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Speaker 1: This is the Will and Woody podcast.

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Speaker 2: Let's talk a little bit about maps.

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Speaker 3: Last night on TV, Cody and Selena currently the ones

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Speaker 3: under the blowtorch, and it really is a public blowtorch

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Speaker 3: with maps.

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Speaker 2: It really is day by day, episode by episode.

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Speaker 3: I mean, these guys are both still at work at

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Speaker 3: the moment, Like watching this back, I can't even imagine

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Speaker 3: what that's like. We're going to be joined by them.

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Speaker 3: But for a bit of context, this is what happened

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Speaker 3: last night on the show.

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Speaker 4: Is the lack of interest, attraction and affection due to

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Speaker 4: my nationality and look, to.

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Speaker 2: Be honest, Yeah, short anser, that probably did so.

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Speaker 3: Selena's half Cambodian, half Chinese. We've got Cody and Selena

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Speaker 3: who joined us right now.

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Speaker 5: Gooday, guys, thank you so much for joining us. Let's

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Speaker 5: start with you. Cody. Obviously we only see a snippet.

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Speaker 5: You know, people always talk about the edit, etc. Can

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Speaker 5: you run us through that moment?

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Speaker 6: Oh yeah, it was a hard watch, wasn't it. But yeah,

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Speaker 6: obviously it was a super confronting question and I begin

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Speaker 6: forgret about it is how I handled it. But yeah,

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Speaker 6: like one thing I was trying to do with Selena

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Speaker 6: was be honest, but obviously I wasn't very gentle, authentsitive

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Speaker 6: with my approach, and that's yeah, really what the undoing was,

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Speaker 6: I think, yeah, right.

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Speaker 5: Okay, and Selena, for you, when you know Cody did

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Speaker 5: say that, how are you feeling at that stage?

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Speaker 7: I mean, look, I asked for a husband that was

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Speaker 7: always going to be honest with me, and I definitely

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Speaker 7: got tap for sure. My thing with that question was

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Speaker 7: stemming more from the fact that I guess it was

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Speaker 7: early stages and at that point I didn't feel like

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Speaker 7: Credit was making as much effort to get to know

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Speaker 7: me on me inside.

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Speaker 5: So yeah, right, okay, okay, And I mean, look, the

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Speaker 5: question that everyone's asking, and you know, the topic that's

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Speaker 5: rage today is you know, wasn't racist. And I know, Selena,

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Speaker 5: from your perspective, did you feel it was that at all?

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Speaker 5: Or was that just you know, it was a really

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Speaker 5: honest answer to a question.

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Speaker 7: Oh look, Cody was definitely just being honest. And you know,

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Speaker 7: people can only meet, you know, you to the level

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Speaker 7: that they've met themselves, and Cody is fortunate enough to

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Speaker 7: never have to deal with that kind of thing or

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Speaker 7: people judging him on his skin color or the way

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Speaker 7: that he looks. So I think the way he answered

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Speaker 7: that was just being honest, and yeah, I guess, you know,

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Speaker 7: kind of shines a light on you know, you can

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Speaker 7: speak your truth and you can be honest, but there

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Speaker 7: is a way to handle that without hurting someone's feelings.

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Speaker 3: Yeah, because I mean, like Couds, I feel like this

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Speaker 3: is the second time that you've probably shot from the

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Speaker 3: hip on the show.

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Speaker 2: You did also say when you were talking.

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Speaker 3: About your sexual attraction to Selena that you slong wasn't

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Speaker 3: coordinating with your head.

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Speaker 6: Probably fantastic with my words, but yeah, like it is

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Speaker 6: the tough conversations and I do I've got how it

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Speaker 6: handled it, but I can honestly say, like it did

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Speaker 6: not bother me in the slide. It's what nationality my

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Speaker 6: ride was going to be. But at the same time,

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Speaker 6: like I had never dated an Asian girl, so to say,

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Speaker 6: the way I interpreted the question was sort of that

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Speaker 6: sexual attraction or that attraction initially, and that's what I

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Speaker 6: just tried to reiterade. It's not that I cared in

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Speaker 6: any way. It was just something that I had to

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Speaker 6: get used to and that's part of the experiment. I

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Speaker 6: was still excited to do that.

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Speaker 5: I'll tell you what though, Based on a couple of

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Speaker 5: photos from Selena's hometown of Adelaide on December thirty, I mean,

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Speaker 5: g whiz, yeah, did you sort of get to know

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Speaker 5: her and get to like her? Because these beat shots?

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Speaker 2: Wow, we totally wild, guys said, I.

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Speaker 5: Said, you weren't a fan of PDA Cody, But.

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Speaker 6: Oh mate, am I rigging those photos? I'm so ashamed

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Speaker 6: they labeled me as a pt Yeah, bit sloppy.

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Speaker 5: Yeah, you've got a big Christmas Christmas was looking good.

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Speaker 3: Fortunately, So wait, hand, I want to us ever think

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Speaker 3: about this because right now you're in different places, aren't you.

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Speaker 2: You're both at work. We're going to go to a song.

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Speaker 2: I want to hear your answer. On the other side,

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Speaker 2: are you guys still together?

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Speaker 7: You guys, We're just going to have to keep.

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Speaker 8: To a song.

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Speaker 2: We'll find out.

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Speaker 9: On the other side, you can have a little bit

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Speaker 9: of time to think about your answer. That answer want

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Speaker 9: Suffice Selena Married at First Sight continues Sunday seven o'clock

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Speaker 9: on Channel nine and nine. Now we've got Cody and

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Speaker 9: Selena who join us at the moment. Now, Selena's half

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Speaker 9: Cambodian half Chinese last night on the show, would that

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Speaker 9: Cody was in the spotlight for saying this about her?

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Speaker 4: Is the lack of interest, attraction and affection due to

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Speaker 4: my nationality and look to be.

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Speaker 2: Honest, Yeah, short answers that probably did. So.

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Speaker 3: Can I just ask Selena, like, do you is there

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Speaker 3: a part of you that feels like you were maybe

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Speaker 3: are you traditionally tactile person like? Do you need that

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Speaker 3: sort of physical affection to feel like you're in a

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Speaker 3: relation ship with someone? No?

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Speaker 7: Absolutely not. I just want to reiterate my questions stemmed

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Speaker 7: from the fact that it was early days and I

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Speaker 7: was just feeling like Cody wasn't making, you know, as

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Speaker 7: much effort as I was in terms of getting to

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Speaker 7: know me further, and so that's where that question stemmed from.

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Speaker 7: I've never had to ask that before, but yeah, it

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Speaker 7: just take a lot of courage to go there. But

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Speaker 7: I guess that's what.

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Speaker 2: The that's what you're on the show for. Man, You've

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Speaker 2: got to put yourself out there, say what you want.

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Speaker 3: And it looks like, judging from some beach shots, if

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Speaker 3: we can get back there, you guys, are you guys

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Speaker 3: are back together? I mean canoodling in the waters down

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Speaker 3: in Adelaide, in and around New Year's I.

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Speaker 7: Say, you don't know what. You can never like judge

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Speaker 7: a photo like that could have been old, it could

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Speaker 7: have been new.

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Speaker 10: You just don't know, so that's true.

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Speaker 2: But I think I can judge this photo. You're both

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Speaker 2: in bees. You've got your arms.

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Speaker 3: You've got your arms around his near keys, got his

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Speaker 3: arms around your hips. I mean, I know previously your

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Speaker 3: schlung wasn't coordinating with your head, Cody, but I'm pretty

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Speaker 3: sure you'd be glad for the waste depth of water

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Speaker 3: in this photo. My friend.

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Speaker 2: CD CD shot for you too.

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Speaker 3: I don't know how you guys are going to dispel

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Speaker 3: the fact that you aren't together. You both defended each

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Speaker 3: other to the hilt in this conversation. Both of you

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Speaker 3: have got around each other. We've got a saucy shot

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Speaker 3: of you in the water. I think we've got a

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Speaker 3: smoking gun here. Look, you know what, you guys don't

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Speaker 3: have to answer the questions. I know, I know they're

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Speaker 3: going to tell you at Channel nine, watch the show,

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Speaker 3: watch the show, etc.

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Speaker 2: But can I just.

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Speaker 3: Say, if you are still together and you managed to

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Speaker 3: work through this stuff, I think that's pretty bloddy cool.

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Speaker 2: I want to say that the first.

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Speaker 6: On Sports Your World.

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Speaker 5: Sports, We'll go Harvey's Cody, We'll go Harvey.

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Speaker 3: I actually really do think that is cool because for

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Speaker 3: two reasons. Firstly, because like I think a lot of

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Speaker 3: people as we discuss, we're calling Cody racist for saying

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Speaker 3: that someone who had ethnic heritage wasn't his type. But

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Speaker 3: really excellently, I want to congratulate you because I think

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Speaker 3: that from somebody who is half Cambodi and half Chinese,

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Speaker 3: it would be hard for you not to feel hurt

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Speaker 3: from those comments.

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Speaker 2: And even if you did feel hurt from those.

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Speaker 3: Comments, to have the strength, the poise and the maturity

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Speaker 3: to then forgive someone for those comments and actually either

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Speaker 3: teach them or grow with them. I think that's a

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Speaker 3: pretty amazing example for everybody who's you.

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Speaker 7: I think Math is incredible for you know, airing that,

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Speaker 7: because they could have just you know, put that under

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Speaker 7: the run. But it was great that they did error

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Speaker 7: and hopefully will kind of build awareness and conversation around

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Speaker 7: the matter. And yeah, I mean it is quite you know, prevalent.

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Speaker 7: I mean, even in this day and age, people might

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Speaker 7: say things and they don't even mean in that way.

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Speaker 7: But they just have to be a bit more mindful

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Speaker 7: that it can come across a certain way and it

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Speaker 7: can hurt people's feelings.

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Speaker 3: Yeah, and you had the poise to educate rather than

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Speaker 3: outrage in that situation.

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Speaker 7: And we all make mistakes, you know, we're all humans.

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Speaker 5: Yeah, and to tuck you a compliment, Cody, just like

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Speaker 5: sharing Selena here, good on you for being honest. Like

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Speaker 5: you've said a few things from the hip there early

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Speaker 5: in this show. Your schlung's not coordinating with your brain.

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Speaker 5: You've then had that very honest answer that question. And yeah,

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Speaker 5: I think honesty is the only way for it. And again,

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Speaker 5: as Will said, if you guys are together, you know,

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Speaker 5: then I think that's a good message to people. Just

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Speaker 5: be really honest with people, even if they are very

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Speaker 5: tough conversations early on. It's the only way to really

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Speaker 5: connect with someone.

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Speaker 2: Hey, guys, thanks so much for joining us. It's been

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Speaker 2: a pleasure.

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Speaker 7: Thank you so much.

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Speaker 3: The show guys speak so right.

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Speaker 11: It's well and good answer then, everyone, I think I'm

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Speaker 11: out wonderful drive home.

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Speaker 3: If you're wondering what Woody is getting cold feet, about

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Speaker 3: twenty years ago he stole his dad's Naughty mad collection.

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Speaker 3: Somebody took them back off him, and we're trying to

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Speaker 3: find out who.

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Speaker 6: Later, the Wonder Revolution.

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Speaker 5: I took my dad's porno mags. A few weeks later,

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Speaker 5: those magazines just disappeared.

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Speaker 12: I think is a person of interest.

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Speaker 2: Got your younger sister Sarah.

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Speaker 5: My brother Tom joins us on the phone. I suspect

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Speaker 5: it's Naughty Mad Gage. All roads are leading to mum.

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Speaker 3: Yep, and let's and if we're being totally honest, from

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Speaker 3: the start, she was your prime suspect. But you you've

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Speaker 3: essentially gone through every other member of your family.

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Speaker 5: I was wishfully hoping it was someone else. Yeah, because

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Speaker 5: if you're new to this show, my mum's an intimidating woman.

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Speaker 5: She's just an a PhD. She's a doctor, she's she's

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Speaker 5: incredibly powerful. Hates hates, hatess this show is awful.

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Speaker 13: Hates.

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Speaker 2: But he's always busy, we call it. So even if

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Speaker 2: she's not busy, she.

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Speaker 5: Will hate that. I'm hearing this dirty laundry of Dad's

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Speaker 5: naughty mags on radio. Hate this.

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Speaker 3: It hasn't got to it yet. By the way, if

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Speaker 3: you do know Melissa, please don't tell.

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Speaker 5: Her and especially don't talk about what we're about to do,

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Speaker 5: because at the end of when we spoke to my

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Speaker 5: brother yesterday, he agreed to effectively be will the bait

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Speaker 5: in the trap to try and get my mum.

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Speaker 3: Yeah, I suspect her mom, Your dad brought her up,

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Speaker 3: Sarah brought her up, and you brought her up.

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Speaker 2: What he's just avoided calling her?

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Speaker 5: Could we do a bit of a sting, Tom, where

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Speaker 5: you call her and we just record the phone call.

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Speaker 2: Tom?

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Speaker 3: That was incredible, But how is she going to feel

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Speaker 3: if Tom calls and then we're on the other end

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Speaker 3: being like.

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Speaker 2: We listened to the whole thing and recorded it.

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Speaker 5: She will hate it. But we've got the beer in

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Speaker 5: the trap. Okay, So hopefully, hopefully my brother hasn't got

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Speaker 5: cold feet, because the whole family is a little bit

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Speaker 5: scared of mum. She very much is the what's.

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Speaker 2: The worst that can happen?

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Speaker 9: Here?

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Speaker 14: Though?

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Speaker 2: You and I are going to be into state soon,

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Speaker 2: we're filming a TV show. Now, it's the best time

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Speaker 2: to get her.

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Speaker 5: It's a good time and you're not.

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Speaker 2: Getting her eye there. She doesn't even know that she's.

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Speaker 5: Been got exactly. It's my brother, He is the one

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Speaker 5: who's going to have to copy? So is he doing this?

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Speaker 5: I don't know. I have no idea. Obviously loves a

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Speaker 5: bit of punishment. All right, we've got my brother's number.

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Speaker 5: Now hopefully he hasn't fled the state and got away

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Speaker 5: from this.

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Speaker 3: Imagine if she's with him when he calls he could

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Speaker 3: imagine if he's entrapping us.

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Speaker 13: What I'm speaking.

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Speaker 5: Tom, it's woody. Are you still keen to do this

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Speaker 5: sting on mum?

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Speaker 13: Yeah, I don't know how we're going to do it.

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Speaker 5: But okay, what do you mean you don't know how

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Speaker 5: we're going to do it?

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Speaker 2: It's going to be easy.

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Speaker 13: She is the most suspicious woman.

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Speaker 5: But you're calling her, so she won't think anything to

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Speaker 5: do with radio if you're calling her.

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Speaker 13: It's true.

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Speaker 2: So we had a little bit of a chat about this.

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Speaker 2: Have you got a lead?

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Speaker 3: You need two things, Tom, You need a lead in

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Speaker 3: question that's not porn mag related, and then you need

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Speaker 3: and then you need a segue to get from the

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Speaker 3: lead in question to the porn mags.

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Speaker 2: What are you thinking?

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Speaker 13: So I need a leading question? She called me before

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Speaker 13: actually asking whether I need any foodcause I'm in lockdown

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Speaker 13: at the moment.

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Speaker 5: Oh nice, perfect, that a dream, so say yes, and

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Speaker 5: then maybe go Also, if you can get some porn bags,

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Speaker 5: and speaking of perfect.

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Speaker 12: Can you pick me up some strepsaels? And while you're there,

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Speaker 12: can you pick me up some porn mags?

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Speaker 5: A hustler will do?

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Speaker 3: Oh god, let's get down to it, all right, So

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Speaker 3: I think that's actually pretty good though.

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Speaker 5: Yeah, right, and then you just need to get like,

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Speaker 5: ask her, did you did you take them? Did you

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Speaker 5: take the naughty mags from Underwood's bed? And the moment

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Speaker 5: she says, yes, we've bloody got her.

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Speaker 3: Right, we can do we can do a bit of

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Speaker 3: role play. So what are you playing this? So you

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Speaker 3: play your mum, Tom, you you call what you call

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Speaker 3: your mum.

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Speaker 2: Let's kick it off.

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Speaker 13: Hello, hey mom?

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Speaker 2: Hi, Yeah, really good.

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Speaker 5: I just tried to call you.

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Speaker 13: Yeah, I know, you know I said, don't need any food.

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Speaker 13: I was actually thinking, do you mind just popping seven

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Speaker 13: to eleven and grabbing me some strepsules? My throat is

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Speaker 13: killing me.

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Speaker 5: Absolutely, I'll get the antibacterial ones. They're the best.

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Speaker 13: You need that fantastic? Yeah, thank you?

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Speaker 5: Anything else?

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Speaker 2: All right, we're gonna have to work on this. We're

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Speaker 2: gonna go on a song. It's all over in the air,

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Speaker 2: right up next me. I'm not in a good position.

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Speaker 2: I'll tell you right now. It's you're just joining us.

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Speaker 3: Woods reckons that someone stole the naughty mags from under

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Speaker 3: his bed twenty years ago.

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Speaker 2: The mags that he stole off his dad. Naughty mad gag.

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Speaker 10: Wlaita'll be Watergate revolution.

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Speaker 5: I took my dad's porno mags.

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Speaker 2: A few weeks.

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Speaker 5: Later, those magazines just disappeared.

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Speaker 13: I think Tom is a person of interest.

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Speaker 2: Got your younger sister, Sarah, my brother.

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Speaker 5: Tom joins us on the phone. I suspect it's naughty

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Speaker 5: mag gags.

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Speaker 3: Now Tom joins us back on the phone. Welcome back, Tom.

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Speaker 3: You're the only way that we're going to be able

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Speaker 3: to lure in your mum, Melissa.

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Speaker 13: I'm sweating. That's the thought of doing this.

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Speaker 5: This is bad for you.

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Speaker 12: She's a scary woman.

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Speaker 5: I'm talking about terrifying.

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Speaker 2: We all agree on that. We all agree on why

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Speaker 2: are you doing this? Like, I'm still trying to figure

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Speaker 2: that out.

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Speaker 12: I'm in lockdown and enough perfect.

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Speaker 2: It's all about timing. When you're in lockdown, she can't

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Speaker 2: come and see you. You're in lockdown. You're safe.

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Speaker 5: You're safe, got perfect protection. And I'm getting out of

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Speaker 5: the state tonight. So we're both we're both in the clear.

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Speaker 2: Thought for your father, he's going to cop.

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Speaker 5: The brunt, So Tom, okay. So the way we want

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Speaker 5: this to work is so you're going to call mum

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Speaker 5: now off your mobile phone, and then we should be

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Speaker 5: able to hear your conversation with mum. Somehow you have

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Speaker 5: to go from a casual conversation with mum into asking

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Speaker 5: her if she took naughty mags from under my bed?

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Speaker 5: Are you good to go?

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Speaker 12: Yeah?

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Speaker 2: Okay, good luck?

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Speaker 6: Like m hm.

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Speaker 3: No, yeah, good, Sorry.

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Speaker 7: I was Benny's sister's shop and I was chatting.

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Speaker 13: To hear that's right, you're not still on the road, bay.

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Speaker 3: No, do you name?

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Speaker 13: I was gonna sun need some strips my throats killing

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Speaker 13: it and that's right, that's right, that's right, right, good, good, Yeah,

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Speaker 13: you could easily have done it. No, you're right. Have

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Speaker 13: you heard that seven on the radio at the moment?

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Speaker 13: But Dad's porno magazines?

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Speaker 7: Oh no, I've heard about it.

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Speaker 15: Guy.

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Speaker 13: I'm surprised. That's funny. I'm surprised they haven't told you

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Speaker 13: about it yet.

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Speaker 7: It's not even trye what but there were porno magazines

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Speaker 7: under the bed or something?

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Speaker 13: No, would you put Dad's porno magazines under the bed?

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Speaker 4: Oh?

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Speaker 13: Yeah, missing? I assume that was you who took them,

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00:16:01,360 --> 00:16:05,960
Speaker 13: though that's not even true. It's really much No, I

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Speaker 13: mean it must have been you it took them, wasn't it.

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Speaker 8: This whole story is made up.

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Speaker 13: No, it's not. Woody and I were independently looking at them.

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Speaker 12: Well, maybe someone gave me to him as a jog

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Speaker 12: to his birth. I haven't ring.

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Speaker 13: I don't know you. You don't remember taking them though,

360
00:16:24,920 --> 00:16:29,400
Speaker 13: from what he's dead, No, not at all.

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Speaker 5: Hey, Mom, it's what do you.

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Speaker 2: Mom?

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Speaker 12: Josh, she's good, she's good.

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Speaker 16: Did you know this was a sting?

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Speaker 5: Mom?

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Speaker 13: Well, the whole thing's made up.

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Speaker 16: It's not made up. Did you take the magazines?

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Speaker 13: I don't even remember.

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Speaker 7: Dad does not know I have Corner magazine that's no sort.

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Speaker 16: So your stance has already changed from no, I don't remember.

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Speaker 5: You're cracking, Mom, who wouldn't have had them?

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Speaker 7: It's just a made up story for the radio.

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Speaker 5: It's not mum. Me and Tom both were looking at

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Speaker 5: the magazines and I put them under my bed.

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Speaker 8: Well, probably Tom bought them, So it's back on Tom

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Speaker 8: Tom Christ.

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Speaker 12: Yeah, I think that might.

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Speaker 7: Have been.

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Speaker 16: The finger pointing continues in the White lay house.

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Speaker 5: Definitely not okay, okay, well, okay, let's let's take Dad

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Speaker 5: out of it. Just but there were magazines under my

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Speaker 5: bed at one stage. Did you happen to.

383
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Speaker 6: You bought them?

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Speaker 5: Okay, well, let's say I did. Let's say I bought

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00:17:43,280 --> 00:17:46,200
Speaker 5: the porno magazines. There was a world where porn magazines

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Speaker 5: were under my bed. Did you clear them out? Jesus Christ?

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00:17:50,480 --> 00:17:52,639
Speaker 5: The plot thickens. Would you be happy to take a

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00:17:52,680 --> 00:17:53,560
Speaker 5: light detective test?

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00:17:56,119 --> 00:17:58,000
Speaker 7: Wow, that'll be one of your friends saw them and

390
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Speaker 7: took them.

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00:17:58,640 --> 00:18:02,040
Speaker 5: Well, Dad actually thought it was Will, So we need

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Speaker 5: to interrogate Will a bit more.

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Speaker 7: Come to think about it, Yes, I think it was you.

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Speaker 10: Will.

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Speaker 5: Well, I think we need to interrogate Will tomorrow. No

396
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Speaker 5: one expected.

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Speaker 2: Shut up?

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00:18:24,520 --> 00:18:27,120
Speaker 16: Okay, and tomorrow we interrogate Will.

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Speaker 5: Huge Coming up next, the More Will and Woody, The

400
00:18:32,880 --> 00:18:34,200
Speaker 5: Will and Woody Podcast.

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Speaker 3: Have you made a gag that was just way too soon?

402
00:18:37,240 --> 00:18:39,720
Speaker 3: We know that Carl Stefanovic got a sixty minute special

403
00:18:39,760 --> 00:18:42,200
Speaker 3: sit down with the Prime Minister, makes a gag about

404
00:18:42,240 --> 00:18:45,920
Speaker 3: the fact that it was in Hawaii while scom while

405
00:18:45,920 --> 00:18:47,000
Speaker 3: the bushfires were raging.

406
00:18:47,040 --> 00:18:48,520
Speaker 2: He listen, but can.

407
00:18:48,480 --> 00:18:50,720
Speaker 12: Jenny Morrison swim the election?

408
00:18:50,960 --> 00:18:54,359
Speaker 3: I actually felt sick to my stomach and say, for

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Speaker 3: the husband, then you can go to Hawaii. Yeah, look

410
00:19:02,240 --> 00:19:04,040
Speaker 3: to be people. Honestly, I don't think that's too soon

411
00:19:04,080 --> 00:19:05,280
Speaker 3: at all. I just don't think he's got a good

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00:19:05,280 --> 00:19:07,280
Speaker 3: response to that. So he gets a bit baffled by it.

413
00:19:07,320 --> 00:19:09,159
Speaker 3: But the reality was he was in Hawaii while the

414
00:19:09,440 --> 00:19:10,800
Speaker 3: while the country was in turmoil.

415
00:19:10,880 --> 00:19:12,920
Speaker 2: Yeah, yeah, you're too soon at all for me, Carl.

416
00:19:12,960 --> 00:19:14,879
Speaker 3: I think when it comes down to whether or not

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Speaker 3: a gag is too soon, I think you have to

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00:19:16,960 --> 00:19:20,040
Speaker 3: consider as a few things like the nature of the tragedy, sure, yep,

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00:19:20,320 --> 00:19:23,119
Speaker 3: your relationship to the person that you're telling the joke to.

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Speaker 5: I said, if they're a good friend, you can get

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Speaker 5: away with more, obviously.

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00:19:26,359 --> 00:19:28,520
Speaker 2: And the third criteria for me is how crass the

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00:19:28,600 --> 00:19:29,080
Speaker 2: joke is?

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00:19:29,680 --> 00:19:31,800
Speaker 3: Yeah, so I think you've got to take into account

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00:19:31,880 --> 00:19:33,359
Speaker 3: those three things.

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Speaker 5: Do you also take into account how funny the joke is?

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00:19:36,280 --> 00:19:38,760
Speaker 2: Yeah? So how crass the nature of the sure?

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00:19:38,840 --> 00:19:39,000
Speaker 14: Yeah?

429
00:19:39,160 --> 00:19:39,360
Speaker 13: Yeah?

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Speaker 2: Yeah? So thirty one and six five.

431
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Speaker 3: If you've made a gag that you thought was just

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00:19:42,560 --> 00:19:45,520
Speaker 3: way too soon, because I know woods for you if

433
00:19:45,560 --> 00:19:47,840
Speaker 3: we consider the nature of the tragedy, your relationship to

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00:19:47,880 --> 00:19:51,359
Speaker 3: the person, and how crass the joke is the nature

435
00:19:51,359 --> 00:19:54,680
Speaker 3: of the tragedy. We had Anthony Albanezi in here, oh, mate,

436
00:19:54,720 --> 00:19:58,560
Speaker 3: that would be the prime minister shortly, great guard, leader

437
00:19:58,600 --> 00:19:59,840
Speaker 3: of the opposition, great guy.

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00:20:00,119 --> 00:20:01,960
Speaker 2: Nature of the tragedy, his mother dying.

439
00:20:02,640 --> 00:20:04,320
Speaker 5: He wasn't talking about his mother, he was He was

440
00:20:04,359 --> 00:20:04,840
Speaker 5: just talking.

441
00:20:04,640 --> 00:20:06,520
Speaker 3: About his mother dying and the fact that he never

442
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Speaker 3: got to meet his dad because they met on a ship.

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Speaker 5: That's what he was talking about. She was very much

444
00:20:10,640 --> 00:20:11,320
Speaker 5: alive in the story.

445
00:20:11,440 --> 00:20:13,359
Speaker 3: She died and then he had to raise her by himself.

446
00:20:13,359 --> 00:20:16,320
Speaker 3: It was part of that bigger context. And how crass

447
00:20:16,359 --> 00:20:18,679
Speaker 3: the joke is, Well, you made a gag about them

448
00:20:18,680 --> 00:20:19,480
Speaker 3: having sex together.

449
00:20:20,119 --> 00:20:23,960
Speaker 1: Well, they met on the ship, going on the ship,

450
00:20:24,000 --> 00:20:27,639
Speaker 1: on the ship, and then they obviously had some further

451
00:20:27,720 --> 00:20:34,120
Speaker 1: liaison when the put it the ship was docking in Southampton.

452
00:20:34,240 --> 00:20:37,640
Speaker 1: They were both docking and now now it's my mummy,

453
00:20:41,600 --> 00:20:42,520
Speaker 1: where is the line?

454
00:20:43,600 --> 00:20:43,800
Speaker 2: Soon?

455
00:20:44,160 --> 00:20:45,960
Speaker 5: Just so off, that's too soon.

456
00:20:46,280 --> 00:20:48,920
Speaker 3: He made a gag about the leader of the opposition's

457
00:20:49,000 --> 00:20:50,560
Speaker 3: mum having sex with them.

458
00:20:52,160 --> 00:20:53,080
Speaker 2: To his face.

459
00:20:53,440 --> 00:20:55,359
Speaker 5: Sorry, sorry, mister a.

460
00:20:56,520 --> 00:20:57,960
Speaker 2: He's a lovely guy.

461
00:20:58,760 --> 00:21:01,000
Speaker 3: Taking cause if you made a gag way to Todd's

462
00:21:01,000 --> 00:21:03,520
Speaker 3: called good Toddy, all.

463
00:21:03,440 --> 00:21:05,280
Speaker 2: Right, good mate, you told a gag too soon?

464
00:21:06,400 --> 00:21:08,600
Speaker 12: Yeah, it wasn't really gag. It was just one of

465
00:21:08,600 --> 00:21:11,280
Speaker 12: them real bad footing mouth moments, like you just said

466
00:21:11,359 --> 00:21:12,200
Speaker 12: the worst thing at.

467
00:21:12,080 --> 00:21:12,640
Speaker 1: The worst pime.

468
00:21:12,720 --> 00:21:15,320
Speaker 5: Yeah, yeah, yeah, and I'll paint.

469
00:21:15,160 --> 00:21:16,639
Speaker 12: The bitchure for I was got My mate's out. His

470
00:21:16,760 --> 00:21:17,760
Speaker 12: uncle just passed.

471
00:21:17,520 --> 00:21:19,520
Speaker 8: Away, so all his family and all that are there,

472
00:21:20,520 --> 00:21:22,280
Speaker 8: and I got up and I was like, oh, I'm

473
00:21:22,280 --> 00:21:23,240
Speaker 8: going to go out for a smoke.

474
00:21:23,280 --> 00:21:24,800
Speaker 13: And everyone's like, oh, you're going for a smoke.

475
00:21:24,840 --> 00:21:27,280
Speaker 14: Oh yeah, I said, yeah, putting another nil in the coffin.

476
00:21:29,440 --> 00:21:32,280
Speaker 2: Jeez, jeuz Doddy, jeez.

477
00:21:32,640 --> 00:21:34,280
Speaker 5: And obviously you just say that all the time. You

478
00:21:34,400 --> 00:21:36,040
Speaker 5: just forgot where you were and yeah, I get it.

479
00:21:36,560 --> 00:21:41,680
Speaker 2: I get it. Kristen's called on thurday one and six. Christen, Hey,

480
00:21:41,760 --> 00:21:43,960
Speaker 2: how's it going, good mate? We're talking about gags way

481
00:21:44,000 --> 00:21:45,800
Speaker 2: too soon? You got an example of this.

482
00:21:46,680 --> 00:21:46,920
Speaker 6: Yeah.

483
00:21:46,960 --> 00:21:49,000
Speaker 7: So I didn't make the gag, but I knew someone

484
00:21:49,080 --> 00:21:51,439
Speaker 7: his grandpa died and his car was stolen on the

485
00:21:51,480 --> 00:21:54,600
Speaker 7: same day. So he gets the calls, his cars turned out,

486
00:21:54,640 --> 00:21:56,120
Speaker 7: and his mate turns to him and says, you should

487
00:21:56,200 --> 00:21:57,760
Speaker 7: check your grandpa is still dead.

488
00:22:02,320 --> 00:22:03,639
Speaker 5: And you're still laughing about it.

489
00:22:03,800 --> 00:22:12,040
Speaker 15: Kristal Kris Kristin swore at the end en but gee whiz,

490
00:22:12,119 --> 00:22:13,879
Speaker 15: that was right on the line.

491
00:22:14,119 --> 00:22:17,240
Speaker 9: Didn't mind it personally, didn't mind it?

492
00:22:17,280 --> 00:22:20,040
Speaker 5: Now will? A woman called Amber the horn Dog Horn

493
00:22:20,440 --> 00:22:25,400
Speaker 5: has jumped online on a on TikTok, very popular TikTok.

494
00:22:25,480 --> 00:22:28,800
Speaker 5: She's jumped on TikTok the horn Dog to accuse her

495
00:22:28,880 --> 00:22:32,040
Speaker 5: husband of being a cheap ass, a cheap skate excuse

496
00:22:32,119 --> 00:22:35,119
Speaker 5: me because of something he does with carpet. Now, I

497
00:22:35,119 --> 00:22:38,080
Speaker 5: actually think this guy's a genius. And maybe that's because

498
00:22:38,080 --> 00:22:39,600
Speaker 5: I'm a bit of a tight ass as well. But

499
00:22:39,680 --> 00:22:42,399
Speaker 5: what what the carpet man does? I call him the

500
00:22:42,400 --> 00:22:46,600
Speaker 5: carpet man is because thank you so much, because he

501
00:22:46,600 --> 00:22:49,560
Speaker 5: wants to keep the carpet looking fresh and new.

502
00:22:49,640 --> 00:22:51,640
Speaker 2: When do you go and let the carptain or something?

503
00:22:52,359 --> 00:22:54,760
Speaker 5: Oh gee, that's good. I mean tell me that in

504
00:22:54,800 --> 00:22:55,440
Speaker 5: the song.

505
00:22:57,400 --> 00:22:59,639
Speaker 3: That you told me before the song you told me

506
00:22:59,680 --> 00:23:01,200
Speaker 3: before all the song You're gonna do a bit about

507
00:23:01,200 --> 00:23:03,760
Speaker 3: a guy called the carpet man, carpet man, and then

508
00:23:03,760 --> 00:23:06,040
Speaker 3: you put your headphones on for the entirety of well,

509
00:23:06,040 --> 00:23:06,320
Speaker 3: who do.

510
00:23:06,359 --> 00:23:08,880
Speaker 5: We just play? Tony and I.

511
00:23:08,680 --> 00:23:12,280
Speaker 3: To tones and eye sitting there with your headphones on, screaming,

512
00:23:12,520 --> 00:23:13,640
Speaker 3: let the rare hair hand.

513
00:23:13,960 --> 00:23:15,480
Speaker 2: I didn't have a chance to tell you that he

514
00:23:15,480 --> 00:23:18,240
Speaker 2: could have been called carp captain, the captain.

515
00:23:17,920 --> 00:23:20,920
Speaker 5: The carptain. Okay, well, anyway, we've corrected that now. Sorry

516
00:23:20,960 --> 00:23:22,800
Speaker 5: it had to be on air. Everyone but the carptain.

517
00:23:22,880 --> 00:23:25,400
Speaker 5: What he does to keep his carpet looking fresh is

518
00:23:25,440 --> 00:23:28,399
Speaker 5: he's got carpet on his stairs in his house. But

519
00:23:28,480 --> 00:23:30,400
Speaker 5: to keep the cap looking fresh, he sort of does.

520
00:23:30,520 --> 00:23:33,959
Speaker 5: He sort of gets into like a sumo stance and

521
00:23:34,040 --> 00:23:37,040
Speaker 5: sort of wattles up the stairs and books on the

522
00:23:37,040 --> 00:23:40,240
Speaker 5: outside of the steps so he can keep the middle

523
00:23:40,320 --> 00:23:41,920
Speaker 5: carpet looking fresh.

524
00:23:41,960 --> 00:23:44,120
Speaker 16: And one thing's for sure, will I mean, he won't have.

525
00:23:44,080 --> 00:23:54,720
Speaker 5: To call these guys carpet.

526
00:23:50,880 --> 00:23:52,320
Speaker 14: He experts in the tree.

527
00:23:53,760 --> 00:23:54,640
Speaker 2: That was a good joke.

528
00:23:55,600 --> 00:23:59,480
Speaker 5: Anyway, what I want to do right now with us

529
00:24:00,160 --> 00:24:02,520
Speaker 5: I like that joke. I'm glad that what I want

530
00:24:02,560 --> 00:24:04,639
Speaker 5: to do now on thirteen one oh six five is

531
00:24:04,640 --> 00:24:06,879
Speaker 5: clearly this guy is trying to keep his carpet in

532
00:24:07,000 --> 00:24:07,760
Speaker 5: mint condition.

533
00:24:08,200 --> 00:24:10,359
Speaker 3: And I think it is good for other people though,

534
00:24:10,359 --> 00:24:14,240
Speaker 3: because they get to walk up the lush meadows of

535
00:24:14,320 --> 00:24:15,640
Speaker 3: the carpet when they go upstairs.

536
00:24:15,720 --> 00:24:15,880
Speaker 2: Yeah.

537
00:24:15,880 --> 00:24:17,880
Speaker 5: I mean he could walk up to any woman and

538
00:24:18,240 --> 00:24:19,159
Speaker 5: say this to her.

539
00:24:19,840 --> 00:24:25,800
Speaker 2: On your carpet. He doubled down with the You didn't

540
00:24:25,800 --> 00:24:29,320
Speaker 2: even listen to what I said. No your people, you

541
00:24:29,359 --> 00:24:31,240
Speaker 2: had your had your next carpet gag song.

542
00:24:31,400 --> 00:24:32,040
Speaker 5: No, yes people.

543
00:24:33,160 --> 00:24:35,640
Speaker 2: But no matter what I said, there I got. I said,

544
00:24:35,720 --> 00:24:36,320
Speaker 2: Jesus is.

545
00:24:36,240 --> 00:24:38,280
Speaker 3: Coming in five years, and you would have gone like cold,

546
00:24:38,280 --> 00:24:39,520
Speaker 3: have walked up to any woman, will.

547
00:24:41,720 --> 00:24:44,879
Speaker 2: You had your stupid carpet gags. I'm gonna provide you

548
00:24:44,920 --> 00:24:46,400
Speaker 2: with the carptain because.

549
00:24:46,160 --> 00:24:46,760
Speaker 12: I give you that.

550
00:24:46,800 --> 00:24:49,240
Speaker 3: And you've got two song gags, and by hook or

551
00:24:49,240 --> 00:24:50,440
Speaker 3: by crook, you're going to get to them.

552
00:24:50,480 --> 00:24:52,360
Speaker 5: You said to me, he allows other people to walk

553
00:24:52,400 --> 00:24:53,720
Speaker 5: in the middle. And I was like, perfect time to

554
00:24:53,720 --> 00:24:54,280
Speaker 5: bring up there.

555
00:24:54,760 --> 00:24:55,879
Speaker 2: It doesn't make any sense.

556
00:24:56,280 --> 00:25:00,960
Speaker 5: Well one from two gags, oh god, one from fifty

557
00:25:01,840 --> 00:25:02,200
Speaker 5: both good.

558
00:25:02,240 --> 00:25:03,040
Speaker 2: I just didn't appreciate.

559
00:25:03,080 --> 00:25:04,880
Speaker 3: I was just trying to engage with the carpet chat

560
00:25:04,880 --> 00:25:06,480
Speaker 3: and the fact that someone could walk up and down

561
00:25:06,480 --> 00:25:07,960
Speaker 3: the carp but it's quite nice for you know, if

562
00:25:08,000 --> 00:25:09,000
Speaker 3: you're a guest in his house.

563
00:25:09,400 --> 00:25:12,359
Speaker 5: It's a shame his wife and but the horn dog horn,

564
00:25:12,600 --> 00:25:17,120
Speaker 5: he's calling them a jpa. Anyway, anyway, I should get

565
00:25:17,160 --> 00:25:19,560
Speaker 5: to what I want you guys to call for. Thirteen.

566
00:25:21,600 --> 00:25:25,040
Speaker 5: The carptain goes to great lengths to keep his carpet

567
00:25:25,040 --> 00:25:29,200
Speaker 5: in mint condition. What great lengths do you go to

568
00:25:29,200 --> 00:25:31,240
Speaker 5: to keep something in mint condition?

569
00:25:31,840 --> 00:25:33,800
Speaker 3: Oh you mean like those people that used to put

570
00:25:33,840 --> 00:25:35,680
Speaker 3: plastic on their couches.

571
00:25:35,920 --> 00:25:36,320
Speaker 5: Perfect.

572
00:25:36,359 --> 00:25:38,359
Speaker 2: My mum never made any sense to me.

573
00:25:38,480 --> 00:25:40,520
Speaker 5: You can't enjoy the couch when there's plastic.

574
00:25:40,760 --> 00:25:43,480
Speaker 3: It's the point of that to stop keeping in mint condition.

575
00:25:43,680 --> 00:25:44,800
Speaker 3: To keep it at example, we.

576
00:25:44,920 --> 00:25:48,480
Speaker 5: Can resell is a great example. My mum like, didn't

577
00:25:48,520 --> 00:25:50,919
Speaker 5: let the kids sit on a certain couch in the house.

578
00:25:51,080 --> 00:25:53,240
Speaker 5: Oh yeah, I'm serious, because it was the good catch.

579
00:25:53,720 --> 00:25:55,959
Speaker 2: The whole room for us, the whole green was called

580
00:25:56,000 --> 00:25:56,920
Speaker 2: the green room, just.

581
00:25:56,840 --> 00:25:59,720
Speaker 5: A roped off room which were like a museum room.

582
00:25:59,720 --> 00:26:01,359
Speaker 2: It was a green room. We weren' untouching them. You

583
00:26:01,400 --> 00:26:02,560
Speaker 2: went out in the room unless Mum.

584
00:26:02,440 --> 00:26:05,840
Speaker 3: And Dad were in there, and then they would you

585
00:26:05,880 --> 00:26:07,440
Speaker 3: like to come and have a coffee in the green room,

586
00:26:07,440 --> 00:26:07,920
Speaker 3: and you'd.

587
00:26:07,720 --> 00:26:10,200
Speaker 5: Be like, gee, whiz, must be a special occasion.

588
00:26:10,440 --> 00:26:12,600
Speaker 2: But if he's spilled something on the couch, trouble.

589
00:26:12,840 --> 00:26:17,440
Speaker 5: Bloody hell, the cavalry is on its way. One O

590
00:26:17,560 --> 00:26:20,919
Speaker 5: six five lengths you've gone to to keep something in

591
00:26:21,040 --> 00:26:21,920
Speaker 5: mint condition?

592
00:26:22,119 --> 00:26:23,879
Speaker 3: So he calls that next on thurday one and six five.

593
00:26:23,960 --> 00:26:27,280
Speaker 3: The more utrageous, the better it's will. Obviously that's the way.

594
00:26:28,200 --> 00:26:29,560
Speaker 3: That's good that it works.

595
00:26:29,840 --> 00:26:32,719
Speaker 5: What lengths have you gone to to keep something in

596
00:26:32,800 --> 00:26:36,240
Speaker 5: mint condition? Because a man affectionately known as the carptain,

597
00:26:37,320 --> 00:26:40,520
Speaker 5: he gets in like some sort of sumo stance and

598
00:26:40,600 --> 00:26:43,159
Speaker 5: waddles up his stairs. To keep the carpet in the

599
00:26:43,160 --> 00:26:45,879
Speaker 5: middle of the step, which is still to high traffic,

600
00:26:46,359 --> 00:26:48,720
Speaker 5: is to keep it in mint condition, and keep it Christine,

601
00:26:49,160 --> 00:26:52,720
Speaker 5: I love the Carptain myself. His wife Amber the horn

602
00:26:52,800 --> 00:26:55,879
Speaker 5: dog Horn thinks he's a cheap ass. Amber. Come I

603
00:26:56,320 --> 00:27:01,560
Speaker 5: Amber Horn Amber horns and relation to third sixty.

604
00:27:01,359 --> 00:27:03,119
Speaker 3: Five, give us a call if you do something to

605
00:27:03,200 --> 00:27:06,320
Speaker 3: keep things in mint count We've got Jess who's given

606
00:27:06,400 --> 00:27:06,760
Speaker 3: us a call.

607
00:27:06,760 --> 00:27:10,040
Speaker 2: Here, good I, yess, I here you going very good?

608
00:27:10,040 --> 00:27:10,359
Speaker 16: Thank you?

609
00:27:10,280 --> 00:27:11,240
Speaker 5: You dumbining your dad?

610
00:27:11,240 --> 00:27:11,400
Speaker 4: Here?

611
00:27:11,400 --> 00:27:12,840
Speaker 5: What is he keep in mint condition.

612
00:27:13,520 --> 00:27:16,760
Speaker 8: Well, my dad likes to keep his remotes wrapped in plastics.

613
00:27:17,359 --> 00:27:22,560
Speaker 5: Lost the buttons.

614
00:27:22,840 --> 00:27:24,640
Speaker 7: It's possible, but it's a little bit.

615
00:27:24,560 --> 00:27:26,199
Speaker 13: Weird, is it?

616
00:27:26,200 --> 00:27:28,199
Speaker 3: Like we're not like a bubble wrap though, yes, like

617
00:27:28,560 --> 00:27:30,520
Speaker 3: a film, like a plastic film that he's got over

618
00:27:30,560 --> 00:27:31,120
Speaker 3: the remote there.

619
00:27:31,600 --> 00:27:32,560
Speaker 12: Yeah, like a film?

620
00:27:32,600 --> 00:27:33,280
Speaker 2: Do you like?

621
00:27:33,640 --> 00:27:35,760
Speaker 7: More like a sick lock bag that he's typed.

622
00:27:35,560 --> 00:27:46,000
Speaker 2: Up dad's got. Why have you spoken to him at

623
00:27:46,040 --> 00:27:47,040
Speaker 2: all about why?

624
00:27:48,000 --> 00:27:49,560
Speaker 7: He just likes to keep him top not?

625
00:27:50,400 --> 00:27:52,080
Speaker 2: Have you ever taken him out? Have you ever like

626
00:27:52,119 --> 00:27:52,720
Speaker 2: taken him out?

627
00:27:53,000 --> 00:27:53,200
Speaker 8: Yeah?

628
00:27:53,320 --> 00:27:59,560
Speaker 11: He lost really bloody love that great stuff, Jes thanks

629
00:27:59,040 --> 00:27:59,840
Speaker 11: for God.

630
00:28:00,119 --> 00:28:03,520
Speaker 2: Loses his mind, puts he's remote in a sandwich.

631
00:28:03,040 --> 00:28:06,800
Speaker 5: Bag drinking, changes the bag like fresh bags every month

632
00:28:06,920 --> 00:28:11,399
Speaker 5: or something. Taylor, you're dobbing in your mom. I love this.

633
00:28:11,480 --> 00:28:13,520
Speaker 5: She tries to keep something in min condition.

634
00:28:15,520 --> 00:28:18,840
Speaker 17: So she brought them what white leather couchs ten years ago.

635
00:28:20,320 --> 00:28:25,120
Speaker 17: Got the most uncomfortable ones ever. And I've literally seen

636
00:28:25,160 --> 00:28:28,760
Speaker 17: the couches once because they've been covered with blankets. He

637
00:28:29,080 --> 00:28:32,200
Speaker 17: invites people over for a party and no one's allowed

638
00:28:32,200 --> 00:28:34,600
Speaker 17: to sit on them. And you're allowed to sit on

639
00:28:34,640 --> 00:28:38,400
Speaker 17: the blanket, but not if you're wearing denim jeans because.

640
00:28:39,240 --> 00:28:43,320
Speaker 5: White white hand, why not? Why not denim jeans.

641
00:28:42,240 --> 00:28:44,920
Speaker 17: Because apparently like the blue roop can like go on

642
00:28:44,960 --> 00:28:45,800
Speaker 17: the light way right.

643
00:28:45,840 --> 00:28:48,600
Speaker 2: Might die, the leather might Apparently.

644
00:28:48,800 --> 00:28:51,640
Speaker 17: They've got blankets over them, and you'll be sitting there

645
00:28:51,880 --> 00:28:54,000
Speaker 17: and if it falls down and like your hair might

646
00:28:54,080 --> 00:28:56,840
Speaker 17: touch it, to literally comes behind you and pull the

647
00:28:56,840 --> 00:28:57,440
Speaker 17: blanket up.

648
00:28:57,520 --> 00:28:59,760
Speaker 2: If your hand touches the couch, your mum pulls the

649
00:28:59,760 --> 00:29:03,600
Speaker 2: blank it up. Gee whiz who it is? Consider that

650
00:29:03,600 --> 00:29:04,000
Speaker 2: they're not.

651
00:29:03,960 --> 00:29:06,240
Speaker 3: Actually couches under there, Like maybe she's just got like

652
00:29:06,520 --> 00:29:09,959
Speaker 3: you know, kilos of contraband underneath the blanket.

653
00:29:10,040 --> 00:29:15,160
Speaker 5: Ye, maybe maybe stitching up your mum live on radio,

654
00:29:15,640 --> 00:29:18,640
Speaker 5: get onto her purpose, check those couches. I's got a

655
00:29:18,640 --> 00:29:21,640
Speaker 5: Debbie here for one six five Debbie, Uh, this is

656
00:29:21,720 --> 00:29:24,720
Speaker 5: you great? A bit of a confession here, dev What

657
00:29:24,840 --> 00:29:26,320
Speaker 5: do you try and keep him in condition?

658
00:29:27,480 --> 00:29:31,040
Speaker 8: Well, my dice and I don't use it often. It

659
00:29:31,240 --> 00:29:34,920
Speaker 8: costs me over a thousand dollars. But then I do.

660
00:29:35,400 --> 00:29:39,520
Speaker 8: After I've used it, I take out the container, I

661
00:29:39,720 --> 00:29:43,560
Speaker 8: get the hose, I hose it down the container that is,

662
00:29:44,000 --> 00:29:47,120
Speaker 8: and then I get the camoy for the car and

663
00:29:47,280 --> 00:29:47,920
Speaker 8: polysh it.

664
00:29:48,120 --> 00:29:51,640
Speaker 5: I think it's a shamoy go on, Debbie.

665
00:29:51,760 --> 00:29:57,200
Speaker 8: And my friends call me a tightus and I tell them, listen, love,

666
00:29:57,720 --> 00:30:02,479
Speaker 8: I'm not a tighter. Paid for this so much money,

667
00:30:02,520 --> 00:30:05,440
Speaker 8: so much of my income that when I come to

668
00:30:05,560 --> 00:30:09,440
Speaker 8: sell it I can get nearly what I paid for

669
00:30:09,520 --> 00:30:12,480
Speaker 8: it back. But they insist you're a tighter.

670
00:30:12,800 --> 00:30:16,800
Speaker 10: Staisy with.

671
00:30:18,960 --> 00:30:20,640
Speaker 2: You, you abolish that back.

672
00:30:21,480 --> 00:30:27,200
Speaker 3: That was totally wild. Alec Baldwin, the one and only

673
00:30:27,240 --> 00:30:31,720
Speaker 3: Alec Baldwin, has been spotted in a kebab shop, of

674
00:30:31,760 --> 00:30:36,240
Speaker 3: all places. He's had a tough He's at a tough

675
00:30:36,280 --> 00:30:38,400
Speaker 3: time Alec Baldwin, obviously after what happened on the set

676
00:30:38,440 --> 00:30:41,120
Speaker 3: of that movie, Like you wouldn't wish that any worst enemy.

677
00:30:41,120 --> 00:30:44,280
Speaker 3: What happened now, firing that gun, killing that person it

678
00:30:44,320 --> 00:30:47,200
Speaker 3: looks holding it was an accident and he was genuinely traumatized,

679
00:30:47,200 --> 00:30:51,120
Speaker 3: but he he looks he was actually mistaken for a

680
00:30:51,480 --> 00:30:56,600
Speaker 3: homeless person. Right, Right, and a few bemused residents finally

681
00:30:56,640 --> 00:30:59,640
Speaker 3: realized that it actually was Alec Baldwin in a it.

682
00:30:59,720 --> 00:31:01,920
Speaker 5: Was where is this sorry kebab still were a little.

683
00:31:01,800 --> 00:31:06,080
Speaker 3: A little Hampshire town somewhere in the UK countryside, right

684
00:31:06,120 --> 00:31:07,040
Speaker 3: and he's just.

685
00:31:06,920 --> 00:31:07,800
Speaker 2: Getting a kebab.

686
00:31:08,600 --> 00:31:11,800
Speaker 3: What time of the day was, no, no, no, Like

687
00:31:12,320 --> 00:31:14,160
Speaker 3: I don't know whether this is more tragic, but I

688
00:31:14,160 --> 00:31:16,120
Speaker 3: think it was like middle of the day, just a

689
00:31:16,160 --> 00:31:18,160
Speaker 3: standard line. It's not like it's not like he got

690
00:31:18,240 --> 00:31:20,200
Speaker 3: drunk and like style home and got a kebab.

691
00:31:20,240 --> 00:31:23,680
Speaker 2: I think he was just like checking out a kebab shop, right.

692
00:31:24,280 --> 00:31:27,480
Speaker 3: Anyway, he's filming himself at the moment, going around.

693
00:31:27,920 --> 00:31:29,520
Speaker 2: Yeah, he's filming himself going around.

694
00:31:30,640 --> 00:31:30,800
Speaker 8: Yeah.

695
00:31:30,920 --> 00:31:33,560
Speaker 3: Well, just this is him going around the town, and

696
00:31:33,840 --> 00:31:34,800
Speaker 3: these are his thoughts.

697
00:31:35,680 --> 00:31:37,480
Speaker 5: I look at little places like this and I think,

698
00:31:37,520 --> 00:31:39,080
Speaker 5: what's it like to live here?

699
00:31:39,680 --> 00:31:40,800
Speaker 2: Would you like to live here?

700
00:31:41,360 --> 00:31:42,640
Speaker 12: What did you'd like to grow up here?

701
00:31:42,680 --> 00:31:44,960
Speaker 2: With the young kid? And this was your home?

702
00:31:47,760 --> 00:31:50,479
Speaker 3: That is bizarre, Yeah, shocking, shocking, And I think if

703
00:31:50,480 --> 00:31:52,280
Speaker 3: you're in that sort of a situation, the last thing

704
00:31:52,320 --> 00:31:54,840
Speaker 3: you want to do is bump into anyone, Yeah, because

705
00:31:54,880 --> 00:31:56,480
Speaker 3: I mean that's that's grim.

706
00:31:56,560 --> 00:31:59,800
Speaker 5: Yeah, And unfortunately the towns obviously recognized him and yeah, yeah.

707
00:31:59,680 --> 00:32:01,640
Speaker 2: Sure, I'd loved even some calls from you guys.

708
00:32:01,640 --> 00:32:03,800
Speaker 3: Actually thirty one and six five, were you in an

709
00:32:03,840 --> 00:32:07,160
Speaker 3: awful position and then you bumped into the last person

710
00:32:07,200 --> 00:32:10,360
Speaker 3: you wanted to see if that's you thirty one and

711
00:32:10,400 --> 00:32:12,400
Speaker 3: six five, did you bump into the last person you

712
00:32:12,400 --> 00:32:14,440
Speaker 3: wanted to see before we get to those calls though,

713
00:32:14,760 --> 00:32:19,760
Speaker 3: question for you Alec boor let's if you're in that situation.

714
00:32:19,840 --> 00:32:22,840
Speaker 5: As in the town. It's a bit sloppy, slightly washed

715
00:32:23,040 --> 00:32:23,880
Speaker 5: filming myself.

716
00:32:24,000 --> 00:32:28,120
Speaker 3: Yeah yeah, I mean where do you think you'll be? Sorry,

717
00:32:28,520 --> 00:32:30,040
Speaker 3: which which part of the world do you think you'll

718
00:32:30,080 --> 00:32:30,360
Speaker 3: be in?

719
00:32:31,080 --> 00:32:32,000
Speaker 2: If you're washed up?

720
00:32:32,240 --> 00:32:33,800
Speaker 5: If I'm well, I left you.

721
00:32:34,560 --> 00:32:35,719
Speaker 2: Yeah, radio has finished.

722
00:32:35,720 --> 00:32:39,160
Speaker 3: I'm teaching post baroqu philosophy at the University of Siata.

723
00:32:39,200 --> 00:32:41,840
Speaker 5: Things will go great for you, great for you. I

724
00:32:41,880 --> 00:32:43,080
Speaker 5: mean you can't wait for retirement.

725
00:32:43,720 --> 00:32:47,440
Speaker 2: Having a good time, good time, deal downhill for me,

726
00:32:47,600 --> 00:32:50,040
Speaker 2: my kids speak five languages. I'm having a great time.

727
00:32:50,640 --> 00:32:51,600
Speaker 2: Where are you at that stage?

728
00:32:51,760 --> 00:32:59,120
Speaker 5: X Mouth, Northern Western Australia catching swordfish. I'm a swordsman,

729
00:33:00,040 --> 00:33:04,000
Speaker 5: so things are pretty good for me. I haven't seen

730
00:33:04,040 --> 00:33:06,920
Speaker 5: myself becoming a swordfish fisherman. Yeah yeah, but then I

731
00:33:07,080 --> 00:33:10,240
Speaker 5: just you know, I've never seen one, and gets around

732
00:33:10,240 --> 00:33:12,720
Speaker 5: me and they're going, he's a swordsman.

733
00:33:12,280 --> 00:33:14,880
Speaker 2: But you've never seen a swordfish.

734
00:33:14,960 --> 00:33:17,720
Speaker 5: Yeah, he's never seen a swordfish. Yeah, that's gonna be made,

735
00:33:18,000 --> 00:33:19,200
Speaker 5: and I'm going to be a real thing and people

736
00:33:19,200 --> 00:33:20,320
Speaker 5: will come and look at me in the pub. And

737
00:33:20,400 --> 00:33:23,440
Speaker 5: that's the fisherman never seen he's never seen a fish.

738
00:33:24,000 --> 00:33:24,720
Speaker 2: Where does he go?

739
00:33:25,560 --> 00:33:26,680
Speaker 16: Where the hell does he go?

740
00:33:27,480 --> 00:33:29,640
Speaker 5: Because the thing is, I've got no life skills.

741
00:33:33,920 --> 00:33:36,520
Speaker 2: All right, So back to the question I'm asking. I'm

742
00:33:36,720 --> 00:33:38,560
Speaker 2: really glad that you feel it in for me. Well,

743
00:33:38,640 --> 00:33:41,360
Speaker 2: let's say you are that swordfish fisherman. Yeah, you're in

744
00:33:41,440 --> 00:33:43,760
Speaker 2: your swordsman, you're in swordsman, you're a swordsman. You're up

745
00:33:43,760 --> 00:33:45,560
Speaker 2: in nex Mouth. Who's the last person in the world

746
00:33:45,600 --> 00:33:47,080
Speaker 2: you want to bump into when you're up there?

747
00:33:47,800 --> 00:33:48,360
Speaker 5: My family?

748
00:33:48,600 --> 00:33:48,800
Speaker 6: Yeah?

749
00:33:48,960 --> 00:33:52,400
Speaker 3: Probably that would be Jeez fell down for the big

750
00:33:52,600 --> 00:33:54,360
Speaker 3: he fell off the rails a long way down.

751
00:33:54,440 --> 00:33:57,640
Speaker 2: Pete Hellier, no doubt, Pete Hellier. Oh he's probably still successful.

752
00:33:57,760 --> 00:33:58,560
Speaker 2: Rolls into the town.

753
00:33:58,640 --> 00:34:01,320
Speaker 5: He just rubs it in my face Downe. Yeah. Probably

754
00:34:01,320 --> 00:34:03,160
Speaker 5: you Actually, I'd be in back. She'd be like, woods,

755
00:34:03,160 --> 00:34:04,640
Speaker 5: how I am? And I'd be like, things are going

756
00:34:04,680 --> 00:34:07,600
Speaker 5: great for me, Things are going great for me. I'm

757
00:34:07,640 --> 00:34:10,040
Speaker 5: a swordsman. Now that'd be hard.

758
00:34:09,719 --> 00:34:11,600
Speaker 2: Are you'd be lying to you're there?

759
00:34:11,600 --> 00:34:14,840
Speaker 5: With your family and you know, I'm obviously just a

760
00:34:14,840 --> 00:34:19,400
Speaker 5: absolute bum.

761
00:34:19,840 --> 00:34:24,279
Speaker 3: All right, thirty one six five Back to my question, Yeah,

762
00:34:24,640 --> 00:34:26,839
Speaker 3: did you bump into the last person you wanted to see?

763
00:34:27,120 --> 00:34:28,200
Speaker 5: Can I actually relate to this one?

764
00:34:28,280 --> 00:34:28,560
Speaker 2: You and me?

765
00:34:28,640 --> 00:34:31,439
Speaker 5: When we actually started this job, we did our first

766
00:34:31,520 --> 00:34:35,040
Speaker 5: radio show. It was shocking. It was my worst experience

767
00:34:35,040 --> 00:34:36,680
Speaker 5: of my life. I was so nervous and I actually

768
00:34:36,800 --> 00:34:38,719
Speaker 5: had a very tough time after that show. And we

769
00:34:38,760 --> 00:34:40,239
Speaker 5: actually talked about it. We were going to come back

770
00:34:40,280 --> 00:34:42,280
Speaker 5: in here and go guys, thanksgiving the job, but probably

771
00:34:42,280 --> 00:34:44,239
Speaker 5: shouldn't be us anyway. That night I was at home.

772
00:34:44,239 --> 00:34:45,600
Speaker 5: I didn't want to leave the house. My partner the

773
00:34:45,640 --> 00:34:47,320
Speaker 5: time was like, you have to leave the house. Please

774
00:34:47,400 --> 00:34:49,600
Speaker 5: leave the house. And then I get Fish and Chips.

775
00:34:49,680 --> 00:34:51,520
Speaker 5: Went to Fish and Chips and I saw Andy Lee

776
00:34:52,760 --> 00:34:55,680
Speaker 5: and I remember thinking like, it's just radio, you're my

777
00:34:55,800 --> 00:34:58,040
Speaker 5: obviously on the worst show ever. And then obviously he

778
00:34:58,080 --> 00:35:00,400
Speaker 5: came and said, Harks, he's a lovely, lovely guy. I

779
00:35:00,480 --> 00:35:04,239
Speaker 5: just started sweating and had pretty much a breakdown. Oh yeah,

780
00:35:04,480 --> 00:35:06,360
Speaker 5: as I was talking, and then he called our manager

781
00:35:06,400 --> 00:35:08,680
Speaker 5: and was just like, what are right?

782
00:35:08,880 --> 00:35:09,319
Speaker 14: That's right?

783
00:35:09,480 --> 00:35:11,120
Speaker 5: I think I was in my pajamas as well as

784
00:35:11,120 --> 00:35:13,160
Speaker 5: it was it was really.

785
00:35:13,120 --> 00:35:14,000
Speaker 2: In your pajamas.

786
00:35:14,000 --> 00:35:17,040
Speaker 3: It was at the Vision after the worst show of

787
00:35:17,040 --> 00:35:18,600
Speaker 3: your life and into your radio.

788
00:35:19,360 --> 00:35:20,280
Speaker 2: Yeah, that's that's.

789
00:35:20,120 --> 00:35:22,160
Speaker 3: That's bumping into the last person you want to see,

790
00:35:22,239 --> 00:35:23,520
Speaker 3: all right, thirty one and six five.

791
00:35:23,560 --> 00:35:24,759
Speaker 2: This can be very basic for you.

792
00:35:25,320 --> 00:35:29,239
Speaker 3: My ex girlfriend walked into my first date with my

793
00:35:29,320 --> 00:35:32,440
Speaker 3: current girlfriend, extraw That is the last person I wanted

794
00:35:32,480 --> 00:35:32,759
Speaker 3: to see.

795
00:35:33,239 --> 00:35:35,439
Speaker 2: When did you bump into the last person you wanted

796
00:35:35,480 --> 00:35:35,799
Speaker 2: to see?

797
00:35:36,400 --> 00:35:38,759
Speaker 5: Shocking moment, Borwan, that was.

798
00:35:38,719 --> 00:35:41,879
Speaker 3: Just anyone as he was in a random kebab shop

799
00:35:41,880 --> 00:35:43,840
Speaker 3: in the middle of the day, in a tiny Hamshire

800
00:35:44,000 --> 00:35:48,799
Speaker 3: filming himself. Yeah, filming himself, yeah, filming himself yeah yeah,

801
00:35:48,880 --> 00:35:54,640
Speaker 3: yeah yeah, I mean, and filming himself saying this, give

802
00:35:54,680 --> 00:35:55,320
Speaker 3: me a second.

803
00:35:56,440 --> 00:35:58,239
Speaker 5: I look at little places like this and I think,

804
00:35:58,280 --> 00:35:59,839
Speaker 5: what's it like to live here?

805
00:36:00,440 --> 00:36:01,760
Speaker 14: Would if you'd like to live here?

806
00:36:02,120 --> 00:36:03,760
Speaker 5: What did you'd like to grow up to? The Libyan

807
00:36:03,880 --> 00:36:06,920
Speaker 5: kid and this was your home. Joel had had to

808
00:36:06,920 --> 00:36:09,320
Speaker 5: see the boss. Now after that little cold.

809
00:36:12,800 --> 00:36:15,320
Speaker 3: Katie on thirday one of the five, get a Katie,

810
00:36:16,840 --> 00:36:18,000
Speaker 3: Hello Katie.

811
00:36:17,719 --> 00:36:19,520
Speaker 2: You bumped into someone you didn't want to see?

812
00:36:20,200 --> 00:36:27,279
Speaker 10: Oh yes, sort of so I, Oh hi, by the way, hid,

813
00:36:29,719 --> 00:36:33,719
Speaker 10: So I signed a new lease in my dream little

814
00:36:33,760 --> 00:36:39,120
Speaker 10: property and I'm standing in the loundroom with the landlord

815
00:36:39,200 --> 00:36:41,279
Speaker 10: signing the lease and I'm just having a chat. And

816
00:36:41,320 --> 00:36:44,840
Speaker 10: I asked about the neighbors and said, what's the street, like,

817
00:36:44,920 --> 00:36:49,560
Speaker 10: I'm a Neighbor's good and he was like, yeah, yeah,

818
00:36:50,239 --> 00:36:53,399
Speaker 10: like a run's really good. We've got, you know, really

819
00:36:53,400 --> 00:36:57,160
Speaker 10: family orientated. And then he kind of told me about

820
00:36:57,200 --> 00:36:59,920
Speaker 10: a couple of the neighbors and then gave me the

821
00:37:00,200 --> 00:37:06,320
Speaker 10: name of my actual right next door and it happened

822
00:37:06,480 --> 00:37:09,080
Speaker 10: to be my ex.

823
00:37:09,560 --> 00:37:13,919
Speaker 5: Blood the hell, so did you stay? Did you stay there?

824
00:37:14,920 --> 00:37:15,120
Speaker 8: Yeah?

825
00:37:15,160 --> 00:37:17,280
Speaker 6: I still live there and.

826
00:37:16,840 --> 00:37:19,879
Speaker 5: And did anything happened with the no?

827
00:37:19,880 --> 00:37:23,520
Speaker 10: No, No, I have a new boyfriend now, so we just

828
00:37:24,080 --> 00:37:24,919
Speaker 10: keep it low key.

829
00:37:25,120 --> 00:37:26,480
Speaker 6: But yeah, bit awkward.

830
00:37:27,800 --> 00:37:32,040
Speaker 5: Awkward moving in next to your ex that is like

831
00:37:32,080 --> 00:37:35,040
Speaker 5: a film is extraordinary of circumstance.

832
00:37:35,080 --> 00:37:37,080
Speaker 3: Let's go to Jasmine on thurday one and six five,

833
00:37:37,239 --> 00:37:40,879
Speaker 3: Jasmine the last person you wanted to see?

834
00:37:41,680 --> 00:37:48,000
Speaker 14: Yes, So, I had just played through the high and

835
00:37:48,280 --> 00:37:51,480
Speaker 14: I had gone to the chemist after right out to

836
00:37:51,719 --> 00:37:56,040
Speaker 14: grab a plan B and I have bumped, Yeah, I

837
00:37:56,360 --> 00:37:58,400
Speaker 14: bumped into my ex principal.

838
00:38:00,200 --> 00:38:04,080
Speaker 5: God was there was there an interaction.

839
00:38:05,360 --> 00:38:07,040
Speaker 14: He came up to me and just said, like, Phi,

840
00:38:07,200 --> 00:38:09,680
Speaker 14: how's it going. I said, just put it behind my back.

841
00:38:09,920 --> 00:38:11,040
Speaker 6: Oh, but it was.

842
00:38:11,200 --> 00:38:12,319
Speaker 8: It was traumatizing.

843
00:38:14,960 --> 00:38:17,160
Speaker 3: I don't think there's a scenario, but I mean that's

844
00:38:17,160 --> 00:38:19,600
Speaker 3: just I mean, like the whole Morning After pill is

845
00:38:19,800 --> 00:38:24,040
Speaker 3: just it's just just not Jasmine, you said plan B,

846
00:38:24,280 --> 00:38:26,040
Speaker 3: but like really, I mean you want to you never

847
00:38:26,080 --> 00:38:27,239
Speaker 3: really want to ever use it.

848
00:38:27,160 --> 00:38:28,600
Speaker 13: Do you? No?

849
00:38:28,600 --> 00:38:32,080
Speaker 3: No, such a shocking process to go through, and then

850
00:38:32,160 --> 00:38:32,800
Speaker 3: to see your.

851
00:38:32,719 --> 00:38:36,879
Speaker 5: Principal Jesus, would you go with first name then? I've

852
00:38:36,880 --> 00:38:37,560
Speaker 5: always wondered.

853
00:38:37,560 --> 00:38:42,640
Speaker 3: Then with the prince, let's judgment Jasmine, we're like, oh,

854
00:38:42,680 --> 00:38:44,480
Speaker 3: hi there, Roger, how are you good to see?

855
00:38:44,640 --> 00:38:46,799
Speaker 2: Maybe not Roger after last