WEBVTT - Floor is lava 🌋

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<v Speaker 1>Have you ever looked at one of your coworkers, friends,

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<v Speaker 1>or even family members and wondered if there was something

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<v Speaker 1>they were keeping hidden from you. If only there was

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<v Speaker 1>someone that talented, that hard working, that damn gorgeous you

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<v Speaker 1>could do the work for you.

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<v Speaker 2>Well there is. It's me, Artsimone.

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<v Speaker 1>I'm uncovering the interesting jobs, hobbies and secrets seemingly normal

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<v Speaker 1>people are keeping concealed. The catch is I don't know

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<v Speaker 1>who was about to walk through the door or what

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<v Speaker 1>they're hiding, but I'll use my amazing detective skills so

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<v Speaker 1>we can uncover it together. Welcome to Concealed with Art Simone.

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<v Speaker 1>Speaking of the guests, Oh, here they are, roll the tipe.

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<v Speaker 3>Hi. My name is Steven. I'm a mechanical engineer. I

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<v Speaker 3>moved to city eight years ago from the UK. I

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<v Speaker 3>also work as a personal trainer, so I love my

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<v Speaker 3>fitness mountain claiming running, and I also like listening to music.

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<v Speaker 3>I don't think Art will be able to guess what

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<v Speaker 3>I'm concealing today, because even though she may have seen

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<v Speaker 3>me before, she probably wouldn't recognize me.

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<v Speaker 2>Oh stumiand love me to meet you.

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<v Speaker 3>Nice to meet you.

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<v Speaker 1>Oh my goodness, now you sit in front of your

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<v Speaker 1>dress very nicely, very suave.

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<v Speaker 2>Dare I say, thank you very much.

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<v Speaker 3>I say the same thing about you, thank.

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<v Speaker 1>You, thank you. You've got this beautiful, nice shirt on.

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<v Speaker 1>You've got a nice jumper draped around you shoulders. Dare

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<v Speaker 1>I say a little bit preppy? Is it like preppy style?

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<v Speaker 1>Is that what you call it?

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<v Speaker 2>Would you call yourself preppy?

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<v Speaker 3>I'm more of casual. I just call myself casual.

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<v Speaker 1>Oh that's very dressed up in my books for me,

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<v Speaker 1>you know, if I'm not wearing drag, I mean like

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<v Speaker 1>a T shirt and jeans. So you're very clean cut,

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<v Speaker 1>you're well groomed.

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<v Speaker 3>Thank you.

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<v Speaker 2>And you were like you're a big boy.

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<v Speaker 1>A shirt is quite a tart around the biceptal area.

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<v Speaker 2>I don't think that's actually what they're called, but I am.

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<v Speaker 3>I am flattered. You've just lead me down with compliments.

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<v Speaker 1>Well, no, it's true though. I like what I see, darling. Okay,

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<v Speaker 1>so you've said you're a mechanical engineer. Okay, so you're

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<v Speaker 1>smart as well? Or is that or is that a

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<v Speaker 1>fancy term for something that's actually like easy? What does

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<v Speaker 1>that involve? What do you engineer with the mechanics.

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<v Speaker 3>Well, I'm capable of doing a lot of things, but

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<v Speaker 3>now I'm currently focused in HVAC, which is heating, ventilation

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<v Speaker 3>and air conditioning.

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<v Speaker 2>Wow, well, are you responsible this studio being so bloody

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<v Speaker 2>on at the moment?

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<v Speaker 3>Well, if I can see, you're the one beginnew.

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<v Speaker 2>Oh you picked it up just like I was hoping you.

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<v Speaker 3>Thank you, definitely, sure you're you're the one genuary.

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<v Speaker 2>I know, I know I look pretty.

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<v Speaker 1>I sound like a monster, but I look pretty and

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<v Speaker 1>I at least got that going for me. So you'd

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<v Speaker 1>like to do lots of sporting activities as well?

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<v Speaker 3>Yes, yes, I'm very athletic. I train a lot, exercise alte.

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<v Speaker 1>Wow, So about this stage, Stephen, we have nothing in common,

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<v Speaker 1>but that's okay. You could be the ying to my alright,

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<v Speaker 1>because I like sitting down, I like staying indoors. Not

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<v Speaker 1>very good with mechanics, you know, but you know, so

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<v Speaker 1>you know, we could balance each other out in this

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<v Speaker 1>afternoon in.

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<v Speaker 3>Order to say opposite.

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<v Speaker 2>The tracks exactly got the tension in the room today.

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<v Speaker 2>It's just beautiful.

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<v Speaker 1>So I'm going to ask you three questions, and to

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<v Speaker 1>the answers to those three questions, I have to somehow

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<v Speaker 1>try and work out what you are contealing from me.

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<v Speaker 2>Steven, all right, are you ready?

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<v Speaker 3>Okay, I'm ready.

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<v Speaker 1>Question number one, who would you choose to play you

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<v Speaker 1>in a film.

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<v Speaker 2>You film about your life? Well, it could be any

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<v Speaker 2>type of film.

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<v Speaker 3>It would biopic. You read my mind exactly. I would

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<v Speaker 3>choose someone who's athletic, build fit, strong, and is capable

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<v Speaker 3>of handling tough situations.

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<v Speaker 2>Is there anyone that would come to mind?

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<v Speaker 3>Anyone in particular that?

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<v Speaker 1>And I think Meryl Streep I've seen. I think she

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<v Speaker 1>could play you quite well. I think she could play anyone.

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<v Speaker 3>I think you know, I'll go for Oh, this is

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<v Speaker 3>this amazing American actor. His name is Idris Albert.

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<v Speaker 2>Oh.

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<v Speaker 1>I don't know who that is, but I'm sure that

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<v Speaker 1>everything that you've said, and I can't wait to google

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<v Speaker 1>them after this.

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<v Speaker 2>I mean, I could do it now, but I don't.

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<v Speaker 3>Will You'll be fascinated of what you've see?

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<v Speaker 2>Okay, all right, okay. Question number two, what is the

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<v Speaker 2>last book you read?

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<v Speaker 3>Double Star by Heineman.

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<v Speaker 1>I feel like I'm talking a different language at the moment,

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<v Speaker 1>but a double Star.

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<v Speaker 3>Double Star. It's titled Double Stars, so child, it's about

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<v Speaker 3>the low down rundown actor. It's science fiction. But he's

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<v Speaker 3>living on Mars, so he's contracted to act as someone else.

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<v Speaker 3>And he's an actor on Mars. Yes, on Mars, so

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<v Speaker 3>he plays the role quite great.

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<v Speaker 1>Oh wow, okay, all right, it sounds a bit trueman

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<v Speaker 1>showish a book about a star Mars person who's acting. Okay, beautiful,

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<v Speaker 1>And question number three, what is your most prized possession?

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<v Speaker 3>My price possession will be my body?

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<v Speaker 2>Your body. I was going to say, if the house

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<v Speaker 2>is burning down, what do you grab first? Yourself? Myself?

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<v Speaker 3>You got that right, You got that right?

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<v Speaker 1>Okay, all right, so you love yourself, beautiful.

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<v Speaker 2>Okay.

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<v Speaker 1>There was once a very tall drag queen that I

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<v Speaker 1>was on a TV show with her. She said, if

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<v Speaker 1>you can't love yourself, how you're gonna love anyone else?

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<v Speaker 1>So okay, all right, let me read your cap all right,

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<v Speaker 1>very intelligent, athletic. Someone to play you in a film

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<v Speaker 1>is It's all okay, we're getting vibes of body fitness. Okay, reading,

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<v Speaker 1>so it's good to know you can read. That's always

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<v Speaker 1>a good team. I can read. People can't read books.

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<v Speaker 1>I get bored sometimes. I like the ones of the

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<v Speaker 1>pictures magazines too shiny, but they do make great paper

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<v Speaker 1>mache because a lot too arts and crable.

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<v Speaker 3>Wow.

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<v Speaker 1>Okay, okay, Well, obviously I'm being led into a path

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<v Speaker 1>something involving being fit and strong, but I like to

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<v Speaker 1>keep it a bit kirky. So maybe you're like a

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<v Speaker 1>former astronaut. Are you a former astronaut?

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<v Speaker 3>Wrong? Even though I work as a mechanical engineer and

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<v Speaker 3>a personal trainer, I'm also a stunt double and I've

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<v Speaker 3>worked with the likes of Idris Albert on a recent

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<v Speaker 3>movie called three Thousand Years of Longing. I'm also starred

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<v Speaker 3>in a few upcoming movies.

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<v Speaker 2>Ah, do you're like a Hollywood stunt double? You're like famous?

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<v Speaker 3>Yes? What?

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<v Speaker 1>Oh my goodness, I stupid is not a former astronaut.

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<v Speaker 1>He's something even more exciting. He's a stunt performer.

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<v Speaker 2>What how does he jump off things? Does it hurt?

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<v Speaker 3>You know? How?

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<v Speaker 2>Is he breaking a bi And No? I don't know?

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<v Speaker 2>And well I found out who Idris Elbow is.

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<v Speaker 1>Please all right, so we're here was Steven And I've

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<v Speaker 1>just found out that No, Steven, you were not an

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<v Speaker 1>astronaut traveling all of the universe you're actually a Hollywood

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<v Speaker 1>stunt double exactly. Oh my goodness. Okay, all right, okay,

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<v Speaker 1>there's a lot that I need to know. First of all,

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<v Speaker 1>how did you get into being a stun double?

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<v Speaker 3>So in my case, I went to stunt school. I

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<v Speaker 3>didn't complete it though, yeah.

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<v Speaker 1>Mood, I went to ask school. I didn't finished to

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<v Speaker 1>day either and look at me nails.

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<v Speaker 3>And I predominantly learned a lot during the job. You

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<v Speaker 3>get guys who've been in the industry way longer than

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<v Speaker 3>you who would guide you through the called stunt coordinators. So,

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<v Speaker 3>for example, in the job I did for Idris recently,

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<v Speaker 3>I had to do a few diving courses. I had

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<v Speaker 3>to learn how to breathe without a tank on the water.

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<v Speaker 2>A better human men maid sorry, quite scary.

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<v Speaker 3>Quite a long period of time. So you get all

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<v Speaker 3>those skills and you get certified as you grow.

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<v Speaker 1>Yes, So in the world of stunts, what is like

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<v Speaker 1>the most mediocre thing that you could do, which is

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<v Speaker 1>I don't know, standing in a doorframe versus like, what's

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<v Speaker 1>the craziest thing you do? Because I feel like they

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<v Speaker 1>need the stunt doubles for everything and anything, whether it's

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<v Speaker 1>jumping off buildings, or sitting in the car.

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<v Speaker 3>So the most basic thing will be jumping off of building,

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<v Speaker 3>which is what you just said.

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<v Speaker 2>It's like, yes, the most basic, boring thing. I don't

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<v Speaker 2>just jump off buildings.

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<v Speaker 3>Yes. So the way it works in the movie industry

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<v Speaker 3>is that the safety control is immense. So tell you

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<v Speaker 3>jump off a building. You strapped onto a harness, you're

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<v Speaker 3>connected to a rig, and as an engineer, for me,

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<v Speaker 3>it's simple calculation of this is safe, so my confidence

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<v Speaker 3>level goes higher. So even without that, it is still risky,

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<v Speaker 3>but the measures built in place are really really adequate.

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<v Speaker 1>Okay, so you say that jumping off a building is

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<v Speaker 1>the most basic thing you could do, how do we

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<v Speaker 1>even get started with that? Like, were you just really

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<v Speaker 1>good at the game The Flora's Lava and one day

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<v Speaker 1>you went, you know what I reckon?

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<v Speaker 2>I could jump off a building.

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<v Speaker 3>Now, yeah, jumping off buildings. Before you start doing that,

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<v Speaker 3>you do some rehearsals, and the rehearsals is nothing like

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<v Speaker 3>you actually jumping off a building. You're strapped onto a rig,

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<v Speaker 3>but you're on the ground. So all you have to

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<v Speaker 3>do is you're going to simulate the feeling of running

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<v Speaker 3>and lifting yourself up and then the rig brings you

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<v Speaker 3>down gradually. But what they're trying to look for, especially

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<v Speaker 3>if it's an action movies, you're footing, what foot you

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<v Speaker 3>use to lift yourself up, how you lift yourself up,

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<v Speaker 3>because that will matter in your acceleration on the rig,

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<v Speaker 3>how you dissent, your posture, and your landing. So yeah,

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<v Speaker 3>there's a lot that goes into it. But I just

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<v Speaker 3>said that because that is the most basic thing will

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<v Speaker 3>get They will get anyone to do.

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<v Speaker 2>Yeah, but you're actually doing it.

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<v Speaker 1>Like, do you ever get grumpy when people get applauded

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<v Speaker 1>for your stunts? Like you're in the movies and you're

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<v Speaker 1>watching it together and it's like that was me. I'm

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<v Speaker 1>just one jumping off the building. You're like, guys, come on.

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<v Speaker 3>I'll tell you what that's. That's a very good question.

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<v Speaker 3>In fact, I just got off the phone with an

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<v Speaker 3>associate producer for a movie which I did, and it

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<v Speaker 3>was quite unfortunate because I wasn't credited for that movie

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<v Speaker 3>at all at all. Now they're they're they're in the

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<v Speaker 3>walks of sod In and Out. Yeah, but.

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<v Speaker 2>It's not anger. When someone doesn't tag me on Instagram, I'm.

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<v Speaker 3>Like, come on, I'm not there, but it's not the

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<v Speaker 3>first time it's happened. Because some sometimes these actors they

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<v Speaker 3>want the credit for that performance.

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<v Speaker 2>And I'm just like having a ghost rider, isn't it?

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<v Speaker 3>Yes, yes, yes it is. I'm signing.

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<v Speaker 2>I'm signed nda is it saying like, I'm not going

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<v Speaker 2>to go around and say.

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<v Speaker 3>Exactly, I've signed a contract as a performer. That's stay.

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<v Speaker 3>You will not disclose any information that you actually did

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<v Speaker 3>this start work for mister such and so and so

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<v Speaker 3>in this movie, and they pay you for it. So yeah,

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<v Speaker 3>you see to have much money. Yes, it's good money.

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<v Speaker 1>Well everyone, I just want to let you know that

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<v Speaker 1>I actually haven't been a stunt double for anyone, and

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<v Speaker 1>I'm not being told to be silenced.

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<v Speaker 2>But maybe I'm lying. You'll never know.

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<v Speaker 3>Yeah, it happens. Some actors want that credit.

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<v Speaker 1>That's crazy because you sometimes read articles like yeah, I

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<v Speaker 1>did all the stunts myself, really proud of myself. I'm like, yeah, yeah, true,

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<v Speaker 1>you're too valuable. Like if you mess yourself up a bit.

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<v Speaker 3>Exactly like this, it's not realistic. Yeah, you get it scratched.

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<v Speaker 3>I mean you can't work exactly. I've done things where

0:11:44.400 --> 0:11:46.439
<v Speaker 3>I've done for they two takes on just the jump.

0:11:46.480 --> 0:11:47.320
<v Speaker 2>How rigorous is it?

0:11:47.360 --> 0:11:47.440
<v Speaker 1>Like?

0:11:47.440 --> 0:11:49.120
<v Speaker 2>How many times you have to keep doing things over

0:11:49.160 --> 0:11:49.920
<v Speaker 2>and over and over again.

0:11:50.200 --> 0:11:54.520
<v Speaker 3>It predominantly depends on the director. The most recent stuff

0:11:54.559 --> 0:11:56.960
<v Speaker 3>I did, I got in there, I was strapped to

0:11:57.000 --> 0:12:00.640
<v Speaker 3>the harness. I did my role, and I got it

0:12:00.679 --> 0:12:04.240
<v Speaker 3>on the first take, like exactly. But you find out

0:12:04.240 --> 0:12:08.080
<v Speaker 3>that really really good directors want it from every angle.

0:12:08.160 --> 0:12:10.480
<v Speaker 3>They want to assume from every point of view. They

0:12:10.559 --> 0:12:13.679
<v Speaker 3>might want you raising your hand this way, raising your

0:12:13.679 --> 0:12:16.680
<v Speaker 3>hand that way. So you find out you do a

0:12:16.760 --> 0:12:21.400
<v Speaker 3>minimum of, if the director is reasonable, forty two takes.

0:12:21.400 --> 0:12:23.760
<v Speaker 3>So yeah, a minimum of.

0:12:23.720 --> 0:12:25.480
<v Speaker 1>That kind of get at a bed in the morning

0:12:25.520 --> 0:12:28.040
<v Speaker 1>sometimes like forty two times.

0:12:28.160 --> 0:12:30.400
<v Speaker 3>Yeah, and uh yeah, and that's what you're being paid for.

0:12:30.520 --> 0:12:33.440
<v Speaker 3>And you can't complain. I mean, I don't complain. So

0:12:33.920 --> 0:12:36.360
<v Speaker 3>you do it and you're in pain. Yeah, and they're

0:12:36.360 --> 0:12:39.000
<v Speaker 3>constantly asking you are you good, and you're like, yeah.

0:12:39.120 --> 0:12:41.840
<v Speaker 2>You got it. You're the first one to complain. They're like,

0:12:41.920 --> 0:12:45.280
<v Speaker 2>out that did in lockstep staying with.

0:12:45.320 --> 0:12:50.800
<v Speaker 3>Winging exactly, and yeah, I've done jumps where I did

0:12:51.080 --> 0:12:54.680
<v Speaker 3>fifty takes and each time you jump down and a

0:12:54.760 --> 0:12:57.600
<v Speaker 3>harness it springs you up. You do that one or

0:12:57.600 --> 0:13:00.720
<v Speaker 3>two times and you're sore. Yeah, and you can imagine

0:13:00.720 --> 0:13:04.440
<v Speaker 3>doing it for fifty two takes and when you're done

0:13:04.640 --> 0:13:06.440
<v Speaker 3>the next day you're something else.

0:13:06.440 --> 0:13:11.319
<v Speaker 1>It's like a meat puppet. It's the right sling shot.

0:13:11.360 --> 0:13:13.960
<v Speaker 1>You hear and there and you have to go, thanks guys.

0:13:14.040 --> 0:13:16.400
<v Speaker 3>And the interesting thing is, you see, that's what you

0:13:16.480 --> 0:13:19.160
<v Speaker 3>learn to appreciate the beauty of movies. I don't see

0:13:19.200 --> 0:13:21.400
<v Speaker 3>movies the way people normal people see it.

0:13:21.440 --> 0:13:23.480
<v Speaker 2>As soon as you work in television or anything.

0:13:23.600 --> 0:13:27.000
<v Speaker 3>That one minute action scene that took a whole day

0:13:27.240 --> 0:13:30.800
<v Speaker 3>of thirteen hours, I look at it as Wow, that's

0:13:31.000 --> 0:13:33.800
<v Speaker 3>just thirteen hours gone like this in one minute.

0:13:33.960 --> 0:13:36.080
<v Speaker 1>And for me, I get really distracted because I know

0:13:36.160 --> 0:13:39.320
<v Speaker 1>lots about hair, makeup and wigs and costumes. So I'd

0:13:39.360 --> 0:13:41.760
<v Speaker 1>be like watching Game of Thrones, I'm like, wig, wig,

0:13:42.200 --> 0:13:43.920
<v Speaker 1>it's a week. And I'll be watching my friends and

0:13:43.960 --> 0:13:45.800
<v Speaker 1>be like, we're ruining it, like it's a week. Look

0:13:45.840 --> 0:13:47.560
<v Speaker 1>you can see the wig line. They're like, shut up,

0:13:47.600 --> 0:13:49.240
<v Speaker 1>we're trying to get in the mood and like week.

0:13:49.600 --> 0:13:53.320
<v Speaker 1>So you know, I totally get it. What is the

0:13:53.320 --> 0:13:55.280
<v Speaker 1>most dangerous thing you've ever had to do. What's the

0:13:55.320 --> 0:13:58.520
<v Speaker 1>craziest thing besides shopping up buildings? That's crazy to make

0:13:58.600 --> 0:13:59.400
<v Speaker 1>you probably.

0:13:59.160 --> 0:14:04.120
<v Speaker 3>Not personally jumping off a moving truck moving about sixty

0:14:04.760 --> 0:14:07.360
<v Speaker 3>per hour onto another moving na.

0:14:08.320 --> 0:14:10.719
<v Speaker 1>Yeah, how did you train with something like that? You

0:14:10.760 --> 0:14:12.720
<v Speaker 1>get to go in and do a few runs before like.

0:14:12.840 --> 0:14:16.600
<v Speaker 3>Okay, So those are these scenes where you will probably

0:14:17.200 --> 0:14:20.080
<v Speaker 3>have to get on a first take or you add

0:14:20.160 --> 0:14:21.000
<v Speaker 3>max you do for.

0:14:21.160 --> 0:14:24.640
<v Speaker 1>Tax If you don't get on the best sect, you're

0:14:24.680 --> 0:14:26.160
<v Speaker 1>on the grand he beIN run out of a back car.

0:14:26.880 --> 0:14:30.360
<v Speaker 3>Back in the days, you would have these stump performers

0:14:30.760 --> 0:14:33.600
<v Speaker 3>jump off a car and they're meant to do a

0:14:33.720 --> 0:14:37.160
<v Speaker 3>jump while the car is moving and jump onto another platform,

0:14:37.200 --> 0:14:39.760
<v Speaker 3>but they end up missing their footing and landing and

0:14:39.800 --> 0:14:43.280
<v Speaker 3>smashing their leg and it actor goes like, all right.

0:14:43.320 --> 0:14:45.160
<v Speaker 2>Get oh my god.

0:14:45.800 --> 0:14:48.000
<v Speaker 1>You know, yeah, I guess like in this day nagic

0:14:48.280 --> 0:14:49.720
<v Speaker 1>there's a lot more safety behind it.

0:14:49.960 --> 0:14:53.040
<v Speaker 3>But yes, there's a lot more safety, but like I said,

0:14:53.080 --> 0:14:56.040
<v Speaker 3>it all depends on the director, and it all depends

0:14:56.080 --> 0:14:59.800
<v Speaker 3>on the availability of performers who look like the actor.

0:15:00.200 --> 0:15:03.400
<v Speaker 1>Yes, that's like camera technology has gotten a lot better

0:15:03.440 --> 0:15:05.400
<v Speaker 1>and HD exists. You have to kind of look a

0:15:05.440 --> 0:15:06.800
<v Speaker 1>little bit more similar to the person.

0:15:06.920 --> 0:15:10.040
<v Speaker 3>Yes, in terms of size and measures. There you have

0:15:10.120 --> 0:15:12.440
<v Speaker 3>to be as close as possible.

0:15:12.600 --> 0:15:15.920
<v Speaker 1>Have you ever had to bulk up or shrink down

0:15:16.040 --> 0:15:17.400
<v Speaker 1>to match someone more?

0:15:17.760 --> 0:15:21.360
<v Speaker 3>Yes, I've had to bulk up. So I have to

0:15:21.400 --> 0:15:23.960
<v Speaker 3>cut a few types of training, probably have to stop

0:15:24.040 --> 0:15:26.080
<v Speaker 3>running for a while, start eating more.

0:15:26.680 --> 0:15:32.480
<v Speaker 1>Stop running. I've actually been bulking this whole time. How

0:15:32.480 --> 0:15:33.920
<v Speaker 1>did you get matched up with Idris?

0:15:34.120 --> 0:15:34.360
<v Speaker 2>To be?

0:15:35.400 --> 0:15:38.760
<v Speaker 3>Okay? So I got a call from a friend in

0:15:38.800 --> 0:15:44.000
<v Speaker 3>the industry. She called me up to do some fittings work.

0:15:44.760 --> 0:15:46.560
<v Speaker 3>So in a sense, I was just going to be

0:15:47.480 --> 0:15:51.280
<v Speaker 3>a proper guy to size out his costume. And I

0:15:51.320 --> 0:15:53.680
<v Speaker 3>did that, and then I met this beautiful lady called

0:15:54.080 --> 0:15:58.920
<v Speaker 3>Kim Barrett. Beautiful, she's done jobs, like big jobs in Akoman,

0:15:59.080 --> 0:16:02.160
<v Speaker 3>and she's designed heaps of stuff. And then she looks

0:16:02.160 --> 0:16:05.200
<v Speaker 3>at me and she goes like, would you be interested

0:16:05.320 --> 0:16:09.800
<v Speaker 3>in doing something for Idris? And I'm like, yeah, sure,

0:16:09.800 --> 0:16:13.000
<v Speaker 3>why not? That's why I went through And the directors

0:16:13.040 --> 0:16:17.160
<v Speaker 3>loved me, and but it being better boom.

0:16:16.000 --> 0:16:18.720
<v Speaker 2>And now have you done more than one film with

0:16:19.000 --> 0:16:19.880
<v Speaker 2>for Adris?

0:16:20.480 --> 0:16:20.640
<v Speaker 3>No?

0:16:21.120 --> 0:16:23.280
<v Speaker 2>Unfortunately, might we just get to travel with him?

0:16:24.400 --> 0:16:24.640
<v Speaker 3>Yes?

0:16:25.480 --> 0:16:27.400
<v Speaker 2>I did I don't care if it's a rom com out.

0:16:28.320 --> 0:16:33.400
<v Speaker 3>I did secretly make contact with him, and he's put

0:16:33.440 --> 0:16:37.760
<v Speaker 3>me on a list of his future productions.

0:16:36.920 --> 0:16:39.640
<v Speaker 2>And do you have competition? Has there have been other

0:16:39.640 --> 0:16:43.600
<v Speaker 2>people that have been stunted performance for him? And yess yeah.

0:16:43.840 --> 0:16:45.800
<v Speaker 3>But I don't know what he was being nice to me,

0:16:45.920 --> 0:16:48.680
<v Speaker 3>but he says he loves me, and he.

0:16:48.720 --> 0:16:50.280
<v Speaker 1>Probably looked at you said, yeah, it's not looking in

0:16:50.320 --> 0:16:52.560
<v Speaker 1>the mirror. He said, yeah, I look just like that.

0:16:52.840 --> 0:16:57.000
<v Speaker 3>He's a lovely guy. I've been around a few top celebrities,

0:16:57.120 --> 0:17:00.800
<v Speaker 3>but he's by far demos humble love. Man.

0:17:00.920 --> 0:17:03.440
<v Speaker 2>That's so good to hear, though, because you know you

0:17:03.440 --> 0:17:03.960
<v Speaker 2>don't want.

0:17:03.800 --> 0:17:06.680
<v Speaker 3>To work with the No, you don't, you don't, well

0:17:06.960 --> 0:17:10.040
<v Speaker 3>imagine being if the price is right. Yes, I really

0:17:10.040 --> 0:17:10.480
<v Speaker 3>don't care.

0:17:13.720 --> 0:17:16.360
<v Speaker 2>Let's do it, right man, I really don't care.

0:17:16.480 --> 0:17:18.760
<v Speaker 3>Like I'm thinking about is money.

0:17:19.040 --> 0:17:20.960
<v Speaker 2>Like a true hustler.

0:17:21.240 --> 0:17:26.320
<v Speaker 3>I keep getting cameraman asking me, are you okay? You

0:17:26.440 --> 0:17:29.040
<v Speaker 3>do you want to stop? I'm like, my coordinator just

0:17:29.080 --> 0:17:32.520
<v Speaker 3>comes and says, we'll give you a bonus, a fantastic

0:17:32.600 --> 0:17:34.360
<v Speaker 3>let's do it. Let's do it.

0:17:35.160 --> 0:17:38.399
<v Speaker 1>I remember there's been some horred disking sometimes before and

0:17:38.400 --> 0:17:40.720
<v Speaker 1>they're like, you stay an extra hour and probably I'm

0:17:40.760 --> 0:17:43.720
<v Speaker 1>like smiling through my teeth and like, I'll give you

0:17:43.760 --> 0:17:47.600
<v Speaker 1>some extra money. I'm like, yes, I love all of you.

0:17:47.680 --> 0:17:50.760
<v Speaker 1>I'm already here. We keep going one another number.

0:17:50.840 --> 0:17:53.480
<v Speaker 3>Let's go just calms.

0:17:53.640 --> 0:17:57.919
<v Speaker 2>It's amazing. Have motivation from money, don't nowhere it is.

0:17:58.040 --> 0:17:59.680
<v Speaker 1>I think i'd be super strong too, and I could

0:17:59.680 --> 0:18:01.679
<v Speaker 1>do stuff if they paid me enough money. All right,

0:18:01.760 --> 0:18:05.000
<v Speaker 1>let's do it. Strap me up. So have you had

0:18:05.040 --> 0:18:06.000
<v Speaker 1>any injuries before?

0:18:06.320 --> 0:18:09.760
<v Speaker 3>Yeah, I've just had an injury on my deltoid here.

0:18:10.320 --> 0:18:12.080
<v Speaker 3>Beyond that, it's fine.

0:18:11.840 --> 0:18:13.600
<v Speaker 2>I'll say that that's the worst thing that's happened to

0:18:13.600 --> 0:18:14.840
<v Speaker 2>you a deli.

0:18:15.720 --> 0:18:17.880
<v Speaker 3>Yeah, but it was really bad because I fell on

0:18:17.920 --> 0:18:23.280
<v Speaker 3>my actual deltoid and my bone snapped off. Yeah yeah,

0:18:23.560 --> 0:18:24.040
<v Speaker 3>And uh.

0:18:24.560 --> 0:18:26.840
<v Speaker 1>So you guys just say, oh, injured my deltoid and

0:18:26.880 --> 0:18:28.679
<v Speaker 1>then and I fell up be like oh yeah, well

0:18:28.680 --> 0:18:29.840
<v Speaker 1>the bone snapped off, so.

0:18:30.000 --> 0:18:32.640
<v Speaker 3>It popped out and I was I was like that

0:18:32.680 --> 0:18:37.000
<v Speaker 3>for about three minutes. That was that was really excruciated.

0:18:37.000 --> 0:18:38.920
<v Speaker 2>Did you get the shot though, yes, I did.

0:18:38.960 --> 0:18:41.520
<v Speaker 3>You always get this shot. You get it shot in

0:18:41.560 --> 0:18:45.280
<v Speaker 3>the first Like I said, you get a shot even

0:18:45.320 --> 0:18:48.119
<v Speaker 3>if like when you're working, Yeah, the only reason you

0:18:48.160 --> 0:18:52.399
<v Speaker 3>would stop is because the health safety officer says, So

0:18:52.560 --> 0:18:56.359
<v Speaker 3>that's it. If not, man, then all it takes is

0:18:56.440 --> 0:18:58.880
<v Speaker 3>just really remember the contract you signed, how much you're

0:18:58.880 --> 0:19:01.680
<v Speaker 3>paying you and you knowing that you've already spent eight

0:19:01.720 --> 0:19:04.600
<v Speaker 3>hours and one more hour adds an extra too grande

0:19:04.680 --> 0:19:05.280
<v Speaker 3>your money.

0:19:05.480 --> 0:19:08.840
<v Speaker 1>So you're like, we're on overtime at the moment. Have

0:19:09.000 --> 0:19:12.800
<v Speaker 1>you been a stuntable for anyone else? Notable, coltiable, exciting?

0:19:12.960 --> 0:19:16.760
<v Speaker 3>Yes, I have, actually, but I'm not allowed. Those are

0:19:16.800 --> 0:19:20.280
<v Speaker 3>one of the Yeah, they're actually two people who I'm

0:19:20.320 --> 0:19:23.919
<v Speaker 3>really really I'm really proud of girl Streep.

0:19:25.560 --> 0:19:29.600
<v Speaker 2>I reckon right the right camerangles. You've got her shoulders.

0:19:29.680 --> 0:19:32.679
<v Speaker 1>She's been holding the entire film community on her shoulders

0:19:32.680 --> 0:19:34.800
<v Speaker 1>for so many years. They're just as big as yours now.

0:19:34.840 --> 0:19:35.760
<v Speaker 1>She's so strong.

0:19:36.560 --> 0:19:39.360
<v Speaker 2>Oh we love Meryl, Oh my days.

0:19:41.040 --> 0:19:42.800
<v Speaker 3>Why do I feel like you have a crush on

0:19:42.880 --> 0:19:43.440
<v Speaker 3>Meryl Street?

0:19:43.640 --> 0:19:50.160
<v Speaker 1>Everyone does, ye, queen because Meryl Streeps? Who should play

0:19:50.200 --> 0:19:50.960
<v Speaker 1>me in a biopic?

0:19:51.040 --> 0:19:52.560
<v Speaker 3>A definitely don't.

0:19:52.680 --> 0:19:54.240
<v Speaker 1>You'll probably dead by the time I get one, but

0:19:54.280 --> 0:19:57.159
<v Speaker 1>I'll be like wheel are out come on flap the

0:19:57.160 --> 0:19:59.040
<v Speaker 1>corps around. It will sep a lot better than I am.

0:19:59.119 --> 0:20:02.400
<v Speaker 1>So true, you could paint the corpse and it still

0:20:02.400 --> 0:20:05.200
<v Speaker 1>be the same. I got really dark, didn't it, Meryl Streep,

0:20:05.240 --> 0:20:10.520
<v Speaker 1>don't die. Please Today I want to put your stunt

0:20:10.720 --> 0:20:13.520
<v Speaker 1>performer skills to the test, because now you have to

0:20:13.560 --> 0:20:16.880
<v Speaker 1>be my stunt performer for me today in the podcast.

0:20:17.000 --> 0:20:18.920
<v Speaker 1>All right, I don't do anything physical, so you will

0:20:18.920 --> 0:20:23.960
<v Speaker 1>have to be performing performatively with your vocals and your expressions.

0:20:23.600 --> 0:20:24.480
<v Speaker 3>Which is hard.

0:20:24.880 --> 0:20:26.879
<v Speaker 1>So I want you to repeat after me. Okay, so

0:20:27.000 --> 0:20:29.560
<v Speaker 1>my iconic lines. Yeah, okay, repeat after me.

0:20:29.600 --> 0:20:32.439
<v Speaker 2>Here we go. Hello, I'm Art Simon.

0:20:32.960 --> 0:20:34.880
<v Speaker 3>Hello, I'm Art Simone.

0:20:35.320 --> 0:20:37.080
<v Speaker 1>All right, we'll work on that one. Okay, here's another one.

0:20:37.080 --> 0:20:39.800
<v Speaker 1>I'm well known for saying, well, I'm not here to

0:20:39.880 --> 0:20:40.760
<v Speaker 1>fuck spiders.

0:20:42.040 --> 0:20:44.240
<v Speaker 3>Well, I'm not here at fox s Vaders I was.

0:20:44.359 --> 0:20:47.199
<v Speaker 2>Okay, that's all right, Okay, all right.

0:20:47.320 --> 0:20:51.160
<v Speaker 1>Last one, and this is my probably most notorious infamous

0:20:51.200 --> 0:20:52.560
<v Speaker 1>thing that has come out of my mouth. I don't

0:20:52.560 --> 0:20:55.679
<v Speaker 1>even remember saying it, but this video footage, unfortunately, and

0:20:55.720 --> 0:20:56.439
<v Speaker 1>it goes to be like this.

0:20:57.040 --> 0:20:58.840
<v Speaker 2>I need to take myself back to that moment.

0:21:01.359 --> 0:21:08.000
<v Speaker 1>That means nothing, That means nothing, that was the best one. Actually,

0:21:08.160 --> 0:21:09.400
<v Speaker 1>that's good because I don't want to have to say

0:21:09.400 --> 0:21:10.240
<v Speaker 1>that line ever again.

0:21:10.359 --> 0:21:12.400
<v Speaker 2>So I'm gonna call you in.

0:21:14.280 --> 0:21:17.080
<v Speaker 1>Oh my God, and you can relive my trauma for

0:21:17.160 --> 0:21:18.080
<v Speaker 1>me instead of me doing it.

0:21:18.080 --> 0:21:18.879
<v Speaker 2>We'll give you a bonus.

0:21:18.880 --> 0:21:21.560
<v Speaker 3>It's okay, Yeah, that works for me. And that walks Frae.

0:21:31.920 --> 0:21:32.720
<v Speaker 2>So Stephen is.

0:21:32.640 --> 0:21:37.680
<v Speaker 1>Not an astronaut. Here's Idris Elbow. I just elbow woman

0:21:37.960 --> 0:21:40.199
<v Speaker 1>Idris Elvis stuck. I don't know who that is, but

0:21:40.240 --> 0:21:42.840
<v Speaker 1>the sun double for that person. And although it sounds

0:21:42.880 --> 0:21:44.760
<v Speaker 1>like it's great at that, I don't.

0:21:44.560 --> 0:21:47.000
<v Speaker 2>Think you could actually pass as being made. There's only

0:21:47.040 --> 0:21:50.520
<v Speaker 2>one art Simone. You've been listening to an iHeart Australia

0:21:50.600 --> 0:21:53.240
<v Speaker 2>and Kiss production concealed with Art Simone.

0:21:53.520 --> 0:21:55.679
<v Speaker 1>Listen for free on the iHeart app and listen to

0:21:55.720 --> 0:21:58.200
<v Speaker 1>your arts content and don't forget to check us out

0:21:58.200 --> 0:22:00.679
<v Speaker 1>on the socials and you can check out the Specimen

0:22:00.720 --> 0:22:03.639
<v Speaker 1>of a Man for Yourself or or Delicious