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Speaker 1: We hello there.

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Speaker 2: What a week it's been our podcast today it's jam packed,

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Speaker 2: full of goodness.

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Speaker 3: Full of goodness. We put something very important to the

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Speaker 3: pub test, keeping your bread in the fridge. Paul Hollywood,

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Speaker 3: very glamorous name. He is one of the one of

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Speaker 3: the judges on British Bakoff. He's a famous chef himself.

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Speaker 3: He's known as the King of Bread. He said, don't

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Speaker 3: put your bread in the fridge. Other people have said

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Speaker 3: I always put my bread in the fridge. So we

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Speaker 3: will put this to the pub test.

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Speaker 2: Also, Peter Hellier will be joining us talking about his

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Speaker 2: new show Gives Zero Flips.

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Speaker 3: Will be Goldberg has finally told the story of what

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Speaker 3: she did with her mother's ashes. It involves a very

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Speaker 3: irritating ride at Disneyland.

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Speaker 1: Also, the week that was jam I Rise, chib jab.

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Speaker 3: Enjoy it all.

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Speaker 1: It was now that a miracle of recording. We had

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Speaker 1: so many requests.

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Speaker 4: For them to do it again.

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Speaker 1: Mistress Amanda's mis killer.

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Speaker 3: Amanda doesn't work alone. Friend making the tools of the trade.

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Speaker 2: I've heard them describe him as a drunken idiot.

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Speaker 5: The legendary part Jonesy and Amanda, the actress wigngratulations.

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Speaker 3: Man, we're there any right now. And Amanda, you're doing

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Speaker 3: a great job anyone but your silk.

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Speaker 6: Good radio.

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Speaker 5: Sorry, but of a tongue tongue twist set, Amanda, it's

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Speaker 5: a shoot.

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Speaker 7: Tim, We're on there.

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Speaker 1: Amanda hate you today.

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Speaker 3: I'm well, I'm well. I'm just reading something this morning.

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Speaker 3: There's two in a lot of bread.

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Speaker 1: I'm off the bread. Why this is not good for me?

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Speaker 1: It doesn't agree with me, meaning it argues with you.

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Speaker 2: No, not really, I just put on weight when I

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Speaker 2: eat bread, I fine and slows me down. Why do

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Speaker 2: the bread the closer to dead? I love the stuff though,

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Speaker 2: I love bread?

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Speaker 3: Do you like a you a breadhead? As it were?

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Speaker 1: Not a huge bread here?

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Speaker 3: I can go through my life without eating bread. If

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Speaker 3: it turns up in a restaurant, if I it down

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Speaker 3: and bread's there at the table, I'll eat it.

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Speaker 2: You can't help bread shows up at the restaurant, that's

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Speaker 2: me in because that's a sign they've brought the bread.

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Speaker 3: Yeah.

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Speaker 2: And recently when I was in Canada, they just eat

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Speaker 2: a lot of bread.

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Speaker 1: Yeah.

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Speaker 2: And because they've got that whole French thing there, they've

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Speaker 2: got really good bread.

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Speaker 3: See I don't seek out bread. It's not my thing.

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Speaker 3: But if it's there like that, I'll eat it.

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Speaker 1: It's like my heroine, is it. Yeah?

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Speaker 3: Yeah, I hard to inject crom.

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Speaker 2: I'm stealing VCRs and Robin Old Ladies just to get

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Speaker 2: another loaf man.

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Speaker 3: Well, Paul Hollywood, who's the He's a celebrity chef in

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Speaker 3: England and he's one of the hosts or he's one

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Speaker 3: of the special guests. What am I trying to say?

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Speaker 3: He's one of the corks on?

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Speaker 1: Is that his real name?

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Speaker 3: Paul Hollywood.

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Speaker 1: Yeah, he's on British BA he's destined to be that.

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Speaker 3: It's a famous chef in England. But he also is

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Speaker 3: the one of the judges. That's what I'm looking for.

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Speaker 3: On British Bakeoff. He has said, don't keep bread in

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Speaker 3: the fridge. Do you keep yours in the fridge?

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Speaker 1: Yeah? I do, because it stops going moldy.

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Speaker 3: He's saying, well, here's the thing. He sets a big

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Speaker 3: no no. If you saw a bread in the fridge

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Speaker 3: will get stale three times faster, drawing all the moisture out.

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Speaker 3: He said, put it in a brown bag and leave

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Speaker 3: it on the side. And a lot of people saying

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Speaker 3: you're wrong.

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Speaker 1: It's not like the Internet to disagree with people.

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Speaker 3: Well, I guess if you're worried it will go moldy.

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Speaker 3: That's a different thing. But if you wan't worried about

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Speaker 3: being at least stale bridge, you can still put the

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Speaker 3: freeze in the toaster. Lots of people put bread in

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Speaker 3: the freezer. I've always got a spare loaf in the

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Speaker 3: freezer just in case.

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Speaker 1: Yeah, I always handed a hat. Yeah.

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Speaker 3: I don't put bread in the fridge. I don't have

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Speaker 3: space for it, and I don't keep it.

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Speaker 1: It hogs up the fridges. I put a watermelon in

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Speaker 1: the fridge.

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Speaker 2: Yeah, my wife will buy a watermelon and I'll just

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Speaker 2: sit in the fridge, taking up all the space.

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Speaker 1: No one eats it, and it just goes off.

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Speaker 3: Next thing, it's sitting at the table having dinner with

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Speaker 3: you on a stick, giving better conversation than the rest

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Speaker 3: of you.

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Speaker 1: That watermelon. It's Friday.

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Speaker 3: You might put that to the pub test. Actually, we

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Speaker 3: do bread in the fridge. There's a lot of people

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Speaker 3: here are disputing. Paul Hollywood has said these.

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Speaker 1: Are the big issues. I say, just and it's Friday.

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Speaker 1: As I said, these are the sort of issues that you.

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Speaker 3: Like to you know, because you beg you might in

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Speaker 3: the fridge.

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Speaker 8: No, you do you mind in the fridge with now

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Speaker 8: there's enough pres Yeah, yeah, I think the minute it's open,

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Speaker 8: mustards in the fridge in the Yeah, once they're open.

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Speaker 3: Yeah, this is this is well, what would you rather

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Speaker 3: talk about? Rhodes? Do you think this stuff is boring?

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Speaker 3: This is the stuff I stuff that's in your kitchen.

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Speaker 3: You're going it's boring, Rudio stuff you would rather talk about?

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Speaker 3: You know a show you saw on television last night

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Speaker 3: from the nineteen.

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Speaker 1: Seventy You know what I know? This is the last night.

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Speaker 3: I think our kitchen is more important. You know.

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Speaker 1: Netflix do great documentaries. I watched that documentary on Waco

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Speaker 1: Holy Cow.

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Speaker 2: It's an extraordinary document documentary and worth watching. And if

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Speaker 2: you ever think that America is crazy, I just think

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Speaker 2: now that with social media and all that stuff, we're

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Speaker 2: just seeing how crazy it is.

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Speaker 1: Back in nineteen ninety.

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Speaker 2: Three when Waco happened, it was crazy because that begat

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Speaker 2: the Oak Home are bombing as well. America's always been crazy,

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Speaker 2: and now we're just seeing it all the time.

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Speaker 3: And they make so much to be alarmed and it's

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Speaker 3: a terrifying deal about and quite rightly about September eleven,

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Speaker 3: but their internal terrorism has always been terrifying.

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Speaker 1: It's really worth watching. It's a Netflix special. It's fantastic,

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Speaker 1: but did you keep it in the fridge?

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Speaker 2: I'm looking forward to the Netflix special of where do

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Speaker 2: You Put your Bread?

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Speaker 3: Thank you?

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Speaker 1: Peter Helly is going to be joining us on the

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Speaker 1: show today.

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Speaker 2: Also, The Magnificent seven makes it to return and we

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Speaker 2: have another five hundred dollars secs to the chase.

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Speaker 3: Yes, that's right, that's what you'll win today. Thomas and

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Speaker 3: Friends is a children's TV show about what's first.

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Speaker 1: One WSFM is our number.

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Speaker 2: Why don't you call us a play the Magnificent seven

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Speaker 2: gmation We have for you the magnificence. There are seven questions.

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Speaker 2: Can you all the way and answer our seven questions correctly?

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Speaker 1: I do that, Amanda will.

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Speaker 3: Say question seven will win you five hundred dollars thanks

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Speaker 3: to the channel. Seven's the chase. It's not at five

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Speaker 3: o'clock tonight every night and a seven plus Richard's inn

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Speaker 3: emu Planes Richard Heman, j D Richie Question number one.

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Speaker 3: Thomas and Friends is a children's TV show about what

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Speaker 3: Richard would train.

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Speaker 2: In which Australian state. When you find the most registered motorcycles.

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Speaker 9: Richard, Oh, I'm going to take a guess.

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Speaker 1: Here, Yes, heaps of them here.

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Speaker 3: Do you know them all? Brendan by name?

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Speaker 1: I do?

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Speaker 2: I own half of SUSI I'm in a motorcycle servicing

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Speaker 2: what's called pattern at the moment right now.

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Speaker 1: This is the problem. This is the first world problem, Richard.

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Speaker 2: But when you've got a few motorcycles, I serviced them

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Speaker 2: all myself. So this week last week, and I did

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Speaker 2: the Suzuki the higher buss out, which is the pain

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Speaker 2: because you're going to take all the fairing off, which

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Speaker 2: is like reassembling a Rubik's cube.

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Speaker 1: And then this week I got the Yamaha, which is easy.

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Speaker 3: See I'm annoyed that you thought talking about whether you

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Speaker 3: put your vegemins.

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Speaker 1: Richard was agreeing with this. And then the Harley's.

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Speaker 2: Harley's are totally different because they've got three different oils.

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Speaker 1: That you've got to change.

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Speaker 3: It is a first world problem.

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Speaker 2: And there's all these different but you know they've got

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Speaker 2: talks bits and you know it's.

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Speaker 3: Just would you like a telephone in your honor.

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Speaker 1: Maybe we should have a telephone.

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Speaker 3: Let's play Monster Mash.

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Speaker 1: Let's check off this.

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Speaker 3: We've munched two songs together, Richard, What are they a

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Speaker 3: single single?

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Speaker 2: It's kind of I'm such a kissing cool buddy.

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Speaker 1: Fix it anyway?

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Speaker 7: He may not.

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Speaker 3: I love it.

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Speaker 1: That's great, that's great.

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Speaker 3: What are the two songs?

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Speaker 1: Richard?

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Speaker 9: Oh, Richard, hear it again.

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Speaker 1: Let's got a.

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Speaker 3: Dial of water, my dial.

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Speaker 1: Very well?

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Speaker 3: Any idea? What the two songs are U?

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Speaker 9: Pretty fly for a white guys?

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Speaker 4: One and.

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Speaker 1: Busy?

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Speaker 3: Who? Missy? What are you?

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Speaker 1: What are you actually saying? Dale? No, miss I still

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Speaker 1: don't know.

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Speaker 3: What you know? Sorry? Dale? Mickey, No, it's not Mickey

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Speaker 3: Das gives us an excuse to play it again because

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Speaker 3: I love It's.

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Speaker 2: Good a listeners today's single single?

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Speaker 6: Know it's kind of hot?

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Speaker 3: Jests and can I want to.

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Speaker 1: Subject isn't do you know the answer to that? Thirteen

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Speaker 1: w s FM is our number.

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Speaker 2: Call us to play the Magnificent seven The Man Sam Podcast.

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Speaker 1: We have the magnifice.

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Speaker 3: We're playing Monster Mash.

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Speaker 1: Let's check off this mash.

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Speaker 3: Now we know one of these songs is pretty fly

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Speaker 3: for a white guy? What's the other? One?

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Speaker 7: Single?

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Speaker 3: Single? It's kind of hot.

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Speaker 10: Can such like a cool buddy?

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Speaker 2: Anyway, would you think we should put out an album

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Speaker 2: of monster mashes?

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Speaker 1: Jonesy Amanda is an ultimate mash up.

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Speaker 3: Some of them are terrible.

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Speaker 1: Maybe you should put that on IRA Heart Radio is

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Speaker 1: our lit Lightheart Radio? Great idea our mashups?

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Speaker 3: Okay, well that's one. That'll be one and that's one

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Speaker 3: of my faves. Hello Katie mortle Grove, Hello, so pretty

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Speaker 3: pretty fly for a white guy. What's the other song?

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Speaker 8: I'm so.

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Speaker 3: Is so we're here last week performing at the end

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Speaker 3: more well, some of them, some original members, one original

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Speaker 3: wonder some conditions applying.

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Speaker 2: As anyone go their headcount Lately tour, which reality cooking

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Speaker 2: show just crowned nat Typing as their winnership?

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Speaker 3: Absolutely? Where are we we are at? Question number five? Five?

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Speaker 3: Which comedy has collected a record number of Emmy Award nominations.

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Speaker 3: It's about a chef. It's just got twenty three nominations.

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Speaker 3: I've never seen this, but the guy and it is

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Speaker 3: very attractive. Do you know what it is? It's the bear,

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Speaker 3: you know. Yeah, they're calling it a comedy and watched it,

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Speaker 3: but it's not. What we know is a comedy, but's

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Speaker 3: in the comedy category.

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Speaker 1: What would you make in a French press? Kate?

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Speaker 3: No?

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Speaker 1: Sorry, Mitchell's in black part.

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Speaker 3: Hello, Mitchell, Hello, Hello, a very world. If I was

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Speaker 3: usually a French press, what would I be making?

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Speaker 1: No, it's a tough one. Ken's in dural.

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Speaker 3: Hello, Ken? What would I use a French press for?

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Speaker 6: Oh?

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Speaker 11: French press?

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Speaker 3: Is it theF it is? You make coffee or not?

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Speaker 1: I don't know how it all works, but it works.

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Speaker 3: It's a coffee machine. That's right.

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Speaker 1: But right now we have the chase question.

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Speaker 3: Can if you get this right, you're getting five hundred dollars.

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Speaker 3: Are you ready?

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Speaker 12: I'm ready.

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Speaker 3: It's a multiple choice. What was the mister men character

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Speaker 3: mister Jelly renamed for in the US market? Was it

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Speaker 3: a mister nervous be? Mister confident? See, mister awkward, mister nervous.

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Speaker 1: Lease, you've done it, Ken Jelly begets nervous.

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Speaker 3: You've done it.

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Speaker 2: Congratulations, my man, you've won the jam packets all coming

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Speaker 2: away five hundred dollars cash from Channel seven to chase

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Speaker 2: the Chase tonight five o'clock on seven and seven plus

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Speaker 2: and Jonesy demanded character chows for the color and substandard pencils.

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Speaker 1: Can anything you'd like to add to this.

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Speaker 9: Lovely thank you Jonesy Armande great to play unreal.

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Speaker 3: Thank you, ken Well, Jone, Jonesy and Aman Dust Podcast.

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Speaker 7: To glad we're not the only ones up at the

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Speaker 7: sungardly hour.

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Speaker 3: All right, it's Friday. Let's slick through the Jolmanac, our

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Speaker 3: big book of musical facts in this day. In nineteen eighty,

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Speaker 3: Queen released their hit another One Bites the Dust. Interesting,

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Speaker 3: Another One Bites the Dust? That title be ironic for

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Speaker 3: the story of which I'm about to share. During the

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Speaker 3: production of the movie Rocky three, Another One Bites the

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Speaker 3: Dust was going to be the official theme song. And

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Speaker 3: you know this story, Brendan, because I think you told

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Speaker 3: Jessica Melboy this story the other day. Queen, though a

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Speaker 3: notorious for being difficult to do a deal with, so

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Speaker 3: when producers couldn't use the song, Sylvester Stallone took matters

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Speaker 3: into his own hands and he hired Survivor, a small

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Speaker 3: known band, to write the original song instead. It was

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Speaker 3: of course, I have the Tiger. Yeah, how's that go,

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Speaker 3: Brendan simes, Well.

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Speaker 1: I think everyone knows how I have the top.

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Speaker 3: Well, that's the thing. No one knew of this band

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Speaker 3: before that, and now everyone knows that song. It went

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Speaker 3: on to be one of the most famous songs through

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Speaker 3: all time. But Queen, I don't.

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Speaker 1: Think they cared.

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Speaker 3: Do you think they cared that they'd said no? Because

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Speaker 3: this song, this song is one of the most iconic

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Speaker 3: songs in the world. Let's do it.

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Speaker 1: Oh hang, I not playing advertime?

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Speaker 3: No, keep the Murray Dance chart where I took you?

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Speaker 13: There?

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Speaker 1: I see Sam Nation someone at the door?

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Speaker 3: Oh hello, who are you?

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Speaker 2: Michael Carmargahlsson from the uap FPP.

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Speaker 3: The uap FPP.

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Speaker 2: What's that, the United Australia Freedom Party.

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Speaker 3: It's an extra P, that's a missprint, all right? And

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Speaker 3: well how can we help you?

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Speaker 2: Who do I see about getting some advertising for the uap.

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Speaker 1: FPP around here?

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Speaker 2: Well you've come to the right place, right write this

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Speaker 2: down then?

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Speaker 12: All right here at the uap FPP, we want to

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Speaker 12: protect your freedom, freedom to say what you want, freedom

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Speaker 12: from the woke agender, freedom from the snowflake lefties.

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Speaker 1: That have all the control these days.

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Speaker 3: Right, Well, normally it's a thirty second thing. You've got

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Speaker 3: how much hammers of time has you got? Left.

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Speaker 1: That was only twenty two seconds.

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Speaker 3: You've got eight seconds left.

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Speaker 1: I don't hold you put in there.

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Speaker 3: How about well, how does it go, brien and you

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Speaker 3: can take our lives, but you can't take our freedom.

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Speaker 3: How about we use that.

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Speaker 1: That's bloody brilliant. Put that in there, right? You take cash?

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Speaker 2: Yep rite them out of here. Take this piece of paper, snowflakes.

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Speaker 2: We're working on canceling Bluey.

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Speaker 3: Canceling blue Who would cancel Bluey?

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Speaker 1: Yeah?

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Speaker 2: The dog's two a gender fluid for mine. I don't

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Speaker 2: know if it's bloody, Arthur or Martha. See your snowflakes?

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Speaker 3: Only blue alone?

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Speaker 1: Are you gonna give me that cash?

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Speaker 3: What cash? I'll give you some sound effect.

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Speaker 1: I noticed that you didn't put it in the till.

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Speaker 2: Wanted a peny cash cash management rights. This week we

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Speaker 2: saw I hack I'm just trying to This week we

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Speaker 2: saw what we like to call the anatomy of outrage.

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Speaker 3: That's a good phrase.

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Speaker 1: Well that's mine, that's my.

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Speaker 3: Anatomy of outrage.

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Speaker 1: That's what.

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Speaker 3: That should go viral.

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Speaker 2: With the cancelation of Tenacious D's Australian tour and subsequent

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Speaker 2: breakup of the comedy duo Today's five for your flashback

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Speaker 2: Troubled duos us.

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Speaker 1: Do we have a song troubled?

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Speaker 3: I've got one. I've got troubles that break my heart

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Speaker 3: with my favorite jell.

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Speaker 1: I've got one that's very close to the bone. Is

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Speaker 1: it Brendan, Yes, it.

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Speaker 3: Is just pop the money in petty cash?

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Speaker 1: Is that what you call it? These days?

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Speaker 3: Podcast? Instance Amanda's.

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Speaker 2: Friday on My Mind. Ten questions, sixty seconds on the clock.

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Speaker 2: You can pass if you don't know an answer. We'll

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Speaker 2: come back to that question if time permits. You get

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Speaker 2: all the questions right, one thousand dollars.

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Speaker 3: You can make it two thousand dollars by answering a

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Speaker 3: bonus question. But here's the trick. It's double or nothing.

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Speaker 1: Taylor's in East Hills.

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Speaker 3: Hi, Taylor, Hi, Hello. We'd love to give some money away.

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Speaker 3: Would you like to receive it?

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Speaker 14: I would love to receive money.

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Speaker 3: Okay, Well let's see you do have to earn it.

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Speaker 3: I'm afraid We've got ten questions. We've got sixty seconds.

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Speaker 3: If you're not sure, say pass, because we usually have

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Speaker 3: time to come back. All right, got it? Taylor fingers

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Speaker 3: Cross called luck because here we go. Question number one,

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Speaker 3: what color of flamingos? Think question two? Traditionally how many

362
00:16:40,480 --> 00:16:45,160
Speaker 3: wheels are on a bicycle two? Question three? Jack Sparrow

363
00:16:45,200 --> 00:16:49,800
Speaker 3: is a character from which movie franchise parts the Caribbean?

364
00:16:49,960 --> 00:16:52,400
Speaker 3: Question four? What's the name of the fairy in Peter Pan?

365
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Speaker 3: Think it Bill? Question five? Sure false? The TV show

366
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Speaker 3: Friends is said in Los Angeles? Question six. Cochlear implants

367
00:17:02,360 --> 00:17:09,680
Speaker 3: improve what sense? Cochlear implants improve? What sense is? Question seven?

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Speaker 3: Who is known as the King of Pop.

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Speaker 14: Michael Jackson?

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Speaker 3: Question eight? What's the leader of a beehive called our part?

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Speaker 3: Question nine? American Thanksgiving is celebrated in which month?

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Speaker 14: October?

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Speaker 3: It's November? November whispering reigns to trust. Couldn't help you.

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Speaker 2: I liked on the implants when you didn't hear it.

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Speaker 3: The leader of a beehive is the queen Queen be

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Speaker 3: Yeah and friends that said what do you think? That's said?

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00:17:47,080 --> 00:17:50,320
Speaker 1: New York is New York? Fun fact?

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00:17:50,600 --> 00:17:55,040
Speaker 3: That is everybody afterwards? It doesn't matter Taylor Taylor one

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Speaker 3: hundred bucks to be getting on with?

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Speaker 1: What about your what about your friend in your in

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Speaker 1: the background?

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00:17:58,680 --> 00:18:03,160
Speaker 3: Who's that I got a kicker?

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Speaker 1: Right?

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Speaker 3: Don't split that money with her?

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Speaker 2: I think the Canadians celebrate what's called Thanksgiving in October.

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Speaker 3: I think, sadly that wasn't the question.

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Speaker 1: Taylor, you have a good weekend and say hi, do

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Speaker 1: you assist?

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00:18:17,880 --> 00:18:18,520
Speaker 14: Thank you?

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00:18:19,000 --> 00:18:20,879
Speaker 6: See later by Kicker in.

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Speaker 1: The Shins Straight the Ships.

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Speaker 5: Fight for Your Flashback.

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Speaker 2: Two songs into one song leaves management rights this morning.

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Speaker 2: This week we saw what we like to call the

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Speaker 2: anatomy of outrage.

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Speaker 1: Hanglo, that's a great that's mine, David.

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Speaker 3: That is a fantastic phrase I'm hearing.

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Speaker 2: With the cancelation of today SE's Australian tour and subsequent

399
00:18:51,040 --> 00:18:54,000
Speaker 2: breakup of the comedy duo, Today's five for your Flashback

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Speaker 2: Trouble Duos, I'm going to go straight.

401
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Speaker 1: To the source.

402
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Speaker 2: When I first heard this song in two thousand and one,

403
00:18:59,160 --> 00:19:01,320
Speaker 2: I loved it from the get go and I still

404
00:19:01,359 --> 00:19:03,160
Speaker 2: love it to this day. And even though the boys

405
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Speaker 2: are apart, we can always have the memories.

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Speaker 1: Who is it a tribute way of the greatest and

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Speaker 1: best song in the world. Tribute.

408
00:19:13,520 --> 00:19:16,120
Speaker 3: This is not the greatest song.

409
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Speaker 1: This is just a tribute. It's got comedy and rock

410
00:19:23,400 --> 00:19:27,200
Speaker 1: undrumount the worker together.

411
00:19:28,800 --> 00:19:29,520
Speaker 7: This is a.

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Speaker 1: Rock banger.

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00:19:35,320 --> 00:19:40,280
Speaker 3: Wow, this is kind of prog rock.

414
00:19:41,680 --> 00:19:42,560
Speaker 1: It's comedy rock.

415
00:19:42,920 --> 00:19:47,320
Speaker 3: Prog rock, Yeah, comedy cock. This is prog rock. That

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00:19:47,480 --> 00:19:49,040
Speaker 3: was sort of the big operatic rocks.

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Speaker 1: So what did you say?

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Speaker 3: I think this is kind of operatic rock. And it's

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00:19:52,840 --> 00:19:56,679
Speaker 3: mocking was also a great song in progressive rock. Yes,

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Speaker 3: and YEP is a great song.

421
00:19:58,359 --> 00:20:00,200
Speaker 2: The Devil went down to Georgia and all that sort

422
00:20:00,240 --> 00:20:02,240
Speaker 2: of stuff. But to hear it, if you've never heard

423
00:20:02,280 --> 00:20:03,520
Speaker 2: that song before, if.

424
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Speaker 1: You just go on the journey of the song, it

425
00:20:05,440 --> 00:20:09,000
Speaker 1: is a well crafted, well written, great song.

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Speaker 3: Well, the topic is troubled due.

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00:20:12,520 --> 00:20:16,600
Speaker 2: And well, excuse me, Jack's throne, Kyle Gas under the bus.

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00:20:17,240 --> 00:20:20,160
Speaker 3: I'm not saying that doesn't close. Sounds like I'm talking

429
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Speaker 3: about my one I've gone with, you know. I love

430
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Speaker 3: my yacht rock. Yock and the Kings of yacht Rock

431
00:20:30,720 --> 00:20:33,600
Speaker 3: are two people who I would love to have seen

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Speaker 3: perform live in my lifetime, and I never got around

433
00:20:36,520 --> 00:20:39,120
Speaker 3: to doing it. Much to my annoyance, they are feuding,

434
00:20:39,240 --> 00:20:41,320
Speaker 3: which makes me very sad. I give you Haller notes,

435
00:20:41,359 --> 00:20:42,560
Speaker 3: You make my dreams come true.

436
00:20:42,680 --> 00:20:46,320
Speaker 1: Oh what a.

437
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Speaker 3: Friday song?

438
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Speaker 1: I love.

439
00:20:53,359 --> 00:21:09,159
Speaker 15: So they're abroad and illegal battle.

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00:21:09,240 --> 00:21:10,520
Speaker 1: Do those boys have trouble.

441
00:21:10,520 --> 00:21:13,200
Speaker 3: Well, that's just so distressing and they'll never get back together.

442
00:21:13,600 --> 00:21:16,600
Speaker 3: Haul has announced he's suing Oats because Oates tried to

443
00:21:16,680 --> 00:21:21,399
Speaker 3: sell the rights to their songs. Yeah, and Hall has

444
00:21:21,400 --> 00:21:23,800
Speaker 3: said he was blindsided by it. Oates said none of

445
00:21:23,800 --> 00:21:26,040
Speaker 3: this is true, that he's not true, that he's blind sidled,

446
00:21:26,080 --> 00:21:28,800
Speaker 3: blah blah. Haul is also filed a straining order from us.

447
00:21:28,880 --> 00:21:33,199
Speaker 2: Oh my goodness me, how does those sweet voices have

448
00:21:33,320 --> 00:21:35,600
Speaker 2: such ugly, ugly themes?

449
00:21:35,640 --> 00:21:37,959
Speaker 3: I'm so sad about that. But that's a great song

450
00:21:38,080 --> 00:21:41,000
Speaker 3: that celebrate them in music. That is my song. Jonesy

451
00:21:41,040 --> 00:21:43,800
Speaker 3: has shows you, shown you his song. So what would

452
00:21:43,840 --> 00:21:46,480
Speaker 3: you like to hear today? Give us a call thirteen WSFM,

453
00:21:46,600 --> 00:21:48,720
Speaker 3: or go to our Instagram story to vote at Jonesy

454
00:21:48,720 --> 00:21:49,000
Speaker 3: and a Man.

455
00:21:49,080 --> 00:21:50,760
Speaker 2: If you're a man of the match a double passed

456
00:21:50,800 --> 00:21:52,679
Speaker 2: crowded house, give us called thirteen WSFM.

457
00:21:52,680 --> 00:21:53,919
Speaker 1: It's quarter past seven m.

458
00:21:54,119 --> 00:21:58,240
Speaker 2: Damnation five for your flashback with the cancelation of Tenacious

459
00:21:58,280 --> 00:22:02,080
Speaker 2: Teeze Straight into Her and subsequent breakup of the comedy duo,

460
00:22:02,359 --> 00:22:05,720
Speaker 2: Today's fight for your flashback Trouble Duos, I'm getting straight

461
00:22:05,800 --> 00:22:11,199
Speaker 2: to a freshy todaysus tea and tribute.

462
00:22:12,080 --> 00:22:13,439
Speaker 1: I haven't heard it for a good man.

463
00:22:21,359 --> 00:22:24,680
Speaker 3: I've gone with the these doy ends of your rock.

464
00:22:24,760 --> 00:22:26,919
Speaker 3: I'm so sad they're feuding. Holl of notes you make

465
00:22:27,000 --> 00:22:27,439
Speaker 3: my dams.

466
00:22:36,680 --> 00:22:38,120
Speaker 1: It's sweet, sou's great.

467
00:22:38,400 --> 00:22:41,480
Speaker 2: That's going to be such ugliness in a sweet sounding bad.

468
00:22:41,560 --> 00:22:43,160
Speaker 3: Well, let's see what you want to hear today. Hello

469
00:22:43,240 --> 00:22:45,920
Speaker 3: Dean and Stanhope Gardens, Fight for your flashback.

470
00:22:47,240 --> 00:22:50,800
Speaker 9: And Amanda, good morning, Happy Friday. How are we going?

471
00:22:55,600 --> 00:23:02,159
Speaker 9: As soon as I heard your category, I Jonesy, I

472
00:23:02,960 --> 00:23:05,040
Speaker 9: truly did think you would have gone Hall and Oats

473
00:23:05,080 --> 00:23:09,000
Speaker 9: because you reckon your hall. But everybody knows your own side.

474
00:23:12,440 --> 00:23:15,000
Speaker 9: But on a serious note, I'm glad I was sitting

475
00:23:15,080 --> 00:23:17,080
Speaker 9: down driving from my truck when you came out with

476
00:23:17,160 --> 00:23:22,240
Speaker 9: tenacious there, Jonesy, I'm impressed. I've got to go with you, Jonesy.

477
00:23:22,280 --> 00:23:25,160
Speaker 9: I can't believe I'm saying that again. Jonesy, You've got

478
00:23:25,160 --> 00:23:26,160
Speaker 9: it for me all right.

479
00:23:26,600 --> 00:23:28,800
Speaker 3: Thank you for pointing out that he is oats.

480
00:23:30,000 --> 00:23:31,520
Speaker 1: Jeffrey is in Kings Park.

481
00:23:31,560 --> 00:23:33,119
Speaker 3: Hello, Jeffrey, fight for your flashback?

482
00:23:33,840 --> 00:23:37,480
Speaker 14: Hey Jonesing and Amanda, how are you brook?

483
00:23:37,520 --> 00:23:40,600
Speaker 9: Obviously, teamwork didn't make the dream work in these two situations.

484
00:23:40,600 --> 00:23:42,400
Speaker 14: But I've got to go for Jones on this one.

485
00:23:42,400 --> 00:23:45,160
Speaker 3: Tenacious D all the way, everyone's loving the d well

486
00:23:45,200 --> 00:23:47,800
Speaker 3: Sonya's in Liverpool, Hello, Sonia, Fight for your Flashback.

487
00:23:48,880 --> 00:23:52,160
Speaker 14: Good morning, Happy Friday, Thank you. I'm going to go

488
00:23:52,320 --> 00:23:54,480
Speaker 14: to Nacious D because my grandson's love it.

489
00:23:54,840 --> 00:23:57,040
Speaker 3: Okay, look, not a single boat so fast.

490
00:23:58,200 --> 00:23:59,040
Speaker 1: That's a little needy.

491
00:23:59,080 --> 00:24:04,960
Speaker 3: I'm needy, of course, I'm needy anyway. All right, Well,

492
00:24:05,000 --> 00:24:08,440
Speaker 3: well we still have more time. More time, people, give

493
00:24:08,520 --> 00:24:11,480
Speaker 3: us a call thirteen WSVM. We'll go to our Instagram story.

494
00:24:12,040 --> 00:24:15,240
Speaker 3: Jonesy and Amanda.

495
00:24:14,320 --> 00:24:26,120
Speaker 5: Podcast Fight for Your Flashback.

496
00:24:27,200 --> 00:24:30,560
Speaker 2: Two songs enter, one song leaves management right this morning.

497
00:24:30,800 --> 00:24:32,879
Speaker 2: This week we saw what we like to call the

498
00:24:32,920 --> 00:24:34,280
Speaker 2: anatomy of outrage.

499
00:24:34,359 --> 00:24:37,800
Speaker 3: Yeah, it's a great term. That's called a great term.

500
00:24:38,760 --> 00:24:40,960
Speaker 3: That's every time I hear it from them. I think

501
00:24:40,960 --> 00:24:41,920
Speaker 3: that is a great term.

502
00:24:42,119 --> 00:24:43,360
Speaker 1: I came up with that term.

503
00:24:43,400 --> 00:24:48,040
Speaker 2: Okay, Brendan with the cancelation of Tasoust's Australian tour and

504
00:24:48,160 --> 00:24:52,000
Speaker 2: subsequent breakup of the comedy duo Today's five few Flashback

505
00:24:52,160 --> 00:24:53,960
Speaker 2: Trouble duo as well, I'd say there's a bit of

506
00:24:53,960 --> 00:24:55,840
Speaker 2: trouble in the camp of today's tea.

507
00:24:55,920 --> 00:24:57,000
Speaker 3: You've gone straight to the source.

508
00:24:57,040 --> 00:24:58,800
Speaker 2: I've gone back to two thousand and one and the

509
00:24:58,840 --> 00:25:00,879
Speaker 2: greatest song in the world tribute.

510
00:25:02,040 --> 00:25:04,200
Speaker 1: This is the greatest and best song in.

511
00:25:04,160 --> 00:25:10,320
Speaker 3: The world tribute. This is not the greatest song of

512
00:25:10,480 --> 00:25:17,320
Speaker 3: the work. This is just a tribute. I'm gone, I'm

513
00:25:17,320 --> 00:25:28,800
Speaker 3: gonna dream when you finish. No, I've gone with a

514
00:25:28,920 --> 00:25:32,399
Speaker 3: duo who I love, I love and I'm horrified that

515
00:25:32,440 --> 00:25:34,679
Speaker 3: they are feuding. Can't they just get along? Hol of

516
00:25:34,720 --> 00:25:36,280
Speaker 3: note you make my dreams come true?

517
00:25:38,880 --> 00:25:48,920
Speaker 1: Whatever what you plead there, This is my rock.

518
00:25:49,080 --> 00:25:52,000
Speaker 3: This is the playlist I'm always listening to on iHeart Radio.

519
00:25:51,920 --> 00:25:55,320
Speaker 1: On my heart radio, fangus that deserve more. This is

520
00:25:55,400 --> 00:25:55,840
Speaker 1: right there.

521
00:25:55,960 --> 00:25:57,200
Speaker 3: Well let's just play it now.

522
00:25:58,240 --> 00:26:00,879
Speaker 1: Well we could do that. We can ask Leanne of

523
00:26:00,920 --> 00:26:02,040
Speaker 1: Guilford what she thinks.

524
00:26:02,040 --> 00:26:04,240
Speaker 3: I haven't had a vote so far, Hollo, Leanne, Fight

525
00:26:04,280 --> 00:26:07,560
Speaker 3: for your flashback. Good morning, Jonesy and Amanda.

526
00:26:08,240 --> 00:26:11,320
Speaker 14: I'm happy to hear either song today, but I'm voting

527
00:26:11,359 --> 00:26:13,960
Speaker 14: for GI and D with tenacious tea.

528
00:26:14,240 --> 00:26:16,960
Speaker 3: Thank you, Yeah, all right, Leanne, Elizabeth and Kelly mill

529
00:26:17,000 --> 00:26:18,919
Speaker 3: Hello Elizabeth, fight for your flashback.

530
00:26:20,480 --> 00:26:25,120
Speaker 16: Hi, Amanda Friday Fields all the way with you make

531
00:26:25,280 --> 00:26:26,720
Speaker 16: my dream.

532
00:26:26,880 --> 00:26:29,520
Speaker 3: Finally, Elizabeth, thank you, I'm here, Thank you.

533
00:26:29,600 --> 00:26:32,000
Speaker 1: Elizabeth. Vet Walker is in Eastwood.

534
00:26:32,040 --> 00:26:35,480
Speaker 3: I like the full name, like Charlie Brown. Hello, work

535
00:26:35,640 --> 00:26:37,800
Speaker 3: as I live and breathe fight for your flashback of it.

536
00:26:38,920 --> 00:26:41,919
Speaker 14: Hi, I'm definitely going to Tenacious Sea. I'm going to you,

537
00:26:42,000 --> 00:26:44,760
Speaker 14: jame Z. We were there at the concert on Sunday night,

538
00:26:44,880 --> 00:26:47,600
Speaker 14: and I'm just so disappointed that this has happened.

539
00:26:47,600 --> 00:26:49,679
Speaker 2: What did you at the time when it happened. How

540
00:26:49,760 --> 00:26:52,080
Speaker 2: did Jack Black react? What did he laugh? Or was

541
00:26:52,119 --> 00:26:52,640
Speaker 2: he shocked?

542
00:26:52,640 --> 00:26:54,600
Speaker 1: Because very hard.

543
00:26:54,640 --> 00:26:57,439
Speaker 14: I was right at the back, but to me, it

544
00:26:57,600 --> 00:27:01,040
Speaker 14: looks like it was sort of like, yeah, that was funny,

545
00:27:01,040 --> 00:27:02,520
Speaker 14: but I'm probably not appropriate.

546
00:27:03,400 --> 00:27:06,359
Speaker 1: Jackson wasn't a big deal? Was the end of the world?

547
00:27:07,080 --> 00:27:10,840
Speaker 14: Look, everyone laughs. It was a point in time, and

548
00:27:10,920 --> 00:27:13,080
Speaker 14: I think it's just been a blind way.

549
00:27:12,880 --> 00:27:14,359
Speaker 1: Out of social media.

550
00:27:15,200 --> 00:27:18,840
Speaker 2: Social media and the media is and media the anatomy

551
00:27:18,840 --> 00:27:20,000
Speaker 2: of outrage.

552
00:27:19,840 --> 00:27:22,600
Speaker 3: Not just media, but not just social but media as well.

553
00:27:23,000 --> 00:27:25,480
Speaker 3: It's bushfire gone crazy.

554
00:27:25,040 --> 00:27:26,440
Speaker 1: And Marie isn't Sintclair?

555
00:27:26,520 --> 00:27:28,000
Speaker 3: Hi am Marie for your flashback.

556
00:27:28,960 --> 00:27:31,879
Speaker 4: Good morning Joins Amanda, Thank you for making my days

557
00:27:32,040 --> 00:27:33,040
Speaker 4: a wonderful start.

558
00:27:33,160 --> 00:27:33,720
Speaker 3: Oh, thank you.

559
00:27:35,280 --> 00:27:36,520
Speaker 1: So I'm going with you, Amanda.

560
00:27:36,560 --> 00:27:37,600
Speaker 9: I mean go hall and notes.

561
00:27:37,640 --> 00:27:39,399
Speaker 14: You can't. You can't pass all the notes.

562
00:27:39,440 --> 00:27:39,920
Speaker 1: Thank you.

563
00:27:40,680 --> 00:27:45,040
Speaker 3: To be honest, unless it's your hall pass. You just

564
00:27:45,080 --> 00:27:50,000
Speaker 3: saw that happen in real time. Wow, I'm like a gog,

565
00:27:50,280 --> 00:27:50,679
Speaker 3: aren't you.

566
00:27:50,840 --> 00:27:53,240
Speaker 1: Terry's in the all right, Terry, you're our last call.

567
00:27:53,359 --> 00:27:55,760
Speaker 3: You are going to be delivering the missive as to

568
00:27:55,800 --> 00:27:56,679
Speaker 3: who has won today.

569
00:27:57,720 --> 00:28:00,680
Speaker 11: Look, that's really good songs, great choices. It's been great.

570
00:28:01,080 --> 00:28:03,600
Speaker 11: My tum was at the c on Sunday night as well.

571
00:28:04,359 --> 00:28:08,560
Speaker 11: It was said in good humor. I think it worse

572
00:28:08,680 --> 00:28:10,680
Speaker 11: was said maybe Monday night On't have you been paying

573
00:28:10,720 --> 00:28:15,320
Speaker 11: attention or anything? Cayl Sandelans may have said during the voice,

574
00:28:15,640 --> 00:28:20,960
Speaker 11: but my vote gays or tenacious day attribute to the tribute.

575
00:28:21,119 --> 00:28:22,680
Speaker 1: Terry's loving the day, Terry.

576
00:28:22,800 --> 00:28:25,919
Speaker 3: I'm happy to acquiesce. And because I've loved the words

577
00:28:25,920 --> 00:28:27,119
Speaker 3: you just said, then thank you.

578
00:28:27,480 --> 00:28:33,960
Speaker 2: Okay, true, true, this is great.

579
00:28:34,040 --> 00:28:35,520
Speaker 3: I like what Terry's putting down.

580
00:28:36,160 --> 00:28:37,879
Speaker 1: You're picking it up all right, well, haul.

581
00:28:37,760 --> 00:28:39,720
Speaker 3: And I will have to wait for my private cake

582
00:28:39,800 --> 00:28:41,520
Speaker 3: baking session tomorrow to be heard.

583
00:28:42,520 --> 00:28:45,840
Speaker 1: Let's put snags d on jolly. This is a tribute

584
00:28:46,280 --> 00:28:52,080
Speaker 1: to you boys. Please come back young podcast. Let's get on.

585
00:28:52,080 --> 00:28:56,560
Speaker 3: Down at the pubtest Big one today putting bread and

586
00:28:56,600 --> 00:29:00,000
Speaker 3: a fridge? Does this past the pub test? Paul Hollywood's

587
00:29:00,000 --> 00:29:02,560
Speaker 3: celebrity chef and he's the one of the judges on

588
00:29:02,640 --> 00:29:03,600
Speaker 3: British Bakoff.

589
00:29:03,640 --> 00:29:06,520
Speaker 1: He was naturally going to be a celebrity chef with

590
00:29:06,560 --> 00:29:07,040
Speaker 1: a name.

591
00:29:06,960 --> 00:29:11,480
Speaker 3: Like that, all Paul Hollywood. He's also known as the

592
00:29:11,560 --> 00:29:14,720
Speaker 3: King of Bread in the UK. And he has said, well,

593
00:29:14,720 --> 00:29:17,080
Speaker 3: he's a chef, he's got food, he's a big famous

594
00:29:17,200 --> 00:29:21,600
Speaker 3: it's like Gordon Ramsay, but he's for his bread. King

595
00:29:21,640 --> 00:29:24,640
Speaker 3: of being mean to people. It's got a ring to it,

596
00:29:24,640 --> 00:29:26,840
Speaker 3: hasn't it. You're the king of being mean to people.

597
00:29:27,320 --> 00:29:29,960
Speaker 3: He has said, don't put your bread in the fridge.

598
00:29:30,600 --> 00:29:32,680
Speaker 3: He said, it will make it stale three times faster

599
00:29:32,720 --> 00:29:35,600
Speaker 3: because you're drawing all the moisture out. He said, he

600
00:29:35,640 --> 00:29:37,719
Speaker 3: puts his in a brown bag and leaves it on

601
00:29:37,760 --> 00:29:40,400
Speaker 3: the bench. People have said, no, I have to put

602
00:29:40,400 --> 00:29:44,280
Speaker 3: mine in the fridge because it gets moldy and human Otherwise.

603
00:29:43,880 --> 00:29:45,520
Speaker 1: Do you remember the bread box? Does anyone have a

604
00:29:45,520 --> 00:29:45,960
Speaker 1: bread box?

605
00:29:45,960 --> 00:29:48,480
Speaker 3: And this person has said, I have a sixties bread box. Yep,

606
00:29:48,800 --> 00:29:51,560
Speaker 3: And but why just how is that different to keeping

607
00:29:51,640 --> 00:29:54,640
Speaker 3: on the bench. It wasn't well, it wasn't hermetically sealed.

608
00:29:54,880 --> 00:29:56,200
Speaker 1: Bugs just can't walk all over.

609
00:29:56,280 --> 00:29:58,720
Speaker 3: But it's not bugs. This is to stop spores and

610
00:29:58,760 --> 00:30:01,520
Speaker 3: all that kind of stuff. People, though, say that they

611
00:30:01,640 --> 00:30:04,040
Speaker 3: leave their bread in the fridge. Some say wrap it

612
00:30:04,080 --> 00:30:05,920
Speaker 3: in bees with wax. Who can be bothered doing that?

613
00:30:06,760 --> 00:30:08,280
Speaker 3: Other people say they keep in the freezer.

614
00:30:08,320 --> 00:30:09,200
Speaker 1: I used to bake bread.

615
00:30:09,280 --> 00:30:12,080
Speaker 2: Remember the baking bread trend of the nineties, the bread

616
00:30:12,120 --> 00:30:13,520
Speaker 2: maker with the bread maker.

617
00:30:13,960 --> 00:30:17,560
Speaker 3: Bread maker called the shop down the road. Food experts

618
00:30:17,640 --> 00:30:19,920
Speaker 3: safety experts have said, if you're going to eat your

619
00:30:19,920 --> 00:30:22,760
Speaker 3: bread quickly, yep, leave it on the counter. If you're

620
00:30:22,760 --> 00:30:24,720
Speaker 3: going to if it's going to take a bit longer,

621
00:30:25,200 --> 00:30:27,960
Speaker 3: put it in the fridge to prevent mold growth. But

622
00:30:29,040 --> 00:30:32,200
Speaker 3: a professor at the New York University has said the

623
00:30:32,240 --> 00:30:34,959
Speaker 3: cold temperature in the fridge causes the starch to crystallize

624
00:30:34,960 --> 00:30:38,560
Speaker 3: and become dry, so it becomes stale. But you can

625
00:30:38,600 --> 00:30:40,600
Speaker 3: wrap it up a million times and put it in

626
00:30:40,600 --> 00:30:42,160
Speaker 3: the fridge and then it's okay. But who can be

627
00:30:42,160 --> 00:30:43,080
Speaker 3: bothered doing all of that?

628
00:30:42,920 --> 00:30:44,680
Speaker 1: That freeze the bread because I don't eat that much

629
00:30:44,680 --> 00:30:47,200
Speaker 1: bread anymore. I love bread, but it doesn't love me.

630
00:30:47,400 --> 00:30:50,320
Speaker 3: No, I can see that. So you just take it

631
00:30:50,360 --> 00:30:51,440
Speaker 3: out slice at a time.

632
00:30:51,360 --> 00:30:53,160
Speaker 1: Slice of the time and make a little toasty sandwich.

633
00:30:53,160 --> 00:30:55,840
Speaker 3: Here's some information though, where no matter how you store

634
00:30:55,880 --> 00:30:58,880
Speaker 3: your bread, the minute you see any mold, you need

635
00:30:58,920 --> 00:31:00,760
Speaker 3: to chuck out the whole loaf because even though you

636
00:31:00,800 --> 00:31:04,040
Speaker 3: can't see the spores on the other layers, it's gone

637
00:31:04,080 --> 00:31:04,560
Speaker 3: all the way through.

638
00:31:04,960 --> 00:31:07,760
Speaker 2: Your husband making sandwiches for the boys for school, and

639
00:31:07,800 --> 00:31:09,120
Speaker 2: he'd call them flavor packages.

640
00:31:09,160 --> 00:31:11,280
Speaker 3: Yeah, that's what happens when you do breakfast radio. Your

641
00:31:11,320 --> 00:31:14,240
Speaker 3: children get attacked at home. Harley as a key we

642
00:31:14,360 --> 00:31:16,160
Speaker 3: has said he had to support the dairy industry. He

643
00:31:16,200 --> 00:31:18,280
Speaker 3: put on too much butterfallen? Is it please?

644
00:31:18,360 --> 00:31:18,600
Speaker 1: Dad?

645
00:31:18,920 --> 00:31:19,280
Speaker 7: Don't?

646
00:31:19,800 --> 00:31:24,040
Speaker 3: And they'd have flavor patches, as they say on their bread.

647
00:31:24,960 --> 00:31:26,960
Speaker 2: Putting bread in the fridge does it pass the pub

648
00:31:27,040 --> 00:31:28,160
Speaker 2: test chamation.

649
00:31:28,480 --> 00:31:32,560
Speaker 3: Bobby Goldberg has recently shared what she did with her

650
00:31:32,600 --> 00:31:34,880
Speaker 3: mom's ashes. I think her mother died a while ago,

651
00:31:34,920 --> 00:31:38,920
Speaker 3: in twenty ten, but what she has done is she

652
00:31:39,120 --> 00:31:41,640
Speaker 3: said that she spread her ashes at a place that

653
00:31:41,720 --> 00:31:47,280
Speaker 3: was very special for her mother. It's Disneyland. Yeah, and

654
00:31:47,320 --> 00:31:49,800
Speaker 3: she didn't ask permission. She said, she's told them since

655
00:31:49,800 --> 00:31:51,920
Speaker 3: that she did it because she thought I should probably

656
00:31:51,920 --> 00:31:52,400
Speaker 3: come clean and.

657
00:31:52,440 --> 00:31:56,080
Speaker 2: I can't ask permission, well, because they'll say no. It's

658
00:31:56,120 --> 00:31:58,120
Speaker 2: easier to beg forgiveness than ask permission.

659
00:31:58,160 --> 00:32:00,000
Speaker 3: Yeah, but there's an arrogance to where she put them.

660
00:32:00,040 --> 00:32:00,760
Speaker 1: Where'd you put them?

661
00:32:00,840 --> 00:32:03,560
Speaker 3: Well, she put some of the entrance in the garden.

662
00:32:03,400 --> 00:32:06,720
Speaker 2: Bed next to Walt's cryogenically frozen head in the freezer.

663
00:32:06,800 --> 00:32:08,920
Speaker 3: That's it. She's popped them into the freezer and ice

664
00:32:08,960 --> 00:32:12,720
Speaker 3: block cubes. But she's put every time she'd go there,

665
00:32:12,840 --> 00:32:15,720
Speaker 3: she'd take a handful of them, and she'd go on

666
00:32:16,040 --> 00:32:23,120
Speaker 3: this ride a small world? Is there any song in

667
00:32:23,120 --> 00:32:27,600
Speaker 3: the world? And we're irritating on this kind of catchyd

668
00:32:27,680 --> 00:32:31,440
Speaker 3: be in your head all day? Sorry everyone, And so

669
00:32:31,520 --> 00:32:35,160
Speaker 3: she while that song is going on, she would sneeze

670
00:32:35,320 --> 00:32:37,600
Speaker 3: as if I chew and will not to sort of

671
00:32:37,640 --> 00:32:41,040
Speaker 3: cover up that she's putting all the putting handfuls of

672
00:32:41,120 --> 00:32:43,640
Speaker 3: ashes into the water. The water is really shallow there.

673
00:32:43,520 --> 00:32:47,360
Speaker 1: On a handful each time. How many times did you

674
00:32:47,360 --> 00:32:47,880
Speaker 1: have to go back?

675
00:32:47,920 --> 00:32:52,440
Speaker 3: Well, she said she's past some of her up and

676
00:32:52,520 --> 00:32:54,880
Speaker 3: fake a huge sneeze to spread the ashes on the ride.

677
00:32:55,280 --> 00:32:58,040
Speaker 3: So in a small world ride periodically I'd scoop some

678
00:32:58,080 --> 00:33:02,600
Speaker 3: of her up and I'd sneeze. Yeah, she said, yeah.

679
00:33:02,880 --> 00:33:05,000
Speaker 3: She also puts some near the flowers at the entrance.

680
00:33:05,120 --> 00:33:07,440
Speaker 3: But there's an arrogance to that. Putting them in a

681
00:33:07,480 --> 00:33:09,680
Speaker 3: garden's one thing, and I'll get to actually why that's

682
00:33:09,680 --> 00:33:12,040
Speaker 3: not good in a minute. But to put them in

683
00:33:12,080 --> 00:33:16,160
Speaker 3: a very small waterway, she thinks, I will be goldberg.

684
00:33:16,160 --> 00:33:18,640
Speaker 3: I'm the only person doing this. What if everyone did,

685
00:33:18,640 --> 00:33:24,440
Speaker 3: That's that shallow water would be filled with human muck

686
00:33:25,480 --> 00:33:27,719
Speaker 3: and it would clog up the filter. It's just bodies.

687
00:33:28,080 --> 00:33:30,720
Speaker 3: Just put a full don't worry for the commation. Just

688
00:33:30,760 --> 00:33:32,640
Speaker 3: put a full body in there. But you know why

689
00:33:32,680 --> 00:33:34,880
Speaker 3: they're saying also that you should not put them even

690
00:33:34,920 --> 00:33:39,200
Speaker 3: on the garden ashes, they say, and their raw form

691
00:33:39,520 --> 00:33:42,040
Speaker 3: have the pH of bleach, so they're not actually good

692
00:33:42,040 --> 00:33:45,000
Speaker 3: for the environment. We think it's natural, but it's been processed.

693
00:33:45,080 --> 00:33:47,960
Speaker 2: Those tributes, though, I do have a confession to make

694
00:33:48,160 --> 00:33:51,600
Speaker 2: I windsurfed through someone's floral tribute.

695
00:33:51,840 --> 00:33:52,760
Speaker 3: Is that a country song?

696
00:33:52,880 --> 00:33:56,400
Speaker 2: No, they'd put a reef and some flowers out and

697
00:33:56,440 --> 00:33:58,240
Speaker 2: I didn't realize it until I went through the whole.

698
00:33:58,520 --> 00:34:01,040
Speaker 2: I think it was because I was a good tack

699
00:34:01,120 --> 00:34:03,480
Speaker 2: and I was bowling along and then I saw the

700
00:34:03,480 --> 00:34:04,960
Speaker 2: grieving family, I saw the reef.

701
00:34:05,480 --> 00:34:06,560
Speaker 3: Did you split it all up?

702
00:34:06,560 --> 00:34:06,840
Speaker 1: Did you?

703
00:34:07,920 --> 00:34:09,480
Speaker 3: Oh no? Did they see you do it?

704
00:34:09,800 --> 00:34:11,520
Speaker 2: I think they, you know, I'm pretty sure they would

705
00:34:11,520 --> 00:34:13,759
Speaker 2: have been happy.

706
00:34:13,760 --> 00:34:17,719
Speaker 3: It's okay, it's whoopee, it's Jonesy. It's people that go

707
00:34:17,760 --> 00:34:22,600
Speaker 3: by first names. They're okay, we'll be Chaer and Madonna next. Interestingly,

708
00:34:23,120 --> 00:34:27,440
Speaker 3: I think this is interesting. By the way, Disney custodians

709
00:34:27,440 --> 00:34:30,200
Speaker 3: are revealed that this happens a lot, and they say

710
00:34:30,200 --> 00:34:31,840
Speaker 3: that at least once a month. But these are probably

711
00:34:31,840 --> 00:34:34,040
Speaker 3: people whove asked for permission. I don't know, but they

712
00:34:34,080 --> 00:34:37,480
Speaker 3: said most people have taken to the haunted mansion to

713
00:34:37,560 --> 00:34:40,920
Speaker 3: scatter the relatives remains. They said, there's probably so much

714
00:34:41,000 --> 00:34:44,960
Speaker 3: humanation there it's not funny. So when a skeleton lunge's attitude,

715
00:34:44,960 --> 00:34:48,919
Speaker 3: it actually is a skeleton's grandma, Hi, Grandma, It's all right,

716
00:34:48,960 --> 00:34:49,719
Speaker 3: it's Jonesy.

717
00:34:51,480 --> 00:34:55,720
Speaker 1: Wind surfing through it, don't.

718
00:34:55,520 --> 00:34:57,759
Speaker 3: You windsurfing through the waterways. If it's a small world,

719
00:34:57,800 --> 00:35:03,719
Speaker 3: let's sear that song again. Oh you know, churning it

720
00:35:03,760 --> 00:35:06,800
Speaker 3: all up. We serve like the Ganges.

721
00:35:06,600 --> 00:35:09,560
Speaker 1: Servings very hard. You don't have pad to control there.

722
00:35:11,640 --> 00:35:13,480
Speaker 1: You should podcast when.

723
00:35:13,840 --> 00:35:19,960
Speaker 4: God wanted to get right. Now, go to your windows,

724
00:35:20,080 --> 00:35:22,320
Speaker 4: open the stick your head out a yell.

725
00:35:26,760 --> 00:35:29,200
Speaker 1: To jonesy demand of arms for the pub test today.

726
00:35:29,520 --> 00:35:32,800
Speaker 1: Putting bread in the fridge? Does it pass the pub test?

727
00:35:32,960 --> 00:35:35,239
Speaker 3: One of the judges from British bakoff and he's a

728
00:35:35,280 --> 00:35:37,600
Speaker 3: celebrity chef. He's known as King of Bread. His name

729
00:35:37,680 --> 00:35:38,560
Speaker 3: is Paul Hollywood.

730
00:35:38,719 --> 00:35:40,440
Speaker 1: Naturally he's going to be a celebrity chef.

731
00:35:40,440 --> 00:35:42,320
Speaker 3: Well, he said, no, don't put it in the fridge.

732
00:35:42,320 --> 00:35:44,759
Speaker 3: He said, it will get stale three times faster because

733
00:35:44,760 --> 00:35:47,520
Speaker 3: you're drawing the moisture out. People have said no, if

734
00:35:47,560 --> 00:35:49,520
Speaker 3: you leave it out on the counter, it gets mold

735
00:35:49,560 --> 00:35:52,360
Speaker 3: and once a single layer has mold, you got to

736
00:35:52,400 --> 00:35:54,200
Speaker 3: chuck the whole thing out. So what do you think

737
00:35:54,400 --> 00:35:56,880
Speaker 3: putting bread in the fridge past the pub test?

738
00:35:57,560 --> 00:36:01,000
Speaker 9: It goes star quicker and ask why would you put

739
00:36:01,000 --> 00:36:01,640
Speaker 9: it in the fridge.

740
00:36:01,640 --> 00:36:02,400
Speaker 6: You would already put it.

741
00:36:02,360 --> 00:36:05,280
Speaker 9: In the freezer, which just leaves the fresh until it goes.

742
00:36:05,120 --> 00:36:05,640
Speaker 4: Down to date.

743
00:36:05,920 --> 00:36:09,080
Speaker 14: Absolutely not gross. It shouldn't go in there. Do you

744
00:36:09,120 --> 00:36:10,680
Speaker 14: buy it on the shopping the fridge?

745
00:36:10,760 --> 00:36:13,120
Speaker 6: Yeah, because I'd put it in the fridge all the

746
00:36:13,120 --> 00:36:15,160
Speaker 6: time and it goes a bit hard. I just start

747
00:36:15,200 --> 00:36:17,040
Speaker 6: put it in the microwavee suffer it up for about

748
00:36:17,080 --> 00:36:19,000
Speaker 6: ten seconds of the company are nice and fresh with

749
00:36:19,120 --> 00:36:21,360
Speaker 6: the holy white to curtain fresh and put them on

750
00:36:21,360 --> 00:36:21,880
Speaker 6: on the side.

751
00:36:21,920 --> 00:36:23,160
Speaker 9: It always goes through moldy.

752
00:36:23,239 --> 00:36:25,080
Speaker 6: So that's the way to say money, that's my opinion.

753
00:36:25,360 --> 00:36:29,160
Speaker 3: No, I've freezed my bread two passes a time, do

754
00:36:29,320 --> 00:36:31,320
Speaker 3: you me and my husband? And it just goes moldy.

755
00:36:31,400 --> 00:36:33,719
Speaker 3: Sometimes you don't eat a lot of bread, so yeah,

756
00:36:33,960 --> 00:36:34,840
Speaker 3: pop it in the freeze.

757
00:36:34,840 --> 00:36:36,280
Speaker 14: Are couples fastest at the time?

758
00:36:36,600 --> 00:36:37,799
Speaker 11: Bring it out when you need it?

759
00:36:37,840 --> 00:36:40,160
Speaker 1: There you go, you get freezing. I've got bornhof and

760
00:36:40,239 --> 00:36:41,280
Speaker 1: bread from the seventies.

761
00:36:41,320 --> 00:36:43,520
Speaker 3: Yeah, I think I do too, frozen. Yeah, it's my

762
00:36:43,600 --> 00:36:46,600
Speaker 3: emergency rations along with all the cauliflower right froz that

763
00:36:46,600 --> 00:36:48,000
Speaker 3: I'm going to eat any minute now.

764
00:36:48,160 --> 00:36:51,200
Speaker 2: Do you remember the Bornolf and TV commercials?

765
00:36:51,840 --> 00:36:53,760
Speaker 3: Was it like an old painting where they're all wearing

766
00:36:53,800 --> 00:36:55,200
Speaker 3: aprons and yeah, those.

767
00:36:55,280 --> 00:36:57,800
Speaker 1: Those busty busty wenches eating bread.

768
00:36:57,920 --> 00:37:00,960
Speaker 3: I don't remember it like you did. You say you're

769
00:37:01,000 --> 00:37:01,520
Speaker 3: off the cars.

770
00:37:02,760 --> 00:37:04,640
Speaker 1: I love that ad. It's on YouTube.

771
00:37:06,040 --> 00:37:10,920
Speaker 2: Shi podcast Still basking in the New South Wales Blues victory.

772
00:37:11,080 --> 00:37:13,359
Speaker 3: Yeah, it feels good, doesn't it. It feels it's good

773
00:37:13,360 --> 00:37:14,560
Speaker 3: at that's the end of the series. I don't just

774
00:37:14,560 --> 00:37:15,360
Speaker 3: think about it anymore.

775
00:37:15,400 --> 00:37:16,840
Speaker 2: Do to worry about it, because that's what we do

776
00:37:17,239 --> 00:37:19,680
Speaker 2: in Queensland. They've got nothing else to do. That's why

777
00:37:19,680 --> 00:37:22,680
Speaker 2: they are so vested into it. And I lived up there.

778
00:37:22,800 --> 00:37:23,600
Speaker 1: I know what it's like.

779
00:37:23,880 --> 00:37:26,600
Speaker 3: Didn't they didn't They insist that you couldn't say you

780
00:37:26,880 --> 00:37:28,000
Speaker 3: were born in queen.

781
00:37:28,640 --> 00:37:30,759
Speaker 2: Jimmy Johnson, you know, Jimmy Johnson used to speak out

782
00:37:30,760 --> 00:37:32,360
Speaker 2: the side of his mount James. If I hear you

783
00:37:32,400 --> 00:37:36,400
Speaker 2: talking about this New South Wales wit, you'll get out

784
00:37:36,440 --> 00:37:37,680
Speaker 2: of You'll be out on your ass.

785
00:37:37,880 --> 00:37:40,040
Speaker 1: That's what he used to say all the time.

786
00:37:40,520 --> 00:37:42,960
Speaker 2: Only every time stat of origin came around, I had

787
00:37:43,000 --> 00:37:45,880
Speaker 2: to pretend I was born in Brisbane. That's what I

788
00:37:45,920 --> 00:37:48,719
Speaker 2: did for this job. My New South Wales. We're not

789
00:37:48,760 --> 00:37:52,160
Speaker 2: as we're just not as invested as they are.

790
00:37:52,080 --> 00:37:53,919
Speaker 3: Because I don't have anything else for a long time.

791
00:37:54,000 --> 00:37:56,319
Speaker 2: Yeah, but you know, and I think what we saw

792
00:37:56,680 --> 00:37:58,759
Speaker 2: on Wednesday night a bit of the mongrel coming back.

793
00:38:01,280 --> 00:38:04,520
Speaker 3: I saw them singing a song, the team song. Who

794
00:38:04,600 --> 00:38:06,040
Speaker 3: knew there was a team song? I don't think they

795
00:38:06,120 --> 00:38:07,520
Speaker 3: knew there was a team song because none of them

796
00:38:07,560 --> 00:38:09,640
Speaker 3: actually were hearge in what they were saying. Because I

797
00:38:09,640 --> 00:38:12,200
Speaker 3: haven't had they haven't had a chance to sing it

798
00:38:12,239 --> 00:38:12,759
Speaker 3: for some time.

799
00:38:12,920 --> 00:38:30,120
Speaker 7: Let's hear it.

800
00:38:41,040 --> 00:38:43,240
Speaker 3: I've taken it, okay, I've taken the liberty of printing

801
00:38:43,239 --> 00:38:48,360
Speaker 3: out the lyrics. See honestly, there's lyrics obviously, because we

802
00:38:48,400 --> 00:38:50,120
Speaker 3: haven't won a lot, they haven't sung it a lot.

803
00:38:50,560 --> 00:38:53,280
Speaker 3: But I do wonder also if at the end of training, Hey, guys,

804
00:38:53,320 --> 00:38:57,200
Speaker 3: if we thought about this song. It's your tackle practice.

805
00:38:57,920 --> 00:39:00,440
Speaker 3: We're all going to Garth's out tonight and we just

806
00:39:00,480 --> 00:39:01,240
Speaker 3: have to practice.

807
00:39:01,360 --> 00:39:02,560
Speaker 1: Let's just practice the song.

808
00:39:02,880 --> 00:39:06,080
Speaker 3: Here are the lyrics. You talked a lot of s

809
00:39:06,160 --> 00:39:10,200
Speaker 3: with your mouth, yep, with your mouth, yep. We're the

810
00:39:10,239 --> 00:39:13,640
Speaker 3: boys in Blue, New South, New South? Where is Queensland?

811
00:39:13,680 --> 00:39:15,719
Speaker 3: We can't see ya? You know, I don't like those

812
00:39:15,760 --> 00:39:19,719
Speaker 3: derivations of words. We can't see yah blue stand up,

813
00:39:19,840 --> 00:39:21,719
Speaker 3: Let me hear yah, and then we go. Let me

814
00:39:21,800 --> 00:39:24,680
Speaker 3: hear yah and yeah, let me hear yah, let me

815
00:39:24,719 --> 00:39:25,680
Speaker 3: hear yah.

816
00:39:25,760 --> 00:39:27,400
Speaker 1: I think it's pretty. It's mad of anymore.

817
00:39:28,320 --> 00:39:29,840
Speaker 3: It's linguistically very challenged.

818
00:39:29,840 --> 00:39:31,879
Speaker 2: As I heard, they broke into the two He's new

819
00:39:31,960 --> 00:39:32,879
Speaker 2: commercial as well.

820
00:39:33,040 --> 00:39:33,640
Speaker 3: Are you joking?

821
00:39:33,800 --> 00:39:37,000
Speaker 1: Yeah, no, I'm not joking. They break into it because

822
00:39:37,040 --> 00:39:37,879
Speaker 1: the two is new one.

823
00:39:37,960 --> 00:39:39,120
Speaker 3: You know they also see that.

824
00:39:39,719 --> 00:39:42,080
Speaker 1: I feel like it's great. It just word.

825
00:39:42,239 --> 00:39:45,800
Speaker 3: Let's hear them break into Muskrat Love by Tony Captain

826
00:39:45,800 --> 00:39:47,880
Speaker 3: and Daneil. That would impress me.

827
00:39:47,920 --> 00:39:50,640
Speaker 1: But you can put any story to the two.

828
00:39:50,719 --> 00:39:54,680
Speaker 2: He's new TV commercial, like for our show, for example,

829
00:39:55,000 --> 00:39:56,200
Speaker 2: how do you feel.

830
00:39:57,360 --> 00:40:00,880
Speaker 1: Big show today? For jones A and Once is on?

831
00:40:02,400 --> 00:40:05,080
Speaker 1: How do you feel come on join sadly?

832
00:40:05,120 --> 00:40:08,799
Speaker 3: I can hear ya? Yeah yeah, I like he singing

833
00:40:08,840 --> 00:40:11,920
Speaker 3: big about yourself. I mean imagine if the teams that

834
00:40:12,000 --> 00:40:15,640
Speaker 3: do I haven't been mentioned. You can't mention individual names.

835
00:40:15,800 --> 00:40:18,880
Speaker 3: I mean it down to the third stand, so you

836
00:40:18,880 --> 00:40:19,719
Speaker 3: haven't mentioned me.

837
00:40:22,080 --> 00:40:22,759
Speaker 17: Gam Nation.

838
00:40:23,200 --> 00:40:26,360
Speaker 3: Pet Hellier has been everywhere in all the best places.

839
00:40:26,360 --> 00:40:29,919
Speaker 3: You've seen him on Taskmasters, I'm a celebrity. He's soon

840
00:40:29,960 --> 00:40:32,400
Speaker 3: to be appearing with his wife on The Amazing Race.

841
00:40:32,600 --> 00:40:34,680
Speaker 3: I should imagine doing that. But he's got a brand

842
00:40:34,719 --> 00:40:39,160
Speaker 3: new show. It's called Give Zero Flips. That's to avoid

843
00:40:39,160 --> 00:40:42,319
Speaker 3: the swears. I think Pete Heller, hello here he is.

844
00:40:42,719 --> 00:40:46,439
Speaker 4: You saw through at Amanda. That's right. If you come

845
00:40:46,520 --> 00:40:49,560
Speaker 4: on the night, you may hear a different word flips.

846
00:40:50,560 --> 00:40:53,040
Speaker 1: You care You've gotta be careful these days, Pete.

847
00:40:53,120 --> 00:40:55,960
Speaker 2: Comedy is fraud. You might just get canceled overnight.

848
00:40:57,200 --> 00:41:00,360
Speaker 4: Absolutely, anyone with today's d tickets come to my show

849
00:41:00,640 --> 00:41:04,239
Speaker 4: and everything will be okay. I'm sure, I'm sure I'm

850
00:41:04,239 --> 00:41:06,480
Speaker 4: going to make it to the stage. I'm sure we'll

851
00:41:06,480 --> 00:41:07,239
Speaker 4: go ahead.

852
00:41:07,000 --> 00:41:09,280
Speaker 3: Without drilling down on what was said. It didn't seem

853
00:41:09,320 --> 00:41:11,120
Speaker 3: to be that big a deal. And when Kevin Rudd

854
00:41:11,120 --> 00:41:12,759
Speaker 3: came out and said, oh, you should get a job.

855
00:41:12,800 --> 00:41:15,720
Speaker 3: He's a comedian. That is his job. Is it getting

856
00:41:15,760 --> 00:41:16,919
Speaker 3: harder and harder.

857
00:41:18,680 --> 00:41:23,240
Speaker 4: On during that concert? There's an inflatable satan that basically

858
00:41:23,320 --> 00:41:26,480
Speaker 4: ejaculates glitter into the audience. And this is what we're

859
00:41:26,480 --> 00:41:32,960
Speaker 4: offended by. Is it is ridiculous that he's not an

860
00:41:33,080 --> 00:41:37,200
Speaker 4: elected official. He is a comedian. Everyone knows his politics.

861
00:41:37,560 --> 00:41:39,919
Speaker 4: He did an event for Biden about a month ago.

862
00:41:39,960 --> 00:41:43,600
Speaker 4: I think you know, so it's unsurprising. It's an obvious

863
00:41:43,680 --> 00:41:45,680
Speaker 4: joke as well. I mean I've heard that joke now

864
00:41:46,040 --> 00:41:50,000
Speaker 4: mult times, so it's yeah, we need to kind of

865
00:41:50,080 --> 00:41:53,080
Speaker 4: understand if Joe Biden comes out and says that it's controversial,

866
00:41:53,320 --> 00:41:56,080
Speaker 4: if Jack Black comes out and says it's it's almost predictable.

867
00:41:56,160 --> 00:41:58,360
Speaker 3: Are you thinking of getting a giant inflatable satan of

868
00:41:58,400 --> 00:42:00,200
Speaker 3: some kind of show thing.

869
00:42:01,560 --> 00:42:05,600
Speaker 4: If Jack's listening, please, I'm happy to use it. I

870
00:42:05,600 --> 00:42:07,000
Speaker 4: think we can put it into the comedy store.

871
00:42:07,280 --> 00:42:08,879
Speaker 1: Well, he's not using it anymore, so.

872
00:42:10,600 --> 00:42:12,879
Speaker 4: You you get it for cheat.

873
00:42:13,360 --> 00:42:16,719
Speaker 3: So with the show says give zero, give zero flips,

874
00:42:17,160 --> 00:42:20,080
Speaker 3: meaning are you flipping tables? You're sick of things? What's

875
00:42:20,160 --> 00:42:21,200
Speaker 3: the tone going to be?

876
00:42:21,920 --> 00:42:25,480
Speaker 4: Yeah, it is that I'm approaching next year, my fiftieth

877
00:42:25,560 --> 00:42:28,719
Speaker 4: year on the planet Amanda. And you get to the

878
00:42:28,760 --> 00:42:33,239
Speaker 4: stage where you know you give zero flips? Yeah, you know,

879
00:42:33,320 --> 00:42:36,839
Speaker 4: and you care a little bit less. And I've been

880
00:42:36,840 --> 00:42:39,319
Speaker 4: doing some pretty crazy stuff. I mean last week, guys,

881
00:42:39,320 --> 00:42:42,319
Speaker 4: I went to my local Coles, but I took with

882
00:42:42,400 --> 00:42:45,160
Speaker 4: me my Woolys bag. So you know, you get to

883
00:42:45,280 --> 00:42:48,440
Speaker 4: that stage and you really are giving zero, Well.

884
00:42:48,480 --> 00:42:50,720
Speaker 3: You got to be careful. Did you have to workshop

885
00:42:50,760 --> 00:42:52,799
Speaker 3: what words you were going to use like you've come

886
00:42:52,880 --> 00:42:54,720
Speaker 3: up with flips? Did you try different ones?

887
00:42:55,960 --> 00:43:04,000
Speaker 4: Absolutely right, because fudge was fudge. But what you have

888
00:43:04,000 --> 00:43:04,640
Speaker 4: gone with flips?

889
00:43:04,680 --> 00:43:07,800
Speaker 3: Or I like fig?

890
00:43:08,520 --> 00:43:09,680
Speaker 1: Give a fig?

891
00:43:09,760 --> 00:43:10,439
Speaker 4: Can give a fig?

892
00:43:11,080 --> 00:43:16,719
Speaker 3: Give zero thoughts? You can't. I don't know. I think

893
00:43:17,480 --> 00:43:17,920
Speaker 3: is going to work.

894
00:43:18,239 --> 00:43:21,880
Speaker 2: Man, Pete's already got all the stationary made, the science

895
00:43:22,000 --> 00:43:22,480
Speaker 2: gone up.

896
00:43:23,040 --> 00:43:23,960
Speaker 1: What do you suggesting?

897
00:43:25,160 --> 00:43:26,960
Speaker 3: Let me ask you about the Amazing Race with your

898
00:43:27,000 --> 00:43:32,719
Speaker 3: lovely wife, Bridget, how did you go with we've worked

899
00:43:32,760 --> 00:43:33,080
Speaker 3: with her?

900
00:43:33,640 --> 00:43:34,880
Speaker 2: Well, yes, it certainly.

901
00:43:35,719 --> 00:43:38,680
Speaker 4: Well, we've done a couple of things together. We've we

902
00:43:38,719 --> 00:43:42,120
Speaker 4: write a travel book together which we released during the pandemic,

903
00:43:42,160 --> 00:43:43,959
Speaker 4: which is a Beautil's on the release of travel books

904
00:43:43,960 --> 00:43:50,440
Speaker 4: that bought us are closed. This is different like traveling

905
00:43:50,480 --> 00:43:53,319
Speaker 4: and people say traveling will always you know that, and

906
00:43:53,400 --> 00:43:56,400
Speaker 4: kind of renovating a house and and parenting, you know,

907
00:43:56,960 --> 00:44:00,439
Speaker 4: the toughest things. But we shavel through Europe with kids

908
00:44:00,440 --> 00:44:02,879
Speaker 4: when they were young, and we kind of think, well,

909
00:44:02,880 --> 00:44:07,360
Speaker 4: we thought if we could do that, then going on

910
00:44:07,400 --> 00:44:10,680
Speaker 4: the Amazing race that two of us might be a

911
00:44:10,719 --> 00:44:14,279
Speaker 4: walk in the park. But I can't say where we

912
00:44:14,280 --> 00:44:16,880
Speaker 4: we went. But we're still married, little married.

913
00:44:17,800 --> 00:44:19,719
Speaker 2: Well done, what we're looking forward just to seeing more

914
00:44:19,760 --> 00:44:22,399
Speaker 2: Pete Hellier. Get your tickets now to Pete Helly's show

915
00:44:22,480 --> 00:44:26,640
Speaker 2: gives zero flips at comedy dot com dot au. And

916
00:44:26,640 --> 00:44:29,600
Speaker 2: by the way, that inflatable ejaculating Satan is up on

917
00:44:29,680 --> 00:44:31,239
Speaker 2: coum try as we speak, so.

918
00:44:31,360 --> 00:44:32,120
Speaker 1: You might want to get in.

919
00:44:34,280 --> 00:44:35,800
Speaker 4: I'm going to use it in my show at the

920
00:44:35,840 --> 00:44:39,719
Speaker 4: Comedy Store because my inflatable it hasn't been delivering as

921
00:44:39,760 --> 00:44:40,520
Speaker 4: much as I will.

922
00:44:43,760 --> 00:44:46,040
Speaker 1: And we're looking for a moment where Pete got cancer.

923
00:44:48,920 --> 00:44:55,200
Speaker 18: Thanks Pete, Thanks Legend Jonesy and Amanda post.

924
00:45:04,680 --> 00:45:08,640
Speaker 3: Brendon. You know how this morning, with the missive from

925
00:45:08,719 --> 00:45:12,319
Speaker 3: management regarding for your flashback, Oh yeah, talked about an

926
00:45:12,360 --> 00:45:13,440
Speaker 3: anatomy of outrage.

927
00:45:13,480 --> 00:45:15,200
Speaker 1: Yeah, they used my material and you.

928
00:45:15,160 --> 00:45:16,920
Speaker 3: Said that that was your phrase, that you would come

929
00:45:17,000 --> 00:45:19,759
Speaker 3: up with a phrase anatomy of outrage earlier in the week.

930
00:45:19,960 --> 00:45:20,680
Speaker 1: Yeah.

931
00:45:20,680 --> 00:45:23,920
Speaker 2: This basically is how one off the cuff comment comment,

932
00:45:25,280 --> 00:45:27,439
Speaker 2: when picked up by various interest groups and put onto

933
00:45:27,440 --> 00:45:31,120
Speaker 2: social media, can snowball into an outrage avalanche.

934
00:45:31,480 --> 00:45:35,080
Speaker 1: Yeah it is, and you add some music. What do

935
00:45:35,120 --> 00:45:38,120
Speaker 1: you call it? The anatomy of outrage?

936
00:45:38,160 --> 00:45:39,480
Speaker 3: Yeah, well, I don't know how to tell you this

937
00:45:40,640 --> 00:45:44,480
Speaker 3: but secret squirrel, I've discovered that an anatomy of outrage

938
00:45:44,840 --> 00:45:47,160
Speaker 3: came from a Boston Review article in twenty fifteen.

939
00:45:48,520 --> 00:45:49,560
Speaker 1: So what were they called?

940
00:45:50,160 --> 00:45:51,360
Speaker 3: An anatomy of outrage?

941
00:45:51,440 --> 00:45:53,120
Speaker 1: So mine's just an anatomy of outrage.

942
00:45:53,160 --> 00:45:55,600
Speaker 3: You said an anatom anatomy of outrage.

943
00:45:56,000 --> 00:45:56,920
Speaker 1: It's totally different.

944
00:45:57,400 --> 00:46:00,000
Speaker 3: Let me just read it again. You're right. This one's

945
00:46:00,120 --> 00:46:01,760
Speaker 3: is an anatomy of outrage? And what's yours?

946
00:46:01,800 --> 00:46:02,280
Speaker 1: Anatomy?

947
00:46:02,560 --> 00:46:07,000
Speaker 3: Friendon? Please please, I've gone, I've flown off the handle

948
00:46:07,040 --> 00:46:09,440
Speaker 3: for no reason. You have come up with that phrase

949
00:46:09,800 --> 00:46:10,920
Speaker 3: in the same way that you came up with the

950
00:46:10,960 --> 00:46:12,640
Speaker 3: phrase a bit from column A and a bit from

951
00:46:12,640 --> 00:46:16,720
Speaker 3: columb like that. He's still holding onto that, right, counsel,

952
00:46:16,760 --> 00:46:17,879
Speaker 3: Are you still holding onto that?

953
00:46:18,000 --> 00:46:18,520
Speaker 1: Yes? I am?

954
00:46:18,760 --> 00:46:19,279
Speaker 2: What do you want?

955
00:46:19,560 --> 00:46:20,080
Speaker 1: Can you?

956
00:46:20,640 --> 00:46:20,799
Speaker 3: Well?

957
00:46:20,840 --> 00:46:24,120
Speaker 1: Good morning to you? Could you google outrage avalanche? I

958
00:46:24,239 --> 00:46:25,120
Speaker 1: like that even better?

959
00:46:25,880 --> 00:46:31,839
Speaker 2: And if well, then you're right time mate, outrage avalanche?

960
00:46:32,360 --> 00:46:33,560
Speaker 3: Is that a phrase? There already?

961
00:46:33,600 --> 00:46:38,279
Speaker 1: Copy right me? No, that's me copy right that.

962
00:46:39,719 --> 00:46:44,000
Speaker 2: This day, the nineteenth of July, a new phrase was coined,

963
00:46:46,000 --> 00:46:47,680
Speaker 2: outrage avalanche.

964
00:46:49,160 --> 00:46:50,040
Speaker 3: I don't believe you.

965
00:46:51,760 --> 00:46:53,080
Speaker 1: I don't know who came up with that.

966
00:46:55,320 --> 00:47:00,959
Speaker 3: How should you pay Ryan nothing, you're it's grace both

967
00:47:01,000 --> 00:47:13,600
Speaker 3: of you. Sham notion podcast. Something you like other than

968
00:47:13,640 --> 00:47:14,080
Speaker 3: the hits?

969
00:47:14,080 --> 00:47:16,279
Speaker 1: What kind of questions that you're an album person? The

970
00:47:16,360 --> 00:47:19,319
Speaker 1: kids these days, I don't understand albums. That's fair enough.

971
00:47:19,360 --> 00:47:21,759
Speaker 3: Album that's fair enough. The world is changing, whether you

972
00:47:21,880 --> 00:47:24,160
Speaker 3: like it or odd. Grandpa, all right, here we go.

973
00:47:24,280 --> 00:47:27,080
Speaker 3: Would you like twin twenty thousand dollars? That's all we've

974
00:47:27,120 --> 00:47:29,000
Speaker 3: got for our favorite goolie of the year. This is

975
00:47:29,000 --> 00:47:31,520
Speaker 3: thanks to here and former's machinery House, your one stop

976
00:47:31,560 --> 00:47:34,399
Speaker 3: machinery shop. Visit machinery house dot com dot even see

977
00:47:34,440 --> 00:47:34,879
Speaker 3: what they've got.

978
00:47:35,760 --> 00:47:36,480
Speaker 1: What have we got?

979
00:47:37,640 --> 00:47:41,000
Speaker 16: What gets my goolies is when I go for a

980
00:47:41,000 --> 00:47:43,719
Speaker 16: swim at the local pool to do my labs, I

981
00:47:43,840 --> 00:47:47,320
Speaker 16: hop into the freestyle lane only, and then five minutes

982
00:47:47,400 --> 00:47:50,719
Speaker 16: later there's someone who's trying to do breaststroke in the

983
00:47:50,760 --> 00:47:55,320
Speaker 16: freestyle lane. What part of freestyle only do you not understand?

984
00:47:56,320 --> 00:47:57,880
Speaker 16: That's what gets my goolies?

985
00:47:58,320 --> 00:48:01,960
Speaker 1: True unless you're in the river sign over there in France.

986
00:48:02,160 --> 00:48:04,120
Speaker 3: And then you do restorate to keep your head above.

987
00:48:04,160 --> 00:48:07,000
Speaker 1: The old lady, So take the water in. Have you

988
00:48:07,040 --> 00:48:09,719
Speaker 1: seen any politicians and jumping in that river. Oh, drink

989
00:48:09,719 --> 00:48:10,840
Speaker 1: this stuff. It's fine.

990
00:48:11,040 --> 00:48:12,480
Speaker 3: I just I'm sure I did a poo it in

991
00:48:12,520 --> 00:48:13,279
Speaker 3: a half an hour ago.

992
00:48:13,680 --> 00:48:16,120
Speaker 1: It's fine. What else haven't we got.

993
00:48:16,400 --> 00:48:20,359
Speaker 13: Pi, Amanda and Jonesy. Just what gets my gooulies is

994
00:48:20,880 --> 00:48:24,480
Speaker 13: the service station etiquette? There is none. What I mean

995
00:48:24,520 --> 00:48:26,279
Speaker 13: by that is when I'm on my way to work

996
00:48:26,320 --> 00:48:29,919
Speaker 13: and need petrol, I pull up behind someone thinking they've

997
00:48:29,960 --> 00:48:33,120
Speaker 13: gone into pay for their and they come walking out

998
00:48:33,440 --> 00:48:37,400
Speaker 13: with briging doughnuts and coffee, And why can't they just

999
00:48:37,480 --> 00:48:40,959
Speaker 13: move up and over to the parking bay and let

1000
00:48:41,320 --> 00:48:45,000
Speaker 13: the person that's behind them, no, she's gone.

1001
00:48:45,960 --> 00:48:48,719
Speaker 3: But what would happen? You'd have to fill up with petrol. Yeah,

1002
00:48:48,920 --> 00:48:51,279
Speaker 3: go in and move your car, and they panic if

1003
00:48:51,320 --> 00:48:52,280
Speaker 3: they saw you move your.

1004
00:48:52,120 --> 00:48:53,239
Speaker 1: Car, because I think you're going to do it.

1005
00:48:53,320 --> 00:48:54,960
Speaker 3: That's right, So you have to pay for the petrol,

1006
00:48:55,040 --> 00:48:56,960
Speaker 3: come back out, move your car, and buy your donuts.

1007
00:48:56,960 --> 00:48:57,640
Speaker 3: That's not going to happen.

1008
00:48:57,680 --> 00:48:59,440
Speaker 2: That's why I run into the service station when my

1009
00:48:59,440 --> 00:49:02,280
Speaker 2: motorcycle and said there's no time, there's no time.

1010
00:49:02,160 --> 00:49:03,680
Speaker 3: And tells me you're in it for the tasery.

1011
00:49:06,680 --> 00:49:07,880
Speaker 1: You know, the first time it hurts.

1012
00:49:08,080 --> 00:49:10,080
Speaker 3: Second that's quite pleasure.

1013
00:49:10,239 --> 00:49:11,000
Speaker 1: But the bad and with the good.

1014
00:49:11,000 --> 00:49:12,680
Speaker 2: If you dipped, it doesn't mean you can always contact

1015
00:49:12,760 --> 00:49:16,200
Speaker 2: us by the iHeartRadio app record your GHOULI twenty thousand

1016
00:49:16,200 --> 00:49:19,319
Speaker 2: dollars cash thanks to Hair and Form's machinery House jem

1017
00:49:19,560 --> 00:49:22,400
Speaker 2: jam Nasa. Jim Y Wright has been working harder the

1018
00:49:22,520 --> 00:49:25,799
Speaker 2: Joe Biden's Kleenex, and he's come up with this. Jen

1019
00:49:25,920 --> 00:49:32,360
Speaker 2: Why rise Jimmy jab.

1020
00:49:30,320 --> 00:49:33,040
Speaker 10: But I'm playing well of Warcraft and I can't pause it.

1021
00:49:33,920 --> 00:49:37,799
Speaker 10: Who would have thought that the literary giant William Shakespeare

1022
00:49:37,840 --> 00:49:41,680
Speaker 10: would have so much in common with Jonesy and the

1023
00:49:41,760 --> 00:49:42,880
Speaker 10: maths contestants.

1024
00:49:43,000 --> 00:49:45,480
Speaker 3: These are things we say today that came from Shakespeare.

1025
00:49:45,600 --> 00:49:48,600
Speaker 3: Knock knock, who's there in a pickle? Good riddance, Send

1026
00:49:48,680 --> 00:49:51,280
Speaker 3: him packing, Come what may, fight fire with fire.

1027
00:49:51,360 --> 00:49:52,640
Speaker 1: I've come up with expressions.

1028
00:49:52,760 --> 00:49:55,359
Speaker 3: You once told me that a bit from Colin May

1029
00:49:55,440 --> 00:49:58,439
Speaker 3: and a bit from columb was something that you made up.

1030
00:49:58,360 --> 00:49:58,959
Speaker 1: That was.

1031
00:50:00,600 --> 00:50:01,600
Speaker 3: Don't make me swear?

1032
00:50:02,280 --> 00:50:03,399
Speaker 1: You know well?

1033
00:50:03,400 --> 00:50:05,640
Speaker 2: Who else is there more than new people coming through

1034
00:50:05,680 --> 00:50:08,080
Speaker 2: with all the sayings in one hundred years time, in.

1035
00:50:08,480 --> 00:50:11,239
Speaker 3: Years time, the richness of Shakespeare. Let's look to the

1036
00:50:11,280 --> 00:50:14,000
Speaker 3: teachings of married at First Sight, and the richness of

1037
00:50:14,000 --> 00:50:21,520
Speaker 3: the language, and she was an outlier.

1038
00:50:24,200 --> 00:50:27,360
Speaker 10: Well Jones, he still had his collab pants on. He

1039
00:50:27,480 --> 00:50:31,040
Speaker 10: decided to join forces with songbird Jessica Melboy.

1040
00:50:31,160 --> 00:50:33,080
Speaker 3: You constantly sing? Do you sing when you're cooking? Do

1041
00:50:33,120 --> 00:50:35,960
Speaker 3: you sing on the toilet? Do you sing everywhere? Freewhere?

1042
00:50:36,480 --> 00:50:38,719
Speaker 18: I think mainly like in the shower, and I think

1043
00:50:38,719 --> 00:50:39,680
Speaker 18: a lot of my ideas.

1044
00:50:39,800 --> 00:50:41,800
Speaker 3: Yeah, we'll make it into a lot of my music.

1045
00:50:42,200 --> 00:50:43,160
Speaker 1: What's a shower song?

1046
00:50:43,239 --> 00:50:48,239
Speaker 3: I don't know, it's probably it's probably like the might

1047
00:50:48,280 --> 00:50:50,800
Speaker 3: not be the lyrics, but it might be the melody.

1048
00:50:50,840 --> 00:50:52,640
Speaker 17: And then I'll take that away.

1049
00:50:53,000 --> 00:51:03,640
Speaker 3: And so I don't know. Bouncing off the tile yourself, yourself.

1050
00:51:05,719 --> 00:51:06,760
Speaker 1: This just happened.

1051
00:51:07,080 --> 00:51:10,720
Speaker 10: All eyes have been on America with an attempted assassination

1052
00:51:10,960 --> 00:51:14,800
Speaker 10: followed up by the announcement of Donald Trump's VP candidate.

1053
00:51:15,040 --> 00:51:16,160
Speaker 3: It's very theatrical.

1054
00:51:16,320 --> 00:51:17,520
Speaker 1: You can't write this stuff.

1055
00:51:17,520 --> 00:51:19,560
Speaker 3: You could not write this stuff. And that's Donald Trump

1056
00:51:19,600 --> 00:51:19,920
Speaker 3: to a t.

1057
00:51:20,400 --> 00:51:23,040
Speaker 2: He gets the theatrics and that's what gets you in.

1058
00:51:23,680 --> 00:51:26,480
Speaker 2: And now with his running mate jd Vance, who's thirty

1059
00:51:26,560 --> 00:51:27,680
Speaker 2: nine years of age.

1060
00:51:27,440 --> 00:51:29,640
Speaker 3: There was some speculation that Trump has got him as

1061
00:51:29,640 --> 00:51:32,400
Speaker 3: his running mate because he's shorter and has led to

1062
00:51:32,440 --> 00:51:35,279
Speaker 3: some wags calling JD Van's tiny vansa.

1063
00:51:37,040 --> 00:51:39,840
Speaker 10: Politics is a different kettle of fish down Under.

1064
00:51:39,960 --> 00:51:42,840
Speaker 3: In Australia, we do it a bit differently. When Scott

1065
00:51:42,880 --> 00:51:46,200
Speaker 3: Morrison was launching a home builder scheme.

1066
00:51:46,239 --> 00:51:55,840
Speaker 5: Ten thousand Australians.

1067
00:51:53,080 --> 00:51:56,000
Speaker 6: Please think so the surphrasing.

1068
00:51:58,840 --> 00:52:01,560
Speaker 3: Tony Abbott was talking too the press when a car

1069
00:52:01,680 --> 00:52:03,719
Speaker 3: drove passed one down its window and called this out.

1070
00:52:03,800 --> 00:52:04,840
Speaker 3: We're going to bring them.

1071
00:52:04,760 --> 00:52:09,680
Speaker 2: Here to Australia for all a bunch of wakers.

1072
00:52:10,239 --> 00:52:13,520
Speaker 3: Conspiracy theorists claim is a second shouter.

1073
00:52:14,360 --> 00:52:15,040
Speaker 10: Let's cross to.

1074
00:52:15,000 --> 00:52:18,760
Speaker 3: New Zealand, shall we There's a Minister of Economic Development,

1075
00:52:18,800 --> 00:52:23,319
Speaker 3: Stephen Joyce. He's till he at a press conference when

1076
00:52:23,320 --> 00:52:25,760
Speaker 3: shall we say, a rubber fallis hits him in the face.

1077
00:52:25,920 --> 00:52:28,080
Speaker 4: We always take something away from every meeting we have,

1078
00:52:29,840 --> 00:52:31,480
Speaker 4: all right.

1079
00:52:32,840 --> 00:52:36,560
Speaker 10: Still over in America, there was another assault, this time

1080
00:52:36,680 --> 00:52:40,360
Speaker 10: to the senses, with this butchering of the national anthem

1081
00:52:40,480 --> 00:52:43,080
Speaker 10: by American country singer Ingrid Andress.

1082
00:52:43,120 --> 00:52:46,600
Speaker 3: So there she was standing up at the Major Baseball

1083
00:52:46,680 --> 00:52:50,000
Speaker 3: League home run derby on Monday. And there she is,

1084
00:52:50,000 --> 00:52:51,920
Speaker 3: and all the players are there, caps in hand, listening

1085
00:52:51,960 --> 00:52:54,400
Speaker 3: to her sing, and I'm a little bit like this, Oh.

1086
00:53:00,920 --> 00:53:18,080
Speaker 18: Ready, ready, get ready, bring it home, babe, go red.

1087
00:53:18,320 --> 00:53:20,839
Speaker 3: This was my favorite comment after this woman's singing. It's

1088
00:53:20,840 --> 00:53:25,879
Speaker 3: said tough week to be an ear in America?

1089
00:53:27,280 --> 00:53:27,640
Speaker 2: Is that it?

1090
00:53:27,880 --> 00:53:30,319
Speaker 10: Because there's a gaming console with my name on it?

1091
00:53:30,640 --> 00:53:35,200
Speaker 10: This has been Jen y riis Subi Jabba.

1092
00:53:34,840 --> 00:53:37,560
Speaker 3: Our favorite caller email or Facebook friend wins a double

1093
00:53:37,600 --> 00:53:40,640
Speaker 3: past the see Crowded House. Yes, this is Crowded House's

1094
00:53:41,120 --> 00:53:44,480
Speaker 3: fourth and final show on the Gravity Stairs Tour. Sunday,

1095
00:53:44,520 --> 00:53:46,759
Speaker 3: the eighth of December, Sidney Opera House, four Court. You

1096
00:53:46,800 --> 00:53:49,239
Speaker 3: can get tickets from livenation dot com. Are you youso?

1097
00:53:49,280 --> 00:53:51,200
Speaker 1: Go that Jones? You amount of te Taal and key ring.

1098
00:53:51,560 --> 00:53:54,440
Speaker 3: Every morning, just after the seven o'clock news, we play Instagram.

1099
00:53:54,520 --> 00:53:57,000
Speaker 3: There's ten questions. You've got sixty seconds to answer them.

1100
00:53:57,239 --> 00:53:58,839
Speaker 3: Your chance to win a thousand bucks. You can turn

1101
00:53:58,880 --> 00:54:00,480
Speaker 3: to two thousand if you take the and his question.

1102
00:54:00,520 --> 00:54:04,080
Speaker 3: It's double or nothing. It's usually an individual pursuit, isn't it, Brendan.

1103
00:54:04,120 --> 00:54:07,359
Speaker 3: But occasionally we can hear the brains. Trust we hear

1104
00:54:07,360 --> 00:54:10,080
Speaker 3: a helper in the car or in the kitchen. Well,

1105
00:54:10,200 --> 00:54:13,600
Speaker 3: today it was Taylor from East Hills Bush nine. American

1106
00:54:13,640 --> 00:54:23,120
Speaker 3: Thanksgiving is celebrated in which month October? It's November. Whisper

1107
00:54:23,360 --> 00:54:25,680
Speaker 3: Brains Trust couldn't help you. Who's that.

1108
00:54:30,640 --> 00:54:30,840
Speaker 10: It is?

1109
00:54:32,040 --> 00:54:35,719
Speaker 3: That's what you want, Frida aut That's enough, I'd be

1110
00:54:35,719 --> 00:54:38,920
Speaker 3: for Listen next with wsfm's greatest surprise of all time,

1111
00:54:39,600 --> 00:54:41,560
Speaker 3: all the stuff that we didn't get around talking about today.

1112
00:54:41,680 --> 00:54:42,400
Speaker 1: We will record.

1113
00:54:42,440 --> 00:54:45,120
Speaker 2: Anyone want to look at the sheaf of papers Sheef,

1114
00:54:45,239 --> 00:54:47,200
Speaker 2: there's a sheaf of papers on the desk.

1115
00:54:47,360 --> 00:54:49,759
Speaker 3: We will be around of Jones and a Man's Cutting

1116
00:54:49,840 --> 00:54:52,200
Speaker 3: Room Floor podcast on the iHeartRadio.

1117
00:54:51,640 --> 00:54:53,439
Speaker 1: And we'll be back from six to night for jam Nation.

1118
00:54:53,560 --> 00:54:55,240
Speaker 3: See you then, got you well?

1119
00:54:55,480 --> 00:54:56,640
Speaker 1: Thank God that's over.

1120
00:54:56,800 --> 00:55:05,120
Speaker 17: Good Good Catch Jonesy and Amanda's podcast on the iHeartRadio

1121
00:55:05,160 --> 00:55:19,520
Speaker 17: app or wherever you get your podcasts podcast. Catch up

1122
00:55:19,560 --> 00:55:22,160
Speaker 17: on what you've missed on the free iHeartRadio app