene Kara, and. 508 00:27:09,200 --> 00:27:12,600 Speaker 1: This is one you do at karaoke. It is and 509 00:27:12,720 --> 00:27:13,240 Speaker 1: you do it well. 510 00:27:14,320 --> 00:27:17,440 Speaker 5: I mean people say I should go on the voice, 511 00:27:17,480 --> 00:27:18,080 Speaker 5: but I'm shy. 512 00:27:19,000 --> 00:27:21,080 Speaker 1: Oh well, you know, we'd love to have you on. 513 00:27:21,680 --> 00:27:23,080 Speaker 1: Do you feel like you're in the singing it now 514 00:27:23,119 --> 00:27:23,679 Speaker 1: as an audition? 515 00:27:24,520 --> 00:27:24,680 Speaker 7: Yeah? 516 00:27:24,720 --> 00:27:26,919 Speaker 1: Why not? Thank you? So you in the car driving? 517 00:27:27,720 --> 00:27:27,960 Speaker 2: Yeah? 518 00:27:28,160 --> 00:27:30,040 Speaker 1: I love this? Okay, all right, so off you go. 519 00:27:31,440 --> 00:27:35,840 Speaker 5: What a feeling's been leave man? 520 00:27:36,840 --> 00:27:38,200 Speaker 2: I can't help it. 521 00:27:38,720 --> 00:27:41,640 Speaker 7: A lot and dance and fun. 522 00:27:42,040 --> 00:27:51,119 Speaker 1: Less well now, very very good, Tina. I thought that 523 00:27:51,280 --> 00:27:54,120 Speaker 1: was a very good version of that, very very strong. 524 00:27:54,200 --> 00:27:57,760 Speaker 1: It could be you Tina, Okay, good luck? Oh well, 525 00:27:57,840 --> 00:28:00,359 Speaker 1: don't Tina? All right? So that's Tina who So we 526 00:28:00,480 --> 00:28:03,600 Speaker 1: got here? This is Pete. That Jack was chatting too early. 527 00:28:03,680 --> 00:28:05,040 Speaker 1: I think he's had a bit of a tough gig 528 00:28:05,080 --> 00:28:05,639 Speaker 1: at the weekend. 529 00:28:06,000 --> 00:28:08,960 Speaker 5: Pete, Hey Christian, Hey Jack? 530 00:28:09,040 --> 00:28:11,399 Speaker 1: How I We're good, Pete, Pete, tell me what you 531 00:28:11,480 --> 00:28:13,960 Speaker 1: were telling Jack? Then what happened at the weekend? Mate? 532 00:28:14,480 --> 00:28:17,760 Speaker 5: So I had my first gig back since the whole 533 00:28:18,160 --> 00:28:22,040 Speaker 5: thing happened. We won't mention its name. And there was 534 00:28:22,080 --> 00:28:26,080 Speaker 5: probably about five people there, including my wife and the staff. 535 00:28:26,359 --> 00:28:27,280 Speaker 1: Oh body. 536 00:28:27,960 --> 00:28:30,200 Speaker 5: So it was It wasn't the best of starts, but 537 00:28:30,520 --> 00:28:32,600 Speaker 5: I got to do one of my favorite things for 538 00:28:32,680 --> 00:28:35,080 Speaker 5: the first time acoustic. So I think that's what I'm 539 00:28:35,119 --> 00:28:35,879 Speaker 5: going to audition with. 540 00:28:36,160 --> 00:28:39,480 Speaker 1: Okay, And where was the gig. It was in Yarra 541 00:28:39,560 --> 00:28:42,640 Speaker 1: Glen right, and there was just only a couple of 542 00:28:42,680 --> 00:28:44,600 Speaker 1: people there. But you still yeah, but you still did 543 00:28:44,640 --> 00:28:45,000 Speaker 1: your set. 544 00:28:45,640 --> 00:28:47,560 Speaker 5: Yeah, oh yeah. I still played for three hours. 545 00:28:50,280 --> 00:28:54,440 Speaker 1: I've done radio shows I love for three hours. 546 00:28:56,840 --> 00:28:59,360 Speaker 5: Regardless of who the crowd is, you play like you're 547 00:28:59,360 --> 00:29:00,440 Speaker 5: playing for all arena. 548 00:29:00,600 --> 00:29:03,000 Speaker 1: We just have to hope there's people listening. Every morning 549 00:29:03,080 --> 00:29:09,720 Speaker 1: we don't really know, can you hear me? Well? 550 00:29:10,080 --> 00:29:12,000 Speaker 5: I don't even have my radio on at the moment, 551 00:29:12,200 --> 00:29:12,880 Speaker 5: so who knows? 552 00:29:13,160 --> 00:29:13,520 Speaker 8: All right? 553 00:29:13,760 --> 00:29:16,120 Speaker 1: All right, so Pete, what is the song? Then? What 554 00:29:16,280 --> 00:29:17,320 Speaker 1: is the song you would do for us? 555 00:29:17,640 --> 00:29:20,320 Speaker 5: I'm going to do cutting crew. I just died in 556 00:29:20,400 --> 00:29:21,120 Speaker 5: your arms tonight. 557 00:29:21,240 --> 00:29:23,560 Speaker 1: Great song. Love this brilliant eighty song. All right, Pete, 558 00:29:23,560 --> 00:29:24,240 Speaker 1: good luck, off you go. 559 00:29:24,840 --> 00:29:30,120 Speaker 7: All right, I just did in your arms tonight. 560 00:29:31,600 --> 00:29:36,080 Speaker 5: It must have been something you said, just did in 561 00:29:36,240 --> 00:29:37,800 Speaker 5: your arms tonight. 562 00:29:40,000 --> 00:29:46,440 Speaker 1: Oh wow, wow, wait what a song? This isn't this good? 563 00:29:46,520 --> 00:29:48,880 Speaker 1: This is light the ways compared to what you did, Pete. 564 00:29:49,280 --> 00:29:51,240 Speaker 5: Oh, I thought you were just playing my recording back. 565 00:29:52,080 --> 00:29:54,640 Speaker 1: You're better and the pain the pain of the. 566 00:29:56,480 --> 00:29:59,800 Speaker 8: Yes very much. 567 00:30:00,040 --> 00:30:04,920 Speaker 1: You've turned that pain into our gain. Hey, yes, you're there. 568 00:30:05,000 --> 00:30:05,680 Speaker 1: You're on the bill. 569 00:30:06,480 --> 00:30:12,080 Speaker 5: I won't square but hell yeah, yeah, thank you very much. Guys, 570 00:30:12,560 --> 00:30:13,600 Speaker 5: to see you all on Friday. 571 00:30:13,720 --> 00:30:16,280 Speaker 1: Brilliant. We'll see you, Pete. Well done. All right, there's 572 00:30:16,360 --> 00:30:17,560 Speaker 1: room of the bill for you. Give us a call. 573 00:30:17,640 --> 00:30:19,240 Speaker 1: Nine four one four one o four three. 574 00:30:19,800 --> 00:30:22,640 Speaker 2: Carl Brager, No, you're listening to the Christian Know Carl's 575 00:30:22,640 --> 00:30:23,480 Speaker 2: Show podcast. 576 00:30:23,880 --> 00:30:28,160 Speaker 1: Jack has heard an interesting theory about weather predicting. We 577 00:30:28,320 --> 00:30:30,600 Speaker 1: all joke about nowhere we go and it's not that accurate, 578 00:30:30,720 --> 00:30:32,480 Speaker 1: is it weather predicting? You know, so off the go, 579 00:30:32,600 --> 00:30:35,040 Speaker 1: it's just a beautiful day to day and it's it's 580 00:30:35,160 --> 00:30:38,520 Speaker 1: pouring down. It feels like it's by all the various technology, 581 00:30:38,600 --> 00:30:41,760 Speaker 1: all the various apps, we're not actually any closer to 582 00:30:41,920 --> 00:30:43,040 Speaker 1: one hundred percent accurate. 583 00:30:43,120 --> 00:30:44,840 Speaker 3: Sometimes when they say it's raining on the end, I 584 00:30:44,880 --> 00:30:47,440 Speaker 3: actually get filled with confidence because I know they get 585 00:30:47,440 --> 00:30:50,280 Speaker 3: it wrong. It's gonna be sunny. This is what my 586 00:30:50,400 --> 00:30:53,959 Speaker 3: friend said, Will He said this year weather has been 587 00:30:54,080 --> 00:30:58,120 Speaker 3: less accurate because there's less commercial flights in the sky 588 00:30:58,640 --> 00:31:02,600 Speaker 3: due to COVID, and commercial flights take some kind of 589 00:31:02,880 --> 00:31:06,520 Speaker 3: atmospheric data. They email that to the weather guys and 590 00:31:06,640 --> 00:31:10,080 Speaker 3: then they get a from up there get the more 591 00:31:10,280 --> 00:31:10,560 Speaker 3: the weather. 592 00:31:11,320 --> 00:31:13,520 Speaker 1: Sorry a flying I forgot to send it this time 593 00:31:13,560 --> 00:31:14,240 Speaker 1: with attachment. 594 00:31:17,600 --> 00:31:19,920 Speaker 3: They send it to the weather guys. The weather guys 595 00:31:19,960 --> 00:31:22,320 Speaker 3: break that data down and then they've got a more 596 00:31:22,360 --> 00:31:25,360 Speaker 3: accurate picture of what the weather is. So my question 597 00:31:25,560 --> 00:31:29,000 Speaker 3: is is this true? Do commercial flights collect more data 598 00:31:29,160 --> 00:31:31,880 Speaker 3: and is the weather been less accurate over the last 599 00:31:31,920 --> 00:31:34,920 Speaker 3: two years. During the pandemic because there's less flights in 600 00:31:34,960 --> 00:31:35,200 Speaker 3: the air. 601 00:31:35,360 --> 00:31:37,320 Speaker 1: My friend is a pilot, right, and he said, you 602 00:31:37,400 --> 00:31:39,720 Speaker 1: know it's you know it's he flies from London to 603 00:31:40,400 --> 00:31:43,000 Speaker 1: America and he said, once is up in the air, 604 00:31:43,240 --> 00:31:46,080 Speaker 1: it's it's really boring. It reads books and stuff like that. 605 00:31:46,760 --> 00:31:49,400 Speaker 1: He's probably the guy who's sends like you would have 606 00:31:49,560 --> 00:31:51,520 Speaker 1: a lot of time to get the old binos out 607 00:31:51,920 --> 00:31:58,840 Speaker 1: and email Botswana that is rain clouds all Botswana? Air 608 00:31:58,920 --> 00:32:00,680 Speaker 1: traffic Control Amy coming? 609 00:32:00,840 --> 00:32:04,200 Speaker 3: How do you spell? Bureaus? Always get that from? 610 00:32:05,520 --> 00:32:05,640 Speaker 7: All? 611 00:32:05,760 --> 00:32:05,880 Speaker 6: Right? 612 00:32:06,000 --> 00:32:09,200 Speaker 1: So can anyone put us right about this? Or on Patsy? 613 00:32:09,360 --> 00:32:10,080 Speaker 1: Does it sound right? 614 00:32:10,400 --> 00:32:13,320 Speaker 4: No, that sounds ridiculous. I'm pretty sure the Weather Bureau 615 00:32:13,480 --> 00:32:18,400 Speaker 4: has some accurate sort of equipment other than an eye 616 00:32:18,480 --> 00:32:18,880 Speaker 4: in the sky. 617 00:32:19,080 --> 00:32:21,440 Speaker 3: I'm not saying they got no equipment. I'm just saying. 618 00:32:21,280 --> 00:32:23,440 Speaker 1: They were with the satellite. 619 00:32:23,520 --> 00:32:25,440 Speaker 3: They pair that with the commercial flights. 620 00:32:25,480 --> 00:32:29,360 Speaker 2: Guys, right, okay, tested to say Christian Connell Show podcast. 621 00:32:29,800 --> 00:32:32,320 Speaker 1: So Jack, your boy has heard a theory about why 622 00:32:32,600 --> 00:32:36,320 Speaker 1: weather reporting this year isn't as spot on as it 623 00:32:36,480 --> 00:32:39,600 Speaker 1: has been in previous years. The theory you heard from 624 00:32:39,640 --> 00:32:40,560 Speaker 1: a guy in the pub. 625 00:32:40,640 --> 00:32:44,440 Speaker 3: During the pandemic. There has been less commercial flights, and 626 00:32:44,640 --> 00:32:48,640 Speaker 3: commercial flights pick up some kind of atmospheric data that 627 00:32:48,760 --> 00:32:51,520 Speaker 3: they send to the weather guys. The weather guys crunch 628 00:32:51,600 --> 00:32:53,640 Speaker 3: the data and get a more accurate picture of the 629 00:32:53,720 --> 00:32:56,200 Speaker 3: weather coming up. With less planes in the sky, we 630 00:32:56,320 --> 00:32:57,520 Speaker 3: get less accuracy. 631 00:32:57,800 --> 00:33:01,000 Speaker 1: It does make sense, all right, Matt, Good morning, Matte, 632 00:33:01,400 --> 00:33:04,280 Speaker 1: Good morning Christian. Matt, welcome to the show. What can 633 00:33:04,320 --> 00:33:06,880 Speaker 1: you tell us about Jack's theory that you said that. 634 00:33:07,040 --> 00:33:12,640 Speaker 8: Theory is true on the side basically below the copit 635 00:33:12,720 --> 00:33:16,600 Speaker 8: windows there all the planes or the boring and the 636 00:33:16,720 --> 00:33:22,040 Speaker 8: air busses have atmospheric pressure sensors to help with autopilot, 637 00:33:22,160 --> 00:33:26,880 Speaker 8: et cetera. And all that information is sent back down 638 00:33:27,640 --> 00:33:31,720 Speaker 8: to the bureau or wherever it's going to be, and 639 00:33:32,080 --> 00:33:34,680 Speaker 8: they use that, combined with their satellites and weather balloons 640 00:33:34,760 --> 00:33:40,080 Speaker 8: and all their data to help predict rain clouds and 641 00:33:40,960 --> 00:33:43,640 Speaker 8: pets and troughs of all their weather. And how do 642 00:33:43,720 --> 00:33:46,160 Speaker 8: you know that, Matt, I'm a weather nerd. 643 00:33:47,800 --> 00:33:51,480 Speaker 1: I see. So Jack's theories is right? 644 00:33:51,560 --> 00:33:53,240 Speaker 8: Then here's great. 645 00:33:53,600 --> 00:33:55,880 Speaker 3: So you noticed that this year and last year, Matt, 646 00:33:55,920 --> 00:33:57,080 Speaker 3: that the weather has been less. 647 00:33:57,080 --> 00:34:02,120 Speaker 8: Accurate, absolutely, and last year when it really started and 648 00:34:02,200 --> 00:34:06,040 Speaker 8: then noticing. I did a little bit of research and 649 00:34:06,240 --> 00:34:09,040 Speaker 8: spoke to a few other people that sort a bit 650 00:34:09,440 --> 00:34:12,359 Speaker 8: like men weather nerds, and we confirmed that it's true. 651 00:34:12,760 --> 00:34:14,480 Speaker 1: I love this. And where do you speak to you? 652 00:34:14,560 --> 00:34:16,640 Speaker 1: Are you in like a Facebook group or some sort 653 00:34:16,680 --> 00:34:19,480 Speaker 1: of underground like fight club for the old weather. 654 00:34:20,960 --> 00:34:21,640 Speaker 5: Talking about. 655 00:34:24,920 --> 00:34:28,200 Speaker 3: You're Tyler Dirdan and you're breaking the number one and 656 00:34:28,360 --> 00:34:29,560 Speaker 3: to rule here Matte. 657 00:34:30,719 --> 00:34:34,080 Speaker 8: No, I'm just part of Facebook groups that yeah, we 658 00:34:34,239 --> 00:34:36,160 Speaker 8: all sort of snurred out about the weather. 659 00:34:36,480 --> 00:34:39,279 Speaker 1: Awesome, all right, don't know, you've got to share, to 660 00:34:39,320 --> 00:34:41,359 Speaker 1: share the knowledge. Matt, thank you very much. You give 661 00:34:41,440 --> 00:34:41,799 Speaker 1: us a call. 662 00:34:42,280 --> 00:34:43,680 Speaker 8: You're we have a good one. 663 00:34:44,040 --> 00:34:46,480 Speaker 1: We got Nathan as well. Nathan, can you back that up? 664 00:34:47,200 --> 00:34:50,319 Speaker 8: Oh Goody's going good, Nathan, that's good. 665 00:34:50,440 --> 00:34:53,080 Speaker 7: I'm well, here's a weather nerd. I'm an airplane nerd 666 00:34:54,040 --> 00:34:57,080 Speaker 7: and we I've actually built a full size seven through 667 00:34:57,120 --> 00:34:59,279 Speaker 7: seven singular in my house for the last seven years. 668 00:34:59,320 --> 00:35:04,080 Speaker 7: And finally plate and yeah, it's you can jump a 669 00:35:04,160 --> 00:35:07,759 Speaker 7: Facebook Melbourne seven three seventh prod dig And when I 670 00:35:08,040 --> 00:35:09,800 Speaker 7: basically want to know what the weather is coming, I 671 00:35:09,840 --> 00:35:12,640 Speaker 7: can jump in my simulator and fly to wherever the 672 00:35:12,680 --> 00:35:13,680 Speaker 7: weather generally comes from. 673 00:35:13,719 --> 00:35:14,440 Speaker 8: Which is the West. 674 00:35:14,880 --> 00:35:17,640 Speaker 7: And it actually injects real world weather, so I know 675 00:35:17,760 --> 00:35:20,879 Speaker 7: exactly what's coming ahead of time. 676 00:35:21,000 --> 00:35:22,640 Speaker 8: Basically, this is incredible. 677 00:35:22,680 --> 00:35:25,520 Speaker 1: Nathan. You I just need to discover. You've been building 678 00:35:25,560 --> 00:35:28,520 Speaker 1: over the last couple of years. A simulator in your house. 679 00:35:28,920 --> 00:35:33,719 Speaker 7: A full seg yes correct with all real components and 680 00:35:34,360 --> 00:35:38,680 Speaker 7: components from overseas, a company in Canada and parts of Arizona, 681 00:35:38,840 --> 00:35:40,160 Speaker 7: and a big. 682 00:35:40,080 --> 00:35:40,839 Speaker 8: Big, big job. 683 00:35:41,640 --> 00:35:44,880 Speaker 1: This is incredible. That's where is it in the house? 684 00:35:45,960 --> 00:35:48,239 Speaker 7: So right next to the kitchen, so I've got. 685 00:35:50,480 --> 00:35:52,600 Speaker 1: That's great. Are you're making your spag bob. 686 00:35:56,320 --> 00:35:59,160 Speaker 7: Instacom and built into the platform. But I can press 687 00:35:59,200 --> 00:36:00,520 Speaker 7: the button bring me and. 688 00:36:02,400 --> 00:36:03,839 Speaker 8: It works almost every time. 689 00:36:04,920 --> 00:36:06,880 Speaker 1: Is unbelievable. Nathan. 690 00:36:07,520 --> 00:36:10,400 Speaker 7: If you go on Facebook, I will be seven pre 691 00:36:10,560 --> 00:36:12,279 Speaker 7: dect You'll actually see it there. You'll see all the 692 00:36:12,400 --> 00:36:14,680 Speaker 7: photos and you see my life bringing me drinks and everything. 693 00:36:14,680 --> 00:36:15,120 Speaker 8: It's great. 694 00:36:15,280 --> 00:36:18,120 Speaker 3: And Nathan, is this a complete hobby? Are you building 695 00:36:18,200 --> 00:36:20,160 Speaker 3: it with some kind of organization? 696 00:36:20,920 --> 00:36:22,319 Speaker 8: Now it's it's all on my own. 697 00:36:22,480 --> 00:36:25,560 Speaker 7: This is a complete I love that fly. I can 698 00:36:26,120 --> 00:36:28,560 Speaker 7: open up two doors, walking into a real cock Bit door, 699 00:36:28,600 --> 00:36:31,440 Speaker 7: sit on a real cock Bit seat and start the engines. 700 00:36:31,480 --> 00:36:34,279 Speaker 7: And talk to air traffic controls you which are a 701 00:36:34,400 --> 00:36:35,120 Speaker 7: virtil online. 702 00:36:35,120 --> 00:36:37,319 Speaker 1: I'm looking at it now. Rio is just holding up 703 00:36:37,360 --> 00:36:41,080 Speaker 1: his laptop. I'm looking at the photos. That is unbelievable. 704 00:36:41,080 --> 00:36:45,560 Speaker 1: What you've built. It's incredible, show Jack, it's brilliant. 705 00:36:45,719 --> 00:36:47,080 Speaker 3: It is incredible. 706 00:36:47,880 --> 00:36:50,520 Speaker 1: And so what's your background? What do you do by day? Nathan? 707 00:36:50,840 --> 00:36:54,080 Speaker 7: I actually cut concert for a living, so nothing to do. 708 00:36:54,200 --> 00:36:55,839 Speaker 2: With with fly. 709 00:36:56,280 --> 00:37:01,080 Speaker 1: You've been built a life sized cockpit next to your kitchen. Yep, yeah, 710 00:37:01,680 --> 00:37:02,160 Speaker 1: I love that. 711 00:37:02,600 --> 00:37:03,560 Speaker 3: Where are you flying today? 712 00:37:03,719 --> 00:37:04,520 Speaker 1: Yeah, we're off to. 713 00:37:05,080 --> 00:37:07,040 Speaker 7: Actually Monday night's at the best part of the fly 714 00:37:07,320 --> 00:37:09,640 Speaker 7: because that's going to call it the Milk Run, which 715 00:37:09,680 --> 00:37:13,280 Speaker 7: is the East coast of Australia, so malven to Sydney. 716 00:37:14,320 --> 00:37:17,560 Speaker 7: There's probably ever forty or fifty aircraft, so it's basically 717 00:37:17,680 --> 00:37:20,160 Speaker 7: like an online network. We actually see the other aircraft. 718 00:37:21,040 --> 00:37:25,279 Speaker 7: We actually talk clearances. I'll get clearances and directions on 719 00:37:25,400 --> 00:37:28,719 Speaker 7: which which one way to take off, which departure altitudes. 720 00:37:28,960 --> 00:37:30,680 Speaker 7: So I'm actually talking to people. 721 00:37:31,920 --> 00:37:34,960 Speaker 1: Proper, the proper real time, and so you do that 722 00:37:35,160 --> 00:37:36,400 Speaker 1: journey real time. 723 00:37:37,080 --> 00:37:38,719 Speaker 7: Yep, real time, real weather. 724 00:37:38,880 --> 00:37:42,399 Speaker 1: Yes, this is incredible. My mind is isn't your mind 725 00:37:42,440 --> 00:37:43,880 Speaker 1: blowing right now. I love this. 726 00:37:44,120 --> 00:37:45,600 Speaker 3: I guess the good thing is that if you're up 727 00:37:45,640 --> 00:37:47,920 Speaker 3: in the air though, and you just need to go somewhere, 728 00:37:48,000 --> 00:37:49,320 Speaker 3: you can just shut it down. You don't have to 729 00:37:49,480 --> 00:37:51,200 Speaker 3: complete the flight all the way to Sydney. 730 00:37:51,920 --> 00:37:54,680 Speaker 7: Well if you're if you're online, you sort of have 731 00:37:54,880 --> 00:37:58,040 Speaker 7: to finish it. It's it's basically again, it's like like 732 00:37:58,120 --> 00:38:00,560 Speaker 7: they're like we're saying rules of fight club. There's certain 733 00:38:00,600 --> 00:38:01,040 Speaker 7: things you can. 734 00:38:01,560 --> 00:38:03,839 Speaker 1: Thank God, you're not fine planes chat. I don't feel 735 00:38:03,920 --> 00:38:07,480 Speaker 1: like it's going to plan here nowhere near the country 736 00:38:07,920 --> 00:38:17,400 Speaker 1: done for today. That's right. Jack's Airline will never take off. Nathan, 737 00:38:17,560 --> 00:38:19,840 Speaker 1: this is brilliant. Can we see can you get some 738 00:38:19,960 --> 00:38:22,400 Speaker 1: video later tonight when you're flying from Melbourne to Sydney. 739 00:38:23,280 --> 00:38:24,440 Speaker 7: I can definitely do that. 740 00:38:24,520 --> 00:38:26,759 Speaker 1: I love to Yeah, we'd love to see that. I 741 00:38:26,840 --> 00:38:28,880 Speaker 1: bet people would. Nathan, thank you very much to give 742 00:38:28,960 --> 00:38:29,319 Speaker 1: us a call. 743 00:38:29,960 --> 00:38:31,720 Speaker 7: No worries, mate, thank you today. 744 00:38:32,160 --> 00:38:33,520 Speaker 1: Do you know what tomorrow we're going to do a 745 00:38:33,600 --> 00:38:35,360 Speaker 1: phone and what are you a nerd of? We just 746 00:38:35,440 --> 00:38:37,640 Speaker 1: have from a weather nerd, a plane nerd. It is brilliant. 747 00:38:37,680 --> 00:38:40,480 Speaker 1: I love that. I think the Facebook page if you 748 00:38:40,520 --> 00:38:42,759 Speaker 1: want to have a look at Nathan's work. It's incredible. 749 00:38:43,080 --> 00:38:45,839 Speaker 1: And I think you said Melbourne's seven three seven project. Yeah, 750 00:38:45,880 --> 00:38:46,680 Speaker 1: that's it. Check it out. 751 00:38:47,480 --> 00:38:50,200 Speaker 2: Christian connell's show podcast. 752 00:38:50,320 --> 00:38:55,200 Speaker 1: Tone for the Misheard Lyrics. This is the last one 753 00:38:55,200 --> 00:38:56,919 Speaker 1: we're going to do this year. Later on the street, 754 00:38:56,920 --> 00:38:59,319 Speaker 1: we're going to do a best of all the best 755 00:38:59,400 --> 00:39:01,320 Speaker 1: ones if you get us this year, There've been so 756 00:39:01,400 --> 00:39:03,600 Speaker 1: many amazing ones. Thank you very much. Every day I 757 00:39:03,719 --> 00:39:06,279 Speaker 1: get emails from you with your mishurd lyrics. All right, 758 00:39:06,360 --> 00:39:08,720 Speaker 1: here's this week's it's. 759 00:39:08,760 --> 00:39:11,160 Speaker 2: Just another misshard. 760 00:39:11,040 --> 00:39:15,080 Speaker 1: Nay Christian O'Connell's miss heard lyrics. All right, the miss 761 00:39:15,160 --> 00:39:17,160 Speaker 1: hurd lyrics. As we go through them, play back what 762 00:39:17,320 --> 00:39:20,560 Speaker 1: you think you're mishearing or hearing if we agree, you 763 00:39:20,680 --> 00:39:26,040 Speaker 1: will hear this if not, And for the really great ones, 764 00:39:26,880 --> 00:39:30,360 Speaker 1: Hall of Fame, instant Hall of Famer. Last week for 765 00:39:30,480 --> 00:39:34,600 Speaker 1: listener Kenny with Glorified g by Pearl Jam low flying 766 00:39:34,800 --> 00:39:41,480 Speaker 1: Virgin on a Pelican and she sounds like someone's like 767 00:39:41,719 --> 00:39:47,840 Speaker 1: dubbed it in that. All right, let's get into this 768 00:39:47,920 --> 00:39:50,319 Speaker 1: week's first up. We have Carl Daily. Christian. A few 769 00:39:50,320 --> 00:39:52,160 Speaker 1: months ago you had a corner on the show whose 770 00:39:52,239 --> 00:39:54,960 Speaker 1: husband whipped their tea. I do remember this because that 771 00:39:55,160 --> 00:39:58,800 Speaker 1: is an assault of a good old classic ty finally 772 00:39:58,840 --> 00:40:01,600 Speaker 1: have my daughter and has a misheard look from the 773 00:40:01,680 --> 00:40:05,840 Speaker 1: classic cartoon Top Cat that relates to it. Close friends 774 00:40:05,920 --> 00:40:10,000 Speaker 1: get to call him TC, providing it's with dignity. God's 775 00:40:10,040 --> 00:40:12,080 Speaker 1: friends get to Carl of DC. 776 00:40:13,960 --> 00:40:14,840 Speaker 2: Isdignity. 777 00:40:15,840 --> 00:40:18,240 Speaker 1: Just used to love topk It's one of my favorite 778 00:40:18,280 --> 00:40:21,239 Speaker 1: cartoons growing up. I idolized Topcat. I thought he had 779 00:40:21,280 --> 00:40:23,279 Speaker 1: life sort a living in that bin with all his 780 00:40:23,360 --> 00:40:26,000 Speaker 1: little crew there anyway, sorry. Close friends get to call 781 00:40:26,080 --> 00:40:29,440 Speaker 1: him TC, providing it's with dignity or is it? According 782 00:40:29,440 --> 00:40:32,840 Speaker 1: to Kursting. Close friends get to call him TC, providing 783 00:40:32,920 --> 00:40:40,440 Speaker 1: it's whipping the tea. God's friends get to Carl of dzignity. Yes, 784 00:40:40,520 --> 00:40:44,080 Speaker 1: it's in there. I don't know what's going on in 785 00:40:44,120 --> 00:40:47,520 Speaker 1: the mind of Herb Galina Blondie's Heart of Glass. You 786 00:40:47,680 --> 00:40:52,560 Speaker 1: teasing me like you do? Or is it you tease 787 00:40:52,600 --> 00:41:07,640 Speaker 1: me like a nipple Herb Herbes. Yes, I've spotted up. 788 00:41:08,800 --> 00:41:12,600 Speaker 1: Josie's got this. We belong Pat Benattar. We distort the facts. 789 00:41:15,920 --> 00:41:18,279 Speaker 1: I didn't realize what a dull line in the song. 790 00:41:18,800 --> 00:41:23,680 Speaker 1: We distort the facts. Do we distort the facts? Or 791 00:41:23,840 --> 00:41:35,440 Speaker 1: is it do we just start the facts? No, Darryl 792 00:41:36,280 --> 00:41:40,080 Speaker 1: Daryl's got art for art's sake by ten cc money 793 00:41:40,280 --> 00:41:46,440 Speaker 1: for art's sake? Or is it money for Nazis. 794 00:41:51,000 --> 00:41:51,799 Speaker 7: It is? Do we. 795 00:41:53,719 --> 00:41:54,160 Speaker 5: Technically? 796 00:41:54,280 --> 00:41:57,000 Speaker 1: We have to Mark Palmer, Guys, I've got to miss 797 00:41:57,000 --> 00:41:59,800 Speaker 1: her lyric from Genesis and Invisible Touch. I know you 798 00:42:00,040 --> 00:42:03,600 Speaker 1: think you're hearing invisible but I hear something different the 799 00:42:03,719 --> 00:42:10,160 Speaker 1: lyric is supposed to be. She's got that invisible touch. Sorry, 800 00:42:10,200 --> 00:42:17,640 Speaker 1: I still hear invisible to every time. However, Mark Palmer, 801 00:42:17,760 --> 00:42:20,680 Speaker 1: his ear is hearing something else. She's got that invisible 802 00:42:20,760 --> 00:42:29,720 Speaker 1: time share. Oh no, no, she's got an invisible todder 803 00:42:31,600 --> 00:42:42,560 Speaker 1: silver chair, emotion, sickness, burn my knees, and or is 804 00:42:42,600 --> 00:42:52,080 Speaker 1: it burn my nissen? I love this one. Respect your 805 00:42:52,200 --> 00:43:01,160 Speaker 1: missing cars, burn my nissen. That's great one. Bengeary, come 806 00:43:01,200 --> 00:43:06,480 Speaker 1: on in Tinsles Hall of Favor. Have you deliberately made 807 00:43:06,480 --> 00:43:08,279 Speaker 1: this the last one of the year? Yes, you have, 808 00:43:08,960 --> 00:43:11,080 Speaker 1: Carl Christian, this one maybe chuck on the way back 809 00:43:11,080 --> 00:43:13,560 Speaker 1: from work on Friday. I'm sure Jack will enjoy it. 810 00:43:13,880 --> 00:43:18,000 Speaker 1: It's right down his alley. John Mayer newl like pushing 811 00:43:18,160 --> 00:43:22,840 Speaker 1: forty in the friend zone the friend zone or is 812 00:43:22,920 --> 00:43:25,560 Speaker 1: it Christian farting in the friend zone. 813 00:43:27,280 --> 00:43:28,160 Speaker 3: The friend zone? 814 00:43:29,120 --> 00:43:33,080 Speaker 1: That's there? That is so there, Christian farting in the 815 00:43:33,160 --> 00:43:37,160 Speaker 1: friend zone from the friend zone. What I want to 816 00:43:37,360 --> 00:43:41,280 Speaker 1: end on, folks, Carl Well heard tins Hall of favor. 817 00:43:41,719 --> 00:43:43,480 Speaker 1: Thank you very much. We're back later on with the 818 00:43:43,520 --> 00:43:46,279 Speaker 1: Missilewit's the best of this year. As excuse me go 819 00:43:46,280 --> 00:43:48,320 Speaker 1: an emotional say good bye to miss Lewitz. As always, 820 00:43:48,320 --> 00:43:50,680 Speaker 1: when you hear them, email me Christian at Christian O'Connell 821 00:43:50,719 --> 00:43:51,640 Speaker 1: dot com dot au. 822 00:43:52,080 --> 00:43:54,239 Speaker 2: The Christian O'Connell Show Podcast. 823 00:43:54,719 --> 00:43:57,839 Speaker 1: So right now, my mother in law, my wife hasn't 824 00:43:57,840 --> 00:44:00,560 Speaker 1: seen her mum in two years. It's on a plane 825 00:44:02,120 --> 00:44:06,319 Speaker 1: lands tonight in Melbourne. She's seventy eight, very very very 826 00:44:06,440 --> 00:44:10,840 Speaker 1: nervous flyer and even more nervous about flying out because 827 00:44:10,920 --> 00:44:13,080 Speaker 1: of what's happened over the weekends. So she took off 828 00:44:13,200 --> 00:44:17,320 Speaker 1: yesterday in London, and yesterday an agonizing day. Yesterday was 829 00:44:17,360 --> 00:44:21,600 Speaker 1: that all these conversations again and new supports about possible 830 00:44:21,719 --> 00:44:25,640 Speaker 1: border controls being imposed and the return of the words 831 00:44:26,040 --> 00:44:29,440 Speaker 1: hotel quarantine and now quarantine. For seventy two hours so 832 00:44:29,520 --> 00:44:31,120 Speaker 1: even us trying to get up to speed the information 833 00:44:31,239 --> 00:44:32,840 Speaker 1: going right, she now we won't be able to go 834 00:44:32,840 --> 00:44:34,840 Speaker 1: to the airport and all meet her. She's got to 835 00:44:34,880 --> 00:44:36,920 Speaker 1: go straight to quarantine for seventy two hours. And she 836 00:44:37,080 --> 00:44:39,080 Speaker 1: was wired about what she said. She's seventy eight right, 837 00:44:39,400 --> 00:44:41,719 Speaker 1: So what I mean yesterday she's checking in right, She's 838 00:44:41,760 --> 00:44:44,120 Speaker 1: really nervous. She's got like six I'm not gonna making 839 00:44:44,160 --> 00:44:46,120 Speaker 1: s out right, there are six different piece of vital 840 00:44:46,560 --> 00:44:50,280 Speaker 1: documents and information she has to give to give London 841 00:44:50,440 --> 00:44:52,480 Speaker 1: and then when she lands here in Melbourne as well. 842 00:44:52,680 --> 00:44:54,560 Speaker 1: So she's really nervous and she just wants to get here. 843 00:44:55,239 --> 00:44:57,719 Speaker 1: Yesterday there's a guy behind her right who taps on 844 00:44:57,840 --> 00:45:01,200 Speaker 1: the shoulder and goes, is your son in law, Christian O'Connor, 845 00:45:02,280 --> 00:45:04,360 Speaker 1: get a load of this. There's a listener of ours, Barry, 846 00:45:04,840 --> 00:45:06,120 Speaker 1: who is on that flight. 847 00:45:06,400 --> 00:45:08,440 Speaker 3: But how did he recognize your mother in law? 848 00:45:08,560 --> 00:45:11,160 Speaker 1: Because he was he was listening to the podcast Friday. 849 00:45:11,200 --> 00:45:13,480 Speaker 1: I said, my mother in law lands Monday. He was 850 00:45:13,560 --> 00:45:15,440 Speaker 1: listening in the UK. He's going back out here to 851 00:45:15,440 --> 00:45:17,799 Speaker 1: see his family's been in business. Guess that if she's 852 00:45:17,880 --> 00:45:20,480 Speaker 1: landing Monday, she's probably on the Sunday flight. I'm on, 853 00:45:21,040 --> 00:45:23,480 Speaker 1: was looking just by chances that I just saw one 854 00:45:23,520 --> 00:45:26,200 Speaker 1: woman by herself. Guess that must be the age. 855 00:45:26,080 --> 00:45:28,000 Speaker 3: Just asked her is incredible. 856 00:45:28,520 --> 00:45:31,440 Speaker 1: So listener, Barry, this gets even sweeter, right, my mother 857 00:45:31,480 --> 00:45:33,440 Speaker 1: in law right like, oh, yes, yes, yes, that's right. 858 00:45:33,480 --> 00:45:35,360 Speaker 1: Do you know him? Then he goes I listened to 859 00:45:35,440 --> 00:45:37,880 Speaker 1: his show. I know you're coming out anyway. I sent 860 00:45:38,000 --> 00:45:40,080 Speaker 1: him an email saying, hey, thanks for saying alone stuff 861 00:45:40,080 --> 00:45:42,040 Speaker 1: like that. He goes on, I'm with your mother in law. Now, 862 00:45:42,080 --> 00:45:44,279 Speaker 1: don't worry, I'll get her on the plane. And he 863 00:45:44,719 --> 00:45:47,080 Speaker 1: even rearranged where he was sat because he's by himself 864 00:45:47,360 --> 00:45:50,239 Speaker 1: to be near her so that when she lands, it's overwhelming. 865 00:45:50,520 --> 00:45:52,560 Speaker 1: He gets to a big international airport, you're seventy eight, 866 00:45:52,760 --> 00:45:54,800 Speaker 1: he's going to help her off the plane and with 867 00:45:54,920 --> 00:45:55,719 Speaker 1: her bags and all that. 868 00:45:56,520 --> 00:45:59,439 Speaker 3: Listener, Barry, Wow, good on him. And because you can't 869 00:45:59,440 --> 00:46:00,680 Speaker 3: even be there to pick her up. 870 00:46:00,680 --> 00:46:02,319 Speaker 1: Or you're not sure yet. No, we've got to find 871 00:46:02,320 --> 00:46:04,799 Speaker 1: out today. How where they go? How do you get 872 00:46:04,840 --> 00:46:07,640 Speaker 1: them into quarantine? There's still so much. It's so art. 873 00:46:07,920 --> 00:46:09,200 Speaker 1: I'm sure a lot of people have been through this, 874 00:46:09,320 --> 00:46:11,440 Speaker 1: but yeah, there is. It's very hard. Getting the right 875 00:46:11,520 --> 00:46:14,120 Speaker 1: kind of especially because it changed over the weekend just 876 00:46:14,200 --> 00:46:16,719 Speaker 1: when you had we actually have different documents then yesterday 877 00:46:17,120 --> 00:46:18,680 Speaker 1: because they'd changed the rulings. 878 00:46:18,800 --> 00:46:21,120 Speaker 3: She might have to end up living with Barry for god. 879 00:46:22,880 --> 00:46:25,960 Speaker 2: There Barry the Christian Connell Show podcast. 880 00:46:26,480 --> 00:46:28,840 Speaker 1: So yes, looking after the mother in law? Then, is 881 00:46:29,080 --> 00:46:31,439 Speaker 1: one of you guys in a flight of I don't 882 00:46:31,480 --> 00:46:34,840 Speaker 1: know three hundred people one of our listeners Barry? You 883 00:46:34,960 --> 00:46:37,360 Speaker 1: two have met Barry before Barry was one Remember the 884 00:46:37,440 --> 00:46:40,840 Speaker 1: Grand Final one year landing on the oval at the 885 00:46:41,239 --> 00:46:44,279 Speaker 1: Witn Oval, we had three skydivers and one brought the 886 00:46:44,320 --> 00:46:47,960 Speaker 1: sharing down. Yeah, yeah, that was Barry, lovely guy. 887 00:46:48,160 --> 00:46:50,520 Speaker 3: Yeah, that he would do something to. 888 00:46:50,640 --> 00:46:52,000 Speaker 1: When I was when I was hearing all this from 889 00:46:52,080 --> 00:46:54,960 Speaker 1: mother in law yesterday and I forgot she is a 890 00:46:55,120 --> 00:46:57,960 Speaker 1: really nervous flyer. And that guy knows at the parachute. 891 00:46:58,000 --> 00:47:00,879 Speaker 1: So if the plane goes down, people to his back 892 00:47:01,680 --> 00:47:03,359 Speaker 1: and he can land you right here. We don't need 893 00:47:03,400 --> 00:47:04,120 Speaker 1: to come to the airport. 894 00:47:04,160 --> 00:47:05,040 Speaker 6: You mean in the back garden. 895 00:47:05,320 --> 00:47:08,160 Speaker 1: My mother, Barbie from a fairy nervous spie got my 896 00:47:08,280 --> 00:47:10,640 Speaker 1: prayer beads bait you've on'y got a guy know who's 897 00:47:10,640 --> 00:47:13,400 Speaker 1: had a parachute. I just say, what a great backup. 898 00:47:13,760 --> 00:47:20,640 Speaker 1: It's all looking good, all right? Time wasted this week 899 00:47:22,440 --> 00:47:26,040 Speaker 1: Haig's chocolate hamper. What two hundred dollars for the best 900 00:47:26,120 --> 00:47:31,160 Speaker 1: in show this weekend. I first spent four hours with 901 00:47:31,239 --> 00:47:31,720 Speaker 1: the Beatles. 902 00:47:32,400 --> 00:47:35,000 Speaker 3: Oh so you haven't even finished then, Oh, there's a. 903 00:47:35,040 --> 00:47:37,239 Speaker 1: Couple more hours for me to get into. Wow. 904 00:47:37,520 --> 00:47:38,480 Speaker 6: We it is. 905 00:47:40,040 --> 00:47:43,719 Speaker 1: Really long. It is really long, and not all of 906 00:47:43,800 --> 00:47:46,920 Speaker 1: it is. I don't know why Peter Jackson didn't edit 907 00:47:47,040 --> 00:47:48,000 Speaker 1: some more of that out. 908 00:47:47,880 --> 00:47:50,000 Speaker 3: Because isn't the reason that it didn't get a cinematic 909 00:47:50,080 --> 00:47:53,160 Speaker 3: release because sixty hours. No, it won't be in cinemas, 910 00:47:53,200 --> 00:47:53,839 Speaker 3: it can't be in air. 911 00:47:53,880 --> 00:47:57,600 Speaker 1: And first cut was eighteen hours. I mean, I love 912 00:47:57,719 --> 00:48:02,840 Speaker 1: the Beatles. Eighteen hours, eighty hours. However, there are some moments. 913 00:48:02,880 --> 00:48:05,000 Speaker 1: So I've seen the first two parts. I think it's 914 00:48:05,040 --> 00:48:07,080 Speaker 1: like three parts, two hours each. I've seen the first 915 00:48:07,120 --> 00:48:11,680 Speaker 1: two and there are some amazing bits. It's just eerie 916 00:48:11,719 --> 00:48:15,080 Speaker 1: at times. It's beautiful watching the four of them do 917 00:48:15,320 --> 00:48:17,719 Speaker 1: what they did so well, how they actually work the 918 00:48:17,800 --> 00:48:21,440 Speaker 1: band dynamics. It isn't so much. It isn't so much 919 00:48:21,560 --> 00:48:24,200 Speaker 1: watching it about a music documentary about how albums are 920 00:48:24,239 --> 00:48:27,120 Speaker 1: made and how a lot of it is very painstaking, boring, 921 00:48:27,520 --> 00:48:31,120 Speaker 1: playing around, sat around, waiting and waiting and waiting for inspiration. 922 00:48:31,360 --> 00:48:33,759 Speaker 1: Not that, not that, it's almost there. Why don't you 923 00:48:34,000 --> 00:48:36,080 Speaker 1: like that? I prefer this? What about that bass part? 924 00:48:36,480 --> 00:48:38,680 Speaker 1: It's actually what it really is the more I watched it, right, 925 00:48:38,680 --> 00:48:41,960 Speaker 1: it's actually a very moving sort of snapshot of a friendship, 926 00:48:42,360 --> 00:48:44,600 Speaker 1: and all of them know they are going to break up, 927 00:48:44,960 --> 00:48:47,560 Speaker 1: but they're all, especially Paul, is trying to hang on 928 00:48:47,640 --> 00:48:50,000 Speaker 1: to it, to stop it, but it's taken on a 929 00:48:50,080 --> 00:48:52,600 Speaker 1: different life of its own. It's amazing watching it. Some 930 00:48:52,640 --> 00:48:54,839 Speaker 1: beautiful bits. One of my favorite bits. So I'm going 931 00:48:54,880 --> 00:48:57,040 Speaker 1: to play get Back into it because there is in 932 00:48:57,080 --> 00:48:59,680 Speaker 1: a minute, and there's an amazing five minute scene where 933 00:49:00,239 --> 00:49:05,240 Speaker 1: Paul basically you watching history real time. Paul basically starts 934 00:49:05,320 --> 00:49:08,800 Speaker 1: improvising what became get Back, and they've got no idea 935 00:49:08,920 --> 00:49:10,360 Speaker 1: what a big song that was going to go and be, 936 00:49:10,640 --> 00:49:12,839 Speaker 1: but you see him doing it real time, playing along 937 00:49:12,880 --> 00:49:15,279 Speaker 1: with it, and then just free associate with words and 938 00:49:15,360 --> 00:49:18,160 Speaker 1: then finding it all within a space of five minutes. 939 00:49:18,360 --> 00:49:19,799 Speaker 1: The first time I watched it, I watched it come 940 00:49:19,840 --> 00:49:21,360 Speaker 1: back to just that five minute. I actually gave you 941 00:49:21,400 --> 00:49:23,759 Speaker 1: goose bumps. Anyway, today's time waste. So you can watch 942 00:49:23,840 --> 00:49:27,040 Speaker 1: us up on Disney Plus. I mean, if you want 943 00:49:27,040 --> 00:49:28,480 Speaker 1: to watch it. I don't know if anyone's listening has 944 00:49:28,480 --> 00:49:32,200 Speaker 1: actually seen all the six hours yet today's time wast 945 00:49:32,400 --> 00:49:35,839 Speaker 1: then is wanting to combine a Beatles song because it's 946 00:49:35,880 --> 00:49:39,680 Speaker 1: on Disney Plus with a Disney movie TV show and 947 00:49:39,800 --> 00:49:42,360 Speaker 1: they also, yeah, and if you've done like Pixar movies 948 00:49:42,400 --> 00:49:44,160 Speaker 1: as well, yes, I have few. I just want to check. 949 00:49:44,400 --> 00:49:47,839 Speaker 1: All right, So Disney Beatles recording it today. I've got 950 00:49:47,960 --> 00:49:52,480 Speaker 1: I am the Wally Gold. I want to be your 951 00:49:52,560 --> 00:50:00,560 Speaker 1: Mandalorian Silver. I want to hold your hand Solo Gold, Bambi, 952 00:50:00,600 --> 00:50:03,400 Speaker 1: you can drive my Carl and Norwegian Woody. 953 00:50:05,120 --> 00:50:06,640 Speaker 3: That's pretty good tool plus. 954 00:50:06,719 --> 00:50:10,840 Speaker 1: All right, what have you got them? Disney Beatles Goofy in. 955 00:50:10,840 --> 00:50:16,880 Speaker 3: The sky with Diamond, very good gold eleanor Rafiki. 956 00:50:18,680 --> 00:50:22,240 Speaker 1: Swart, He's gone deep there the baboon. 957 00:50:21,920 --> 00:50:28,719 Speaker 3: In Lion King paperbacks, snow ride whiter paperbacks, No. 958 00:50:28,880 --> 00:50:31,320 Speaker 1: Whiter fumble delivery has to be bronze. 959 00:50:32,560 --> 00:50:37,080 Speaker 3: And here comes Moonlane Do Doo do doo for the performance. 960 00:50:38,600 --> 00:50:40,520 Speaker 1: Yeah, that's good. That's gold you've got a couple. 961 00:50:40,320 --> 00:50:43,560 Speaker 2: Of gold set Christian Connells Show podcast. 962 00:50:44,200 --> 00:50:46,560 Speaker 1: We're looking for you to combine a Disney movie with 963 00:50:46,640 --> 00:50:51,799 Speaker 1: a Beatles song. BESI whens he's got two hundred dollars 964 00:50:51,880 --> 00:50:55,200 Speaker 1: a Hayes Chocolate hamper Hayes Chocolates for the most delicious 965 00:50:55,200 --> 00:50:59,120 Speaker 1: gifts this Christmas. You ready to mark Beauty in the 966 00:50:59,160 --> 00:51:04,680 Speaker 1: back beat Silver, Come buy me the love Bug bronze, 967 00:51:05,000 --> 00:51:06,000 Speaker 1: I am the Woody. 968 00:51:07,600 --> 00:51:07,880 Speaker 3: Gold. 969 00:51:08,000 --> 00:51:10,319 Speaker 1: That's very good. One on, Joe, Goofy in the sky 970 00:51:10,440 --> 00:51:15,080 Speaker 1: with Dumbo gold. Steve, that's very good. The Ballad of 971 00:51:15,160 --> 00:51:19,400 Speaker 1: John and Dumbo Silver. We all live in a yellow Dustbot. 972 00:51:20,719 --> 00:51:25,880 Speaker 1: I'm not sure if dustbo is a Disney move Bronze 973 00:51:26,360 --> 00:51:32,680 Speaker 1: across the Spider Verse bronze. Let it bamb gold. Very 974 00:51:32,719 --> 00:51:37,240 Speaker 1: good on On Danny h give it a little houtchin 975 00:51:37,280 --> 00:51:43,279 Speaker 1: mafassa gold. Loocy in the Skywalker with diamonds gold. Hey, Jude, 976 00:51:43,320 --> 00:51:53,600 Speaker 1: where's my car? Laugh? That's the smartest dude. Where's my 977 00:51:53,760 --> 00:51:59,080 Speaker 1: We've had all year? Very very good, Robin uh Walmart, 978 00:51:59,120 --> 00:52:05,200 Speaker 1: Goofy gently Weeks silver, I saw her Gummy Bears bronze. 979 00:52:05,320 --> 00:52:09,440 Speaker 1: Dear Winnie the Prudence Gold. Hey, Jedi said of Hey, 980 00:52:09,520 --> 00:52:14,000 Speaker 1: Jude Gold and Bambie in the USSR Silver plus. All right, 981 00:52:14,080 --> 00:52:17,239 Speaker 1: who is winning the Hey Chocolate Hamper? What's the best 982 00:52:17,239 --> 00:52:17,560 Speaker 1: in show? 983 00:52:17,640 --> 00:52:19,720 Speaker 3: Congratulations Joe, I am the Woody. 984 00:52:19,920 --> 00:52:21,279 Speaker 1: Yeah, well done, Joe. Nice one. 985 00:52:22,080 --> 00:52:25,520 Speaker 2: This is the Christian O'Connell Show podcast. 986 00:52:25,880 --> 00:52:36,480 Speaker 1: Tomorrow's show today, all right, we today spoke to two 987 00:52:37,440 --> 00:52:41,640 Speaker 1: They identify themselves as nerds, but they were incredibly interesting. 988 00:52:41,719 --> 00:52:44,520 Speaker 1: One was a weather nerd. One was a flight nerd. 989 00:52:45,000 --> 00:52:49,480 Speaker 1: And this flight nerd, Nathan had built over about seven 990 00:52:49,600 --> 00:52:54,480 Speaker 1: years an entire cockpit like a flight simulators if you 991 00:52:54,560 --> 00:52:56,640 Speaker 1: were trying to be a proper pioneer. 992 00:52:56,760 --> 00:52:59,120 Speaker 3: We've looked at the photos and video now it on 993 00:52:59,239 --> 00:53:01,920 Speaker 3: the inside of it, it looks in the cockpit of 994 00:53:01,960 --> 00:53:03,520 Speaker 3: a natural lip and they are. 995 00:53:03,600 --> 00:53:06,160 Speaker 1: The actual parts. He's like got from all over the 996 00:53:06,239 --> 00:53:10,200 Speaker 1: world and he flies planes next to his kitchen which 997 00:53:10,239 --> 00:53:13,560 Speaker 1: is where the cockpit is real time. So tonight he's 998 00:53:13,680 --> 00:53:17,320 Speaker 1: flying from Melbourne to Sydney. So tomorrow anyway, tomorrow we 999 00:53:17,400 --> 00:53:19,360 Speaker 1: want to know what are you a nerd of? So 1000 00:53:19,520 --> 00:53:21,520 Speaker 1: what are you a nerd of? That's what we want 1001 00:53:21,520 --> 00:53:24,160 Speaker 1: to know tomorrow. Also we'll be doing three topic Tuesday 1002 00:53:24,360 --> 00:53:27,719 Speaker 1: we want to talk about homemade outfits. Jackie has showed 1003 00:53:27,719 --> 00:53:30,359 Speaker 1: me a photo today of an amazing one. So will 1004 00:53:30,400 --> 00:53:31,400 Speaker 1: you troll under the bridge? 1005 00:53:31,480 --> 00:53:33,720 Speaker 3: I was troll under the bridge from the Three Billy 1006 00:53:33,760 --> 00:53:36,319 Speaker 3: Goats graff and I had a bridge on my head. 1007 00:53:36,600 --> 00:53:39,239 Speaker 1: It looks you could, did mum mate that? Yeah? 1008 00:53:39,360 --> 00:53:41,160 Speaker 3: I walked around with that bridge on my head all day. 1009 00:53:41,680 --> 00:53:44,800 Speaker 1: It's awesome. You must have some stories about homemade outfits. 1010 00:53:44,840 --> 00:53:47,000 Speaker 1: It's hard, isn't it? For parents in the standard these days? 1011 00:53:47,040 --> 00:53:48,240 Speaker 1: It's like some Hollywood production. 1012 00:53:48,960 --> 00:53:52,920 Speaker 3: Well, Patsy, we caught her printing off that whole NASA outfit. Yeah, yes, 1013 00:53:53,040 --> 00:53:53,920 Speaker 3: that was for bookweek. 1014 00:53:54,120 --> 00:53:56,759 Speaker 1: Yeah, so homemade outfits? What are you a nerd of? 1015 00:53:57,000 --> 00:53:59,359 Speaker 1: Did you have a special lung spots at school as well? 1016 00:53:59,719 --> 00:54:02,759 Speaker 1: And staken identity? That is tomorrow's show and an are 1017 00:54:02,800 --> 00:54:04,600 Speaker 1: two thousand dollars to win to spend down at Chapel 1018 00:54:04,600 --> 00:54:06,040 Speaker 1: Street Precinct. Enjoy your day, we'll see 1019 00:54:06,040 --> 00:54:08,840 Speaker 2: There on a brighter not you're listening to The Christian 1020 00:54:08,880 --> 00:54:10,239 Speaker 2: o'crl Show podcast