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Speaker 1: Jon and Amanda.

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Speaker 2: You're listening to the Jonesy and Amanda podcast.

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Speaker 3: Alian Radios.

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Speaker 2: Jonesy and Amanda.

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Speaker 4: Jones Yeah, personal friends, bit of a tyry, twists.

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Speaker 5: Legendary Burrow, Josie, he's a zenius.

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Speaker 1: That's what the day stands for. And Amanda the actress.

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Speaker 6: You have no empathy for anyone but your selfie giant too.

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Speaker 5: That good radios and Amanda, and you're on the same show, Amanda.

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Speaker 1: Shot, well, hello, Amanda, Hi.

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Speaker 5: Did you have a nice weekend?

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Speaker 1: And I know you?

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Speaker 5: Sorry? Sorry. You don't like it when people ask you that.

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Speaker 5: If I see people in the office asking you that,

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Speaker 5: I can see your lips quiver in your eyes twitch.

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Speaker 5: You don't like it.

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Speaker 1: Of course I like it. Of ogre.

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Speaker 5: You've said before you don't like a small talk. I've

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Speaker 5: seen you talk the biggest drivel. You're the person who

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Speaker 5: does more drivel than anybody.

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Speaker 1: I only do big talk, big talk, big be a

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Speaker 1: big talk.

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Speaker 5: Remember late last week and I spilled hot chocolate all

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Speaker 5: over my only white trousers. Ye, well, chatchpt was full

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Speaker 5: of great advice. It said, obviously take them off, and

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Speaker 5: I couldn't do that. So it said if you're in

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Speaker 5: a position where you can't take them off, rub soap

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Speaker 5: into them and wet them, which I did, and now

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Speaker 5: they're still stained brown with white yellow bits from the soap.

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Speaker 7: What about some hydrochloric acid or something like that.

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Speaker 1: I use that to clean the lime scale out of

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Speaker 1: my toilet on the weekend.

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Speaker 5: An inside toilet, inside toilet. Why would it have lime scale?

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Speaker 5: Isn't it just like outside toilets that don't get flushed much?

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Speaker 1: Limescale toilets happens inside.

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Speaker 7: It happens inside.

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Speaker 1: Although I will say, I will say the person that

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Speaker 1: uses that toilet as a twenty three year old male,

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Speaker 1: my son, and who knows. If you're in a ever

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Speaker 1: actually hit the water, I'd be amazed. So anyway, that's

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Speaker 1: what I did on the.

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Speaker 5: Wind well, hands were destroyed.

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Speaker 1: There's my big talk for it.

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Speaker 5: The same situation we had some quirky it's not quirky.

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Speaker 5: But here's let me just read you what we're going

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Speaker 5: to be discussing today. Go on, how about this. We

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Speaker 5: are going to be talking about maths. We're going to

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Speaker 5: be talking about Jonesy and the universe is signed to him.

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Speaker 1: Well, I asked you a question afternoon when I came

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Speaker 1: into work about the.

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Speaker 5: Way it was a sign from the universe, and you.

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Speaker 7: Answered the question exactly how I wanted you to answer.

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Speaker 5: I stortdn't understand what the question was. We're going to

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Speaker 5: talk fame on a train. We're going to talk about

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Speaker 5: the fact that Shakespeare was on drugs.

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Speaker 1: Okay, good? Are we doing this now? So we're doing

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Speaker 1: a whole thing at the start of the shape, I

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Speaker 1: like it?

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Speaker 5: Do you not?

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Speaker 1: It's all right?

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Speaker 5: I like it. It's like a million.

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Speaker 7: So when you get and they.

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Speaker 5: Pare and and you also want to see what you're

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Speaker 5: getting for dessert.

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Speaker 1: Oh, what's for dessert?

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Speaker 5: Well, you have to choose from those. It might be

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Speaker 5: a little bit of dyspepsia.

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Speaker 1: I hope it's something sexy for dessert.

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Speaker 5: What restaurants are you going to? Dirty dick still open?

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Speaker 1: Never mind about that. And we can't do any until

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Speaker 1: we do the fast far would.

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Speaker 5: You like to play? Why don't you give us a call?

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Speaker 1: And jeremi right? How are you right? Good? Put on

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Speaker 1: some down breath right, everyone likes let me say the note.

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Speaker 7: Actually put on some LRB.

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Speaker 3: Just did the.

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Speaker 5: LRB and also give us a call. Thirteen fifty five

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Speaker 5: twenty two.

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Speaker 1: Yeah, this is patter.

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Speaker 5: I'm now doing your job for you.

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Speaker 2: Gem Nation, Jonesy and Demanders.

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Speaker 1: Far Fast five is here. Sure you can get question

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Speaker 1: five right, but it's all about getting all five questions

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Speaker 1: right in the Jade Dogs book.

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Speaker 5: Or you only have to answer question five correctly. He's

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Speaker 5: the prize a five hundred dollars out. You a to

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Speaker 5: Hijinks Hotel. Why don't you pull in into hyjick Hotel?

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Speaker 5: I'm scand it incorrectly. We has had to go something

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Speaker 5: service at the ring of a bell?

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Speaker 1: Yes, yes, the modern tracks? Were you DJing on the

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Speaker 1: weekend at any.

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Speaker 5: H I had my reel to reels going.

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Speaker 1: Sharon is in Haberfield, Hello.

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Speaker 5: Sharon, Hi, Hello, you know that song, don't you? Why

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Speaker 5: don't you pull in a heartbreak or tell if you

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Speaker 5: heard of that song? No, with a Jonesy's.

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Speaker 1: Face, it was so what we're trying to do.

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Speaker 7: Let's get in the huddles.

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Speaker 1: We're trying to be more modern. Okay, and they yes,

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Speaker 1: quoting his song that was called along Straight and it's

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Speaker 1: a great song by the way, Sharon, you know he

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Speaker 1: did a really good version of it. Keith Urban our

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Speaker 1: boy Keith Urban did a fan version.

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Speaker 5: Of Oh What's happened to You?

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Speaker 7: What you find?

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Speaker 1: Keith Urban used to love us as well until someone

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Speaker 1: in this room asked you many questions about his missus.

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Speaker 5: Well, she was his missus at the time. She was

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Speaker 5: his muse and he writes songs about her and talks

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Speaker 5: about her, and I thought I'd ask him about her,

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Speaker 5: and suddenly he shut up.

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Speaker 1: That interview now has fifty million views hand count.

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Speaker 5: How was I to know that by that point they'd

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Speaker 5: already separated, Sharony, you're still with us?

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Speaker 8: I am.

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Speaker 5: Here's question one for you, Sharon. When changing a tire,

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Speaker 5: is this too old brand really to talk about cars

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Speaker 5: having tires? Or when you're going to get flying cars?

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Speaker 5: When changing a tire, what device do you use to

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Speaker 5: lift the vehicle? Jack? That's why I had a son

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Speaker 5: called that so it can be useful.

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Speaker 1: Let's play the not so secret sound, Shure.

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Speaker 5: I hope it's a new sound for what is this sound?

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Speaker 7: Any ideas the show?

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Speaker 6: I'm gonna say the one it is one?

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Speaker 5: What a shame about?

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Speaker 7: I was watching it.

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Speaker 1: On the weekend and Melbourne really put on a great

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Speaker 1: show and pull on Oscar Piastre, crosty. What's happened? It's

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Speaker 1: Oscar Piastre.

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Speaker 9: This is what Albert Parker did not want to see.

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Speaker 9: Oscar Piastre on the lap of the gridge has lost

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Speaker 9: it and sustained significant damage to his car.

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Speaker 1: Did you see the plastic thing that fell onto the

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Speaker 1: track and the stud ran a How many bits did

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Speaker 1: that fall apart into?

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Speaker 5: Yeah? What was it?

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Speaker 7: I don't know.

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Speaker 1: It looked like a cup holder.

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Speaker 7: I think it was part of the car.

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Speaker 10: Was it?

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Speaker 1: That probably was worth it at eight million dollars?

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Speaker 5: I don't think f ones have cup holders.

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Speaker 1: Well, they might get a drink and.

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Speaker 5: They put urine in on the second lack. Anyway, he

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Speaker 5: would go to question number three, Sharon, this is multiple

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Speaker 5: choice for you. Which country's sewage system contains millions of

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Speaker 5: dollars worth of gold and silver? Get pannin? Is it

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Speaker 5: a Luxembourg, B, Singapore or C Switzerland?

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Speaker 11: Hmm, I'm going to say it's Switzerland.

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Speaker 5: It is Switzerland. It's a major gold refining hub, so

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Speaker 5: I think the refineries. It's in the runoff. I don't

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Speaker 5: think it's coming out of people's bodies.

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Speaker 1: Okay, what was the welcome stranger in your toilet.

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Speaker 5: I always like to go in a sieve when I'm there.

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Speaker 7: What was the last state to join the United States

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Speaker 7: of America?

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Speaker 1: Sharon?

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Speaker 5: Come on, Sharon, it's a bit like pulling chin hairs.

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Speaker 5: Come on a sorry, Sharon.

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Speaker 1: We'll put on some flavorod back and then we'll come

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Speaker 1: back and you can play if you'd like to hear.

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Speaker 2: Every second of Jonesy and Demander on demand. Search for

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Speaker 2: us now on the iHeart app Fast the Street of Light,

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Speaker 2: Jonesy and Demanders five.

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Speaker 1: Where into the fast five?

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Speaker 7: And we find ourselves in question number four?

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Speaker 5: It's going to Anthony and Epping. Hi, Anthony, how are

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Speaker 5: you okay?

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Speaker 7: How is anthey?

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Speaker 1: You epping epping or epping epping in Victoria?

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Speaker 7: And you've got the public holiday today?

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Speaker 1: How's that going?

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Speaker 11: Actually?

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Speaker 1: I work today, good man.

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Speaker 7: You're keeping the state of Victoria alive.

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Speaker 5: What's your public holiday for? Is this the work of

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Speaker 5: the eight hour working day or something?

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Speaker 6: I think it's labor Day.

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Speaker 1: Did you go to the Grand Prix?

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Speaker 5: He's not a holiday because of the Grand Prix, but.

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Speaker 1: It's perfect dovetails nicely.

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Speaker 5: I think you also get a dow for Melbourne copt.

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Speaker 1: And remember when we used to go to the Grand Prix.

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Speaker 1: That was the greatest event in the world. I'll tell

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Speaker 1: you what that was so good?

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Speaker 5: Are you interested in it, Anthony.

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Speaker 12: Not at all.

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Speaker 1: It's not for everybody. Well, I got a hot lap

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Speaker 1: around the track in one of the cars. That's what

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Speaker 1: happens when they leave him running and you've had a

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Speaker 1: few pas.

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Speaker 5: And you went fast because you were chased by the police.

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Speaker 5: He's question number four for you. What was the last

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Speaker 5: state to join the United States of America.

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Speaker 13: I believe that's Hawaii.

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Speaker 1: It is which Oscar nominated actor sparked sparked backlash after

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Speaker 1: dismissing ballet and opera as art forms audiences don't really

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Speaker 1: care about it.

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Speaker 5: Yes, he said some really spiky words.

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Speaker 6: Do you know who it was, miss l It was.

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Speaker 5: Yes, here's what he said.

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Speaker 14: And I don't want to be working in ballet or

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Speaker 14: opera or you know things where it's like, hey, keep

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Speaker 14: this thing alive, even though at all respect.

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Speaker 15: To the ballet and opera people out there, I just

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Speaker 15: lost fourteen cents in viewership.

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Speaker 5: Lost fourteen cents in viewership. Apparently over in the last

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Speaker 5: twenty four hours, he's lost something like fifty thousand Instagram followers,

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Speaker 5: and there's talk that he may no longer be in

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Speaker 5: the running. In the eyes, I think.

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Speaker 1: He's clearly just joking.

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Speaker 5: Well he said it a few times and also he

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Speaker 5: knows his words have power, and why he's a member

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Speaker 5: of the PUNSI arts to start with, just because he

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Speaker 5: just he thinks people love cinema and they love those

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Speaker 5: other art forms. He should shut his pile.

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Speaker 1: Well, what do you think, Anthony do that? I think

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Speaker 1: he's just joking. I don't think he should be hung

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Speaker 1: from the well.

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Speaker 5: No one's hanging in from the rafters. But people are

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Speaker 5: had to say, you're out of line. What do you think, Anthony?

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Speaker 8: Honestly, I don't know, Like I think, I think he

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Speaker 8: is an artist, but he should rag on other artists.

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Speaker 1: Quite right, true, quite right out the wisdom from Anthony.

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Speaker 1: That's why you're running the Great State of Victoria. Mate,

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Speaker 1: and you get the prize.

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Speaker 5: You do get the prizes. Five hundred dollars about you

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Speaker 5: to hijinks.

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Speaker 1: Hotel where fun checks in and boredom checks out. Search

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Speaker 1: Hijik's Hotel, Anthony, Thank you.

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Speaker 5: Oh thanks, Anthony. Guess he is going to be joining

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Speaker 5: us next up hour. It's not Timothy Charlomagne, who incidentally

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Speaker 5: spells his name t I m O t H double e,

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Speaker 5: but he doesn't like the other fine arts.

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Speaker 7: How would that guy Montgomery spell his name.

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Speaker 5: Well guy double ee, No he doesn't. He's just a

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Speaker 5: guy and a genuine man is going to be joining us.

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Speaker 7: Very funny guy.

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Speaker 1: He's coming up on Gold Gama, Gold's Jonesy Devanda's jam Nation,

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Speaker 1: Driving you Home Monday, the ninth of March.

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Speaker 7: Hell of a year.

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Speaker 5: Hell of a year and it's only March.

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Speaker 7: What about maretith first sight?

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Speaker 5: We're still going with that. I think he should have

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Speaker 5: got boring.

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Speaker 1: This show it just gets better and better.

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Speaker 5: You said it had got.

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Speaker 7: The jeopardy for.

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Speaker 1: The contestants is how long they can stay on the show.

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Speaker 5: So how much drama they can have, and how much

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Speaker 5: they can hate each other while still find just finding

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Speaker 5: justification to stay on exactly.

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Speaker 1: And that's it, because if you have natural chemistry with someone,

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Speaker 1: you'll stay there and do it.

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Speaker 7: But if you don't like each other, then you have.

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Speaker 5: To find some reason to stay on.

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Speaker 7: How are you going to be relevant?

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Speaker 1: Joel and Juliet are a classic.

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Speaker 5: See the one with the face here that goes all

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Speaker 5: the way.

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Speaker 1: It needs a plimsal line. He was the one that

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Speaker 1: was playing a drum kit with sex choys. He was like,

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Speaker 1: I call him the dualdo drummer. He wasn't playing with

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Speaker 1: a bass guitarist and guitarist. That's what the drummer of

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Speaker 1: police used to call the band. Anyway, that's a musician

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Speaker 1: Jack drummers appreciate that. So he's paired with Juliet, who

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Speaker 1: I first kind of liked at first, but then there

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Speaker 1: was this massive miscommate miscommunication last week.

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Speaker 10: Why did you come here?

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Speaker 3: It's for love and for something real.

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Speaker 6: I'm not getting either of that from you. I'm getting

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Speaker 6: a performance.

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Speaker 10: You don't understand I'm going to give you. You don't

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Speaker 10: see the star in me, you don't see.

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Speaker 1: The lights in me?

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Speaker 10: Yeah, literally, moment you know what a metaphor is.

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Speaker 16: I'm done right now, I'm done.

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Speaker 3: I'm done.

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Speaker 1: I think you could question a lot of the merrit

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Speaker 1: at first sight people and they wouldn't know what a

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Speaker 1: metaphor is. Anyway, She's gone to the dinner party and

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Speaker 1: she's totally got it wrong.

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Speaker 16: And then he kind of cracked and looked at me

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Speaker 16: like deadpanned me in the eyes and said, well, I'm

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Speaker 16: the star. And I at that point was.

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Speaker 10: Like, she's totally twisted my words and used it against

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Speaker 10: me and made it out like I am sort of

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Speaker 10: this egotistical guy who's like claiming the limelight and saying

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Speaker 10: I'm the star.

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Speaker 3: Of the show.

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Speaker 1: I think he's an egotistical guy that wants the limelight.

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Speaker 5: But she's rom under the bus certainly, and what happens now.

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Speaker 1: You know what I like more than anything when John

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Speaker 1: Aken gets really cranky and does the stern talking to

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Speaker 1: and he gave it to her full behavior last night

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Speaker 1: towards Joel was ugly and it goes on for some time,

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Speaker 1: but he really tore her a new one, which I

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Speaker 1: thought was pretty good because.

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Speaker 7: She kind of got to come up. And then she

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Speaker 7: had to make an apology.

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Speaker 5: Too to Joel been to us.

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Speaker 1: Well, firstly, she apologized to the group and they said,

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Speaker 1: hang on, you know, Juliette should be apologizing to the

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Speaker 1: man your husband, hair face, hair face, have a listen

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Speaker 1: to this apology?

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Speaker 7: And what do you think have a listen?

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Speaker 16: I have always said definitely, and I don't feel that

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Speaker 16: much hatred towards you.

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Speaker 5: That's beautiful. She's getting a job at Hallmark anytime soon.

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Speaker 5: I don't feel that much hatred towards you. Happy Valentine's Day?

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Speaker 5: And are they staying on? Did they vote to stay

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Speaker 5: under what? Under what circumstance?

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Speaker 7: And this is the beauty of this show.

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Speaker 1: So Joel says leave, Yes, of course he does.

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Speaker 7: Juliet says she wants to work.

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Speaker 5: On their relationship. Is that why a reason for staying.

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Speaker 1: To continue her relevance?

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Speaker 5: But what did she have to for the sake of camera?

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Speaker 5: Find a reason?

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Speaker 1: I like the way you shave your face, that's what

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Speaker 1: he said to her. Certainly can't be the way he

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Speaker 1: plays drums.

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Speaker 5: Oh so they're in for another week.

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Speaker 7: Yeah, I want you to say, you don't have to You.

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Speaker 5: Certainly got rhythm method.

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Speaker 1: Boo. Yeah, there's a drummer I think going right.

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Speaker 5: On She's and people love reproductive jokes.

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Speaker 1: Dimondgomery. He certainly does very funny guy. And i'd like

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Speaker 1: to say a friend of the show. He's coming to

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Speaker 1: town with his guy mont Gody's spelling Bee.

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Speaker 7: We'll be talking to him.

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Speaker 1: Next on Gold Jam Jam Nation Gold.

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Speaker 7: It's Jonesy Demanda's Jam Nation.

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Speaker 5: Well, life has changed dramatically since the last time we

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Speaker 5: spoke to Guy Montgomery, he's been on tour, he's won

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Speaker 5: a LOGI and he's welcomed a baby. Didn't just have one,

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Speaker 5: he welcomed it. Quite the underachiever. Well, in an effort

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Speaker 5: to make this year even bigger, he's taking his hilarious

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Speaker 5: news show. Now if I got this right, guys, guy

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Speaker 5: Mont's Guymont's Spelling Bee or is that a time?

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Speaker 1: And you've got to say he I'm not about to hello.

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Speaker 5: Here is Guy Montgomery himself here.

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Speaker 4: He is okay now as Sindy Amanda, thank you so

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Speaker 4: much for having me and might I say what a

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Speaker 4: pleasure is to see you both again. It's been a

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Speaker 4: matter of years, you know. And that's not written on

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Speaker 4: anyone's faces. That's just information, you know. I'm not here

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Speaker 4: to put anyone down, but yeah, no, it's been a

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Speaker 4: big few years. And to correct your your your title,

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Speaker 4: the title is Guy Montgomery's GYMNT Spelling Bee. Is the

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Speaker 4: official working title of the show.

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Speaker 5: Why does it have to be so that?

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Speaker 16: So?

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Speaker 3: The reason it has to be so that there isn't

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Speaker 3: it is that?

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Speaker 4: And that is a non negotiable is I started doing

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Speaker 4: this just on YouTube as a lark.

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Speaker 13: You know.

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Speaker 4: This was this was like off off off Broadway, just

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Speaker 4: to muck around with friends. And then from there it

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Speaker 4: became a live show in New Zealand. Then it became

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Speaker 4: a TV show in New Zealand. And along the way,

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Speaker 4: I kept pitching the title because it was so daft

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Speaker 4: and waiting for literally anyone to push back and say,

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Speaker 4: I'm sorry, but we've got to give it a bit

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Speaker 4: title than that didn't happen in New Zealand, brought to Australia,

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Speaker 4: didn't happen in Australia, and now I'm saddled with this

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Speaker 4: sort of non functioning pun that works.

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Speaker 1: It works. I did a show called RPM and they said, oh,

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Speaker 1: we want to do a little bit. It was about

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Speaker 1: cars and motor racing, had Alan Jones, the Formula One champion,

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Speaker 1: and they said, we wanted a little bit of a

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Speaker 1: video thing if someone guys riding lorn and I was

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Speaker 1: doing stuff and what do we call it? And I said, well,

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Speaker 1: we're going to get some sort of snappy title, some

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Speaker 1: snappy titled video, and then they just went that's what

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Speaker 1: it'll be. So I became an STV.

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Speaker 5: Snappy titled video.

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Speaker 1: That was it. So on the screen, it just said

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Speaker 1: STV snappy titled video.

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Speaker 4: STV perilously close to the aircronym for a much more

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Speaker 4: famous st consonant.

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Speaker 5: Yes, that's right, and no one wants that full screen

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Speaker 5: under your face.

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Speaker 7: And that segment doesn't exist anymore.

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Speaker 5: No, No, fair enough to well tell us that your

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Speaker 5: life has just exponentially exploded. LOGI baby, which one is

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Speaker 5: on the shelf more often? Which one do you value

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Speaker 5: the most?

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Speaker 3: Well?

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Speaker 4: On the shelf? To be fair on the shelf as

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Speaker 4: the LOGI. But if it was, you know, if it

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Speaker 4: was to come down to it, if there was a

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Speaker 4: house fire, I would be taking the baby. But yeah, no,

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Speaker 4: I mean it's been you know, it's totally it's been amazing.

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Speaker 4: It's totally realigned. You know, my world.

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Speaker 3: I just have so much. I felt so connective.

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Speaker 4: To the universe after our baby was born, Like I

400
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Speaker 4: just was like I was crying at the birth. I

401
00:17:28,119 --> 00:17:30,359
Speaker 4: was like crying to my partner, going you were a baby.

402
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Speaker 4: And then I was looking around there at my midwife,

403
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Speaker 4: I was going, you were a baby. And for about

404
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Speaker 4: a week all I could do was say to people,

405
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Speaker 4: you were a baby.

406
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Speaker 3: I just felt completely overwhelmed.

407
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Speaker 5: Had you sucked on the gas guy.

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Speaker 4: Actually, when the midwife was out of the room, my

409
00:17:43,600 --> 00:17:45,199
Speaker 4: partner did offer me some of the guests, but I

410
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Speaker 4: wanted to keep my head on a swivel. How about

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Speaker 4: this though, When we were there, it was an early

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Speaker 4: morning or not the early morning, so regular morning birth.

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Speaker 4: And we'd been there for four hours or so, and

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Speaker 4: the midwife came up to me and said if you

415
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Speaker 4: had anything to eat? And I said no, So she

416
00:18:00,480 --> 00:18:02,439
Speaker 4: went out into the little kitchen it and brought me

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Speaker 4: back some toast and tea and gave that to me,

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Speaker 4: said you.

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Speaker 1: Go, you have that.

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Speaker 3: You've got to keep your energy up, and I said

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Speaker 3: thank you.

422
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Speaker 4: And as soon as I sort of was next to

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Speaker 4: the birthing pool holding my toast and tea, she took

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00:18:13,560 --> 00:18:16,000
Speaker 4: our camera out and just took a fight. Well, my

425
00:18:16,040 --> 00:18:19,240
Speaker 4: partner's laboring. There's a photo of me holding a piece

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Speaker 4: of toast up to my mouth with a cup of tea.

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Speaker 4: It's the most like, you know, it's such an incriminating photograph.

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Speaker 5: And up himself is he?

429
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Speaker 1: She said you up?

430
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Speaker 3: And she did.

431
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Speaker 1: She should have brought you a kebab.

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Speaker 4: I will also say, you know, it's crazy. The first

433
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Speaker 4: like two weeks or three weeks, you're just riding so high,

434
00:18:41,480 --> 00:18:45,320
Speaker 4: hormone surgeon, just absolutely riding a wave of love for

435
00:18:45,400 --> 00:18:48,760
Speaker 4: everyone and thing, and then the hormones drop and your

436
00:18:48,800 --> 00:18:51,080
Speaker 4: exhaustion kicks it. Like anything that was asked with me,

437
00:18:51,080 --> 00:18:53,680
Speaker 4: I was happy to do. And then of course the exhaustion,

438
00:18:54,240 --> 00:18:57,040
Speaker 4: you know, catches up and you come you sort of

439
00:18:57,080 --> 00:18:59,720
Speaker 4: plunge back into reality where anything that I was letting

440
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Speaker 4: slide previously, I was like, hey, you know, you know,

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Speaker 4: I know, I know we've got a new baby and

442
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Speaker 4: needed all the work, but I'm going to need someone

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Speaker 4: else to put these spoons in the dish wash.

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Speaker 7: I don't even mention the sex word.

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Speaker 1: Don't even I'm just saying, I'm just saying to you,

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Speaker 1: I've been down to the way the.

447
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Speaker 4: Way you presented it. You mentioned the sex word explicitly.

448
00:19:23,840 --> 00:19:27,200
Speaker 4: It was like it was the most prominent.

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Speaker 3: In the sentence.

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00:19:28,400 --> 00:19:31,119
Speaker 5: You're supposed to say the S word. Maybe that's true,

451
00:19:31,720 --> 00:19:32,520
Speaker 5: that's true.

452
00:19:33,760 --> 00:19:40,640
Speaker 1: To say the S word. There was no anyway I misspoke. Guy.

453
00:19:41,160 --> 00:19:42,960
Speaker 7: It's so great to talk to you for tickets and

454
00:19:43,000 --> 00:19:43,640
Speaker 7: tour information.

455
00:19:43,760 --> 00:19:47,000
Speaker 1: Did to live nation dot com today, You go, Montgomery,

456
00:19:47,040 --> 00:19:48,120
Speaker 1: thank you for joining us.

457
00:19:48,400 --> 00:19:50,040
Speaker 3: Thank you so much for having me.

458
00:19:50,440 --> 00:19:56,120
Speaker 2: You're listening to the Jonesy and Amanda podcast now about

459
00:19:56,119 --> 00:19:57,440
Speaker 2: the miracle of recording.

460
00:19:59,000 --> 00:20:00,600
Speaker 1: Amanda great needs.

461
00:20:01,520 --> 00:20:04,400
Speaker 5: I'm not act the chemistry between them, but how much

462
00:20:04,400 --> 00:20:06,719
Speaker 5: of mind your own business and shut your pile.

463
00:20:06,920 --> 00:20:08,040
Speaker 13: I wish you were with you, Jo.

464
00:20:08,359 --> 00:20:11,160
Speaker 1: Monday afternoon. Some of us in the country are enjoying

465
00:20:11,160 --> 00:20:12,439
Speaker 1: a public holiday today.

466
00:20:12,800 --> 00:20:14,400
Speaker 7: Not that I'm being a big wingy.

467
00:20:14,160 --> 00:20:17,520
Speaker 5: Paine enjoying being here. You enjoying it. I've got something

468
00:20:17,600 --> 00:20:21,240
Speaker 5: for you. It's a story about the calendar. And I

469
00:20:21,280 --> 00:20:24,040
Speaker 5: know that doesn't sound interesting, but not much calendar. Remember

470
00:20:24,080 --> 00:20:26,080
Speaker 5: the mind calendar. It was all supposed to end in

471
00:20:26,080 --> 00:20:28,840
Speaker 5: twenty twelve, and we thought that that meant extinction. The

472
00:20:28,880 --> 00:20:30,840
Speaker 5: minds were saying no, it's beginning of a new cycle

473
00:20:30,880 --> 00:20:32,320
Speaker 5: in the way, said my mistake. I thought we'd be.

474
00:20:32,480 --> 00:20:36,880
Speaker 1: They were still sacrificing people into the finding. Come on,

475
00:20:37,480 --> 00:20:39,200
Speaker 1: what about the Gregorian calendar?

476
00:20:39,400 --> 00:20:42,280
Speaker 5: This is about our calendar. And I've actually we've got

477
00:20:42,280 --> 00:20:45,040
Speaker 5: some music. It's not conspiracy, but it's kind of like

478
00:20:46,600 --> 00:20:49,119
Speaker 5: controversial and interesting and intriguing.

479
00:20:50,200 --> 00:20:50,800
Speaker 1: What have we got?

480
00:20:53,280 --> 00:20:54,000
Speaker 5: It's bad?

481
00:20:54,920 --> 00:20:55,480
Speaker 1: The X five?

482
00:20:55,640 --> 00:20:56,440
Speaker 5: What would you suggest?

483
00:20:56,960 --> 00:21:00,800
Speaker 1: I know it isn't what about this?

484
00:21:01,119 --> 00:21:02,600
Speaker 7: What about that's incredible?

485
00:21:02,760 --> 00:21:06,160
Speaker 1: Incredible, we'll do had.

486
00:21:06,040 --> 00:21:07,880
Speaker 5: My story lives up to all of that and more.

487
00:21:08,800 --> 00:21:12,440
Speaker 5: Twenty twenty six has the exact same calendar as a

488
00:21:12,560 --> 00:21:16,280
Speaker 5: nineteen fourteen. Oh, the year the world the First World

489
00:21:16,280 --> 00:21:19,000
Speaker 5: War began, so we're in for great times. The calendar

490
00:21:19,080 --> 00:21:21,879
Speaker 5: is identical to that, meaning that every date falls on

491
00:21:21,920 --> 00:21:24,159
Speaker 5: the exact same day of the week. My birthday in

492
00:21:24,240 --> 00:21:28,160
Speaker 5: nineteen fourteen was on a Wednesday. If anyone's interested, this happens,

493
00:21:28,760 --> 00:21:31,240
Speaker 5: actually it is because of the Gregorian calendar. We have

494
00:21:31,359 --> 00:21:33,320
Speaker 5: the We are part of the Gregorian calendar.

495
00:21:33,840 --> 00:21:36,880
Speaker 1: We like the chance, we like the Canary gous.

496
00:21:36,600 --> 00:21:38,800
Speaker 5: So the calendar. This is how their cycles work. In

497
00:21:38,840 --> 00:21:41,359
Speaker 5: most cases, calendars repeat every twenty eight years, but leap

498
00:21:41,400 --> 00:21:45,919
Speaker 5: years and century rules occasionally shift the cycle. Oh I know,

499
00:21:46,040 --> 00:21:49,359
Speaker 5: I feel it in my ankles. But both nineteen fourteen

500
00:21:49,400 --> 00:21:52,680
Speaker 5: and twenty twenty six start on a Thursday, non leap years,

501
00:21:53,000 --> 00:21:56,120
Speaker 5: so their calendars line up perfectly. And in nineteen fourteen,

502
00:21:56,600 --> 00:22:00,159
Speaker 5: if there's any prophecy, I propheceers, I'm making up words now.

503
00:22:00,440 --> 00:22:03,000
Speaker 5: If they're listening, nineteen fourteen was the year the First

504
00:22:03,040 --> 00:22:05,119
Speaker 5: World War started with the assassination as we know of

505
00:22:05,160 --> 00:22:09,040
Speaker 5: Franz Ferdinand. That's right, So the matching calendars are a

506
00:22:09,040 --> 00:22:14,080
Speaker 5: mathematical coincidence. Some people may read more into that. What

507
00:22:14,240 --> 00:22:17,680
Speaker 5: I would say, though, if you've kept an old calendar

508
00:22:17,720 --> 00:22:20,919
Speaker 5: from nineteen fourteen, maybe with a pinup of the girls

509
00:22:20,960 --> 00:22:23,920
Speaker 5: of the day, Mary Pickford and Lillian Gish happy Days,

510
00:22:23,920 --> 00:22:27,320
Speaker 5: you don't have to buy a new calendar that might

511
00:22:27,400 --> 00:22:30,240
Speaker 5: have a cocker spaniel on it or something.

512
00:22:30,240 --> 00:22:34,520
Speaker 1: Forget that Lilian showing a bit of ankle. Wow, it'll

513
00:22:34,600 --> 00:22:35,399
Speaker 1: serve this sailor.

514
00:22:35,440 --> 00:22:37,320
Speaker 5: Well, they posed in a lot of hats.

515
00:22:38,440 --> 00:22:38,600
Speaker 3: You know.

516
00:22:38,600 --> 00:22:40,480
Speaker 1: It's funny you bring this up because I had a

517
00:22:40,520 --> 00:22:43,200
Speaker 1: sign from the universe. You know, that manifesting stuff that

518
00:22:43,320 --> 00:22:44,520
Speaker 1: people go on about.

519
00:22:44,640 --> 00:22:45,879
Speaker 5: You don't You don't believe in any of it?

520
00:22:45,960 --> 00:22:49,080
Speaker 1: Well, I don't, but it kind of happened to me.

521
00:22:51,080 --> 00:22:57,320
Speaker 1: Jamnious Gold. It's Jonting Amanda driving you home for jam nation. Man, yay,

522
00:22:58,960 --> 00:23:02,280
Speaker 1: I'm not into that can do stuff. You know, you're

523
00:23:02,600 --> 00:23:04,400
Speaker 1: manifesting all those.

524
00:23:04,400 --> 00:23:06,840
Speaker 5: No, and even though I think you're a thoughtful person,

525
00:23:06,880 --> 00:23:08,760
Speaker 5: I don't think you're a particularly spiritual person.

526
00:23:09,200 --> 00:23:10,080
Speaker 7: I read the stars.

527
00:23:10,440 --> 00:23:13,360
Speaker 5: Yeah, that's weird. You reach your stars every day. That's

528
00:23:14,160 --> 00:23:16,960
Speaker 5: that's so not in keeping with who you are normally.

529
00:23:17,160 --> 00:23:18,479
Speaker 5: And if I say to you, do you believe them?

530
00:23:18,480 --> 00:23:19,840
Speaker 5: You go no, But I have to read them.

531
00:23:19,920 --> 00:23:21,840
Speaker 7: I read them, but I kind of believe in them

532
00:23:22,000 --> 00:23:22,520
Speaker 7: a little bit.

533
00:23:22,600 --> 00:23:25,040
Speaker 5: I read my friend who did the stars for a

534
00:23:25,080 --> 00:23:28,320
Speaker 5: trucking magazine because her boyfriend was editing it, Nestra's Guide

535
00:23:28,320 --> 00:23:30,399
Speaker 5: to Trucking by the Stars. She had a picture of

536
00:23:30,400 --> 00:23:33,159
Speaker 5: her with a headband on, and we're working together on

537
00:23:33,200 --> 00:23:35,560
Speaker 5: Beyond two thousands. So before we'd go on along film shoot,

538
00:23:36,000 --> 00:23:38,480
Speaker 5: she just write the months in advance, get your loved

539
00:23:38,520 --> 00:23:40,640
Speaker 5: on a peg basket, you know, stuff like that.

540
00:23:40,760 --> 00:23:42,040
Speaker 7: People look at that sort of stuff.

541
00:23:42,080 --> 00:23:45,200
Speaker 1: But I'm not going to get my astrological information from

542
00:23:45,280 --> 00:23:46,160
Speaker 1: a trucking magazine.

543
00:23:46,200 --> 00:23:47,520
Speaker 5: Where you're getting it from You're getting it from the

544
00:23:47,560 --> 00:23:48,399
Speaker 5: Daily Telegraph.

545
00:23:48,960 --> 00:23:50,840
Speaker 1: I do like the ones in the in the papers.

546
00:23:51,480 --> 00:23:53,760
Speaker 1: I like to read them from time to time. But

547
00:23:53,840 --> 00:23:56,240
Speaker 1: I'll just say this, I'm not a manifestor. But one

548
00:23:56,280 --> 00:23:59,440
Speaker 1: thing I am is an enthusiast of motorcycles. You know that, Yes,

549
00:23:59,720 --> 00:24:03,240
Speaker 1: And over the years, I've collected a few motorcycles and

550
00:24:03,320 --> 00:24:05,320
Speaker 1: I've you know, it's like having kids.

551
00:24:05,760 --> 00:24:07,000
Speaker 7: Once you get past having.

552
00:24:06,760 --> 00:24:08,280
Speaker 5: One mode sathful for your wife.

553
00:24:08,560 --> 00:24:11,440
Speaker 1: Once you get past having one motorcycle and you get two,

554
00:24:11,960 --> 00:24:14,280
Speaker 1: then all of a sudden, you've got heaps of them.

555
00:24:14,480 --> 00:24:17,000
Speaker 5: Well, I think with kids, like kids, two is one thing.

556
00:24:17,520 --> 00:24:21,920
Speaker 5: Three means a new car and family of four. Three

557
00:24:21,960 --> 00:24:23,600
Speaker 5: is an exponential growth, right, and you're.

558
00:24:23,440 --> 00:24:25,399
Speaker 1: Going to have space. But also I find as you

559
00:24:25,440 --> 00:24:27,919
Speaker 1: get older, you just have too much stuff and it

560
00:24:27,960 --> 00:24:28,680
Speaker 1: gets too hard.

561
00:24:28,840 --> 00:24:30,440
Speaker 5: Well, what's this got to do with manifesting?

562
00:24:30,560 --> 00:24:35,240
Speaker 1: Well, my mother, I've got this one particular motorcycle. It's

563
00:24:35,240 --> 00:24:39,240
Speaker 1: a Yamaha FJR thirteen hundred, you know, the black one,

564
00:24:39,240 --> 00:24:40,720
Speaker 1: the one that the you know that one?

565
00:24:42,520 --> 00:24:45,359
Speaker 7: Did you what did you walk past today?

566
00:24:45,480 --> 00:24:46,520
Speaker 5: Do you mean in the car pass?

567
00:24:46,680 --> 00:24:46,920
Speaker 1: Yes?

568
00:24:48,520 --> 00:24:50,320
Speaker 5: I did notice a bike, but the only reason I

569
00:24:50,359 --> 00:24:52,440
Speaker 5: noticed it because there weren't two bikes, and normally someone

570
00:24:52,480 --> 00:24:53,200
Speaker 5: else brings a bike.

571
00:24:53,240 --> 00:24:54,680
Speaker 1: I'm not running two bikes, no.

572
00:24:54,640 --> 00:24:57,560
Speaker 5: But someone else they didn't. They didn't, they're not in today,

573
00:24:57,640 --> 00:24:59,280
Speaker 5: was how I thought about it. So I saw that

574
00:24:59,320 --> 00:25:00,119
Speaker 5: you had a bike there.

575
00:25:00,200 --> 00:25:05,800
Speaker 1: Yeah, yeah, So anyway, that particular bike my father left

576
00:25:05,920 --> 00:25:08,159
Speaker 1: me when he passed away in twenty fourteen. This is

577
00:25:08,200 --> 00:25:11,040
Speaker 1: a bike that I wouldn't have not necessarily bought. I

578
00:25:11,080 --> 00:25:13,320
Speaker 1: really appreciate it. I think it's a really great bike.

579
00:25:13,359 --> 00:25:14,160
Speaker 5: Do you do ride it?

580
00:25:14,280 --> 00:25:15,440
Speaker 7: I do? But I'm a Harley guy.

581
00:25:15,640 --> 00:25:19,280
Speaker 1: On my first I bleed Harley David to colors whatever

582
00:25:19,359 --> 00:25:22,280
Speaker 1: they are, black and gold, but I black and orange,

583
00:25:22,280 --> 00:25:25,320
Speaker 1: I should say. But I just you know this particular

584
00:25:25,320 --> 00:25:27,560
Speaker 1: bike I've had since twenty fourteen, I'd ride it to

585
00:25:27,560 --> 00:25:29,760
Speaker 1: work every day and you don't ride that one to

586
00:25:29,800 --> 00:25:30,479
Speaker 1: it not every day.

587
00:25:30,520 --> 00:25:32,440
Speaker 7: But it's good for rain. It's a because I don't

588
00:25:32,480 --> 00:25:34,320
Speaker 7: drive a car. I like a wet weather bike because

589
00:25:34,320 --> 00:25:35,240
Speaker 7: it's got the fulfairing.

590
00:25:35,280 --> 00:25:37,600
Speaker 1: And yeah, okay, sorry is boring?

591
00:25:37,640 --> 00:25:39,240
Speaker 5: No, no, no, but I'm wondering where the matter.

592
00:25:39,640 --> 00:25:41,760
Speaker 1: Anyway, as I went to bed last night, what had

593
00:25:41,760 --> 00:25:44,719
Speaker 1: happened over the weekend, the engine warning light came on?

594
00:25:45,600 --> 00:25:47,560
Speaker 1: And as Jim I Rye will tell you, what do

595
00:25:47,600 --> 00:25:49,560
Speaker 1: you do when an engine warning light comes on? You

596
00:25:49,640 --> 00:25:51,920
Speaker 1: have to go to the mechanics immediately.

597
00:25:52,240 --> 00:25:53,560
Speaker 5: Did you do that with your car?

598
00:25:54,640 --> 00:25:56,879
Speaker 1: No, I just know it's just dead. Just put tape

599
00:25:56,880 --> 00:25:58,560
Speaker 1: over it. I left it in his front.

600
00:25:58,640 --> 00:26:00,679
Speaker 5: Yeah, so did you go to the mechanic?

601
00:26:00,720 --> 00:26:04,320
Speaker 1: And yes, I rang my mates at the shop and

602
00:26:04,359 --> 00:26:06,280
Speaker 1: I said, look, the engine lights come on. Can you

603
00:26:06,359 --> 00:26:08,719
Speaker 1: have a look? And they went, yeah, yeah, bringing them today.

604
00:26:09,080 --> 00:26:10,680
Speaker 1: And so I went to bed last night I thought,

605
00:26:10,680 --> 00:26:13,280
Speaker 1: our dad's bike. I've put a billion k's on it.

606
00:26:13,760 --> 00:26:14,680
Speaker 1: You know, maybe it's time.

607
00:26:14,760 --> 00:26:16,600
Speaker 5: You weren't seeing that as a sign to let it go.

608
00:26:16,720 --> 00:26:18,719
Speaker 5: It's time to move it on an engine light and

609
00:26:18,800 --> 00:26:19,680
Speaker 5: put a band aid on it.

610
00:26:19,760 --> 00:26:21,840
Speaker 1: It could be you know, valves, it could be anything.

611
00:26:21,840 --> 00:26:22,880
Speaker 7: It could be a mirroad of things.

612
00:26:23,200 --> 00:26:25,000
Speaker 1: And anyway, as I went to sleep last night, I said,

613
00:26:25,040 --> 00:26:28,439
Speaker 1: you know what if they've got another FJR thirteen hundred

614
00:26:28,480 --> 00:26:31,560
Speaker 1: black one in their shop, then perhaps I'll trade it.

615
00:26:32,000 --> 00:26:35,400
Speaker 1: I go into to their shop today. I walk into

616
00:26:35,400 --> 00:26:38,800
Speaker 1: their shop. There is one there, a twenty ten model.

617
00:26:38,960 --> 00:26:42,840
Speaker 1: Winds are two thousand and seven twenty ten model. Like

618
00:26:42,880 --> 00:26:44,600
Speaker 1: it's pretty much the same bike.

619
00:26:46,520 --> 00:26:47,680
Speaker 5: Is it unusual to see one?

620
00:26:47,760 --> 00:26:50,840
Speaker 1: You don't see them anywhere. They're a very good bike.

621
00:26:51,720 --> 00:26:54,280
Speaker 1: And I'm just thinking, has my dad I'm going to

622
00:26:54,320 --> 00:26:55,119
Speaker 1: ask you this question.

623
00:26:55,480 --> 00:26:57,040
Speaker 7: Has my dad sent me a sign?

624
00:26:57,720 --> 00:26:59,679
Speaker 5: As he said, what is the sign it's.

625
00:26:59,560 --> 00:27:02,280
Speaker 7: Time to move that bike on? Trade it in, get

626
00:27:02,320 --> 00:27:02,760
Speaker 7: this one?

627
00:27:03,840 --> 00:27:05,159
Speaker 5: How do you feel about doing that.

628
00:27:05,440 --> 00:27:05,879
Speaker 1: I don't know.

629
00:27:06,119 --> 00:27:07,960
Speaker 7: I was asking you for advice.

630
00:27:08,119 --> 00:27:12,080
Speaker 5: How do you feel, well? Is the one is your

631
00:27:12,119 --> 00:27:12,600
Speaker 5: dad's one?

632
00:27:12,680 --> 00:27:16,040
Speaker 1: Safe? Yeah, of course it's safe, just going to cost

633
00:27:16,119 --> 00:27:17,679
Speaker 1: me a lot of money to fix junk on it.

634
00:27:17,920 --> 00:27:19,240
Speaker 5: Well then why do you think your dad was telling

635
00:27:19,280 --> 00:27:19,920
Speaker 5: you to get a new one?

636
00:27:19,920 --> 00:27:21,960
Speaker 1: Well, he's probably thinking you move on from this thing.

637
00:27:21,960 --> 00:27:23,600
Speaker 1: It's got to be in case on it. Why don't

638
00:27:23,600 --> 00:27:24,439
Speaker 1: you take this one?

639
00:27:24,920 --> 00:27:28,240
Speaker 5: But would you feel bad for sentimental reasons losing your

640
00:27:28,320 --> 00:27:28,840
Speaker 5: dad's one?

641
00:27:28,960 --> 00:27:31,960
Speaker 1: Well then I've got two of exactly the same bike,

642
00:27:32,600 --> 00:27:34,920
Speaker 1: which I already have two of the other same bikes.

643
00:27:35,200 --> 00:27:39,000
Speaker 5: Well, then why don't you so what sign? Do you

644
00:27:39,000 --> 00:27:42,040
Speaker 5: think your dad's giving you the sign of hold onto

645
00:27:42,080 --> 00:27:44,840
Speaker 5: this bike? Or because you went to bed thinking if

646
00:27:44,840 --> 00:27:45,720
Speaker 5: there's one the same election?

647
00:27:45,880 --> 00:27:47,359
Speaker 7: That's why I said as I went to bed, I

648
00:27:47,359 --> 00:27:48,200
Speaker 7: said that out loud.

649
00:27:48,240 --> 00:27:49,960
Speaker 5: And do you think your dad was a practical man?

650
00:27:50,000 --> 00:27:52,280
Speaker 5: Do you think he'd be saying, mate, stay safe, good

651
00:27:52,280 --> 00:27:52,760
Speaker 5: a new one?

652
00:27:53,080 --> 00:27:55,320
Speaker 1: Well, I wish you could be a bit more direct. Debut.

653
00:27:55,480 --> 00:27:57,280
Speaker 5: That's what they say, isn't it that send a sign?

654
00:27:57,359 --> 00:27:59,320
Speaker 5: And it's the sound of a drum or a fish flopping?

655
00:27:59,359 --> 00:28:01,639
Speaker 5: Do you think don't you just tell me what's the afterlife?

656
00:28:02,200 --> 00:28:04,040
Speaker 5: Give me some something big, what.

657
00:28:04,160 --> 00:28:04,840
Speaker 1: You need to do?

658
00:28:05,000 --> 00:28:07,280
Speaker 7: More worn in and get this one?

659
00:28:07,359 --> 00:28:07,840
Speaker 1: That's right?

660
00:28:07,960 --> 00:28:11,040
Speaker 7: I just don't know, And then I feel incredibly Okay.

661
00:28:11,080 --> 00:28:13,320
Speaker 1: So if I didn't, if dad didn't leave me that bike,

662
00:28:13,480 --> 00:28:15,439
Speaker 1: and I saw this bike, would you buy it? Of

663
00:28:15,440 --> 00:28:16,960
Speaker 1: course it would. I would just trade it on. So

664
00:28:17,080 --> 00:28:19,639
Speaker 1: that's that's that's great. But the thing that's stopping me

665
00:28:19,640 --> 00:28:20,280
Speaker 1: from doing is.

666
00:28:20,280 --> 00:28:22,720
Speaker 5: Being sentimental about the bike. How about you do this?

667
00:28:24,000 --> 00:28:27,640
Speaker 5: You keep this bike and buy the new one, so

668
00:28:27,359 --> 00:28:30,640
Speaker 5: you end up being safe as your dad apparently want

669
00:28:30,680 --> 00:28:35,960
Speaker 5: apparently wants you to be, and you can still be

670
00:28:36,040 --> 00:28:38,680
Speaker 5: sentimental without the angst of losing the bike.

671
00:28:38,840 --> 00:28:40,840
Speaker 1: Then I was it's too many. I've got too many.

672
00:28:40,880 --> 00:28:43,840
Speaker 5: Now, well, let's have a telephone for Branda.

673
00:28:44,800 --> 00:28:49,080
Speaker 1: Can you buy Why don't you buy it for me? Anyway?

674
00:28:49,160 --> 00:28:51,040
Speaker 5: Is that where this conversation was going. I'm going to

675
00:28:51,080 --> 00:28:52,200
Speaker 5: manifest a kick in the nuts.

676
00:28:55,960 --> 00:28:57,040
Speaker 7: Birthdays coming up?

677
00:28:57,920 --> 00:29:00,640
Speaker 5: Well, coming up? There was a famous face that popped

678
00:29:00,720 --> 00:29:04,880
Speaker 5: up on the City to Melbourne train. Look at you

679
00:29:04,960 --> 00:29:06,640
Speaker 5: looking at me? It wasn't your father?

680
00:29:08,640 --> 00:29:09,280
Speaker 1: Whose face?

681
00:29:09,800 --> 00:29:12,320
Speaker 5: Whose face was it? And what's it all about? We'll

682
00:29:12,360 --> 00:29:15,520
Speaker 5: talk about it next on gold Jonesy and Amanda.

683
00:29:15,600 --> 00:29:18,040
Speaker 2: Listen to the podcast Whenever you want with the free

684
00:29:18,120 --> 00:29:19,160
Speaker 2: iHeart app.

685
00:29:19,160 --> 00:29:22,080
Speaker 1: Gold Is Jonesy Demand and driving you home for jam Nation.

686
00:29:23,480 --> 00:29:27,120
Speaker 1: Isn't it great? Ed Sheeran catching the train from Sydney

687
00:29:27,160 --> 00:29:27,840
Speaker 1: to Melbourne.

688
00:29:27,920 --> 00:29:29,480
Speaker 5: We were going to say, who do you think it was?

689
00:29:29,520 --> 00:29:30,440
Speaker 5: And do a big bill.

690
00:29:30,760 --> 00:29:31,200
Speaker 7: Ruined for you?

691
00:29:31,360 --> 00:29:32,360
Speaker 5: Yeah? It's Ed Shearon.

692
00:29:32,480 --> 00:29:34,160
Speaker 7: I think you'd be Johnny Dumbo not to know.

693
00:29:34,360 --> 00:29:37,280
Speaker 5: How would you know? How would you know? Could have

694
00:29:37,280 --> 00:29:41,000
Speaker 5: been big rules, could have been Andrew Mountbatten, Windsor or

695
00:29:41,040 --> 00:29:42,680
Speaker 5: windsor Mount Patton's me.

696
00:29:42,800 --> 00:29:45,320
Speaker 1: He go a plane or a chopper, a chopper and

697
00:29:45,360 --> 00:29:46,520
Speaker 1: a plane together.

698
00:29:47,080 --> 00:29:48,440
Speaker 7: That's what I like about Ed Sheeran.

699
00:29:48,520 --> 00:29:51,840
Speaker 5: Oh, look, we've said this before. He's worth seven hundred

700
00:29:51,840 --> 00:29:54,360
Speaker 5: million dollars and he is. Have you seen the stuff

701
00:29:54,360 --> 00:29:58,920
Speaker 5: he's been doing. He's been feeding people, he's been working

702
00:29:58,920 --> 00:30:02,360
Speaker 5: in food banks, he's been visiting children's hospitals and here

703
00:30:02,400 --> 00:30:05,120
Speaker 5: he is traveling eleven hours overnight on the city to

704
00:30:05,160 --> 00:30:07,760
Speaker 5: Melbourne train. They're saying that maybe he's done this. His

705
00:30:07,880 --> 00:30:11,480
Speaker 5: wife is a consultant in sustainability and encourages him to

706
00:30:12,040 --> 00:30:13,479
Speaker 5: save emissions right on.

707
00:30:13,800 --> 00:30:16,640
Speaker 7: It was the XPT, the express train.

708
00:30:16,840 --> 00:30:20,200
Speaker 1: Which I will say this. They put a bit of

709
00:30:20,240 --> 00:30:22,760
Speaker 1: mail on how fast it goes. Like if you go

710
00:30:22,840 --> 00:30:24,240
Speaker 1: up to Europe and you get on one of their

711
00:30:24,280 --> 00:30:26,520
Speaker 1: fast trains, that's fast, and then you get on the

712
00:30:26,520 --> 00:30:28,240
Speaker 1: bullet train here, that's fast.

713
00:30:28,280 --> 00:30:30,640
Speaker 5: If you get on a train overseas for eleven hours,

714
00:30:30,680 --> 00:30:32,720
Speaker 5: you've gone into space exactly.

715
00:30:32,720 --> 00:30:35,240
Speaker 1: You've got across the continent here. The dopes that run

716
00:30:35,280 --> 00:30:37,479
Speaker 1: the country have been how long have you. I've been

717
00:30:37,520 --> 00:30:40,640
Speaker 1: in this business for thirty odd years more now, and

718
00:30:41,160 --> 00:30:44,320
Speaker 1: the idea of the maglev extremely fat.

719
00:30:44,800 --> 00:30:46,600
Speaker 5: I looked to beyond two thousand. I've seen a number

720
00:30:46,600 --> 00:30:48,440
Speaker 5: of the maglev.

721
00:30:48,400 --> 00:30:49,960
Speaker 7: Lie to us that was going to happen.

722
00:30:49,960 --> 00:30:53,880
Speaker 5: It's like the TV show Utopia. It's all brochure, no substance.

723
00:30:53,920 --> 00:30:57,440
Speaker 1: But I just like the idea of him on the train.

724
00:30:57,720 --> 00:30:59,840
Speaker 1: He's wearing what it looks to be prison green.

725
00:31:00,520 --> 00:31:02,200
Speaker 5: Well, I guess you know he does. He doesn't want

726
00:31:02,200 --> 00:31:02,840
Speaker 5: to be a big show.

727
00:31:03,400 --> 00:31:06,200
Speaker 1: Look you do all right in jailer, Reckon Edward. What

728
00:31:06,240 --> 00:31:09,800
Speaker 1: do you mean he's got the tats.

729
00:31:08,760 --> 00:31:10,200
Speaker 5: This little cherubic face.

730
00:31:10,280 --> 00:31:10,360
Speaker 3: Ye?

731
00:31:15,200 --> 00:31:17,120
Speaker 1: Okay, music boy, you sing a song?

732
00:31:17,920 --> 00:31:18,120
Speaker 14: Yeah?

733
00:31:18,120 --> 00:31:20,080
Speaker 5: I don't know how we go in prison. A tat

734
00:31:20,120 --> 00:31:23,520
Speaker 5: doesn't make you a toughye. Sounds like I'm talking to

735
00:31:23,560 --> 00:31:25,600
Speaker 5: the school. Okay, kids, listen up.

736
00:31:27,040 --> 00:31:29,160
Speaker 1: But I just you know, and we just recently saw

737
00:31:29,240 --> 00:31:32,000
Speaker 1: Tom Hanks on the Metro in Sydney. Yes, he was

738
00:31:32,040 --> 00:31:34,360
Speaker 1: catching the train. There's a great thing on the internet.

739
00:31:34,360 --> 00:31:36,600
Speaker 1: Have you seen that one of Tom Cruise? He's on

740
00:31:36,640 --> 00:31:41,280
Speaker 1: the train. Do I believe I know why? Okay, but anyway,

741
00:31:41,400 --> 00:31:44,160
Speaker 1: just like the story and no one else is noticing it.

742
00:31:44,240 --> 00:31:47,080
Speaker 1: And this one girl knowses Tom Cruise and just is

743
00:31:47,120 --> 00:31:50,400
Speaker 1: discreetly filming and Tom just goes puts his finger to

744
00:31:50,480 --> 00:31:54,360
Speaker 1: his lips. You know, I keep it to Yourself's a

745
00:31:54,360 --> 00:31:57,440
Speaker 1: bit like what I'm on public Transportuse me, sir? Have

746
00:31:57,480 --> 00:31:57,840
Speaker 1: you got a.

747
00:31:57,760 --> 00:31:58,440
Speaker 5: Sponge for that?

748
00:31:58,720 --> 00:32:00,000
Speaker 1: You have you tapped?

749
00:32:00,120 --> 00:32:05,400
Speaker 5: Don you're jumping over the turnstile. I follow that Instagram

750
00:32:05,480 --> 00:32:08,680
Speaker 5: site Hot guys reading on public trains. Okay, yeah they're

751
00:32:08,680 --> 00:32:11,040
Speaker 5: not famous. That is hot and that's enough. Sometimes I

752
00:32:11,080 --> 00:32:15,600
Speaker 5: feature on that as well, reading inside of a sick bucket.

753
00:32:17,120 --> 00:32:20,080
Speaker 1: You really go to town today? But I was thinking maybe

754
00:32:20,120 --> 00:32:23,560
Speaker 1: the travel drum could beat beat for this fame on

755
00:32:23,640 --> 00:32:24,560
Speaker 1: a train.

756
00:32:28,240 --> 00:32:33,360
Speaker 5: Fame fame on a train, except other forms of public

757
00:32:33,400 --> 00:32:36,120
Speaker 5: transport as well. I know you like a rhyme.

758
00:32:35,960 --> 00:32:37,360
Speaker 7: Idea, I'd fame on a train.

759
00:32:37,280 --> 00:32:38,320
Speaker 5: No fuss on a bus.

760
00:32:38,720 --> 00:32:42,800
Speaker 1: Okay? I saw I saw Tom Eggs on an omnibus.

761
00:32:43,080 --> 00:32:48,520
Speaker 1: Have you got an intrude from that? I saw Casher

762
00:32:48,640 --> 00:32:51,640
Speaker 1: on a tram. Yeah, okay. It doesn't even rhyme When

763
00:32:51,680 --> 00:32:53,560
Speaker 1: we just say fame on a train.

764
00:32:53,400 --> 00:32:55,080
Speaker 5: You know, you get the gist. Who have you seen?

765
00:32:55,120 --> 00:32:55,840
Speaker 5: What were they doing?

766
00:32:56,000 --> 00:32:58,320
Speaker 1: We'd love to hear from you. Thirteen fifty five twenty

767
00:32:58,360 --> 00:33:02,480
Speaker 1: two on Gold Gold It's Jonesy Demander's gem Nation Driving

768
00:33:02,520 --> 00:33:02,920
Speaker 1: you Home.

769
00:33:03,880 --> 00:33:06,040
Speaker 7: Ed Sheeran on a train from Sydney to Melbourne, the.

770
00:33:06,200 --> 00:33:09,959
Speaker 1: XPT, which is not that fast really, it gets up

771
00:33:09,960 --> 00:33:10,840
Speaker 1: to a fair clip.

772
00:33:11,160 --> 00:33:14,400
Speaker 5: It's slightly faster than walking, which could have been another option.

773
00:33:14,560 --> 00:33:17,120
Speaker 1: We were in the middle of this country town and

774
00:33:17,320 --> 00:33:19,800
Speaker 1: the local publicans said, oh, you boys want you want

775
00:33:19,840 --> 00:33:21,800
Speaker 1: to see something great? And we said yeah, or what

776
00:33:22,160 --> 00:33:25,040
Speaker 1: the train the XPT comes through here? I went yeah,

777
00:33:25,120 --> 00:33:27,440
Speaker 1: really how quick? It gets up to about one hundred

778
00:33:27,440 --> 00:33:30,560
Speaker 1: and seventy and sounds fast. Yeah. So we all got

779
00:33:30,640 --> 00:33:33,000
Speaker 1: chairs and sat down by the train tracks. Waiting for

780
00:33:33,040 --> 00:33:33,600
Speaker 1: this thing to.

781
00:33:33,560 --> 00:33:35,680
Speaker 5: Come through so fast you didn't see it.

782
00:33:35,720 --> 00:33:37,640
Speaker 7: They slow it down to twenty case.

783
00:33:37,720 --> 00:33:40,600
Speaker 5: When it goes through towns. That's why it's the Publican laughed,

784
00:33:40,680 --> 00:33:41,680
Speaker 5: Oh did he get you with beauty?

785
00:33:41,720 --> 00:33:41,760
Speaker 11: Was?

786
00:33:41,840 --> 00:33:44,360
Speaker 1: Yeah, because we're sitting there with our chairs and our

787
00:33:44,360 --> 00:33:45,400
Speaker 1: beer waiting for the trainer.

788
00:33:45,480 --> 00:33:47,200
Speaker 5: I used to take it up to Bathist, which is

789
00:33:47,240 --> 00:33:49,560
Speaker 5: about probably in those days was a four hour train trip.

790
00:33:49,640 --> 00:33:51,320
Speaker 5: I used to get to feel a bit castick on it.

791
00:33:51,320 --> 00:33:52,840
Speaker 5: I'd prefer the old rattler.

792
00:33:54,040 --> 00:33:54,600
Speaker 7: The XPT.

793
00:33:54,800 --> 00:33:57,040
Speaker 5: Yeah, because there's a bit too much move movement.

794
00:33:57,840 --> 00:33:59,800
Speaker 1: How would you do you want a zig zag railway?

795
00:34:00,280 --> 00:34:00,880
Speaker 5: No, you mean.

796
00:34:02,560 --> 00:34:03,400
Speaker 1: Anyway?

797
00:34:03,640 --> 00:34:04,320
Speaker 5: No, you mentioned it.

798
00:34:04,320 --> 00:34:06,800
Speaker 1: It was a boat x year, not a train.

799
00:34:07,280 --> 00:34:10,560
Speaker 5: This is leading us to frame it like this fame

800
00:34:10,600 --> 00:34:11,280
Speaker 5: on a train.

801
00:34:14,560 --> 00:34:17,279
Speaker 1: It's very good. Ryan Tracy has joined us.

802
00:34:17,320 --> 00:34:22,000
Speaker 5: Hello Tracy, who'd just see and Amanda?

803
00:34:22,239 --> 00:34:26,759
Speaker 12: I saw Shane Potier from a country practice every afternoon

804
00:34:26,760 --> 00:34:27,160
Speaker 12: on my way.

805
00:34:27,440 --> 00:34:28,520
Speaker 10: Can still amount of.

806
00:34:28,560 --> 00:34:30,600
Speaker 5: Station sounds like you're on a train now, are you?

807
00:34:33,120 --> 00:34:33,160
Speaker 11: No?

808
00:34:33,440 --> 00:34:33,799
Speaker 1: I mean.

809
00:34:35,360 --> 00:34:38,840
Speaker 5: On the train tracks. Dangerous Tracy. Shane Portius, who was

810
00:34:38,880 --> 00:34:41,799
Speaker 5: the doctor in a country Prayers. I remember he famously Yeah,

811
00:34:42,080 --> 00:34:43,839
Speaker 5: this is when he was met the height of his fame,

812
00:34:43,960 --> 00:34:46,360
Speaker 5: he would take the train every day. I read it

813
00:34:46,440 --> 00:34:47,160
Speaker 5: in TV week.

814
00:34:48,600 --> 00:34:50,880
Speaker 7: Was that Shane the one that played Brendan Jones.

815
00:34:50,960 --> 00:34:52,120
Speaker 5: No, that's Shane Witherington.

816
00:34:52,719 --> 00:34:53,479
Speaker 7: He's on Home and Away.

817
00:34:53,560 --> 00:34:55,800
Speaker 5: Yes, No, Shane Portius, the one he played the doctor.

818
00:34:56,960 --> 00:34:58,160
Speaker 5: You don't remember, No, I do.

819
00:34:58,320 --> 00:35:00,680
Speaker 7: I just it's not that remarkable you see him on

820
00:35:00,760 --> 00:35:01,040
Speaker 7: the train?

821
00:35:01,239 --> 00:35:02,040
Speaker 8: It was he was.

822
00:35:02,239 --> 00:35:04,840
Speaker 5: You remember how huge that show was. For him to

823
00:35:04,960 --> 00:35:07,840
Speaker 5: be in public every day for a trip, quite a

824
00:35:07,960 --> 00:35:10,359
Speaker 5: substantial trip on the train was a big deal.

825
00:35:10,520 --> 00:35:13,440
Speaker 7: Sorry, Tracy, thank you. Cheryl has joined us.

826
00:35:13,480 --> 00:35:14,759
Speaker 5: Oh Cheryl, who did you see?

827
00:35:15,520 --> 00:35:15,680
Speaker 12: Oh?

828
00:35:15,760 --> 00:35:18,560
Speaker 6: Hi James and Amanda. I saw metwife on the monorail

829
00:35:18,600 --> 00:35:19,800
Speaker 6: in the nineteenth.

830
00:35:21,320 --> 00:35:22,640
Speaker 1: We have a went wow?

831
00:35:23,440 --> 00:35:25,120
Speaker 5: And was he being mobbed?

832
00:35:26,440 --> 00:35:26,480
Speaker 3: No?

833
00:35:27,800 --> 00:35:29,839
Speaker 6: I don't think Michael. I didn't really recognize him.

834
00:35:29,840 --> 00:35:30,000
Speaker 13: Mind.

835
00:35:30,120 --> 00:35:32,279
Speaker 6: My husband said to me, do you know who that is?

836
00:35:32,480 --> 00:35:34,280
Speaker 6: And it was meatloads?

837
00:35:34,560 --> 00:35:36,120
Speaker 5: Did he look meat loafish like?

838
00:35:36,239 --> 00:35:40,239
Speaker 6: Did he His hair looked a bit greasy, But yeah,

839
00:35:40,400 --> 00:35:43,360
Speaker 6: giveaway that's him. And I had a look though I

840
00:35:43,400 --> 00:35:45,440
Speaker 6: could see him that I wouldn't have looked at him

841
00:35:45,440 --> 00:35:46,200
Speaker 6: twice otherwise.

842
00:35:47,160 --> 00:35:50,200
Speaker 1: And was it just you meet loaf and your husband

843
00:35:50,280 --> 00:35:53,520
Speaker 1: on the on the monoracus. As infrastructure go, it was

844
00:35:53,600 --> 00:35:56,640
Speaker 1: the most useless piece of infrastructure in this country ever.

845
00:35:57,560 --> 00:35:59,359
Speaker 6: It was that one and only time I ever went

846
00:35:59,400 --> 00:35:59,600
Speaker 6: on it.

847
00:36:00,080 --> 00:36:02,160
Speaker 5: Answers are he was going on for the Novelty as well.

848
00:36:03,280 --> 00:36:07,040
Speaker 5: He's telling everyone that he saw Cheryl. Cheryl, thank you

849
00:36:07,200 --> 00:36:08,320
Speaker 5: and take more of your calls.

850
00:36:08,440 --> 00:36:10,719
Speaker 1: That is so good, gem Gold.

851
00:36:10,800 --> 00:36:12,600
Speaker 7: It's Joncy demanded driving you home.

852
00:36:12,920 --> 00:36:15,480
Speaker 1: The tribal drama has been beating on the siding of

853
00:36:15,760 --> 00:36:18,200
Speaker 1: Ed Sheeran on a train from Sydney to Melbourne.

854
00:36:18,680 --> 00:36:23,279
Speaker 5: We also saw Tom Hanks on the metro train in Sydney.

855
00:36:23,160 --> 00:36:25,800
Speaker 1: Tom Cruise on the subway in New York.

856
00:36:25,719 --> 00:36:28,200
Speaker 5: City, Meatloaf on the monorail.

857
00:36:29,920 --> 00:36:32,640
Speaker 1: The tribal dramas beating fame on a train.

858
00:36:36,560 --> 00:36:38,880
Speaker 7: Monorail and train are technically.

859
00:36:38,520 --> 00:36:42,640
Speaker 5: Form of transport. Remember somebody I knew saw Rutger Hower

860
00:36:43,640 --> 00:36:47,839
Speaker 5: the spinning teacup Disneyland. That's a form of transport. Slow

861
00:36:47,920 --> 00:36:48,760
Speaker 5: moving from.

862
00:36:49,880 --> 00:36:53,040
Speaker 1: What was that thing that incredibly long movie with Harrison.

863
00:36:52,719 --> 00:36:53,959
Speaker 5: Ford Blade Runner?

864
00:36:54,000 --> 00:36:58,239
Speaker 1: Blade Runner? Who's the baddie in that theme?

865
00:36:58,360 --> 00:36:58,480
Speaker 12: There?

866
00:36:58,560 --> 00:37:00,000
Speaker 5: He was spinning in a tea cup with a middle

867
00:37:00,160 --> 00:37:04,840
Speaker 5: kids I had they were his own see look what

868
00:37:04,960 --> 00:37:09,120
Speaker 5: the world has done to you. M Nicole, Hi, how

869
00:37:09,160 --> 00:37:09,560
Speaker 5: are you going?

870
00:37:09,960 --> 00:37:10,080
Speaker 3: Well?

871
00:37:10,120 --> 00:37:11,920
Speaker 5: Who did you see on a form of transport?

872
00:37:12,800 --> 00:37:14,760
Speaker 12: Kate Blanchette on the Barra Ferry?

873
00:37:15,000 --> 00:37:18,080
Speaker 5: All right, she was she just sitting there minding your

874
00:37:18,080 --> 00:37:18,600
Speaker 5: own business.

875
00:37:19,480 --> 00:37:22,760
Speaker 12: No, she was with us, three kids and probably about

876
00:37:22,800 --> 00:37:26,120
Speaker 12: eight other people. And I looked at an Indian lady

877
00:37:26,160 --> 00:37:29,840
Speaker 12: who was like, yes, yes it's her and going me

878
00:37:29,960 --> 00:37:32,960
Speaker 12: this sort of nod like yeah, yeah. So I pretended

879
00:37:33,040 --> 00:37:35,360
Speaker 12: to take a selfie of myself and my three kids

880
00:37:35,440 --> 00:37:36,759
Speaker 12: and took a puttle of her.

881
00:37:37,600 --> 00:37:39,680
Speaker 5: Yeah, she must be used to that. Move over, kids,

882
00:37:39,680 --> 00:37:43,160
Speaker 5: so I can pretend you're in this shop. I would

883
00:37:43,160 --> 00:37:47,000
Speaker 5: have loved to have seen that Nicole Jonah has joined

884
00:37:47,160 --> 00:37:48,279
Speaker 5: Hi Jonah, Who did you see?

885
00:37:49,520 --> 00:37:50,800
Speaker 13: I saw boy George.

886
00:37:51,640 --> 00:37:53,919
Speaker 6: This call is being recorded, okay?

887
00:37:54,200 --> 00:37:55,840
Speaker 12: Was it was he?

888
00:37:55,920 --> 00:37:57,120
Speaker 5: On transport of some kind?

889
00:37:57,920 --> 00:38:00,560
Speaker 13: Yes, the XPT from Sydney to Melbourne.

890
00:38:00,760 --> 00:38:02,000
Speaker 1: Oh when was that?

891
00:38:03,120 --> 00:38:05,520
Speaker 13: That's where it would have been back in the nineties.

892
00:38:06,239 --> 00:38:09,799
Speaker 13: I was traveling back to Melbourne and my friend had

893
00:38:09,920 --> 00:38:13,640
Speaker 13: turned around and kept turning around and he said, I

894
00:38:13,719 --> 00:38:17,440
Speaker 13: think it's boy George sitting behind us, and I said, oh,

895
00:38:17,960 --> 00:38:20,680
Speaker 13: you're kidding me, And it took me for about two minutes.

896
00:38:21,200 --> 00:38:23,200
Speaker 13: He said, look, look, look it is, it.

897
00:38:23,280 --> 00:38:23,680
Speaker 8: Is it is.

898
00:38:24,160 --> 00:38:26,800
Speaker 13: So I finally turned around and I look, I'm just

899
00:38:26,960 --> 00:38:32,120
Speaker 13: like it was boy George, and make one no, boy

900
00:38:32,239 --> 00:38:36,120
Speaker 13: George is looking like boy George, like just like a

901
00:38:37,320 --> 00:38:41,160
Speaker 13: normal citizen. Yeah, not in makeup, no hats, no anything.

902
00:38:41,440 --> 00:38:42,839
Speaker 5: And that would have been the height of his fame

903
00:38:42,880 --> 00:38:43,560
Speaker 5: in the nineties.

904
00:38:44,360 --> 00:38:48,160
Speaker 13: Oh, absolutely, one hundred percent. And I just I was

905
00:38:48,239 --> 00:38:50,520
Speaker 13: just grabbing for anything I could, and I said, can

906
00:38:50,560 --> 00:38:55,440
Speaker 13: you please sign the napkin for my sister? So he

907
00:38:55,640 --> 00:38:57,080
Speaker 13: signed a napkin for me.

908
00:38:58,080 --> 00:39:00,320
Speaker 5: Actually, you know, he's fame was the eighties, wasn't it.

909
00:39:00,360 --> 00:39:02,200
Speaker 1: Why don't you get it signed for yourself? Jonah?

910
00:39:03,719 --> 00:39:06,600
Speaker 13: Because I was into him, but not intoo much, that

911
00:39:06,680 --> 00:39:10,560
Speaker 13: makes sense. I liked him, Yeah, yeah, sorry, I liked him,

912
00:39:10,880 --> 00:39:11,960
Speaker 13: but not enough to get out.

913
00:39:12,040 --> 00:39:14,200
Speaker 5: No, it's easy to ask for somebody else, I guess so.

914
00:39:14,360 --> 00:39:16,600
Speaker 1: But also you got busted because your friends go I

915
00:39:17,000 --> 00:39:19,520
Speaker 1: turn around, turned around, and you were around now and

916
00:39:19,600 --> 00:39:21,000
Speaker 1: then bang boom o.

917
00:39:21,239 --> 00:39:22,640
Speaker 5: Now it's easy to get that sort of stuff for

918
00:39:22,719 --> 00:39:23,920
Speaker 5: somebody else. Thank you, Jonah.

919
00:39:24,120 --> 00:39:25,000
Speaker 7: Christina is joined us.

920
00:39:25,000 --> 00:39:27,320
Speaker 5: Who did you see Christine? Hello?

921
00:39:27,840 --> 00:39:28,720
Speaker 8: Jamesy and Amanda.

922
00:39:28,880 --> 00:39:31,399
Speaker 5: Hello, Christine, who'd you see?

923
00:39:32,800 --> 00:39:35,120
Speaker 8: I saw? This is a back in the day story. Okay,

924
00:39:35,239 --> 00:39:38,200
Speaker 8: about nineteen eighty. We're on the Manly Faerry a group

925
00:39:38,280 --> 00:39:40,920
Speaker 8: of ust young girls and there was a couple and

926
00:39:41,040 --> 00:39:44,520
Speaker 8: we were checking out the guy, thinking how gorgeous he was,

927
00:39:44,760 --> 00:39:47,720
Speaker 8: and then we realized it was Matt Latanzi and Olivia

928
00:39:47,800 --> 00:39:48,440
Speaker 8: Newton John.

929
00:39:50,320 --> 00:39:50,600
Speaker 5: Wow.

930
00:39:51,520 --> 00:39:54,480
Speaker 13: Wow, So that was that was pretty good?

931
00:39:54,560 --> 00:39:55,719
Speaker 1: Yeah, yeah, that's pretty good.

932
00:39:55,800 --> 00:39:56,560
Speaker 5: That is pretty good.

933
00:39:57,120 --> 00:39:59,080
Speaker 7: Manly Fairy cuts its way to Circular Key and.

934
00:39:59,120 --> 00:40:01,880
Speaker 5: Matt Latanzi was a handsome young man sixteen.

935
00:40:02,000 --> 00:40:04,680
Speaker 8: My god, it was gorgeous. And then we saw the

936
00:40:04,760 --> 00:40:06,680
Speaker 8: Don Lane show the next night and she was on

937
00:40:06,800 --> 00:40:09,920
Speaker 8: Don Lane saying she'd been on the Manly Ferry the

938
00:40:10,040 --> 00:40:12,719
Speaker 8: day before over for fish and chips. So she was

939
00:40:12,800 --> 00:40:14,719
Speaker 8: going she was so underwearth wasn't she?

940
00:40:15,120 --> 00:40:15,160
Speaker 2: So?

941
00:40:15,400 --> 00:40:17,400
Speaker 5: Actually she was? She absolutely was.

942
00:40:17,640 --> 00:40:18,920
Speaker 7: We miss her whenever we spoke to us.

943
00:40:18,960 --> 00:40:20,320
Speaker 1: She's always like she was lovely.

944
00:40:20,440 --> 00:40:23,040
Speaker 5: She never lost that common touch. Thank you, Christine, Thank

945
00:40:23,040 --> 00:40:23,920
Speaker 5: you for all your course.

946
00:40:24,400 --> 00:40:27,319
Speaker 1: Coming up, the pub test is on the way. Timothy Charlamade.

947
00:40:27,360 --> 00:40:28,800
Speaker 1: He's upset a lot of heat.

948
00:40:29,480 --> 00:40:32,920
Speaker 5: Well and opera folk, and he's sort of been elitist

949
00:40:33,080 --> 00:40:35,080
Speaker 5: amongst the arts. What do we make of it? We'll

950
00:40:35,120 --> 00:40:35,840
Speaker 5: put him to the pub.

951
00:40:35,760 --> 00:40:37,680
Speaker 1: Test Instagram as well. That's coming up, your chance to

952
00:40:37,680 --> 00:40:39,120
Speaker 1: win two thousand dollars on gold.

953
00:40:40,239 --> 00:40:42,719
Speaker 2: You're listening to the Jonesy and Amanda podcast.

954
00:40:45,320 --> 00:40:46,880
Speaker 3: Yeah, I saw in a request for them to do

955
00:40:46,920 --> 00:40:47,239
Speaker 3: it again?

956
00:40:50,080 --> 00:40:54,279
Speaker 5: Should lay off the moonshine a man's week.

957
00:40:58,640 --> 00:41:01,480
Speaker 1: Ninth of March. I guess these New year is officially done,

958
00:41:01,600 --> 00:41:01,880
Speaker 1: isn't it.

959
00:41:02,480 --> 00:41:06,360
Speaker 5: We've got one more fortune cookie in this shop, the

960
00:41:06,400 --> 00:41:09,320
Speaker 5: one I got the other day? Where is it? Life's

961
00:41:09,360 --> 00:41:09,680
Speaker 5: not fair?

962
00:41:09,800 --> 00:41:10,360
Speaker 3: Get used to it.

963
00:41:10,960 --> 00:41:13,439
Speaker 5: Since when a fortune cookie is reflective of the state

964
00:41:13,480 --> 00:41:15,280
Speaker 5: of the world, they're supposed to be slightly optimistic.

965
00:41:15,520 --> 00:41:17,040
Speaker 1: You're going to say that you were going to put

966
00:41:17,080 --> 00:41:19,320
Speaker 1: your little twee in bed.

967
00:41:19,640 --> 00:41:20,840
Speaker 5: So that's what you do at the end of the

968
00:41:21,040 --> 00:41:23,600
Speaker 5: Life's not fair. Get used to it in bed talk

969
00:41:23,640 --> 00:41:25,759
Speaker 5: to the people from married at first sight. The last

970
00:41:25,880 --> 00:41:34,040
Speaker 5: fortune cookie is ready, I've split it in half. Terrible.

971
00:41:36,520 --> 00:41:40,439
Speaker 5: Your success will be improved each year in bed?

972
00:41:40,760 --> 00:41:44,640
Speaker 1: Right, got any others for us? Come on?

973
00:41:44,840 --> 00:41:49,040
Speaker 5: Let us celebrate family love today. No family love today,

974
00:41:49,160 --> 00:41:52,440
Speaker 5: not family loved anyway. Maybe you shouldn't put that on

975
00:41:52,520 --> 00:41:54,160
Speaker 5: all of them. That's the last of them.

976
00:41:54,239 --> 00:41:56,399
Speaker 1: Now, okay, well, thank god until next year.

977
00:41:56,640 --> 00:41:59,200
Speaker 7: Now we just have to get into Ramadah.

978
00:41:59,120 --> 00:42:00,279
Speaker 5: And I'm actually going to eat it.

979
00:42:01,600 --> 00:42:06,719
Speaker 1: Oh great. People would appreciate that noise coming up to

980
00:42:06,760 --> 00:42:09,920
Speaker 1: they Charla May he's upseta a lot of ballet dancers

981
00:42:09,960 --> 00:42:10,719
Speaker 1: and opera singer.

982
00:42:10,960 --> 00:42:13,520
Speaker 5: Yes, even though he's a member of the arts, he's

983
00:42:13,600 --> 00:42:15,959
Speaker 5: punched down in another form of the arts and people

984
00:42:16,000 --> 00:42:17,719
Speaker 5: are outraged. We might put it to the pub tech.

985
00:42:17,800 --> 00:42:20,080
Speaker 1: Instagram makes its return and we pay tribute to the

986
00:42:20,200 --> 00:42:24,279
Speaker 1: late great Jamie Dunn on Gold jam Nation Gold. It's

987
00:42:24,360 --> 00:42:27,840
Speaker 1: Jonesy Demanda's jam Nation driving you home sad about Jamie

988
00:42:27,920 --> 00:42:29,640
Speaker 1: Dunn passing away on the weekend.

989
00:42:30,239 --> 00:42:31,200
Speaker 7: Did you know Jamie?

990
00:42:31,200 --> 00:42:32,960
Speaker 5: It all not as well as you did. But I

991
00:42:33,080 --> 00:42:35,200
Speaker 5: knew him not but not very well.

992
00:42:35,560 --> 00:42:37,840
Speaker 1: I work with him back in the nineties in Brisbane

993
00:42:38,160 --> 00:42:40,560
Speaker 1: on radio. Yeah, he hosted the Breakfast Shower b W

994
00:42:40,560 --> 00:42:43,520
Speaker 1: and I find very successful. It was raiding through the roof.

995
00:42:43,680 --> 00:42:44,200
Speaker 1: It was huge.

996
00:42:44,280 --> 00:42:47,320
Speaker 5: Try you this when it because he hosted with himself

997
00:42:47,600 --> 00:42:48,200
Speaker 5: and Agro.

998
00:42:48,480 --> 00:42:48,719
Speaker 1: Yeah.

999
00:42:48,840 --> 00:42:51,040
Speaker 5: So would he just obviously do the voice.

1000
00:42:51,120 --> 00:42:53,720
Speaker 1: Well, sometimes he'd just do the You're just in the studio.

1001
00:42:53,840 --> 00:42:55,080
Speaker 1: He just do the voice and he just have his

1002
00:42:55,200 --> 00:42:56,640
Speaker 1: hand and I'd say naked.

1003
00:42:56,400 --> 00:42:58,480
Speaker 5: Agro, so he'd actually still move the hand.

1004
00:42:58,560 --> 00:43:00,400
Speaker 1: Yeah, he sort of put it there, and you know.

1005
00:43:00,560 --> 00:43:02,279
Speaker 5: Did he put it there for himself or for others?

1006
00:43:03,440 --> 00:43:06,000
Speaker 1: But then he'd always treated Agro with a lot of reverence.

1007
00:43:06,120 --> 00:43:08,520
Speaker 1: Came a little bag and pulled him out. And you know,

1008
00:43:08,880 --> 00:43:11,759
Speaker 1: I never I remember often wanting to have a go

1009
00:43:12,120 --> 00:43:15,040
Speaker 1: that gro and did he say no, No, I never,

1010
00:43:15,480 --> 00:43:17,280
Speaker 1: I don't think you know, I didn't want to cross

1011
00:43:17,360 --> 00:43:20,479
Speaker 1: that line. No, he hosted the radio show. But also

1012
00:43:20,760 --> 00:43:23,760
Speaker 1: you might remember Agro's cartoon connection.

1013
00:43:24,080 --> 00:43:25,560
Speaker 2: Looks like it it looks like a stencil of an

1014
00:43:25,560 --> 00:43:26,319
Speaker 2: Anne Marie Doll.

1015
00:43:27,040 --> 00:43:29,960
Speaker 11: Stop it all right, you go now the letter, but.

1016
00:43:30,000 --> 00:43:30,840
Speaker 2: That one's been distorbed.

1017
00:43:30,960 --> 00:43:31,880
Speaker 3: That one's got hips.

1018
00:43:33,480 --> 00:43:36,960
Speaker 4: Talking, okay, all right?

1019
00:43:37,840 --> 00:43:41,279
Speaker 11: Otherwise you know what happens when you get naughty, don't you?

1020
00:43:41,520 --> 00:43:42,680
Speaker 4: Yes, the ratings go up?

1021
00:43:43,080 --> 00:43:44,799
Speaker 1: Or is that The Kyl and Jackie O Show does

1022
00:43:44,880 --> 00:43:45,560
Speaker 1: sound good like it?

1023
00:43:46,760 --> 00:43:48,880
Speaker 7: But Jamie was just you know, he was a character.

1024
00:43:48,960 --> 00:43:51,080
Speaker 5: But he didn't tolerate fools from what I know, And

1025
00:43:51,520 --> 00:43:52,320
Speaker 5: he was how did you go?

1026
00:43:53,320 --> 00:43:56,120
Speaker 1: I think he liked me. I remember the day as

1027
00:43:56,200 --> 00:43:58,440
Speaker 1: clear as anything. When I first met him, i'd been

1028
00:43:58,520 --> 00:44:00,680
Speaker 1: there for about a week at the radio stage to

1029
00:44:00,719 --> 00:44:02,440
Speaker 1: Boo one O five, and I was just standing in

1030
00:44:02,480 --> 00:44:05,680
Speaker 1: the kitchen making small talk with another chap who it

1031
00:44:05,800 --> 00:44:07,360
Speaker 1: was his first week as well, so much to the

1032
00:44:07,440 --> 00:44:09,960
Speaker 1: kitchen said oh this is great, we're here. Jamie walks

1033
00:44:10,000 --> 00:44:13,279
Speaker 1: in and on the kitchen cupboard there's a box of

1034
00:44:13,320 --> 00:44:16,880
Speaker 1: wheat picks, grabs the wheat picks, looks into him and

1035
00:44:17,040 --> 00:44:19,760
Speaker 1: looks at both of us. Somebody's been eating my wheat picks.

1036
00:44:20,280 --> 00:44:22,200
Speaker 1: And we you know, so this is Jamie, not Agro,

1037
00:44:22,560 --> 00:44:25,600
Speaker 1: but that's how Jamie anger just sounds the same.

1038
00:44:25,840 --> 00:44:27,959
Speaker 5: But this was him off here, it's James.

1039
00:44:28,040 --> 00:44:30,920
Speaker 1: Somebody's been eating my wheatbix. Wasn't you two blakes? And

1040
00:44:31,000 --> 00:44:33,920
Speaker 1: we said, oh no, we just got here made anyway.

1041
00:44:33,960 --> 00:44:36,600
Speaker 1: He walks off, so we continue our chat over our cups.

1042
00:44:36,719 --> 00:44:39,640
Speaker 1: Tea comes back with a brand new box of weak picks,

1043
00:44:40,000 --> 00:44:43,279
Speaker 1: and while we're chatting, he says, right open, opens the

1044
00:44:43,400 --> 00:44:46,560
Speaker 1: lid up and takes out one, digs right into the

1045
00:44:46,560 --> 00:44:49,080
Speaker 1: middle of the box, takes out one wheat pick, and

1046
00:44:49,160 --> 00:44:52,240
Speaker 1: then with his loose Trackie dacks puts it down the back.

1047
00:44:52,120 --> 00:44:54,320
Speaker 5: Of his trackie dacks into his bottom.

1048
00:44:54,800 --> 00:44:57,480
Speaker 1: Well, you don't, I didn't know it wasn't having a

1049
00:44:57,560 --> 00:45:01,120
Speaker 1: forensic examination of it close proxss. And then he puts

1050
00:45:01,160 --> 00:45:04,040
Speaker 1: it back meticulously into the middle of the box. And

1051
00:45:04,120 --> 00:45:06,600
Speaker 1: then he looks at us too, and he says, right,

1052
00:45:06,960 --> 00:45:10,200
Speaker 1: only three of us know where the golden brick is. No,

1053
00:45:11,640 --> 00:45:15,480
Speaker 1: And then we pondered over because every week take they're

1054
00:45:15,520 --> 00:45:17,279
Speaker 1: getting closer to the golden brick.

1055
00:45:17,640 --> 00:45:22,400
Speaker 5: We have attempted play Russian Roulette with the golden brick. Yummy,

1056
00:45:22,480 --> 00:45:26,200
Speaker 5: I've had some wheat pigs today, says Brendan. I didn't

1057
00:45:26,200 --> 00:45:27,000
Speaker 5: even pay for that.

1058
00:45:27,160 --> 00:45:31,240
Speaker 7: I didn't touch his cocoa pops. Rest in peace, mate.

1059
00:45:31,239 --> 00:45:35,640
Speaker 1: What a story, true legend. Yes, indeed gold is jonesy

1060
00:45:35,719 --> 00:45:38,320
Speaker 1: Amanda's gem Nation. Driving you home where there's big issues

1061
00:45:38,360 --> 00:45:40,080
Speaker 1: to talk about. How we go straight down to the

1062
00:45:40,160 --> 00:45:42,640
Speaker 1: jonesy Amanda arms, I know it's Monday, it doesn't matter.

1063
00:45:43,600 --> 00:45:45,000
Speaker 2: The pub test test.

1064
00:45:44,880 --> 00:45:50,719
Speaker 1: Does not past the pub test, Hub test test doesn't pass.

1065
00:45:50,480 --> 00:45:51,080
Speaker 12: The Swift test.

1066
00:45:51,440 --> 00:45:52,920
Speaker 3: Stop it, it's not helpful.

1067
00:45:53,040 --> 00:45:56,120
Speaker 5: Let's talk about the actor Timothy Charlemaye. He was he

1068
00:45:56,200 --> 00:45:58,879
Speaker 5: recently has one stacks of Awards for portraying Bob Dylan

1069
00:45:58,960 --> 00:46:01,160
Speaker 5: in The Complete Unknown. Very good in that he's been

1070
00:46:01,239 --> 00:46:04,080
Speaker 5: in Dune or Dune, he was in Williwonka. He's a

1071
00:46:04,280 --> 00:46:06,000
Speaker 5: very and he's done a lot of sort of eclectic,

1072
00:46:06,080 --> 00:46:08,960
Speaker 5: smaller films as well. One of the best actors of

1073
00:46:09,000 --> 00:46:12,360
Speaker 5: his generation is what he's been called. Recently. He was

1074
00:46:12,400 --> 00:46:17,239
Speaker 5: on a podcast I think with Matthew McConaughey and he

1075
00:46:17,360 --> 00:46:17,719
Speaker 5: said this.

1076
00:46:18,160 --> 00:46:20,120
Speaker 14: And I don't want to be working in ballet or

1077
00:46:20,239 --> 00:46:22,719
Speaker 14: opera or you know things where it's like, hey, keep

1078
00:46:22,800 --> 00:46:26,719
Speaker 14: this thing alive. Even though about this, all respect to

1079
00:46:26,760 --> 00:46:29,279
Speaker 14: the ballet and opera people out there, I.

1080
00:46:29,400 --> 00:46:33,920
Speaker 15: Just lost fourteen cents in viewership, but I just took

1081
00:46:33,960 --> 00:46:34,840
Speaker 15: shots for no reason.

1082
00:46:37,880 --> 00:46:40,319
Speaker 5: He lost more than fourteen cents overnight. He's lost something

1083
00:46:40,400 --> 00:46:43,799
Speaker 5: like fifty thousand followers. Wow, these people are reacting very big,

1084
00:46:44,360 --> 00:46:46,920
Speaker 5: in a very big way to this. He is on

1085
00:46:47,080 --> 00:46:50,359
Speaker 5: track to win maybe his first Oscar and he may

1086
00:46:50,440 --> 00:46:52,960
Speaker 5: have upset the Apple Cart. All the voting isn't completed

1087
00:46:53,000 --> 00:46:55,200
Speaker 5: and people are outraged with him. There's a huge backlash

1088
00:46:55,239 --> 00:46:58,600
Speaker 5: about it. A few people have said, look, it doesn't

1089
00:46:58,640 --> 00:47:00,600
Speaker 5: matter what he thinks about ballet, not but to say

1090
00:47:00,640 --> 00:47:04,279
Speaker 5: that's not for me. It's one thing, but to say

1091
00:47:05,280 --> 00:47:07,719
Speaker 5: that no one cares about them is just ignorant. And

1092
00:47:07,840 --> 00:47:10,880
Speaker 5: to think his opinion doesn't matter is ignorant. His voice

1093
00:47:11,040 --> 00:47:14,320
Speaker 5: means something, and for him to give an opinion like

1094
00:47:14,360 --> 00:47:16,120
Speaker 5: this has upset a lot of people, saying, you're involved

1095
00:47:16,160 --> 00:47:18,640
Speaker 5: in the arts, why it rushed down at other forms.

1096
00:47:18,440 --> 00:47:19,719
Speaker 7: Of the art, you can't punch down.

1097
00:47:19,719 --> 00:47:21,680
Speaker 5: And I've seen all these great memes over the weekend

1098
00:47:21,760 --> 00:47:25,560
Speaker 5: of these really hot, strong male ballet dancers on top

1099
00:47:25,600 --> 00:47:28,560
Speaker 5: of balancing balls on the tip of their toes doing

1100
00:47:28,600 --> 00:47:33,160
Speaker 5: these incredible poses, saying this stuff isn't easy and people

1101
00:47:33,360 --> 00:47:35,320
Speaker 5: love it. And I saw also that I think it

1102
00:47:35,400 --> 00:47:38,680
Speaker 5: might be the Seattle opera they're putting on Carmen, And

1103
00:47:38,800 --> 00:47:41,560
Speaker 5: if you use the code Timothy, you can say fourteen

1104
00:47:41,560 --> 00:47:45,480
Speaker 5: percent of tickets. People are leaning into their saying let's

1105
00:47:45,520 --> 00:47:48,040
Speaker 5: celebrate these arts. Let's take the mickey out of him.

1106
00:47:48,120 --> 00:47:51,239
Speaker 1: But it's his opinion. It's a free country. He can

1107
00:47:51,760 --> 00:47:54,160
Speaker 1: you know, it's not like he's saying cancel ballet.

1108
00:47:53,920 --> 00:47:57,799
Speaker 5: No, but he's he is saying that because the whole

1109
00:47:57,840 --> 00:48:00,160
Speaker 5: conversation was about how people don't have attention span, and

1110
00:48:00,520 --> 00:48:02,400
Speaker 5: he's saying, well, I don't want to work in a

1111
00:48:02,960 --> 00:48:06,400
Speaker 5: ballet or an opera, where as he said, let's keep

1112
00:48:06,480 --> 00:48:08,520
Speaker 5: this alive even no one no one cares about it,

1113
00:48:08,840 --> 00:48:11,640
Speaker 5: so it does get funded. Would care for him to

1114
00:48:11,680 --> 00:48:13,719
Speaker 5: say no one cares about it is ignorant. That's the

1115
00:48:13,760 --> 00:48:15,400
Speaker 5: point to say, it's not for me, I don't like

1116
00:48:15,520 --> 00:48:18,320
Speaker 5: it one thing. To say no one cares is wrong.

1117
00:48:18,719 --> 00:48:20,640
Speaker 5: And for someone of influence like him, who works in

1118
00:48:20,719 --> 00:48:22,160
Speaker 5: the arts, he knows that's wrong.

1119
00:48:22,239 --> 00:48:24,359
Speaker 7: But still I think he should be allowed to say

1120
00:48:24,440 --> 00:48:25,120
Speaker 7: whatever he wants.

1121
00:48:25,239 --> 00:48:29,319
Speaker 5: Well, yeah and so, and therefore have the repercussions, which

1122
00:48:29,360 --> 00:48:31,200
Speaker 5: are a whole lot of people turning on him. He's

1123
00:48:31,239 --> 00:48:32,960
Speaker 5: become sort of the butt of the joke for the week.

1124
00:48:33,320 --> 00:48:36,480
Speaker 5: He may have lost his oscar because of it. That's

1125
00:48:36,520 --> 00:48:38,400
Speaker 5: how people are reacting to me. Right, So what he

1126
00:48:38,480 --> 00:48:41,000
Speaker 5: said does that pass pub to Timothy Charlomagne. You may

1127
00:48:41,040 --> 00:48:43,880
Speaker 5: agree with him, You may think he can say anything

1128
00:48:43,920 --> 00:48:45,879
Speaker 5: he likes. This isn't the first time he said that either,

1129
00:48:45,920 --> 00:48:48,800
Speaker 5: by the way, other examples of him saying something very similar.

1130
00:48:49,200 --> 00:48:51,360
Speaker 5: So Timothy Charlemagne and what he has said, does it

1131
00:48:51,440 --> 00:48:52,200
Speaker 5: pass the pub test?

1132
00:48:52,239 --> 00:48:54,399
Speaker 7: We'd love to hear from you thirteen fifty five twenty two.

1133
00:48:54,640 --> 00:48:56,920
Speaker 2: On Gold you can see a whole lot more of

1134
00:48:57,040 --> 00:48:59,440
Speaker 2: Jonesy and Demand or on our socials. Follow us on

1135
00:48:59,560 --> 00:49:00,760
Speaker 2: Instagram and Facebook.

1136
00:49:00,840 --> 00:49:04,400
Speaker 7: It's Jonesy Demanda driving you home for jams everybody.

1137
00:49:04,480 --> 00:49:08,000
Speaker 2: That's money, extra cash m Jonesy and amandas.

1138
00:49:08,680 --> 00:49:10,840
Speaker 1: It is here at thirteen fifty five twenty two is

1139
00:49:10,880 --> 00:49:12,920
Speaker 1: the number you need if you call us right now.

1140
00:49:13,040 --> 00:49:16,680
Speaker 1: Another one, another way you can get through Jonesydemanda dot

1141
00:49:16,760 --> 00:49:18,719
Speaker 1: com dot au. That's right, and you can put your

1142
00:49:18,800 --> 00:49:21,200
Speaker 1: name on a little waiting list. And what happens to

1143
00:49:21,200 --> 00:49:23,239
Speaker 1: the girls here, They just have a little bit of

1144
00:49:23,280 --> 00:49:26,480
Speaker 1: a like a Melbourne Cup sweep and they pull out

1145
00:49:26,480 --> 00:49:26,920
Speaker 1: a name.

1146
00:49:26,840 --> 00:49:28,160
Speaker 5: And we may get a call and say, hey, do

1147
00:49:28,160 --> 00:49:29,040
Speaker 5: you want to do this today?

1148
00:49:29,360 --> 00:49:29,879
Speaker 7: That can happen?

1149
00:49:29,920 --> 00:49:31,960
Speaker 5: Do you want to win two thousand dollars today? Maybe

1150
00:49:32,040 --> 00:49:32,399
Speaker 5: the call?

1151
00:49:32,680 --> 00:49:35,840
Speaker 1: There are many many options for you. Ten questions, sixty

1152
00:49:35,880 --> 00:49:37,839
Speaker 1: seconds on the clock you can pass. If you don't

1153
00:49:37,840 --> 00:49:39,400
Speaker 1: know an answer, will come back to that question of

1154
00:49:39,480 --> 00:49:41,759
Speaker 1: time permits. If you get all the questions right, you

1155
00:49:41,840 --> 00:49:42,840
Speaker 1: win one thousand dollars.

1156
00:49:42,920 --> 00:49:44,759
Speaker 5: You can make it two thousand dollars by answering a

1157
00:49:44,800 --> 00:49:47,439
Speaker 5: bonus question, but there is jeopardy involved because it's double

1158
00:49:47,520 --> 00:49:47,839
Speaker 5: or nothing.

1159
00:49:47,960 --> 00:49:50,600
Speaker 1: You can call us any time like Nicole has done. Hello,

1160
00:49:50,719 --> 00:49:53,200
Speaker 1: n cole, Hi, how are you right?

1161
00:49:53,360 --> 00:49:55,560
Speaker 5: Well, Nicole, we haven't given money away for a while.

1162
00:49:55,600 --> 00:49:56,440
Speaker 5: Lets see if it can be you.

1163
00:49:57,920 --> 00:50:00,680
Speaker 6: I'm looking forward to just doing to be olive.

1164
00:50:00,760 --> 00:50:02,080
Speaker 5: You're ready to receive.

1165
00:50:03,880 --> 00:50:05,160
Speaker 6: I am very receptive.

1166
00:50:05,320 --> 00:50:06,800
Speaker 5: All right, Well, we've got ten questions.

1167
00:50:07,320 --> 00:50:08,880
Speaker 1: Enough of this saucy talking too.

1168
00:50:09,080 --> 00:50:11,399
Speaker 5: Ten questions. We've got sixty seconds. If you're not sure,

1169
00:50:11,840 --> 00:50:16,200
Speaker 5: say passed, because we might have time to come back. Okay, yep,

1170
00:50:16,360 --> 00:50:18,360
Speaker 5: got it, Nicole, Good luck, because here we go. He

1171
00:50:18,480 --> 00:50:21,239
Speaker 5: comes to question number one, what's the main ingredient in

1172
00:50:21,320 --> 00:50:25,040
Speaker 5: an omelet? Question two? In which city was the F

1173
00:50:25,120 --> 00:50:31,320
Speaker 5: one held over the weekend? Past question three? OPI is

1174
00:50:31,360 --> 00:50:31,960
Speaker 5: a brand of what.

1175
00:50:34,400 --> 00:50:34,800
Speaker 9: Makeup?

1176
00:50:38,040 --> 00:50:40,040
Speaker 5: I'm sorry, I'm sorry.

1177
00:50:40,040 --> 00:50:41,319
Speaker 1: We only do so much.

1178
00:50:41,840 --> 00:50:43,279
Speaker 5: I wanted to give that to you, but there was

1179
00:50:43,320 --> 00:50:45,400
Speaker 5: too much of it. You know it is now polish.

1180
00:50:45,480 --> 00:50:48,360
Speaker 5: But you said makeup, went makeup and F one was

1181
00:50:48,400 --> 00:50:49,560
Speaker 5: in Melbourne on the weekend.

1182
00:50:50,840 --> 00:50:53,160
Speaker 6: To say Melbourne, I was going to say Melbourne, but

1183
00:50:53,239 --> 00:50:54,440
Speaker 6: it just sounded so obvious.

1184
00:50:55,760 --> 00:50:58,200
Speaker 1: Well, that's because it's true the goal we want this

1185
00:50:58,360 --> 00:50:59,520
Speaker 1: money to be won by you.

1186
00:51:00,160 --> 00:51:02,240
Speaker 5: Never assume that they're never trick questions.

1187
00:51:03,480 --> 00:51:05,759
Speaker 7: Do you can I ask you this question, Nicole, while

1188
00:51:05,800 --> 00:51:07,400
Speaker 7: we've got you. Do you like the ballet?

1189
00:51:09,640 --> 00:51:10,640
Speaker 6: I love for ballet?

1190
00:51:11,280 --> 00:51:13,920
Speaker 1: So you would be at odds with what Timothy Charlemaye

1191
00:51:13,960 --> 00:51:17,360
Speaker 1: has said about supporting ballet or their bit opera.

1192
00:51:20,880 --> 00:51:25,680
Speaker 5: Okay, so you well, if we've asked for your opinion, Timothy,

1193
00:51:26,239 --> 00:51:28,880
Speaker 5: if you're across the story and will we we reset

1194
00:51:28,920 --> 00:51:31,879
Speaker 5: the story for you shortly, that's coming. Timothy Charlemaye does

1195
00:51:31,920 --> 00:51:32,960
Speaker 5: what he said past the pup.

1196
00:51:33,120 --> 00:51:34,640
Speaker 1: We're going to put that to the pub test next

1197
00:51:34,760 --> 00:51:36,239
Speaker 1: on Gold Nation.

1198
00:51:37,080 --> 00:51:39,640
Speaker 4: The pub test to test does not past the pub test,

1199
00:51:39,719 --> 00:51:41,080
Speaker 4: hub test test.

1200
00:51:42,760 --> 00:51:44,600
Speaker 1: The pub test doesn't pass the stiff test.

1201
00:51:44,920 --> 00:51:45,279
Speaker 8: Stop it.

1202
00:51:45,640 --> 00:51:46,400
Speaker 2: It's not helpful.

1203
00:51:46,440 --> 00:51:49,040
Speaker 5: We're putting Timothy with two double e's actually just one

1204
00:51:49,120 --> 00:51:52,719
Speaker 5: double Timothy Charlemaye to the pub test. He recently was

1205
00:51:52,800 --> 00:51:56,160
Speaker 5: talking to Matthew McConaughey on some kind of podcast and

1206
00:51:56,200 --> 00:51:56,760
Speaker 5: he said.

1207
00:51:56,560 --> 00:51:58,680
Speaker 14: This, and I don't want to be working in ballet

1208
00:51:59,000 --> 00:52:01,319
Speaker 14: or opera or or you know things where it's like, hey,

1209
00:52:01,480 --> 00:52:04,239
Speaker 14: keep this thing alive, even though no one cares about this.

1210
00:52:05,000 --> 00:52:07,080
Speaker 15: All respect to the ballet and opera people out there.

1211
00:52:08,120 --> 00:52:10,000
Speaker 15: I just lost fourteen cents in viewership.

1212
00:52:10,360 --> 00:52:12,720
Speaker 5: A lot of people do care. He lost about fifty

1213
00:52:12,800 --> 00:52:15,480
Speaker 5: thousand listeners overnight. And as this comment summed it up

1214
00:52:15,520 --> 00:52:18,360
Speaker 5: for me, they said, how ignorant If he doesn't like

1215
00:52:18,400 --> 00:52:20,120
Speaker 5: ballet op if he says they're not for me, that's

1216
00:52:20,200 --> 00:52:22,520
Speaker 5: one thing to say. No one cares when he's in

1217
00:52:22,600 --> 00:52:25,319
Speaker 5: the arts as well. It's punching down on other forms

1218
00:52:25,360 --> 00:52:25,840
Speaker 5: of the course.

1219
00:52:25,920 --> 00:52:27,920
Speaker 1: But I feel that that's taken out and the problem

1220
00:52:27,960 --> 00:52:28,840
Speaker 1: with all social.

1221
00:52:28,640 --> 00:52:30,480
Speaker 5: Media, it's not taken out of context. This is the

1222
00:52:30,560 --> 00:52:34,000
Speaker 5: third or fourth He said this a few times about

1223
00:52:34,080 --> 00:52:38,319
Speaker 5: ballet and about and about opera and how small they are,

1224
00:52:38,480 --> 00:52:40,520
Speaker 5: and no one really gives a rats. He said that

1225
00:52:40,600 --> 00:52:43,320
Speaker 5: a couple of times. So how do you feel Timothy

1226
00:52:43,440 --> 00:52:46,120
Speaker 5: Charlemagne and what he said? Does it pass the pub test?

1227
00:52:47,040 --> 00:52:48,000
Speaker 11: No, No, it's not.

1228
00:52:48,120 --> 00:52:50,680
Speaker 12: Cal's just got a lot to learn, that's all.

1229
00:52:51,320 --> 00:52:53,440
Speaker 6: He's only young and he just doesn't have to just

1230
00:52:53,520 --> 00:52:55,799
Speaker 6: spear away. He's in the arts, so you can't turn

1231
00:52:55,880 --> 00:52:56,520
Speaker 6: a I don't know.

1232
00:52:56,680 --> 00:52:58,120
Speaker 1: I just think not well, I don't know.

1233
00:52:58,280 --> 00:53:00,680
Speaker 6: I think he should just be more offensive, like you know,

1234
00:53:00,760 --> 00:53:03,080
Speaker 6: it's the opera and the ballet, like I don't know.

1235
00:53:03,360 --> 00:53:04,600
Speaker 11: About the ballet comments.

1236
00:53:04,680 --> 00:53:06,520
Speaker 8: So for me, it's just unnecessary.

1237
00:53:06,640 --> 00:53:08,719
Speaker 6: They didn't come for him. I'm not sure why he's

1238
00:53:09,120 --> 00:53:10,480
Speaker 6: feeling the need to come for them.

1239
00:53:11,280 --> 00:53:14,359
Speaker 11: Look, it probably does. He's going to write to say

1240
00:53:14,400 --> 00:53:17,200
Speaker 11: what he wants and personally, I don't know the god.

1241
00:53:17,280 --> 00:53:19,440
Speaker 11: You could put him in a line up with Scooby

1242
00:53:19,480 --> 00:53:21,879
Speaker 11: Doo and Squeaky the Space He and or pick Scooby Doo,

1243
00:53:21,920 --> 00:53:23,520
Speaker 11: but wouldn't know the difference with the other two.

1244
00:53:23,719 --> 00:53:26,560
Speaker 6: No, absolutely not. And he's you know, dot in one

1245
00:53:26,600 --> 00:53:29,320
Speaker 6: of those cut ash ins. So I guess he's not busy.

1246
00:53:30,400 --> 00:53:31,399
Speaker 8: No, not at all.

1247
00:53:32,360 --> 00:53:33,200
Speaker 3: He's just annoying.

1248
00:53:33,520 --> 00:53:35,000
Speaker 5: I don't know.

1249
00:53:35,160 --> 00:53:36,359
Speaker 6: He just rubs me the wrong way.

1250
00:53:36,880 --> 00:53:39,120
Speaker 5: I like that comment. You can put him with Scooby Doo,

1251
00:53:39,480 --> 00:53:41,840
Speaker 5: Squeaky the Space House. I know Scooby Doo, but I

1252
00:53:41,880 --> 00:53:45,800
Speaker 5: don't know the other two. You know, why bring up Squeaky?

1253
00:53:45,840 --> 00:53:46,360
Speaker 12: This two.

1254
00:53:47,719 --> 00:53:49,120
Speaker 1: Figures and one's a human, but.

1255
00:53:49,200 --> 00:53:51,480
Speaker 5: One he doesn't know. Why would he bring up one

1256
00:53:51,520 --> 00:53:51,960
Speaker 5: he doesn't know?

1257
00:53:52,160 --> 00:53:54,040
Speaker 7: You know, down at the Jonesy's man of arms. There's

1258
00:53:54,040 --> 00:53:54,600
Speaker 7: no judgment.

1259
00:53:54,640 --> 00:53:55,440
Speaker 5: It's no judgment.

1260
00:53:55,680 --> 00:54:00,279
Speaker 1: No judgment gem Gold, it's Jonesy demanded driving you with

1261
00:54:00,440 --> 00:54:01,000
Speaker 1: jam nation.

1262
00:54:01,360 --> 00:54:03,120
Speaker 5: Well tomorrow is Tuesday.

1263
00:54:03,360 --> 00:54:03,520
Speaker 10: Now.

1264
00:54:03,600 --> 00:54:07,600
Speaker 5: When I first mooted tinhat Tuesday, I thought we'd do

1265
00:54:07,680 --> 00:54:10,160
Speaker 5: it as a one off and get some interesting and

1266
00:54:10,239 --> 00:54:14,680
Speaker 5: funny conspiracy theories. It has gone crazy. Every week we

1267
00:54:14,760 --> 00:54:16,680
Speaker 5: are getting more and more of these. Last week we

1268
00:54:16,800 --> 00:54:21,000
Speaker 5: got two and a half million views on the conversation

1269
00:54:21,280 --> 00:54:25,000
Speaker 5: we had that I'd read a conspiracy theory. I don't

1270
00:54:25,040 --> 00:54:30,480
Speaker 5: believe this that Ann Hesh who had been the partner

1271
00:54:30,560 --> 00:54:34,360
Speaker 5: of Ellen DeGeneres, that when Ane Hash they'd broken up Hash,

1272
00:54:34,920 --> 00:54:38,160
Speaker 5: when she'd passed away, when she'd burnt in a fire,

1273
00:54:38,800 --> 00:54:43,800
Speaker 5: that Ellen had eaten her, had cannibalized her, and a

1274
00:54:43,880 --> 00:54:46,320
Speaker 5: lot of some of the comments are saying, I'd believe anything.

1275
00:54:46,520 --> 00:54:48,279
Speaker 5: Some of the comps are saying, thank goodness people are

1276
00:54:48,320 --> 00:54:49,040
Speaker 5: now talking about this.

1277
00:54:49,160 --> 00:54:51,040
Speaker 7: But there's some people saying that she stashed her in

1278
00:54:51,120 --> 00:54:53,920
Speaker 7: the in the fridge? Are they in table? We're all

1279
00:54:54,000 --> 00:54:56,120
Speaker 7: labeled GYDA.

1280
00:54:55,560 --> 00:54:58,320
Speaker 1: Really all labeled, well, it would be labeled, you know,

1281
00:54:59,560 --> 00:55:00,440
Speaker 1: it doesn't off.

1282
00:55:01,040 --> 00:55:03,719
Speaker 5: Is that an Oliver and I you'd like to know?

1283
00:55:04,160 --> 00:55:06,479
Speaker 5: So anyway, that got two and a half million views

1284
00:55:06,520 --> 00:55:09,520
Speaker 5: the world is indeed cooked. But I'm leaning into it.

1285
00:55:09,680 --> 00:55:10,600
Speaker 1: Why are we leaning into it?

1286
00:55:10,680 --> 00:55:12,640
Speaker 5: So tomorrow we've got our tin hats, We've got our

1287
00:55:12,680 --> 00:55:13,280
Speaker 5: theme tune.

1288
00:55:16,040 --> 00:55:16,759
Speaker 7: Can I go early?

1289
00:55:17,160 --> 00:55:18,080
Speaker 5: It's early we're going to do?

1290
00:55:18,480 --> 00:55:21,319
Speaker 1: Is it just me? What's with the Apple iPhone? Most

1291
00:55:21,400 --> 00:55:24,520
Speaker 1: recent update? It's just mucking my phone up? There's all

1292
00:55:24,600 --> 00:55:28,360
Speaker 1: these little glitches that have come through. Texting is all strange.

1293
00:55:28,440 --> 00:55:29,680
Speaker 1: What's going on is.

1294
00:55:29,719 --> 00:55:32,160
Speaker 5: Your conspiracy theory that it's built in obsolescence so you

1295
00:55:32,200 --> 00:55:32,719
Speaker 5: have to buy another?

1296
00:55:32,880 --> 00:55:34,719
Speaker 1: Yeah, because people say, oh, you got to do your update,

1297
00:55:34,760 --> 00:55:36,359
Speaker 1: You've got to do your update. But here I am

1298
00:55:36,680 --> 00:55:37,520
Speaker 1: what's going on?

1299
00:55:39,080 --> 00:55:40,640
Speaker 5: You haven't said what you think is going on?

1300
00:55:40,840 --> 00:55:42,600
Speaker 1: Well, that's what the conspiracy is. I don't know.

1301
00:55:43,760 --> 00:55:46,719
Speaker 5: Rather like Steve jobs to you, but that's like saying, oh,

1302
00:55:46,760 --> 00:55:50,160
Speaker 5: into the shop and you have any pies. Where's the conspiracy?

1303
00:55:50,400 --> 00:55:51,680
Speaker 1: No, what's going on?

1304
00:55:51,840 --> 00:55:52,680
Speaker 7: It's a conspiracy?

1305
00:55:52,800 --> 00:55:57,520
Speaker 1: So you buy? Do you have to give us the conspiracy?

1306
00:55:59,160 --> 00:56:01,040
Speaker 7: Well formulated better argument to him?

1307
00:56:01,200 --> 00:56:03,960
Speaker 5: I'd appreciate it. Please, We're not going to get two

1308
00:56:03,960 --> 00:56:05,080
Speaker 5: point five million views for.

1309
00:56:07,080 --> 00:56:10,640
Speaker 1: We'll see you then, good day to you. Well, thank

1310
00:56:10,760 --> 00:56:11,600
Speaker 1: god that's over.

1311
00:56:12,320 --> 00:56:15,360
Speaker 2: Catch up on the jonesy and Demanda podcast. Download the

1312
00:56:15,440 --> 00:56:16,680
Speaker 2: free iHeart.

1313
00:56:16,320 --> 00:56:19,560
Speaker 1: App Now, Let's skip the hell out of here.

1314
00:56:21,960 --> 00:56:26,040
Speaker 2: Here every second of Jonesy and Demanda on demand. Search

1315
00:56:26,120 --> 00:56:27,640
Speaker 2: for us now on the iHeart app