1 00:00:08,280 --> 00:00:10,840 Speaker 1: Have you ever looked at one of your coworkers, friends, 2 00:00:11,000 --> 00:00:13,240 Speaker 1: or even family members and wondered if there was something 3 00:00:13,280 --> 00:00:15,920 Speaker 1: they were keeping hidden from you. If only there was 4 00:00:16,000 --> 00:00:20,079 Speaker 1: someone that talented, that hard working, that damn gorgeous you 5 00:00:20,079 --> 00:00:21,320 Speaker 1: could do the work for you. 6 00:00:22,440 --> 00:00:25,040 Speaker 2: Well there is. It's me, Artsimone. 7 00:00:25,360 --> 00:00:29,400 Speaker 1: I'm uncovering the interesting jobs, hobbies and secrets seemingly normal 8 00:00:29,440 --> 00:00:32,400 Speaker 1: people are keeping concealed. The catch is I don't know 9 00:00:32,440 --> 00:00:34,280 Speaker 1: who was about to walk through the door or what 10 00:00:34,400 --> 00:00:38,040 Speaker 1: they're hiding, but I'll use my amazing detective skills so 11 00:00:38,040 --> 00:00:41,879 Speaker 1: we can uncover it together. Welcome to Concealed with Art Simone. 12 00:00:42,159 --> 00:00:47,080 Speaker 1: Speaking of the guests, Oh, here they are, roll the tipe. 13 00:00:48,440 --> 00:00:51,560 Speaker 3: Hi. My name is Steven. I'm a mechanical engineer. I 14 00:00:51,680 --> 00:00:54,400 Speaker 3: moved to city eight years ago from the UK. I 15 00:00:54,400 --> 00:00:56,880 Speaker 3: also work as a personal trainer, so I love my 16 00:00:56,960 --> 00:01:00,960 Speaker 3: fitness mountain claiming running, and I also like listening to music. 17 00:01:01,400 --> 00:01:03,320 Speaker 3: I don't think Art will be able to guess what 18 00:01:03,440 --> 00:01:06,480 Speaker 3: I'm concealing today, because even though she may have seen 19 00:01:06,480 --> 00:01:09,360 Speaker 3: me before, she probably wouldn't recognize me. 20 00:01:11,880 --> 00:01:13,640 Speaker 2: Oh stumiand love me to meet you. 21 00:01:13,920 --> 00:01:14,480 Speaker 3: Nice to meet you. 22 00:01:14,640 --> 00:01:16,959 Speaker 1: Oh my goodness, now you sit in front of your 23 00:01:17,040 --> 00:01:18,560 Speaker 1: dress very nicely, very suave. 24 00:01:18,640 --> 00:01:20,040 Speaker 2: Dare I say, thank you very much. 25 00:01:20,200 --> 00:01:22,080 Speaker 3: I say the same thing about you, thank. 26 00:01:21,920 --> 00:01:24,720 Speaker 1: You, thank you. You've got this beautiful, nice shirt on. 27 00:01:25,000 --> 00:01:27,160 Speaker 1: You've got a nice jumper draped around you shoulders. Dare 28 00:01:27,200 --> 00:01:29,960 Speaker 1: I say a little bit preppy? Is it like preppy style? 29 00:01:30,040 --> 00:01:30,920 Speaker 1: Is that what you call it? 30 00:01:31,200 --> 00:01:32,400 Speaker 2: Would you call yourself preppy? 31 00:01:32,760 --> 00:01:36,040 Speaker 3: I'm more of casual. I just call myself casual. 32 00:01:36,160 --> 00:01:38,240 Speaker 1: Oh that's very dressed up in my books for me, 33 00:01:38,480 --> 00:01:40,880 Speaker 1: you know, if I'm not wearing drag, I mean like 34 00:01:40,880 --> 00:01:43,320 Speaker 1: a T shirt and jeans. So you're very clean cut, 35 00:01:43,319 --> 00:01:44,080 Speaker 1: you're well groomed. 36 00:01:44,520 --> 00:01:44,920 Speaker 3: Thank you. 37 00:01:45,000 --> 00:01:47,319 Speaker 2: And you were like you're a big boy. 38 00:01:48,520 --> 00:01:52,120 Speaker 1: A shirt is quite a tart around the biceptal area. 39 00:01:52,240 --> 00:01:54,520 Speaker 2: I don't think that's actually what they're called, but I am. 40 00:01:54,720 --> 00:01:58,320 Speaker 3: I am flattered. You've just lead me down with compliments. 41 00:01:58,320 --> 00:02:01,720 Speaker 1: Well, no, it's true though. I like what I see, darling. Okay, 42 00:02:02,080 --> 00:02:06,320 Speaker 1: so you've said you're a mechanical engineer. Okay, so you're 43 00:02:06,360 --> 00:02:09,880 Speaker 1: smart as well? Or is that or is that a 44 00:02:09,919 --> 00:02:12,520 Speaker 1: fancy term for something that's actually like easy? What does 45 00:02:12,560 --> 00:02:15,240 Speaker 1: that involve? What do you engineer with the mechanics. 46 00:02:15,240 --> 00:02:18,320 Speaker 3: Well, I'm capable of doing a lot of things, but 47 00:02:18,440 --> 00:02:22,040 Speaker 3: now I'm currently focused in HVAC, which is heating, ventilation 48 00:02:22,200 --> 00:02:23,239 Speaker 3: and air conditioning. 49 00:02:23,600 --> 00:02:26,960 Speaker 2: Wow, well, are you responsible this studio being so bloody 50 00:02:27,040 --> 00:02:27,760 Speaker 2: on at the moment? 51 00:02:28,680 --> 00:02:31,880 Speaker 3: Well, if I can see, you're the one beginnew. 52 00:02:34,200 --> 00:02:36,760 Speaker 2: Oh you picked it up just like I was hoping you. 53 00:02:37,040 --> 00:02:40,080 Speaker 3: Thank you, definitely, sure you're you're the one genuary. 54 00:02:40,919 --> 00:02:42,400 Speaker 2: I know, I know I look pretty. 55 00:02:42,400 --> 00:02:44,240 Speaker 1: I sound like a monster, but I look pretty and 56 00:02:44,240 --> 00:02:46,520 Speaker 1: I at least got that going for me. So you'd 57 00:02:46,560 --> 00:02:48,240 Speaker 1: like to do lots of sporting activities as well? 58 00:02:48,440 --> 00:02:52,680 Speaker 3: Yes, yes, I'm very athletic. I train a lot, exercise alte. 59 00:02:52,800 --> 00:02:55,880 Speaker 1: Wow, So about this stage, Stephen, we have nothing in common, 60 00:02:58,080 --> 00:03:00,600 Speaker 1: but that's okay. You could be the ying to my alright, 61 00:03:00,639 --> 00:03:05,040 Speaker 1: because I like sitting down, I like staying indoors. Not 62 00:03:05,120 --> 00:03:08,160 Speaker 1: very good with mechanics, you know, but you know, so 63 00:03:08,480 --> 00:03:09,840 Speaker 1: you know, we could balance each other out in this 64 00:03:09,880 --> 00:03:10,840 Speaker 1: afternoon in. 65 00:03:10,960 --> 00:03:11,880 Speaker 3: Order to say opposite. 66 00:03:11,919 --> 00:03:15,320 Speaker 2: The tracks exactly got the tension in the room today. 67 00:03:15,600 --> 00:03:16,799 Speaker 2: It's just beautiful. 68 00:03:18,840 --> 00:03:21,400 Speaker 1: So I'm going to ask you three questions, and to 69 00:03:21,480 --> 00:03:24,280 Speaker 1: the answers to those three questions, I have to somehow 70 00:03:24,320 --> 00:03:26,600 Speaker 1: try and work out what you are contealing from me. 71 00:03:26,639 --> 00:03:28,080 Speaker 2: Steven, all right, are you ready? 72 00:03:28,240 --> 00:03:29,040 Speaker 3: Okay, I'm ready. 73 00:03:29,160 --> 00:03:32,760 Speaker 1: Question number one, who would you choose to play you 74 00:03:33,240 --> 00:03:34,200 Speaker 1: in a film. 75 00:03:34,000 --> 00:03:36,480 Speaker 2: You film about your life? Well, it could be any 76 00:03:36,480 --> 00:03:37,000 Speaker 2: type of film. 77 00:03:37,200 --> 00:03:43,800 Speaker 3: It would biopic. You read my mind exactly. I would 78 00:03:43,880 --> 00:03:50,680 Speaker 3: choose someone who's athletic, build fit, strong, and is capable 79 00:03:50,800 --> 00:03:53,360 Speaker 3: of handling tough situations. 80 00:03:54,120 --> 00:03:55,720 Speaker 2: Is there anyone that would come to mind? 81 00:03:56,640 --> 00:03:58,280 Speaker 3: Anyone in particular that? 82 00:03:58,320 --> 00:04:01,040 Speaker 1: And I think Meryl Streep I've seen. I think she 83 00:04:01,080 --> 00:04:03,760 Speaker 1: could play you quite well. I think she could play anyone. 84 00:04:03,920 --> 00:04:08,240 Speaker 3: I think you know, I'll go for Oh, this is 85 00:04:08,360 --> 00:04:13,080 Speaker 3: this amazing American actor. His name is Idris Albert. 86 00:04:13,480 --> 00:04:13,640 Speaker 2: Oh. 87 00:04:14,320 --> 00:04:16,159 Speaker 1: I don't know who that is, but I'm sure that 88 00:04:16,320 --> 00:04:19,520 Speaker 1: everything that you've said, and I can't wait to google 89 00:04:19,560 --> 00:04:20,039 Speaker 1: them after this. 90 00:04:20,240 --> 00:04:21,440 Speaker 2: I mean, I could do it now, but I don't. 91 00:04:21,480 --> 00:04:23,520 Speaker 3: Will You'll be fascinated of what you've see? 92 00:04:24,279 --> 00:04:27,719 Speaker 2: Okay, all right, okay. Question number two, what is the 93 00:04:27,800 --> 00:04:29,200 Speaker 2: last book you read? 94 00:04:30,600 --> 00:04:32,400 Speaker 3: Double Star by Heineman. 95 00:04:34,279 --> 00:04:36,479 Speaker 1: I feel like I'm talking a different language at the moment, 96 00:04:36,520 --> 00:04:39,200 Speaker 1: but a double Star. 97 00:04:39,160 --> 00:04:42,920 Speaker 3: Double Star. It's titled Double Stars, so child, it's about 98 00:04:42,920 --> 00:04:47,680 Speaker 3: the low down rundown actor. It's science fiction. But he's 99 00:04:48,120 --> 00:04:52,880 Speaker 3: living on Mars, so he's contracted to act as someone else. 100 00:04:53,040 --> 00:04:56,240 Speaker 3: And he's an actor on Mars. Yes, on Mars, so 101 00:04:56,320 --> 00:04:58,359 Speaker 3: he plays the role quite great. 102 00:04:58,640 --> 00:05:02,000 Speaker 1: Oh wow, okay, all right, it sounds a bit trueman 103 00:05:02,040 --> 00:05:07,000 Speaker 1: showish a book about a star Mars person who's acting. Okay, beautiful, 104 00:05:07,240 --> 00:05:11,520 Speaker 1: And question number three, what is your most prized possession? 105 00:05:12,600 --> 00:05:14,800 Speaker 3: My price possession will be my body? 106 00:05:15,160 --> 00:05:16,839 Speaker 2: Your body. I was going to say, if the house 107 00:05:16,880 --> 00:05:21,000 Speaker 2: is burning down, what do you grab first? Yourself? Myself? 108 00:05:22,160 --> 00:05:24,440 Speaker 3: You got that right, You got that right? 109 00:05:25,240 --> 00:05:29,160 Speaker 1: Okay, all right, so you love yourself, beautiful. 110 00:05:29,279 --> 00:05:29,559 Speaker 2: Okay. 111 00:05:29,800 --> 00:05:32,000 Speaker 1: There was once a very tall drag queen that I 112 00:05:32,040 --> 00:05:33,440 Speaker 1: was on a TV show with her. She said, if 113 00:05:33,440 --> 00:05:35,440 Speaker 1: you can't love yourself, how you're gonna love anyone else? 114 00:05:35,480 --> 00:05:38,160 Speaker 1: So okay, all right, let me read your cap all right, 115 00:05:38,279 --> 00:05:42,400 Speaker 1: very intelligent, athletic. Someone to play you in a film 116 00:05:42,480 --> 00:05:47,159 Speaker 1: is It's all okay, we're getting vibes of body fitness. Okay, reading, 117 00:05:47,360 --> 00:05:49,200 Speaker 1: so it's good to know you can read. That's always 118 00:05:49,200 --> 00:05:52,200 Speaker 1: a good team. I can read. People can't read books. 119 00:05:52,240 --> 00:05:54,000 Speaker 1: I get bored sometimes. I like the ones of the 120 00:05:54,040 --> 00:05:57,520 Speaker 1: pictures magazines too shiny, but they do make great paper 121 00:05:57,520 --> 00:05:59,080 Speaker 1: mache because a lot too arts and crable. 122 00:05:59,120 --> 00:05:59,360 Speaker 3: Wow. 123 00:06:00,600 --> 00:06:06,080 Speaker 1: Okay, okay, Well, obviously I'm being led into a path 124 00:06:06,279 --> 00:06:09,720 Speaker 1: something involving being fit and strong, but I like to 125 00:06:09,800 --> 00:06:15,560 Speaker 1: keep it a bit kirky. So maybe you're like a 126 00:06:15,600 --> 00:06:18,520 Speaker 1: former astronaut. Are you a former astronaut? 127 00:06:18,680 --> 00:06:24,480 Speaker 3: Wrong? Even though I work as a mechanical engineer and 128 00:06:24,520 --> 00:06:27,920 Speaker 3: a personal trainer, I'm also a stunt double and I've 129 00:06:27,960 --> 00:06:30,760 Speaker 3: worked with the likes of Idris Albert on a recent 130 00:06:30,880 --> 00:06:34,359 Speaker 3: movie called three Thousand Years of Longing. I'm also starred 131 00:06:34,400 --> 00:06:35,919 Speaker 3: in a few upcoming movies. 132 00:06:36,880 --> 00:06:39,799 Speaker 2: Ah, do you're like a Hollywood stunt double? You're like famous? 133 00:06:40,040 --> 00:06:40,520 Speaker 3: Yes? What? 134 00:06:43,400 --> 00:06:46,719 Speaker 1: Oh my goodness, I stupid is not a former astronaut. 135 00:06:46,760 --> 00:06:49,719 Speaker 1: He's something even more exciting. He's a stunt performer. 136 00:06:50,040 --> 00:06:52,880 Speaker 2: What how does he jump off things? Does it hurt? 137 00:06:52,920 --> 00:06:53,280 Speaker 3: You know? How? 138 00:06:53,320 --> 00:06:54,640 Speaker 2: Is he breaking a bi And No? I don't know? 139 00:06:54,960 --> 00:06:57,240 Speaker 2: And well I found out who Idris Elbow is. 140 00:06:57,320 --> 00:07:04,920 Speaker 1: Please all right, so we're here was Steven And I've 141 00:07:04,960 --> 00:07:07,200 Speaker 1: just found out that No, Steven, you were not an 142 00:07:07,240 --> 00:07:11,440 Speaker 1: astronaut traveling all of the universe you're actually a Hollywood 143 00:07:11,640 --> 00:07:16,040 Speaker 1: stunt double exactly. Oh my goodness. Okay, all right, okay, 144 00:07:16,240 --> 00:07:18,080 Speaker 1: there's a lot that I need to know. First of all, 145 00:07:18,800 --> 00:07:20,480 Speaker 1: how did you get into being a stun double? 146 00:07:20,880 --> 00:07:24,480 Speaker 3: So in my case, I went to stunt school. I 147 00:07:24,520 --> 00:07:27,840 Speaker 3: didn't complete it though, yeah. 148 00:07:27,160 --> 00:07:29,000 Speaker 1: Mood, I went to ask school. I didn't finished to 149 00:07:29,040 --> 00:07:30,720 Speaker 1: day either and look at me nails. 150 00:07:30,760 --> 00:07:34,440 Speaker 3: And I predominantly learned a lot during the job. You 151 00:07:34,520 --> 00:07:37,480 Speaker 3: get guys who've been in the industry way longer than 152 00:07:37,520 --> 00:07:42,440 Speaker 3: you who would guide you through the called stunt coordinators. So, 153 00:07:43,240 --> 00:07:47,040 Speaker 3: for example, in the job I did for Idris recently, 154 00:07:47,280 --> 00:07:50,200 Speaker 3: I had to do a few diving courses. I had 155 00:07:50,200 --> 00:07:53,440 Speaker 3: to learn how to breathe without a tank on the water. 156 00:07:54,520 --> 00:07:59,560 Speaker 2: A better human men maid sorry, quite scary. 157 00:07:59,320 --> 00:08:01,760 Speaker 3: Quite a long period of time. So you get all 158 00:08:01,800 --> 00:08:05,080 Speaker 3: those skills and you get certified as you grow. 159 00:08:05,240 --> 00:08:09,840 Speaker 1: Yes, So in the world of stunts, what is like 160 00:08:10,440 --> 00:08:12,640 Speaker 1: the most mediocre thing that you could do, which is 161 00:08:12,640 --> 00:08:15,680 Speaker 1: I don't know, standing in a doorframe versus like, what's 162 00:08:15,720 --> 00:08:17,480 Speaker 1: the craziest thing you do? Because I feel like they 163 00:08:18,080 --> 00:08:20,440 Speaker 1: need the stunt doubles for everything and anything, whether it's 164 00:08:20,480 --> 00:08:22,800 Speaker 1: jumping off buildings, or sitting in the car. 165 00:08:23,120 --> 00:08:26,560 Speaker 3: So the most basic thing will be jumping off of building, 166 00:08:28,480 --> 00:08:29,600 Speaker 3: which is what you just said. 167 00:08:30,960 --> 00:08:34,280 Speaker 2: It's like, yes, the most basic, boring thing. I don't 168 00:08:34,320 --> 00:08:35,320 Speaker 2: just jump off buildings. 169 00:08:35,440 --> 00:08:38,120 Speaker 3: Yes. So the way it works in the movie industry 170 00:08:38,160 --> 00:08:42,320 Speaker 3: is that the safety control is immense. So tell you 171 00:08:42,440 --> 00:08:45,040 Speaker 3: jump off a building. You strapped onto a harness, you're 172 00:08:45,040 --> 00:08:47,880 Speaker 3: connected to a rig, and as an engineer, for me, 173 00:08:48,080 --> 00:08:52,520 Speaker 3: it's simple calculation of this is safe, so my confidence 174 00:08:52,640 --> 00:08:58,000 Speaker 3: level goes higher. So even without that, it is still risky, 175 00:08:58,120 --> 00:09:01,720 Speaker 3: but the measures built in place are really really adequate. 176 00:09:01,960 --> 00:09:04,439 Speaker 1: Okay, so you say that jumping off a building is 177 00:09:04,480 --> 00:09:06,439 Speaker 1: the most basic thing you could do, how do we 178 00:09:06,480 --> 00:09:09,200 Speaker 1: even get started with that? Like, were you just really 179 00:09:09,200 --> 00:09:11,120 Speaker 1: good at the game The Flora's Lava and one day 180 00:09:11,120 --> 00:09:12,719 Speaker 1: you went, you know what I reckon? 181 00:09:12,760 --> 00:09:13,760 Speaker 2: I could jump off a building. 182 00:09:13,800 --> 00:09:18,840 Speaker 3: Now, yeah, jumping off buildings. Before you start doing that, 183 00:09:19,040 --> 00:09:22,520 Speaker 3: you do some rehearsals, and the rehearsals is nothing like 184 00:09:22,600 --> 00:09:25,400 Speaker 3: you actually jumping off a building. You're strapped onto a rig, 185 00:09:25,720 --> 00:09:28,240 Speaker 3: but you're on the ground. So all you have to 186 00:09:28,240 --> 00:09:31,760 Speaker 3: do is you're going to simulate the feeling of running 187 00:09:32,120 --> 00:09:35,360 Speaker 3: and lifting yourself up and then the rig brings you 188 00:09:35,440 --> 00:09:38,120 Speaker 3: down gradually. But what they're trying to look for, especially 189 00:09:38,120 --> 00:09:41,839 Speaker 3: if it's an action movies, you're footing, what foot you 190 00:09:41,960 --> 00:09:45,240 Speaker 3: use to lift yourself up, how you lift yourself up, 191 00:09:45,480 --> 00:09:48,520 Speaker 3: because that will matter in your acceleration on the rig, 192 00:09:49,160 --> 00:09:54,960 Speaker 3: how you dissent, your posture, and your landing. So yeah, 193 00:09:55,640 --> 00:09:57,120 Speaker 3: there's a lot that goes into it. But I just 194 00:09:57,160 --> 00:10:00,199 Speaker 3: said that because that is the most basic thing will 195 00:10:00,240 --> 00:10:01,720 Speaker 3: get They will get anyone to do. 196 00:10:01,840 --> 00:10:04,400 Speaker 2: Yeah, but you're actually doing it. 197 00:10:04,480 --> 00:10:06,800 Speaker 1: Like, do you ever get grumpy when people get applauded 198 00:10:06,800 --> 00:10:09,000 Speaker 1: for your stunts? Like you're in the movies and you're 199 00:10:09,000 --> 00:10:11,360 Speaker 1: watching it together and it's like that was me. I'm 200 00:10:11,400 --> 00:10:14,439 Speaker 1: just one jumping off the building. You're like, guys, come on. 201 00:10:14,600 --> 00:10:16,640 Speaker 3: I'll tell you what that's. That's a very good question. 202 00:10:16,760 --> 00:10:19,360 Speaker 3: In fact, I just got off the phone with an 203 00:10:19,400 --> 00:10:23,680 Speaker 3: associate producer for a movie which I did, and it 204 00:10:23,720 --> 00:10:27,160 Speaker 3: was quite unfortunate because I wasn't credited for that movie 205 00:10:27,400 --> 00:10:29,880 Speaker 3: at all at all. Now they're they're they're in the 206 00:10:29,920 --> 00:10:32,000 Speaker 3: walks of sod In and Out. Yeah, but. 207 00:10:34,120 --> 00:10:36,640 Speaker 2: It's not anger. When someone doesn't tag me on Instagram, I'm. 208 00:10:36,440 --> 00:10:40,560 Speaker 3: Like, come on, I'm not there, but it's not the 209 00:10:40,559 --> 00:10:45,040 Speaker 3: first time it's happened. Because some sometimes these actors they 210 00:10:45,120 --> 00:10:47,199 Speaker 3: want the credit for that performance. 211 00:10:47,679 --> 00:10:49,800 Speaker 2: And I'm just like having a ghost rider, isn't it? 212 00:10:49,920 --> 00:10:52,800 Speaker 3: Yes, yes, yes it is. I'm signing. 213 00:10:52,840 --> 00:10:55,520 Speaker 2: I'm signed nda is it saying like, I'm not going 214 00:10:55,600 --> 00:10:56,559 Speaker 2: to go around and say. 215 00:10:56,480 --> 00:10:59,959 Speaker 3: Exactly, I've signed a contract as a performer. That's stay. 216 00:11:00,920 --> 00:11:05,240 Speaker 3: You will not disclose any information that you actually did 217 00:11:05,320 --> 00:11:07,760 Speaker 3: this start work for mister such and so and so 218 00:11:08,240 --> 00:11:11,320 Speaker 3: in this movie, and they pay you for it. So yeah, 219 00:11:11,320 --> 00:11:14,800 Speaker 3: you see to have much money. Yes, it's good money. 220 00:11:14,800 --> 00:11:16,320 Speaker 1: Well everyone, I just want to let you know that 221 00:11:16,920 --> 00:11:19,360 Speaker 1: I actually haven't been a stunt double for anyone, and 222 00:11:19,360 --> 00:11:20,960 Speaker 1: I'm not being told to be silenced. 223 00:11:21,000 --> 00:11:22,960 Speaker 2: But maybe I'm lying. You'll never know. 224 00:11:23,280 --> 00:11:25,880 Speaker 3: Yeah, it happens. Some actors want that credit. 225 00:11:26,120 --> 00:11:29,080 Speaker 1: That's crazy because you sometimes read articles like yeah, I 226 00:11:29,080 --> 00:11:32,240 Speaker 1: did all the stunts myself, really proud of myself. I'm like, yeah, yeah, true, 227 00:11:32,480 --> 00:11:35,840 Speaker 1: you're too valuable. Like if you mess yourself up a bit. 228 00:11:35,960 --> 00:11:40,240 Speaker 3: Exactly like this, it's not realistic. Yeah, you get it scratched. 229 00:11:40,400 --> 00:11:43,720 Speaker 3: I mean you can't work exactly. I've done things where 230 00:11:44,400 --> 00:11:46,439 Speaker 3: I've done for they two takes on just the jump. 231 00:11:46,480 --> 00:11:47,320 Speaker 2: How rigorous is it? 232 00:11:47,360 --> 00:11:47,440 Speaker 1: Like? 233 00:11:47,440 --> 00:11:49,120 Speaker 2: How many times you have to keep doing things over 234 00:11:49,160 --> 00:11:49,920 Speaker 2: and over and over again. 235 00:11:50,200 --> 00:11:54,520 Speaker 3: It predominantly depends on the director. The most recent stuff 236 00:11:54,559 --> 00:11:56,960 Speaker 3: I did, I got in there, I was strapped to 237 00:11:57,000 --> 00:12:00,640 Speaker 3: the harness. I did my role, and I got it 238 00:12:00,679 --> 00:12:04,240 Speaker 3: on the first take, like exactly. But you find out 239 00:12:04,240 --> 00:12:08,080 Speaker 3: that really really good directors want it from every angle. 240 00:12:08,160 --> 00:12:10,480 Speaker 3: They want to assume from every point of view. They 241 00:12:10,559 --> 00:12:13,679 Speaker 3: might want you raising your hand this way, raising your 242 00:12:13,679 --> 00:12:16,680 Speaker 3: hand that way. So you find out you do a 243 00:12:16,760 --> 00:12:21,400 Speaker 3: minimum of, if the director is reasonable, forty two takes. 244 00:12:21,400 --> 00:12:23,760 Speaker 3: So yeah, a minimum of. 245 00:12:23,720 --> 00:12:25,480 Speaker 1: That kind of get at a bed in the morning 246 00:12:25,520 --> 00:12:28,040 Speaker 1: sometimes like forty two times. 247 00:12:28,160 --> 00:12:30,400 Speaker 3: Yeah, and uh yeah, and that's what you're being paid for. 248 00:12:30,520 --> 00:12:33,440 Speaker 3: And you can't complain. I mean, I don't complain. So 249 00:12:33,920 --> 00:12:36,360 Speaker 3: you do it and you're in pain. Yeah, and they're 250 00:12:36,360 --> 00:12:39,000 Speaker 3: constantly asking you are you good, and you're like, yeah. 251 00:12:39,120 --> 00:12:41,840 Speaker 2: You got it. You're the first one to complain. They're like, 252 00:12:41,920 --> 00:12:45,280 Speaker 2: out that did in lockstep staying with. 253 00:12:45,320 --> 00:12:50,800 Speaker 3: Winging exactly, and yeah, I've done jumps where I did 254 00:12:51,080 --> 00:12:54,680 Speaker 3: fifty takes and each time you jump down and a 255 00:12:54,760 --> 00:12:57,600 Speaker 3: harness it springs you up. You do that one or 256 00:12:57,600 --> 00:13:00,720 Speaker 3: two times and you're sore. Yeah, and you can imagine 257 00:13:00,720 --> 00:13:04,440 Speaker 3: doing it for fifty two takes and when you're done 258 00:13:04,640 --> 00:13:06,440 Speaker 3: the next day you're something else. 259 00:13:06,440 --> 00:13:11,319 Speaker 1: It's like a meat puppet. It's the right sling shot. 260 00:13:11,360 --> 00:13:13,960 Speaker 1: You hear and there and you have to go, thanks guys. 261 00:13:14,040 --> 00:13:16,400 Speaker 3: And the interesting thing is, you see, that's what you 262 00:13:16,480 --> 00:13:19,160 Speaker 3: learn to appreciate the beauty of movies. I don't see 263 00:13:19,200 --> 00:13:21,400 Speaker 3: movies the way people normal people see it. 264 00:13:21,440 --> 00:13:23,480 Speaker 2: As soon as you work in television or anything. 265 00:13:23,600 --> 00:13:27,000 Speaker 3: That one minute action scene that took a whole day 266 00:13:27,240 --> 00:13:30,800 Speaker 3: of thirteen hours, I look at it as Wow, that's 267 00:13:31,000 --> 00:13:33,800 Speaker 3: just thirteen hours gone like this in one minute. 268 00:13:33,960 --> 00:13:36,080 Speaker 1: And for me, I get really distracted because I know 269 00:13:36,160 --> 00:13:39,320 Speaker 1: lots about hair, makeup and wigs and costumes. So I'd 270 00:13:39,360 --> 00:13:41,760 Speaker 1: be like watching Game of Thrones, I'm like, wig, wig, 271 00:13:42,200 --> 00:13:43,920 Speaker 1: it's a week. And I'll be watching my friends and 272 00:13:43,960 --> 00:13:45,800 Speaker 1: be like, we're ruining it, like it's a week. Look 273 00:13:45,840 --> 00:13:47,560 Speaker 1: you can see the wig line. They're like, shut up, 274 00:13:47,600 --> 00:13:49,240 Speaker 1: we're trying to get in the mood and like week. 275 00:13:49,600 --> 00:13:53,320 Speaker 1: So you know, I totally get it. What is the 276 00:13:53,320 --> 00:13:55,280 Speaker 1: most dangerous thing you've ever had to do. What's the 277 00:13:55,320 --> 00:13:58,520 Speaker 1: craziest thing besides shopping up buildings? That's crazy to make 278 00:13:58,600 --> 00:13:59,400 Speaker 1: you probably. 279 00:13:59,160 --> 00:14:04,120 Speaker 3: Not personally jumping off a moving truck moving about sixty 280 00:14:04,760 --> 00:14:07,360 Speaker 3: per hour onto another moving na. 281 00:14:08,320 --> 00:14:10,719 Speaker 1: Yeah, how did you train with something like that? You 282 00:14:10,760 --> 00:14:12,720 Speaker 1: get to go in and do a few runs before like. 283 00:14:12,840 --> 00:14:16,600 Speaker 3: Okay, So those are these scenes where you will probably 284 00:14:17,200 --> 00:14:20,080 Speaker 3: have to get on a first take or you add 285 00:14:20,160 --> 00:14:21,000 Speaker 3: max you do for. 286 00:14:21,160 --> 00:14:24,640 Speaker 1: Tax If you don't get on the best sect, you're 287 00:14:24,680 --> 00:14:26,160 Speaker 1: on the grand he beIN run out of a back car. 288 00:14:26,880 --> 00:14:30,360 Speaker 3: Back in the days, you would have these stump performers 289 00:14:30,760 --> 00:14:33,600 Speaker 3: jump off a car and they're meant to do a 290 00:14:33,720 --> 00:14:37,160 Speaker 3: jump while the car is moving and jump onto another platform, 291 00:14:37,200 --> 00:14:39,760 Speaker 3: but they end up missing their footing and landing and 292 00:14:39,800 --> 00:14:43,280 Speaker 3: smashing their leg and it actor goes like, all right. 293 00:14:43,320 --> 00:14:45,160 Speaker 2: Get oh my god. 294 00:14:45,800 --> 00:14:48,000 Speaker 1: You know, yeah, I guess like in this day nagic 295 00:14:48,280 --> 00:14:49,720 Speaker 1: there's a lot more safety behind it. 296 00:14:49,960 --> 00:14:53,040 Speaker 3: But yes, there's a lot more safety, but like I said, 297 00:14:53,080 --> 00:14:56,040 Speaker 3: it all depends on the director, and it all depends 298 00:14:56,080 --> 00:14:59,800 Speaker 3: on the availability of performers who look like the actor. 299 00:15:00,200 --> 00:15:03,400 Speaker 1: Yes, that's like camera technology has gotten a lot better 300 00:15:03,440 --> 00:15:05,400 Speaker 1: and HD exists. You have to kind of look a 301 00:15:05,440 --> 00:15:06,800 Speaker 1: little bit more similar to the person. 302 00:15:06,920 --> 00:15:10,040 Speaker 3: Yes, in terms of size and measures. There you have 303 00:15:10,120 --> 00:15:12,440 Speaker 3: to be as close as possible. 304 00:15:12,600 --> 00:15:15,920 Speaker 1: Have you ever had to bulk up or shrink down 305 00:15:16,040 --> 00:15:17,400 Speaker 1: to match someone more? 306 00:15:17,760 --> 00:15:21,360 Speaker 3: Yes, I've had to bulk up. So I have to 307 00:15:21,400 --> 00:15:23,960 Speaker 3: cut a few types of training, probably have to stop 308 00:15:24,040 --> 00:15:26,080 Speaker 3: running for a while, start eating more. 309 00:15:26,680 --> 00:15:32,480 Speaker 1: Stop running. I've actually been bulking this whole time. How 310 00:15:32,480 --> 00:15:33,920 Speaker 1: did you get matched up with Idris? 311 00:15:34,120 --> 00:15:34,360 Speaker 2: To be? 312 00:15:35,400 --> 00:15:38,760 Speaker 3: Okay? So I got a call from a friend in 313 00:15:38,800 --> 00:15:44,000 Speaker 3: the industry. She called me up to do some fittings work. 314 00:15:44,760 --> 00:15:46,560 Speaker 3: So in a sense, I was just going to be 315 00:15:47,480 --> 00:15:51,280 Speaker 3: a proper guy to size out his costume. And I 316 00:15:51,320 --> 00:15:53,680 Speaker 3: did that, and then I met this beautiful lady called 317 00:15:54,080 --> 00:15:58,920 Speaker 3: Kim Barrett. Beautiful, she's done jobs, like big jobs in Akoman, 318 00:15:59,080 --> 00:16:02,160 Speaker 3: and she's designed heaps of stuff. And then she looks 319 00:16:02,160 --> 00:16:05,200 Speaker 3: at me and she goes like, would you be interested 320 00:16:05,320 --> 00:16:09,800 Speaker 3: in doing something for Idris? And I'm like, yeah, sure, 321 00:16:09,800 --> 00:16:13,000 Speaker 3: why not? That's why I went through And the directors 322 00:16:13,040 --> 00:16:17,160 Speaker 3: loved me, and but it being better boom. 323 00:16:16,000 --> 00:16:18,720 Speaker 2: And now have you done more than one film with 324 00:16:19,000 --> 00:16:19,880 Speaker 2: for Adris? 325 00:16:20,480 --> 00:16:20,640 Speaker 3: No? 326 00:16:21,120 --> 00:16:23,280 Speaker 2: Unfortunately, might we just get to travel with him? 327 00:16:24,400 --> 00:16:24,640 Speaker 3: Yes? 328 00:16:25,480 --> 00:16:27,400 Speaker 2: I did I don't care if it's a rom com out. 329 00:16:28,320 --> 00:16:33,400 Speaker 3: I did secretly make contact with him, and he's put 330 00:16:33,440 --> 00:16:37,760 Speaker 3: me on a list of his future productions. 331 00:16:36,920 --> 00:16:39,640 Speaker 2: And do you have competition? Has there have been other 332 00:16:39,640 --> 00:16:43,600 Speaker 2: people that have been stunted performance for him? And yess yeah. 333 00:16:43,840 --> 00:16:45,800 Speaker 3: But I don't know what he was being nice to me, 334 00:16:45,920 --> 00:16:48,680 Speaker 3: but he says he loves me, and he. 335 00:16:48,720 --> 00:16:50,280 Speaker 1: Probably looked at you said, yeah, it's not looking in 336 00:16:50,320 --> 00:16:52,560 Speaker 1: the mirror. He said, yeah, I look just like that. 337 00:16:52,840 --> 00:16:57,000 Speaker 3: He's a lovely guy. I've been around a few top celebrities, 338 00:16:57,120 --> 00:17:00,800 Speaker 3: but he's by far demos humble love. Man. 339 00:17:00,920 --> 00:17:03,440 Speaker 2: That's so good to hear, though, because you know you 340 00:17:03,440 --> 00:17:03,960 Speaker 2: don't want. 341 00:17:03,800 --> 00:17:06,680 Speaker 3: To work with the No, you don't, you don't, well 342 00:17:06,960 --> 00:17:10,040 Speaker 3: imagine being if the price is right. Yes, I really 343 00:17:10,040 --> 00:17:10,480 Speaker 3: don't care. 344 00:17:13,720 --> 00:17:16,360 Speaker 2: Let's do it, right man, I really don't care. 345 00:17:16,480 --> 00:17:18,760 Speaker 3: Like I'm thinking about is money. 346 00:17:19,040 --> 00:17:20,960 Speaker 2: Like a true hustler. 347 00:17:21,240 --> 00:17:26,320 Speaker 3: I keep getting cameraman asking me, are you okay? You 348 00:17:26,440 --> 00:17:29,040 Speaker 3: do you want to stop? I'm like, my coordinator just 349 00:17:29,080 --> 00:17:32,520 Speaker 3: comes and says, we'll give you a bonus, a fantastic 350 00:17:32,600 --> 00:17:34,360 Speaker 3: let's do it. Let's do it. 351 00:17:35,160 --> 00:17:38,399 Speaker 1: I remember there's been some horred disking sometimes before and 352 00:17:38,400 --> 00:17:40,720 Speaker 1: they're like, you stay an extra hour and probably I'm 353 00:17:40,760 --> 00:17:43,720 Speaker 1: like smiling through my teeth and like, I'll give you 354 00:17:43,760 --> 00:17:47,600 Speaker 1: some extra money. I'm like, yes, I love all of you. 355 00:17:47,680 --> 00:17:50,760 Speaker 1: I'm already here. We keep going one another number. 356 00:17:50,840 --> 00:17:53,480 Speaker 3: Let's go just calms. 357 00:17:53,640 --> 00:17:57,919 Speaker 2: It's amazing. Have motivation from money, don't nowhere it is. 358 00:17:58,040 --> 00:17:59,680 Speaker 1: I think i'd be super strong too, and I could 359 00:17:59,680 --> 00:18:01,679 Speaker 1: do stuff if they paid me enough money. All right, 360 00:18:01,760 --> 00:18:05,000 Speaker 1: let's do it. Strap me up. So have you had 361 00:18:05,040 --> 00:18:06,000 Speaker 1: any injuries before? 362 00:18:06,320 --> 00:18:09,760 Speaker 3: Yeah, I've just had an injury on my deltoid here. 363 00:18:10,320 --> 00:18:12,080 Speaker 3: Beyond that, it's fine. 364 00:18:11,840 --> 00:18:13,600 Speaker 2: I'll say that that's the worst thing that's happened to 365 00:18:13,600 --> 00:18:14,840 Speaker 2: you a deli. 366 00:18:15,720 --> 00:18:17,880 Speaker 3: Yeah, but it was really bad because I fell on 367 00:18:17,920 --> 00:18:23,280 Speaker 3: my actual deltoid and my bone snapped off. Yeah yeah, 368 00:18:23,560 --> 00:18:24,040 Speaker 3: And uh. 369 00:18:24,560 --> 00:18:26,840 Speaker 1: So you guys just say, oh, injured my deltoid and 370 00:18:26,880 --> 00:18:28,679 Speaker 1: then and I fell up be like oh yeah, well 371 00:18:28,680 --> 00:18:29,840 Speaker 1: the bone snapped off, so. 372 00:18:30,000 --> 00:18:32,640 Speaker 3: It popped out and I was I was like that 373 00:18:32,680 --> 00:18:37,000 Speaker 3: for about three minutes. That was that was really excruciated. 374 00:18:37,000 --> 00:18:38,920 Speaker 2: Did you get the shot though, yes, I did. 375 00:18:38,960 --> 00:18:41,520 Speaker 3: You always get this shot. You get it shot in 376 00:18:41,560 --> 00:18:45,280 Speaker 3: the first Like I said, you get a shot even 377 00:18:45,320 --> 00:18:48,119 Speaker 3: if like when you're working, Yeah, the only reason you 378 00:18:48,160 --> 00:18:52,399 Speaker 3: would stop is because the health safety officer says, So 379 00:18:52,560 --> 00:18:56,359 Speaker 3: that's it. If not, man, then all it takes is 380 00:18:56,440 --> 00:18:58,880 Speaker 3: just really remember the contract you signed, how much you're 381 00:18:58,880 --> 00:19:01,680 Speaker 3: paying you and you knowing that you've already spent eight 382 00:19:01,720 --> 00:19:04,600 Speaker 3: hours and one more hour adds an extra too grande 383 00:19:04,680 --> 00:19:05,280 Speaker 3: your money. 384 00:19:05,480 --> 00:19:08,840 Speaker 1: So you're like, we're on overtime at the moment. Have 385 00:19:09,000 --> 00:19:12,800 Speaker 1: you been a stuntable for anyone else? Notable, coltiable, exciting? 386 00:19:12,960 --> 00:19:16,760 Speaker 3: Yes, I have, actually, but I'm not allowed. Those are 387 00:19:16,800 --> 00:19:20,280 Speaker 3: one of the Yeah, they're actually two people who I'm 388 00:19:20,320 --> 00:19:23,919 Speaker 3: really really I'm really proud of girl Streep. 389 00:19:25,560 --> 00:19:29,600 Speaker 2: I reckon right the right camerangles. You've got her shoulders. 390 00:19:29,680 --> 00:19:32,679 Speaker 1: She's been holding the entire film community on her shoulders 391 00:19:32,680 --> 00:19:34,800 Speaker 1: for so many years. They're just as big as yours now. 392 00:19:34,840 --> 00:19:35,760 Speaker 1: She's so strong. 393 00:19:36,560 --> 00:19:39,360 Speaker 2: Oh we love Meryl, Oh my days. 394 00:19:41,040 --> 00:19:42,800 Speaker 3: Why do I feel like you have a crush on 395 00:19:42,880 --> 00:19:43,440 Speaker 3: Meryl Street? 396 00:19:43,640 --> 00:19:50,160 Speaker 1: Everyone does, ye, queen because Meryl Streeps? Who should play 397 00:19:50,200 --> 00:19:50,960 Speaker 1: me in a biopic? 398 00:19:51,040 --> 00:19:52,560 Speaker 3: A definitely don't. 399 00:19:52,680 --> 00:19:54,240 Speaker 1: You'll probably dead by the time I get one, but 400 00:19:54,280 --> 00:19:57,159 Speaker 1: I'll be like wheel are out come on flap the 401 00:19:57,160 --> 00:19:59,040 Speaker 1: corps around. It will sep a lot better than I am. 402 00:19:59,119 --> 00:20:02,400 Speaker 1: So true, you could paint the corpse and it still 403 00:20:02,400 --> 00:20:05,200 Speaker 1: be the same. I got really dark, didn't it, Meryl Streep, 404 00:20:05,240 --> 00:20:10,520 Speaker 1: don't die. Please Today I want to put your stunt 405 00:20:10,720 --> 00:20:13,520 Speaker 1: performer skills to the test, because now you have to 406 00:20:13,560 --> 00:20:16,880 Speaker 1: be my stunt performer for me today in the podcast. 407 00:20:17,000 --> 00:20:18,920 Speaker 1: All right, I don't do anything physical, so you will 408 00:20:18,920 --> 00:20:23,960 Speaker 1: have to be performing performatively with your vocals and your expressions. 409 00:20:23,600 --> 00:20:24,480 Speaker 3: Which is hard. 410 00:20:24,880 --> 00:20:26,879 Speaker 1: So I want you to repeat after me. Okay, so 411 00:20:27,000 --> 00:20:29,560 Speaker 1: my iconic lines. Yeah, okay, repeat after me. 412 00:20:29,600 --> 00:20:32,439 Speaker 2: Here we go. Hello, I'm Art Simon. 413 00:20:32,960 --> 00:20:34,880 Speaker 3: Hello, I'm Art Simone. 414 00:20:35,320 --> 00:20:37,080 Speaker 1: All right, we'll work on that one. Okay, here's another one. 415 00:20:37,080 --> 00:20:39,800 Speaker 1: I'm well known for saying, well, I'm not here to 416 00:20:39,880 --> 00:20:40,760 Speaker 1: fuck spiders. 417 00:20:42,040 --> 00:20:44,240 Speaker 3: Well, I'm not here at fox s Vaders I was. 418 00:20:44,359 --> 00:20:47,199 Speaker 2: Okay, that's all right, Okay, all right. 419 00:20:47,320 --> 00:20:51,160 Speaker 1: Last one, and this is my probably most notorious infamous 420 00:20:51,200 --> 00:20:52,560 Speaker 1: thing that has come out of my mouth. I don't 421 00:20:52,560 --> 00:20:55,679 Speaker 1: even remember saying it, but this video footage, unfortunately, and 422 00:20:55,720 --> 00:20:56,439 Speaker 1: it goes to be like this. 423 00:20:57,040 --> 00:20:58,840 Speaker 2: I need to take myself back to that moment. 424 00:21:01,359 --> 00:21:08,000 Speaker 1: That means nothing, That means nothing, that was the best one. Actually, 425 00:21:08,160 --> 00:21:09,400 Speaker 1: that's good because I don't want to have to say 426 00:21:09,400 --> 00:21:10,240 Speaker 1: that line ever again. 427 00:21:10,359 --> 00:21:12,400 Speaker 2: So I'm gonna call you in. 428 00:21:14,280 --> 00:21:17,080 Speaker 1: Oh my God, and you can relive my trauma for 429 00:21:17,160 --> 00:21:18,080 Speaker 1: me instead of me doing it. 430 00:21:18,080 --> 00:21:18,879 Speaker 2: We'll give you a bonus. 431 00:21:18,880 --> 00:21:21,560 Speaker 3: It's okay, Yeah, that works for me. And that walks Frae. 432 00:21:31,920 --> 00:21:32,720 Speaker 2: So Stephen is. 433 00:21:32,640 --> 00:21:37,680 Speaker 1: Not an astronaut. Here's Idris Elbow. I just elbow woman 434 00:21:37,960 --> 00:21:40,199 Speaker 1: Idris Elvis stuck. I don't know who that is, but 435 00:21:40,240 --> 00:21:42,840 Speaker 1: the sun double for that person. And although it sounds 436 00:21:42,880 --> 00:21:44,760 Speaker 1: like it's great at that, I don't. 437 00:21:44,560 --> 00:21:47,000 Speaker 2: Think you could actually pass as being made. There's only 438 00:21:47,040 --> 00:21:50,520 Speaker 2: one art Simone. You've been listening to an iHeart Australia 439 00:21:50,600 --> 00:21:53,240 Speaker 2: and Kiss production concealed with Art Simone. 440 00:21:53,520 --> 00:21:55,679 Speaker 1: Listen for free on the iHeart app and listen to 441 00:21:55,720 --> 00:21:58,200 Speaker 1: your arts content and don't forget to check us out 442 00:21:58,200 --> 00:22:00,679 Speaker 1: on the socials and you can check out the Specimen 443 00:22:00,720 --> 00:22:03,639 Speaker 1: of a Man for Yourself or or Delicious