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Speaker 1: First place on Lost Lost Landmarks. You could have warn

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Speaker 1: about that.

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Speaker 2: I did get a warning. All I had was have

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Speaker 2: a listen to the introduction to the segment. It's pretty

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Speaker 2: funny and the segment is all about Perth Lost Landmarks

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Speaker 2: as well.

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Speaker 3: What became known as the Perth Entertainment Center, opened on

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Speaker 3: the twenty seventh of December nineteen seventy four, is the

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Speaker 3: Channel seven Edgeley Entertainment Center with the Australian debut of

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Speaker 3: the second Disney Oparade show Now Your Dad is what

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Speaker 3: started it all?

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Speaker 1: And what an opening it was, Ladies and gentlemen and

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Speaker 1: boys and girls.

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Speaker 4: This is a wonderful day for the city of Perth.

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Speaker 1: Acoming to this name.

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Speaker 5: Come to a cast of the official of the Channel

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Speaker 5: seven y Entertainment Center, Hollywood, wasn't it?

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Speaker 1: Oh?

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Speaker 3: Joining us now entrepreneur and former original owner of the

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Speaker 3: Perth Entertainment Center, Michael Edgley.

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Speaker 1: Good morning, Michael, welcome, good.

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Speaker 6: Morning, and thank you for having me on your show.

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Speaker 1: Does that bring back some memories that opening there?

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Speaker 6: Oh well, the Perth Entertainment Center in general brought back

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Speaker 6: a lot of wonderful memories. I know you're going to

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Speaker 6: ask me how it all came about, and it came

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Speaker 6: about because through one man, really, and anyone who in

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Speaker 6: Perth or most people in per over the age of

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Speaker 6: fifty will remember a wonderful person called Brant Treasure. Brant

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Speaker 6: Treasure was initially worked at the West Australian and when

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Speaker 6: the television came on board in Perth in fifty eight,

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Speaker 6: think it was westers Newspapers had a chunk of the

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Speaker 6: shareholding and they set up an independent company obviously to

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Speaker 6: run seven and the head of it was Brian Treasure

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Speaker 6: was the general manager and he was just fantastic. He

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Speaker 6: was a phenomenal go getter and he sort of was

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Speaker 6: behind the likes of the big telethon the street parades.

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Speaker 6: He was still everything, obviously, and he was my mentor actually,

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Speaker 6: because my father died at a relatively young a. I

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Speaker 6: was relatively young. He was sixty nine NS in my

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Speaker 6: twenties early twenties, and Brian took me under his wing

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Speaker 6: and he was fantastic and I always bringing a lot

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Speaker 6: of shows to Australia in general. And we did original

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Speaker 6: tour of Disney on parade in a big tent, and

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Speaker 6: we produced a big tent because there were no venues

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Speaker 6: at all in Australia those and Brian said, okay, next

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Speaker 6: time we did this, we're going to build a Nintament Center.

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Speaker 6: And he was behind it all. And initially it was

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Speaker 6: going to be at the showground and Bryan said, no, no,

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Speaker 6: we don't to be at the showground. We wanted to

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Speaker 6: be down there, right there where it was down there, you.

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Speaker 1: Know, in a great spot.

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Speaker 6: And yes, he was behind and he got it going.

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Speaker 6: We were close together, obviously, very close together, and that's

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Speaker 6: how that's how it all began. And it actually we

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Speaker 6: actually as a rehearsal, we actually brought out what was

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Speaker 6: then the Olympic gymnastic team from Russia with that little

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Speaker 6: Olga Corbett who it was the first the very famous

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Speaker 6: female gymnasts that performed amazing things. And then we hit

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Speaker 6: it with the with the opening, the official opening with

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Speaker 6: Disney on Parade, and it.

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Speaker 1: Went on from there just incredible.

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Speaker 6: And then of course, I mean, of course all the

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Speaker 6: other I think that I think New South Wales never

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Speaker 6: ran was behind that in Sydney for the Sydney and

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Speaker 6: Natomas Center and we were involved as well initially, and

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Speaker 6: they sprung up all over the country and Brisbane. I

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Speaker 6: left Perth and in nineteen eighty never would have left Perth,

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Speaker 6: but it was doing so much at the time, and

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Speaker 6: either traveling from Perth to Melbourne or Pertha City once

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Speaker 6: a week and anyway, moved over to Sydney and had

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Speaker 6: a lonely home on the half of there. It wasn't

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Speaker 6: particularly happy. Didn't like Sydney much and was making a

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Speaker 6: was making a movie on the Gold Coast, and I

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Speaker 6: spent a year going backwards enforceed to the Gold Coast.

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Speaker 6: We were making this film called Some people made it

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Speaker 6: a call called Cool and Get a Gold and it

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Speaker 6: became quite of a cult film actually, and they still

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Speaker 6: hold the race today. We invented that race that couldn't

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Speaker 6: get a gold incredible. Oh yes, for the film. We

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Speaker 6: did it for the film. And anyway, I love my purpose,

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Speaker 6: my first love. But why I left Berth but because

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Speaker 6: of the travel all the time, as I said, and

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Speaker 6: also the timeline whereas here. So we ended up moving

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Speaker 6: to gold Case and we've been here ever since and

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Speaker 6: it was great and I brought up a family here

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Speaker 6: and it was it's a wonderful place to be. I

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Speaker 6: think the Gold Coast and the two best place in

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Speaker 6: Australia and there, so yes, we had some amazing things.

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Speaker 6: I remember when we brought the first international circus program

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Speaker 6: to one of the international service programs to Australia and

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Speaker 6: a line got out backstage and this never made the

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Speaker 6: press because we hushed it up and a line was

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Speaker 6: running around, running was running around backstage, and we eventually yeah,

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Speaker 6: and we eventually caught it, caughding it off into a

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Speaker 6: room and the hands got around of it. There's a

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Speaker 6: lot of eventful things happened at the events, you know,

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Speaker 6: at the center it was it's a great state. I

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Speaker 6: mean it's like it's like, you know, when you look

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Speaker 6: at the highsfe we should builder thirty forty thousand, but

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Speaker 6: you can't see that far ahead. And it certainly served

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Speaker 6: its purpose and it was great for the people at Berth.

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Speaker 6: I mean we just hit a million people at that

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Speaker 6: point and we opened it was a million people in

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Speaker 6: Perth and it was perfect at the time, and we

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Speaker 6: designed it. We designed it in a whale that because

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Speaker 6: don't forget, Perth didn't have any particularly good theaters as such.

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Speaker 6: There was a good one now at the Casino, but

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Speaker 6: then it was and so we designed it in a

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Speaker 6: way that you could do theatrical productions. I mean not

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Speaker 6: rock and roll. I mean we had ballet there, and

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Speaker 6: we had Rudolphe Raf there. We had big ballet companies there,

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Speaker 6: and although it wasn't perfect for ballet, it was better

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Speaker 6: than that particular ballet not coming to Australia, not coming

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Speaker 6: to Western Australia at all. So you never would have

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Speaker 6: seen the likes of eua Fo.

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Speaker 1: We would not were able to do and we probably

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Speaker 1: wouldn't have seen it.

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Speaker 3: Something like Bob Hope before me and I was at

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Speaker 3: that show.

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Speaker 1: Yeah, I'm pretty sure Florence Henderson was part of the strait. Yeah,

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Speaker 1: it was incredible.

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Speaker 3: But Michael, there's a lot of bands, you know, rock

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Speaker 3: and roll bands that we would never have seen in

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Speaker 3: the seventeen eighties had we not had this state of

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Speaker 3: the art, amazing venue for them to performing, because it

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Speaker 3: was hard enough to get them to come across the

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Speaker 3: null board.

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Speaker 1: It wasn't well.

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Speaker 6: That was another thing that Brian said, he said, if

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Speaker 6: we do this, we'll also get I said absolutely, because

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Speaker 6: that was an adequate capacity in those days, you know.

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Speaker 7: To to appease them, yeah, to make it worth their while,

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Speaker 7: because it wasn't cheap to get, you know, to get

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Speaker 7: for them.

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Speaker 1: No, and.

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Speaker 6: My father the very of the years when we were

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Speaker 6: running His Majesty's Sea, it was cheaper to do a

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Speaker 6: tour of New Zealand with the like sort of musical

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Speaker 6: like My Fair Lady than it was to bring to

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Speaker 6: birth because you can same distance that you could get Auckland,

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Speaker 6: Wellington and christ Church. So I remember my father father

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Speaker 6: putting up some great battles to convince that my Fair

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Speaker 6: Ladies and the sound of musics and those genre to

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Speaker 6: come over and play His Majesty's which eventually we did.

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Speaker 6: But it wasn't easy.

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Speaker 2: You have a lot of say in the way that

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Speaker 2: it was design because I was a nine year old.

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Speaker 2: Look at the inside it was like a space space

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Speaker 2: land in wellstr.

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Speaker 6: Yeah, we did, and I can't remember the architects now.

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Speaker 6: Oh yes, obviously Brian I sat down in these plans,

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Speaker 6: listed this list to that and the other people who

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Speaker 6: were very helpful in it. We're the Bull and Family,

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Speaker 6: the Bull and circus.

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Speaker 3: But they probably got that line of dangers.

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Speaker 6: They didn't have this the thor Paker, but was coming on.

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Speaker 6: It was coming on, I don't think so. I think

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Speaker 6: this Thoro pack started up for the Center. Yes, no,

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Speaker 6: they were still touring their own or shows too. But

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Speaker 6: when I bought out the acts, I chose the like kidnapp,

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Speaker 6: you didn't have the ability to access information through Internet,

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Speaker 6: et cetera. Side you're like putting to get a Moscow circus.

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Speaker 6: You know, I spent over one hundred trips going to

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Speaker 6: Russia and the day of the Soviet Union, touring all

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Speaker 6: over the place, picking an acting an act there. These

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Speaker 6: days they just send them send you copies of their

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Speaker 6: videos or whatever. Online. You can say, we'll put that

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Speaker 6: in there, and not that I'm doing circus anymore. We'll

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Speaker 6: put that in there, and this and there and there

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Speaker 6: you go. So there was some wonderful stories. I remember

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Speaker 6: presenting Icontina Turner there, and I didn't. I didn't do

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Speaker 6: a lot of rock and roll, but I did. I

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Speaker 6: did quite a few things. And we did done Bob Marley,

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Speaker 6: we did John Denver, we did Paul Simon, and I

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Speaker 6: did remember she was a wonderful person. But he was

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Speaker 6: horrible and I can say that now because he's past.

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Speaker 6: And I remember when he left the next stop on

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Speaker 6: their tour, which we had nothing to do with with Jakarta,

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Speaker 6: and they had this massive hallware with fifteen thousand that

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Speaker 6: sold out and they were ready to go on and

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Speaker 6: I said, no, we're We're not and complained about something

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Speaker 6: and the fellow that was producing the show said, mister

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Speaker 6: s you know you've got to go on, and it's

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Speaker 6: already in the music blah blah blah. You know I'm

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Speaker 6: not going I want this on that. He says, he

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Speaker 6: You're not going on. So the fellow came back about

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Speaker 6: three minutes later with armed security, which you can't do now.

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Speaker 6: I actually go to police. There are army people. He said,

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Speaker 6: he going on there, said he going on now? I said, yes,

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Speaker 6: we're going on. You couldn't quite get away with that impurpose.

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Speaker 6: He behaved in the step self. But that's one of

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Speaker 6: hundreds of stories that came from the center being there.

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Speaker 1: There are hundreds of stories.

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Speaker 3: We've all got them, and we're going to talk about

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Speaker 3: them for the rest of the morning.

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Speaker 1: You might have to bring up bullings later in the Yeah. Absolutely.

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Speaker 3: Michael has been lovely to reminisce about the beginning of

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Speaker 3: the entertainment and what do you think of the rac

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Speaker 3: arena that's there now?

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Speaker 1: The design of that it is. Yeah, it's great begnificence.

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Speaker 1: I'm so glad that they kept that location.

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Speaker 6: Yeah, it's magnificent. And I know the people that who

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Speaker 6: manage it, and they splendid. They do the Bridgeman Entertainment

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Speaker 6: as well center as well, and a few others and

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Speaker 6: they're very very good. They're a world class company and

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Speaker 6: they know what they're doing. And the Perths got everything

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Speaker 6: that needs and more because you've got wonderful weather most

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Speaker 6: of the time you like here on the Gold Coast

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Speaker 6: in Queensland, so you know, we keep Queensland and West

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Speaker 6: Australia to keep the country going. I think.

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Speaker 1: Yeah.

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Speaker 2: But so many great memories and a lot of people

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Speaker 2: will remember Brian Treasure very fondly too that you've brought

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Speaker 2: his name a.

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Speaker 1: Lots of memories. Thank you for providing them for us.

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Speaker 6: Yeah, absolute pleasure.

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Speaker 1: Lovely to talk to you all the best. The first

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Speaker 1: name we will chase it, so thank.

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Speaker 3: You, Thank you, bye your memories of the Entertainment center.

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Speaker 3: Today on our text line, but a couple of people,

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Speaker 3: including mattin Boga, talk about the madness comps all the

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Speaker 3: skinheads were fighting and someone Nick sugs tambourine. It was

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Speaker 3: dear and we also had Lianne says. My dad was

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Speaker 3: a crane driver on the construction of the entertainment center.

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Speaker 3: On weekends when working here, take my brother and I

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Speaker 3: there and we'd run up and down the concrete steps

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Speaker 3: while they were putting.

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Speaker 1: Up the roof.

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Speaker 2: That sounds dangerous, no heart, as there was ninety seventy four, right,

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Speaker 2: seventy three four.

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Speaker 1: Let's get a Woodlands good. I don how are you?

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Speaker 8: Yeah, I'm real good. Guys that made that place really

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Speaker 8: brings back so many memories in my teenage cheeky boy years.

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Speaker 8: I used to go there with all the mates and

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Speaker 8: you know, go to the tavern upstairs first and get

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Speaker 8: warmed up before we went down, of course, and it

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Speaker 8: goes like Paul McCartney and wings Chuck Berry when he

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Speaker 8: taught the then Keystone Angels a lesson and stopped the

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Speaker 8: bands from playing, saying, I'm the star here, you guys,

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Speaker 8: aren't the start.

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Speaker 6: You played lower, I play higher, and he just.

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Speaker 8: Taught them went and from then on the Angels went

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Speaker 8: the greatest things. But that was like Chuck command of

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Speaker 8: the stage. He was just brilliant, and I contina Turner

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Speaker 8: another another memorable concert. She honestly the legs on Tina

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Speaker 8: Turner and the I catch the three ladies that were

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Speaker 8: the backup singer As a young bloke, You're just looking

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Speaker 8: at these girls and going they are from another planet.

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Speaker 1: Yeah, those heels on as well.

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Speaker 8: Crazy stuff, Mate Clapton, Redot, Chili Peppers, DC Hills, Bills Tour,

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Speaker 8: Alice Cooper, Welcome to My Nightmare Kiss. It was all

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Speaker 8: happening at that brilliant, brilliant center.

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Speaker 1: It's a long list. Thanks John, you know where you

255
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Speaker 1: spent your pocket money?

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Speaker 6: Done?

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Speaker 1: Well done. That's unreal. So many gigs, darn in Rockingham.

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Speaker 3: What do you what's your biggest memory?

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Speaker 1: Happy Monday? What you got for us from the incent.

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Speaker 5: It feels like a lifetime ago. And I don't know

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Speaker 5: the exact year, but it was mid to late nineties, right.

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Speaker 5: All the lads and I decided we were going to

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Speaker 5: see Deaf Leppard at the Incident and the girls weren't

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Speaker 5: keen on the idea, so they'll stayed home On the

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Speaker 5: Friday night we went to the incident. Had an absolute

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Speaker 5: last to see that one arm drammer take off.

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Speaker 1: He's a freak. He's an incredible man, want to come.

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Speaker 5: Back, unbelievable. Then we all go home and the we

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Speaker 5: were that pumped and we're like elish left that night

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Speaker 5: and so they go. The girls decided that they were

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Speaker 5: going in the following night because back then you didn't

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Speaker 5: need to book your tickets seven months in advance. So

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Speaker 5: they got their tickets, they went off to the gig.

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Speaker 5: We were going into the gig to pick them up

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Speaker 5: from the end of the night and coming across the

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Speaker 5: causeway and we had a Jurassic Park moment because the

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Speaker 5: plastic cup sitting on the dash full of variously had

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Speaker 5: vibrations going through it from the base coming through.

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Speaker 1: I'm not surprising.

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Speaker 5: And then we got to the got to Wellington Street

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Speaker 5: and the old two pot square concrete favors the first

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Speaker 5: loved come back in the day standing outside the entertainment

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Speaker 5: center getting a massage from the base out from.

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Speaker 3: Now it's a good show and it measures on the

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Speaker 3: Richter scale.

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Speaker 1: Darren, thanks, you knows how to play basement?

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Speaker 6: Yeah?

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Speaker 1: Was that Darren?

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Speaker 2: Just by the way, mate, Was that the gig when

290
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Speaker 2: they played in the round thore in the middle of

291
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Speaker 2: the incident?

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Speaker 5: It was, Yeah, it was when when the when Rocket

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Speaker 5: came on and lifted to the right. Yeah, yeah, we

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Speaker 5: just got lifted the roof.

295
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Speaker 1: I heard Joe Elliot's voice in Geralden that night. Mate

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Speaker 1: done real Thanks.

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Speaker 3: We had a text Craig and Balajuu, who says I

298
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Speaker 3: can remember getting to meet to meet Loaf backstage at

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Speaker 3: the Entertainments, had a courtesy of ninety six FM.

300
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Speaker 2: So many great memories and you know, like there was

301
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Speaker 2: a cinema in there at one stage, and there.

302
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Speaker 1: Was Robbo's good was that drink? Was it called Loumier?

303
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Speaker 3: I think it was in the bottom of some really

304
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Speaker 3: good I remember going to see cinema parody, so in

305
00:16:33,000 --> 00:16:34,800
Speaker 3: movies like that, Yeah, so good.

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Speaker 1: So many beauties. Betty blue Bear, did you really? I

307
00:16:38,440 --> 00:16:40,200
Speaker 1: think I may have seen Blue Velvet there.

308
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Speaker 3: But anyway, probably did because they're the kind of movies

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Speaker 3: that you know, slightly don't look at me, not back

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Speaker 3: to the future.

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Speaker 1: Anyway.

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Speaker 3: Tony says, I stood in line with thousands of other

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Speaker 3: people for Dire Straits Brothers in Arms tour. The tickets

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Speaker 3: were going on sale in the morning, but absolutely poured

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Speaker 3: down and everyone was soaked, so they ended up putting

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Speaker 3: the tickets on sale at ten pm, all right, to

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Speaker 3: avoid the chaos.

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Speaker 1: That's what happened. I just wonder why I sleep over

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Speaker 1: nineteen eighty six. How much sleep we got in that queue?

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Speaker 7: None?

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Speaker 2: Jack, because as soon as you start falling asleep, someone

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Speaker 2: would play something from Brothers in Arms, you know, one

323
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Speaker 2: of the tempo songs exactly nothing, or the Walk of Life,

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Speaker 2: and it'll wake you up.

325
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Speaker 3: Lea and Thornley has reminded me of Double Take. Did

326
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Speaker 3: you ever go and see Double Taking?

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Speaker 1: Any of those?

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Speaker 3: This is when they'd have a movie playing, and it

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Speaker 3: would usually be some kind of B grade schlock movie,

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Speaker 3: and then these comedians would be down the back doing

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Speaker 3: the voice over, dubbing us or double Take versus Hercules.

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Speaker 3: And as I recall Mary Coustas aka Fie, she was

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Speaker 3: part of the Double Take team. Tony says, I was

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Speaker 3: the food and beverage manager for twenty years until it closed.

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Speaker 3: You knew when it was a good show because there'd

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Speaker 3: be bits of concrete on.

337
00:17:49,600 --> 00:17:51,280
Speaker 1: Your desk up for the shot. It'd be a bit

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Speaker 1: worry and said it was.

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Speaker 3: If it registers on the Richter scale, it's a particularly

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Speaker 3: good show.

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Speaker 1: It is a big night.

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Speaker 2: Now your Fhinds Open as well thirteen ten sixty five

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Speaker 2: and someone who's called that as Jimmy from Ellenbrook, Can I, Jimmy,

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Speaker 2: what are your entertainment center memories?

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Speaker 4: I remember it would have been about nineteen ninety three,

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Speaker 4: maybe nineteen ninety four, bon Jovie Keep the Safe Tour.

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Speaker 4: I was only a youngster at the time, probably twelve

348
00:18:12,800 --> 00:18:17,000
Speaker 4: or thirteen years old when with a mate and his dad.

349
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Speaker 4: I probably wasn't accustomed to being up that late at

350
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Speaker 4: that age, and actually so asleep.

351
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Speaker 6: During the gig.

352
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Speaker 1: I did so.

353
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Speaker 4: Had we had seats, and I remember I so nodded

354
00:18:26,800 --> 00:18:29,200
Speaker 4: off And it was during that title track Keep the Faith,

355
00:18:29,200 --> 00:18:31,080
Speaker 4: and there's that moment there in the chorus got to

356
00:18:31,160 --> 00:18:33,760
Speaker 4: Keep the Faith bang and there was a big pyro

357
00:18:33,920 --> 00:18:37,680
Speaker 4: explosion or something and again and I jumped straight out

358
00:18:37,680 --> 00:18:40,040
Speaker 4: of my feet. Try to pretend I hadn't been asleep,

359
00:18:40,080 --> 00:18:42,560
Speaker 4: you know, to know way everyone was on their feet,

360
00:18:42,920 --> 00:18:46,760
Speaker 4: and I remember it vividly because it was actually coincided

361
00:18:46,800 --> 00:18:51,640
Speaker 4: with the product launch of Pepsi Max Noms. Okay, yeah,

362
00:18:51,720 --> 00:18:53,320
Speaker 4: So when we were all coming out of the gig

363
00:18:53,320 --> 00:18:55,679
Speaker 4: onto the concourse there there was just every sort of

364
00:18:55,680 --> 00:18:57,919
Speaker 4: ten twenty meters. There were just palette and palette and

365
00:18:57,920 --> 00:19:01,040
Speaker 4: palettes of all these cartons of Max cans and all

366
00:19:01,080 --> 00:19:04,080
Speaker 4: these promo guys and girls just giving away free petty

367
00:19:04,080 --> 00:19:06,200
Speaker 4: Max to everyone. So, of course, as as a twelve

368
00:19:06,240 --> 00:19:08,800
Speaker 4: year old, yeah, I thought I was in heaven. You know,

369
00:19:08,920 --> 00:19:10,520
Speaker 4: free can of a new softing.

370
00:19:11,720 --> 00:19:12,760
Speaker 1: That work. You up there?

371
00:19:13,359 --> 00:19:19,760
Speaker 3: That's the cafe, isn't that funny memory? Who remembers Miss

372
00:19:19,880 --> 00:19:23,399
Speaker 3: Universe the where the stage collapsed? I think it was

373
00:19:23,480 --> 00:19:26,200
Speaker 3: nineteen seventy seven. It just about swallowed up Miss Venezuela.

374
00:19:26,320 --> 00:19:27,600
Speaker 1: I know. But she won, didn't she?

375
00:19:27,600 --> 00:19:27,960
Speaker 3: She won?

376
00:19:28,080 --> 00:19:30,600
Speaker 1: Yeah. Yeah, some of the girls got hurt and it

377
00:19:30,640 --> 00:19:32,959
Speaker 1: was It was not the finest moment, but it was

378
00:19:33,000 --> 00:19:33,920
Speaker 1: certainly memorable.

379
00:19:33,920 --> 00:19:35,800
Speaker 2: I wanted one job, to make your stage safe for

380
00:19:35,840 --> 00:19:38,480
Speaker 2: the most beautiful woman in the world. Yeah, it was

381
00:19:38,480 --> 00:19:40,800
Speaker 2: a big deal to get it here because the American coverage.

382
00:19:40,600 --> 00:19:43,639
Speaker 1: Was a birch deal. We didn't get it again. Funny

383
00:19:43,640 --> 00:19:46,320
Speaker 1: that I wonder what I got to say it were?

384
00:19:46,359 --> 00:19:47,480
Speaker 1: I lost a couple of countries.

385
00:19:48,640 --> 00:19:51,520
Speaker 2: They're still down the cracks. I'm going to say my

386
00:19:51,640 --> 00:19:54,280
Speaker 2: first every gig was in the Entertainment Center, first ever gig,

387
00:19:54,320 --> 00:19:58,560
Speaker 2: and it was Kiss in nineteen eighty they finally you did.

388
00:19:58,440 --> 00:19:59,239
Speaker 1: You make up it up?

389
00:19:59,359 --> 00:20:01,720
Speaker 2: I didn't have the cup on, but I do remember

390
00:20:01,760 --> 00:20:03,520
Speaker 2: when they first came out, and they always start with

391
00:20:03,520 --> 00:20:06,719
Speaker 2: Detroit Rock City and the buns and burners. I was

392
00:20:06,720 --> 00:20:09,000
Speaker 2: sitting right at the back, but those big fire pyros

393
00:20:09,040 --> 00:20:09,440
Speaker 2: there there.

394
00:20:09,600 --> 00:20:12,240
Speaker 1: You could feel the heat on your face. The deimentary

395
00:20:12,240 --> 00:20:13,639
Speaker 1: at the time. Yeah, but I think.

396
00:20:13,480 --> 00:20:15,919
Speaker 2: Paul Stanley was going, why this crowd not because there

397
00:20:15,920 --> 00:20:17,880
Speaker 2: was all these kids seeing their first every game.

398
00:20:18,040 --> 00:20:20,600
Speaker 1: Yeah, it was incredible. Jammer in one, Dewey, you have

399
00:20:20,800 --> 00:20:23,680
Speaker 1: a memory about the Kiss concert? Do you? I do?

400
00:20:24,119 --> 00:20:27,919
Speaker 3: Yes, I got Jim, I've got a Bruce Culic guitar

401
00:20:28,040 --> 00:20:32,400
Speaker 3: pick from the bank is no really still got I

402
00:20:32,400 --> 00:20:35,920
Speaker 3: have fantastic that's treasure and stopped.

403
00:20:35,960 --> 00:20:38,240
Speaker 1: The crowd right in front of the lights came on,

404
00:20:38,600 --> 00:20:39,399
Speaker 1: focused on me.

405
00:20:39,600 --> 00:20:41,960
Speaker 6: They flipped me the guitar pick.

406
00:20:42,040 --> 00:20:42,880
Speaker 1: I couldn't get it.

407
00:20:43,440 --> 00:20:45,080
Speaker 9: Lights went down. I started playing again.

408
00:20:45,160 --> 00:20:46,960
Speaker 5: The guy behind me picked it up, pat me on

409
00:20:47,000 --> 00:20:48,760
Speaker 5: the shelves said I think this is yours?

410
00:20:48,920 --> 00:20:55,479
Speaker 1: Oh nice, good Gods, CONST love it. I love it.

411
00:20:55,600 --> 00:20:57,040
Speaker 1: What a guy. That's pretty cool.

412
00:20:58,040 --> 00:20:59,919
Speaker 9: Magnificent, magnificent memory.

413
00:21:00,119 --> 00:21:02,400
Speaker 1: Along with the others yeah, Bruce.

414
00:21:02,760 --> 00:21:04,840
Speaker 2: He never wore makeup, did He wasn't in the makeup

415
00:21:04,880 --> 00:21:07,440
Speaker 2: ero of Kiss, so that would have been none. Those

416
00:21:07,480 --> 00:21:09,399
Speaker 2: boys absolutely very good.

417
00:21:09,680 --> 00:21:18,160
Speaker 1: He's foundation all over your guitar. No, definitely, guys, keep

418
00:21:18,160 --> 00:21:22,920
Speaker 1: having good work. What's yours? Bill and Woodridge Walton go back.

419
00:21:23,000 --> 00:21:26,400
Speaker 10: I'm thinking it's going back a little bit. Nineteen seventy eight,

420
00:21:26,640 --> 00:21:31,120
Speaker 10: seventy nine, two shows at the Entertainment Center, Peter Frampton

421
00:21:31,520 --> 00:21:37,399
Speaker 10: story good job, Yeah, very good. Yeah, and actually, like

422
00:21:37,480 --> 00:21:39,160
Speaker 10: I remember going with a mate. He was a couple

423
00:21:39,200 --> 00:21:42,720
Speaker 10: of years older than me and he got these tickets

424
00:21:42,960 --> 00:21:45,960
Speaker 10: three years guys, ninety six f m at the day

425
00:21:46,440 --> 00:21:49,639
Speaker 10: on the day when the studio used to be on

426
00:21:49,760 --> 00:21:50,520
Speaker 10: Riverside Drive.

427
00:21:50,960 --> 00:21:55,080
Speaker 2: Oh right, the really early days, the first building before

428
00:21:55,480 --> 00:21:59,080
Speaker 2: East Birth. Peter I played guitar mate. He was one

429
00:21:59,080 --> 00:22:00,240
Speaker 2: of those underrated guitar.

430
00:22:00,560 --> 00:22:01,720
Speaker 10: He can make it thing, couldn't we?

431
00:22:02,000 --> 00:22:02,600
Speaker 1: Absolutely?

432
00:22:02,800 --> 00:22:05,400
Speaker 10: Yeah, thanks Bill, No worries, guys, Thank you very much.

433
00:22:06,560 --> 00:22:08,200
Speaker 1: Enjoy your week, mate. Good to talk to you.

434
00:22:08,960 --> 00:22:13,960
Speaker 3: Dave in Chidlow, you were at that Crazy Madness show where.

435
00:22:14,000 --> 00:22:16,800
Speaker 9: I absolutely was, and I was a sixteen year old

436
00:22:16,840 --> 00:22:21,119
Speaker 9: straight from tech. I had black jeans on black dvs

437
00:22:21,119 --> 00:22:22,879
Speaker 9: and a lumberjacket.

438
00:22:22,800 --> 00:22:23,520
Speaker 6: In the mosh pit.

439
00:22:24,400 --> 00:22:27,680
Speaker 9: About fifteen little fellas with no hair decided to see

440
00:22:28,480 --> 00:22:31,359
Speaker 9: punch on. So I ran. I ran for my life,

441
00:22:31,440 --> 00:22:35,000
Speaker 9: up and down their misles. Yeah, around the corners and

442
00:22:35,520 --> 00:22:37,840
Speaker 9: I got to the front doors and they were locked.

443
00:22:37,840 --> 00:22:38,639
Speaker 6: I was bashing on.

444
00:22:38,720 --> 00:22:41,639
Speaker 9: The security goes, you can't get out until he's seen

445
00:22:41,640 --> 00:22:45,359
Speaker 9: this mob of people chasing. He let me out and

446
00:22:45,400 --> 00:22:46,400
Speaker 9: they were locked.

447
00:22:46,119 --> 00:22:50,600
Speaker 1: In dv's The loved jacket was the wrong chot out.

448
00:22:51,600 --> 00:22:52,679
Speaker 6: Absolutely.

449
00:22:52,760 --> 00:22:56,120
Speaker 9: I worked three years later when I saw Akkadaca, I got.

450
00:22:57,680 --> 00:23:01,439
Speaker 1: That's the uniform for Akadaca. Yeah, Da rocked up. There

451
00:23:01,520 --> 00:23:02,480
Speaker 1: was a lot more hair, Dave.

452
00:23:02,840 --> 00:23:05,080
Speaker 3: It was the only time London Court was empty that

453
00:23:05,200 --> 00:23:07,360
Speaker 3: night that the Madness sho was on.

454
00:23:07,880 --> 00:23:11,600
Speaker 9: Thanks Day remembers.

455
00:23:12,119 --> 00:23:14,679
Speaker 3: Look, we've had so many texts as well. Thank you

456
00:23:14,720 --> 00:23:16,959
Speaker 3: for all of your texts and thank you for all

457
00:23:17,000 --> 00:23:20,640
Speaker 3: of your calls. Angie and Jodler, who remembers the Deep

458
00:23:20,680 --> 00:23:24,000
Speaker 3: Purple concert in the seventies. She said it was canceled

459
00:23:24,000 --> 00:23:26,119
Speaker 3: at the Whacker, so they packed us all into the

460
00:23:26,200 --> 00:23:28,480
Speaker 3: entertainment said we were sitting up the aisle steps, probably

461
00:23:28,480 --> 00:23:30,919
Speaker 3: about a thousand more people than should have been there

462
00:23:30,920 --> 00:23:32,720
Speaker 3: because I just remember you could. As soon as the

463
00:23:32,800 --> 00:23:36,840
Speaker 3: lights went down, you'd run down the eye. People saying

464
00:23:36,880 --> 00:23:40,360
Speaker 3: sitny care back then tried and the Bay City Rollers

465
00:23:40,480 --> 00:23:43,760
Speaker 3: nineteen seventy five front row chairs collapsed with screaming girls

466
00:23:43,760 --> 00:23:46,280
Speaker 3: in Tartan. Had to stop the show, set the seats

467
00:23:46,320 --> 00:23:48,600
Speaker 3: back up. Best Memories Wood Times wo