1 00:00:04,480 --> 00:00:07,760 Speaker 1: The Will and Woody podcast. 2 00:00:07,920 --> 00:00:11,680 Speaker 2: The Malls Balls in Adelaide, which are these two metallic balls. 3 00:00:11,600 --> 00:00:13,640 Speaker 1: To res attraction. It's quite amazing, see. 4 00:00:13,480 --> 00:00:15,760 Speaker 2: This is the thing, Like I was like, because I 5 00:00:15,840 --> 00:00:18,040 Speaker 2: was a year hear about them. I finally googled them 6 00:00:18,160 --> 00:00:21,880 Speaker 2: just to see, you know what they were like. You've 7 00:00:21,920 --> 00:00:23,520 Speaker 2: seen them in real I've said I've seen them in 8 00:00:23,560 --> 00:00:25,640 Speaker 2: the flesh, but I just wanted to see, you know 9 00:00:25,680 --> 00:00:29,480 Speaker 2: what if the hype was as real online as it 10 00:00:29,520 --> 00:00:31,040 Speaker 2: is conversationally. 11 00:00:31,280 --> 00:00:33,479 Speaker 3: I thought it was strange that there was a Google 12 00:00:33,560 --> 00:00:35,680 Speaker 3: review when you told because I thought it was like, sure, 13 00:00:35,760 --> 00:00:37,360 Speaker 3: go and see it because it is a it's a 14 00:00:37,400 --> 00:00:39,239 Speaker 3: miracle how they get the balls to balance on them 15 00:00:39,280 --> 00:00:39,800 Speaker 3: on themselves. 16 00:00:39,880 --> 00:00:40,760 Speaker 2: I don't think it's a miracle. 17 00:00:40,800 --> 00:00:41,720 Speaker 1: I think I think it's amazing. 18 00:00:41,720 --> 00:00:44,600 Speaker 3: I think it's an artistic like a feat, no doubt, 19 00:00:45,120 --> 00:00:47,040 Speaker 3: but I but I didn't think people would go to 20 00:00:47,120 --> 00:00:48,839 Speaker 3: Google after seeing them and review them. 21 00:00:48,840 --> 00:00:50,640 Speaker 1: So I am intrigued to hear. 22 00:00:50,720 --> 00:00:56,120 Speaker 2: Got a four point four ratings for mine. I was 23 00:00:56,120 --> 00:00:58,760 Speaker 2: a five, so one point three thousand. This is this 24 00:00:58,800 --> 00:01:00,880 Speaker 2: is the other thing that strikes It always strikes me 25 00:01:00,920 --> 00:01:06,160 Speaker 2: about these sorts of things. The Mall's balls have one 26 00:01:06,200 --> 00:01:08,520 Speaker 2: point three thousand reviews. 27 00:01:09,319 --> 00:01:11,240 Speaker 1: One point three thousand people have gone to Good. 28 00:01:11,200 --> 00:01:13,920 Speaker 2: Have gone to the metal sculptures that are the mall's 29 00:01:14,000 --> 00:01:17,960 Speaker 2: balls in the middle of the mall in Adelaide, and 30 00:01:17,959 --> 00:01:20,200 Speaker 2: they've reviewed it. So then just walked past it and gone, oh, 31 00:01:20,200 --> 00:01:21,760 Speaker 2: I wonder how they got those balls here. They've walked 32 00:01:21,760 --> 00:01:23,320 Speaker 2: past it. I want how they got the balls together. 33 00:01:23,720 --> 00:01:26,560 Speaker 2: I'm going to get my phone out, head over to 34 00:01:26,600 --> 00:01:28,440 Speaker 2: my Google account and let everyone else know what I 35 00:01:28,480 --> 00:01:30,920 Speaker 2: think about them. That is that's that is, which is 36 00:01:31,000 --> 00:01:34,960 Speaker 2: just it's a level of time. I'm either too busy 37 00:01:35,120 --> 00:01:36,200 Speaker 2: or they're really bored. 38 00:01:36,319 --> 00:01:38,280 Speaker 1: I just moved on like I was. I was. 39 00:01:38,319 --> 00:01:40,319 Speaker 3: I was moved by it, like I was, like, I 40 00:01:40,360 --> 00:01:42,720 Speaker 3: look funny when I look at it because I look smaller. 41 00:01:42,840 --> 00:01:45,600 Speaker 3: It's got that whole illusion thing going on with the reflection, 42 00:01:45,680 --> 00:01:47,680 Speaker 3: which I loved. Yeah, yeah, And then I do think 43 00:01:47,680 --> 00:01:49,400 Speaker 3: it's genius. And they managed to balance the balls on 44 00:01:49,440 --> 00:01:52,320 Speaker 3: each other. But I not for one moment will did 45 00:01:52,360 --> 00:01:53,760 Speaker 3: I think about taking my phone. 46 00:01:53,560 --> 00:01:54,760 Speaker 1: Out and putting a Google review? 47 00:01:54,800 --> 00:01:56,680 Speaker 2: Well, you wouldn't have thought so, But mate, one point 48 00:01:56,720 --> 00:01:58,360 Speaker 2: three thousand people have I'll give you a couple of 49 00:01:58,360 --> 00:02:04,160 Speaker 2: them so top review here is by Karate and and 50 00:02:04,200 --> 00:02:07,280 Speaker 2: he said round, smooth, shinny I assume he meant to 51 00:02:07,280 --> 00:02:12,079 Speaker 2: say shiny, very reflective in its appearance. Yeah, iconic because 52 00:02:12,120 --> 00:02:14,600 Speaker 2: it gets really and if you're an Emo or goth, 53 00:02:14,680 --> 00:02:16,560 Speaker 2: it's a great place to meet up with your friends. 54 00:02:17,200 --> 00:02:19,920 Speaker 2: Five stars, five stars it is. 55 00:02:19,960 --> 00:02:22,040 Speaker 1: I didn't think about the meeting point factor. Robert like, 56 00:02:22,080 --> 00:02:22,720 Speaker 1: you go meet me. 57 00:02:22,639 --> 00:02:24,799 Speaker 2: At the balls, and he said, get yourself around it. 58 00:02:24,960 --> 00:02:30,520 Speaker 2: No pun intended very good gear, very very good gear. 59 00:02:31,600 --> 00:02:33,320 Speaker 2: All right, would you like another one? 60 00:02:33,360 --> 00:02:33,800 Speaker 1: Yes? Please? 61 00:02:33,840 --> 00:02:34,640 Speaker 2: Really they're pretty good. 62 00:02:34,680 --> 00:02:36,160 Speaker 1: I want to hear all one point three thousand. 63 00:02:37,639 --> 00:02:40,720 Speaker 2: We got the whole show. Someone's just said, I've been 64 00:02:40,720 --> 00:02:44,079 Speaker 2: staring at the balls for hours now, can't move full stop. 65 00:02:44,480 --> 00:02:47,680 Speaker 3: Question marks over what they've been up to. 66 00:02:48,520 --> 00:02:51,360 Speaker 1: I'll let you color in the lines there. 67 00:02:52,919 --> 00:02:54,440 Speaker 2: I'll give you a bad one because you know these 68 00:02:54,480 --> 00:02:57,960 Speaker 2: are all fivers. Eh, A bit of a hit and 69 00:02:58,000 --> 00:03:02,040 Speaker 2: miss in Adelaide quite so. Sure if it needs to 70 00:03:02,080 --> 00:03:05,520 Speaker 2: be an attraction to see, however, it's really the only 71 00:03:05,639 --> 00:03:09,200 Speaker 2: thing to see exciting on Rundle More is what they've 72 00:03:09,240 --> 00:03:13,480 Speaker 2: gone for there. I quite like it's been over two 73 00:03:13,560 --> 00:03:15,800 Speaker 2: years since I made my last pilgrimage to the balls. 74 00:03:15,919 --> 00:03:22,200 Speaker 2: There you go can confirm, still shiny. Why why isn't 75 00:03:22,200 --> 00:03:25,200 Speaker 2: Adelaide the city of balls instead of the city of churches? Well, 76 00:03:25,480 --> 00:03:28,200 Speaker 2: good question that I think Button Bush and Toma's been 77 00:03:28,240 --> 00:03:33,680 Speaker 2: the city of balls before, and here's time there. Look 78 00:03:33,960 --> 00:03:36,440 Speaker 2: they go on. I'm really like scrapping to find a 79 00:03:36,440 --> 00:03:38,800 Speaker 2: bad review though, because these are all fours and five stars. 80 00:03:38,800 --> 00:03:40,600 Speaker 2: Hey on, let me just think me, just let me 81 00:03:40,600 --> 00:03:42,480 Speaker 2: just scale it down. Maybe I can filter in terms 82 00:03:42,520 --> 00:03:44,440 Speaker 2: of like a one star lowest review here. 83 00:03:44,880 --> 00:03:47,240 Speaker 1: Do you think there's a designated person who shines the balls? 84 00:03:47,360 --> 00:03:49,400 Speaker 2: Or do you yes, no, they clean them. 85 00:03:49,520 --> 00:03:52,120 Speaker 3: There's a ball ball shiner, but I think it's the 86 00:03:52,160 --> 00:03:54,280 Speaker 3: cleaner for the whole rundle more or do you think 87 00:03:54,320 --> 00:03:54,680 Speaker 3: it's like. 88 00:03:55,120 --> 00:03:57,960 Speaker 2: No, I was reading an article here to say that 89 00:03:58,040 --> 00:04:00,360 Speaker 2: there was a guy that they get they get to 90 00:04:00,360 --> 00:04:02,240 Speaker 2: come in and do them get to come in and. 91 00:04:02,160 --> 00:04:04,000 Speaker 1: Do a different cleaning agent for the balls? 92 00:04:04,280 --> 00:04:06,840 Speaker 2: Definitely, But at that guy's job, I don't think he 93 00:04:06,840 --> 00:04:07,480 Speaker 2: does anything else. 94 00:04:07,520 --> 00:04:08,800 Speaker 1: I want to talk to that guy. 95 00:04:08,760 --> 00:04:10,760 Speaker 3: If there's anything we do on this radio show. I 96 00:04:10,760 --> 00:04:14,000 Speaker 3: want to talk to the ball shiner. I just want 97 00:04:14,000 --> 00:04:16,680 Speaker 3: to know so many things about his jib. 98 00:04:19,680 --> 00:04:20,200 Speaker 1: I'm trying to. 99 00:04:20,160 --> 00:04:22,800 Speaker 2: Give you a bad one. It really is hard like 100 00:04:22,880 --> 00:04:28,960 Speaker 2: because the worst reviews are only just one line. It's 101 00:04:29,240 --> 00:04:31,920 Speaker 2: just this sort of ship that Adelaide was built for. 102 00:04:32,160 --> 00:04:34,560 Speaker 1: There you go, that's a one star swife and Adelaide. 103 00:04:34,560 --> 00:04:36,359 Speaker 2: Isn't it not that great? To be honest, don't know 104 00:04:36,360 --> 00:04:38,760 Speaker 2: why everyone says it's so good. They're smaller than they look, 105 00:04:38,800 --> 00:04:41,800 Speaker 2: and they're dirtier and scuff from people touching and climbing them. 106 00:04:41,880 --> 00:04:43,560 Speaker 2: There are better things to take a photo of. 107 00:04:43,680 --> 00:04:46,920 Speaker 1: That's a swife on the ball shiner Yeah against his name? 108 00:04:47,080 --> 00:04:49,560 Speaker 2: Yes, yeah, drop the. 109 00:04:49,480 --> 00:04:50,440 Speaker 4: Ball there. 110 00:04:51,760 --> 00:04:53,840 Speaker 2: Again, you've done it again? 111 00:04:53,880 --> 00:04:54,320 Speaker 1: About it? 112 00:04:54,760 --> 00:04:58,120 Speaker 2: Great stuff? Oh sorry, one more thing. I know we've 113 00:04:58,160 --> 00:04:59,680 Speaker 2: gone out in a bit of a rag on them. 114 00:05:00,160 --> 00:05:04,800 Speaker 2: But on a positive note, with five up thumbs, here 115 00:05:04,800 --> 00:05:08,280 Speaker 2: we go the balls and them all. That's maximum right, No, no, no, 116 00:05:08,320 --> 00:05:11,080 Speaker 2: that's just like five. People are like the comment three stars. 117 00:05:11,120 --> 00:05:14,159 Speaker 2: So it wasn't impressed by the balls. But but little 118 00:05:14,160 --> 00:05:17,200 Speaker 2: salient feature, a little off to the side feature here. 119 00:05:17,720 --> 00:05:19,279 Speaker 2: Great Pokemon Go gym there? 120 00:05:21,120 --> 00:05:21,560 Speaker 1: What is that? 121 00:05:21,600 --> 00:05:24,159 Speaker 2: There's a gym there for Pokemon Go players at the balls? 122 00:05:24,360 --> 00:05:26,600 Speaker 1: I don't know what that is. Pokemon's work out there. 123 00:05:26,760 --> 00:05:29,760 Speaker 2: Yeah, you can go and tell you no. Often has 124 00:05:29,880 --> 00:05:32,000 Speaker 2: often to go and work out. Often has a level 125 00:05:32,080 --> 00:05:48,520 Speaker 2: five raids. Just so you know that's good. William, I 126 00:05:48,520 --> 00:05:51,240 Speaker 2: don't know what's going on here. You everyone else in 127 00:05:51,240 --> 00:05:51,880 Speaker 2: the team does. 128 00:05:52,080 --> 00:05:54,599 Speaker 1: Yes, absolutely, we're very excited. I'll tell you something. 129 00:05:55,440 --> 00:06:05,000 Speaker 3: But for everyone listening, we interviewed Lady Gaga's The Boys 130 00:06:05,000 --> 00:06:11,440 Speaker 3: and Gaga. 131 00:06:14,800 --> 00:06:15,400 Speaker 2: It's pretty well. 132 00:06:15,560 --> 00:06:18,200 Speaker 1: We actually did the interview very early in the morning, 133 00:06:18,400 --> 00:06:18,840 Speaker 1: and we. 134 00:06:18,800 --> 00:06:22,720 Speaker 3: Did the interview in your back studio, so you've got 135 00:06:22,720 --> 00:06:24,440 Speaker 3: a little bit of a studio set up at the 136 00:06:24,440 --> 00:06:28,320 Speaker 3: back of your house. And it was I think probably 137 00:06:28,320 --> 00:06:30,040 Speaker 3: the first time that we tried out all the new 138 00:06:30,040 --> 00:06:33,120 Speaker 3: equipment and stuff as well, and. 139 00:06:33,160 --> 00:06:37,320 Speaker 1: Went pretty well. Oh no, no, it went it went 140 00:06:37,360 --> 00:06:37,760 Speaker 1: really well. 141 00:06:38,000 --> 00:06:38,760 Speaker 2: No, what happened? 142 00:06:38,800 --> 00:06:41,039 Speaker 1: And this this is you talking about it in the studio. 143 00:06:42,360 --> 00:06:42,800 Speaker 2: I have a. 144 00:06:42,760 --> 00:06:44,200 Speaker 1: Podcast studio guy this morning. 145 00:06:44,760 --> 00:06:54,760 Speaker 2: You have a dreamed. It's so good, it's actually ridiculous. Yeah, 146 00:06:54,839 --> 00:06:57,320 Speaker 2: we set up like the wide you never look at 147 00:06:57,320 --> 00:06:58,600 Speaker 2: the footage. I don't know oka it's got it there, 148 00:06:58,640 --> 00:06:59,720 Speaker 2: but you can see. 149 00:07:00,320 --> 00:07:00,720 Speaker 1: A little bit. 150 00:07:00,720 --> 00:07:05,320 Speaker 3: The quality of it will be better than her cameraheah, it's. 151 00:07:05,160 --> 00:07:05,839 Speaker 1: Just so easy. 152 00:07:05,880 --> 00:07:06,720 Speaker 2: Will. It was. 153 00:07:08,160 --> 00:07:08,760 Speaker 1: So easy. 154 00:07:08,880 --> 00:07:11,480 Speaker 2: I was so happy that it worked out. Yeah, well 155 00:07:11,760 --> 00:07:13,160 Speaker 2: they're never going to let us go there again. 156 00:07:14,040 --> 00:07:17,480 Speaker 1: Potentially not No, potentially not. So we've got the vision 157 00:07:17,800 --> 00:07:19,600 Speaker 1: here on the screen. 158 00:07:19,960 --> 00:07:21,840 Speaker 2: Is this just a vision is issue? Or is it 159 00:07:21,880 --> 00:07:23,119 Speaker 2: an audio issue as well? 160 00:07:23,680 --> 00:07:25,720 Speaker 1: I'm going to show you some vision because the vision. 161 00:07:25,800 --> 00:07:28,040 Speaker 1: Because I'm going to show you some vision. Will trying 162 00:07:28,080 --> 00:07:29,840 Speaker 1: to tell me what's strange about this vision? 163 00:07:36,480 --> 00:07:39,880 Speaker 3: You now all the vision of USK for an interview 164 00:07:39,920 --> 00:07:40,800 Speaker 3: with Lady Gaga. 165 00:07:41,040 --> 00:07:42,200 Speaker 1: We are in slow motion? 166 00:07:42,360 --> 00:07:47,040 Speaker 2: Will, what more good you want? K just how they 167 00:07:47,080 --> 00:07:50,560 Speaker 2: do it here? They are this is like this is 168 00:07:50,600 --> 00:07:53,280 Speaker 2: like watching a pro golfer. You know their swing. You know, 169 00:07:53,400 --> 00:07:56,160 Speaker 2: if you're wanted to get into radio, just slow the 170 00:07:56,240 --> 00:07:59,840 Speaker 2: chat right down. You can really learn the mechanics the conversation. 171 00:08:00,040 --> 00:08:03,320 Speaker 2: It's one of our biggest chat pros. We can't post 172 00:08:03,520 --> 00:08:05,920 Speaker 2: this anywhere, Will, because we're in slow motion. You can 173 00:08:05,920 --> 00:08:08,880 Speaker 2: speed it up. You can speed it up, surely. I mean, 174 00:08:08,880 --> 00:08:10,160 Speaker 2: I don't want to have to tell these people how 175 00:08:10,200 --> 00:08:10,800 Speaker 2: to do their jobs. 176 00:08:10,840 --> 00:08:12,640 Speaker 3: But gave They couldn't believe it when you sent the 177 00:08:12,680 --> 00:08:14,920 Speaker 3: footage across and you sent forty minutes of footage and 178 00:08:14,960 --> 00:08:17,280 Speaker 3: She was like, how did you check to lady gag 179 00:08:17,520 --> 00:08:18,320 Speaker 3: for none? 180 00:08:19,400 --> 00:08:21,760 Speaker 1: Just checked it in slow mo, just gave it to you. 181 00:08:22,520 --> 00:08:24,720 Speaker 2: Can I just say, yeah, just I just want to 182 00:08:24,720 --> 00:08:25,880 Speaker 2: double check a couple of things here. 183 00:08:25,960 --> 00:08:26,600 Speaker 1: Yeah, you're going. 184 00:08:27,200 --> 00:08:28,960 Speaker 2: First of all, I just want to say the studio 185 00:08:28,960 --> 00:08:31,560 Speaker 2: looks great, looks great, looks. 186 00:08:31,240 --> 00:08:34,079 Speaker 1: Good, looks good. Yeah yeah, yeah, enhanced by the SlowMo 187 00:08:34,160 --> 00:08:34,560 Speaker 1: I reckon. 188 00:08:35,280 --> 00:08:38,400 Speaker 2: Plenty of headroom, plenty of headroom in the shot. But 189 00:08:38,400 --> 00:08:40,600 Speaker 2: but the other thing I'd like to say is the 190 00:08:40,640 --> 00:08:41,320 Speaker 2: audio good? 191 00:08:41,800 --> 00:08:42,839 Speaker 1: Do we know the audio is good? 192 00:08:42,840 --> 00:08:44,839 Speaker 2: Double times over the audio? Audio? 193 00:08:45,000 --> 00:08:45,840 Speaker 1: No videos? Okay? 194 00:08:45,840 --> 00:08:48,440 Speaker 2: Because say the audio was my job, that's the primary concern. 195 00:08:48,679 --> 00:08:50,480 Speaker 1: No camera was also a job. You were in the 196 00:08:50,559 --> 00:08:51,960 Speaker 1: room with me, but I do nothing. 197 00:08:52,000 --> 00:08:54,320 Speaker 2: No, no, I'm not blaming you. Don't worry. I'm not 198 00:08:54,320 --> 00:08:56,040 Speaker 2: blaming you. You're on my team here. Who else is 199 00:08:56,040 --> 00:08:56,719 Speaker 2: in the room with us? 200 00:08:57,040 --> 00:08:59,199 Speaker 1: Analys? And whose job was it? 201 00:08:59,200 --> 00:09:02,160 Speaker 2: Did I say? And can you check the framing and 202 00:09:02,160 --> 00:09:03,480 Speaker 2: make sure you press record? There? 203 00:09:04,240 --> 00:09:11,360 Speaker 1: He did say that at. 204 00:09:12,360 --> 00:09:15,880 Speaker 2: Oh man, I'm so sorry, oh wow. 205 00:09:15,920 --> 00:09:21,440 Speaker 5: Because the when you're recording slow mode doesn't attach audio. Yeah, 206 00:09:21,640 --> 00:09:22,800 Speaker 5: there's no audio on that. 207 00:09:23,200 --> 00:09:26,240 Speaker 2: Yeah we've got audio though, got audio just match it 208 00:09:26,320 --> 00:09:27,360 Speaker 2: up with the moutsky. 209 00:09:27,920 --> 00:09:30,320 Speaker 5: Yeah, I just have to find the right frame rate. 210 00:09:31,160 --> 00:09:33,120 Speaker 2: You slow mode it to that's your job. 211 00:09:35,040 --> 00:09:37,959 Speaker 5: I didn't. It doesn't show information I need. You need 212 00:09:37,960 --> 00:09:39,719 Speaker 5: to bring a camera and I can actually find out 213 00:09:39,760 --> 00:09:40,480 Speaker 5: what your settings were. 214 00:09:40,600 --> 00:09:41,160 Speaker 2: You can do that. 215 00:09:41,400 --> 00:09:42,240 Speaker 1: You can figure that out. 216 00:09:43,320 --> 00:09:45,800 Speaker 2: Wow, that really is. It's kind of good to watch. Actually, 217 00:09:46,400 --> 00:09:47,920 Speaker 2: it's quite soothing. 218 00:09:47,920 --> 00:09:49,640 Speaker 3: We're going to put up the whole forty minutes on 219 00:09:49,920 --> 00:09:53,680 Speaker 3: YouTube slow motion reacting. 220 00:09:53,960 --> 00:09:55,839 Speaker 2: By the way, there's no Lady Gaga in this shot, 221 00:09:56,320 --> 00:09:57,000 Speaker 2: just you and me. 222 00:09:57,280 --> 00:10:00,240 Speaker 1: Yeah, just laughing. You gesticulate lot. 223 00:10:00,320 --> 00:10:05,199 Speaker 2: By the way, I like using my hands anyway, corpse. 224 00:10:05,679 --> 00:10:07,640 Speaker 1: Yeah, you don't really move. I don't move at all. 225 00:10:07,679 --> 00:10:10,320 Speaker 1: Do I'm like a rock I like to. 226 00:10:10,720 --> 00:10:14,880 Speaker 2: Yeah. Analyst has cooked that. That's the issue there. And 227 00:10:14,920 --> 00:10:16,840 Speaker 2: the other part of it is we don't know, like 228 00:10:18,320 --> 00:10:20,839 Speaker 2: we don't know. Like we couldn't film her video either, 229 00:10:21,160 --> 00:10:23,320 Speaker 2: which is a bit behind the scenes. She apparently her 230 00:10:23,320 --> 00:10:25,559 Speaker 2: people said you can't film me because I'm not Yeah, we. 231 00:10:25,520 --> 00:10:27,080 Speaker 3: Could see it, we could see she put a camera on. 232 00:10:27,160 --> 00:10:28,760 Speaker 3: But then they're like, don't record this and don't put 233 00:10:28,760 --> 00:10:32,959 Speaker 3: this anywhere. Yes, because she was very cash Yes. 234 00:10:31,800 --> 00:10:34,520 Speaker 2: Yes, yes, yes, yes. The first thing Sem said to 235 00:10:34,520 --> 00:10:36,080 Speaker 2: me afterward, she was like, what did she look like? 236 00:10:36,120 --> 00:10:39,760 Speaker 2: And I was like, cool as all hell, beanie, tank top, hoodie, blanket, 237 00:10:39,760 --> 00:10:43,800 Speaker 2: over on couch, just chill, super cash and you know, yeah, 238 00:10:43,840 --> 00:10:46,240 Speaker 2: I think we also might have lost that video footage. 239 00:10:46,440 --> 00:10:48,840 Speaker 3: Yeah, yeah, there we know vision of our biggest chat 240 00:10:48,840 --> 00:10:50,600 Speaker 3: of our radio careers. 241 00:10:52,280 --> 00:10:57,040 Speaker 2: Quiz player last week Woods Marina called in lovely woman 242 00:10:57,760 --> 00:11:00,000 Speaker 2: just just geography wasn't as strong. 243 00:10:59,920 --> 00:11:03,720 Speaker 3: Absolutely not. Well, this wasn't necessarily geography. I mean, for mine, 244 00:11:03,760 --> 00:11:05,320 Speaker 3: this was this was just listening. 245 00:11:06,120 --> 00:11:09,720 Speaker 2: What city is the Leaning Tower of Pisa in Paris? 246 00:11:09,880 --> 00:11:12,840 Speaker 2: Who's who's a better actor? 247 00:11:14,720 --> 00:11:15,000 Speaker 4: Friend? 248 00:11:17,120 --> 00:11:18,319 Speaker 3: Leaning Tower of Pisa? 249 00:11:18,600 --> 00:11:24,040 Speaker 1: One more, it's called the Leaning Tower of Pisa. 250 00:11:24,960 --> 00:11:28,679 Speaker 2: I don't know what city is the Leaning tower? What 251 00:11:28,679 --> 00:11:30,640 Speaker 2: what city? 252 00:11:30,800 --> 00:11:35,959 Speaker 3: What city is the leaning It's the Leaning Tower of Pisa. 253 00:11:38,280 --> 00:11:42,199 Speaker 2: I don't know. You've got this. We're not going to 254 00:11:42,240 --> 00:11:46,480 Speaker 2: the sunge We've got this. You've got this. Do you 255 00:11:46,520 --> 00:11:47,679 Speaker 2: want me to read the question? Do you want to 256 00:11:47,679 --> 00:11:48,720 Speaker 2: read the question one more time? 257 00:11:49,120 --> 00:11:49,360 Speaker 6: Yeah? 258 00:11:49,480 --> 00:11:53,480 Speaker 2: Okay, here we go. What city is the Leaning Tower 259 00:11:53,520 --> 00:11:54,240 Speaker 2: of Pisa in? 260 00:11:56,840 --> 00:11:57,080 Speaker 5: Yeah? 261 00:11:57,160 --> 00:11:57,959 Speaker 4: I still don't know. 262 00:11:59,200 --> 00:11:59,920 Speaker 1: Just break it down though. 263 00:12:00,040 --> 00:12:01,160 Speaker 2: It's a trick question. 264 00:12:03,080 --> 00:12:12,760 Speaker 3: So it's the leaning tower of Pisa, Pisa, Pisa. 265 00:12:15,120 --> 00:12:18,560 Speaker 2: Quite extraordinary, that's quite amazing. On here, that's the first 266 00:12:18,600 --> 00:12:20,600 Speaker 2: time I've heard that back. Yeah, I knew it was good. 267 00:12:21,280 --> 00:12:23,000 Speaker 2: I didn't know it was that good. The bit where 268 00:12:23,000 --> 00:12:25,400 Speaker 2: she says, is this a trick question? That really gets me? 269 00:12:27,559 --> 00:12:27,800 Speaker 3: All right? 270 00:12:27,800 --> 00:12:30,960 Speaker 2: We don't call her again, obviously, and put her under 271 00:12:31,000 --> 00:12:34,720 Speaker 2: the pump again obviously, and up the stakes again obviously. 272 00:12:35,800 --> 00:12:38,959 Speaker 2: So what we do when we find someone who has 273 00:12:39,000 --> 00:12:41,840 Speaker 2: a crippling hole in their general knowledge, we like to 274 00:12:41,840 --> 00:12:44,080 Speaker 2: explore blind spot, little blind spot, little blind spot. 275 00:12:44,120 --> 00:12:48,040 Speaker 3: And hers is geography, and specifically geography that names the 276 00:12:48,120 --> 00:12:51,280 Speaker 3: place where the thing actually is that feels to be 277 00:12:51,480 --> 00:12:54,079 Speaker 3: her specific area of knowledge, which somehow she's got a hole. 278 00:12:54,160 --> 00:12:57,320 Speaker 3: So for example like Sydney Harbor Bridge, Yeah, that appears 279 00:12:57,360 --> 00:12:57,840 Speaker 3: to be her whole. 280 00:12:57,840 --> 00:12:58,840 Speaker 1: She wouldn't know where that is. 281 00:12:58,880 --> 00:13:01,000 Speaker 2: I don't think she would. I Well, we're going to 282 00:13:01,080 --> 00:13:03,520 Speaker 2: find out. With ten thousand dollars on the end of it. 283 00:13:04,160 --> 00:13:06,320 Speaker 2: I'm going to call her right up next. As one 284 00:13:06,360 --> 00:13:16,160 Speaker 2: of our beautiful day announcers here a KISSFM talks. 285 00:13:15,960 --> 00:13:19,280 Speaker 1: About it more. It really isn't that her geography is bad. 286 00:13:19,480 --> 00:13:22,800 Speaker 3: It is just that somehow she just wasn't listening to 287 00:13:22,840 --> 00:13:23,559 Speaker 3: what we were saying. 288 00:13:24,200 --> 00:13:26,320 Speaker 2: Yeah, well that or as you said before the song, 289 00:13:26,440 --> 00:13:30,120 Speaker 2: she might have a very particular hole in her knowledge 290 00:13:30,600 --> 00:13:33,560 Speaker 2: which she's unable to identify that things with the place 291 00:13:33,679 --> 00:13:36,120 Speaker 2: location in their name are actually in that location. 292 00:13:36,400 --> 00:13:38,560 Speaker 3: Yeah, so the most obvious of landmarks, So the Melbourne 293 00:13:38,559 --> 00:13:39,600 Speaker 3: Cricket Ground, she'd be. 294 00:13:39,559 --> 00:13:41,760 Speaker 2: Like, oh God, where is that cricket ground? 295 00:13:41,840 --> 00:13:43,080 Speaker 1: Don't know than Adelaide. 296 00:13:43,360 --> 00:13:45,360 Speaker 2: Well, we're going to find out. So I'm going to 297 00:13:45,440 --> 00:13:50,080 Speaker 2: call her now as one of our very lovely day 298 00:13:50,160 --> 00:13:54,600 Speaker 2: jocks here at the station and tell her that rather 299 00:13:54,600 --> 00:13:56,480 Speaker 2: than a thousand dollars up for grabes is ten thousand 300 00:13:56,480 --> 00:13:58,600 Speaker 2: dollars up for grabs. And I've got a list of 301 00:13:58,640 --> 00:14:04,000 Speaker 2: places with the name in the title of the thing, 302 00:14:05,600 --> 00:14:07,160 Speaker 2: and I'm just going to see if she gets a 303 00:14:07,280 --> 00:14:08,040 Speaker 2: for ten grand. 304 00:14:08,960 --> 00:14:09,320 Speaker 3: Hello. 305 00:14:10,160 --> 00:14:12,920 Speaker 7: Oh, yeah, is that Marina? It is? 306 00:14:13,040 --> 00:14:13,640 Speaker 2: Yeah, Marina? 307 00:14:13,720 --> 00:14:16,120 Speaker 7: How are you? This is Steve? That Steve Zain calling 308 00:14:16,200 --> 00:14:18,480 Speaker 7: here from the House of pain on kiss. Hey, Marina, 309 00:14:18,800 --> 00:14:20,360 Speaker 7: we saw you on our call log. I think you 310 00:14:20,440 --> 00:14:24,000 Speaker 7: might have called Will and Woody recently, Is that right? Yeah? 311 00:14:24,280 --> 00:14:27,480 Speaker 7: Who is this Steve Zaine? I run the late night 312 00:14:27,560 --> 00:14:34,680 Speaker 7: show Zane Steve Zaane. Yeah, oh, my son, what's that? 313 00:14:37,080 --> 00:14:39,160 Speaker 4: This isn't is this sane? 314 00:14:39,240 --> 00:14:39,680 Speaker 3: My son? 315 00:14:40,360 --> 00:14:44,960 Speaker 7: No? No, no, no, no. My name is Steve Zaane. I 316 00:14:45,080 --> 00:14:48,120 Speaker 7: run a radio show at night on Kiss And we 317 00:14:48,240 --> 00:14:50,560 Speaker 7: just saw that you were on Will and Woody recently. 318 00:14:51,280 --> 00:14:51,480 Speaker 6: Yeah. 319 00:14:51,600 --> 00:14:54,880 Speaker 7: Yeah, I was all right, well, look Marina where I'm 320 00:14:54,920 --> 00:14:58,760 Speaker 7: just running a competition tonight on the show. And that 321 00:14:58,880 --> 00:15:01,720 Speaker 7: guy said to Will and Woodi's teammate said, you're a 322 00:15:01,720 --> 00:15:03,520 Speaker 7: bit of fun. So I was just saying, if you're 323 00:15:03,600 --> 00:15:05,000 Speaker 7: keen to playing game. 324 00:15:05,240 --> 00:15:06,480 Speaker 4: Okay, I'll play a game. 325 00:15:06,640 --> 00:15:07,720 Speaker 3: Yeah, cool game. 326 00:15:07,840 --> 00:15:09,520 Speaker 2: It's for ten thousand bucks. 327 00:15:10,560 --> 00:15:13,000 Speaker 7: We're not on are yet, but I'll flip flip flick 328 00:15:13,080 --> 00:15:15,400 Speaker 7: over and then you'll hear the opener on the other side. 329 00:15:15,440 --> 00:15:16,480 Speaker 2: How does that sound to you? 330 00:15:17,120 --> 00:15:19,760 Speaker 3: Okay, all right, you're quite funny. 331 00:15:20,240 --> 00:15:22,200 Speaker 7: Yeah, all right, that's why I'm on the air. 332 00:15:22,240 --> 00:15:24,120 Speaker 2: Baby. Oh you ready to go? 333 00:15:24,720 --> 00:15:24,920 Speaker 5: Yeah? 334 00:15:25,040 --> 00:15:31,360 Speaker 7: Ready, all right, give me a second. 335 00:15:27,960 --> 00:15:35,600 Speaker 6: Hey guy, everybody, welcome back, and is Steve Zay from 336 00:15:35,640 --> 00:15:37,760 Speaker 6: the House of Paying turn at the volume of the game, 337 00:15:38,280 --> 00:15:41,560 Speaker 6: I guess want guys all thanks to k speeding a dot. 338 00:15:41,360 --> 00:15:44,560 Speaker 7: Com dot a, we are going to play another edition 339 00:15:44,800 --> 00:15:46,000 Speaker 7: of this. 340 00:15:49,200 --> 00:15:54,480 Speaker 2: Dollar. Stay all you. 341 00:15:54,560 --> 00:15:57,480 Speaker 7: Know how it works. I'm telling you the object. You guys, 342 00:15:57,520 --> 00:16:00,920 Speaker 7: you just got to guess where it's from. Today I 343 00:16:00,920 --> 00:16:07,640 Speaker 7: have got Marina Marina. Hello, all right mateye, so well, 344 00:16:08,080 --> 00:16:09,320 Speaker 7: thanks for joining me on the show. 345 00:16:09,360 --> 00:16:09,560 Speaker 1: Mate. 346 00:16:09,560 --> 00:16:14,800 Speaker 2: What's your geography? Like? Oh shocking? I need to travel more? 347 00:16:15,120 --> 00:16:17,520 Speaker 7: Okay, where's your head? It's a ten thousand dollars Where 348 00:16:17,840 --> 00:16:20,640 Speaker 7: is this game? So I'm just going to go through 349 00:16:20,680 --> 00:16:25,400 Speaker 7: the list of places or things that are located in 350 00:16:25,480 --> 00:16:28,840 Speaker 7: places see anywhere in the world. All you're going to 351 00:16:28,920 --> 00:16:30,720 Speaker 7: do is just tell me where that thing is from. 352 00:16:30,760 --> 00:16:33,720 Speaker 7: You get all of them, you get ten thousand dollars. 353 00:16:33,800 --> 00:16:39,760 Speaker 7: You ready to go, Marina, Let's go the London Eye London, 354 00:16:40,000 --> 00:16:43,040 Speaker 7: the Pyramids of Egypt. 355 00:16:42,520 --> 00:16:49,240 Speaker 6: Egypt, the Great Wall of China, China, the Spanish Steps. 356 00:16:50,000 --> 00:16:59,520 Speaker 4: Spame no, no, no, Marina, the Spanish steps they're in Rome, 357 00:17:00,280 --> 00:17:01,120 Speaker 4: they're in rhymes. 358 00:17:05,520 --> 00:17:05,760 Speaker 2: Yeah. 359 00:17:05,880 --> 00:17:08,760 Speaker 7: We almost didn't get to the Leaning Tower of Pisa. 360 00:17:09,200 --> 00:17:11,560 Speaker 4: I don't know, I know that one. 361 00:17:11,840 --> 00:17:15,440 Speaker 1: Is that the country or the city? 362 00:17:15,880 --> 00:17:18,360 Speaker 2: No, where's the city? Where's the Leaning Tower of Pisa? 363 00:17:19,119 --> 00:17:19,520 Speaker 3: Italy? 364 00:17:20,720 --> 00:17:22,240 Speaker 2: Nice? Redemption? 365 00:17:25,760 --> 00:17:31,440 Speaker 4: The city the city Pisa. 366 00:17:32,320 --> 00:17:34,360 Speaker 1: You're almost mister again Marina. 367 00:17:43,359 --> 00:17:46,119 Speaker 3: Yeah, I've had a curious Marina that you thought it 368 00:17:46,200 --> 00:17:46,760 Speaker 3: was your son. 369 00:17:46,920 --> 00:17:49,399 Speaker 1: How often does your son prank you? As a Daian 370 00:17:49,520 --> 00:17:51,440 Speaker 1: answer from kids, I. 371 00:17:51,400 --> 00:17:54,639 Speaker 3: Know, not often, but yeah, when he said zaying, I'm like, 372 00:17:54,760 --> 00:17:58,280 Speaker 3: isn't zaying my Son's like he's a bit of a character. 373 00:17:58,400 --> 00:18:00,520 Speaker 3: He's obviously terrible at pranks if he is putting his 374 00:18:00,600 --> 00:18:03,080 Speaker 3: own name as the surname of the person who's trying 375 00:18:03,119 --> 00:18:06,280 Speaker 3: to prank you, as Marina, But I'm glad to have 376 00:18:06,440 --> 00:18:08,240 Speaker 3: him out a few locations this time around. 377 00:18:08,240 --> 00:18:10,320 Speaker 4: Marina. Ye, thank you guy. 378 00:18:10,480 --> 00:18:11,360 Speaker 2: My pleasure. 379 00:18:12,640 --> 00:18:13,600 Speaker 1: Name by Marina. 380 00:18:14,600 --> 00:18:15,200 Speaker 2: My guys