1 00:00:00,200 --> 00:00:02,679 Speaker 1: Jersey and Amanda jam Nation. 2 00:00:03,040 --> 00:00:05,720 Speaker 2: An awkward detailed in a Married at First Sight wedding 3 00:00:05,760 --> 00:00:10,039 Speaker 2: has fueled speculation about producers involvement in the show's storyline. 4 00:00:10,080 --> 00:00:13,080 Speaker 3: Is At one of the weddings on Monday Night, one 5 00:00:13,119 --> 00:00:16,880 Speaker 3: of the contestants, the female bride, was walking down the 6 00:00:16,920 --> 00:00:19,880 Speaker 3: aisle with a man, not a dad, just a man, 7 00:00:20,640 --> 00:00:22,680 Speaker 3: and there was an earpiece in his ear. 8 00:00:22,840 --> 00:00:24,840 Speaker 2: They call it an IFB in the trade. 9 00:00:25,120 --> 00:00:28,200 Speaker 3: It's been revealed that it was a producer. You can 10 00:00:28,240 --> 00:00:31,680 Speaker 3: see why parents sometimes wouldn't maybe aren't around, but some 11 00:00:31,720 --> 00:00:32,640 Speaker 3: wouldn't want to be involved. 12 00:00:32,720 --> 00:00:35,120 Speaker 2: What would you do, Jack or Liam? Go on married 13 00:00:35,120 --> 00:00:35,720 Speaker 2: at first Sight? 14 00:00:36,320 --> 00:00:37,880 Speaker 3: I find it very hard to sit in the front 15 00:00:37,920 --> 00:00:43,160 Speaker 3: row and be supportive, would you Yeah, if Romany wanted 16 00:00:43,159 --> 00:00:45,839 Speaker 3: to go and married at first sight, would you sit 17 00:00:45,880 --> 00:00:48,479 Speaker 3: there and go, this is wonderful. We welcome her husband 18 00:00:48,479 --> 00:00:50,720 Speaker 3: with open arms. Yeah, so you know the rough rye 19 00:00:50,760 --> 00:00:53,280 Speaker 3: she's in for that would get her out of the 20 00:00:53,320 --> 00:00:57,200 Speaker 3: house though fair enough, so he had her. 21 00:00:57,400 --> 00:00:58,640 Speaker 2: She does have a boyfriend. 22 00:00:58,800 --> 00:01:01,760 Speaker 3: In some of the scenes you can see the earpiece 23 00:01:01,760 --> 00:01:03,800 Speaker 3: in his ears. So she's been walked down the aisle 24 00:01:03,880 --> 00:01:07,000 Speaker 3: by a producer, by a producer who presumably has got 25 00:01:07,000 --> 00:01:09,680 Speaker 3: a voice in his ear in terms of where they 26 00:01:09,800 --> 00:01:11,959 Speaker 3: have to what the dialogue's going to be. Who says, 27 00:01:12,000 --> 00:01:15,440 Speaker 3: what it's like a drama. It's like it's a drama. 28 00:01:15,880 --> 00:01:18,560 Speaker 3: And other things have been revealed too, and maybe it 29 00:01:18,640 --> 00:01:21,000 Speaker 3: doesn't matter to you, but this isn't the reality show 30 00:01:21,040 --> 00:01:25,040 Speaker 3: we think it is. According to Michael Brunelli, he's engaged 31 00:01:25,080 --> 00:01:26,880 Speaker 3: to Martha, she's about to have a baby. They're one 32 00:01:26,920 --> 00:01:27,959 Speaker 3: of the success stories of. 33 00:01:27,959 --> 00:01:31,720 Speaker 2: She was the hat one hat. She always wore a hat, okay, 34 00:01:31,840 --> 00:01:33,399 Speaker 2: and it was kind of ridiculous hat. 35 00:01:33,520 --> 00:01:36,080 Speaker 3: But he says, if you have a fight behind the scenes, 36 00:01:36,520 --> 00:01:38,560 Speaker 3: you have to pause and call a producer to come 37 00:01:38,560 --> 00:01:41,640 Speaker 3: and film it. This is probably a new contract, he said. 38 00:01:41,640 --> 00:01:43,399 Speaker 3: Contestants are told not to talk to each other when 39 00:01:43,400 --> 00:01:45,800 Speaker 3: the cameras aren't rolling. Really, if you have a fight, 40 00:01:45,840 --> 00:01:47,520 Speaker 3: you need to alert the producers. Quote, if you have 41 00:01:47,520 --> 00:01:49,640 Speaker 3: a fight, you have to stop the fight mid fight, 42 00:01:50,120 --> 00:01:52,000 Speaker 3: call the producer so they can bring the camera and 43 00:01:52,040 --> 00:01:54,200 Speaker 3: start recording. Then you've got to keep going with the fight. 44 00:01:54,640 --> 00:01:58,400 Speaker 3: What about that The weddings are filmed multiple times apparently 45 00:01:58,520 --> 00:02:00,640 Speaker 3: because you can see there's shots where they's walking straight 46 00:02:00,640 --> 00:02:03,280 Speaker 3: towards the camera shots here, shots there, the bride, so 47 00:02:03,680 --> 00:02:05,440 Speaker 3: they have to film it multiple times. So when you 48 00:02:05,480 --> 00:02:08,160 Speaker 3: see the groom turn around to see his bride for 49 00:02:08,200 --> 00:02:11,320 Speaker 3: the first time, he may have done this not necessarily. 50 00:02:12,919 --> 00:02:15,480 Speaker 3: They say that the dinner parties finish at three am. 51 00:02:15,960 --> 00:02:19,760 Speaker 3: They have to they get ready at midday, they arrive 52 00:02:19,800 --> 00:02:21,760 Speaker 3: at four pm, and they leave at three in the morning. 53 00:02:21,840 --> 00:02:24,560 Speaker 3: Michael Brunelli has also said what the producers do is 54 00:02:24,560 --> 00:02:26,120 Speaker 3: if they know you've got a problem with someone and 55 00:02:26,120 --> 00:02:28,880 Speaker 3: you're feeling emotional, will dure, they sit you across from 56 00:02:28,880 --> 00:02:31,120 Speaker 3: At the dinner party, everyone has a few drinks, everyone 57 00:02:31,120 --> 00:02:35,679 Speaker 3: gets tired and emotional, and hence, why is caught on something? Yep? Yep? 58 00:02:35,680 --> 00:02:38,519 Speaker 3: How can you not be irritable? So you know, it's 59 00:02:39,480 --> 00:02:42,560 Speaker 3: very strict. The way this film is showing one of 60 00:02:42,560 --> 00:02:46,680 Speaker 3: the same with Bachelor. Those Bachelor rose giving events go 61 00:02:46,760 --> 00:02:49,280 Speaker 3: to three in the morning and everyone's drunk, and you 62 00:02:49,360 --> 00:02:51,400 Speaker 3: wonder then why people have fights and get emotional. 63 00:02:51,480 --> 00:02:54,200 Speaker 2: I heard that they've got all these hall monitors because 64 00:02:54,200 --> 00:02:55,960 Speaker 2: they put them all in the one building. It's like 65 00:02:56,080 --> 00:02:57,120 Speaker 2: number ninety six. 66 00:02:57,280 --> 00:02:59,520 Speaker 3: Yeah, they say here that there are hall monitors. You're 67 00:02:59,520 --> 00:03:02,120 Speaker 3: filmed six teen hours a day, and if you weren't filming, 68 00:03:02,120 --> 00:03:04,120 Speaker 3: you had to be in your apartment with your husband 69 00:03:04,200 --> 00:03:06,440 Speaker 3: or wife by eight o'clock, where there are hall monitors 70 00:03:06,440 --> 00:03:07,960 Speaker 3: so you can't sneak out and do things. 71 00:03:08,040 --> 00:03:11,080 Speaker 2: We had the so called horny housewife on our show 72 00:03:11,919 --> 00:03:14,320 Speaker 2: at the start of the week, Melissa from Married at 73 00:03:14,360 --> 00:03:17,680 Speaker 2: First Sight First, and she gave some real insight into 74 00:03:18,320 --> 00:03:20,480 Speaker 2: how she got her nickname Freaking the Sheets. 75 00:03:21,639 --> 00:03:23,919 Speaker 1: I like to see myself actually as a little freaking 76 00:03:23,960 --> 00:03:24,520 Speaker 1: the sheets. 77 00:03:24,720 --> 00:03:27,200 Speaker 2: Was that you that came up with that or did someone. 78 00:03:27,080 --> 00:03:27,760 Speaker 3: Feed that to you? 79 00:03:27,880 --> 00:03:30,600 Speaker 1: No? Yeah, So I was asked a question. We did 80 00:03:30,600 --> 00:03:32,720 Speaker 1: a two hour interview at my house. It was amazing 81 00:03:32,840 --> 00:03:35,600 Speaker 1: about life and love and why I'm on the experiment 82 00:03:35,600 --> 00:03:37,400 Speaker 1: for and then at the very end it was like, so, 83 00:03:37,480 --> 00:03:39,240 Speaker 1: how do you see yourself a eu vanilla or a 84 00:03:39,240 --> 00:03:41,920 Speaker 1: freaking the sheets? So instantly I was like, I'm a. 85 00:03:41,840 --> 00:03:43,800 Speaker 3: Freaking the sheet sail. Wow. 86 00:03:43,840 --> 00:03:46,760 Speaker 1: Well yeah, but then they did set me up with 87 00:03:46,800 --> 00:03:49,880 Speaker 1: someone very opposite, so it was we were just a 88 00:03:49,920 --> 00:03:52,080 Speaker 1: time bomb that was waiting to go off. 89 00:03:52,880 --> 00:03:54,720 Speaker 2: Some big intel from Melissa there. 90 00:03:54,800 --> 00:03:56,920 Speaker 3: So the point of that too is that not only 91 00:03:57,160 --> 00:03:59,320 Speaker 3: was she painted in a way that's been dangerous to 92 00:03:59,360 --> 00:04:02,000 Speaker 3: her life. She's out of the series. People who you Know? 93 00:04:02,040 --> 00:04:04,040 Speaker 3: She said, she feels like a sex pest, like that's 94 00:04:04,040 --> 00:04:06,560 Speaker 3: how she's regarded. People come to her place of work 95 00:04:06,600 --> 00:04:09,200 Speaker 3: looking for her things like that. But she also said 96 00:04:09,240 --> 00:04:11,360 Speaker 3: that so much for them trying to find love with 97 00:04:11,440 --> 00:04:14,880 Speaker 3: these partnerships. She was going to be painted as and 98 00:04:15,040 --> 00:04:18,159 Speaker 3: probably told to play the role of someone who was 99 00:04:18,279 --> 00:04:20,479 Speaker 3: sexually up for it, or someone who was free to 100 00:04:20,520 --> 00:04:22,479 Speaker 3: talk about his sex life, and they put it with 101 00:04:22,520 --> 00:04:24,200 Speaker 3: someone who would have a lot of issues with that. 102 00:04:24,560 --> 00:04:26,840 Speaker 3: So they said it Christians set you up not just 103 00:04:26,880 --> 00:04:30,120 Speaker 3: to fail, but to make conflicting television. 104 00:04:30,200 --> 00:04:31,520 Speaker 2: I like that question you asked her. 105 00:04:31,760 --> 00:04:33,560 Speaker 3: Do you feel, Melissa, if there was a button in 106 00:04:33,640 --> 00:04:35,520 Speaker 3: front of you that says yes or no, would you 107 00:04:35,560 --> 00:04:37,400 Speaker 3: have chosen to go on this show? What button would 108 00:04:37,440 --> 00:04:37,960 Speaker 3: you press? No? 109 00:04:38,160 --> 00:04:41,440 Speaker 1: Okay, Actually, Amanda, that's a good question. Sometimes I say yes, 110 00:04:41,600 --> 00:04:44,359 Speaker 1: but then sometimes what I've seen last night now I 111 00:04:44,400 --> 00:04:48,840 Speaker 1: say no, because they only show parts of what they 112 00:04:48,880 --> 00:04:51,919 Speaker 1: want the public to see. So now that you're portrayed 113 00:04:51,960 --> 00:04:54,360 Speaker 1: as like a sex pest or like you just have 114 00:04:54,440 --> 00:04:57,960 Speaker 1: to be Look anyone going on reality TV, you just 115 00:04:58,000 --> 00:05:00,800 Speaker 1: have to be sure and comfortable in yourself and really 116 00:05:00,800 --> 00:05:03,479 Speaker 1: strong because however they're going to make it seem or 117 00:05:03,520 --> 00:05:06,279 Speaker 1: only what they're going to show is what you're portrayed 118 00:05:06,279 --> 00:05:06,479 Speaker 1: to be. 119 00:05:07,080 --> 00:05:09,280 Speaker 2: That's it. I remember I was blown away when I 120 00:05:09,320 --> 00:05:12,080 Speaker 2: found out on Happy Days when they're eating the Sunday 121 00:05:12,400 --> 00:05:15,400 Speaker 2: in an Owl's diner there, it wasn't ice cream. It 122 00:05:15,440 --> 00:05:17,159 Speaker 2: was mashed potato with chocolate sauce. 123 00:05:17,160 --> 00:05:19,440 Speaker 3: It wouldn't melt, so it wouldn't melt. You'd delete that 124 00:05:20,680 --> 00:05:23,840 Speaker 3: A bit like the Fawns as well. Henry the condition 125 00:05:24,360 --> 00:05:27,839 Speaker 3: was made of mashed potatoes melt. 126 00:05:28,080 --> 00:05:31,080 Speaker 2: When he was around mississ C always trying to get 127 00:05:31,080 --> 00:05:31,440 Speaker 2: in there,