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Speaker 1: Dower it by they I Radio WAPP from ninety six

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Speaker 1: air FM. So whereever you're listening today, this is Clezy

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Speaker 1: and Lisa's podcast.

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Speaker 2: Coming up on the podcast today, Tom Leeson joins us,

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Speaker 2: we asked.

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Speaker 3: You what happened on the first day? Could have been school,

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Speaker 3: could have been work, could have been a new club.

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Speaker 2: Benochet reviews Argyle, and we review The Greatest Night in Pop,

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Speaker 2: the new documentary about We Are the World.

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Speaker 3: And on the Shore report gongs for Lenny Kravitz, give

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Speaker 3: him more.

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Speaker 2: Tom Gleeson's in town at the heath Ledger Theater until Sunday.

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Speaker 4: Tickets for your show are through fringeworld dot com dot you.

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Speaker 5: Good morning, Tom, oh, good morning. Now I'm along tonight.

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Speaker 6: By the way, yes, I'm saying Thursday night, come along

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Speaker 6: tonight because the weekend's pretty much done.

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Speaker 5: Oh tonight.

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Speaker 2: You've got to get in quick smart to get a

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Speaker 2: ticket for any show, but tonight you might have.

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Speaker 3: A good night.

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Speaker 5: You'll probably get in.

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Speaker 4: The show is called gear, Yes, would you care to play?

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Speaker 7: Well?

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Speaker 5: Gear in stand up circles means material.

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Speaker 3: All righty right, we will.

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Speaker 6: Yeah, so I've brought my brand new gear. Okay, stand

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Speaker 6: up material to Perth because it wouldn't sound right, what

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Speaker 6: it if I I've brought my gear into state and

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Speaker 6: I'm selling it bringing Apple in Therefore, I.

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Speaker 5: So just to be clear, it's my brand new gear

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Speaker 5: that means stand.

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Speaker 3: Up tech okay tonight, because we have heard some cheap

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Speaker 3: gear on the streets, so there may well be you got.

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Speaker 4: That set that is in. What gear have you brought?

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Speaker 5: Well, yeah, it's top shelf gear.

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Speaker 3: You're on top gear.

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Speaker 6: And I should point out too that like I've come

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Speaker 6: to Fringe World and I'm performing here, but I'm not

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Speaker 6: using Perth as a warm up. I used Newcastle in

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Speaker 6: South Wales as a warm up in June. So I've

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Speaker 6: toured the Eastern States for months. I've used the Eastern

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Speaker 6: States as a dirty rag to polish up my goal.

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Speaker 6: And so the show's ready to go. Don't panic, this

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Speaker 6: show is it's good stuff you Yes, it's because I

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Speaker 6: know a lot of Internet national touring bands start international

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Speaker 6: tours in.

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Speaker 5: Perth and they are not reheard.

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Speaker 3: They do I am reheard loose a goose and they

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Speaker 3: just want to spend time at Trig Beach and I'm sharp.

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Speaker 6: Ass, I'm ready to go.

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Speaker 3: It's actually good to see you live and actually seeing

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Speaker 3: people again.

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Speaker 6: I know, it's great to be talking to you in

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Speaker 6: the same studio rather than on a phone.

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Speaker 3: Half chats.

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Speaker 4: Did a few zooms zoom.

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Speaker 5: Good to be beyond zoom.

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Speaker 2: It is good to be beyond zoom now touring hard

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Speaker 2: quiz live. How was it going from you know, the

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Speaker 2: studio back to on stage?

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Speaker 7: Well?

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Speaker 6: I did, Yeah, I did it for a couple of years,

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Speaker 6: and I did two big shows at the Convention Center

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Speaker 6: and that was fun and that was great doing it live.

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Speaker 6: But it's good to be back doing stand up now,

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Speaker 6: so I don't have to worry about contestants. Having said that,

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Speaker 6: I'm going to deal with hecklers, yeah, and I invite it.

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Speaker 6: I do say to people, come along to the show,

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Speaker 6: and I often give the audience a chance to tell

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Speaker 6: me what they did or didn't believe in the show,

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Speaker 6: and yelled out at the end of the show, which

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Speaker 6: is great. Someone on opening night yelled out. I mentioned

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Speaker 6: I was forty nine, and someone said I don't believe

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Speaker 6: that you're forty nine, which sounds like an insult. I said, well,

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Speaker 6: how how do you think I am? They went forty nine? Anyway,

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Speaker 6: They really backpedaled.

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Speaker 3: Really, they've got a bit shot that grindn't maybe interesting.

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Speaker 2: We had Russell Howard on just the other day and

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Speaker 2: we're talking about Heckler's with him and he said, someone

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Speaker 2: threw a dildo at.

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Speaker 3: It once, my god, and it was on and it

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Speaker 3: was on. Well he said it was That's what he said,

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Speaker 3: his words, he said it was on. We went.

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Speaker 5: Did he catched in his hands?

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Speaker 4: He said, I hit him in the head.

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Speaker 5: Oh, the head's the best place.

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Speaker 4: Everybody likes that.

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Speaker 5: That would be it'd be hard to come back from it.

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Speaker 4: So have you had a sex to a throat actually

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Speaker 4: or anything or any anything thrown?

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Speaker 5: Underpants strown at me?

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Speaker 8: Oh?

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Speaker 6: I've had, but you know the big ones because yeah,

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Speaker 6: ABC viewers and actually there might have been incontinence pat

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Speaker 6: in it.

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Speaker 5: What else?

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Speaker 6: Well, you know what I used to do after winning

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Speaker 6: the Gold LOGI I used to take it to shows

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Speaker 6: and let the audience hand it around the room because

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Speaker 6: it was the people's LOGI happy to do that. And

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Speaker 6: once in Woga in Regional in New South Wales, I

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Speaker 6: said to them can you throw it back to the

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Speaker 6: stage instead of can you passus.

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Speaker 4: Sack to the stage, which is what you meant.

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Speaker 5: And someone threw it from about four rows back. It's heavy, yeah,

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Speaker 5: and I caught it, but at I think it took

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Speaker 5: out a rib.

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Speaker 9: Yeah.

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Speaker 5: Anyways, it was it was a bit brutal.

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Speaker 4: That was that could have been very dangerous.

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Speaker 3: It took you literally, that's not good.

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Speaker 5: Yeah. I was almost hurt by my own award.

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Speaker 3: But there must be sometimes somewhere in the heckler is

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Speaker 3: gold for you because you just pick up on it

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Speaker 3: and you.

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Speaker 5: Just oh yeah, town, yeah, No, I love it.

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Speaker 6: It's and just it's that's the thing, like not many

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Speaker 6: people say, come along to the show and give me

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Speaker 6: your best, and it's great. I love it when people

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Speaker 6: yell at all kinds of weird shit. I mean someone

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Speaker 6: recently because I've got a routine that's about my mother,

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Speaker 6: and someone recently yelled that. But I know your mother.

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Speaker 6: I went to school with her. She would have never

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Speaker 6: said that. And I'm like, well, anyway, that turns out

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Speaker 6: it's so specific, yeah, isn't it. I was like, what's

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Speaker 6: what's I've had someone else yell out you used to

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Speaker 6: mow my lawns, and it's true.

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Speaker 5: I did.

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Speaker 6: His name was Bob. I used to know his lawns

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Speaker 6: to work at Westpac. Spoke, how familiar is this crowd?

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Speaker 6: Have people I'm your cousin. I get and they are

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Speaker 6: anyway far.

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Speaker 5: I've got a lot of relatives.

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Speaker 3: Yeah, you've been around. Yeah, everyone knows.

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Speaker 4: That's hilarious to school with him.

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Speaker 2: She wouldn't have said it that that that is grounds

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Speaker 2: for special suits.

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Speaker 5: I think, yes, I know, and it was. She was okay,

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Speaker 5: and then she was waiting around. She wants to meet

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Speaker 5: up with my mother again.

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Speaker 6: Yeah, yeah, my show is there a combination of story,

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Speaker 6: unions and ancestry.

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Speaker 5: That's confusing.

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Speaker 3: When you're Facebook, You're up there thinking are they bullshitting

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Speaker 3: or is it what's going on here?

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Speaker 5: You know, Well, it's it's too specific.

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Speaker 6: I was in ballarette and someone the other I used

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Speaker 6: to work with your mother at Kawai.

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Speaker 5: Piano, And I'm like, what's your name? He goes, Peter Gunn.

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Speaker 6: I'm like, okay, got ring mama. Did you used to

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Speaker 6: work with a Peter Ganner? Oh yeah, a couple of years.

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Speaker 3: I never forget that name.

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Speaker 5: Yeah, what she said, she said, you'll never forget that.

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Speaker 2: Your mom must be unreal because everyone's always wanting to

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Speaker 2: bring up your.

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Speaker 3: Mom I know, Yeah, she should be part of the show.

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Speaker 6: Yeah, well she was part of the show once upon

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Speaker 6: a time. She actually used to do a spot at

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Speaker 6: the end of my show. Yeah, about ten years ago.

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Speaker 6: Because what happened was she was she actually did a

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Speaker 6: stand up spot.

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Speaker 5: On a cruise that I was doing.

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Speaker 6: Yeah, and they had a gong show, you know, like

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Speaker 6: a talent quest show. She gets up to do stand

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Speaker 6: up and just like an amateur competition and without telling me,

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Speaker 6: and I was one of the judges, Yeah, I was mortified. Yeah,

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Speaker 6: there's a genuine chance of death here. She walks out,

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Speaker 6: she stands at the mic, she just has a moment

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Speaker 6: to just steady herself. Yes, and in that second that

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Speaker 6: it was just a pregnant pause. Someone yelled out, get

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Speaker 6: on with her grandma, and without hesitating, she went up.

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Speaker 6: Yours mate, got around of a pause, and you just

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Speaker 6: sailing off from there. She ended up winning, but as

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Speaker 6: a judge, I had to abstain. She won fair and square.

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Speaker 5: She got a show. Thereptain s.

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Speaker 4: But you can tell people really do say hello to

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Speaker 4: my mother.

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Speaker 8: Mate.

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Speaker 4: You've had lots of thousands.

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Speaker 2: In fact of applications for this year's new season of

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Speaker 2: Hard quiz.

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Speaker 4: How do you feilter through them?

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Speaker 2: Is it a case of just sort of ruling out

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Speaker 2: the you know, the subjects that have gone before, or.

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Speaker 6: Oh well you have to What people don't realize is

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Speaker 6: getting on the show at all in the achievement of

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Speaker 6: because there are limited spots. So they have to do

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Speaker 6: they have to do well in a quiz online just

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Speaker 6: to even be chosen. So that's just to get rid

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Speaker 6: of the you know nothing. And so then we have

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Speaker 6: experts subjects for television. Yes, and then we've got subjects

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Speaker 6: we're intrigued by. So then it's but then we're also

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Speaker 6: looking for personality. So sometimes when people say to me, yeah,

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Speaker 6: I've got this subject and it's a great subject.

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Speaker 5: I think that's pretty cool.

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Speaker 6: It may seem very smart, and they're like, why didn't

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Speaker 6: I get on, I'm like, it must be yours. Yes,

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Speaker 6: you've got to work on that, work on a personality,

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Speaker 6: and you get another.

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Speaker 3: Just contrigued on how someone works on their personality.

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Speaker 5: Yes, in front of the mirror, just practice.

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Speaker 3: You have a subject would off to the top of

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Speaker 3: your head, you know me the nerdy music facts or

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Speaker 3: real estate, the real estate, yeah, complete real estate, slanted

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Speaker 3: be Bravo shows we have had someone on with real health. Really,

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Speaker 3: i'd be pretty good and Kate Bush specialist subject.

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Speaker 2: Yeah, I do love Kate, which is the tragedy of

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Speaker 2: my life in recent times.

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Speaker 4: Though was I'd probably get more questions around.

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Speaker 6: Well, okay, so Kate Bush, you've got a personality because

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Speaker 6: radio clearly you're smart, though I'm not.

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Speaker 5: Sure about that.

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Speaker 4: I like to think.

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Speaker 5: So okay, you have to yes, pretty clue, pretty clue. Yeah, yeah,

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Speaker 5: you could be on.

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Speaker 3: It's in my contract to say that though.

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Speaker 6: Okay, but would you be happy to be on a

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Speaker 6: regular show, not a celebrity special because you're a first celebrity.

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Speaker 5: Yeah, but it'll be a national show. You just be

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Speaker 5: a regular from the person.

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Speaker 4: Nobody knows that what we do here. I'm not on

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Speaker 4: watch there anything.

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Speaker 3: I would watch that the lesser of the Telly. Yeah,

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Speaker 3: she gets paid like Jackie. Oh as well?

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Speaker 6: Really easy, that'd be great. We could plug the radio

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Speaker 6: show on the ABC, you know, plug anything. I don't come,

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Speaker 6: I'll slip it in. Thanks Tom, you mentioned your hand

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Speaker 6: the go. It's a gold log, isn't it right?

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Speaker 10: Yeah?

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Speaker 3: And around the crowd. But where does it sit normally?

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Speaker 3: Whereabouts is it at home At.

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Speaker 6: The moment, it's just sitting on my desk because it

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Speaker 6: still makes me laugh.

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Speaker 3: That makes us laugh.

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Speaker 5: I can't remember. I can't believe it's there. Yeah, like

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Speaker 5: it doesn't belong there.

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Speaker 2: Well, it is the most controversial gold logo of all time.

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Speaker 6: Yeah, yeah, controversially, don't have a sense of you, Well,

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Speaker 6: this is it.

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Speaker 2: It really separate rated the people with the sense of

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Speaker 2: humor from the people that don't have so many.

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Speaker 5: People who are in touch with the viewing audience, and

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Speaker 5: the people who.

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Speaker 2: Weren't, and the people who really really wanted a LOGI

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Speaker 2: from the people who thought this will be a fun,

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Speaker 2: proper motion anyway, all is on the land.

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Speaker 5: I should have.

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Speaker 6: Makeap are Amanda Keller and I were great. I love

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Speaker 6: really well. Yes, and it's not awkward anymore because she

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Speaker 6: doesn't get invited to the logis, so it's not awkward.

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Speaker 3: Easy mentioned.

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Speaker 4: Well, Gia.

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Speaker 2: It's at the heath Ledger Theater until Sunday. Tickets are

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Speaker 2: through Fringe World dot com Dot you. But don't think

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Speaker 2: at this stage you'll have any luck getting a weekend ticket.

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Speaker 2: But you might be okay for tonight to be good

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Speaker 2: if you get in right now.

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Speaker 6: Maybe the matinee on Saturday, machinate audience, right, you go, audience.

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Speaker 6: How many shows the matinee in the avo about three

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Speaker 6: I think at six point fifteen, really catering to my crowd.

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Speaker 2: And Breakfast Home On appears at the bar. Fantastic, Thank

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Speaker 2: you for coming in, Thank you.

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Speaker 5: You won't send me the bar?

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Speaker 3: Yeah, sorry, that's fun. More crazy, more Lisa, More podcasts soon, Lisa.

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Speaker 3: Let's be honest. We love a good music doco.

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Speaker 2: We love a good doco, yes, especially a music doco,

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Speaker 2: and we have both this week seen one which is

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Speaker 2: you must put on your must watch list asap.

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Speaker 4: You're going to love it.

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Speaker 3: It's this one a couple of days ago. Yeah.

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Speaker 4: Yeah, it's called the Greatest Nighting Pop.

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Speaker 3: Yeah. Absolute. It's all about We're the World.

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Speaker 2: It's about the recording of the charity single we Are

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Speaker 2: the World, which next January turns forty. So of course

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Speaker 2: we remember band Aid came out with do They Know

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Speaker 2: It's Christmas? That was released in December of nineteen eighty four.

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Speaker 2: The minute it came out on the Other side of

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Speaker 2: the Pond he had Harry Belafonte was probably the first one.

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Speaker 4: It was about it, they.

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Speaker 2: Realized, oh, we need to do one of these. So

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Speaker 2: Harry Belafonte contacted the wonderful music producer manager Maestro Ken Craigan,

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Speaker 2: and they talked about doing a similar style single. They

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Speaker 2: got hold of course, you go to Quincy Jones. Who

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Speaker 2: else do you go to?

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Speaker 4: The man?

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Speaker 2: And Quincy got hold of Michael Jackson and Lionel Richie

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Speaker 2: and said, write me a song and we'll get it together.

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Speaker 3: So then Lionel and Michael tried to contact Stevie wonder

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Speaker 3: but Stevie didn't get back.

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Speaker 4: To this if he wasn't answering the first.

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Speaker 3: So as this thing was starting to build, all of

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Speaker 3: a sudden, I go, we've got to write the song.

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Speaker 3: We can't wait for Steve to get back to us.

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Speaker 2: By the way, the song came out on The song

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Speaker 2: was recorded on January twenty eighth, so they were doing

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Speaker 2: this in three weeks essentially. So how do you get

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Speaker 2: how do you get the incredible the incredible lineup of

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Speaker 2: people they had had all in one room on one night. Well,

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Speaker 2: they worked out they could do it on the night

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Speaker 2: of the American.

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Speaker 3: Music The Animal was in town.

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Speaker 4: The AMA's which Lionel Richie was hosting.

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Speaker 3: Yeah, so this is Lionel speaking about that that stage

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Speaker 3: of getting it all together.

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Speaker 5: But we only had one night to get this right.

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Speaker 5: Let's get this party started.

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Speaker 4: And received this call from.

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Speaker 11: Pabela Fonte and he wants to.

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Speaker 5: Do some kind of a song for famine relief in Africa.

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Speaker 5: Basically what he said was I need you.

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Speaker 2: We just thought we told together as many artists as

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Speaker 2: we could and figure it out.

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Speaker 4: It was just a wish list. So guess without knowing

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Speaker 4: there was going to be on it.

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Speaker 3: Bob Dylan, Stevie Wonder, Paul Simon, Cyndi lauper At Midler,

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Speaker 3: Billy Georges, Steve Perry, Willie Nelson.

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Speaker 5: I think we have Julia, Diana Ross. Everybody was there.

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Speaker 4: Wow, I think we have everybody was there. It would

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Speaker 4: be easier to list the people that weren't. Weren't there.

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Speaker 2: There was a hand fall because they were touring. Yeah, yes,

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Speaker 2: so they just couldn't get hold of them. But it

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Speaker 2: was incredible the coming together and of course some had solos,

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Speaker 2: some were just in the chorus, but they got them

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Speaker 2: all in this room. After the AMAS at which Lionel

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Speaker 2: had won.

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Speaker 3: Five and he was hosting as well, and he.

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Speaker 2: Was hosting, but he went straight to this secretly picked studio,

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Speaker 2: as they all did. So you would think in nineteen

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Speaker 2: eighty five this lot would be off to celebrate after

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Speaker 2: the AMAS in the only way that they did in

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Speaker 2: the eighties.

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Speaker 4: But no, they got to this place so careful the

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Speaker 4: way they picked the venue.

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Speaker 3: But they had to be careful with security, so they

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Speaker 3: couldn't tell anyone. They couldn't tell anyone who couldn't tell

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Speaker 3: their families where they were going. And I probably thought

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Speaker 3: they were all en after pay.

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Speaker 2: So they all rocked up at ten o'clock at night.

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Speaker 2: It was all recorded. The proceedings had finally wrapped up

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Speaker 2: about seven o'clock the next morning.

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Speaker 3: So incredible.

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Speaker 2: But you know, you would think with all these egos

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Speaker 2: in a room there could be some problems, and there

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Speaker 2: really really was a couple of times.

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Speaker 3: A couple of times it got a little heated, but

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Speaker 3: it wasn't like but it wasn't like the Beatles wanting

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Speaker 3: to strangle, Like anyone's.

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Speaker 2: Going to start getting a bit heated at seven o'clock

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Speaker 2: in the morning when they've been up all, you know,

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Speaker 2: all day of the day before and they're trying to

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Speaker 2: get their you know, their tracks down and it was

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Speaker 2: great that Bob Geldoff was there, Yes, and he gave

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Speaker 2: them all a bit of a pep talk.

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Speaker 3: From the beginning what it was about, you know.

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Speaker 4: Sort of so everyone knew what it was about.

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Speaker 2: There is this great bit with Cyndy Law prom why

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Speaker 2: she almost didn't make it all.

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Speaker 4: I'm going to say about with Harry Belafonte.

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Speaker 2: There's a scene in the doco where they they you know,

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Speaker 2: they acknowledged that Harry is the man that brought it

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Speaker 2: all together, and they start singing the Banana Boat song

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Speaker 2: at him. The old yeah goes, look on, Harry, just

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Speaker 2: look out for the bit that Stevie Wonder six I laughed,

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Speaker 2: it is really loud.

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Speaker 3: Yeah, you probably tell we're trying to not give spoilers here,

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Speaker 3: you know, we don't want to spoil it and say

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Speaker 3: that Algio the very smooth singing he's saying the Moonlighting

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Speaker 3: TV theme, right, Algio is like, no, you're forty five

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Speaker 3: year old dad rocking up the school. He's so excited.

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Speaker 2: He definitely still wanted to celebrate the AMAS while they

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Speaker 2: were filming this. And one other thing to look out

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Speaker 2: for is just how nervous Bob.

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Speaker 4: Dylan was very awkward and very awkward.

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Speaker 3: He wasn't the only one.

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Speaker 2: It could be forgiven for thinking Bob doesn't he's not

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Speaker 2: into it, he doesn't care.

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Speaker 4: But he was so anxious. He was so anxious.

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Speaker 2: And then finally, you know when, because they've filmed all

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Speaker 2: the solo bits last and I think they've filmed Bob

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Speaker 2: last of last, and he was finally put at ease

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Speaker 2: by the wonderful Stevie.

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Speaker 3: Wonder Stevie just hugs you and plays a bit of

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Speaker 3: music on the piano and then you're yeah. And also

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Speaker 3: watching so many of them anxious, these huge vocal giants

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Speaker 3: getting anxious because it's their bit, so they get nervous.

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Speaker 2: I'd forgotten how when this song was released, and it

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Speaker 2: was released on March the seventh in nineteen eighty five,

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Speaker 2: it was released simultaneously around the world. Do you remember

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Speaker 2: now us all tuning in to watch the video. I'd

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Speaker 2: forgotten that until this and.

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Speaker 3: Everyone's singing the song at the same time, which was

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Speaker 3: pretty cool.

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Speaker 2: It has of course, it went on to raise a

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Speaker 2: kajillion dollars eighty million or something in the first tape,

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Speaker 2: and then it has continued to raise money for a

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Speaker 2: long time.

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Speaker 3: So could you do it now, Lise, I don't think

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Speaker 3: so if you're because I reckon part of the reason

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Speaker 3: for a lot of the stars showing up is they

400
00:17:20,640 --> 00:17:22,240
Speaker 3: didn't want to get shown up by the English who

401
00:17:22,240 --> 00:17:24,760
Speaker 3: had done band aid. So they've gone, well, we've got

402
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Speaker 3: to do that because.

403
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Speaker 4: They didn't want to get shown up by each other.

404
00:17:27,359 --> 00:17:29,440
Speaker 3: Yeah, but now music's different, so so many of the

405
00:17:29,480 --> 00:17:32,159
Speaker 3: artists record bits and send it to each other digital.

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Speaker 4: They did it now, they would do it on zoom.

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00:17:34,760 --> 00:17:39,080
Speaker 3: Yeah. So you again, Taylor Swift and Beyonce and post

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00:17:39,160 --> 00:17:40,639
Speaker 3: Malone all in the same room, or if in near

409
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Speaker 3: the UK, would you get Harry Styles and each year

410
00:17:43,160 --> 00:17:44,560
Speaker 3: and undo a leaper in the same room. I don't

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Speaker 3: think you were. I think it would be very difficult

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00:17:46,160 --> 00:17:48,600
Speaker 3: to do with the way things are recorded now. Yeah,

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00:17:48,880 --> 00:17:51,440
Speaker 3: this was just a moment in time and it gets

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Speaker 3: quite amich.

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Speaker 2: It was an incredible I felt very emotional watch all

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Speaker 2: the fields. Actually a laughter cried it was. It's just

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00:17:59,520 --> 00:18:03,080
Speaker 2: a one full documentary. It's on Netflix, yep. So it's

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Speaker 2: the greatest night and pop.

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Speaker 3: It don't A lot of people will be talking about

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00:18:08,119 --> 00:18:10,439
Speaker 3: the sun in Perth today. Imagine your first day back

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Speaker 3: at school for the year. The kids at Bob Hawk

422
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Speaker 3: College there and Subie, and all of a sudden there's

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Speaker 3: no aircon and there's no power obviously, noek on, no

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00:18:20,880 --> 00:18:23,600
Speaker 3: phone coverage, and they go. Parents will sent a message

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Speaker 3: to say the kids can go home with.

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Speaker 2: The Okay, clay, we did our entire primary schooling and

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Speaker 2: asbestost amountables without air conditioning. Yep, all we looked forward

428
00:18:34,480 --> 00:18:37,560
Speaker 2: to a freezer at lunchtime. Oh and a red tongue

429
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Speaker 2: for the rest.

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Speaker 4: Of the day.

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00:18:38,560 --> 00:18:41,880
Speaker 3: The triangular ones that was crueling down. I was a

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Speaker 3: lime split kind of guy, and it was Bob Hawk College.

433
00:18:46,040 --> 00:18:47,480
Speaker 3: They could have got out some yard glasses for the

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Speaker 3: kids and give them a We.

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Speaker 4: Wanted to open the phones.

436
00:18:51,720 --> 00:18:54,399
Speaker 2: We've all seen everyone's photos of their you know, and

437
00:18:54,400 --> 00:18:58,200
Speaker 2: then such Goblin's back at school this week. It's enough already,

438
00:18:58,359 --> 00:19:00,640
Speaker 2: it's there's got to be a cut off, and it's

439
00:19:00,640 --> 00:19:03,840
Speaker 2: got to be today. Yeah, but we want to talk

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00:19:03,840 --> 00:19:06,800
Speaker 2: about what happened on your first day, not just at school.

441
00:19:07,040 --> 00:19:09,000
Speaker 4: Could be it could be your first day of school.

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00:19:09,040 --> 00:19:10,840
Speaker 2: It could be a first day at a new job,

443
00:19:11,000 --> 00:19:14,680
Speaker 2: be a first day at a new club.

444
00:19:14,480 --> 00:19:15,919
Speaker 3: Might be a sporting or a.

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00:19:15,960 --> 00:19:18,760
Speaker 4: Book club, or any first day at yogur A pilates.

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Speaker 2: But we want to talk about what happened on the

447
00:19:21,680 --> 00:19:22,640
Speaker 2: first day.

448
00:19:23,160 --> 00:19:24,280
Speaker 4: Have you had any first I can.

449
00:19:24,400 --> 00:19:27,520
Speaker 3: I remember that anything comes to mind, not that comes immediately.

450
00:19:27,800 --> 00:19:27,960
Speaker 1: Yeah.

451
00:19:28,000 --> 00:19:29,920
Speaker 3: I think about the first day when I changed radio

452
00:19:29,920 --> 00:19:32,199
Speaker 3: stations from Mereden out at six MB and Merit and

453
00:19:32,240 --> 00:19:34,080
Speaker 3: I moved to Bunbury. The one thing I hadn't done

454
00:19:34,119 --> 00:19:36,480
Speaker 3: when when I took the job, I hadn't checked what

455
00:19:36,560 --> 00:19:38,520
Speaker 3: kind of music they played, and I rocked up time.

456
00:19:38,600 --> 00:19:41,080
Speaker 3: Really yeah, well yeah country radio station. You think you

457
00:19:41,200 --> 00:19:42,560
Speaker 3: played a bit of a mixed, bit of a blend.

458
00:19:42,600 --> 00:19:43,960
Speaker 3: And I rocked up. And I was staying at the

459
00:19:43,960 --> 00:19:45,600
Speaker 3: They put me up in the motel for a few days.

460
00:19:45,840 --> 00:19:49,040
Speaker 3: So my first day it was the shady motel on

461
00:19:49,080 --> 00:19:49,919
Speaker 3: the back beach of Bundley.

462
00:19:49,960 --> 00:19:52,080
Speaker 4: Well it's fancy when you were young, nineteen.

463
00:19:52,160 --> 00:19:54,600
Speaker 3: Yeah. So I turned on the radio on my first

464
00:19:54,640 --> 00:19:56,480
Speaker 3: day of work. I'm heading in at eight o'clock or something,

465
00:19:56,520 --> 00:19:59,439
Speaker 3: and I hear the breakfast announcer. He's playing nothing but

466
00:19:59,520 --> 00:20:04,000
Speaker 3: country music. Oh and he's playing whales and western country

467
00:20:04,040 --> 00:20:06,719
Speaker 3: and western Now they've been Dollie and Kenny, that's all right,

468
00:20:06,760 --> 00:20:09,960
Speaker 3: but he was playing Whalen Jennys, Reba McIntyre and Alabama,

469
00:20:10,040 --> 00:20:12,840
Speaker 3: and I'm going, what have I done? What have I done?

470
00:20:13,040 --> 00:20:14,920
Speaker 3: Luckily I got to work. I found out that Chris Mills,

471
00:20:14,920 --> 00:20:17,040
Speaker 3: the brecking jock Millsy, had been there for one hundred years.

472
00:20:17,040 --> 00:20:19,800
Speaker 3: He was later plays favorite music between five and six am. Oh,

473
00:20:20,240 --> 00:20:23,440
Speaker 3: then came more contemporary. We do that you want to

474
00:20:23,440 --> 00:20:27,119
Speaker 3: play Reba mcintoe between and yeah, can we?

475
00:20:27,240 --> 00:20:27,359
Speaker 10: Oh?

476
00:20:27,359 --> 00:20:31,119
Speaker 3: Could you imagine it? So that was the great relief

477
00:20:31,160 --> 00:20:32,720
Speaker 3: from the first day. But at first I went, what

478
00:20:32,840 --> 00:20:36,480
Speaker 3: have I done? I'm playing Reba mcabar wherever. Great talent,

479
00:20:36,600 --> 00:20:37,359
Speaker 3: but not my style.

480
00:20:37,480 --> 00:20:40,679
Speaker 2: Diane and Morley, good morning, Good morning. What happened on

481
00:20:40,720 --> 00:20:41,640
Speaker 2: your first day?

482
00:20:42,040 --> 00:20:46,400
Speaker 7: Yes, nineteen sixty two, little country town called cookran first

483
00:20:46,480 --> 00:20:49,520
Speaker 7: day of school, momping through the schoolgate, big dumb tree,

484
00:20:49,840 --> 00:20:51,600
Speaker 7: dive bombed by a magpie.

485
00:20:51,800 --> 00:20:53,080
Speaker 3: Oh, welcome to school.

486
00:20:53,200 --> 00:20:55,320
Speaker 12: Oh my god, your first day of school.

487
00:20:55,480 --> 00:20:57,720
Speaker 11: And I thought, geez, that's something that hurt my head.

488
00:20:57,760 --> 00:20:59,239
Speaker 10: So I'm rubbing my head and then I look at

489
00:20:59,280 --> 00:21:01,159
Speaker 10: my hand, bloody, all the blood.

490
00:21:01,200 --> 00:21:04,679
Speaker 4: I'm like, oh, yeah, I don't like school to start.

491
00:21:05,040 --> 00:21:08,879
Speaker 4: I want to go back five because I let you

492
00:21:08,920 --> 00:21:11,080
Speaker 4: start early in those you poor little.

493
00:21:11,080 --> 00:21:14,399
Speaker 3: Poor little nipper. How did you bounce back, Diane? How

494
00:21:14,400 --> 00:21:15,440
Speaker 3: did you get through the day?

495
00:21:17,040 --> 00:21:19,240
Speaker 7: Well, I bored my eyes out obviously, start with when

496
00:21:19,240 --> 00:21:20,520
Speaker 7: I saw the blood.

497
00:21:21,640 --> 00:21:23,000
Speaker 12: But yeah, no, I made it.

498
00:21:23,320 --> 00:21:25,280
Speaker 4: I made it true.

499
00:21:25,840 --> 00:21:27,880
Speaker 3: We were tough, that's resilient.

500
00:21:29,320 --> 00:21:31,480
Speaker 2: You didn't have air conditioning any classroom either, did you

501
00:21:32,119 --> 00:21:36,439
Speaker 2: go now? You had to go home these days if

502
00:21:36,480 --> 00:21:37,159
Speaker 2: it's not working.

503
00:21:37,480 --> 00:21:40,600
Speaker 3: Thank you, you're a survivor make school.

504
00:21:40,600 --> 00:21:44,560
Speaker 2: I worry we're shelling the vines.

505
00:21:44,640 --> 00:21:48,399
Speaker 4: Helloll, Hi, how are you good? What happened on your

506
00:21:48,440 --> 00:21:48,960
Speaker 4: first day?

507
00:21:49,200 --> 00:21:51,600
Speaker 11: Well, and this wasn't my first day.

508
00:21:51,800 --> 00:21:54,080
Speaker 10: It was doing a job, and I've just moved apartments,

509
00:21:54,119 --> 00:21:59,160
Speaker 10: but I completely different precisions. So yes, So I moved into.

510
00:21:58,960 --> 00:22:02,040
Speaker 12: A department and it was predominantly young.

511
00:22:02,160 --> 00:22:04,800
Speaker 10: Men areas like supply department. And there was a few

512
00:22:04,880 --> 00:22:08,720
Speaker 10: ladies that were in the office. And I was by far,

513
00:22:08,880 --> 00:22:12,320
Speaker 10: being fifty thirty oldest female most well, I was your

514
00:22:12,480 --> 00:22:16,879
Speaker 10: female amongst the team. And on this particular.

515
00:22:16,400 --> 00:22:18,800
Speaker 12: Day, as a lot of girls do, so, I've seen

516
00:22:19,240 --> 00:22:22,600
Speaker 12: I've such a ten in my plentytail so that it

517
00:22:22,600 --> 00:22:25,280
Speaker 12: would painding because I had to marketings off when I

518
00:22:25,400 --> 00:22:27,080
Speaker 12: had seen them and collected them.

519
00:22:27,160 --> 00:22:30,440
Speaker 11: And on a particular day, my first day, it decided

520
00:22:30,520 --> 00:22:36,680
Speaker 11: to first so leap or through my hair or through

521
00:22:36,680 --> 00:22:39,600
Speaker 11: my plonytail. And if I don't know, if you know

522
00:22:39,640 --> 00:22:40,320
Speaker 11: what it's like.

523
00:22:40,359 --> 00:22:44,439
Speaker 10: It's like a glue. You start to watch it and

524
00:22:44,480 --> 00:22:47,560
Speaker 10: it says more and more and more things to become.

525
00:22:47,359 --> 00:22:50,000
Speaker 13: Head of the wad of blue.

526
00:22:50,240 --> 00:22:52,880
Speaker 10: And yeah, so that was I was like, as I said,

527
00:22:52,880 --> 00:22:55,760
Speaker 10: oswops at the time, and I was very aware of

528
00:22:55,800 --> 00:22:57,359
Speaker 10: my age, and I felt like I was getting a

529
00:22:57,359 --> 00:22:57,840
Speaker 10: blue rint.

530
00:23:01,960 --> 00:23:03,200
Speaker 4: Look at it, way.

531
00:23:05,400 --> 00:23:12,240
Speaker 13: Modern, lovely, lovely young men helping me with alcohol bobs

532
00:23:12,280 --> 00:23:15,520
Speaker 13: and we had at hand.

533
00:23:15,560 --> 00:23:17,720
Speaker 11: But yes, that was my moment of.

534
00:23:19,560 --> 00:23:21,200
Speaker 3: Chelle, you go ahead of your time. You're getting ink

535
00:23:21,240 --> 00:23:24,240
Speaker 3: before anyone else. That's amazing. It's all are you. I

536
00:23:24,280 --> 00:23:25,399
Speaker 3: bet your birthday uniform.

537
00:23:25,720 --> 00:23:28,240
Speaker 2: You did manage to elicit plenty of attention from the

538
00:23:28,240 --> 00:23:32,600
Speaker 2: young men in the department on day one, and I

539
00:23:32,680 --> 00:23:33,640
Speaker 2: made notice.

540
00:23:33,359 --> 00:23:34,360
Speaker 11: A very helpful one.

541
00:23:35,240 --> 00:23:39,600
Speaker 4: It was like sweet Roundaboutelle.

542
00:23:38,960 --> 00:23:41,040
Speaker 3: Identified the sweethearts early. Well done.

543
00:23:42,520 --> 00:23:46,800
Speaker 4: There, Peter and yki key, Hello, hello, good morning.

544
00:23:47,240 --> 00:23:49,560
Speaker 9: My first day in high school. I came from a

545
00:23:49,600 --> 00:23:52,639
Speaker 9: little primary school and then first day in high school.

546
00:23:52,680 --> 00:23:56,160
Speaker 9: You know, you get to all different classes. I thought

547
00:23:56,200 --> 00:23:59,920
Speaker 9: I had a mess, so I'm waiting there, waiting there. Anyway,

548
00:24:00,359 --> 00:24:03,560
Speaker 9: I was wrong. It was a library, so here I go.

549
00:24:03,680 --> 00:24:06,560
Speaker 9: And we were sitting in alphabetic water, so you knew

550
00:24:06,560 --> 00:24:10,080
Speaker 9: where you're sitting near. So I just walked in and

551
00:24:10,720 --> 00:24:14,359
Speaker 9: went to my seat. Then the teacher, where do you

552
00:24:14,440 --> 00:24:17,080
Speaker 9: think you're going? I said, to sit down, miss, you know,

553
00:24:17,560 --> 00:24:22,560
Speaker 9: and you know anyway, she said, get back here and

554
00:24:22,680 --> 00:24:25,680
Speaker 9: get that smirk off your face. Well, the whole class

555
00:24:26,480 --> 00:24:29,680
Speaker 9: just erupted and she started getting a bit of rape,

556
00:24:29,760 --> 00:24:32,320
Speaker 9: you know. She said, and what's how come you'll use

557
00:24:33,280 --> 00:24:35,919
Speaker 9: what's your name? And I said Peter smirk and I

558
00:24:35,960 --> 00:24:37,479
Speaker 9: said I can't get it off as a natural.

559
00:24:39,080 --> 00:24:39,640
Speaker 5: That's great.

560
00:24:41,760 --> 00:24:43,400
Speaker 4: Waites that the tide Peg.

561
00:24:45,400 --> 00:24:51,679
Speaker 3: Years love that.

562
00:24:54,240 --> 00:24:58,280
Speaker 2: Natalie Rockingham Helon, Hi, good morning guys. What happened on

563
00:24:58,320 --> 00:24:59,120
Speaker 2: your first day?

564
00:24:59,440 --> 00:25:02,240
Speaker 8: I woul a very first day as a posty on

565
00:25:02,280 --> 00:25:05,520
Speaker 8: the book Motorbike, And my very first day I had

566
00:25:05,560 --> 00:25:08,320
Speaker 8: to ring up and it was in like middle of

567
00:25:08,440 --> 00:25:10,560
Speaker 8: winter and I had to ring up and say I

568
00:25:10,600 --> 00:25:13,840
Speaker 8: can't come in today because my ceiling has collapsed.

569
00:25:13,880 --> 00:25:16,480
Speaker 7: I've got water coming out of my ceiling light and

570
00:25:16,560 --> 00:25:17,320
Speaker 7: my kids.

571
00:25:17,080 --> 00:25:18,280
Speaker 12: Might get electrotuded.

572
00:25:19,000 --> 00:25:21,080
Speaker 11: So I was in a major panic.

573
00:25:21,320 --> 00:25:25,160
Speaker 7: Yeah, so I was all panic, panic, panic, Oh no,

574
00:25:25,280 --> 00:25:25,840
Speaker 7: my kids are.

575
00:25:25,720 --> 00:25:26,639
Speaker 4: Going to get electricuded.

576
00:25:27,040 --> 00:25:28,920
Speaker 3: Yeah, to go down to work.

577
00:25:29,560 --> 00:25:29,840
Speaker 8: I know.

578
00:25:29,960 --> 00:25:33,320
Speaker 7: They were really good about it actually. And then in

579
00:25:33,359 --> 00:25:36,920
Speaker 7: the following like in that same week of being there,

580
00:25:37,160 --> 00:25:40,680
Speaker 7: I of course it's winter and all the residents going

581
00:25:40,680 --> 00:25:43,560
Speaker 7: around on the roundabout and my bike went out from

582
00:25:43,600 --> 00:25:48,000
Speaker 7: underneath me. So I had cow trucks, ambulances and even

583
00:25:48,080 --> 00:25:50,760
Speaker 7: the post evan there to pick me all up. It

584
00:25:50,800 --> 00:25:54,240
Speaker 7: was just a small flight. Nothing wrong with me, nothing

585
00:25:54,280 --> 00:25:56,040
Speaker 7: wrong with the flight, but because the bike went out

586
00:25:56,040 --> 00:25:59,639
Speaker 7: from underneath me, and tow trucks and ambulance were called

587
00:25:59,760 --> 00:26:04,040
Speaker 7: and everyone else was there to start.

588
00:26:04,320 --> 00:26:10,280
Speaker 2: Yeah, well as long as you were okay on both occasions.

589
00:26:10,520 --> 00:26:11,720
Speaker 11: Yes, yes, I.

590
00:26:11,880 --> 00:26:14,200
Speaker 7: Got the feeling six not a problem.

591
00:26:14,280 --> 00:26:17,080
Speaker 4: Yeah, yes, unfortunately it might.

592
00:26:17,200 --> 00:26:19,640
Speaker 11: Concern was because the kids get up first thing, turn

593
00:26:19,680 --> 00:26:20,600
Speaker 11: the light on, turn.

594
00:26:20,480 --> 00:26:21,160
Speaker 9: The TV on.

595
00:26:21,560 --> 00:26:24,600
Speaker 2: Course, things going out from under you and falling on

596
00:26:24,640 --> 00:26:26,400
Speaker 2: top of you.

597
00:26:26,560 --> 00:26:29,440
Speaker 4: He'll look out, thank you.

598
00:26:29,560 --> 00:26:32,879
Speaker 3: I wasn't post postwoman in all the drama.

599
00:26:33,119 --> 00:26:39,040
Speaker 1: First in Natalie More Crazy More Lisa Poor podcast soon,

600
00:26:43,400 --> 00:26:48,400
Speaker 1: there's sure report on ninety six air FM.

601
00:26:48,440 --> 00:26:52,919
Speaker 2: Have you seen the documentary Last Stop Larimer on Netflix?

602
00:26:53,280 --> 00:26:55,120
Speaker 4: Have you watched this? You sure?

603
00:26:55,200 --> 00:26:57,679
Speaker 2: It's the story of Paddy Moriarty, who disappeared from the

604
00:26:57,720 --> 00:26:59,960
Speaker 2: tiny town of Larima in the Northern Territory in twenty

605
00:27:00,160 --> 00:27:04,680
Speaker 2: seventeen with residents of the town interesting. Residents are becoming

606
00:27:04,720 --> 00:27:07,240
Speaker 2: suspects in an ongoing police investigation.

607
00:27:07,800 --> 00:27:09,920
Speaker 3: Is start bitching each other?

608
00:27:11,160 --> 00:27:11,320
Speaker 9: Yeah?

609
00:27:11,720 --> 00:27:12,040
Speaker 5: Well now.

610
00:27:12,119 --> 00:27:14,560
Speaker 2: Stan has used the story as inspiration for a new

611
00:27:14,600 --> 00:27:17,600
Speaker 2: series being released next month. Shot entirely in the Kimberly

612
00:27:18,000 --> 00:27:22,840
Speaker 2: It's called Population eleven. Mad Men star Ben Feldman plays

613
00:27:22,880 --> 00:27:26,800
Speaker 2: an American man who travels to Australia after his estrange father, Hugo,

614
00:27:26,840 --> 00:27:30,959
Speaker 2: goes missing. It co stars Genevieve Lemon and Stephen Curry.

615
00:27:31,359 --> 00:27:33,760
Speaker 3: I was wondering if I could use your Internet Internet?

616
00:27:34,119 --> 00:27:35,520
Speaker 5: May I use your Internet?

617
00:27:36,119 --> 00:27:41,119
Speaker 3: Internet with a T? Yes, Internet with a T. No,

618
00:27:41,240 --> 00:27:42,320
Speaker 3: we don't have Internet.

619
00:27:43,520 --> 00:27:45,320
Speaker 2: I think that tells us what it's going to be like.

620
00:27:45,400 --> 00:27:48,080
Speaker 2: That's out on Stan on March fourteen. Now I have

621
00:27:48,119 --> 00:27:50,320
Speaker 2: a question for you, Clesey, who do you think should

622
00:27:50,320 --> 00:27:52,120
Speaker 2: play Bruce Springsteen in a movie?

623
00:27:52,640 --> 00:27:56,160
Speaker 3: You want to really answer can you send Tim off

624
00:27:56,160 --> 00:27:56,879
Speaker 3: to the gym? Maybe?

625
00:27:57,080 --> 00:27:57,320
Speaker 7: No?

626
00:27:58,800 --> 00:28:02,479
Speaker 2: See the bottom of my least now, will Abayo I

627
00:28:02,520 --> 00:28:04,879
Speaker 2: pick about the Boss is in the works, focusing on

628
00:28:04,920 --> 00:28:08,800
Speaker 2: his time recording nineteen eighty two's Nebraska album, as Springsteen

629
00:28:08,880 --> 00:28:12,240
Speaker 2: is reportedly hands on with the project, consulting director Scott

630
00:28:12,320 --> 00:28:15,679
Speaker 2: Cooper on his time recording the landmark album alone in

631
00:28:15,760 --> 00:28:19,520
Speaker 2: his bedroom while apparently very close to a nervous breakdown.

632
00:28:20,000 --> 00:28:22,960
Speaker 2: There were rumors that Elvis actor Austin Butler was considering

633
00:28:23,000 --> 00:28:24,639
Speaker 2: the role, but they look to be false. And you

634
00:28:24,640 --> 00:28:25,840
Speaker 2: can't play the King and the Boss.

635
00:28:26,000 --> 00:28:27,800
Speaker 3: He can't do that. You can't do too much.

636
00:28:27,840 --> 00:28:32,119
Speaker 2: So some of the names being thrown around include Harry Styles.

637
00:28:32,160 --> 00:28:38,640
Speaker 2: They must be joking, Harry Styles, Irish actor Paul Muskull.

638
00:28:38,760 --> 00:28:39,400
Speaker 3: Close, you know.

639
00:28:39,440 --> 00:28:42,280
Speaker 2: I mean, he's certainly proven he can do a lot.

640
00:28:43,560 --> 00:28:46,280
Speaker 2: X Men star Nicholas Holt. I still think of him

641
00:28:46,280 --> 00:28:49,640
Speaker 2: as in About a Boy You star Penn Badgeley I

642
00:28:49,840 --> 00:28:52,920
Speaker 2: like him and Oscar winner Ben Affleck, who's surely too

643
00:28:52,960 --> 00:28:56,080
Speaker 2: old to be nineteen eighty two Bruce, that's going to work.

644
00:28:56,080 --> 00:28:58,320
Speaker 2: He looks the most like Bruce, but he's you know,

645
00:28:58,960 --> 00:29:00,200
Speaker 2: he's up there with Bruce's.

646
00:29:02,520 --> 00:29:02,840
Speaker 3: Decade.

647
00:29:04,280 --> 00:29:08,080
Speaker 2: Talking Heads have reportedly turned down an eighty million dollar offer.

648
00:29:08,960 --> 00:29:11,960
Speaker 2: I'll say that again, eighty million dollars. They've turned it

649
00:29:11,960 --> 00:29:15,560
Speaker 2: down from Concert Giant Live Nation to Reunite. The offer

650
00:29:15,560 --> 00:29:18,200
Speaker 2: would have had the band headlining at least six to

651
00:29:18,360 --> 00:29:19,920
Speaker 2: eight festival gigs.

652
00:29:20,480 --> 00:29:23,960
Speaker 4: That's a lot of coin for a few festivals. I

653
00:29:24,000 --> 00:29:26,760
Speaker 4: believe they turned down Coachella as well. That was reportedly

654
00:29:26,800 --> 00:29:28,440
Speaker 4: a ten million dollar offer.

655
00:29:29,040 --> 00:29:32,480
Speaker 2: And Lenny Kravitz is being honored with the Recording Academy

656
00:29:32,560 --> 00:29:36,120
Speaker 2: Global Impact Award at the Grammys next week, Presented by

657
00:29:36,200 --> 00:29:39,760
Speaker 2: the Black Music Collective, Kravitz will be celebrated for his

658
00:29:39,880 --> 00:29:43,440
Speaker 2: dedication to music, his influence on the industry, and his

659
00:29:43,560 --> 00:29:46,120
Speaker 2: legacy of service and leadership in the arts.

660
00:29:46,360 --> 00:29:48,760
Speaker 5: Read the flick with ben o'she.

661
00:29:49,360 --> 00:29:53,280
Speaker 14: Now Let's talk our gyle this news spy comedy from

662
00:29:53,360 --> 00:29:56,640
Speaker 14: Matthew Vaughan. So, Matthew Vaughan is the British director who's

663
00:29:56,640 --> 00:29:59,080
Speaker 14: made a name for himself for his first movie was

664
00:29:59,160 --> 00:30:02,200
Speaker 14: Layer Cake with and Youel Craig. Oh that was so good,

665
00:30:02,320 --> 00:30:07,200
Speaker 14: criminally underrated. Help propel Daniel Craig to you know, his

666
00:30:07,360 --> 00:30:10,280
Speaker 14: double O seven status really and then From there, he

667
00:30:10,320 --> 00:30:14,480
Speaker 14: did the Kingsman movies, which brilliant, brilliant as well, so

668
00:30:14,600 --> 00:30:19,440
Speaker 14: snappy and slick and innovative, visually so interesting. He did

669
00:30:20,120 --> 00:30:23,320
Speaker 14: Kick Ass with Aaron Taylor Johnson, which was very fun

670
00:30:23,360 --> 00:30:25,800
Speaker 14: fund it's a very good, very very fun film. And

671
00:30:25,960 --> 00:30:27,920
Speaker 14: did X Men First Class, which some people would say

672
00:30:27,960 --> 00:30:30,080
Speaker 14: is one of the best X Men movies. And so

673
00:30:30,160 --> 00:30:32,520
Speaker 14: now he's turned his attention back to, you know, the

674
00:30:32,720 --> 00:30:35,400
Speaker 14: espionage genre. But what I would say off the top

675
00:30:35,520 --> 00:30:38,240
Speaker 14: is whatever you've seen about this movie, listeners, if you've

676
00:30:38,240 --> 00:30:40,600
Speaker 14: watched the trailer and you think, okay, this is going

677
00:30:40,680 --> 00:30:43,440
Speaker 14: to be Henry Cavell, who looks like a James Bond,

678
00:30:43,480 --> 00:30:46,000
Speaker 14: he's made for it, and Fleming basically ripped him from

679
00:30:46,000 --> 00:30:47,800
Speaker 14: the pages of the book and put him into real life.

680
00:30:48,200 --> 00:30:49,680
Speaker 14: And so if you're thinking you're going to see Henry

681
00:30:49,680 --> 00:30:53,240
Speaker 14: Cavell as a super spy, not really, that's kind of

682
00:30:53,320 --> 00:30:55,040
Speaker 14: not really what this movie is about.

683
00:30:55,880 --> 00:30:58,200
Speaker 5: Certainly the first ten minutes that's what it's about.

684
00:30:58,400 --> 00:31:01,280
Speaker 14: You see, Henry cavill I said, kind of cold open

685
00:31:01,320 --> 00:31:04,240
Speaker 14: from a Bond movie where the super spy has to

686
00:31:04,440 --> 00:31:07,280
Speaker 14: complete this dangerous mission before the credits roll. At the

687
00:31:07,280 --> 00:31:10,560
Speaker 14: start of the film, right, and it's this sprawling action

688
00:31:10,680 --> 00:31:15,000
Speaker 14: sequence in the Greek Islands, and in classic Matthew Vaughan's style, you.

689
00:31:15,000 --> 00:31:16,560
Speaker 5: Know, it's so over the top.

690
00:31:16,600 --> 00:31:19,400
Speaker 14: He's a more is more kind of director, and so

691
00:31:20,160 --> 00:31:22,160
Speaker 14: you know that's the case when you see do Aleiper

692
00:31:22,200 --> 00:31:26,240
Speaker 14: the pop princess, she's sort of sitting astride a dirt bike,

693
00:31:26,320 --> 00:31:30,000
Speaker 14: holding a machine gun and just firing a ridiculous number

694
00:31:30,000 --> 00:31:33,160
Speaker 14: of bullets at Henry Cavell in a cocktail dress.

695
00:31:33,200 --> 00:31:34,360
Speaker 5: It's excessive, okay.

696
00:31:34,760 --> 00:31:38,360
Speaker 14: And then Henry Cavill is jumping a minimoke across buildings

697
00:31:38,960 --> 00:31:41,520
Speaker 14: down to the harbor to try and capture do A Lipa.

698
00:31:41,960 --> 00:31:45,160
Speaker 14: So there's a lot going on there. But quickly you

699
00:31:45,240 --> 00:31:46,840
Speaker 14: realize and you might be watching a lot of people

700
00:31:46,960 --> 00:31:48,000
Speaker 14: watch it and go, do you know what? This is

701
00:31:48,040 --> 00:31:50,840
Speaker 14: so over the top? Like maybe even two over the

702
00:31:50,840 --> 00:31:53,160
Speaker 14: top like it is it is really too much Shonker's.

703
00:31:53,840 --> 00:31:56,200
Speaker 14: And also Henry cavill has a flattop, one of the

704
00:31:56,200 --> 00:32:02,200
Speaker 14: most egregious flattops since Ivandrago in rocky form, and you'll

705
00:32:02,240 --> 00:32:06,280
Speaker 14: be watching this can't be legit. Surely, surely someone's taken,

706
00:32:06,440 --> 00:32:08,800
Speaker 14: you know, sort of taken a piss here, But then

707
00:32:08,840 --> 00:32:11,360
Speaker 14: you realize that actually there's more going on here, and

708
00:32:11,400 --> 00:32:14,240
Speaker 14: there's maybe, without giving too many spoilers away, there's maybe

709
00:32:14,280 --> 00:32:19,040
Speaker 14: some connection between Henry Cavill's character and this sort of

710
00:32:19,080 --> 00:32:23,120
Speaker 14: really down to earth spy fiction author played by Bryce

711
00:32:23,240 --> 00:32:28,040
Speaker 14: Dallas Howard who writes these best selling spy books that

712
00:32:28,200 --> 00:32:33,080
Speaker 14: maybe are eerily similar to real life, And so there's

713
00:32:33,120 --> 00:32:36,160
Speaker 14: some sort of connection there between the two, and you know,

714
00:32:36,200 --> 00:32:39,120
Speaker 14: maybe what she's writing down on the page is maybe

715
00:32:39,560 --> 00:32:41,520
Speaker 14: sort of coming to life almost, if you know what

716
00:32:41,560 --> 00:32:45,200
Speaker 14: I'm saying. It's one of those kinds of situations. And

717
00:32:45,200 --> 00:32:47,960
Speaker 14: what happens is because her books are so close to

718
00:32:48,200 --> 00:32:51,400
Speaker 14: this kind of real life spy organization, this spy organization

719
00:32:51,480 --> 00:32:53,000
Speaker 14: is like, hang on a minute, maybe she has some

720
00:32:53,080 --> 00:32:55,920
Speaker 14: information that we need, and so they put a hit

721
00:32:56,000 --> 00:32:59,840
Speaker 14: out on Bryce Dallas and the only person standing in

722
00:32:59,840 --> 00:33:03,000
Speaker 14: the way who can savor is a real life spy

723
00:33:03,080 --> 00:33:05,000
Speaker 14: played by the great Sam Rothwell.

724
00:33:05,080 --> 00:33:05,240
Speaker 5: God.

725
00:33:05,960 --> 00:33:08,560
Speaker 14: And so you have this kind of cool juxtaposition between

726
00:33:08,560 --> 00:33:13,160
Speaker 14: Henry Cavill's ideal spy and then Sam Rockwell, who is

727
00:33:13,240 --> 00:33:15,480
Speaker 14: just the master of being cool.

728
00:33:15,520 --> 00:33:16,760
Speaker 5: He's just effortlessly cool.

729
00:33:17,040 --> 00:33:20,560
Speaker 14: We'll also kind of seeming a bit sort of disheveled,

730
00:33:21,040 --> 00:33:23,960
Speaker 14: and you know, he gets the absolute but Jesus beaten

731
00:33:24,000 --> 00:33:26,360
Speaker 14: out of him at various points in this film, and

732
00:33:26,400 --> 00:33:28,920
Speaker 14: he's so cool while doing it. And so You've Got,

733
00:33:29,200 --> 00:33:31,480
Speaker 14: So You've Got. That's basically the premise of the film,

734
00:33:31,480 --> 00:33:33,959
Speaker 14: and it sort of unfolds from there across a variety

735
00:33:34,000 --> 00:33:38,960
Speaker 14: of different locations. And Bryce Dallas Howard is great as

736
00:33:39,080 --> 00:33:43,000
Speaker 14: this author who is embroiled in this dangerous situation. Sam

737
00:33:43,080 --> 00:33:49,040
Speaker 14: Rockwell is amazing as always. Brian Cranston plays the mastermind,

738
00:33:50,520 --> 00:33:53,640
Speaker 14: and Katherine O'Hara from Shit's Creek is in it as well.

739
00:33:54,440 --> 00:33:57,160
Speaker 14: You've got a really really good cass Samuel Jackson. Samuel

740
00:33:57,240 --> 00:34:00,280
Speaker 14: Jackson is in it too. Some favorites from previous Matthew

741
00:34:00,320 --> 00:34:02,120
Speaker 14: Vaughn movies, and of course, but the real star is

742
00:34:02,240 --> 00:34:06,600
Speaker 14: Matthew Vaughan's direction. Like You've got these action sequences that

743
00:34:06,680 --> 00:34:08,680
Speaker 14: are very different from any other you'll see on the

744
00:34:08,719 --> 00:34:12,640
Speaker 14: big screen, really cool use of music. There's a there's

745
00:34:12,800 --> 00:34:16,760
Speaker 14: this insane train fighting sequence where the action cuts between

746
00:34:17,400 --> 00:34:20,359
Speaker 14: Sam Rockwell doing a fight scene and Henry Cavill doing

747
00:34:20,400 --> 00:34:25,399
Speaker 14: the same fight scene, which has done so cleverly there

748
00:34:25,520 --> 00:34:29,400
Speaker 14: is this sort of smoke grenade fight scene that turns

749
00:34:29,440 --> 00:34:34,080
Speaker 14: into a dance routine, and there's an even an ice

750
00:34:34,080 --> 00:34:37,640
Speaker 14: skating action sequence you have to sort of see to believe,

751
00:34:37,680 --> 00:34:42,080
Speaker 14: which involved a cameraman skating backwards at full speed while filming,

752
00:34:42,880 --> 00:34:46,439
Speaker 14: you know, the the ice skating action. So technically really

753
00:34:46,520 --> 00:34:51,160
Speaker 14: quite brilliant. Tvel Or Dean. Yeah, yeah, the film is.

754
00:34:51,200 --> 00:34:54,080
Speaker 14: The film is so meta that I think some people

755
00:34:54,200 --> 00:34:56,319
Speaker 14: might struggle to go along with it. Like, if you're

756
00:34:56,320 --> 00:34:58,719
Speaker 14: not a Matthew Vaughan fan, I think you'd come along

757
00:34:58,719 --> 00:35:00,960
Speaker 14: to this film and you'd be like, what is actually

758
00:35:01,000 --> 00:35:03,279
Speaker 14: going on with these plot twists, with this kind of

759
00:35:03,320 --> 00:35:06,160
Speaker 14: meta element to it, And so if you're looking for

760
00:35:06,200 --> 00:35:09,680
Speaker 14: a traditional spy comedy or a spy thriller, this is

761
00:35:09,719 --> 00:35:12,800
Speaker 14: not the movie for you. You'll find this a real struggle.

762
00:35:13,280 --> 00:35:15,359
Speaker 14: But if you're a Matthew Vaughn fan, of which many

763
00:35:15,440 --> 00:35:17,600
Speaker 14: people are, it's so much fun.

764
00:35:17,680 --> 00:35:20,719
Speaker 4: You can tell he worked with Guy Ritchie, Yeah, yeah, yeah.

765
00:35:20,440 --> 00:35:25,440
Speaker 14: Absolutely, he produced Matthew Vorn produced Lotstocks and Snatch, a

766
00:35:25,640 --> 00:35:28,560
Speaker 14: very very similar kind of aesthetic, except Matthew Vaughan always

767
00:35:28,719 --> 00:35:32,120
Speaker 14: kind of skews more towards the fun element. Guy Richie

768
00:35:32,200 --> 00:35:34,040
Speaker 14: kind of you gets maybe a bit more edge.

769
00:35:35,920 --> 00:35:39,160
Speaker 3: Yeah, exaly do you aper act or does she have

770
00:35:39,200 --> 00:35:39,560
Speaker 3: to act?

771
00:35:39,600 --> 00:35:39,759
Speaker 12: Well?

772
00:35:39,920 --> 00:35:41,719
Speaker 14: The fun fact about this film, right, so we saw

773
00:35:41,760 --> 00:35:45,000
Speaker 14: her in the Barbie movie, but this film was shot first,

774
00:35:45,040 --> 00:35:49,400
Speaker 14: so technically this is Doua Lipa's first cinema performance and

775
00:35:49,680 --> 00:35:53,400
Speaker 14: she's great. She's also she's really good. Sam recall is amazing.

776
00:35:53,440 --> 00:35:55,319
Speaker 14: It's written in his contract. I'm sure that he has

777
00:35:55,320 --> 00:35:57,839
Speaker 14: to have a dance sequence in every film that he does. Man,

778
00:35:57,880 --> 00:36:01,000
Speaker 14: that guy's got some mets and he does. He does

779
00:36:01,040 --> 00:36:02,480
Speaker 14: in this as well. He's if you're like, if you're

780
00:36:02,480 --> 00:36:04,440
Speaker 14: a Sam Rockwell fan, like this is. This is one

781
00:36:04,440 --> 00:36:07,240
Speaker 14: of my favorite performances of his for a while. The film,

782
00:36:07,239 --> 00:36:08,960
Speaker 14: if I'm being honest, probably a bit too long, Like

783
00:36:09,000 --> 00:36:12,800
Speaker 14: I think Matthew Vaughan is, like he loves these action secrets.

784
00:36:12,840 --> 00:36:14,160
Speaker 4: I don't know what to twice wrap it up.

785
00:36:14,360 --> 00:36:16,560
Speaker 14: Probably could have edited a couple of them out, yeah,

786
00:36:16,600 --> 00:36:18,440
Speaker 14: and it can probably could be twenty five minutes shorter

787
00:36:18,520 --> 00:36:21,160
Speaker 14: and it would be a better film. Yeah, yeah, yeah, exactly.

788
00:36:21,239 --> 00:36:23,120
Speaker 14: It's tough when you're more as more kind of director.

789
00:36:23,280 --> 00:36:24,879
Speaker 3: Sometimes I feel like they're just showing off to other

790
00:36:24,920 --> 00:36:26,319
Speaker 3: directors cutting that.

791
00:36:26,440 --> 00:36:26,720
Speaker 9: Yeah.

792
00:36:26,800 --> 00:36:29,640
Speaker 14: Yeah, And I question, as I said, I question, like

793
00:36:29,760 --> 00:36:33,239
Speaker 14: how how audiences will be able to switch their perspective

794
00:36:33,320 --> 00:36:35,319
Speaker 14: going in thinking it's a Henry Cavill film and then

795
00:36:35,360 --> 00:36:38,160
Speaker 14: realize it after ten minutes it's not at all. But

796
00:36:38,200 --> 00:36:39,680
Speaker 14: I think if you if you take that all into

797
00:36:39,719 --> 00:36:41,040
Speaker 14: account when you go and see it, this is a

798
00:36:41,120 --> 00:36:43,759
Speaker 14: very fun movie and it's definitely worth singing.

799
00:36:43,840 --> 00:36:45,479
Speaker 3: So after all of that, it sounds like it works.

800
00:36:45,640 --> 00:36:46,759
Speaker 5: Well, Okay, I think it does.

801
00:36:47,040 --> 00:36:50,000
Speaker 2: How many Sam Rockwell's a big, dirty hunk are you

802
00:36:50,080 --> 00:36:50,480
Speaker 2: giving it?

803
00:36:50,760 --> 00:36:52,279
Speaker 5: I'm going to give it three and a half, all right.

804
00:36:52,320 --> 00:36:57,040
Speaker 3: All right? Thanks man Crazy on Lisa