1 00:00:00,200 --> 00:00:03,120 Speaker 1: Yay, it's fry Ya. I've doubled ya the fry Oh. 2 00:00:03,080 --> 00:00:04,960 Speaker 2: Could this be any more irritated? 3 00:00:05,080 --> 00:00:08,280 Speaker 1: Look, I know you're wounded. You're like a wounded bear, 4 00:00:08,680 --> 00:00:11,239 Speaker 1: so I'm not going to poke you too much. It's 5 00:00:11,280 --> 00:00:13,440 Speaker 1: the jam Nation Podcast with Jonesy and Amanda. 6 00:00:13,640 --> 00:00:16,840 Speaker 2: We discussed nightclubs in the pub test our premier Gladys 7 00:00:16,880 --> 00:00:20,400 Speaker 2: Puragicallyan joins us. We discuss what I'm in store for 8 00:00:20,760 --> 00:00:23,600 Speaker 2: six weeks in a sling not using my left hand 9 00:00:23,640 --> 00:00:25,000 Speaker 2: when I'm left handed. 10 00:00:25,200 --> 00:00:27,480 Speaker 1: I am here for you, brother, I'm here to look 11 00:00:27,560 --> 00:00:28,000 Speaker 1: after you. 12 00:00:28,080 --> 00:00:28,800 Speaker 2: I'm over here. 13 00:00:29,240 --> 00:00:32,600 Speaker 1: Also, well, check out the week that was with Jimi Jabba. 14 00:00:32,680 --> 00:00:44,800 Speaker 1: Please enjoy our podcast. Now about a miracle of recording. 15 00:00:45,000 --> 00:00:47,200 Speaker 1: We have so many requests for them to do it again. 16 00:00:47,320 --> 00:00:53,240 Speaker 3: Mistress Amanda's mis killer Amanda doesn't work alone. Good friend 17 00:00:54,400 --> 00:00:55,680 Speaker 3: making the tools of the train. 18 00:00:55,760 --> 00:00:59,280 Speaker 1: I've heard them describe him as a drunken idiot. I've 19 00:00:59,280 --> 00:01:00,760 Speaker 1: been a legendary part. 20 00:01:00,960 --> 00:01:03,920 Speaker 3: Jersey and Amanda the actress wiggles. 21 00:01:03,960 --> 00:01:06,240 Speaker 2: Congratulations, Murder, we're right now. 22 00:01:06,880 --> 00:01:11,080 Speaker 1: Jersey and Amanda, you're doing a great job. Anyone Selkie 23 00:01:11,120 --> 00:01:13,920 Speaker 1: Giant now the good radio. 24 00:01:14,160 --> 00:01:21,440 Speaker 4: Sorry, but of a tang twist set Amanda's. 25 00:01:19,959 --> 00:01:23,640 Speaker 1: Shoot Timy we're on the air. Well, hello, Amanda, how 26 00:01:23,680 --> 00:01:24,199 Speaker 1: are you today? 27 00:01:24,680 --> 00:01:29,240 Speaker 2: I'm feeling feeling sioky today. You know, with my injury, 28 00:01:29,800 --> 00:01:34,119 Speaker 2: I booked my elbow and and well what I've discovered 29 00:01:34,280 --> 00:01:36,440 Speaker 2: is I saw a surgeon yesterday. I ripped a ligament 30 00:01:37,000 --> 00:01:39,959 Speaker 2: and so there were two bones that were side by 31 00:01:40,000 --> 00:01:42,759 Speaker 2: side and now they're not. And so I've got this 32 00:01:43,319 --> 00:01:44,440 Speaker 2: looks like a bionic arm. 33 00:01:44,560 --> 00:01:47,960 Speaker 1: You like the six million dollar man, but the woman. 34 00:01:47,840 --> 00:01:49,440 Speaker 2: Version, well there was a bionic woman. 35 00:01:49,480 --> 00:01:50,840 Speaker 1: There was. There was the bionic woman. 36 00:01:50,960 --> 00:01:52,640 Speaker 2: Remember the woman version. 37 00:01:52,400 --> 00:01:56,160 Speaker 1: Lindsay Wagner. You had Lee Mages as the six million 38 00:01:56,160 --> 00:01:59,920 Speaker 1: dollar man, Lindsay Wagner. They made that to just placate 39 00:02:00,120 --> 00:02:03,040 Speaker 1: the girls. I think of the time. It was of 40 00:02:03,160 --> 00:02:03,640 Speaker 1: the time, and. 41 00:02:03,640 --> 00:02:04,880 Speaker 2: We watched it. I watched it. 42 00:02:04,800 --> 00:02:06,400 Speaker 1: It was a good show. It was always a six 43 00:02:06,440 --> 00:02:09,520 Speaker 1: million dollar man fan. I did like the woman, no 44 00:02:09,600 --> 00:02:10,240 Speaker 1: doubt about that. 45 00:02:10,320 --> 00:02:13,200 Speaker 2: It wasn't duplicate women, or would they would. Executives would 46 00:02:13,200 --> 00:02:14,120 Speaker 2: not have made a show. 47 00:02:13,960 --> 00:02:16,320 Speaker 1: To play they had was that our audience, the girls. 48 00:02:16,360 --> 00:02:18,320 Speaker 1: I'm going to watch the six bion dollar man. 49 00:02:18,360 --> 00:02:21,000 Speaker 2: So did women like me? And I was in the 50 00:02:21,080 --> 00:02:22,600 Speaker 2: drop zone of the age watched. 51 00:02:22,360 --> 00:02:26,040 Speaker 1: Both as did you, and the premise of the Bionic 52 00:02:26,160 --> 00:02:29,840 Speaker 1: Woman Jamie Summers was that her name. She had a 53 00:02:29,840 --> 00:02:32,440 Speaker 1: skydiving accident and she was a school teacher and a 54 00:02:32,440 --> 00:02:37,840 Speaker 1: professional tennis player before that, and then Oscar the guy 55 00:02:38,560 --> 00:02:39,880 Speaker 1: the the FBI goes this. 56 00:02:39,840 --> 00:02:41,320 Speaker 2: All started with how am I today? 57 00:02:43,040 --> 00:02:43,200 Speaker 1: Yes? 58 00:02:43,280 --> 00:02:45,799 Speaker 2: Sorry, if you wanted to discuss the show from the seventies. 59 00:02:45,919 --> 00:02:52,959 Speaker 1: And they get all the bionic parts, so you're like her. Gentlemen, 60 00:02:53,000 --> 00:02:55,800 Speaker 1: we can rebuild her. Yes, man, shut up? 61 00:02:57,919 --> 00:03:03,840 Speaker 2: Okay, thank you for giving me the dingy bell again today. 62 00:03:03,880 --> 00:03:05,640 Speaker 2: I wish you'd taking it off the bike. It does 63 00:03:05,680 --> 00:03:08,200 Speaker 2: make it very cumbersome to you. 64 00:03:08,200 --> 00:03:11,840 Speaker 1: Well, I'm you didn't even ask how I was. 65 00:03:11,880 --> 00:03:16,520 Speaker 2: I volunteered the information. Let's talk about a show from 66 00:03:16,520 --> 00:03:17,160 Speaker 2: the seventies. 67 00:03:18,000 --> 00:03:21,280 Speaker 1: You said your villain and then and then it. 68 00:03:21,280 --> 00:03:22,040 Speaker 2: Went to you. 69 00:03:23,760 --> 00:03:26,520 Speaker 1: That's the way it should be. Don't worry. I am 70 00:03:26,520 --> 00:03:27,840 Speaker 1: here at your bed and call. 71 00:03:28,160 --> 00:03:30,480 Speaker 2: This is a big deal. For six weeks, I can't 72 00:03:30,600 --> 00:03:34,080 Speaker 2: drive for six weeks. I'm left handed. Look, I can't 73 00:03:34,360 --> 00:03:36,960 Speaker 2: use my arm for six weeks. This is a big deal. 74 00:03:37,000 --> 00:03:39,280 Speaker 1: I dare say that you couldn't drive before the arm Bras. 75 00:03:40,040 --> 00:03:41,040 Speaker 2: Look, you know I'm trying. 76 00:03:41,520 --> 00:03:42,920 Speaker 1: I'm making it light. 77 00:03:43,440 --> 00:03:46,520 Speaker 2: Need to be made live. You know what it does need? 78 00:03:46,800 --> 00:03:49,160 Speaker 1: Yes? Cup of tea, A nice cup of tea. Okay, 79 00:03:49,200 --> 00:03:51,160 Speaker 1: well I'll get under the cup in. 80 00:03:51,120 --> 00:03:53,200 Speaker 2: The meantime, He's questioned one for Magnificent Seven. 81 00:03:53,240 --> 00:03:54,840 Speaker 1: You're not going to say, who's on the show today? 82 00:03:55,000 --> 00:03:58,680 Speaker 2: Well, you say Gladys Pergie, She's on our show. Stephen Curry, 83 00:03:58,720 --> 00:04:01,440 Speaker 2: He's on our show today. Dollars with their jat that's 84 00:04:01,480 --> 00:04:02,360 Speaker 2: on our show today. 85 00:04:02,520 --> 00:04:04,640 Speaker 1: First question for the Magnificent seven. 86 00:04:05,120 --> 00:04:06,920 Speaker 2: Is this the show that we plicate the women with 87 00:04:08,040 --> 00:04:11,720 Speaker 2: Breeze and Gail are measurements of what plenty of it? 88 00:04:11,760 --> 00:04:12,119 Speaker 5: In ear? 89 00:04:14,040 --> 00:04:15,680 Speaker 1: I'm going to get you out of your sulky mood. 90 00:04:15,920 --> 00:04:19,839 Speaker 2: Well, I don't you know? What I need is empathy 91 00:04:19,920 --> 00:04:21,560 Speaker 2: and for you to appreciate the situation. 92 00:04:21,680 --> 00:04:25,280 Speaker 1: I've got empathy. I've got empathy in spades. I've got 93 00:04:25,279 --> 00:04:26,799 Speaker 1: all of Scott Morrison's empathy. 94 00:04:26,800 --> 00:04:29,320 Speaker 2: That's why he has my phone, Jen and the Girls zero. 95 00:04:32,760 --> 00:04:36,000 Speaker 1: Podcast. We have the Magnificent Seven. There are seven questions. 96 00:04:36,040 --> 00:04:37,440 Speaker 1: Can you go on the way and answer all seven 97 00:04:37,480 --> 00:04:39,960 Speaker 1: questions correctly? If you do that, we go yippy, But 98 00:04:40,120 --> 00:04:41,640 Speaker 1: really it's about getting questions seven. 99 00:04:41,760 --> 00:04:44,920 Speaker 2: Right, We've got Chantel from Rossmore. Hello, Chantel, how are 100 00:04:44,960 --> 00:04:46,800 Speaker 2: you all right? 101 00:04:46,800 --> 00:04:47,760 Speaker 6: What about you guys? 102 00:04:47,600 --> 00:04:48,400 Speaker 2: It's not too bad? 103 00:04:48,440 --> 00:04:48,800 Speaker 1: Thank you. 104 00:04:49,000 --> 00:04:49,160 Speaker 7: Well. 105 00:04:49,160 --> 00:04:53,320 Speaker 1: Amanda is in a situation. She's got some bionic arm 106 00:04:53,400 --> 00:04:56,240 Speaker 1: device now, so she's like the bionic woman. 107 00:04:56,120 --> 00:04:59,839 Speaker 2: Shanta and Jonesy seems to find my predicament amusing. 108 00:05:00,040 --> 00:05:02,920 Speaker 1: It's like a benefit you could go and take on sasquatch. 109 00:05:03,080 --> 00:05:06,400 Speaker 1: Now remember that in the six Million Dollar Man. 110 00:05:08,839 --> 00:05:11,360 Speaker 2: You know, I'm actually dealing with the enormity of what 111 00:05:11,400 --> 00:05:13,080 Speaker 2: my next six weeks are going to be like. I 112 00:05:13,120 --> 00:05:15,440 Speaker 2: hadn't occurred to me that fighting a sasquatch would be 113 00:05:15,480 --> 00:05:15,920 Speaker 2: part of it. 114 00:05:16,080 --> 00:05:18,600 Speaker 1: That's part of it. It's one of it's actually one 115 00:05:18,600 --> 00:05:20,279 Speaker 1: of the real housewives of Sydney. 116 00:05:21,960 --> 00:05:24,400 Speaker 2: You are the most perverse wingman of all time. 117 00:05:24,560 --> 00:05:26,720 Speaker 1: I am the best wing man that you would ever want. 118 00:05:26,920 --> 00:05:28,920 Speaker 2: All right, So Chantell, let's see how we go here, 119 00:05:29,040 --> 00:05:33,200 Speaker 2: Breeze and gale A measurements of what Queen Yes. 120 00:05:33,120 --> 00:05:36,320 Speaker 1: The late singer Ella Fitzgerald is referred to as the 121 00:05:36,400 --> 00:05:42,960 Speaker 1: Queen of what genre. Ella Fitzgerald. The late singer Ella Fitzgerald, 122 00:05:43,279 --> 00:05:46,160 Speaker 1: she's referred to as the queen of what, the queen 123 00:05:46,240 --> 00:05:49,440 Speaker 1: of her singing style. She was the queen of what genre? 124 00:05:49,560 --> 00:05:49,800 Speaker 2: Was it? 125 00:05:49,880 --> 00:05:51,159 Speaker 1: Yeah? 126 00:05:51,800 --> 00:05:54,800 Speaker 6: Oh, I'm not sure. 127 00:05:56,040 --> 00:05:57,480 Speaker 1: Well that was the think of a music thing. Like 128 00:05:57,480 --> 00:06:00,280 Speaker 1: I said, there's opera, so it's not opera. What's another music? 129 00:06:00,400 --> 00:06:02,840 Speaker 2: If she hasn't heard of Elaphitzgerald, you may not get there. 130 00:06:03,120 --> 00:06:05,520 Speaker 1: Just say music, say a music stream. 131 00:06:05,560 --> 00:06:12,279 Speaker 2: A music genre. Yeah, R and B No, no, sorry, chantell. 132 00:06:12,480 --> 00:06:15,359 Speaker 1: We tried to help you. You can lead a horse 133 00:06:15,360 --> 00:06:17,679 Speaker 1: to water. Karen's in Green Valley. 134 00:06:17,720 --> 00:06:22,000 Speaker 2: Oh, Karen, are you very well? Ela Fitzgerald is referred 135 00:06:22,040 --> 00:06:26,600 Speaker 2: to as the queen of what musical genre? Today's International 136 00:06:26,680 --> 00:06:29,080 Speaker 2: Jazz Day. Yeah, I'm not a big fan of jazz. 137 00:06:29,240 --> 00:06:31,200 Speaker 2: How do they all know when to finish? Because it's 138 00:06:31,200 --> 00:06:32,640 Speaker 2: all discordant and then they all stop. 139 00:06:32,720 --> 00:06:35,160 Speaker 1: That's that Katie Noonan when she does a song, she says, Oh, 140 00:06:35,360 --> 00:06:37,520 Speaker 1: I can do a song and it sounds nothing like 141 00:06:37,560 --> 00:06:41,200 Speaker 1: the original song and the gas for fifteen minutes. That's jazz, 142 00:06:41,440 --> 00:06:42,760 Speaker 1: I know. That's when I go to the bar. 143 00:06:43,160 --> 00:06:48,000 Speaker 2: Let's play the not so secret sound, Karen. There are 144 00:06:48,040 --> 00:06:50,760 Speaker 2: lots of radio competitions where what is a secret sound? 145 00:06:50,800 --> 00:06:53,120 Speaker 2: And it's the sound of a tear duct of a 146 00:06:53,200 --> 00:06:55,000 Speaker 2: hummingbird hitting at cash register. 147 00:06:55,320 --> 00:06:56,560 Speaker 1: That was last week's was it? 148 00:06:56,960 --> 00:06:59,000 Speaker 2: This is a not so secret sound? What is this 149 00:06:59,080 --> 00:06:59,760 Speaker 2: the sound of. 150 00:07:05,960 --> 00:07:06,840 Speaker 3: A register? 151 00:07:08,640 --> 00:07:11,520 Speaker 1: No, it's not a cash register. 152 00:07:12,840 --> 00:07:14,840 Speaker 2: It's the most obvious thing you can think of. It 153 00:07:14,880 --> 00:07:15,920 Speaker 2: sounds like it is. 154 00:07:16,000 --> 00:07:21,560 Speaker 1: Yep, don't overthink it. The magnificence And we find ourselves 155 00:07:21,640 --> 00:07:22,680 Speaker 1: at question number three. 156 00:07:22,800 --> 00:07:26,240 Speaker 2: It's going to go to Sam and emu heights. Hello, Sam, oh, 157 00:07:27,560 --> 00:07:29,120 Speaker 2: very well. This is a segment we call the not 158 00:07:29,160 --> 00:07:30,200 Speaker 2: so Secret Sound. 159 00:07:31,600 --> 00:07:31,960 Speaker 8: Old. 160 00:07:32,880 --> 00:07:35,080 Speaker 2: This question often takes a while to go off, which 161 00:07:35,120 --> 00:07:37,480 Speaker 2: is surprising because it's as simple as you think it is. 162 00:07:37,920 --> 00:07:48,400 Speaker 2: What is this sound? What's that? 163 00:07:50,320 --> 00:07:51,360 Speaker 3: Could that be a micro way? 164 00:07:51,440 --> 00:07:53,960 Speaker 2: Yes it is? Or is an agulla? Laws lights to say? 165 00:07:54,080 --> 00:07:57,320 Speaker 9: I still need a bit of milk full fat, which 166 00:07:57,320 --> 00:07:59,280 Speaker 9: I've warmed in the micro worthy? 167 00:08:01,040 --> 00:08:01,480 Speaker 3: Really? 168 00:08:02,320 --> 00:08:08,240 Speaker 1: Jack Hi is a term used in which sport Sam 169 00:08:08,320 --> 00:08:08,840 Speaker 1: good question. 170 00:08:10,360 --> 00:08:11,240 Speaker 2: Is there a good answer? 171 00:08:11,880 --> 00:08:12,320 Speaker 1: Jack Hi? 172 00:08:12,920 --> 00:08:13,320 Speaker 7: You know this? 173 00:08:13,480 --> 00:08:14,440 Speaker 1: There was a show about it. 174 00:08:16,960 --> 00:08:20,640 Speaker 2: Is it beyond my ears? 175 00:08:18,640 --> 00:08:18,800 Speaker 6: Well? 176 00:08:20,680 --> 00:08:24,080 Speaker 1: Okay, is it a lawn bowl's B cricket or C 177 00:08:24,440 --> 00:08:25,480 Speaker 1: ten pin bowling? 178 00:08:28,600 --> 00:08:31,280 Speaker 2: We will go with a yeah, it is lawn bowls. 179 00:08:31,920 --> 00:08:34,840 Speaker 1: There was a show called Jack Hi on Saturday afternoons 180 00:08:35,280 --> 00:08:37,480 Speaker 1: and there was like a bunch of old coots bowling 181 00:08:37,760 --> 00:08:38,520 Speaker 1: and we watched that. 182 00:08:39,280 --> 00:08:40,079 Speaker 2: They were the days. 183 00:08:40,120 --> 00:08:41,120 Speaker 1: Weren't they weird? 184 00:08:41,120 --> 00:08:43,080 Speaker 2: And we say old coots, they're probably thirty. 185 00:08:43,240 --> 00:08:45,280 Speaker 1: And now there's there's TV shows. Did you send that 186 00:08:45,360 --> 00:08:48,160 Speaker 1: TV show with Kristin Davis who used to be on 187 00:08:48,480 --> 00:08:51,920 Speaker 1: Sex and the City. And it's about baby daddy who's 188 00:08:51,960 --> 00:08:54,520 Speaker 1: going to be the baby daddy? And so a woman 189 00:08:55,360 --> 00:08:59,120 Speaker 1: vies for these men to impregnate her. That's this is 190 00:08:59,120 --> 00:09:01,079 Speaker 1: a show. Not making this up? 191 00:09:01,360 --> 00:09:05,400 Speaker 2: Well, my husband yesterday was watching drag racing with camper vans, 192 00:09:06,080 --> 00:09:08,120 Speaker 2: the old lady inside making a cup of tea. It 193 00:09:08,200 --> 00:09:10,600 Speaker 2: was really struggling what channels that on? That was on 194 00:09:10,679 --> 00:09:11,559 Speaker 2: Fox Spots. 195 00:09:11,360 --> 00:09:15,000 Speaker 1: I want to watch that, What's over? What is at 196 00:09:15,000 --> 00:09:15,400 Speaker 1: the Dragon? 197 00:09:15,400 --> 00:09:17,280 Speaker 2: It was a whole lot of drag racing and then 198 00:09:17,320 --> 00:09:19,760 Speaker 2: one of the races was two camper vans coming down 199 00:09:19,840 --> 00:09:20,280 Speaker 2: the thing. 200 00:09:20,480 --> 00:09:21,680 Speaker 1: Getting towed by a car. 201 00:09:22,760 --> 00:09:25,480 Speaker 2: I think that they had they were self saucing. I 202 00:09:25,679 --> 00:09:28,800 Speaker 2: like a winter baking, I think, so imagine called campa 203 00:09:28,880 --> 00:09:29,480 Speaker 2: van racing. 204 00:09:29,520 --> 00:09:32,440 Speaker 1: Imagine reversing a camper van down the dragway. How would 205 00:09:32,440 --> 00:09:33,000 Speaker 1: that get. 206 00:09:33,400 --> 00:09:36,280 Speaker 2: Let's get onto question number five. House of the Dragon 207 00:09:36,920 --> 00:09:40,840 Speaker 2: is the upcoming prequel of which well known TV series 208 00:09:42,960 --> 00:09:48,000 Speaker 2: m Yes, it is Abatron. 209 00:09:48,600 --> 00:09:51,840 Speaker 1: Who did Gladys s piogically and replace his premiere of 210 00:09:51,880 --> 00:09:54,960 Speaker 1: New South Wales in twenty seventeen? Who was before Gladdy? 211 00:09:56,960 --> 00:09:57,960 Speaker 3: I know this one. 212 00:09:58,800 --> 00:10:01,040 Speaker 2: I can hear your typing there, so just make it 213 00:10:01,080 --> 00:10:04,120 Speaker 2: a bit more interesting, Come on, Sam, Yeah. 214 00:10:05,080 --> 00:10:05,439 Speaker 1: All right. 215 00:10:05,679 --> 00:10:07,000 Speaker 2: I don't need to bully you out of it, but 216 00:10:07,040 --> 00:10:09,480 Speaker 2: I can hears if you're typing. 217 00:10:09,520 --> 00:10:11,720 Speaker 1: We'll just say this, just be discreet. It's like when 218 00:10:11,880 --> 00:10:15,080 Speaker 1: Mick Jagger used to go out womanizing. Jerry Hall used 219 00:10:15,120 --> 00:10:18,880 Speaker 1: to say to me, do it, but just do it discreetly, okay. 220 00:10:18,760 --> 00:10:21,520 Speaker 2: And and just a dead air while we hear you 221 00:10:21,600 --> 00:10:23,640 Speaker 2: typing for three questions. 222 00:10:23,640 --> 00:10:23,840 Speaker 3: Fun. 223 00:10:24,200 --> 00:10:28,920 Speaker 1: Mitchell's in Black Park, Hi, Mitchell, very well? 224 00:10:28,920 --> 00:10:33,079 Speaker 2: Who did glad Gladys spurry jackline replaces premier in twenty seventeen? 225 00:10:37,160 --> 00:10:39,040 Speaker 2: How quickly we forget? At the time you think he 226 00:10:39,160 --> 00:10:42,160 Speaker 2: was amazing and now he's gone? Do you know? 227 00:10:45,840 --> 00:10:46,320 Speaker 1: No? 228 00:10:46,400 --> 00:10:49,439 Speaker 2: No, Bill Shorten was in federal politics. This is New 229 00:10:49,440 --> 00:10:50,559 Speaker 2: South Wales politics. 230 00:10:50,600 --> 00:10:51,640 Speaker 1: Susan's in Karantiel. 231 00:10:51,720 --> 00:10:56,360 Speaker 2: Hi, Susan, Hi you, We love you. 232 00:10:56,440 --> 00:10:57,200 Speaker 1: Susan Gladysbury. 233 00:10:57,320 --> 00:10:58,640 Speaker 2: Jackline is on our show. 234 00:10:59,040 --> 00:11:00,640 Speaker 1: Hey, and that was a giant many What happens? 235 00:11:00,720 --> 00:11:01,240 Speaker 2: What happened? 236 00:11:02,000 --> 00:11:02,800 Speaker 8: How's your elbow? 237 00:11:02,880 --> 00:11:04,800 Speaker 2: Aren't you nice for asking? Well, I've got it in 238 00:11:04,840 --> 00:11:09,040 Speaker 2: a like a bionic it's permanently set at ninety degrees. 239 00:11:09,160 --> 00:11:10,240 Speaker 1: She's a woman. 240 00:11:10,400 --> 00:11:16,640 Speaker 2: I'm permanently doing a Napoleon stance. That's me for six weeks. 241 00:11:16,640 --> 00:11:20,280 Speaker 2: But thank you for asking. Glandisberry Jicklian's on our show today? 242 00:11:20,280 --> 00:11:21,640 Speaker 2: Who did she replace? His premier? 243 00:11:22,920 --> 00:11:23,440 Speaker 3: Mike Fair? 244 00:11:24,679 --> 00:11:29,040 Speaker 1: Yesterday marked how many years since Prince William and Kate tied? Then? 245 00:11:29,200 --> 00:11:34,640 Speaker 7: Oh, how the. 246 00:11:34,600 --> 00:11:37,080 Speaker 6: Little one maybe about. 247 00:11:38,400 --> 00:11:42,760 Speaker 2: No? No, sorry, Susan, I think the little one is eight? 248 00:11:42,840 --> 00:11:44,160 Speaker 2: But how long have they been married? 249 00:11:44,440 --> 00:11:45,800 Speaker 1: Carmen is in Stratfield. 250 00:11:45,880 --> 00:11:50,360 Speaker 2: Hi Carmen, Hey, hey, hey, I often think you know, 251 00:11:50,360 --> 00:11:55,680 Speaker 2: it's interesting that Kate wears Diana's engagement ring when she 252 00:11:55,800 --> 00:11:57,920 Speaker 2: was a little girl. Obviously she would have known the 253 00:11:58,000 --> 00:12:00,440 Speaker 2: story of Princess Diana and her pair. I would have 254 00:12:00,480 --> 00:12:02,560 Speaker 2: Who would have thought, hey, she's going to be wearing 255 00:12:02,600 --> 00:12:05,720 Speaker 2: that ring. She's going to be because Camilla won't be 256 00:12:05,800 --> 00:12:08,800 Speaker 2: the next Queen of England. Extraordinary, isn't it? What a 257 00:12:08,880 --> 00:12:10,560 Speaker 2: journey from just meeting at high school. 258 00:12:10,600 --> 00:12:11,200 Speaker 1: Big duty. 259 00:12:11,280 --> 00:12:14,079 Speaker 2: I mean yesterday, Mike. How many years that William and 260 00:12:14,160 --> 00:12:17,080 Speaker 2: Kater be married? Ten years? 261 00:12:17,960 --> 00:12:20,160 Speaker 1: Carmen. I look at you. You've come from nowhere and 262 00:12:20,200 --> 00:12:23,800 Speaker 1: you've won all the prizes. Congratulations, you won the jam pack. 263 00:12:24,320 --> 00:12:27,600 Speaker 1: You've got the family pass to the Lego brick Exhibition 264 00:12:27,640 --> 00:12:30,920 Speaker 1: at Sidney Tower Eye. The newly expanded experience from Lego 265 00:12:31,280 --> 00:12:36,440 Speaker 1: Master's Judge. It's called Brickman Cities is on now in Sydney. 266 00:12:36,440 --> 00:12:39,120 Speaker 1: It's worth having a cryover like Brickman likes to do. 267 00:12:39,679 --> 00:12:42,240 Speaker 1: A family pass to Toronto Zoo is Sidney travel the 268 00:12:42,240 --> 00:12:44,880 Speaker 1: whole wide world at Toronto Zoo. Get your tickets at 269 00:12:44,920 --> 00:12:47,200 Speaker 1: Toronto dot or don are you and jonesie to medicate? 270 00:12:47,360 --> 00:12:49,800 Speaker 1: Jews philer colored and s've stayed the pencils come and 271 00:12:49,840 --> 00:12:51,480 Speaker 1: you have yourself a good weekend. Okay? 272 00:12:52,520 --> 00:12:55,559 Speaker 6: Oh well, thank you so much. And I love listening 273 00:12:55,640 --> 00:12:57,240 Speaker 6: to both of you early in the morning. 274 00:12:57,440 --> 00:12:58,560 Speaker 2: Oh good on you, Karmen. 275 00:12:58,640 --> 00:13:00,240 Speaker 1: If we're on at other times of the day, you 276 00:13:00,240 --> 00:13:02,720 Speaker 1: wouldn't enjoy us so much. Is that what you're saying, Carmen. 277 00:13:03,880 --> 00:13:06,200 Speaker 6: No, I listened to you all day. 278 00:13:06,240 --> 00:13:09,079 Speaker 1: All day, so you want us on all day now, I. 279 00:13:09,000 --> 00:13:10,800 Speaker 2: Think comes from about the radio station. 280 00:13:11,040 --> 00:13:13,480 Speaker 1: Yeah, no, doubly, Okay, I'm just I'm just kidding. 281 00:13:13,679 --> 00:13:15,640 Speaker 2: I like to get information since you're doing the sense, 282 00:13:15,760 --> 00:13:16,040 Speaker 2: I like. 283 00:13:16,000 --> 00:13:17,559 Speaker 1: To get some intelligence on our shot. 284 00:13:18,360 --> 00:13:19,080 Speaker 2: I mean about time. 285 00:13:19,160 --> 00:13:19,880 Speaker 1: Thank you, Carmen. 286 00:13:19,920 --> 00:13:22,400 Speaker 2: We do have the premier gladysburgically in joining us today. 287 00:13:22,400 --> 00:13:25,560 Speaker 2: Stephen Curry is joining us. It's Friday, so this fight 288 00:13:25,600 --> 00:13:34,280 Speaker 2: for your flashback Jonesy and Amanda Germ podcast. 289 00:13:34,480 --> 00:13:37,199 Speaker 1: Combing through the Germanak our Big Book of Musical Facts. 290 00:13:37,640 --> 00:13:40,040 Speaker 1: On this day. In nineteen seventy six, the Who's drummer 291 00:13:40,120 --> 00:13:43,400 Speaker 1: Keith Moon paid nine cab drivers to block off both 292 00:13:43,520 --> 00:13:46,360 Speaker 1: ends for New York Street so he could throw the 293 00:13:46,360 --> 00:13:49,640 Speaker 1: contents of his hotel room out of the window to 294 00:13:49,679 --> 00:13:50,400 Speaker 1: be contrived. 295 00:13:50,440 --> 00:13:52,480 Speaker 2: When you plan it like that, isn't considerable. 296 00:13:52,480 --> 00:13:54,520 Speaker 1: A TV could do some damage to some you know, 297 00:13:54,600 --> 00:13:56,439 Speaker 1: some New Yorker. I'm walking it. 298 00:13:56,600 --> 00:14:00,480 Speaker 2: But he's obviously so decided that that's Who. What his 299 00:14:00,640 --> 00:14:04,360 Speaker 2: trope is that he now has to plant like an 300 00:14:04,440 --> 00:14:05,120 Speaker 2: art installation. 301 00:14:05,280 --> 00:14:08,640 Speaker 1: Well you're right about that. He and the Who destroyed 302 00:14:08,720 --> 00:14:11,880 Speaker 1: so many hotel rooms that most hotels refused to have. 303 00:14:12,080 --> 00:14:14,200 Speaker 2: The Who it's a juvenile thing to do. 304 00:14:14,400 --> 00:14:17,080 Speaker 1: At one particular stay at a hotel in Denmark, for example, 305 00:14:17,320 --> 00:14:20,120 Speaker 1: Keith was so fascinated with the waterbed in his room 306 00:14:20,640 --> 00:14:23,800 Speaker 1: he convinced Pete Townsend to help him lug it into 307 00:14:23,800 --> 00:14:26,480 Speaker 1: the elevator. Have you ever tried to move a waterbed? 308 00:14:26,840 --> 00:14:27,400 Speaker 2: Very hard? 309 00:14:27,720 --> 00:14:30,720 Speaker 1: You've got to drain the thing first. So Pete and 310 00:14:30,840 --> 00:14:32,800 Speaker 1: Keith are shoving it down the. 311 00:14:32,760 --> 00:14:35,160 Speaker 2: Car sober as the day they were born, and splits 312 00:14:35,200 --> 00:14:37,120 Speaker 2: open course water course. 313 00:14:37,600 --> 00:14:40,880 Speaker 1: Keith rang his manager. Imagine being The Who's manager. 314 00:14:40,600 --> 00:14:43,280 Speaker 2: But imagine being another guest on that floor. How irritating. 315 00:14:43,400 --> 00:14:45,600 Speaker 1: Keith rang his manager and told him that the bed 316 00:14:45,600 --> 00:14:49,440 Speaker 1: had burst in his sleep and destroyed all for all 317 00:14:49,520 --> 00:14:54,040 Speaker 1: his expensive stage clothes. The manager apologized and moved him 318 00:14:54,040 --> 00:14:57,120 Speaker 1: into the hotel's presidential suite, which the Who went on 319 00:14:57,160 --> 00:15:00,280 Speaker 1: to demolish. They set the pillows on fire, and they 320 00:15:00,360 --> 00:15:01,520 Speaker 1: peed on the walls. 321 00:15:01,680 --> 00:15:04,280 Speaker 2: Oh that just stresses me out, grow up. 322 00:15:04,440 --> 00:15:08,080 Speaker 1: Who the hell are they go? Right? Rock stars? 323 00:15:08,240 --> 00:15:09,480 Speaker 2: It's a distressing story. 324 00:15:12,600 --> 00:15:15,440 Speaker 3: Jonesy and Amanda in the Morning one on one point 325 00:15:15,480 --> 00:15:17,120 Speaker 3: seven WSFM. 326 00:15:17,360 --> 00:15:20,680 Speaker 1: Is everything going okay for you? I think I'm invalencing 327 00:15:20,760 --> 00:15:23,120 Speaker 1: a man you're getting many texts from people. People are 328 00:15:24,040 --> 00:15:24,240 Speaker 1: you know? 329 00:15:24,280 --> 00:15:26,600 Speaker 2: It was very nice? And I got my brother was 330 00:15:26,600 --> 00:15:29,800 Speaker 2: in a bike, a pushbike incident this week. My dad, 331 00:15:29,840 --> 00:15:32,640 Speaker 2: who's eighty seven, is the only keller still left standing. 332 00:15:32,760 --> 00:15:36,800 Speaker 2: I'm injured. And I sent Cameron a fruit box and 333 00:15:37,880 --> 00:15:40,240 Speaker 2: my agents you're also your agents, because I'd ask them 334 00:15:40,240 --> 00:15:42,760 Speaker 2: to help me arrange it. Thought, well, that's a good idea, 335 00:15:42,760 --> 00:15:44,760 Speaker 2: and they sent me one was that nice. I got 336 00:15:44,800 --> 00:15:46,400 Speaker 2: flowers from the living room yesterday. 337 00:15:46,400 --> 00:15:48,400 Speaker 1: It was a lovely I haven't sent you anything. Is 338 00:15:48,440 --> 00:15:51,360 Speaker 1: that is that bad? Should I send you something about? 339 00:15:51,400 --> 00:15:53,560 Speaker 1: I send you an antique anvil collection. 340 00:15:53,920 --> 00:15:57,120 Speaker 2: Oh and if then the delivery person could just ring 341 00:15:57,160 --> 00:15:59,560 Speaker 2: the doorbell and just wait till I get there and 342 00:15:59,600 --> 00:16:00,960 Speaker 2: I'll bring them all inside. 343 00:16:01,120 --> 00:16:01,520 Speaker 1: Yeah. 344 00:16:02,160 --> 00:16:07,080 Speaker 2: I really appreciate it. Thank you so much. Podcast. 345 00:16:07,280 --> 00:16:08,960 Speaker 1: Oh look there's someone at the door. 346 00:16:11,280 --> 00:16:11,440 Speaker 7: Hi. 347 00:16:11,680 --> 00:16:14,160 Speaker 2: There, it's doctor James Wright. 348 00:16:14,440 --> 00:16:16,920 Speaker 1: Oh I heard someone's in the wars. I've come to 349 00:16:16,960 --> 00:16:19,720 Speaker 1: have a bit of an examination. Okay, get up on 350 00:16:19,760 --> 00:16:24,360 Speaker 1: the table by no, doctor, Okay, take off your shirt. Doctor, 351 00:16:24,560 --> 00:16:26,520 Speaker 1: stop interrupting him. A man, he knows what he's doing. 352 00:16:26,640 --> 00:16:28,160 Speaker 4: Good, good, good? 353 00:16:28,400 --> 00:16:29,880 Speaker 2: Is this really necessary? I'm not sure? 354 00:16:30,120 --> 00:16:31,680 Speaker 1: Hey, he knows what he's doing. 355 00:16:31,800 --> 00:16:34,840 Speaker 2: Yeah, okay, let's have a look at your bot. I 356 00:16:35,040 --> 00:16:37,520 Speaker 2: don't think that we need to be looking there. 357 00:16:37,600 --> 00:16:39,280 Speaker 3: Good oh, good good. 358 00:16:39,560 --> 00:16:42,680 Speaker 1: Oh you're a fine young man, aren't you. He's a lollipop? 359 00:16:42,720 --> 00:16:42,880 Speaker 10: Oh? 360 00:16:42,920 --> 00:16:43,480 Speaker 1: Thanks, doc? 361 00:16:43,720 --> 00:16:45,240 Speaker 2: What about me? I'm the one injured? 362 00:16:45,360 --> 00:16:47,800 Speaker 1: Sorry do you I've run out of time. Here take this. 363 00:16:48,120 --> 00:16:49,040 Speaker 1: I'll call you in the morning. 364 00:16:49,200 --> 00:16:53,400 Speaker 2: Bye there, bye there. That's new. 365 00:16:54,480 --> 00:16:58,200 Speaker 1: Don't argue with the good doctor. He knows uh the 366 00:16:58,240 --> 00:17:00,720 Speaker 1: management rights. We understand a man. They had a fall 367 00:17:00,760 --> 00:17:04,200 Speaker 1: this weekend. I'm happy to hear it hasn't affected her work. 368 00:17:04,920 --> 00:17:07,280 Speaker 2: Well, I really appreciate your good wishes. Thank you. 369 00:17:07,280 --> 00:17:08,639 Speaker 1: Think they'd be happy to hear that you didn't do 370 00:17:08,680 --> 00:17:11,639 Speaker 1: it on these premises as well. Channel ten might be 371 00:17:11,680 --> 00:17:15,200 Speaker 1: shown at a bit of money. Were they excuse no work? 372 00:17:15,280 --> 00:17:20,160 Speaker 2: No? Yeah, yeah, but you know what, I am an 373 00:17:20,200 --> 00:17:23,480 Speaker 2: independent contractor, so I've got my own workers comp have 374 00:17:23,560 --> 00:17:24,360 Speaker 2: you really. 375 00:17:24,280 --> 00:17:26,480 Speaker 1: Because you've got a company, Yeah, you say that to 376 00:17:26,520 --> 00:17:27,160 Speaker 1: me all the time. 377 00:17:28,280 --> 00:17:29,680 Speaker 2: Sounds like company. 378 00:17:30,840 --> 00:17:34,440 Speaker 1: Today's five for your flace? You're not one, though, What's happened? 379 00:17:36,400 --> 00:17:40,639 Speaker 1: Today's five for your Flaceback songs that reference Amanda's fall 380 00:17:41,280 --> 00:17:43,320 Speaker 1: play well the management. 381 00:17:42,880 --> 00:17:45,160 Speaker 2: Sounds good sounds. I'll have to have a little bit 382 00:17:45,160 --> 00:17:46,160 Speaker 2: of a think. 383 00:17:51,040 --> 00:17:52,439 Speaker 1: Five for your faceback coming up. 384 00:17:55,320 --> 00:17:59,640 Speaker 5: Good morning, Let's join and demands ten thousand dollars. 385 00:18:00,720 --> 00:18:03,200 Speaker 1: Do you have the right answers to our wrong questions? 386 00:18:03,200 --> 00:18:06,080 Speaker 1: Thirteen WSFM is our number. There is ten thousand dollars 387 00:18:06,080 --> 00:18:06,840 Speaker 1: at stay here. 388 00:18:07,240 --> 00:18:09,600 Speaker 2: Here's how it goes. We have trivia questions. You may 389 00:18:09,640 --> 00:18:11,080 Speaker 2: think I know the answer to that, but you have 390 00:18:11,160 --> 00:18:13,120 Speaker 2: to answer in a lag. When we ask your question 391 00:18:13,160 --> 00:18:15,800 Speaker 2: number one, you say nothing, Give me the answer that 392 00:18:15,880 --> 00:18:17,399 Speaker 2: when I ask your question number two, and so on 393 00:18:17,480 --> 00:18:19,120 Speaker 2: until the buzzer goes off. The minute you're on, you're 394 00:18:19,160 --> 00:18:21,879 Speaker 2: out one instant cash. You can one hundred bucks speech 395 00:18:21,920 --> 00:18:24,000 Speaker 2: quick answer, but you don't get the big bucks if 396 00:18:24,040 --> 00:18:24,600 Speaker 2: you go all the way. 397 00:18:24,640 --> 00:18:26,480 Speaker 1: You're okay to do these questions. I know that you're 398 00:18:26,560 --> 00:18:27,960 Speaker 1: under pain at the moment, which. 399 00:18:27,760 --> 00:18:28,720 Speaker 2: I don't have any pain. 400 00:18:28,800 --> 00:18:29,240 Speaker 1: No pain. 401 00:18:30,240 --> 00:18:32,760 Speaker 2: I've got discomfort because my arm is on a ninety 402 00:18:32,760 --> 00:18:35,920 Speaker 2: degree angle and it's just inconvenient. But I don't have pain, 403 00:18:35,960 --> 00:18:36,800 Speaker 2: which is a good thing. 404 00:18:37,040 --> 00:18:40,000 Speaker 1: Jessica of Richmond, she's like the bionic woman. Amanda is 405 00:18:40,080 --> 00:18:40,439 Speaker 1: that's right. 406 00:18:40,480 --> 00:18:42,679 Speaker 2: I've got this thing with a big dial on my elbow. 407 00:18:42,720 --> 00:18:47,440 Speaker 2: That's keeping my arm at this angle. Jamie Summers, Jamie Sommers. 408 00:18:48,320 --> 00:18:49,800 Speaker 6: You did well just coming to work. 409 00:18:50,240 --> 00:18:52,720 Speaker 2: Well, Jessica, thank you. I figured, you know, I only 410 00:18:52,720 --> 00:18:56,320 Speaker 2: have to sit here and open my gob but it 411 00:18:56,480 --> 00:18:59,119 Speaker 2: is weird. I'm left handed, so I can't write. 412 00:18:59,440 --> 00:18:59,640 Speaker 1: Yep. 413 00:19:00,160 --> 00:19:02,120 Speaker 2: You should see how I've attempted to do my makeup 414 00:19:02,119 --> 00:19:04,359 Speaker 2: this morning and my husband had to get up at 415 00:19:04,400 --> 00:19:07,520 Speaker 2: four o'clock to do up my bra. You know, it's 416 00:19:07,720 --> 00:19:09,280 Speaker 2: it's the they're the things. 417 00:19:09,520 --> 00:19:10,520 Speaker 1: These are the things you. 418 00:19:10,480 --> 00:19:13,000 Speaker 2: Don't think about when you book your elbow there, that 419 00:19:13,160 --> 00:19:13,560 Speaker 2: is true. 420 00:19:13,600 --> 00:19:15,639 Speaker 1: That's what therefore, And I'm here to help you as well. 421 00:19:15,680 --> 00:19:18,440 Speaker 1: Anything you need you just ding your little dingy bell 422 00:19:18,600 --> 00:19:20,400 Speaker 1: well I mentioned this earli, Yes, what do you want? 423 00:19:21,160 --> 00:19:22,960 Speaker 2: I've drawn up a grid for you. 424 00:19:23,200 --> 00:19:24,480 Speaker 1: Of my back. Yep. 425 00:19:25,359 --> 00:19:28,320 Speaker 2: CE eight is itchy. Would you mind coming over and 426 00:19:28,359 --> 00:19:32,520 Speaker 2: dealing with that eight? Yeah, okay, I've asked you to. 427 00:19:33,119 --> 00:19:37,840 Speaker 1: It just seems to be it low. Then keep it 428 00:19:37,880 --> 00:19:39,240 Speaker 1: above the twenty fifth parallel. 429 00:19:39,440 --> 00:19:43,719 Speaker 2: I'm saying, well, Jessica, how would you like to play today? 430 00:19:45,359 --> 00:19:48,960 Speaker 2: I'd like to go for the ten thousand, going all 431 00:19:49,000 --> 00:19:51,880 Speaker 2: in on a Friday, all right, jess are you ready 432 00:19:51,920 --> 00:19:54,680 Speaker 2: to begin? You're playing for ten thousand dollars. 433 00:19:55,240 --> 00:19:55,840 Speaker 6: Yes, I am. 434 00:19:55,960 --> 00:19:56,440 Speaker 1: Here we go. 435 00:19:57,119 --> 00:20:00,000 Speaker 2: Shaitaki is a type of what food, which thoughts where company? 436 00:20:00,000 --> 00:20:03,560 Speaker 2: He uses a green crocodile as its logo which Scottish 437 00:20:03,640 --> 00:20:08,600 Speaker 2: Locke is famous for Sightings of a Monster? Which Prime 438 00:20:08,600 --> 00:20:15,119 Speaker 2: minister apologized to the Stolen Generation? What did Carl Marx 439 00:20:15,119 --> 00:20:21,800 Speaker 2: famously declare the opium of the people? It was Kevin 440 00:20:21,880 --> 00:20:28,119 Speaker 2: Rudd who apologized to the Stolen Generation. Wow, yes, and 441 00:20:28,160 --> 00:20:31,639 Speaker 2: you were close. Karl Marx declared what the opium of 442 00:20:31,680 --> 00:20:38,359 Speaker 2: the people? It was religion. Oh, Jess you actually did 443 00:20:38,480 --> 00:20:40,919 Speaker 2: very well. But I'm sorry there's no prizes today. 444 00:20:41,200 --> 00:20:43,320 Speaker 1: But you gave us a thrill, Jessica, which is a 445 00:20:43,359 --> 00:20:44,399 Speaker 1: good thing. Thank you for that. 446 00:20:45,320 --> 00:20:49,040 Speaker 2: Thank you, Thanks, jess. Have a good weekend. You fight 447 00:20:49,119 --> 00:20:52,600 Speaker 2: for your flashback our songs about me falling over. 448 00:20:53,640 --> 00:20:55,320 Speaker 1: I got a good one. I got a really good 449 00:20:55,359 --> 00:20:57,600 Speaker 1: one one that we haven't played for some time. 450 00:20:57,840 --> 00:21:01,520 Speaker 2: I've got a beautiful one that inces my relationship with you. 451 00:21:03,640 --> 00:21:07,760 Speaker 1: Okay, you look nervous. It's not rack off, Normy might 452 00:21:07,840 --> 00:21:20,400 Speaker 1: be Fight for your flashback. Two songs enter One song 453 00:21:20,520 --> 00:21:23,960 Speaker 1: leaves management Rode this morning. We understand Amanda had a 454 00:21:23,960 --> 00:21:26,520 Speaker 1: fall this week, and I'm happy to hear that hasn't 455 00:21:26,520 --> 00:21:27,560 Speaker 1: affected her work. 456 00:21:28,200 --> 00:21:29,560 Speaker 2: Yeah, thank you, I appreciate it. 457 00:21:29,600 --> 00:21:32,680 Speaker 1: Today's five for your flashback songs that reference Amanda's four 458 00:21:32,800 --> 00:21:33,880 Speaker 1: play well the management. 459 00:21:34,920 --> 00:21:38,440 Speaker 2: I've gone with a song that's really about you being 460 00:21:38,520 --> 00:21:43,200 Speaker 2: my incredible wingman. Oh great, a song that references your 461 00:21:43,280 --> 00:21:46,399 Speaker 2: feelings for me and how you will do anything for 462 00:21:46,480 --> 00:21:49,080 Speaker 2: me in my time of need. I've gone with this. 463 00:21:50,640 --> 00:21:53,000 Speaker 2: He ain't heavy, He's my. 464 00:21:52,880 --> 00:21:56,200 Speaker 1: Brother is lord. 465 00:21:59,320 --> 00:22:02,360 Speaker 2: It's a beautiful song like this song about someone who 466 00:22:03,400 --> 00:22:07,119 Speaker 2: do anything for the people close to it. 467 00:22:09,240 --> 00:22:14,480 Speaker 1: So are you referring this is how I feel about you. 468 00:22:14,480 --> 00:22:16,800 Speaker 2: You will help me, Brendan, because I know you put 469 00:22:16,840 --> 00:22:19,919 Speaker 2: yourself second in these circumstances. Have a listen. 470 00:22:24,040 --> 00:22:25,000 Speaker 1: You say you're my brother? 471 00:22:26,640 --> 00:22:32,320 Speaker 2: Well euthemistically yes, that I need help. You will do 472 00:22:32,440 --> 00:22:33,800 Speaker 2: anything to get me through this. 473 00:22:34,840 --> 00:22:38,080 Speaker 1: I got the d e bel there anytime? Yes, Manda, 474 00:22:38,080 --> 00:22:38,639 Speaker 1: what would you like? 475 00:22:38,760 --> 00:22:42,399 Speaker 2: Well, just let me finish what I'm saying. Okay, my 476 00:22:42,680 --> 00:22:47,840 Speaker 2: song is about our incredible relationship and how you will 477 00:22:47,840 --> 00:22:48,639 Speaker 2: help me through this. 478 00:22:48,880 --> 00:22:50,160 Speaker 1: Okay, good? What have you got? 479 00:22:50,200 --> 00:22:52,120 Speaker 2: What a thoughtful song it's a beautiful song. 480 00:22:52,280 --> 00:22:54,800 Speaker 1: What have you got? I've gotten with an ice house, banger, 481 00:22:55,080 --> 00:22:58,080 Speaker 1: ice house, ice house. This is from the eighties. It's speak. 482 00:22:58,280 --> 00:23:02,640 Speaker 1: It's nothing too serious. So you've had a little accident. 483 00:23:03,600 --> 00:23:05,160 Speaker 2: The buildings coming down after me. 484 00:23:05,200 --> 00:23:07,919 Speaker 1: But it's nothing too serious, so it is a bit serious. 485 00:23:07,960 --> 00:23:15,840 Speaker 1: Sing it either, bunning red, I got a broken. 486 00:23:14,000 --> 00:23:23,760 Speaker 2: Broken Can I ask you a questions? Which bit's not serious? 487 00:23:23,800 --> 00:23:27,320 Speaker 1: To you? You'll you'll, you'll get better. 488 00:23:29,040 --> 00:23:32,119 Speaker 2: Yeah, but for the next six weeks, it's going to 489 00:23:32,160 --> 00:23:32,879 Speaker 2: be tricky for me. 490 00:23:33,240 --> 00:23:35,040 Speaker 1: Sure there's nothing serious. 491 00:23:34,760 --> 00:23:40,800 Speaker 2: Cot my song. You've chosen a song called nothing too serious. 492 00:23:41,200 --> 00:23:43,800 Speaker 2: When we're asked to pick songs to reference my four. 493 00:23:44,040 --> 00:23:45,600 Speaker 1: Have I upset you in songs? Yes? 494 00:23:45,640 --> 00:23:50,280 Speaker 2: You have all right? First to me, I'm sure it's 495 00:23:50,280 --> 00:23:53,200 Speaker 2: happened many times before. I'm just gobsmacked where your brain 496 00:23:53,320 --> 00:23:58,159 Speaker 2: goes all the songs about falling down and being helped 497 00:23:58,240 --> 00:24:02,399 Speaker 2: up and help each other and wow, you know, and 498 00:24:02,440 --> 00:24:04,280 Speaker 2: you've gone with nothing too serious. 499 00:24:04,119 --> 00:24:07,600 Speaker 1: Just songs that reference Amanda's fall and you fell over? 500 00:24:07,680 --> 00:24:09,080 Speaker 1: You're okay? You know. 501 00:24:09,800 --> 00:24:11,880 Speaker 2: I've got my arm locked at a ninety degree angle. 502 00:24:11,920 --> 00:24:14,240 Speaker 2: I can't drive, I'm left handed, I can't eat properly. 503 00:24:14,359 --> 00:24:16,960 Speaker 1: Sure, but you're convalescing, You're okay. I've got you set 504 00:24:17,040 --> 00:24:18,680 Speaker 1: up here with everything that you need. 505 00:24:19,200 --> 00:24:22,159 Speaker 2: Well, the A team have cut up my breakfast for me, 506 00:24:22,280 --> 00:24:23,440 Speaker 2: which is very nice of them. 507 00:24:23,640 --> 00:24:25,560 Speaker 1: Yeah, because that's because they nicked half of it. 508 00:24:26,560 --> 00:24:28,360 Speaker 2: All right, Well, what song would you like to hear? 509 00:24:28,520 --> 00:24:30,480 Speaker 2: You can give us a call thirteen WSFM, or you 510 00:24:30,480 --> 00:24:33,679 Speaker 2: can vote on our Instagram story at Jonesy and Amanda 511 00:24:33,960 --> 00:24:34,800 Speaker 2: Have I Upset You? 512 00:24:37,400 --> 00:24:42,520 Speaker 1: Podcast? Jonesy and Amanda in the Morning one oh one 513 00:24:42,520 --> 00:24:46,159 Speaker 1: point seven WSFM. Hello there, it's Jonesy and Amanda. We're 514 00:24:46,160 --> 00:24:49,080 Speaker 1: into five for your flashback and today it's songs that 515 00:24:49,160 --> 00:24:50,680 Speaker 1: reference Amanda's fall. 516 00:24:51,400 --> 00:24:56,400 Speaker 2: I've gone with this song that's about Jonesy stepping up 517 00:24:56,880 --> 00:24:59,000 Speaker 2: to help me in every way possible. 518 00:24:59,119 --> 00:24:59,959 Speaker 1: It's a nice sentiment. 519 00:25:00,080 --> 00:25:03,920 Speaker 2: It's this beautiful song. He Ain't Heavy is My Brother 520 00:25:04,000 --> 00:25:05,440 Speaker 2: the Hollies respectively. 521 00:25:05,520 --> 00:25:08,960 Speaker 1: Though, shouldn't I be selecting this song for you? 522 00:25:09,200 --> 00:25:12,040 Speaker 2: But you haven't, so I had And let me tell 523 00:25:12,080 --> 00:25:17,439 Speaker 2: you this. This recording has Elton John on the piano. 524 00:25:17,480 --> 00:25:21,399 Speaker 2: He was still called rech then he paid twelve pounds smart. 525 00:25:23,320 --> 00:25:24,240 Speaker 1: It's a great song. 526 00:25:24,320 --> 00:25:26,720 Speaker 2: Well, I'm giving information I'll give you some more. Did 527 00:25:26,760 --> 00:25:27,280 Speaker 2: you know that? 528 00:25:27,320 --> 00:25:27,560 Speaker 1: Well? 529 00:25:27,640 --> 00:25:30,440 Speaker 2: The title of this film of this song came from 530 00:25:30,480 --> 00:25:33,359 Speaker 2: the motto for Boys Town, a community formed in Nebraska 531 00:25:33,400 --> 00:25:36,200 Speaker 2: in nineteen seventeen by a Catholic priest. This is where 532 00:25:36,240 --> 00:25:38,720 Speaker 2: troubled homeless boys would come for help. And he saw 533 00:25:38,720 --> 00:25:42,280 Speaker 2: a picture in a magazine of a boy carrying a 534 00:25:42,320 --> 00:25:44,800 Speaker 2: younger boy on his back, and it said he ain't heavy, mister, 535 00:25:44,920 --> 00:25:47,160 Speaker 2: he's my brother. He thought that was beautiful and asked 536 00:25:47,160 --> 00:25:49,240 Speaker 2: if they could use that as the motto, and then 537 00:25:49,280 --> 00:25:51,160 Speaker 2: went on, of course, to become a song. This song 538 00:25:51,200 --> 00:25:52,960 Speaker 2: was offered a Joe Cocker before the Hollies got it. 539 00:25:53,000 --> 00:25:53,800 Speaker 1: What did Joe say? 540 00:25:53,920 --> 00:25:55,879 Speaker 2: He said nah? And he said, nah, I'm going with 541 00:25:55,960 --> 00:25:57,480 Speaker 2: Jonesy's song about It's not that. 542 00:25:57,400 --> 00:26:01,920 Speaker 1: Series half common isss. I think I've touched a nerve. 543 00:26:04,880 --> 00:26:05,000 Speaker 7: This. 544 00:26:05,200 --> 00:26:07,959 Speaker 2: We said, pick of songs that reference my fall and 545 00:26:08,160 --> 00:26:10,600 Speaker 2: you you're not even joking. You've picked a song and 546 00:26:10,640 --> 00:26:11,639 Speaker 2: said it's not too serious. 547 00:26:11,720 --> 00:26:13,440 Speaker 1: Let me say when you texted me he said I've 548 00:26:13,440 --> 00:26:16,880 Speaker 1: been in hospital. I was instantly just all right, okay, 549 00:26:17,000 --> 00:26:19,720 Speaker 1: what do I do of getting everything ready to go 550 00:26:19,800 --> 00:26:22,480 Speaker 1: to hospital and rush your aid? And then you said 551 00:26:22,560 --> 00:26:26,160 Speaker 1: in your text it's okay, it's nothing too serious, It's okay. Well, 552 00:26:26,200 --> 00:26:29,000 Speaker 1: and then that's what I thought. That's what I thought. 553 00:26:29,040 --> 00:26:32,080 Speaker 2: Well, as I've told you last night though, and this morning, 554 00:26:32,560 --> 00:26:35,040 Speaker 2: I've taken the ligament off the bone and the bones 555 00:26:35,040 --> 00:26:37,720 Speaker 2: are all moving around. I'm trying to avoid surgery by 556 00:26:37,760 --> 00:26:38,400 Speaker 2: having my arm. 557 00:26:38,440 --> 00:26:40,280 Speaker 1: In this series, you're talking to a man and has 558 00:26:40,480 --> 00:26:42,440 Speaker 1: many broken bones from many different. 559 00:26:42,119 --> 00:26:44,960 Speaker 2: Exodits by can I say it's not too serious? 560 00:26:45,560 --> 00:26:47,760 Speaker 1: I think you did. I think you will go through 561 00:26:47,800 --> 00:26:51,040 Speaker 1: your role at the exit getting potential hosts. Washing Gensburg 562 00:26:51,200 --> 00:26:54,240 Speaker 1: was circling the place ready to bore Sydney to death 563 00:26:54,280 --> 00:26:55,080 Speaker 1: with his thoughts. 564 00:26:56,320 --> 00:27:00,600 Speaker 2: Tina's in bad obey, Tina, how are you fine? 565 00:27:00,640 --> 00:27:00,960 Speaker 3: Thank you? 566 00:27:01,040 --> 00:27:02,560 Speaker 6: And I'm sorry for your injury? 567 00:27:02,640 --> 00:27:05,760 Speaker 2: And Tina, it actually I actually am fine and I'm 568 00:27:05,800 --> 00:27:09,000 Speaker 2: not a nothing too serious Tina? Which song would you 569 00:27:09,080 --> 00:27:09,360 Speaker 2: like to. 570 00:27:09,960 --> 00:27:12,720 Speaker 3: Remind me of? Brother and sisters? So often that it 571 00:27:12,800 --> 00:27:16,639 Speaker 3: makes me smile? So love your show, Love you both 572 00:27:16,840 --> 00:27:19,400 Speaker 3: and Amanda you get my vote. 573 00:27:19,080 --> 00:27:22,080 Speaker 2: Today, Tina, thank you, I appreciate it. 574 00:27:22,160 --> 00:27:23,040 Speaker 5: Sure vision. 575 00:27:23,320 --> 00:27:25,400 Speaker 1: Hello, it's Jonesy de matter. If you've just joined us, 576 00:27:25,520 --> 00:27:28,520 Speaker 1: we are in to fight for your flashback Territory, sure 577 00:27:28,600 --> 00:27:33,520 Speaker 1: are and today songs reference Amanda's fall. 578 00:27:33,680 --> 00:27:37,840 Speaker 2: I've gone with this beautiful song and this is a 579 00:27:37,880 --> 00:27:41,320 Speaker 2: touching reference of our relationship and how I've been looking 580 00:27:41,359 --> 00:27:42,080 Speaker 2: after you. 581 00:27:41,680 --> 00:27:45,480 Speaker 1: You are my wing man, and you are This song 582 00:27:45,560 --> 00:27:47,800 Speaker 1: is from my perspective to you. I will do anything 583 00:27:47,800 --> 00:27:48,320 Speaker 1: for you, and that. 584 00:27:48,320 --> 00:27:49,600 Speaker 2: Is true what i'd like to think. 585 00:27:49,680 --> 00:27:50,760 Speaker 1: I will do anything for that. 586 00:27:50,840 --> 00:27:54,080 Speaker 2: And then you chose this song this morning. It's called 587 00:27:54,119 --> 00:27:55,240 Speaker 2: nothing too Serious. 588 00:27:55,560 --> 00:28:01,720 Speaker 1: You have a little accident, nothing too serious, yes, Amanda stop? 589 00:28:04,240 --> 00:28:06,080 Speaker 2: All right, Well, let's see what people want to hear today. 590 00:28:06,160 --> 00:28:08,160 Speaker 2: Give us a call thirteen WSFM, or you can vote 591 00:28:08,160 --> 00:28:09,600 Speaker 2: on our Instagram story at Jones and a. 592 00:28:09,600 --> 00:28:13,280 Speaker 1: Man Michelle's in Warrington. Hello Michelle, good morning guys. 593 00:28:13,359 --> 00:28:14,159 Speaker 3: How are we today? 594 00:28:14,560 --> 00:28:17,040 Speaker 2: We're great? Five feet flashback Michelle. 595 00:28:17,680 --> 00:28:19,479 Speaker 6: Jonesy, you have my vote today. 596 00:28:19,520 --> 00:28:20,160 Speaker 5: You always have. 597 00:28:20,160 --> 00:28:23,680 Speaker 2: Amanda's back, and You're right, it's nothing too serious. It's 598 00:28:23,720 --> 00:28:25,879 Speaker 2: nothing too big for you that you couldn't handle. 599 00:28:26,200 --> 00:28:28,119 Speaker 6: But I'd love to hear that tune this morning. 600 00:28:28,240 --> 00:28:29,119 Speaker 1: Good on you, Michelle. 601 00:28:29,240 --> 00:28:31,520 Speaker 2: See Michelle articulated that much better than you. 602 00:28:31,600 --> 00:28:34,240 Speaker 1: Exactly how that's how exactly how I articulated. 603 00:28:34,400 --> 00:28:35,720 Speaker 2: You just said no big deal. 604 00:28:36,000 --> 00:28:38,480 Speaker 1: It's it's no big deal, a Vonsie. 605 00:28:39,040 --> 00:28:41,360 Speaker 2: Easy for you to say, will you wipe my bum? 606 00:28:41,360 --> 00:28:44,480 Speaker 1: Sure? I will well you right now. Yeah, it's just 607 00:28:44,560 --> 00:28:44,800 Speaker 1: the thing. 608 00:28:45,000 --> 00:28:47,040 Speaker 2: I'll phone you when it's time I go you. 609 00:28:47,200 --> 00:28:50,080 Speaker 1: I will happily wipe your bum. Yeah, I've done it before. 610 00:28:50,120 --> 00:28:52,600 Speaker 1: I did it in my dad when to me, well, 611 00:28:52,640 --> 00:28:53,760 Speaker 1: because I haven't needed to do it. 612 00:28:53,760 --> 00:28:56,040 Speaker 2: Well, I'm asking you to. It's no big deal. I 613 00:28:56,080 --> 00:28:58,320 Speaker 2: can't use my left hand. How about you do that? 614 00:28:58,480 --> 00:28:59,120 Speaker 1: Okay, I'll do it. 615 00:28:59,200 --> 00:29:00,760 Speaker 2: I'll phone you and you come over and do it. 616 00:29:00,840 --> 00:29:02,000 Speaker 1: I want to do it now. 617 00:29:02,360 --> 00:29:04,400 Speaker 2: My control is such that I can give an hour 618 00:29:04,640 --> 00:29:06,040 Speaker 2: needing it to my house easily. 619 00:29:07,080 --> 00:29:11,120 Speaker 1: Don't, don't. I'm like a girkha. Once the sword is 620 00:29:11,240 --> 00:29:11,920 Speaker 1: drawn on, the. 621 00:29:11,920 --> 00:29:13,480 Speaker 2: Sword is drawn, it's ready to wipe. 622 00:29:13,480 --> 00:29:14,360 Speaker 1: I go to draw blood. 623 00:29:15,000 --> 00:29:16,920 Speaker 2: But I'll do it as in. 624 00:29:18,720 --> 00:29:20,200 Speaker 1: I'll make no comments about it either. 625 00:29:20,280 --> 00:29:23,600 Speaker 2: Oh, there'd be no comments. Imagine, Hi, von, how are you? 626 00:29:24,520 --> 00:29:24,680 Speaker 7: Hi? 627 00:29:25,320 --> 00:29:31,080 Speaker 1: Thank you? Are you? Where are you in? Rouse? Yeah? No, 628 00:29:31,120 --> 00:29:33,240 Speaker 1: I know where it is. It's just it just says Rouse, 629 00:29:33,280 --> 00:29:34,640 Speaker 1: and I'm thinking, what the hell is Rouse? 630 00:29:34,840 --> 00:29:39,240 Speaker 11: Okay, I've been in the same situation as you, Amanda, 631 00:29:39,520 --> 00:29:42,040 Speaker 11: I had just coded my shoulders in the October last year. 632 00:29:44,320 --> 00:29:46,920 Speaker 11: So in these much assistance as you can. 633 00:29:47,920 --> 00:29:49,880 Speaker 2: And are you going to vote for me or Jonesy 634 00:29:50,760 --> 00:29:51,000 Speaker 2: for you? 635 00:29:51,080 --> 00:29:53,320 Speaker 3: Amanda scaring everywhere? 636 00:29:53,400 --> 00:29:56,440 Speaker 2: Thank you, I appreciate you're scaring. Ivon phoned up to 637 00:29:56,520 --> 00:29:58,840 Speaker 2: vote for me. I haven't bullied her in devoting for me. 638 00:29:59,600 --> 00:30:01,680 Speaker 1: Can we film it when I wipe your bump? 639 00:30:02,080 --> 00:30:05,600 Speaker 2: No, I'm actually going to get a metamucal deakery to 640 00:30:05,600 --> 00:30:10,520 Speaker 2: get things going. Might happen by nine, You never know, Brendan. 641 00:30:11,000 --> 00:30:13,200 Speaker 1: More votes than a winning song coming up after the news. 642 00:30:13,240 --> 00:30:19,280 Speaker 1: Also Premier Glass. Maybe we can make it out? 643 00:30:19,440 --> 00:30:20,280 Speaker 2: Oh No, let it go. 644 00:30:20,800 --> 00:30:39,800 Speaker 5: That's Jonesy and Amanda podcast. 645 00:30:31,920 --> 00:30:36,760 Speaker 1: Fight for Your Flashback two songs into one song leaves today. 646 00:30:37,000 --> 00:30:40,000 Speaker 1: Fight for Your Flashback management wrote, we understand Amanda had 647 00:30:40,000 --> 00:30:42,120 Speaker 1: to fall this week, and they're happy to hear it 648 00:30:42,160 --> 00:30:43,400 Speaker 1: hasn't affected her work. 649 00:30:44,920 --> 00:30:47,720 Speaker 2: Today's I still have my hearing. 650 00:30:47,840 --> 00:30:52,280 Speaker 1: Songs that reference Amanda's fall play well the management. 651 00:30:53,600 --> 00:30:56,440 Speaker 2: I've gone with a song that's about our relationship and 652 00:30:56,480 --> 00:30:59,680 Speaker 2: the lengths you will go to to support me. Gone 653 00:30:59,680 --> 00:31:03,680 Speaker 2: with this. He ain't here, He's my brother. 654 00:31:03,840 --> 00:31:07,400 Speaker 1: Is coming from my perspective. And I'd like to think 655 00:31:07,440 --> 00:31:09,960 Speaker 1: that when I'm injured, and it probably will be again 656 00:31:10,000 --> 00:31:12,240 Speaker 1: soon because it seems to happen once a year, You'll 657 00:31:12,280 --> 00:31:12,520 Speaker 1: do the. 658 00:31:12,440 --> 00:31:15,760 Speaker 2: Same for me, of course, Brendan. This song was written 659 00:31:15,880 --> 00:31:19,440 Speaker 2: by Bobby Scott and Bob Russell. They wrote it together, 660 00:31:19,440 --> 00:31:22,240 Speaker 2: although Bob was dying of lymphoma. The pair only met 661 00:31:22,280 --> 00:31:25,400 Speaker 2: three times. They collaborated on this song, so last hit 662 00:31:25,400 --> 00:31:28,000 Speaker 2: he ever wrote. He died less than six months after 663 00:31:28,320 --> 00:31:32,000 Speaker 2: its release. Okay, it's a lot of emotion in this song. 664 00:31:32,280 --> 00:31:34,280 Speaker 1: Debbie down It's Friday. 665 00:31:34,400 --> 00:31:37,520 Speaker 2: Well, yeah, but this is about don't be a Debbie Downer. 666 00:31:37,800 --> 00:31:40,040 Speaker 2: This is all about how for six weeks I've got 667 00:31:40,040 --> 00:31:41,880 Speaker 2: my arm at a ninety degree angle. I can still 668 00:31:41,920 --> 00:31:45,239 Speaker 2: use my middle finger. I asked the surgeons specifically if 669 00:31:45,280 --> 00:31:46,800 Speaker 2: I could still move around and do that. 670 00:31:47,080 --> 00:31:51,800 Speaker 1: Yes. Look, you had a little accident. It's nothing too serious. 671 00:31:53,040 --> 00:31:54,760 Speaker 2: So this is me from your perspective. 672 00:31:57,240 --> 00:32:00,000 Speaker 1: I didn't think I could upset you in song you've made. 673 00:32:00,480 --> 00:32:02,280 Speaker 2: Let's see what people want to hear today. Kelly's in 674 00:32:02,360 --> 00:32:03,520 Speaker 2: ride fight for your flashback. 675 00:32:03,560 --> 00:32:03,880 Speaker 1: Kelly. 676 00:32:04,880 --> 00:32:07,440 Speaker 6: Hey, guys, I have to say, Jonesy, I'm a little 677 00:32:07,480 --> 00:32:08,640 Speaker 6: disappointed in you. 678 00:32:09,040 --> 00:32:11,800 Speaker 3: Sure I thought that you would have picked Chumber Lumber 679 00:32:12,000 --> 00:32:12,719 Speaker 3: cub something. 680 00:32:12,960 --> 00:32:14,840 Speaker 1: We got to play that affair, that's yeah. 681 00:32:14,920 --> 00:32:17,040 Speaker 2: Actually, that's the hard thing is we have to pick 682 00:32:17,120 --> 00:32:18,560 Speaker 2: songs that aren't already on the plane. 683 00:32:18,920 --> 00:32:20,040 Speaker 1: And let's hear it for the boy. 684 00:32:20,240 --> 00:32:23,360 Speaker 7: You're going to hear that affair bit okay, But Amanda 685 00:32:23,440 --> 00:32:25,400 Speaker 7: does get knocked on, she gets up again. 686 00:32:25,560 --> 00:32:26,080 Speaker 2: That's right. 687 00:32:26,200 --> 00:32:27,720 Speaker 1: So Kelly, you're voting for that song. 688 00:32:27,800 --> 00:32:30,400 Speaker 2: Are you voting for me? Kelly, I'm going to have 689 00:32:30,440 --> 00:32:32,760 Speaker 2: to vote for Amanda. Good on you, Kelly. I appreciate it. 690 00:32:32,800 --> 00:32:33,160 Speaker 2: Thank you. 691 00:32:33,360 --> 00:32:35,120 Speaker 1: Let's just point out you don't put your own song 692 00:32:35,160 --> 00:32:38,120 Speaker 1: in here. No, she was voting for more Brett's in 693 00:32:38,240 --> 00:32:39,000 Speaker 1: West Ride. 694 00:32:39,520 --> 00:32:44,360 Speaker 2: Hi, Brett, Hi there, how I am thank you for 695 00:32:44,400 --> 00:32:45,400 Speaker 2: your flashback. Brett. 696 00:32:46,880 --> 00:32:50,360 Speaker 3: Uh, Well, Amanda, I do sympathize because I broke my 697 00:32:50,440 --> 00:32:53,000 Speaker 3: left hand and I work in the building industry in 698 00:32:53,000 --> 00:32:54,960 Speaker 3: my hand years ago, and I was out of action 699 00:32:55,040 --> 00:32:55,680 Speaker 3: for about two months. 700 00:32:55,720 --> 00:32:56,920 Speaker 12: I couldn't even find my name. 701 00:32:59,080 --> 00:33:02,720 Speaker 3: However, I am voting for Jones because I just think 702 00:33:02,720 --> 00:33:03,680 Speaker 3: that's a much better song. 703 00:33:04,280 --> 00:33:07,800 Speaker 2: Well, wish we'd cut that call off halfway through. Thank you, Brett, 704 00:33:08,000 --> 00:33:08,680 Speaker 2: said Brett. 705 00:33:08,800 --> 00:33:09,720 Speaker 1: Brett is better now. 706 00:33:09,800 --> 00:33:12,880 Speaker 2: Of course I'm going to get better and consoletely appreciate 707 00:33:12,920 --> 00:33:15,120 Speaker 2: that this is a healing process and I will get better. 708 00:33:15,160 --> 00:33:16,720 Speaker 1: I know that Carol's in tregear. 709 00:33:17,200 --> 00:33:20,040 Speaker 2: I'm not saying woo is woe is me? Maybe whoa 710 00:33:20,240 --> 00:33:22,400 Speaker 2: is me? Hello, Carol, fight for your flashback? 711 00:33:24,040 --> 00:33:24,840 Speaker 6: Good morning a man. 712 00:33:24,880 --> 00:33:29,480 Speaker 3: And Josie Hi, Hi, I'm voting for you today, Amanda. 713 00:33:29,160 --> 00:33:32,000 Speaker 2: Thank you, Carol. I appreciate that Kim's in Blumpton. Fight 714 00:33:32,040 --> 00:33:35,280 Speaker 2: for your flashback, Kim. 715 00:33:34,240 --> 00:33:36,280 Speaker 6: Hi, Amanda and Jonesy Happy Friday. 716 00:33:36,480 --> 00:33:40,400 Speaker 11: Thank you can sympathize totally with it. 717 00:33:40,480 --> 00:33:44,800 Speaker 1: Threem there, done that and sorry Jonesy, but really I 718 00:33:44,840 --> 00:33:47,560 Speaker 1: think it would have been serious, more serious for you 719 00:33:47,600 --> 00:33:48,800 Speaker 1: if it had to happen to you. 720 00:33:49,400 --> 00:33:51,160 Speaker 6: So I'm voting for Amanda. 721 00:33:50,880 --> 00:33:51,440 Speaker 2: Kim, thank you. 722 00:33:51,520 --> 00:33:54,200 Speaker 1: I do appreciate I do largely have more serious accidents 723 00:33:54,200 --> 00:33:54,680 Speaker 1: than Amanda. 724 00:33:54,680 --> 00:33:56,200 Speaker 2: That Let's not be competitive about it. 725 00:33:56,720 --> 00:33:58,400 Speaker 1: Saying I have broken back shoulder. 726 00:33:58,560 --> 00:34:02,240 Speaker 2: You know, Come on, this is what before we get 727 00:34:02,280 --> 00:34:06,160 Speaker 2: to Carla, this is what you do, and this is 728 00:34:06,200 --> 00:34:10,799 Speaker 2: the truth. You don't have any empathy for people's illnesses 729 00:34:10,880 --> 00:34:14,080 Speaker 2: or weaknesses. No, you don't. You are a very dear 730 00:34:14,120 --> 00:34:17,279 Speaker 2: friend and you're a very sympathetic Oh your Paul might 731 00:34:17,440 --> 00:34:20,440 Speaker 2: is everything all right, But the bottom line is you 732 00:34:20,680 --> 00:34:25,560 Speaker 2: actually don't have any sympathyps anyone's stuff. 733 00:34:25,680 --> 00:34:27,760 Speaker 1: It's not true. It is true, not true. 734 00:34:28,040 --> 00:34:30,640 Speaker 2: Carol's in the Central Coast. Oh, Carla, Hello, Carla, how 735 00:34:30,680 --> 00:34:31,040 Speaker 2: are you? 736 00:34:31,760 --> 00:34:35,080 Speaker 3: I'm very well. Thanks, guys. Look, every time I hear 737 00:34:35,120 --> 00:34:37,440 Speaker 3: that song, I cheer up because I'm an ex policewoman 738 00:34:37,480 --> 00:34:40,200 Speaker 3: and blue is thick in the water. So Amanda, you've 739 00:34:40,200 --> 00:34:40,799 Speaker 3: got my boat. 740 00:34:40,920 --> 00:34:43,120 Speaker 2: Oh and I want to thank you. 741 00:34:43,200 --> 00:34:46,000 Speaker 1: You never been more happy to lose five for your flashback. 742 00:34:46,080 --> 00:34:48,960 Speaker 1: What do you mean? Oh, you know it's good that 743 00:34:49,040 --> 00:34:52,719 Speaker 1: you've won today. Congratulations, thank you. And it's a nice song. 744 00:34:52,840 --> 00:34:55,040 Speaker 1: It's a love I like John on the piano in 745 00:34:55,080 --> 00:34:56,120 Speaker 1: the background, he was. 746 00:34:56,080 --> 00:34:59,000 Speaker 2: Known as Reg Then enjoy there is. 747 00:35:01,719 --> 00:35:04,640 Speaker 1: Seven WSFM. Hello there, it's Jones demand a winner of 748 00:35:04,680 --> 00:35:07,120 Speaker 1: five for your flashback. I love that he ain't heavy. 749 00:35:07,160 --> 00:35:10,399 Speaker 1: He's my brother, and that's exactly how I feel about you, bro, 750 00:35:10,680 --> 00:35:12,799 Speaker 1: will you that's how I feel about you with your 751 00:35:13,400 --> 00:35:14,560 Speaker 1: you had a fall eight. 752 00:35:14,480 --> 00:35:18,640 Speaker 2: Uncle me, Bro, I have had you promised earlier that 753 00:35:18,680 --> 00:35:23,319 Speaker 2: when the time comes. Like Batman's imagery in the sky 754 00:35:23,640 --> 00:35:28,080 Speaker 2: holdring a bell yep, certain time today and you'll come 755 00:35:28,120 --> 00:35:30,560 Speaker 2: to my home and take care. 756 00:35:30,960 --> 00:35:32,560 Speaker 1: But Harley think that it's a bit weird. If I 757 00:35:32,600 --> 00:35:34,080 Speaker 1: come to your home, I'll be. 758 00:35:34,120 --> 00:35:36,640 Speaker 2: Very happy for you to do it. He was going 759 00:35:36,640 --> 00:35:40,600 Speaker 2: to get someone from here tasker. No, seriously, I can 760 00:35:40,680 --> 00:35:42,360 Speaker 2: do that myself. I just thought it'd be funny to 761 00:35:42,360 --> 00:35:43,799 Speaker 2: get you to come over. Yeah. 762 00:35:43,880 --> 00:35:46,680 Speaker 1: Well look, I'm just saying I have I'm not squeamish 763 00:35:46,680 --> 00:35:48,480 Speaker 1: about it. I've done You're not squeamish. I know I've 764 00:35:48,480 --> 00:35:50,920 Speaker 1: done it before, I've had kids. My father when he 765 00:35:50,960 --> 00:35:52,640 Speaker 1: had cancer and he's on his deathbed, I did it 766 00:35:52,680 --> 00:35:55,520 Speaker 1: for him. Of course it's weird though, because my sister 767 00:35:55,560 --> 00:35:58,080 Speaker 1: had this real obsession with doing it. Like she said, 768 00:35:58,239 --> 00:36:00,000 Speaker 1: we're gonna have to wipe Dad's bum and I said, 769 00:36:00,120 --> 00:36:03,719 Speaker 1: well yeah, okay, and the nurse. The nurse was there 770 00:36:03,760 --> 00:36:05,120 Speaker 1: and she said, we can actually do it. 771 00:36:05,320 --> 00:36:06,160 Speaker 2: Is there a professional? 772 00:36:06,760 --> 00:36:09,759 Speaker 1: And Anita took it upon herself that this was the 773 00:36:09,880 --> 00:36:11,320 Speaker 1: ultimate thing. 774 00:36:11,560 --> 00:36:14,280 Speaker 2: And is a doing word That's what she was thinking. 775 00:36:14,280 --> 00:36:16,919 Speaker 1: One night, this is the night before he died. He's 776 00:36:16,920 --> 00:36:19,640 Speaker 1: in the toilet and I'm in, you know, just to 777 00:36:19,719 --> 00:36:22,000 Speaker 1: the watching the Telly watch a deal or no deal 778 00:36:22,120 --> 00:36:24,279 Speaker 1: or something. And he's been in there for a while 779 00:36:24,520 --> 00:36:26,640 Speaker 1: and I said, Dad, you're all right, because it's like cancer, 780 00:36:26,680 --> 00:36:29,080 Speaker 1: the last stage. He's loaded up on the morphine and 781 00:36:29,480 --> 00:36:32,440 Speaker 1: you're right in there, mate, And he goes, ah, And 782 00:36:32,480 --> 00:36:34,239 Speaker 1: I opened the door and there he is, and I 783 00:36:34,239 --> 00:36:36,160 Speaker 1: looked at him. I said, do you need a hand? 784 00:36:36,200 --> 00:36:38,440 Speaker 1: He goes, yeah, mane i't do And so I'm doing it. 785 00:36:38,840 --> 00:36:41,640 Speaker 1: And then as I'm doing it, I'm going, what's going on? 786 00:36:41,680 --> 00:36:43,680 Speaker 1: You got a crayon down here? Was like it just 787 00:36:43,680 --> 00:36:46,319 Speaker 1: wouldn't stop. And then he looked up at me and 788 00:36:46,360 --> 00:36:49,480 Speaker 1: he said, gotcha, what do you mean? Like you know, 789 00:36:50,080 --> 00:36:53,160 Speaker 1: he said, because Anita was spaced to ended up being 790 00:36:53,160 --> 00:36:54,719 Speaker 1: the guy to do it. Now I was the only 791 00:36:54,760 --> 00:36:55,479 Speaker 1: one that did it. 792 00:36:56,000 --> 00:36:58,640 Speaker 2: Interesting, Well, this is the thing about love being a 793 00:36:58,680 --> 00:37:01,520 Speaker 2: doing word. When my mom passed away, I cleaned her 794 00:37:01,600 --> 00:37:04,560 Speaker 2: benches in the sink and brushed it. There's no dignity 795 00:37:05,000 --> 00:37:07,440 Speaker 2: in being sick or in being old, is there? And 796 00:37:07,480 --> 00:37:10,719 Speaker 2: that's but what you can do to help someone have 797 00:37:10,840 --> 00:37:13,520 Speaker 2: some dignity at the end is such a big deal, 798 00:37:13,560 --> 00:37:13,960 Speaker 2: isn't it. 799 00:37:14,280 --> 00:37:17,680 Speaker 1: So I'm here for you, man, got the technique, got 800 00:37:17,680 --> 00:37:18,560 Speaker 1: the gloves. 801 00:37:18,200 --> 00:37:23,479 Speaker 2: Got everything, I think I should be okay. And also 802 00:37:23,520 --> 00:37:25,560 Speaker 2: we've got the premiere coming in. You don't have to 803 00:37:25,960 --> 00:37:27,799 Speaker 2: do the actions as of how you helped your dad 804 00:37:29,000 --> 00:37:29,759 Speaker 2: leave that at home. 805 00:37:31,040 --> 00:37:33,840 Speaker 1: It's a quite two eight. Let's get on down to 806 00:37:33,880 --> 00:37:36,719 Speaker 1: the Jonesy, no matter the pub test. This morning, this 807 00:37:36,920 --> 00:37:40,279 Speaker 1: was on Reddit and it really hit It really hit 808 00:37:40,320 --> 00:37:43,240 Speaker 1: a nerve with me. Most people go to nightclubs because 809 00:37:43,280 --> 00:37:46,399 Speaker 1: they've been convinced it's the adult fun thing to do, 810 00:37:46,840 --> 00:37:51,719 Speaker 1: not because they actually genuinely enjoy it. Aside from some exceptions, 811 00:37:52,000 --> 00:37:55,239 Speaker 1: I believe it's more of a societal indoctrination that is 812 00:37:55,280 --> 00:37:58,799 Speaker 1: how adults go out and have fun. This post on 813 00:37:58,880 --> 00:38:01,160 Speaker 1: Reddit says most people say they don't like being hit 814 00:38:01,200 --> 00:38:03,319 Speaker 1: on by a bunch of random dudes, especially if they 815 00:38:03,320 --> 00:38:06,160 Speaker 1: don't like their approach, yet they keep going to this 816 00:38:06,320 --> 00:38:09,560 Speaker 1: place where it's most likely to happen. Most dudes say 817 00:38:09,680 --> 00:38:12,080 Speaker 1: they don't like having to approach multiple women or talk 818 00:38:12,080 --> 00:38:14,319 Speaker 1: over loud music, yet they go to this place where 819 00:38:14,320 --> 00:38:17,000 Speaker 1: it's most likely to be the circumstance. So why don't 820 00:38:17,000 --> 00:38:19,840 Speaker 1: we go to nightclubs? Have you missed going to nightclubs? 821 00:38:19,840 --> 00:38:21,840 Speaker 1: While they've been we've been in lockout. 822 00:38:22,080 --> 00:38:23,000 Speaker 2: I don't know at this time. 823 00:38:23,000 --> 00:38:26,799 Speaker 1: I being an old person. In all my life, I've 824 00:38:26,840 --> 00:38:30,080 Speaker 1: never liked going to nightclubs. I've never liked it, and 825 00:38:30,320 --> 00:38:32,439 Speaker 1: I just go there because other people go, Yeah, it'll 826 00:38:32,480 --> 00:38:34,480 Speaker 1: be fun, And then you're in there and you just 827 00:38:34,480 --> 00:38:37,040 Speaker 1: paid twenty bucks for a drink and you can't hear anything. 828 00:38:37,080 --> 00:38:38,640 Speaker 2: Well, see, I don't think i'd go to one now, 829 00:38:39,080 --> 00:38:40,760 Speaker 2: or maybe if there was a Christmas party and everyone 830 00:38:40,760 --> 00:38:42,960 Speaker 2: went to one or something. But when I was younger, 831 00:38:42,960 --> 00:38:45,800 Speaker 2: I loved it. My formative dancing years, I used to 832 00:38:45,360 --> 00:38:48,239 Speaker 2: go to one in Oxicas Street with my girlfriend and 833 00:38:48,280 --> 00:38:51,960 Speaker 2: we would just dance all night. I miss those days. 834 00:38:52,280 --> 00:38:56,279 Speaker 2: I used to love it. It was brilliant. So I 835 00:38:56,360 --> 00:38:59,080 Speaker 2: would say yes to the notion of nightclubs. Now, No, 836 00:38:59,400 --> 00:39:03,240 Speaker 2: for me, that part of my life gone, But I 837 00:39:03,320 --> 00:39:05,680 Speaker 2: used to love it, So I do think they serve 838 00:39:05,719 --> 00:39:06,160 Speaker 2: a function. 839 00:39:06,920 --> 00:39:09,480 Speaker 1: What do you think the pub test this morning? Going 840 00:39:09,480 --> 00:39:11,880 Speaker 1: to nightclubs? Has it ever passed the pub time? 841 00:39:11,880 --> 00:39:13,480 Speaker 2: And it's not just because you're older now, has it 842 00:39:13,560 --> 00:39:14,759 Speaker 2: ever passed the pub ever? 843 00:39:14,840 --> 00:39:17,440 Speaker 1: For you? Let's ask Gladys Periodiclian. She would have been 844 00:39:17,480 --> 00:39:18,479 Speaker 1: a war and peace girl. 845 00:39:18,680 --> 00:39:21,319 Speaker 2: Oh, my dad drove me once to War and Peace. 846 00:39:21,440 --> 00:39:23,920 Speaker 1: The War and Peace is absolutely. 847 00:39:25,360 --> 00:39:29,520 Speaker 2: Podcast. Well, we had the premier Gladys periodicling with us 848 00:39:29,520 --> 00:39:32,399 Speaker 2: this morning and lots to talk about. It seems that well, 849 00:39:32,440 --> 00:39:35,520 Speaker 2: as we know, India is a disaster zone regarding COVID. 850 00:39:35,840 --> 00:39:38,520 Speaker 2: It's put Australia on edge a little and quite a lot. 851 00:39:38,560 --> 00:39:41,960 Speaker 2: Actually we have more positive COVID cases in hotel quarantine. 852 00:39:41,960 --> 00:39:44,360 Speaker 2: There's a giant spike all around Australia. What are we 853 00:39:44,400 --> 00:39:46,319 Speaker 2: going to do? Good morning, Premiere, How I am and. 854 00:39:46,480 --> 00:39:50,040 Speaker 1: How Janes Gladys. The big question that the constituents of 855 00:39:50,080 --> 00:39:52,040 Speaker 1: this fair day, I want to know where did you 856 00:39:52,120 --> 00:39:53,840 Speaker 1: go to? Nightclubs? Did you go to the War and 857 00:39:53,880 --> 00:39:54,440 Speaker 1: Peace disco? 858 00:39:55,080 --> 00:39:58,040 Speaker 13: I didn't actually know I went to I shouldn't really 859 00:39:58,080 --> 00:40:02,240 Speaker 13: say it. The first one I ever went to legally, 860 00:40:02,280 --> 00:40:06,920 Speaker 13: I might say, was Macy's in Sydney. Did you guys 861 00:40:07,760 --> 00:40:11,640 Speaker 13: Macy's had a piano? Yeah, yeah, that was it. It 862 00:40:11,640 --> 00:40:13,759 Speaker 13: was across the road from Macy's because the coffee shop 863 00:40:13,760 --> 00:40:14,120 Speaker 13: still there. 864 00:40:14,120 --> 00:40:14,400 Speaker 2: Whatever. 865 00:40:14,400 --> 00:40:17,719 Speaker 13: The nightclub was across the Military road. It was on 866 00:40:17,760 --> 00:40:20,759 Speaker 13: Military Road. Anyway, my friends will remember, they'll ring up 867 00:40:20,760 --> 00:40:23,120 Speaker 13: and tell me, yeah, there it wasn't steps. 868 00:40:23,600 --> 00:40:28,160 Speaker 2: Oh yes, steps, was it steps? Morn? Yeah? 869 00:40:28,200 --> 00:40:31,279 Speaker 13: Anyway, steps was Everyone talked about steps in the day. Yeah, 870 00:40:31,320 --> 00:40:32,839 Speaker 13: but the one I went to was on military Road. 871 00:40:32,920 --> 00:40:36,000 Speaker 1: So yeah, go and look at you. Now you're the 872 00:40:36,040 --> 00:40:39,280 Speaker 1: premier and you're doing a great job here. Every day 873 00:40:39,440 --> 00:40:41,760 Speaker 1: you must when you stand in front of a press conference, 874 00:40:41,840 --> 00:40:44,480 Speaker 1: so you go, Okay, you're getting really good at the 875 00:40:44,480 --> 00:40:47,280 Speaker 1: press conference. Now there's no not really. 876 00:40:47,440 --> 00:40:47,719 Speaker 2: I think. 877 00:40:47,800 --> 00:40:51,360 Speaker 13: I think what you do though, is because of COVID 878 00:40:51,400 --> 00:40:52,879 Speaker 13: and because of the fires and everything else. 879 00:40:53,000 --> 00:40:54,880 Speaker 2: People, I think there's more. 880 00:40:54,719 --> 00:40:57,560 Speaker 13: Live press conferences. So I know that I'm talking directly 881 00:40:57,560 --> 00:41:00,680 Speaker 13: to the public. I'm not talking through anybody. So I'm 882 00:41:00,760 --> 00:41:03,839 Speaker 13: trying to be as direct as I can to make 883 00:41:03,880 --> 00:41:06,080 Speaker 13: sure that I'm as clear as possible, because people do 884 00:41:06,120 --> 00:41:08,359 Speaker 13: rely on what you're telling them, the information you're giving them. 885 00:41:08,760 --> 00:41:12,040 Speaker 13: So it has helped me become a better communicator. I 886 00:41:12,120 --> 00:41:13,480 Speaker 13: still have a way to go, but I think it 887 00:41:13,520 --> 00:41:15,560 Speaker 13: has helped in the way you get the message across. 888 00:41:15,680 --> 00:41:18,640 Speaker 2: Well, let's talk about what the message At the moment. 889 00:41:19,160 --> 00:41:24,360 Speaker 2: This Indian strain, I guess of the virus is so terrifying, 890 00:41:24,840 --> 00:41:28,919 Speaker 2: and I know that there are our humanitarian selves saying yes, 891 00:41:29,000 --> 00:41:32,239 Speaker 2: keep the flights coming. But Australians are scared at the 892 00:41:32,239 --> 00:41:34,319 Speaker 2: moment that the only breach we have is in our 893 00:41:34,320 --> 00:41:37,239 Speaker 2: hotel quarantine. I know Victoria is going to set up 894 00:41:37,280 --> 00:41:40,279 Speaker 2: a custom made quarantine station. Do we need that? 895 00:41:40,680 --> 00:41:42,879 Speaker 13: I don't think so, Amanda, I actually don't think that's 896 00:41:42,880 --> 00:41:45,600 Speaker 13: a good thing to do. And the reason is a 897 00:41:45,719 --> 00:41:50,440 Speaker 13: quarantine facility needs literally thousands of staff, so you'd need 898 00:41:50,520 --> 00:41:53,400 Speaker 13: to make sure you have thousands of staff available to 899 00:41:53,440 --> 00:41:56,319 Speaker 13: house it. The risk is there no matter where you 900 00:41:56,400 --> 00:41:58,680 Speaker 13: have the quarantine system, because staff have to then go 901 00:41:58,760 --> 00:42:01,320 Speaker 13: home to their families. It's why in New South Wales 902 00:42:01,840 --> 00:42:04,160 Speaker 13: we made sure and I lobbied the federal government and 903 00:42:04,160 --> 00:42:06,919 Speaker 13: they supported me. They agreed with me. I pushed back 904 00:42:06,920 --> 00:42:08,960 Speaker 13: and said, the first people we need to vaccinate have 905 00:42:09,080 --> 00:42:11,360 Speaker 13: to be all the people in and around our quarantine system. 906 00:42:11,400 --> 00:42:13,520 Speaker 13: Because it doesn't matter where people work, they still have 907 00:42:13,560 --> 00:42:15,359 Speaker 13: to go home to their families. They can then pass 908 00:42:15,360 --> 00:42:17,839 Speaker 13: on the virus to them. Their families go to work 909 00:42:17,880 --> 00:42:21,000 Speaker 13: and school and everything else, and so it's really important 910 00:42:21,040 --> 00:42:24,120 Speaker 13: to have a tight system where you locate. It is 911 00:42:24,200 --> 00:42:26,719 Speaker 13: less significant than having a really good system, and for 912 00:42:26,840 --> 00:42:29,319 Speaker 13: us it works in the CBD of Sydney, because it's 913 00:42:29,360 --> 00:42:32,160 Speaker 13: close to the airport. The longer people are in buses 914 00:42:32,200 --> 00:42:36,839 Speaker 13: and close kind of proximity to each other, there's more 915 00:42:36,920 --> 00:42:38,640 Speaker 13: chance of the virus spreading. So you have to think 916 00:42:38,640 --> 00:42:41,000 Speaker 13: about all these things, the time it takes you transport people, 917 00:42:41,880 --> 00:42:43,759 Speaker 13: the method you use to get people from one room 918 00:42:43,800 --> 00:42:47,560 Speaker 13: to another. Look, our system isn't perfect, but I'm convinced 919 00:42:47,600 --> 00:42:49,920 Speaker 13: that it's the best we have in Australia, and so 920 00:42:50,840 --> 00:42:53,080 Speaker 13: every time there's an issue in another state or around 921 00:42:53,080 --> 00:42:55,279 Speaker 13: the world with the quarantine system, we listen, we learn 922 00:42:55,360 --> 00:42:58,480 Speaker 13: and we adapt our system accordingly. For example, our people 923 00:42:58,480 --> 00:43:01,680 Speaker 13: in New South Wales are so specific that they were 924 00:43:01,680 --> 00:43:03,680 Speaker 13: able to tell me on one occasion that the virus 925 00:43:03,719 --> 00:43:05,840 Speaker 13: spread because one of the doors at the bottom of 926 00:43:05,880 --> 00:43:09,600 Speaker 13: the hotel room was slightly had a higher gap than 927 00:43:09,640 --> 00:43:11,800 Speaker 13: the other wows and so we knew that once we 928 00:43:11,880 --> 00:43:13,560 Speaker 13: fixed that that would be fixed. So this is how 929 00:43:13,560 --> 00:43:14,799 Speaker 13: contagious the virus can get. 930 00:43:14,920 --> 00:43:16,200 Speaker 2: Terrifying it is. 931 00:43:16,280 --> 00:43:18,600 Speaker 13: But I think also full credit to our New South 932 00:43:18,680 --> 00:43:21,719 Speaker 13: Wales police who manage the quarantine system, our health officials. 933 00:43:21,960 --> 00:43:23,120 Speaker 2: But also I've. 934 00:43:22,920 --> 00:43:25,520 Speaker 13: Had the opportunity to meet with the cleaners the hotel staff. 935 00:43:25,600 --> 00:43:29,120 Speaker 13: It is a complex operation and New South Wales touch wood. 936 00:43:29,160 --> 00:43:31,040 Speaker 13: We've not let off for a day. We've let three 937 00:43:31,080 --> 00:43:35,239 Speaker 13: thousand Assis Aussies come home every week. We've let home 938 00:43:35,320 --> 00:43:37,480 Speaker 13: nearly one hundred and ninety thousand just in New South 939 00:43:37,520 --> 00:43:39,799 Speaker 13: Wales and the other states of pause. Victoria was out 940 00:43:39,840 --> 00:43:42,640 Speaker 13: of action for months because of their conseruation down there. 941 00:43:43,120 --> 00:43:45,280 Speaker 13: Other states aren't taking them. The other states are saying 942 00:43:45,360 --> 00:43:46,680 Speaker 13: New South Wales can do the heavy and. 943 00:43:46,719 --> 00:43:49,799 Speaker 1: India as well. They were doing okay, but then they 944 00:43:49,840 --> 00:43:53,160 Speaker 1: decided to let a few religious ceremonies and giant mass 945 00:43:53,160 --> 00:43:55,799 Speaker 1: gatherings come ahead. So they're going through their second wave 946 00:43:55,840 --> 00:43:58,640 Speaker 1: and because of their close approximate all the people living 947 00:43:58,680 --> 00:44:03,759 Speaker 1: in dense population there, they're experiencing their second wave. But 948 00:44:03,800 --> 00:44:05,320 Speaker 1: it's at a great cost. 949 00:44:05,680 --> 00:44:08,239 Speaker 2: Well, we continue to have these mutant strains. 950 00:44:07,960 --> 00:44:10,880 Speaker 13: Oh absolutely. Remember you know a few weeks ago everybody 951 00:44:10,960 --> 00:44:13,400 Speaker 13: was talking about the UK strain or the South African strain, 952 00:44:13,440 --> 00:44:16,239 Speaker 13: and I say to our people, you know, the health 953 00:44:16,280 --> 00:44:18,680 Speaker 13: experts have advised me the variants are going to keep happening. 954 00:44:18,760 --> 00:44:22,680 Speaker 13: Some will be more contagious than others, some very high 955 00:44:22,760 --> 00:44:26,080 Speaker 13: concern compared to others. But this is living with COVID. 956 00:44:26,160 --> 00:44:28,000 Speaker 13: This is what we have to accept. We shouldn't be 957 00:44:28,000 --> 00:44:31,320 Speaker 13: surprised anymore. But it's how we manage things moving forward. 958 00:44:31,360 --> 00:44:34,160 Speaker 13: And my heart goes out to the people of India 959 00:44:34,200 --> 00:44:37,239 Speaker 13: because they have a very different culture and lifestyle than 960 00:44:37,280 --> 00:44:39,719 Speaker 13: we do. People live in extended families. You would have 961 00:44:40,200 --> 00:44:43,480 Speaker 13: multiple people in the one household, so if one person 962 00:44:43,520 --> 00:44:46,000 Speaker 13: gets and what even worries me is even you know, 963 00:44:46,040 --> 00:44:47,920 Speaker 13: we're lucky in a country like Australia, we have the 964 00:44:47,960 --> 00:44:50,600 Speaker 13: resources for ppe and other things. But I was looking 965 00:44:50,640 --> 00:44:53,000 Speaker 13: at the TV thinking some of the doctors weren't even protected. 966 00:44:53,000 --> 00:44:55,719 Speaker 13: They didn't have the equipment, they weren't wearing the right 967 00:44:55,880 --> 00:44:59,480 Speaker 13: clothes to be able to protect themselves. So you know, 968 00:44:59,520 --> 00:45:02,680 Speaker 13: anything we can do as a nation to support India, 969 00:45:02,719 --> 00:45:05,080 Speaker 13: we should. And my heart goes out. We've got lots 970 00:45:05,120 --> 00:45:07,760 Speaker 13: of Indian all of us of Indian people with Indian heritage. 971 00:45:07,800 --> 00:45:09,480 Speaker 13: You I don't think there's a single person that doesn't 972 00:45:09,480 --> 00:45:10,800 Speaker 13: know someone over there who suffering. 973 00:45:10,840 --> 00:45:14,640 Speaker 1: And the Astroseneka vaccine versus the fires A vaccine, So 974 00:45:14,719 --> 00:45:17,200 Speaker 1: now I'm in It suddenly became real for me when 975 00:45:17,280 --> 00:45:19,040 Speaker 1: because I'm fifty three. All of a sudden, I've been 976 00:45:19,040 --> 00:45:21,719 Speaker 1: moved up the chain. I was persefully saying, I'll wait 977 00:45:21,800 --> 00:45:24,560 Speaker 1: my turn. You know, I'm not essential worker. It doesn't 978 00:45:24,600 --> 00:45:27,080 Speaker 1: matter if I get it now. I'm ready to get it. 979 00:45:27,120 --> 00:45:29,640 Speaker 1: But when I hear about these blood clots, you suddenly think. 980 00:45:29,600 --> 00:45:33,319 Speaker 13: Look, every every vaccine, every everything, even the pill, as 981 00:45:33,320 --> 00:45:36,719 Speaker 13: we know, has has that risk. It's far greater with 982 00:45:36,760 --> 00:45:39,200 Speaker 13: the pill than it is with astrishenica. I've taken the astrasenica. 983 00:45:39,239 --> 00:45:41,200 Speaker 13: I wanted to take the vaccine that the vast majority 984 00:45:41,200 --> 00:45:45,200 Speaker 13: of people would be getting. I took it, and I 985 00:45:45,200 --> 00:45:48,600 Speaker 13: would recommend Look, if anyone has concerns, speak to your doctor. 986 00:45:49,160 --> 00:45:51,680 Speaker 13: But the chance of you developing something as a result 987 00:45:51,680 --> 00:45:54,600 Speaker 13: of the vaccine is very, very very small. It's very slight. 988 00:45:55,280 --> 00:45:58,200 Speaker 13: But put it this way, our health experts have advised 989 00:45:58,200 --> 00:46:00,480 Speaker 13: that to date they don't know of a single person 990 00:46:00,560 --> 00:46:03,480 Speaker 13: anywhere who's had the vaccine and died from COVID. So 991 00:46:03,520 --> 00:46:05,040 Speaker 13: it doesn't mean you won't get it, it doesn't mean you 992 00:46:05,080 --> 00:46:07,080 Speaker 13: won't pass it on. But the key thing for us 993 00:46:07,120 --> 00:46:10,120 Speaker 13: moving forward in Australia has to be keeping people out 994 00:46:10,160 --> 00:46:13,319 Speaker 13: of hospital. We have to eventually accept and I know, 995 00:46:13,360 --> 00:46:15,920 Speaker 13: it's a big call for us to have this mind shift. 996 00:46:16,320 --> 00:46:18,480 Speaker 13: But once the rest of the world starts opening up 997 00:46:18,520 --> 00:46:21,480 Speaker 13: and people start traveling, the test that we need to 998 00:46:21,600 --> 00:46:23,600 Speaker 13: use about how we we're doing is to keep people 999 00:46:23,640 --> 00:46:26,239 Speaker 13: out of hospital. Because just like the cold, we don't 1000 00:46:26,280 --> 00:46:28,160 Speaker 13: count how many people get the flu, but we do 1001 00:46:28,239 --> 00:46:30,080 Speaker 13: count how many people are in hospital or die from 1002 00:46:30,120 --> 00:46:32,680 Speaker 13: the flu. And unfortunately that's going to have to be 1003 00:46:32,719 --> 00:46:35,480 Speaker 13: part of our thinking because otherwise, as nice as if 1004 00:46:35,480 --> 00:46:37,799 Speaker 13: it is, living in our bubble, you know, it gets 1005 00:46:37,800 --> 00:46:39,600 Speaker 13: to a point where too many jobs will be lost 1006 00:46:39,719 --> 00:46:41,000 Speaker 13: and we'll go backwards too. 1007 00:46:40,920 --> 00:46:44,480 Speaker 2: Much about this yesterday. It's as basic as not as basic. 1008 00:46:44,520 --> 00:46:48,239 Speaker 2: But the first basic is eating well and living a 1009 00:46:48,280 --> 00:46:51,800 Speaker 2: healthy life, look after yourself so you don't get sick 1010 00:46:52,160 --> 00:46:55,319 Speaker 2: and so that you stay out of hospital. And I 1011 00:46:55,320 --> 00:46:57,560 Speaker 2: think we've lost sight of that message in this as well. 1012 00:46:57,640 --> 00:47:02,120 Speaker 2: If you eat well and are healthy, you've got better 1013 00:47:02,239 --> 00:47:04,680 Speaker 2: chance of keeping this stuff at bay. 1014 00:47:04,840 --> 00:47:07,040 Speaker 13: Yeah, and we also need to and when people are 1015 00:47:07,040 --> 00:47:09,640 Speaker 13: worried about taking the vaccine, I think look at the consequence. 1016 00:47:10,560 --> 00:47:13,720 Speaker 13: You know, at the moment we have a great system 1017 00:47:13,719 --> 00:47:17,440 Speaker 13: in Australia. We're preventing community transmission we're still allowing oz 1018 00:47:17,520 --> 00:47:19,719 Speaker 13: Is to come back home, but they'll come a point 1019 00:47:19,760 --> 00:47:22,080 Speaker 13: in time at which we'll think to ourselves, do we 1020 00:47:22,160 --> 00:47:25,000 Speaker 13: continue living in the bubble that we are or do 1021 00:47:25,080 --> 00:47:27,040 Speaker 13: we start reintegrating with the rest of the world. And 1022 00:47:27,040 --> 00:47:29,480 Speaker 13: in New South Wales, it's never been about the dollars 1023 00:47:29,480 --> 00:47:31,480 Speaker 13: for us. It's been about keeping the community safe. But 1024 00:47:31,560 --> 00:47:34,200 Speaker 13: every month we're losing about one and a half billion 1025 00:47:34,239 --> 00:47:36,960 Speaker 13: dollars in New South Wales because we don't have international travel, 1026 00:47:37,000 --> 00:47:40,360 Speaker 13: whether it's tourism, whether it's business, whether it's all the 1027 00:47:40,360 --> 00:47:44,480 Speaker 13: industries that feed off the travel, but also our skilled labor. 1028 00:47:44,520 --> 00:47:46,839 Speaker 13: A lot of major companies have people that can't really 1029 00:47:47,080 --> 00:47:49,440 Speaker 13: move back and forth because of those issues, so we 1030 00:47:49,520 --> 00:47:51,920 Speaker 13: start even starting to see a skilled labor shortage. So 1031 00:47:53,560 --> 00:47:56,480 Speaker 13: they're the issues we're confronting. But my job is not 1032 00:47:56,520 --> 00:47:58,720 Speaker 13: only to keep the community safe, but to think about 1033 00:47:58,960 --> 00:48:01,520 Speaker 13: the jobs and our few and how we can get 1034 00:48:01,560 --> 00:48:03,200 Speaker 13: it to a safe landing. And that's why I say 1035 00:48:03,200 --> 00:48:06,040 Speaker 13: to people that come to a point in time when 1036 00:48:06,080 --> 00:48:09,319 Speaker 13: the vaccine will be more attractive to people who might 1037 00:48:09,360 --> 00:48:11,480 Speaker 13: not be comfortable with it yet, and from my job 1038 00:48:11,560 --> 00:48:13,520 Speaker 13: is to get all of our adult population in your 1039 00:48:13,560 --> 00:48:16,279 Speaker 13: South Wales vaccinated as soon as possible, because that keeps 1040 00:48:16,360 --> 00:48:19,359 Speaker 13: us safe, it stops the spread, and it stops people dying. 1041 00:48:19,560 --> 00:48:21,479 Speaker 1: And there's a lot of piano players that are ready 1042 00:48:21,480 --> 00:48:25,480 Speaker 1: to get back in those piano bars. That's hard to do. 1043 00:48:25,640 --> 00:48:29,960 Speaker 13: But the really important thing for us is to start 1044 00:48:30,040 --> 00:48:33,400 Speaker 13: thinking about how we really live with COVID moving forward, 1045 00:48:33,400 --> 00:48:37,400 Speaker 13: because this could be around for years. The virus may mutate, 1046 00:48:37,440 --> 00:48:40,480 Speaker 13: there might be different viruses down the track, and I 1047 00:48:40,520 --> 00:48:42,880 Speaker 13: think we're in a fortunate position to have options. But 1048 00:48:42,920 --> 00:48:45,279 Speaker 13: we also can't be complacent and just think we're not 1049 00:48:45,320 --> 00:48:48,359 Speaker 13: going to be affected, because we know also community transmission 1050 00:48:48,760 --> 00:48:49,760 Speaker 13: can happen very quickly. 1051 00:48:49,760 --> 00:48:50,520 Speaker 2: Look at Victoria. 1052 00:48:50,680 --> 00:48:53,160 Speaker 13: Within two weeks they had like two or three hundred 1053 00:48:53,200 --> 00:48:55,279 Speaker 13: cases a day and then it shot up to I 1054 00:48:55,280 --> 00:48:58,080 Speaker 13: think seven or eight hundred a day, right, and they well, 1055 00:48:58,120 --> 00:49:00,640 Speaker 13: and they had so many deaths. So it's real important 1056 00:49:00,640 --> 00:49:01,760 Speaker 13: for us not to be complacent. 1057 00:49:01,800 --> 00:49:03,560 Speaker 1: Well, gladys, it's always great to catch up with you. 1058 00:49:03,719 --> 00:49:05,319 Speaker 1: Look after yourself. You're doing a great job. 1059 00:49:05,360 --> 00:49:08,440 Speaker 13: Thank you, you two, both of you keep entertaining, informing and 1060 00:49:08,480 --> 00:49:09,759 Speaker 13: ad guising, and thank you. 1061 00:49:09,920 --> 00:49:11,719 Speaker 1: I'm glad you didn't back me up there. When I 1062 00:49:11,719 --> 00:49:14,000 Speaker 1: said I'm not an essential worker. That's where you're supposed 1063 00:49:14,000 --> 00:49:14,759 Speaker 1: to say. We'll hang on, Joe. 1064 00:49:14,800 --> 00:49:16,160 Speaker 13: No, do you know what I've said to people, Sorry, 1065 00:49:16,200 --> 00:49:18,160 Speaker 13: I'm taking too much time. Anyone in a job is 1066 00:49:18,200 --> 00:49:19,080 Speaker 13: an essential. 1067 00:49:18,680 --> 00:49:21,680 Speaker 1: Where it is. That's our premiere. Thank you, gladys. 1068 00:49:24,080 --> 00:49:24,319 Speaker 7: God. 1069 00:49:25,440 --> 00:49:28,520 Speaker 1: I wanted to go on right now. I'm crazy. 1070 00:49:28,680 --> 00:49:34,480 Speaker 10: Now go to your windows, stick your head on a jel. 1071 00:49:36,480 --> 00:49:38,480 Speaker 1: Let's go into the jonesy demand of arms for the 1072 00:49:38,520 --> 00:49:40,840 Speaker 1: pub test. This is almost like I'm just going to 1073 00:49:40,880 --> 00:49:43,120 Speaker 1: come out and say it. I was reading readit last night. 1074 00:49:43,480 --> 00:49:46,440 Speaker 1: Most people go to nightclubs because they're being convinced it's 1075 00:49:46,480 --> 00:49:49,640 Speaker 1: the adult fun thing to do, not because they actually 1076 00:49:49,760 --> 00:49:53,480 Speaker 1: genuinely enjoy it during lockdown and everything like that. I 1077 00:49:53,480 --> 00:49:55,960 Speaker 1: didn't think, you know, I missed going to a nightclub. 1078 00:49:56,120 --> 00:49:58,439 Speaker 1: And in my whole life, I never actually like going 1079 00:49:58,480 --> 00:50:00,840 Speaker 1: to a nightclub. I went there, say come on, it 1080 00:50:00,840 --> 00:50:03,479 Speaker 1: will be fun. Let's go to blah blah, it'll be fun. 1081 00:50:03,560 --> 00:50:05,680 Speaker 1: When I was a kid, there's a place called Cascades. 1082 00:50:05,719 --> 00:50:08,239 Speaker 1: We used to call it catch Aids. Funnily enough, it's 1083 00:50:08,280 --> 00:50:11,000 Speaker 1: now the Vinyl Room. And they used to go, let's 1084 00:50:11,040 --> 00:50:12,839 Speaker 1: go there and I'd go why it's the worst place 1085 00:50:12,840 --> 00:50:13,279 Speaker 1: in the world. 1086 00:50:13,280 --> 00:50:14,759 Speaker 2: But you'd go to a loud pub. 1087 00:50:14,640 --> 00:50:17,080 Speaker 1: Not the Vinyl room. I love that place. I love 1088 00:50:17,120 --> 00:50:19,960 Speaker 1: going to a pub, but a nightclub where you're in 1089 00:50:20,000 --> 00:50:22,840 Speaker 1: a room paying for expensive drinks, which a queue up 1090 00:50:22,840 --> 00:50:26,160 Speaker 1: for ages four, and then you can't hear anyone talk. 1091 00:50:26,840 --> 00:50:29,520 Speaker 1: I don't like dancing, is it just me? 1092 00:50:30,360 --> 00:50:32,120 Speaker 2: But you go to a pub. The only difference is 1093 00:50:32,120 --> 00:50:35,759 Speaker 2: the dancing. Yeah, I still love going to nightclubs. I 1094 00:50:35,800 --> 00:50:37,960 Speaker 2: wouldn't now because I just can't. I'm like you, I 1095 00:50:37,960 --> 00:50:39,719 Speaker 2: can't hear anyone and I don't want to cue up 1096 00:50:39,719 --> 00:50:39,880 Speaker 2: for you. 1097 00:50:40,120 --> 00:50:42,360 Speaker 1: You go looking for nightclubs, you go looking for a 1098 00:50:42,360 --> 00:50:43,280 Speaker 1: place to dance. 1099 00:50:43,480 --> 00:50:46,480 Speaker 2: Actually, I do like to dance, but I dance more 1100 00:50:46,480 --> 00:50:49,759 Speaker 2: of my friends lounde rooms now, but I do. Some 1101 00:50:49,840 --> 00:50:53,360 Speaker 2: of my favorite life moments with friends in a nightclub 1102 00:50:53,600 --> 00:50:58,480 Speaker 2: on a dance floor. That was my formative dancing years, 1103 00:50:58,520 --> 00:51:00,000 Speaker 2: some of my favorite years. 1104 00:51:00,120 --> 00:51:02,920 Speaker 1: Is ever, what do you think going to nightclubs? Has 1105 00:51:02,920 --> 00:51:04,360 Speaker 1: it ever passed the pub test? 1106 00:51:04,920 --> 00:51:05,520 Speaker 12: Ready for it? 1107 00:51:07,120 --> 00:51:09,359 Speaker 1: But they're not around them more. And that's the worst 1108 00:51:09,360 --> 00:51:10,200 Speaker 1: part about it, Chris. 1109 00:51:10,840 --> 00:51:12,759 Speaker 6: There's not like a place to go and just have 1110 00:51:12,840 --> 00:51:16,000 Speaker 6: a The games and party. 1111 00:51:15,160 --> 00:51:17,400 Speaker 3: Only when I was younger, not now. So it was 1112 00:51:17,440 --> 00:51:19,799 Speaker 3: a great Friday night with friends. Loved it, but not 1113 00:51:19,920 --> 00:51:24,480 Speaker 3: now a nightclubs so much prefer a five week actually. 1114 00:51:26,080 --> 00:51:28,720 Speaker 6: Of course they did. They were a good old time 1115 00:51:29,200 --> 00:51:33,000 Speaker 6: back in the day of leek. Unfortunately age has gotten 1116 00:51:33,080 --> 00:51:35,880 Speaker 6: into the way. But in the younger days, yep, that 1117 00:51:36,040 --> 00:51:39,239 Speaker 6: was the night thing every Friday Saturday night. Let's hit 1118 00:51:39,320 --> 00:51:42,080 Speaker 6: the clubs, let's go gain thing, let's get drugs, have. 1119 00:51:42,200 --> 00:51:44,640 Speaker 1: A ball there it is. Thank you for all you. 1120 00:51:44,680 --> 00:51:47,160 Speaker 1: Of course Stephen Curry is coming up. Also, credit card 1121 00:51:47,200 --> 00:51:50,439 Speaker 1: crash makes its return. How you doing. 1122 00:51:51,080 --> 00:51:53,480 Speaker 2: I'm doing all right. I'll feel better next week when 1123 00:51:53,520 --> 00:51:56,839 Speaker 2: I'm used to what life will be for the next 1124 00:51:56,840 --> 00:52:01,240 Speaker 2: six weeks. I fell over Wednesday and landed on my elbow, 1125 00:52:01,360 --> 00:52:05,040 Speaker 2: not right on the elbow bones, but things weren't right, 1126 00:52:05,080 --> 00:52:07,239 Speaker 2: and I saw it within two weeks. You have to 1127 00:52:07,280 --> 00:52:10,759 Speaker 2: see a surgeon before things start are too late to 1128 00:52:10,840 --> 00:52:15,240 Speaker 2: fix up. So I saw someone yesterday and he said 1129 00:52:15,280 --> 00:52:18,000 Speaker 2: that what I've done is I've ripped the ligament, and 1130 00:52:18,080 --> 00:52:20,120 Speaker 2: so the two bones that should be sitting next to 1131 00:52:20,160 --> 00:52:22,920 Speaker 2: each other in there somewhere when they rotate, like if 1132 00:52:22,960 --> 00:52:24,239 Speaker 2: I put my hand out. I can do it with 1133 00:52:24,280 --> 00:52:27,600 Speaker 2: my right hand and move my palm up and down. 1134 00:52:27,960 --> 00:52:31,239 Speaker 2: The bones here move with it. On mine, they were 1135 00:52:31,239 --> 00:52:32,080 Speaker 2: popping out. 1136 00:52:32,280 --> 00:52:33,920 Speaker 1: So you can only do half a macarina. 1137 00:52:34,880 --> 00:52:37,359 Speaker 2: That is probably true. That is the harshest news I've 1138 00:52:37,360 --> 00:52:37,879 Speaker 2: heard all week. 1139 00:52:38,000 --> 00:52:39,399 Speaker 1: And that's the hits. 1140 00:52:39,520 --> 00:52:41,920 Speaker 2: Just keep carrying, go full, make a raina or nothing. 1141 00:52:42,000 --> 00:52:45,719 Speaker 1: You're like the bionic woman though, looking at that amazing. 1142 00:52:45,520 --> 00:52:49,319 Speaker 2: This device, which it does make me look like the 1143 00:52:49,320 --> 00:52:53,040 Speaker 2: bionic woman. And it's locked at ninety degrees, so I'm 1144 00:52:53,040 --> 00:52:57,359 Speaker 2: standing like Napoleon and I can't, therefore bend my arm 1145 00:52:57,360 --> 00:52:59,560 Speaker 2: from the elbow, and I'll be like this for a 1146 00:52:59,600 --> 00:53:03,680 Speaker 2: number of week. I'm left handed. Last night I sat 1147 00:53:03,680 --> 00:53:05,120 Speaker 2: there and just looked at it, and I know this 1148 00:53:05,200 --> 00:53:08,000 Speaker 2: is temporary, but what it will mean for me for 1149 00:53:08,040 --> 00:53:11,360 Speaker 2: six weeks. Can't drive and I can get someone to 1150 00:53:11,440 --> 00:53:13,520 Speaker 2: drive me to work. That's one thing. I can come 1151 00:53:13,520 --> 00:53:15,880 Speaker 2: in and out. But it's those small trips up to 1152 00:53:15,920 --> 00:53:16,959 Speaker 2: the shop. You know, it's stuff. 1153 00:53:17,080 --> 00:53:18,719 Speaker 1: You're just trying to my mind. How big up in 1154 00:53:18,719 --> 00:53:19,520 Speaker 1: the morning on my bike. 1155 00:53:19,719 --> 00:53:21,880 Speaker 2: I can't. I wouldn't be able to hold on to you. No, 1156 00:53:21,960 --> 00:53:23,759 Speaker 2: I can't. I can't grip on to you. 1157 00:53:23,920 --> 00:53:24,839 Speaker 1: You don't have to grip on. 1158 00:53:25,160 --> 00:53:27,840 Speaker 2: Oh well, yeah, okay, when I be tied on with 1159 00:53:27,840 --> 00:53:34,120 Speaker 2: a knocking but also eating. I caught sight of myself 1160 00:53:34,160 --> 00:53:35,680 Speaker 2: eating last night. I had to ask how they had 1161 00:53:35,680 --> 00:53:39,520 Speaker 2: to chop my food up. I look like a simpleton, 1162 00:53:40,560 --> 00:53:45,239 Speaker 2: and I haven't eaten out for ages. But may is 1163 00:53:45,640 --> 00:53:50,080 Speaker 2: it's our wedding anniversary, It's Mother's Day, It's our wedding anniversary. 1164 00:53:50,120 --> 00:53:52,680 Speaker 2: Both my boys have birthdays. We have some functions too. 1165 00:53:52,800 --> 00:53:55,040 Speaker 2: I've booked some restaurants. I thought it'd be lovely. I'm 1166 00:53:55,080 --> 00:53:57,799 Speaker 2: going to look like I've lost my brain? What about 1167 00:53:57,800 --> 00:54:01,000 Speaker 2: my makeup? Who how am I going to eyeliner on with? 1168 00:54:01,400 --> 00:54:03,359 Speaker 2: I'm right handed. I'm going to look like those old 1169 00:54:03,440 --> 00:54:04,600 Speaker 2: ladies who just don't care. 1170 00:54:04,800 --> 00:54:06,560 Speaker 1: But it's cool. You like the Bionic Woman, and you 1171 00:54:06,719 --> 00:54:10,799 Speaker 1: like Lindsay Wagner. Remember Jamie Summers. She has this because 1172 00:54:10,800 --> 00:54:13,760 Speaker 1: the six million dollar Remember Steve Austin, astronaut barely alive 1173 00:54:14,239 --> 00:54:16,560 Speaker 1: and then they get together and they because he has 1174 00:54:16,600 --> 00:54:18,160 Speaker 1: an accident as a test pilot. 1175 00:54:17,880 --> 00:54:19,920 Speaker 2: Of something, and they rebuild him. 1176 00:54:19,920 --> 00:54:25,440 Speaker 1: Remember the theme for the Six Men. And then to 1177 00:54:25,480 --> 00:54:27,720 Speaker 1: implicate the girls, they made the bionic woman. 1178 00:54:27,880 --> 00:54:30,200 Speaker 2: I have a point with it, so, Lindsay Wagner, no 1179 00:54:30,239 --> 00:54:33,080 Speaker 2: one in those days made anything toplicate women. You watched 1180 00:54:33,200 --> 00:54:36,479 Speaker 2: vinic women. Women. It was made for They were both 1181 00:54:36,560 --> 00:54:37,680 Speaker 2: made for both sexes. 1182 00:54:37,800 --> 00:54:42,799 Speaker 1: Yeah yeah, And she jumped intihole woman. She was a 1183 00:54:42,840 --> 00:54:46,840 Speaker 1: school teacher and a professional tennis player. And she jumped 1184 00:54:46,840 --> 00:54:49,720 Speaker 1: out of a plane and managed to survive, but busted 1185 00:54:49,760 --> 00:54:50,640 Speaker 1: her arm like you. 1186 00:54:50,760 --> 00:54:53,440 Speaker 2: But her face was still perfect. 1187 00:54:52,360 --> 00:54:55,520 Speaker 1: And her hearing as well, so they gave her superhering. 1188 00:54:55,840 --> 00:54:57,919 Speaker 1: I would have said she would have had that before. Why, 1189 00:54:58,120 --> 00:54:59,480 Speaker 1: I'll be a woman and all you know. 1190 00:55:00,760 --> 00:55:03,400 Speaker 2: Oh, let me to check the calendar. Wow, it's twenty 1191 00:55:03,440 --> 00:55:04,080 Speaker 2: twenty one. 1192 00:55:04,360 --> 00:55:05,640 Speaker 1: I'm just doing it to steal you. I have a 1193 00:55:05,680 --> 00:55:06,759 Speaker 1: little bit of lighthearted you. 1194 00:55:06,920 --> 00:55:09,719 Speaker 2: Oh yeah, because that's what I need right now. Thank 1195 00:55:09,800 --> 00:55:15,240 Speaker 2: you podcast. Can you believe it's been twenty four years 1196 00:55:15,600 --> 00:55:19,080 Speaker 2: since Stephen Curry played Dale Kerrigan in The Castle. Since then, 1197 00:55:19,120 --> 00:55:22,320 Speaker 2: he's carved out a career that's gone from comedy to drama, 1198 00:55:22,680 --> 00:55:26,040 Speaker 2: and now he's starring in a comedy drama, a film 1199 00:55:26,120 --> 00:55:30,520 Speaker 2: called June Again. Stephen Curry, Hello, oh hello god. 1200 00:55:30,400 --> 00:55:32,719 Speaker 1: How are you great? This is it's a krama I 1201 00:55:32,840 --> 00:55:33,160 Speaker 1: like this. 1202 00:55:34,120 --> 00:55:37,480 Speaker 3: It's a drama, it's a korama. I'm not quite sure 1203 00:55:37,480 --> 00:55:39,320 Speaker 3: what you need to call it, but there's certainly some 1204 00:55:39,920 --> 00:55:41,959 Speaker 3: laughs and you might even shed a tear. 1205 00:55:42,280 --> 00:55:46,320 Speaker 1: But I like the premise. Nony Hazlehurst, she plays June. 1206 00:55:46,440 --> 00:55:50,239 Speaker 1: She plays your mom, your mum, and she loses her 1207 00:55:50,320 --> 00:55:55,120 Speaker 1: mind for five years. Memory memory, Well, she's lost night 1208 00:55:55,600 --> 00:55:59,040 Speaker 1: and she was quite a successful business owner. She had 1209 00:55:59,080 --> 00:56:01,839 Speaker 1: a wallpaper business, and in that five years it all 1210 00:56:01,880 --> 00:56:05,319 Speaker 1: goes to hell. And you're her son, and you you 1211 00:56:05,440 --> 00:56:08,040 Speaker 1: sort of go to hell. Well were you always going 1212 00:56:08,080 --> 00:56:10,360 Speaker 1: to go to hell? Anyway? But then she gets a 1213 00:56:10,440 --> 00:56:11,000 Speaker 1: mind back. 1214 00:56:11,840 --> 00:56:12,319 Speaker 3: That's right. 1215 00:56:12,400 --> 00:56:15,640 Speaker 2: Well, that's a strange price of the film, that is. 1216 00:56:15,760 --> 00:56:18,240 Speaker 3: I mean, I don't think you're going to be knocking 1217 00:56:18,280 --> 00:56:19,680 Speaker 3: on Margaret Pomerans's story. 1218 00:56:21,160 --> 00:56:23,200 Speaker 1: That was pretty good. That was pretty good. 1219 00:56:24,200 --> 00:56:26,600 Speaker 3: I don't think Pomarans is going to say losing her 1220 00:56:26,640 --> 00:56:31,200 Speaker 3: mind or I guess she might use the word dementia. Yeah, 1221 00:56:31,280 --> 00:56:34,440 Speaker 3: so basically yes, Claudia Carbon who plays my sister, I 1222 00:56:34,440 --> 00:56:38,360 Speaker 3: will just say, plays my younger sister. And she's older 1223 00:56:38,360 --> 00:56:38,719 Speaker 3: than me. 1224 00:56:39,760 --> 00:56:42,160 Speaker 2: I thought she was younger than Is that sting, Stephen? 1225 00:56:42,640 --> 00:56:44,520 Speaker 3: It's sting and you know what really stung was when 1226 00:56:44,560 --> 00:56:47,319 Speaker 3: the director, who thought he was giving a compliment turned 1227 00:56:47,360 --> 00:56:49,719 Speaker 3: to me and said, yeah, but gray goes a long way. 1228 00:56:51,280 --> 00:56:54,360 Speaker 3: So I still think he thinks it was a compliment. 1229 00:56:55,640 --> 00:56:59,280 Speaker 3: But anyway, I've got over that diff I'm not even. 1230 00:56:59,120 --> 00:57:00,560 Speaker 1: Carrying it at all, not at all. 1231 00:57:01,840 --> 00:57:05,239 Speaker 3: Yes, So Cordia's character Ginny and my character Devon has 1232 00:57:05,320 --> 00:57:09,080 Speaker 3: basically let things kind of slip, and poor old June 1233 00:57:09,400 --> 00:57:12,239 Speaker 3: played by Noni has a short window of time. But 1234 00:57:12,320 --> 00:57:13,319 Speaker 3: John put things right. 1235 00:57:13,880 --> 00:57:16,840 Speaker 2: She's not the easiest of mum's either, is she. 1236 00:57:16,840 --> 00:57:19,080 Speaker 3: She's not the easiest of mum. She's a bit of 1237 00:57:19,080 --> 00:57:20,920 Speaker 3: a she's a bit of a prickly one. She probably 1238 00:57:20,920 --> 00:57:24,520 Speaker 3: has a little bit of work to undo the undoing 1239 00:57:24,520 --> 00:57:26,920 Speaker 3: to her family that she might have called before she, 1240 00:57:27,360 --> 00:57:31,360 Speaker 3: as Jonesy so delicately put it, lost her mind. But 1241 00:57:31,440 --> 00:57:35,400 Speaker 3: you know it was easy because Nani, I'm forty five, right, 1242 00:57:35,880 --> 00:57:39,040 Speaker 3: So when I was four, I thought Noni was mama 1243 00:57:40,600 --> 00:57:43,440 Speaker 3: because I used to watch you on play school, and 1244 00:57:43,520 --> 00:57:46,520 Speaker 3: so it sort of almost fit nicely, and it gave 1245 00:57:46,560 --> 00:57:48,480 Speaker 3: me a chance to tell my own mum to list 1246 00:57:48,600 --> 00:57:53,640 Speaker 3: her game. Because Noney's lurking. She is a wonderful human being. 1247 00:57:53,680 --> 00:57:59,280 Speaker 3: And she's so incredibly great in this film. It's something 1248 00:57:59,320 --> 00:58:01,960 Speaker 3: that to behold and I'm really proud of it. And 1249 00:58:02,480 --> 00:58:04,919 Speaker 3: I'm really proud you've been able to work with money 1250 00:58:04,960 --> 00:58:05,439 Speaker 3: and cord. 1251 00:58:05,920 --> 00:58:08,280 Speaker 2: The name Devon, it's not great Devon. 1252 00:58:09,200 --> 00:58:12,600 Speaker 3: I mean, that's the thing. I think she's named her 1253 00:58:12,600 --> 00:58:16,520 Speaker 3: son after a conglomerate of meats and sweeping from a 1254 00:58:16,560 --> 00:58:20,640 Speaker 3: butcher's floor. So I don't think he's been given the biggest, 1255 00:58:20,640 --> 00:58:22,480 Speaker 3: the best start in life. 1256 00:58:22,600 --> 00:58:25,400 Speaker 1: You did go from Dale, though Dale to Devon. 1257 00:58:26,240 --> 00:58:28,640 Speaker 3: Yeah, that's right, that's right what she named her daughter 1258 00:58:28,800 --> 00:58:30,920 Speaker 3: Gin as well. So I mean, I don't know. 1259 00:58:31,240 --> 00:58:33,640 Speaker 2: It's your afternoon tea taken care of entirely. 1260 00:58:33,640 --> 00:58:34,360 Speaker 1: I'm hungry. 1261 00:58:34,360 --> 00:58:36,919 Speaker 3: At least he was sitting down having your afternoon when 1262 00:58:36,960 --> 00:58:37,600 Speaker 3: she knowed it. 1263 00:58:38,320 --> 00:58:40,160 Speaker 1: These are all the big things that we unpacked with 1264 00:58:40,200 --> 00:58:43,800 Speaker 1: Stephen Curry. It's a great Curry got it all and 1265 00:58:43,840 --> 00:58:44,520 Speaker 1: Curry there you go. 1266 00:58:44,640 --> 00:58:47,560 Speaker 3: Oh my god, we really do tackle the big issues dry. 1267 00:58:47,960 --> 00:58:50,520 Speaker 1: This is quality is quality work, and no one lost 1268 00:58:50,600 --> 00:58:51,680 Speaker 1: their mind, which was good. 1269 00:58:52,000 --> 00:58:54,240 Speaker 3: No, No, that's right, I'm ringing Tom Rance. I'm the same. 1270 00:58:55,120 --> 00:58:59,960 Speaker 1: I think I think I'm the new guy. I'm the 1271 00:59:00,080 --> 00:59:03,200 Speaker 1: you got You've always David June again. We'll be in 1272 00:59:03,280 --> 00:59:06,960 Speaker 1: cinemas May sixth. Stephen Curry is with us now and 1273 00:59:07,000 --> 00:59:09,000 Speaker 1: we will look forward to catching up with you again 1274 00:59:09,040 --> 00:59:09,840 Speaker 1: in the near future. 1275 00:59:10,480 --> 00:59:12,720 Speaker 3: Thank you guys, always a pleasure. I have a great day. 1276 00:59:13,160 --> 00:59:15,640 Speaker 5: Jonesy and Amanda podcast. 1277 00:59:17,280 --> 00:59:22,680 Speaker 4: We're giving your credit card Bill Bobbert with WSFMS one 1278 00:59:22,760 --> 00:59:25,840 Speaker 4: hundred thousand dollars credit card crush. 1279 00:59:26,080 --> 00:59:29,439 Speaker 1: Indeedly we have Lucy of Padstow. You're ready to play 1280 00:59:29,480 --> 00:59:30,000 Speaker 1: out your loose? 1281 00:59:30,960 --> 00:59:32,160 Speaker 3: Are you ready to play? 1282 00:59:32,400 --> 00:59:35,600 Speaker 2: Hello? Lucy, we do have money on this credit card. 1283 00:59:35,640 --> 00:59:38,479 Speaker 2: You have to stay stop before you hear this. Thank 1284 00:59:39,480 --> 00:59:40,480 Speaker 2: No one wants to hear that. 1285 00:59:40,720 --> 00:59:41,520 Speaker 10: I don't want that. 1286 00:59:41,680 --> 00:59:42,720 Speaker 1: I don't want that, Lucy, but. 1287 00:59:42,800 --> 00:59:45,200 Speaker 2: Your listening ears on and good luck. Here we go. 1288 00:59:47,000 --> 01:00:02,800 Speaker 4: Even fourteen dollars, two hundred and five dollars, seventy dollars 1289 01:00:03,240 --> 01:00:08,840 Speaker 4: and twelve dollars, four hundred and eight dollars, four hundred 1290 01:00:08,840 --> 01:00:22,160 Speaker 4: and eighteen dollars, six hundred and sixty two dollars, six 1291 01:00:22,240 --> 01:00:26,520 Speaker 4: hundred and ninety nine dollars, eight hundred and fifty dollars, 1292 01:00:27,360 --> 01:00:28,919 Speaker 4: nine hundred and fifty. 1293 01:00:28,640 --> 01:00:34,280 Speaker 2: Dollars, nine hundred and fifty bucks for you there, Lucy. 1294 01:00:34,280 --> 01:00:39,000 Speaker 1: Well Lucy, how far? What have you gone? Aud? Two 1295 01:00:39,120 --> 01:00:39,880 Speaker 1: hundred dollars? 1296 01:00:40,960 --> 01:00:47,080 Speaker 3: Whoa, I thank you guys so much. 1297 01:00:47,240 --> 01:00:48,120 Speaker 1: Welcome Lucy. 1298 01:00:48,240 --> 01:00:51,840 Speaker 2: You can play again after nine o'clock with Ugly PHILM. 1299 01:00:52,600 --> 01:00:54,200 Speaker 1: I am going to be watching the living Room to 1300 01:00:54,320 --> 01:00:56,720 Speaker 1: nine on the Telly. Will you be right to host 1301 01:00:56,800 --> 01:00:57,480 Speaker 1: the show. 1302 01:00:58,000 --> 01:00:58,640 Speaker 2: With my arm? 1303 01:00:58,840 --> 01:00:59,040 Speaker 1: Yeah? 1304 01:00:59,120 --> 01:01:00,560 Speaker 2: Yes, I will sure. 1305 01:01:00,920 --> 01:01:03,280 Speaker 1: Because sometimes people call me TV people call me into 1306 01:01:03,640 --> 01:01:05,479 Speaker 1: you know, be the guy to take over to host 1307 01:01:05,720 --> 01:01:08,920 Speaker 1: stuff when things happen. So I'm just I'm offering my services. 1308 01:01:09,320 --> 01:01:11,640 Speaker 2: This one was already in the can before my arm 1309 01:01:11,680 --> 01:01:12,240 Speaker 2: went bung. 1310 01:01:12,440 --> 01:01:14,880 Speaker 1: And also speaking of the can, always there to help 1311 01:01:14,920 --> 01:01:16,320 Speaker 1: you out in the situation. 1312 01:01:16,600 --> 01:01:20,000 Speaker 2: It's a great living room tonight. How to we fix 1313 01:01:20,080 --> 01:01:22,880 Speaker 2: up a rental property in Waggle Wogger. Fabulous woman called 1314 01:01:22,920 --> 01:01:25,760 Speaker 2: Holly who's a truck driver. She runs the Mardi Gras in. 1315 01:01:25,800 --> 01:01:29,000 Speaker 1: Wagger What sort of trucks you drive? Semi panteck? 1316 01:01:30,120 --> 01:01:33,000 Speaker 2: I don't fixed rigid, but with you know, lots of 1317 01:01:33,040 --> 01:01:36,200 Speaker 2: stuff for renovations can be done when you're renting and 1318 01:01:36,240 --> 01:01:38,000 Speaker 2: you can take stuff with you. So it's a really 1319 01:01:38,000 --> 01:01:40,480 Speaker 2: beautiful show tonight and funny as well, so I hope 1320 01:01:40,480 --> 01:01:42,520 Speaker 2: you join us Trey seven thirty channel. 1321 01:01:42,640 --> 01:01:43,520 Speaker 1: What did the truck look like? 1322 01:01:43,880 --> 01:01:44,439 Speaker 2: I don't know. 1323 01:01:44,520 --> 01:01:45,280 Speaker 1: Oh you didn't see it. 1324 01:01:45,440 --> 01:01:47,240 Speaker 2: You know I've got carb line as I can barely 1325 01:01:47,280 --> 01:01:48,919 Speaker 2: recognize my car in the car park. 1326 01:01:49,160 --> 01:01:50,320 Speaker 1: You drove a truck to work? 1327 01:01:50,520 --> 01:01:51,200 Speaker 2: Maybe I did. 1328 01:01:51,960 --> 01:02:07,960 Speaker 1: It's nineteen to nine. 1329 01:02:01,000 --> 01:02:03,240 Speaker 2: A favorite pullive the year when it's ten thousand dollars 1330 01:02:03,280 --> 01:02:06,360 Speaker 2: cash and a brand new Spinally's mattress valued over sixteen 1331 01:02:06,400 --> 01:02:10,040 Speaker 2: thousand dollars head to spinal ees dot com dot A 1332 01:02:10,280 --> 01:02:10,760 Speaker 2: what do we got? 1333 01:02:11,640 --> 01:02:14,040 Speaker 8: I don't understand while in this day and age, we 1334 01:02:14,120 --> 01:02:17,080 Speaker 8: don't have a more sophisticated way of clearing the bush 1335 01:02:17,120 --> 01:02:21,520 Speaker 8: instead of burnoffs like they're used in ancient times. I 1336 01:02:21,600 --> 01:02:25,680 Speaker 8: know some locations are remote, but you know people are 1337 01:02:26,040 --> 01:02:29,920 Speaker 8: with lung conditions and various situations can't cope with what 1338 01:02:30,240 --> 01:02:33,720 Speaker 8: the air quality being so poor. I'm sure it leads 1339 01:02:33,720 --> 01:02:37,560 Speaker 8: to the premature deaths of some people. They don't burn 1340 01:02:37,680 --> 01:02:41,400 Speaker 8: down the bush for when they're building houses. Why can't 1341 01:02:41,440 --> 01:02:44,720 Speaker 8: they use similar methods that they use when they're clearing 1342 01:02:44,800 --> 01:02:46,960 Speaker 8: for houses in the bush? Thank you? 1343 01:02:47,200 --> 01:02:49,520 Speaker 2: I think we can just bulldoz hectares. 1344 01:02:49,120 --> 01:02:51,480 Speaker 1: Down and what you're saying you're going to need a 1345 01:02:51,480 --> 01:02:53,560 Speaker 1: big truck for that, So if you know which sort 1346 01:02:53,560 --> 01:02:55,640 Speaker 1: of truck it would be a big one. Manda, what 1347 01:02:55,720 --> 01:02:57,720 Speaker 1: else we got, my guests? 1348 01:02:57,880 --> 01:03:01,200 Speaker 7: My goolies is when you buy a fasta from the 1349 01:03:01,240 --> 01:03:04,960 Speaker 7: supermarket and it's supposed to be filled with a delicious filling, 1350 01:03:05,360 --> 01:03:07,720 Speaker 7: and you tip the pasta into the pot and there 1351 01:03:07,800 --> 01:03:11,920 Speaker 7: are empty, sad, depressed little pieces of master loaning around 1352 01:03:11,960 --> 01:03:13,360 Speaker 7: in water with no feeling. 1353 01:03:14,160 --> 01:03:18,600 Speaker 2: Feeling ah empty ravioli. No one should have to put 1354 01:03:18,680 --> 01:03:18,920 Speaker 2: up with it. 1355 01:03:19,040 --> 01:03:23,600 Speaker 1: That's our rageous. The week that was Jimbo's Jimmy Jabber 1356 01:03:23,640 --> 01:03:26,720 Speaker 1: is coming up next, Sam. You know Jim Dolon has 1357 01:03:26,760 --> 01:03:29,840 Speaker 1: been working harder than the dingy bell. I've in store 1358 01:03:29,920 --> 01:03:32,280 Speaker 1: for a converleescing a man, Oh yes, what can I do? 1359 01:03:32,440 --> 01:03:33,600 Speaker 2: How can you speed up? Please? 1360 01:03:33,880 --> 01:03:35,960 Speaker 1: And he's come up with this Jimbo's Jim. 1361 01:03:39,440 --> 01:03:42,440 Speaker 12: Richard Clapton has a new album out, but it's truly 1362 01:03:42,720 --> 01:03:46,960 Speaker 12: old school. It celebrates some great hippie anthems and it's 1363 01:03:47,000 --> 01:03:49,400 Speaker 12: out on vinyl. We set up the record player in 1364 01:03:49,400 --> 01:03:52,280 Speaker 12: the studio so we could have a listening with Richard. 1365 01:03:52,320 --> 01:03:53,800 Speaker 2: This is you love. 1366 01:03:55,280 --> 01:04:01,080 Speaker 7: Exactly in his. 1367 01:04:06,640 --> 01:04:11,080 Speaker 1: Sorry firs a bit so wow, because. 1368 01:04:11,600 --> 01:04:13,760 Speaker 2: Did your blue Light discos? Can I look at the album. 1369 01:04:13,600 --> 01:04:14,960 Speaker 1: And have a look at the other songs, I'll just 1370 01:04:14,960 --> 01:04:18,880 Speaker 1: poured Richard off it for that. 1371 01:04:19,920 --> 01:04:22,520 Speaker 10: Master Chef is back with the big name judges, but 1372 01:04:22,600 --> 01:04:23,439 Speaker 10: not as we know it. 1373 01:04:23,520 --> 01:04:28,280 Speaker 9: So last night Nagella Lawson was the special Chef guest. 1374 01:04:29,160 --> 01:04:35,680 Speaker 9: She appeared like a hologram Awson on the screen. 1375 01:04:36,400 --> 01:04:40,000 Speaker 1: Well, it's lovely to be letsing my well. 1376 01:04:40,120 --> 01:04:41,959 Speaker 9: I like to say soul, but we know I haven't 1377 01:04:41,960 --> 01:04:44,520 Speaker 9: got one, you know, the ether and. 1378 01:04:44,480 --> 01:04:45,640 Speaker 3: Be joining you there. 1379 01:04:45,960 --> 01:04:49,560 Speaker 2: So she zoomed in. It was like she was in 1380 01:04:50,040 --> 01:04:53,480 Speaker 2: a hologram box. She was on a screen, presumably in 1381 01:04:53,520 --> 01:04:57,520 Speaker 2: a with a green screen behind her in London, so 1382 01:04:57,560 --> 01:05:00,520 Speaker 2: she looked like she was in the room. But really weirdly, 1383 01:05:00,560 --> 01:05:03,760 Speaker 2: her eyeline was different and slightly different shape. 1384 01:05:03,840 --> 01:05:05,760 Speaker 1: We're going to get that with a whole of course, but. 1385 01:05:05,720 --> 01:05:08,280 Speaker 2: It was so so unusual. 1386 01:05:08,800 --> 01:05:09,560 Speaker 6: To the judges. 1387 01:05:10,360 --> 01:05:14,640 Speaker 1: Jesus on my behalf, I also understand she said this 1388 01:05:14,760 --> 01:05:21,760 Speaker 1: fire hologram and then she disappeared into the. 1389 01:05:21,960 --> 01:05:25,880 Speaker 12: Thick Brothers also back posts on your Krueger, however, informed 1390 01:05:25,960 --> 01:05:28,600 Speaker 12: us that the housemates have to work for their immunity 1391 01:05:28,640 --> 01:05:30,760 Speaker 12: this time round, not like the early days. 1392 01:05:30,880 --> 01:05:33,400 Speaker 2: So it's not just I'm here to make friends and 1393 01:05:33,480 --> 01:05:34,800 Speaker 2: alliance and you swoot someone else. 1394 01:05:34,880 --> 01:05:38,840 Speaker 1: Yes, your pubes. You can't just because I would go 1395 01:05:38,920 --> 01:05:41,440 Speaker 1: in because I know there's a VIP big brother coming. 1396 01:05:42,600 --> 01:05:46,040 Speaker 1: I was wondering when you need some pube pickings. 1397 01:05:48,280 --> 01:05:49,280 Speaker 2: For twenty one years. 1398 01:05:50,560 --> 01:05:51,000 Speaker 3: It down to. 1399 01:05:52,680 --> 01:06:00,560 Speaker 10: I've already left and a man had a fall, I 1400 01:06:00,600 --> 01:06:03,280 Speaker 10: mean tripped over while shooting an episode of the hit 1401 01:06:03,360 --> 01:06:06,200 Speaker 10: TV show The Living Room. She's managed to do some 1402 01:06:06,280 --> 01:06:08,520 Speaker 10: damage to her elbow, which is needed her to call 1403 01:06:08,560 --> 01:06:10,280 Speaker 10: on husband Harley for assistance. 1404 01:06:10,360 --> 01:06:13,240 Speaker 2: The big challenge was getting dressed. 1405 01:06:13,360 --> 01:06:14,560 Speaker 1: Had you go well? 1406 01:06:14,640 --> 01:06:17,760 Speaker 2: I had to wait Harley up to do up my bra. 1407 01:06:18,160 --> 01:06:21,400 Speaker 2: It was the least attractive scenario you can imagine. Harley, 1408 01:06:22,560 --> 01:06:23,400 Speaker 2: Can you do my bra? 1409 01:06:25,480 --> 01:06:29,440 Speaker 1: Really turned, hasn't it. There was a time undo my brother. Yeah, 1410 01:06:30,760 --> 01:06:31,640 Speaker 1: well I'm here for you. 1411 01:06:31,680 --> 01:06:33,640 Speaker 2: Well, I appreciate it. And years ago when I pulled 1412 01:06:33,640 --> 01:06:37,520 Speaker 2: a ligand in my leg. Thirty years ago, Harley and 1413 01:06:37,560 --> 01:06:39,919 Speaker 2: I were married and he went out for the day 1414 01:06:39,960 --> 01:06:42,840 Speaker 2: for work, and he gave me an axe to lean 1415 01:06:42,880 --> 01:06:45,400 Speaker 2: on and threw me a banana. And this morning, as 1416 01:06:45,440 --> 01:06:47,120 Speaker 2: I left he said, I'm just off to Bunnings to. 1417 01:06:47,080 --> 01:06:50,520 Speaker 1: Buy ax, which no doubt you'll grind when you get hurt. 1418 01:06:53,000 --> 01:06:56,080 Speaker 1: Maybe no, maybe he's about that. This has been Jimbo's 1419 01:06:56,120 --> 01:06:56,720 Speaker 1: Jimmie ever. 1420 01:07:00,080 --> 01:07:03,080 Speaker 2: Call the email of Facebook friend wins a three hundred 1421 01:07:03,120 --> 01:07:07,440 Speaker 2: dollar Averlely restaurant vouncher search Avli restaurant to book and 1422 01:07:07,520 --> 01:07:09,600 Speaker 2: experience a little bit of grease in your own backyard. 1423 01:07:10,440 --> 01:07:14,600 Speaker 1: You're scathy, Jonesy demanded ttail and branded bobblehead, which everyone wants. 1424 01:07:15,200 --> 01:07:18,960 Speaker 2: We had a few flashback songs today, songs about my fall. 1425 01:07:19,000 --> 01:07:25,400 Speaker 2: I've booked my elbow. You went with us great song 1426 01:07:25,920 --> 01:07:29,000 Speaker 2: ice House, so songs that reference the fact that my 1427 01:07:29,160 --> 01:07:31,280 Speaker 2: arm is in a brace for six weeks and I'm 1428 01:07:31,360 --> 01:07:34,000 Speaker 2: left handed and I can't use my left hand, I 1429 01:07:34,040 --> 01:07:38,840 Speaker 2: can't drive, I can't dress myself. Nothing too seriously. 1430 01:07:38,960 --> 01:07:39,880 Speaker 1: It's just a flash word. 1431 01:07:40,160 --> 01:07:40,240 Speaker 7: Ye. 1432 01:07:41,440 --> 01:07:44,439 Speaker 2: I went with a song that referenced how you've helped 1433 01:07:44,480 --> 01:07:50,200 Speaker 2: me during this hard time. He ain't here to with my. 1434 01:07:50,120 --> 01:07:53,000 Speaker 1: Brother for you. This song is how the perspective I 1435 01:07:53,040 --> 01:07:54,800 Speaker 1: look at you, and that is what I mean. 1436 01:07:55,320 --> 01:07:56,280 Speaker 2: I was hoping well. 1437 01:07:56,320 --> 01:07:59,400 Speaker 1: I said that I'm up for the bumble needs to be. 1438 01:08:00,040 --> 01:08:01,560 Speaker 2: How about I'll get you in. I'll phone you when 1439 01:08:01,560 --> 01:08:03,040 Speaker 2: I'm going to go to the toilets like Brenda. 1440 01:08:03,080 --> 01:08:03,400 Speaker 1: Come over. 1441 01:08:03,560 --> 01:08:09,320 Speaker 2: Nothing too serious, big one, but I am going to 1442 01:08:09,400 --> 01:08:12,320 Speaker 2: drink metamusal dakeries all day. 1443 01:08:12,720 --> 01:08:16,040 Speaker 1: Good An email here from Bev. Bev writes our best 1444 01:08:16,040 --> 01:08:19,320 Speaker 1: wishes Amanda. And although I can't relate, I feel your pain. 1445 01:08:19,439 --> 01:08:22,479 Speaker 1: And she sent you. She sent you a virtual card, 1446 01:08:23,320 --> 01:08:25,120 Speaker 1: or that's not virtually anymore because I've printed it out, 1447 01:08:25,160 --> 01:08:26,040 Speaker 1: so now it's a real card. 1448 01:08:26,360 --> 01:08:27,080 Speaker 2: Bev. Thank you. 1449 01:08:27,240 --> 01:08:27,680 Speaker 1: That's nice. 1450 01:08:27,840 --> 01:08:28,960 Speaker 2: Love your song, a. 1451 01:08:28,960 --> 01:08:32,679 Speaker 1: Little one of those little pots that you get and flowers. 1452 01:08:33,000 --> 01:08:38,799 Speaker 2: Yes stop WSFMS one hundred thousand dollars. Credit card Crush 1453 01:08:38,960 --> 01:08:41,280 Speaker 2: is back with Ugly Film starting after nine o'clock. 1454 01:08:41,400 --> 01:08:43,599 Speaker 1: Have a good weekend. We'll be back from six tonight 1455 01:08:43,640 --> 01:08:46,360 Speaker 1: with jam Nation. Then good day to you. Well, thank 1456 01:08:46,439 --> 01:08:53,560 Speaker 1: god that's over. Good bite, good bite, wipe a podcaster. 1457 01:08:53,720 --> 01:08:55,800 Speaker 2: Today's show is available. 1458 01:08:55,280 --> 01:08:57,599 Speaker 5: To download from the iHeartRadio app. 1459 01:08:57,680 --> 01:08:59,320 Speaker 2: All the Cool Kids are Doing It. 1460 01:09:00,240 --> 01:09:07,599 Speaker 7: Whow than Hinge. 1461 01:09:06,760 --> 01:09:09,240 Speaker 5: Jonesy and Amanda podcast. 1462 01:09:09,439 --> 01:09:12,400 Speaker 9: Catch up on what you've missed on the free iHeartRadio app.