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Speaker 1: The Will M. Woody podcast.

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Speaker 2: So Button push your Tom's last words to us before

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Speaker 2: we turn the microphones on was please keep this intraded

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Speaker 2: at ten minutes all.

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Speaker 3: Less, yes, which I'm getting.

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Speaker 4: I'm meaning really confused by this feedback because we got

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Speaker 4: interrupted last time, and then analyst came in last week

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Speaker 4: and was like, oh my god, guys, I loved the

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Speaker 4: fifteen minute Kevin Costner bit.

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Speaker 3: So it's really hard for us. I think you and

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Speaker 3: I just need to figure out what we want to

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Speaker 3: do and just do that.

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Speaker 2: What do you want to listen to people? Do you

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Speaker 2: want to keep this top bit tit? I want to

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Speaker 2: keep it, Lucy Goosey.

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Speaker 4: I think we're just going to lean into whatever's feeling

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Speaker 4: good at the moment.

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Speaker 3: What are you murmuring over there? Button? What's going on

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Speaker 3: over there? You've got you got some thoughts now?

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Speaker 2: He said, someone just stole my package at home.

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Speaker 3: He said you. He said, it's your name on the

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Speaker 3: show at the end is what he said.

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Speaker 4: Oh okay, I mean I don't have anything particularly exciting

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Speaker 4: to talk to you about.

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Speaker 3: So I was hope. So I was wanted me to

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Speaker 3: watch Gladiator too so we.

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Speaker 2: Could talk about it. But I just I feel I

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Speaker 2: feel there's going to be a very one sided chat

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Speaker 2: if I start talking about Gladia.

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Speaker 3: Allowed to talk about it?

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Speaker 2: I have seen it, No, and I totally get that.

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Speaker 2: So I also have nothing specific to talk about today

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Speaker 2: because that was the thing that I was really wanting

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Speaker 2: to dive into.

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Speaker 3: Yep. Yeah, I think we will talk a little bit

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Speaker 3: later on about the fact that.

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Speaker 4: Junior producing analysts and Kate we're in Sydney with Joel

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Speaker 4: hypothetical Joel.

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Speaker 2: Yes, yes, the night and there's a good reason. There's

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Speaker 2: a reason behind Analyses missing her flight.

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Speaker 3: Yep. So she's going to be in here on very.

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Speaker 4: Important job, and we're obviously going to have to talk

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Speaker 4: about the fact that they were clearly flirting.

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Speaker 3: I heard it, you heard it.

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Speaker 4: It was it got really awkward and really quickly weird going.

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Speaker 2: On there because we said to him, we said, is

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Speaker 2: Analys looking at when we crossed him in the red carpet?

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Speaker 2: Is Analy's taking good care of you? And you know,

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Speaker 2: you know you just read awkwardness and it was like,

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Speaker 2: why did that get Maybe we rep.

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Speaker 3: I think we might have to rEFInd that audio. Yeah,

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Speaker 3: that was flirt down.

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Speaker 2: Yeah, because when we can all appreciate. So most people

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Speaker 2: listening to this would understand that Joel comes on this

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Speaker 2: show every Friday, on the on the live radio show

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Speaker 2: every Friday, and as hypotheticals, we all thought he was

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Speaker 2: and this is just because of the way it sounds.

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Speaker 2: We all thought he was a bit of a weedy,

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Speaker 2: ratty looking guy.

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Speaker 3: Just sounds very ferrety. Yeah, like that was good.

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Speaker 2: I think we landed on feriity is the way to

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Speaker 2: describe his voice anyway. Quite attractive, Yeah, like tats, yeah,

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Speaker 2: like real sex appeal. Yeah, X factor is getting thrown around.

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Speaker 3: Yeah, it's got it.

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Speaker 2: He's got a tear drop tattoo on his FA.

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Speaker 4: Motor Blake McKenny, perfect facial starts adding up, perfect fare.

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Speaker 2: And also his pant was quite tight.

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Speaker 3: Yeah, crotchal region yeah, yeah.

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Speaker 2: Which which you know, I'm just asking you this randomly.

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Speaker 5: Ti.

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Speaker 2: I'm not saying you get any expertise in the area,

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Speaker 2: but based on.

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Speaker 3: The it looked good. Yeah, there's a bit of junk

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Speaker 3: in the trunk. It popped, looks good.

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Speaker 2: It looked good, It looked good. So well done, Joel.

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Speaker 3: Yeah, I mean I need an early answer from anily.

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Speaker 3: She's going to deny but.

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Speaker 2: Yeah, I think I think an early question. I think

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Speaker 2: it's good to just keep.

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Speaker 3: You flirted with Joel and all in the red carpet

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Speaker 3: here we go.

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Speaker 1: No, not at all. We were really professional and he

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Speaker 1: has a girlfriend.

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Speaker 2: Was he more attractive in person though than what you thought?

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Speaker 6: He was like a very well kept man.

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Speaker 3: He had a good look going on, the T shirt

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Speaker 3: tucked into the pants. It was a good look.

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Speaker 1: He planned his feet, when he got new shoes, when

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Speaker 1: he got a haircut. He was really ready for it.

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Speaker 2: How did he smell?

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Speaker 3: That's good practical answer.

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Speaker 1: I don't actually go smelling.

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Speaker 3: Do you need me to cross references with Kate?

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Speaker 1: Did you smell him?

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Speaker 3: No, that's not what I'm cross referenced. I want to

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Speaker 3: hear that.

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Speaker 2: I want to hear that.

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Speaker 3: Did you smell Joel? Me?

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Speaker 7: Yeah?

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Speaker 6: Yeah, I don't think he really had a smell to you.

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Speaker 5: Gonna smell bad?

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Speaker 3: You think that he and Analytics were flirting, They weren't flooding.

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Speaker 3: I saw it. Okay, it flirt. Oh sure, man, no worries.

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Speaker 3: We're bringing in. We're going to bring you in. We're

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Speaker 3: going to bring you in here for a cross examination.

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Speaker 1: That was flirting game.

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Speaker 3: So what would you have done, no game.

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Speaker 2: What would you have done? If you were flirting with Joel?

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Speaker 6: I would have been like, oh my god, hand on

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Speaker 6: the shoulder or something like that, Oh my God, like you're.

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Speaker 3: So amazonent Here we go?

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Speaker 5: Was that?

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Speaker 3: Here we go? So you took your finger off the

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Speaker 3: button the cave.

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Speaker 1: When you saw him.

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Speaker 2: Interesting, I hug everybody.

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Speaker 1: When I see them.

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Speaker 3: We're going to get the audio.

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Speaker 4: We're going to get the audio later so we can

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Speaker 4: hear the flirt factor because it emanated down the front

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Speaker 4: an least just turned and eviscerated Kate on the spot

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Speaker 4: like she didn't melt like the wicked witch of the West.

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Speaker 3: There. Wow, the acid that came from her mouth there,

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Speaker 3: and that means we've truth. We've the truth there.

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Speaker 1: Do you know what she said to me?

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Speaker 3: What angry?

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Speaker 1: I love you, Kate? That's what she said.

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Speaker 5: Yeah?

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Speaker 3: Good, good one. Now they're pulling right now, they're drawing.

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Speaker 3: They're trying to close drawer ranks. They're trying to close ranks,

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Speaker 3: protect each other.

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Speaker 2: Got been done.

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Speaker 3: Yeah, Unfortunately unfortunately, shield We pried you.

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Speaker 6: Open and shields up because if you're going to shot

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Speaker 6: fire me, I'll shot by you back.

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Speaker 2: Oh now, I'm scared of that.

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Speaker 3: I know you're not. Why are you what she got

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Speaker 3: on you?

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Speaker 2: Babysitting in a couple.

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Speaker 3: Of days, two year old girl, you're getting it to

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Speaker 3: produce your baby again.

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Speaker 2: She enjoyed it.

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Speaker 1: Might break the door again.

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Speaker 2: Yeah, she has put her heads through my door once.

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Speaker 3: So you just stop getting the producers.

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Speaker 2: What are you saying? Producers? It's always analy She's my

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Speaker 2: go to thank you very welcome. What I gotta go

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Speaker 2: to an old lady's birthday? Okay, but so obviously I

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Speaker 2: want to keep saying the good books then, because she's

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Speaker 2: going to be in my house.

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Speaker 3: Yeah, yeah, yeah, I really don't have anything else. That's great.

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Speaker 3: Let's get into the podcast. We don't have to force it.

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Speaker 3: Let's the podcast.

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Speaker 2: Let's not force it.

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Speaker 3: The only thing I was going to say, which I

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Speaker 3: think right now, yeah, yeah, this is this is very

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Speaker 3: relatable for everybody. Right now. I'm exhausted at the end

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Speaker 3: of November.

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Speaker 2: Yeah, it feels like the silly season started.

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Speaker 4: I don't know if anyone else is in that right now,

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Speaker 4: but the end of November is feeling momentous.

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Speaker 2: I reckon, I cooked you by putting my wedding at

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Speaker 2: the start of November, and I think that shifted the

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Speaker 2: silly season. So what we're feeling now is usually what

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Speaker 2: you'd feel early jam where you're going that was, that

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Speaker 2: was a big December. I think I've shifted time.

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Speaker 3: And I apologize, No you haven't.

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Speaker 2: No, come with me, but that makes I do feel

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Speaker 2: that's a fact.

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Speaker 3: You've definitely feel like strange. You've been at it strange.

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Speaker 2: I've used the Rings of Power and I've doctor stranged you.

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Speaker 3: I just yeah, I just feel like the rings of power.

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Speaker 3: Maybe you've got my show is wrong there he wears rings,

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Speaker 3: doesn't he like a time He's got a time use.

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Speaker 2: He he's got a ring of bow.

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Speaker 3: It's like a three finger ring.

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Speaker 2: Yeah, that thing, That's what I was referring to. Anyway,

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Speaker 2: I do think I've doctor strange.

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Speaker 3: You, though, And I.

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Speaker 4: Think everyone's feeling this thuff because for me, everyone I

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Speaker 4: speak to is overwhelmed by this.

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Speaker 3: Note you're on holidays in a week. That's not true

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Speaker 3: because it is No, it's not what have you got

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Speaker 3: on after the next week? I mean, like for this

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Speaker 3: why it's just like admitting that to people. It's literally

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Speaker 3: what do you do?

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Speaker 2: You pretend you prefer I don't lie that like three.

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Speaker 3: Days because are you joking?

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Speaker 4: Like most of my friends are bankers, lawyers, or doctors,

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Speaker 4: and it comes into Christmas and I'm like, they're like,

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Speaker 4: I'm like when are you and they're like and they go,

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Speaker 4: they go, they go, I'm working all the way up

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Speaker 4: and I'm like, yeah, to when and they're like like

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Speaker 4: Christmas and I'm like yeah, but like you know, when

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Speaker 4: do you get off? But you know when you say

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Speaker 4: working all the way up, like you know obviously like

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Speaker 4: December fifteen, and then you don't get ten days or

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Speaker 4: something like like Christmas Eve, like I'll work Christmas Eve

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Speaker 4: and I'm like yeah, And then they're.

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Speaker 3: Like when are you are? What am I going to say?

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Speaker 3: November twenty nine? Yeah, just tell the truth.

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Speaker 2: I do have people asking four weeks before you people

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Speaker 2: say you're getting Christmas Eve off? And then it's funny

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Speaker 2: that people go to that because Christmas Eve, I think

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Speaker 2: is the big one.

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Speaker 3: But you're going to get Christmas. You're going to get

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Speaker 3: the day off and yeah, that's that's hard for you

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Speaker 3: and I I will have already been Yeah. So anyway,

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Speaker 3: we get to Christmas.

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Speaker 2: Eve and we're like, God, I'm sickhold.

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Speaker 3: I am to be bored. People people, people, everyone gets it.

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Speaker 4: Everyone gets energy at the end of December, and I'm like, guys,

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Speaker 4: I mean I'm in full mid holidays.

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Speaker 3: For a drink, I'm on holiday. I'm like, oh I am,

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Speaker 3: I'm done.

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Speaker 4: It's got in capital letters in the chat. This is

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Speaker 4: not relatable and that's why I flagged it. That's why

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Speaker 4: I flagged it. I actually did flag that, and then

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Speaker 4: we dived into it. I tried to get us out

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Speaker 4: of there.

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Speaker 3: It came exhausting thing though. That's very relatable.

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Speaker 4: But end of November, well, it's tough, man. It's tough

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Speaker 4: when you know, when you know you've got eight weeks off,

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Speaker 4: it's hard.

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Speaker 3: Anyway.

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Speaker 2: Yeah, there's trips to plan. You said to me in

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Speaker 2: the kitchen before. You're like, I'm really stressed and booking

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Speaker 2: my holiday.

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Speaker 3: It's tough.

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Speaker 2: Got to pack my bags anyway, four trips, trips, I

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Speaker 2: like getting out to get you, to get you the interview, sabbatical,

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Speaker 2: I'm going to move things along.

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Speaker 3: That is that offensive?

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Speaker 2: He's getting the same break.

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Speaker 3: It's a bit annoying, is it.

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Speaker 4: It's not offensive, just not really.

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Speaker 2: Offensive.

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Speaker 3: There was a biting tone to the don't take offence

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Speaker 3: a fence.

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Speaker 2: Okay, I'm going to.

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Speaker 3: Is in a bad mood. He's in denial about the

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Speaker 3: way that he's in a bad mood. It's been a.

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Speaker 2: Lovely ah Jay, that's hard to roses and sunshine for mine?

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Speaker 3: What do you think, Tom? Do you think you think? Poo?

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Speaker 3: He's in a lovely mood. I'm thinking we're bang on.

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Speaker 3: The tennis moved on and that was class in the podcast.

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Speaker 3: We also have that. We also have the.

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Speaker 4: Audio of Analyse that we need to get to as

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Speaker 4: well later because Mark got that the flirt audiobody told

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Speaker 4: Flirt Factor five, I'll ask Mark, I'll ask Mark Mark.

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Speaker 3: I think Mark can buzz in.

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Speaker 2: I'm not sure if Mark's even listening to us, right.

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Speaker 3: Can you talk to Mark for me? I don't know

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Speaker 3: when that happened? What what the Flirt Factor five?

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Speaker 2: It happened during our first cross to the Red Carpet.

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Speaker 2: It was the first time we spoke to him and

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Speaker 2: he mentioned we said to him, but it was off Mike. No, No,

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Speaker 2: We said to him, how's analyses?

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Speaker 3: We didn't record it though, did we?

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Speaker 8: Yes? We did?

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Speaker 3: Did? It's in there in Analyst? You cooked mate, we've

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Speaker 3: got your toast.

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Speaker 2: It sounds seperal anyway by that saying. But while Mark

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Speaker 2: gets the audio, Well, I just this was a favorite

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Speaker 2: part of the week for mine because look, we explain

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Speaker 2: it more in the spot when we did in our

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Speaker 2: live radio show. But we stumbled into someone who literally.

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Speaker 3: An analyt stifle this. I can tell her. She's out there,

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Speaker 3: she's she's putting water on the whole thing, an email.

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Speaker 3: Don't let her get to you saying this to everyone.

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Speaker 3: I could see her. She's barking orders.

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Speaker 2: Oh she's glad.

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Speaker 3: I told you. I told you. She's putting the water

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Speaker 3: on all of this. You look at it's making you

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Speaker 3: look worse. Analyts. I'm just letting you know it. Just

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Speaker 3: pointed to his watch. You should just put your should

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Speaker 3: just put your head down. Just let it happen.

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Speaker 2: Ed's walking in.

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Speaker 3: Ed's coming in. What's going on? Are you coming in?

280
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Speaker 2: What's happened to you?

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Speaker 3: Something's happened. I think we need to put it down, Analyts.

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Speaker 2: I need me to put it down.

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Speaker 3: Oh my god, Oh my god, I've got to walk

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Speaker 3: away from it.

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Speaker 4: Oh my god, there is something that's happened. Oh she's

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Speaker 4: walking out, she's full of ship. Now I saw her smile.

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Speaker 2: She's a good actress. She's a good actress. That's not

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Speaker 2: her best performance.

289
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Speaker 3: All right, where was I favorite thing from this week?

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Speaker 2: I think.

291
00:12:06,920 --> 00:12:10,400
Speaker 3: Just let's just go h Maddie, Maddie, Maddie, Maddie called

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Speaker 3: the show the other day. I love Maddie.

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Speaker 4: I love Maddie as well. She seems amazing, but she

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Speaker 4: can't rhyme. Give me a word that rhymes with happy?

295
00:12:16,800 --> 00:12:19,280
Speaker 3: Larry, how long would it take you? No, that's not not.

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Speaker 7: Lucky.

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Speaker 3: Does also not run with happy? And she gave us

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Speaker 3: a lam.

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00:12:26,160 --> 00:12:28,200
Speaker 4: Yeah, we're going to call her right now. I'm going

300
00:12:28,240 --> 00:12:30,960
Speaker 4: to call her as day Jock. Here, Steve's am from

301
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Speaker 4: the House of Pain.

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Speaker 5: Brilliant.

303
00:12:32,120 --> 00:12:34,880
Speaker 3: He's giving away ten thousand dollars at a time. And

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Speaker 3: the game today is you just got a rhyme? Oh

305
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Speaker 3: this is going to be good?

306
00:12:40,400 --> 00:12:40,640
Speaker 4: Hello?

307
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Speaker 9: Is matter speaking?

308
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Speaker 5: Oh?

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00:12:42,000 --> 00:12:44,000
Speaker 8: Yeah, Okody, Maddie, how's it going? It's Sae.

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Speaker 9: I'm good, Thank you?

311
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Speaker 4: How are you?

312
00:12:46,160 --> 00:12:46,360
Speaker 3: Yeah?

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Speaker 8: Good? I'm calling from kiss Hey. I've just got.

314
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Speaker 10: I've got to have you on for a ten thousand

315
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Speaker 10: dollars win game. I saw that you called Will and

316
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Speaker 10: Woody the other day.

317
00:12:59,080 --> 00:13:02,760
Speaker 8: Yes, yes, okay, would you be interested in playing night?

318
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Speaker 8: Have you got a second?

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00:13:04,640 --> 00:13:08,120
Speaker 9: Okay, okay, yeah, I can give it a guard.

320
00:13:08,360 --> 00:13:10,480
Speaker 8: Thanks, Maddie. I'm just gonna check you on hold.

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Speaker 2: Okay, thank you.

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00:13:12,960 --> 00:13:14,199
Speaker 3: I'm gone about it.

323
00:13:14,440 --> 00:13:21,959
Speaker 8: Down down, yes, pig, she's in the fun house.

324
00:13:22,280 --> 00:13:24,040
Speaker 10: I took my kids on the merry go round at

325
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Speaker 10: the circus the other day and I said to them, guys,

326
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Speaker 10: it's like you're in the circle.

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Speaker 3: Ass.

328
00:13:29,920 --> 00:13:32,040
Speaker 10: Now I'm in the pun house. Look at it's Steve

329
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Speaker 10: Zaye from the House of Paine. Turn up the volume,

330
00:13:34,440 --> 00:13:36,640
Speaker 10: turn up the game, and right now it's the ten

331
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Speaker 10: thousand dollars Just say a rhyme game. It's the ten

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Speaker 10: thousand dollars Jump dot Rive game. All right, So that's

333
00:13:50,600 --> 00:13:56,839
Speaker 10: pretty simple. I've got Madison here and I'm Madison. Hello him, Madison, how.

334
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Speaker 8: Do you go with rhyming?

335
00:14:00,280 --> 00:14:00,720
Speaker 7: Very good?

336
00:14:00,880 --> 00:14:02,600
Speaker 10: Okay, Well, look what I'm gonna do. I'm gonna say

337
00:14:02,600 --> 00:14:04,839
Speaker 10: a word. You've got three seconds. Just give me a

338
00:14:04,960 --> 00:14:08,920
Speaker 10: rhyme for it, and you're win ten grand Oh my god. Okay,

339
00:14:09,080 --> 00:14:11,480
Speaker 10: here we go. Don't but don't have the time of beat.

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Speaker 10: Our first word is track three two.

341
00:14:16,440 --> 00:14:18,360
Speaker 1: One rack.

342
00:14:27,240 --> 00:14:30,640
Speaker 8: Did you say rack was track to right? The word

343
00:14:30,800 --> 00:14:35,720
Speaker 8: was track, Madison. I said, right, hey, Madison, let's go again.

344
00:14:35,800 --> 00:14:36,320
Speaker 10: I like it.

345
00:14:36,440 --> 00:14:37,400
Speaker 8: We're gonna do another one.

346
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Speaker 11: Here we go.

347
00:14:39,160 --> 00:14:44,800
Speaker 10: Okay, okay, you've got three seconds for ten thousand dollars, Maddie.

348
00:14:46,200 --> 00:14:48,280
Speaker 8: Okay, chuck that thinking cap on.

349
00:14:49,320 --> 00:14:53,120
Speaker 10: Okay, go go three seconds to rhyme with the word

350
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Speaker 10: stop three two one.

351
00:15:02,440 --> 00:15:11,480
Speaker 8: I can't very well, Maddie, part does it rhyme with stop?

352
00:15:12,560 --> 00:15:12,760
Speaker 3: Wait?

353
00:15:12,920 --> 00:15:16,200
Speaker 9: What where did you say stop? With an S T

354
00:15:16,440 --> 00:15:16,720
Speaker 9: O P?

355
00:15:17,200 --> 00:15:17,440
Speaker 10: Yeah?

356
00:15:19,000 --> 00:15:19,840
Speaker 9: What rhymes are that?

357
00:15:20,320 --> 00:15:20,640
Speaker 6: Stop?

358
00:15:20,720 --> 00:15:21,000
Speaker 1: Spot?

359
00:15:22,000 --> 00:15:25,920
Speaker 3: It's an almost rhyme. It's an almost that.

360
00:15:26,440 --> 00:15:30,680
Speaker 9: Does rhyme technically on a technical technically.

361
00:15:30,760 --> 00:15:35,560
Speaker 3: Definitely not Maddie. It's willing Woody here, Hilaria, are you?

362
00:15:37,560 --> 00:15:38,560
Speaker 3: We love you? Maddie?

363
00:15:40,120 --> 00:15:43,040
Speaker 9: Love ring is not my thing?

364
00:15:46,480 --> 00:15:48,600
Speaker 3: How long have you known that for mad How long

365
00:15:48,680 --> 00:15:50,320
Speaker 3: have you known that just rhymings.

366
00:15:50,000 --> 00:15:50,440
Speaker 12: Is not for you?

367
00:15:51,200 --> 00:15:54,400
Speaker 1: I think maybe just right now I've discobbing that.

368
00:16:11,920 --> 00:16:13,640
Speaker 3: All right, So I come to my favorite part of

369
00:16:13,680 --> 00:16:19,320
Speaker 3: the week. Woods is the chat that kicked off in Freedom.

370
00:16:19,360 --> 00:16:21,800
Speaker 4: Friday stumbled into it. I was just going to do

371
00:16:21,880 --> 00:16:23,960
Speaker 4: what's your favorite tribe biscuit? But then we started talking

372
00:16:23,960 --> 00:16:24,800
Speaker 4: about did.

373
00:16:24,760 --> 00:16:26,200
Speaker 2: You write that down, because that's still good.

374
00:16:27,280 --> 00:16:28,920
Speaker 3: I've been pitching it every day for the last week.

375
00:16:29,400 --> 00:16:31,360
Speaker 3: Just a shame that producers don't get after that because

376
00:16:31,360 --> 00:16:34,120
Speaker 3: that's good. That'll polarize people. But you did go for

377
00:16:34,200 --> 00:16:40,080
Speaker 3: this and it took no one antipipated it. Furner, we

378
00:16:40,200 --> 00:16:41,200
Speaker 3: started talking.

379
00:16:41,040 --> 00:16:45,320
Speaker 4: About it's a lot of a lot of one that

380
00:16:45,560 --> 00:16:46,840
Speaker 4: was slapped down a few times.

381
00:16:46,960 --> 00:16:50,400
Speaker 3: But I'm big on soladas at the moment you're back

382
00:16:50,400 --> 00:16:52,880
Speaker 3: into them. Yeah, I'm bigger. Last from the past, Yeah,

383
00:16:53,120 --> 00:16:53,560
Speaker 3: a little bit.

384
00:16:54,280 --> 00:16:57,280
Speaker 4: Do you do you when you have a salada break

385
00:16:57,360 --> 00:16:59,520
Speaker 4: up all the squares and the topic rights itself?

386
00:16:59,560 --> 00:17:00,840
Speaker 3: Do you break all the squares or do you just

387
00:17:01,120 --> 00:17:03,320
Speaker 3: chow down break up the squares? I'm not a psycho.

388
00:17:04,240 --> 00:17:08,040
Speaker 3: You chow down into a full square.

389
00:17:08,480 --> 00:17:11,960
Speaker 2: I'm usually quite organic instructured, but I just chow down

390
00:17:12,000 --> 00:17:12,520
Speaker 2: on salata.

391
00:17:12,600 --> 00:17:15,200
Speaker 3: I don't like the idea of being like being told

392
00:17:15,240 --> 00:17:15,919
Speaker 3: that I have to break it.

393
00:17:15,880 --> 00:17:17,920
Speaker 2: Into squares, Like oh, I was telling you, that's just

394
00:17:18,400 --> 00:17:22,240
Speaker 2: that's you know, Slata is Salada's Like Salada doesn't.

395
00:17:22,040 --> 00:17:23,720
Speaker 3: Tell you to snap it up. That's not in their brand.

396
00:17:23,760 --> 00:17:24,680
Speaker 3: But it's not in their brand.

397
00:17:24,760 --> 00:17:27,440
Speaker 2: By giving me the imprints of the breakable lines. They're saying,

398
00:17:27,480 --> 00:17:29,679
Speaker 2: that's how we perforated. It's an option exactly.

399
00:17:29,760 --> 00:17:32,200
Speaker 4: If they wanted you to eat the squares individually, they'd

400
00:17:32,240 --> 00:17:34,200
Speaker 4: package them as individual little squares.

401
00:17:34,359 --> 00:17:36,600
Speaker 2: I find that they put it in a four because

402
00:17:36,600 --> 00:17:38,120
Speaker 2: they wanted they give you the choice.

403
00:17:38,160 --> 00:17:41,800
Speaker 4: But what they're saying is, hey, common sense will prevail here,

404
00:17:42,280 --> 00:17:43,600
Speaker 4: and you're always thinking to break it up.

405
00:17:44,040 --> 00:17:46,440
Speaker 2: No, and that's that's where I that's where Isaac. Most

406
00:17:46,440 --> 00:17:48,679
Speaker 2: people zig Isaac. I just chower right down. I think

407
00:17:48,720 --> 00:17:50,720
Speaker 2: that's what we have to do. I don't know where

408
00:17:50,760 --> 00:17:53,000
Speaker 2: you were going, but I think this is better. Thirty

409
00:17:53,400 --> 00:17:56,840
Speaker 2: six five with salatas, do you break them up into

410
00:17:56,920 --> 00:17:57,840
Speaker 2: individual squares?

411
00:17:57,920 --> 00:17:58,840
Speaker 3: Or do you just chow down?

412
00:17:59,000 --> 00:17:59,640
Speaker 8: Can I ask?

413
00:17:59,680 --> 00:18:05,480
Speaker 3: Before? Obviously hate it, they hated it. They've had it

414
00:18:05,520 --> 00:18:06,080
Speaker 3: for a long time.

415
00:18:06,400 --> 00:18:09,440
Speaker 4: Before we go to the calls, do you when you

416
00:18:09,600 --> 00:18:13,080
Speaker 4: said you chow down, are you like, like, I'm going

417
00:18:13,160 --> 00:18:16,040
Speaker 4: to accept a chow down if you're eating like cleanly

418
00:18:16,160 --> 00:18:19,560
Speaker 4: into a corner, but if you're eating over perforation on

419
00:18:19,680 --> 00:18:20,920
Speaker 4: a broad side.

420
00:18:20,920 --> 00:18:23,359
Speaker 3: My first bite is my first bite is corner. I

421
00:18:23,440 --> 00:18:25,680
Speaker 3: will give you that, but my second because otherwise I'd

422
00:18:25,720 --> 00:18:27,480
Speaker 3: have to I'd be killing there. I'd be going the

423
00:18:27,520 --> 00:18:29,360
Speaker 3: cops and I'd lock myself up. Oh good.

424
00:18:29,440 --> 00:18:32,040
Speaker 2: My first bite is corner. My second bite is square

425
00:18:32,119 --> 00:18:35,520
Speaker 2: over perforation. It doesn't matter which way I go, if

426
00:18:35,560 --> 00:18:37,320
Speaker 2: I go left or right, I'm biting.

427
00:18:37,880 --> 00:18:41,119
Speaker 3: Light over the perf. Yeah, mate, the perth there for

428
00:18:41,240 --> 00:18:41,640
Speaker 3: a reason.

429
00:18:41,680 --> 00:18:42,960
Speaker 2: I feel like a bad boy when I do it.

430
00:18:43,040 --> 00:18:44,840
Speaker 2: I'm like, the world doesn't want you to do this, Poddy,

431
00:18:44,960 --> 00:18:45,560
Speaker 2: but you will do it.

432
00:18:46,560 --> 00:18:47,560
Speaker 3: You will do it, Okay.

433
00:18:48,680 --> 00:18:51,880
Speaker 4: I think that's insanity, and I know the other there's

434
00:18:51,960 --> 00:18:53,920
Speaker 4: not going to be There's not going to be other perf.

435
00:18:54,359 --> 00:18:55,520
Speaker 3: What are we going? These people?

436
00:18:56,720 --> 00:19:01,240
Speaker 2: Agents of chaos, people who just into a salada without

437
00:19:01,280 --> 00:19:03,280
Speaker 2: breaking into individual squares. There'll be a group of us,

438
00:19:03,320 --> 00:19:05,520
Speaker 2: all right, come out from rocks.

439
00:19:05,720 --> 00:19:08,320
Speaker 4: We're talking siladas. But you guys obviously caught up. There's

440
00:19:08,359 --> 00:19:10,400
Speaker 4: no other perforated dry biscuits there.

441
00:19:10,560 --> 00:19:13,800
Speaker 2: The reason why I love chowing down with reckless abandon

442
00:19:13,960 --> 00:19:18,159
Speaker 2: is because you're breaking the rules. It's like salada, I like,

443
00:19:18,280 --> 00:19:19,960
Speaker 2: I see you. You want me to break it up

444
00:19:19,960 --> 00:19:22,800
Speaker 2: into four pieces. I love not doing what they want.

445
00:19:22,720 --> 00:19:22,960
Speaker 5: Me to do.

446
00:19:23,200 --> 00:19:24,879
Speaker 3: I get it, mate, And look, some men want to

447
00:19:24,920 --> 00:19:25,600
Speaker 3: watch the world burn.

448
00:19:25,720 --> 00:19:28,280
Speaker 2: But but you know, I think one salada at a time.

449
00:19:29,560 --> 00:19:32,000
Speaker 3: But I think let's got a Julie. I think there

450
00:19:32,040 --> 00:19:32,880
Speaker 3: were other people.

451
00:19:32,840 --> 00:19:34,680
Speaker 2: Like me who just chow down on a slada and

452
00:19:34,720 --> 00:19:36,280
Speaker 2: don't break it into individual pieces.

453
00:19:36,359 --> 00:19:39,119
Speaker 3: Julie, how do you eat your salada? It has to

454
00:19:39,160 --> 00:19:39,800
Speaker 3: be broken up?

455
00:19:39,880 --> 00:19:40,520
Speaker 9: Can you imagine?

456
00:19:40,520 --> 00:19:42,639
Speaker 10: I've tried it once where I've bitten into it for

457
00:19:42,840 --> 00:19:43,240
Speaker 10: my son.

458
00:19:43,560 --> 00:19:46,040
Speaker 9: I had to then go nibbling on the Dotter line.

459
00:19:46,320 --> 00:19:49,399
Speaker 3: It was just to just to rectify it, just to

460
00:19:49,560 --> 00:19:51,960
Speaker 3: rectify it. Not for everyone, Jeweli, It's not for everyone.

461
00:19:51,960 --> 00:19:54,040
Speaker 4: I would have nibbled a line as well. They're jewels,

462
00:19:54,440 --> 00:19:56,120
Speaker 4: I reckon, you know hisself a spinal on these pillow

463
00:19:56,200 --> 00:19:56,960
Speaker 4: for that jewels.

464
00:19:58,480 --> 00:19:59,680
Speaker 5: With you, I'm going to reward.

465
00:20:00,400 --> 00:20:02,719
Speaker 3: You know, I'm in control of the water chairs. I'm

466
00:20:02,760 --> 00:20:04,600
Speaker 3: in control of the water chairs. Mate, they'll go to

467
00:20:04,680 --> 00:20:07,360
Speaker 3: the reasonable people. Alan, how do you eat your saladas?

468
00:20:07,400 --> 00:20:07,800
Speaker 3: My friend?

469
00:20:08,320 --> 00:20:11,840
Speaker 5: I curwed down the square. Sorry, I trow down the

470
00:20:11,880 --> 00:20:12,359
Speaker 5: whole square.

471
00:20:12,760 --> 00:20:16,560
Speaker 3: Hell yeah, and it feels good, doesn't it. It feels good.

472
00:20:17,119 --> 00:20:19,360
Speaker 5: I've got big hands, so it's too hard to hold

473
00:20:19,400 --> 00:20:22,080
Speaker 5: the little tiny squares. But the only time I will

474
00:20:22,119 --> 00:20:24,199
Speaker 5: break it up if I'm putting back cheese and crackers

475
00:20:24,200 --> 00:20:27,040
Speaker 5: onto other people. Yeah, the whole square.

476
00:20:27,480 --> 00:20:29,560
Speaker 3: Alan, How big are your hands, mate? Yeah?

477
00:20:30,800 --> 00:20:32,600
Speaker 5: I don't normally find any one that's got bigger hands

478
00:20:32,640 --> 00:20:37,199
Speaker 5: in me, so wow, I got long fingers.

479
00:20:37,240 --> 00:20:42,960
Speaker 2: That's like, which would be ridiculous holding those little square there,

480
00:20:43,480 --> 00:20:44,440
Speaker 2: sell me.

481
00:20:44,920 --> 00:20:47,280
Speaker 3: You can't pincer a salada square because your hands are

482
00:20:47,320 --> 00:20:48,520
Speaker 3: too big. Who are you the BFG?

483
00:20:49,480 --> 00:20:51,240
Speaker 5: Also, it's just you know, annoying having to skip on

484
00:20:51,320 --> 00:20:53,000
Speaker 5: grabbing a small little piece, So you need to have

485
00:20:53,119 --> 00:20:54,640
Speaker 5: one last longer to eat.

486
00:20:54,800 --> 00:20:57,480
Speaker 8: Just chow down, Just put it, just put it down,

487
00:20:58,000 --> 00:20:59,720
Speaker 8: or you've got two heirs.

488
00:21:00,160 --> 00:21:03,159
Speaker 4: Ellen, obviously you know you can't do it at all gorillamits.

489
00:21:03,240 --> 00:21:06,280
Speaker 4: But for most people, the most.

490
00:21:06,080 --> 00:21:07,439
Speaker 3: People, you break it up.

491
00:21:07,560 --> 00:21:11,440
Speaker 4: You keep the you keep the wady, the big chunk

492
00:21:11,480 --> 00:21:13,240
Speaker 4: in one hand, and then you've got your single in

493
00:21:13,280 --> 00:21:16,920
Speaker 4: the other. And that's It's just kind of like eating

494
00:21:16,920 --> 00:21:18,440
Speaker 4: most things, isn't it. You've got your bucket of chips

495
00:21:18,440 --> 00:21:19,720
Speaker 4: in one hand, you've got the other hand with the

496
00:21:19,800 --> 00:21:20,640
Speaker 4: chips you're about to eat.

497
00:21:20,680 --> 00:21:22,760
Speaker 3: I mean that's how you eat food. It's like breaking

498
00:21:22,800 --> 00:21:25,480
Speaker 3: the chip into four pieces. Ridiculous. Let's go to.

499
00:21:25,560 --> 00:21:27,360
Speaker 2: Kala here to check in your mouth.

500
00:21:27,400 --> 00:21:30,359
Speaker 3: Bro, Kayla, how do you eat your salata? I think

501
00:21:30,400 --> 00:21:30,760
Speaker 3: you're starting.

502
00:21:30,840 --> 00:21:33,680
Speaker 4: Is the only person that sided with you the old

503
00:21:33,680 --> 00:21:36,000
Speaker 4: banana bunch boy over there. There's no one else that's

504
00:21:36,040 --> 00:21:36,879
Speaker 4: on your team, I'm.

505
00:21:36,720 --> 00:21:39,480
Speaker 3: Sure, Kayla. Showers down? Kayla? What do you do breaking

506
00:21:39,480 --> 00:21:40,560
Speaker 3: into squares or chower down?

507
00:21:41,359 --> 00:21:41,560
Speaker 4: Yeah?

508
00:21:41,680 --> 00:21:43,760
Speaker 9: Look, I'm gonna have to sit in the middle here.

509
00:21:44,040 --> 00:21:48,320
Speaker 9: And I do think that those lines in the salada

510
00:21:48,560 --> 00:21:52,679
Speaker 9: are an option, and I think the option is based

511
00:21:52,800 --> 00:21:55,360
Speaker 9: on what the contents of the salada are.

512
00:21:55,760 --> 00:21:56,640
Speaker 3: Oh yeah, okay.

513
00:21:57,680 --> 00:22:00,760
Speaker 9: If you've got a spread, you would break it up

514
00:22:00,760 --> 00:22:04,320
Speaker 9: into little flaws, absolutely no doubt about it. But if

515
00:22:04,359 --> 00:22:06,680
Speaker 9: you've got something like, I don't know, ham and cheese,

516
00:22:06,880 --> 00:22:08,880
Speaker 9: then you can't break it up into little faurs because

517
00:22:08,920 --> 00:22:10,680
Speaker 9: you can't goat through the ham, So then you have

518
00:22:10,800 --> 00:22:11,400
Speaker 9: to eat it whole.

519
00:22:11,800 --> 00:22:13,960
Speaker 3: Interesting. Who's putting ham on a slider? I mean, I

520
00:22:14,040 --> 00:22:15,000
Speaker 3: know they put that on the box.

521
00:22:15,080 --> 00:22:16,080
Speaker 2: I put ham on a slider.

522
00:22:16,200 --> 00:22:16,439
Speaker 5: No, you.

523
00:22:17,960 --> 00:22:20,080
Speaker 3: Don't tell me what i'd put on my salada. Sorry,

524
00:22:20,119 --> 00:22:21,080
Speaker 3: I'd put a cheese slice.

525
00:22:21,080 --> 00:22:23,000
Speaker 4: That's what That's how they try. They try and advertise

526
00:22:23,040 --> 00:22:24,600
Speaker 4: it like a salad. Sandwich, you know in the box

527
00:22:25,440 --> 00:22:27,359
Speaker 4: where it looks like a burger, and you're like, right,

528
00:22:27,400 --> 00:22:30,120
Speaker 4: no one's eating them like that. But but no one's

529
00:22:30,200 --> 00:22:30,480
Speaker 4: doing that.

530
00:22:30,600 --> 00:22:32,920
Speaker 2: You're just spreading it a spreading a big square of

531
00:22:33,040 --> 00:22:35,800
Speaker 2: cheese and maybe even some vegi might underneath.

532
00:22:35,840 --> 00:22:39,280
Speaker 3: Okay, mate, mate, mate, make a little sandwich. Make sandwich.

533
00:22:39,320 --> 00:22:41,960
Speaker 3: What there's no there's no world like.

534
00:22:43,520 --> 00:22:48,000
Speaker 4: Wow, It's just there's no world where you're putting a

535
00:22:48,080 --> 00:22:49,680
Speaker 4: big square of cheese on a salader.

536
00:22:49,760 --> 00:22:51,719
Speaker 3: Like if you're a cheese lover, you don't look you're

537
00:22:51,720 --> 00:22:52,680
Speaker 3: an idiot. We've decided that.

538
00:22:52,760 --> 00:22:55,680
Speaker 4: But for everyone else, if you you know, if you've

539
00:22:55,720 --> 00:22:57,880
Speaker 4: got cheese, what you want to do is you want

540
00:22:57,920 --> 00:23:00,280
Speaker 4: way more cheese to crack the ratio, right, So going

541
00:23:00,320 --> 00:23:02,879
Speaker 4: big hunks of cheese on individual squares, so there's more

542
00:23:02,960 --> 00:23:03,760
Speaker 4: cheese than crack up.

543
00:23:03,840 --> 00:23:05,560
Speaker 3: Now that's just common sense. What about it?

544
00:23:24,200 --> 00:23:24,320
Speaker 4: All?

545
00:23:24,440 --> 00:23:24,560
Speaker 5: Right?

546
00:23:24,640 --> 00:23:27,720
Speaker 3: Well, you have made it to the end of the podcast. Congratulations,

547
00:23:27,800 --> 00:23:28,720
Speaker 3: it's great to be here.

548
00:23:28,760 --> 00:23:30,159
Speaker 4: I think we can all agree that we need to

549
00:23:30,800 --> 00:23:32,400
Speaker 4: snap off our Salada's analyse.

550
00:23:32,440 --> 00:23:35,479
Speaker 3: You're up, You're up. The producers are going to bring

551
00:23:35,520 --> 00:23:36,160
Speaker 3: a bit this week.

552
00:23:36,840 --> 00:23:38,640
Speaker 4: This week is going to be analyst talking about Joel

553
00:23:38,640 --> 00:23:39,960
Speaker 4: at the arias because she was at the areas of

554
00:23:40,000 --> 00:23:42,520
Speaker 4: them last night. I did have some audio to play here,

555
00:23:42,600 --> 00:23:44,600
Speaker 4: but I've been told that it has been struck from

556
00:23:44,640 --> 00:23:47,760
Speaker 4: the record, which makes you look awful, by the way.

557
00:23:48,040 --> 00:23:51,800
Speaker 2: So we had audio, comes in here, you can't respond we.

558
00:23:51,920 --> 00:23:55,960
Speaker 4: Had audio and it's been struck. So I think that

559
00:23:56,080 --> 00:23:59,840
Speaker 4: says everything. Did you know that the audio has.

560
00:23:59,800 --> 00:24:01,640
Speaker 3: Gone the audio? We're banned from playing the audio?

561
00:24:03,080 --> 00:24:03,800
Speaker 12: What was the audio?

562
00:24:08,200 --> 00:24:09,199
Speaker 3: It was you flirting with.

563
00:24:10,840 --> 00:24:13,040
Speaker 1: I didn't but that it doesn't exist.

564
00:24:14,040 --> 00:24:16,080
Speaker 3: Oh yeah, well that's that's what we've been doesn't exist.

565
00:24:16,240 --> 00:24:18,159
Speaker 2: Yeah, we were wrong. We were wrong. Turns out we

566
00:24:18,200 --> 00:24:20,800
Speaker 2: were I think I think we've shown our age a

567
00:24:20,800 --> 00:24:24,520
Speaker 2: little bit. We've misread the situation. But you were on

568
00:24:24,680 --> 00:24:26,600
Speaker 2: the red carpet with Joel, But tell us you were

569
00:24:26,600 --> 00:24:29,000
Speaker 2: a little bit late to the red carpet with Joel because.

570
00:24:29,960 --> 00:24:33,960
Speaker 11: I well, first work trip, guys, and it went first

571
00:24:34,000 --> 00:24:35,639
Speaker 11: work Yeah, my first.

572
00:24:35,720 --> 00:24:37,920
Speaker 1: State work trip I've only been to.

573
00:24:40,119 --> 00:24:42,600
Speaker 2: And you were in charge. You were the captain.

574
00:24:42,840 --> 00:24:45,920
Speaker 1: Yeah, I was in charge, in charge in the state,

575
00:24:46,920 --> 00:24:49,080
Speaker 1: was there, No? Yeah, but wasn't in charge.

576
00:24:49,119 --> 00:24:49,800
Speaker 7: I was in charge?

577
00:24:50,160 --> 00:24:51,320
Speaker 3: Okay, V Would you agree with.

578
00:24:51,359 --> 00:24:54,080
Speaker 1: That I mean no, he I'm always in charge, that's

579
00:24:54,160 --> 00:24:54,480
Speaker 1: yeh no.

580
00:24:54,760 --> 00:24:56,480
Speaker 2: And first question, kV, did you make your flight?

581
00:24:57,160 --> 00:24:57,560
Speaker 1: I should?

582
00:24:58,400 --> 00:24:59,440
Speaker 2: And what happened with you?

583
00:25:00,240 --> 00:25:03,920
Speaker 1: So the cheer I'm on is just sinking down every

584
00:25:04,000 --> 00:25:06,040
Speaker 1: time I see it anyway, sorry.

585
00:25:08,359 --> 00:25:13,880
Speaker 4: Getting smaller and smaller, uncomfortable, smaller and smaller, getting rides.

586
00:25:14,080 --> 00:25:14,639
Speaker 3: He's going on.

587
00:25:14,880 --> 00:25:18,560
Speaker 1: Okay, so I caught a plane this morning, yesterday.

588
00:25:22,520 --> 00:25:26,720
Speaker 3: The thing definitely do that. We're not we're not mentioning that. Yeah.

589
00:25:26,880 --> 00:25:28,280
Speaker 3: Actually I thought it was just a bit of a joke,

590
00:25:28,320 --> 00:25:29,480
Speaker 3: but that's actually completely gone.

591
00:25:30,400 --> 00:25:31,440
Speaker 5: They just turned down, mate.

592
00:25:31,560 --> 00:25:33,040
Speaker 1: No, they just really studying.

593
00:25:34,760 --> 00:25:37,000
Speaker 2: So I don't think I've ever seen you.

594
00:25:38,200 --> 00:25:44,600
Speaker 6: It's not fine, Okay, sorry, okay, so yesterday, sorry, yes, okay,

595
00:25:44,720 --> 00:25:48,480
Speaker 6: so morning. I'll be first to admit, like will has

596
00:25:48,640 --> 00:25:51,840
Speaker 6: really bragged about going on flights and like rolling in

597
00:25:51,960 --> 00:25:53,399
Speaker 6: and essentially bought in the plane.

598
00:25:53,480 --> 00:25:55,280
Speaker 2: He likes to wait until his name is called out

599
00:25:55,440 --> 00:25:56,520
Speaker 2: before going on the plane.

600
00:25:56,560 --> 00:25:59,040
Speaker 3: He likes, I don't like waiting, so I just like

601
00:25:59,119 --> 00:25:59,800
Speaker 3: to roll straight on.

602
00:26:00,040 --> 00:26:03,080
Speaker 4: I'm taking a bus, so I do not like sitting

603
00:26:03,119 --> 00:26:07,040
Speaker 4: around the airports as late as I possibly.

604
00:26:06,720 --> 00:26:09,320
Speaker 2: Can, William McMahon. That's when will goes that's.

605
00:26:09,240 --> 00:26:12,800
Speaker 4: Me if I hear that as I'm coming down the escalators,

606
00:26:13,080 --> 00:26:16,120
Speaker 4: perfect because I know they're waiting for me, the last

607
00:26:16,119 --> 00:26:16,560
Speaker 4: one of them playing.

608
00:26:16,560 --> 00:26:17,480
Speaker 3: We'll get straight their.

609
00:26:17,440 --> 00:26:20,679
Speaker 1: Yeah, well that's never happened to me. But yesterday, yesterday was.

610
00:26:20,680 --> 00:26:23,520
Speaker 6: My first experience and my name was called three times.

611
00:26:26,600 --> 00:26:29,960
Speaker 6: So I decided to drive to the airport.

612
00:26:31,040 --> 00:26:31,639
Speaker 5: I don't think that.

613
00:26:31,720 --> 00:26:34,080
Speaker 3: I don't think you need to include all this backstory. Okay,

614
00:26:34,480 --> 00:26:42,639
Speaker 3: just go straight to security. I love it.

615
00:26:43,160 --> 00:26:43,680
Speaker 8: I love it.

616
00:26:44,600 --> 00:26:46,960
Speaker 3: We're all very critical of each other in this podcast.

617
00:26:47,000 --> 00:26:51,119
Speaker 2: There needs to be a nice Yeah, anyone goes to

618
00:26:51,160 --> 00:26:52,399
Speaker 2: talk about anything in the moment.

619
00:26:52,680 --> 00:26:53,800
Speaker 3: It's tough. It's tough.

620
00:26:54,560 --> 00:26:56,640
Speaker 2: It is a tough critical audience.

621
00:26:56,680 --> 00:26:58,280
Speaker 3: We're trying to get the best products possible.

622
00:26:58,359 --> 00:27:00,520
Speaker 2: It's we're very John West at the moment, and it

623
00:27:00,680 --> 00:27:02,400
Speaker 2: is the fish that John West throws back that makes

624
00:27:02,440 --> 00:27:03,120
Speaker 2: John West the best.

625
00:27:03,119 --> 00:27:05,080
Speaker 3: But this fish is good, so ab go on.

626
00:27:05,160 --> 00:27:08,200
Speaker 6: Okay, So anyway, I'll shorten it. I went to the

627
00:27:08,280 --> 00:27:10,280
Speaker 6: airport and I went and Court drove and I had

628
00:27:10,320 --> 00:27:11,600
Speaker 6: to catch a bus, and I thought the bus was

629
00:27:11,600 --> 00:27:12,400
Speaker 6: gonna take seven minutes.

630
00:27:12,400 --> 00:27:13,919
Speaker 3: You took a bus to the airport.

631
00:27:13,680 --> 00:27:15,919
Speaker 1: Fifteen from Value car park because.

632
00:27:16,280 --> 00:27:18,360
Speaker 2: Car, I've lost my carrying the Value car pack.

633
00:27:18,480 --> 00:27:19,479
Speaker 3: Where's the Value car?

634
00:27:19,680 --> 00:27:20,920
Speaker 2: Just like a bus ride away from.

635
00:27:20,840 --> 00:27:22,160
Speaker 3: The airport the club car park.

636
00:27:23,800 --> 00:27:24,960
Speaker 1: Yeah, it's like twelve dollars a.

637
00:27:25,040 --> 00:27:27,880
Speaker 4: Day, okay, and you absolutely fine. You're a GUI producer,

638
00:27:27,880 --> 00:27:30,359
Speaker 4: would he You're a disgrace and Aleta's carry on.

639
00:27:30,560 --> 00:27:30,800
Speaker 1: Okay.

640
00:27:30,920 --> 00:27:33,639
Speaker 6: So I get to the airport finally, mind you, we

641
00:27:33,760 --> 00:27:36,439
Speaker 6: get to on the bus. When the driver stops at

642
00:27:36,760 --> 00:27:39,639
Speaker 6: terminal three and four for like ten minutes, I'm like, bro,

643
00:27:40,200 --> 00:27:42,760
Speaker 6: I need to catch a flight in ten minutes, no joke.

644
00:27:42,840 --> 00:27:44,560
Speaker 6: It was nine to twenty and I was sweating. I

645
00:27:44,720 --> 00:27:48,040
Speaker 6: was getting nervous. So he finally pulls up to terminal

646
00:27:48,160 --> 00:27:51,359
Speaker 6: four terminal one and I'm sprinting. I sprint in the

647
00:27:51,400 --> 00:27:55,000
Speaker 6: wrong direction firstly. Then I was like shit, ran up

648
00:27:55,040 --> 00:27:57,320
Speaker 6: the stairs, pushed in line. I was like, guys, sorry,

649
00:27:57,400 --> 00:28:00,320
Speaker 6: you need to move. I'm on this flight. I hear

650
00:28:00,359 --> 00:28:02,760
Speaker 6: my name called, go, go go. So I get through security.

651
00:28:02,800 --> 00:28:04,639
Speaker 6: I take my bag, I take off everything I need

652
00:28:04,760 --> 00:28:06,640
Speaker 6: and I put it in the scanner and it goes

653
00:28:06,680 --> 00:28:09,639
Speaker 6: through and the worst thing happens, it gets pulled to

654
00:28:09,680 --> 00:28:09,960
Speaker 6: the side.

655
00:28:09,960 --> 00:28:12,560
Speaker 3: I'm like, oh no, it's always when you're light.

656
00:28:12,720 --> 00:28:18,040
Speaker 6: Yeah, I'm looking at my watching Wayne still bit of time,

657
00:28:18,280 --> 00:28:20,399
Speaker 6: but I know there's not much in there, so it

658
00:28:20,440 --> 00:28:23,200
Speaker 6: should be fine. I jump from a jump in line.

659
00:28:23,200 --> 00:28:24,639
Speaker 6: There's a man in front of me. I'm like, sir,

660
00:28:24,920 --> 00:28:27,560
Speaker 6: so my plane's leaving now that's my name, Like, can

661
00:28:27,640 --> 00:28:29,159
Speaker 6: I please go? He's like yep, no worries you go.

662
00:28:29,840 --> 00:28:32,840
Speaker 6: So this guy gets my bag, you know, starts going

663
00:28:32,880 --> 00:28:34,800
Speaker 6: through it and he's like, there's a knife in your bag.

664
00:28:34,760 --> 00:28:35,240
Speaker 4: And I was like.

665
00:28:37,880 --> 00:28:42,320
Speaker 3: Knife, yeah, sorry, knife in your bag.

666
00:28:42,800 --> 00:28:45,000
Speaker 6: So I had a butter knife in my bag because

667
00:28:45,000 --> 00:28:47,000
Speaker 6: I eat my lunch and then sometimes I like to

668
00:28:47,040 --> 00:28:47,560
Speaker 6: take them home.

669
00:28:47,680 --> 00:28:50,360
Speaker 3: Don't tell anyone to work butter knife home because I

670
00:28:50,400 --> 00:28:50,760
Speaker 3: couldn't be.

671
00:28:50,760 --> 00:28:52,360
Speaker 6: Bother taking it back to the kitchen at the end

672
00:28:52,360 --> 00:28:53,920
Speaker 6: of the day. And I didn't want to leave litter,

673
00:28:54,080 --> 00:28:54,760
Speaker 6: so I put it in my.

674
00:28:54,800 --> 00:28:59,000
Speaker 2: Bag stealing knives room work. And secondly, you got done

675
00:28:59,000 --> 00:29:01,520
Speaker 2: at the security check by having that knife in your back.

676
00:29:01,880 --> 00:29:02,640
Speaker 3: Yeah, perfect, And.

677
00:29:02,720 --> 00:29:05,360
Speaker 6: So like you think they'd find it and I was like, no, dude,

678
00:29:05,400 --> 00:29:07,440
Speaker 6: take it. Like I also had nail scissors in there,

679
00:29:07,480 --> 00:29:11,120
Speaker 6: so they took them. And then they were trying to

680
00:29:11,160 --> 00:29:13,120
Speaker 6: find this knife, and they found the spoon, They found

681
00:29:13,120 --> 00:29:16,120
Speaker 6: my lip gloss, and they found like everything cutlery.

682
00:29:16,200 --> 00:29:19,040
Speaker 3: Did you have your bag in the spoon?

683
00:29:19,320 --> 00:29:20,240
Speaker 2: Chopsticks as well.

684
00:29:21,200 --> 00:29:24,120
Speaker 1: I just didn't know where my fork was. But that's fine.

685
00:29:25,240 --> 00:29:27,520
Speaker 3: So they took a knife, a spoon, and scissors out

686
00:29:27,560 --> 00:29:28,040
Speaker 3: of your bag.

687
00:29:28,400 --> 00:29:30,080
Speaker 1: Yeah, well they kept I kept the spoon, but they

688
00:29:30,160 --> 00:29:31,040
Speaker 1: couldn't go When.

689
00:29:31,000 --> 00:29:33,040
Speaker 3: You're going for like three hours, it wasn't you went

690
00:29:33,080 --> 00:29:34,720
Speaker 3: to Sydney.

691
00:29:34,600 --> 00:29:36,600
Speaker 1: It was like six. Yeah, this was just my work bag.

692
00:29:36,800 --> 00:29:37,520
Speaker 1: It has so much You.

693
00:29:37,520 --> 00:29:39,600
Speaker 2: Always have nail scissors in your work bag.

694
00:29:40,400 --> 00:29:43,280
Speaker 1: No, I had. I actually took those from work as well.

695
00:29:43,440 --> 00:29:46,000
Speaker 3: Oh my god, stealing from.

696
00:29:47,440 --> 00:29:47,960
Speaker 1: The knife.

697
00:29:48,080 --> 00:29:50,680
Speaker 6: Right, So they couldn't find this knife anywhere. So we

698
00:29:50,800 --> 00:29:53,840
Speaker 6: had to re scan my bag and it turns out

699
00:29:53,920 --> 00:29:57,160
Speaker 6: the knife was in the lining of my bag between

700
00:29:57,560 --> 00:30:00,840
Speaker 6: dog It was so dodge ye and he's like it's

701
00:30:00,920 --> 00:30:03,760
Speaker 6: in there. I'm like, bro, like, I need you to

702
00:30:04,080 --> 00:30:06,720
Speaker 6: empty my bag right now in front of me and

703
00:30:06,920 --> 00:30:09,880
Speaker 6: then cut that line in and get that get that

704
00:30:10,000 --> 00:30:10,760
Speaker 6: knife out.

705
00:30:12,680 --> 00:30:13,240
Speaker 8: Right now.

706
00:30:14,160 --> 00:30:15,720
Speaker 1: And if you don't get it out right now, I'm

707
00:30:15,720 --> 00:30:17,120
Speaker 1: going to miss my flight. Anyway.

708
00:30:17,400 --> 00:30:20,600
Speaker 6: Nine point thirty one rolls in he finally decided to

709
00:30:20,640 --> 00:30:22,520
Speaker 6: pull out the Parisis to see if you can find

710
00:30:22,560 --> 00:30:28,520
Speaker 6: this knife, and Kate, our digital producer, message me and goes, yeah,

711
00:30:28,720 --> 00:30:30,000
Speaker 6: no flight shut f.

712
00:30:31,840 --> 00:30:33,880
Speaker 1: Yeah, and so then I obviously had a big like.

713
00:30:34,520 --> 00:30:37,120
Speaker 3: The chairman's flight as well, you got then I'm going

714
00:30:37,160 --> 00:30:41,800
Speaker 3: to meet my husband. Who are you finding? I was

715
00:30:41,840 --> 00:30:45,920
Speaker 3: with Quantas Yeah, miss, that's on.

716
00:30:46,000 --> 00:30:48,400
Speaker 2: The company revealed that you stole.

717
00:30:51,480 --> 00:30:51,720
Speaker 3: Them.

718
00:30:51,960 --> 00:30:54,240
Speaker 1: The whole point well, I've got a free new flight,

719
00:30:54,400 --> 00:30:55,040
Speaker 1: so it was fine.

720
00:30:55,040 --> 00:30:57,040
Speaker 3: It didn't customer cent it for free, no, but it

721
00:30:57,080 --> 00:30:59,360
Speaker 3: would have been like a four hundred free.

722
00:30:59,680 --> 00:31:00,320
Speaker 1: I just said.

723
00:31:00,960 --> 00:31:04,040
Speaker 6: I pulled the SOB story and I ran to the

724
00:31:04,120 --> 00:31:08,200
Speaker 6: counter and I was spit sweaty, and I was like

725
00:31:09,040 --> 00:31:10,960
Speaker 6: and the lady was so nice. Her name was Sharon.

726
00:31:11,040 --> 00:31:13,040
Speaker 6: Shouted out to you, Sharon. She was like right up,

727
00:31:13,080 --> 00:31:16,040
Speaker 6: and I was like, hello, I'm really sorry, Din'd you

728
00:31:16,080 --> 00:31:17,560
Speaker 6: have an next flight I need to get on. I

729
00:31:17,640 --> 00:31:19,400
Speaker 6: was insecurity in I had a button knife in my

730
00:31:19,560 --> 00:31:21,560
Speaker 6: in the liney of my bag, and I need to

731
00:31:21,600 --> 00:31:23,000
Speaker 6: get on the next flight because I gotta get there

732
00:31:23,000 --> 00:31:26,520
Speaker 6: for working please. And she's like, okay, we don't usually

733
00:31:26,600 --> 00:31:29,080
Speaker 6: do this, but I'll get you on the ten thirty

734
00:31:30,360 --> 00:31:32,520
Speaker 6: and she was a queen got me through.

735
00:31:32,600 --> 00:31:34,160
Speaker 3: Thank you with the whole point of view.

736
00:31:34,280 --> 00:31:37,040
Speaker 4: Parking in the in the car park was because you

737
00:31:37,080 --> 00:31:39,440
Speaker 4: wanted to save the company one hundred and fifty dollars, right.

738
00:31:39,720 --> 00:31:43,560
Speaker 1: Yeah, well I didn't want to taxi a taxi. I

739
00:31:43,600 --> 00:31:44,120
Speaker 1: felt bad.

740
00:31:45,040 --> 00:31:47,360
Speaker 2: That's very nice for thinking like that. Now let's go

741
00:31:47,400 --> 00:31:49,280
Speaker 2: to the Red carpet. If you don't mind, because you did,

742
00:31:49,920 --> 00:31:52,480
Speaker 2: Why don't we actually play the audio of Joel on

743
00:31:52,600 --> 00:31:53,280
Speaker 2: the Red carpet.

744
00:31:53,520 --> 00:31:54,720
Speaker 1: Oh, we're so proud of him.

745
00:31:55,000 --> 00:31:58,000
Speaker 2: He did such a good job, so good it was entertaining.

746
00:31:58,200 --> 00:32:01,640
Speaker 2: I think whether it was a train wreck or great questions,

747
00:32:01,800 --> 00:32:03,840
Speaker 2: it's somewhere in the middle. But here was Joel in

748
00:32:03,880 --> 00:32:04,520
Speaker 2: the red cabet.

749
00:32:05,760 --> 00:32:07,640
Speaker 3: Boys, I'm on the red carpet with road here we go.

750
00:32:07,800 --> 00:32:10,080
Speaker 3: Would you rather have a nipple.

751
00:32:09,800 --> 00:32:14,000
Speaker 12: Sized penis or straight in penis sized nipples?

752
00:32:14,200 --> 00:32:15,960
Speaker 3: Nipples the size of penises.

753
00:32:16,120 --> 00:32:18,840
Speaker 10: There's some fun to be had with that double propeller

754
00:32:19,160 --> 00:32:20,120
Speaker 10: balloon animals.

755
00:32:20,280 --> 00:32:22,080
Speaker 7: I'd hire myself out for parties.

756
00:32:22,240 --> 00:32:24,800
Speaker 12: Well and moody, I'm here with Julius Stone. Let's say

757
00:32:24,840 --> 00:32:27,000
Speaker 12: a good friend of yours has just died and they'd

758
00:32:27,080 --> 00:32:29,320
Speaker 12: left you two million but in order to get access,

759
00:32:29,560 --> 00:32:32,480
Speaker 12: you had to give all your Internet history.

760
00:32:32,520 --> 00:32:33,120
Speaker 3: Would you do it?

761
00:32:33,440 --> 00:32:33,640
Speaker 12: Ah?

762
00:32:33,800 --> 00:32:35,920
Speaker 1: Yes, I feel like there'd be a couple of things.

763
00:32:35,960 --> 00:32:37,800
Speaker 3: I'd be like, you know, it was a you know,

764
00:32:38,160 --> 00:32:38,760
Speaker 3: it was a phase.

765
00:32:38,880 --> 00:32:39,560
Speaker 1: It was a phase.

766
00:32:40,200 --> 00:32:41,880
Speaker 12: I don't know about you, but I'd like googled how

767
00:32:41,920 --> 00:32:44,520
Speaker 12: to spell words that I like, definitely should know how

768
00:32:44,560 --> 00:32:44,840
Speaker 12: to spell.

769
00:32:44,960 --> 00:32:46,520
Speaker 6: I've definitely done that too, But I don't think you

770
00:32:46,560 --> 00:32:47,400
Speaker 6: should be ashamed of that.

771
00:32:47,600 --> 00:32:49,840
Speaker 3: Have you ever googled the lyrics to your own songs? Yes,

772
00:32:49,960 --> 00:32:50,719
Speaker 3: plenty of times.

773
00:32:50,960 --> 00:32:52,600
Speaker 1: Oh yeah, before before a tour.

774
00:32:52,720 --> 00:32:55,680
Speaker 3: Sometimes I like, I can't remember for the life of me,

775
00:32:55,800 --> 00:32:57,680
Speaker 3: and there's a lot of googling our own lyrics.

776
00:32:58,160 --> 00:33:01,760
Speaker 12: I'm here with lime Cordial for you, for whatever reason.

777
00:33:01,800 --> 00:33:04,400
Speaker 12: I'm part of your troupe now, and in my will,

778
00:33:04,680 --> 00:33:07,080
Speaker 12: I've managed to get Gordon Ramsey and he's going to

779
00:33:07,160 --> 00:33:09,640
Speaker 12: cook me, and I've organized for you guys to have

780
00:33:09,720 --> 00:33:10,800
Speaker 12: a little private sitting.

781
00:33:11,400 --> 00:33:14,240
Speaker 3: Would you eat me? You look like you've got a

782
00:33:14,280 --> 00:33:15,800
Speaker 3: good fat too, muscle.

783
00:33:15,600 --> 00:33:18,200
Speaker 2: Ratios worse reckon?

784
00:33:18,320 --> 00:33:20,160
Speaker 3: Yeah, oh yeah, man, I reckon.

785
00:33:20,280 --> 00:33:21,800
Speaker 8: Will you taste my forbidden fruit?

786
00:33:22,320 --> 00:33:25,120
Speaker 3: Of course, the ribs look good. I'm a vegetarian, but

787
00:33:25,240 --> 00:33:28,520
Speaker 3: you know you look yummy. Thank you so much. Mere

788
00:33:28,520 --> 00:33:29,120
Speaker 3: with the wiggles.

789
00:33:29,400 --> 00:33:31,960
Speaker 12: If I was your managing team and I said, no

790
00:33:32,120 --> 00:33:35,600
Speaker 12: more songs guys unless it's gangster rap and there's like

791
00:33:35,760 --> 00:33:36,960
Speaker 12: heavy swearing.

792
00:33:36,680 --> 00:33:37,680
Speaker 3: Would you do it or would you?

793
00:33:37,720 --> 00:33:38,840
Speaker 2: Would you give up the career?

794
00:33:39,400 --> 00:33:40,520
Speaker 3: Oh, we'd give up the career?

795
00:33:40,960 --> 00:33:41,400
Speaker 2: You reckon?

796
00:33:41,600 --> 00:33:44,200
Speaker 12: Yeah? What if I could guarantee you you'd be successful

797
00:33:44,240 --> 00:33:44,440
Speaker 12: at it?

798
00:33:44,560 --> 00:33:46,200
Speaker 3: Like you just you take off? No, I no, we

799
00:33:46,240 --> 00:33:46,760
Speaker 3: wouldn't do it.

800
00:33:47,360 --> 00:33:50,400
Speaker 2: But there's ways of being gangster without swearing, and we

801
00:33:50,520 --> 00:33:51,440
Speaker 2: could still be gangster.

802
00:33:51,920 --> 00:33:56,520
Speaker 3: We'll get everyone a gold toothed on. Can't care an

803
00:33:58,200 --> 00:34:03,480
Speaker 3: we got to play on Apple. This could work, This

804
00:34:03,600 --> 00:34:09,560
Speaker 3: could work on his fruit. He did a great job,

805
00:34:10,600 --> 00:34:11,480
Speaker 3: a great great job.

806
00:34:11,600 --> 00:34:14,160
Speaker 2: Any behind the scenes from the day aneles and I'm

807
00:34:14,160 --> 00:34:15,440
Speaker 2: not alluding to anything obviously.

808
00:34:16,800 --> 00:34:17,400
Speaker 1: What happened?

809
00:34:17,800 --> 00:34:21,800
Speaker 6: We we got there, We rolled in. Joel just nailed it.

810
00:34:21,920 --> 00:34:25,080
Speaker 6: Took on feedback really well. He did get a name

811
00:34:25,200 --> 00:34:25,840
Speaker 6: wrong of.

812
00:34:26,000 --> 00:34:29,680
Speaker 1: Someone at some stage. Couldn't tell you their name either

813
00:34:30,000 --> 00:34:34,680
Speaker 1: because there was a practice one. But he yeah, yeah,

814
00:34:34,680 --> 00:34:35,959
Speaker 1: you know, he did really well.

815
00:34:37,040 --> 00:34:37,520
Speaker 3: What'd you say?

816
00:34:37,640 --> 00:34:38,239
Speaker 7: He like?

817
00:34:38,360 --> 00:34:39,680
Speaker 2: So he missed a few big names.

818
00:34:40,480 --> 00:34:41,680
Speaker 1: There was a few names were missed.

819
00:34:41,680 --> 00:34:42,279
Speaker 3: There were they?

820
00:34:42,560 --> 00:34:45,640
Speaker 2: So were they quite deliberately trying to avoid him.

821
00:34:46,000 --> 00:34:48,480
Speaker 11: Well, we did actually go up to a few people

822
00:34:48,640 --> 00:34:51,520
Speaker 11: and like to their publicist was like, hey, we're here,

823
00:34:52,080 --> 00:34:55,080
Speaker 11: and people thought we were Kyl and Jack like because

824
00:34:55,080 --> 00:34:57,080
Speaker 11: we were right next to them and they hadn't they

825
00:34:57,280 --> 00:34:59,840
Speaker 11: they they were there and we were here, and so

826
00:35:00,000 --> 00:35:01,920
Speaker 11: people would kind of roll in and think that we

827
00:35:02,080 --> 00:35:05,200
Speaker 11: were them, and so we got a few people because

828
00:35:05,200 --> 00:35:05,360
Speaker 11: of that.

829
00:35:05,600 --> 00:35:06,040
Speaker 3: Oh nice.

830
00:35:06,080 --> 00:35:09,080
Speaker 2: Well he doesn't have the same sway as Kyle and Jack.

831
00:35:10,040 --> 00:35:11,920
Speaker 6: There's a few people go all right, you're speaking with

832
00:35:12,000 --> 00:35:15,399
Speaker 6: Colin Jack now mate, and then with me like Joe, Hey,

833
00:35:15,719 --> 00:35:17,560
Speaker 6: jo Hey, thanks, Well the money it's Joel.

834
00:35:18,080 --> 00:35:20,200
Speaker 3: It was like a big walkies okay.

835
00:35:20,800 --> 00:35:23,160
Speaker 1: The rest was all pretty smooth sailing. Yeah, it was

836
00:35:23,239 --> 00:35:24,480
Speaker 1: all very smooth sailing.

837
00:35:24,640 --> 00:35:28,120
Speaker 6: The live Cordial boys hung around a bit afterwards to chat,

838
00:35:28,160 --> 00:35:28,920
Speaker 6: which was nice.

839
00:35:29,120 --> 00:35:31,120
Speaker 3: Yeah, yeah, just like you right now.

840
00:35:31,400 --> 00:35:36,560
Speaker 6: Thanks abouy that's the live feedback and I'm going to

841
00:35:36,640 --> 00:35:37,239
Speaker 6: go cry.

842
00:35:37,600 --> 00:35:38,400
Speaker 2: You've got it twice.

843
00:35:38,480 --> 00:35:38,839
Speaker 1: You got.

844
00:35:40,239 --> 00:35:40,399
Speaker 5: Job.

845
00:35:40,440 --> 00:35:41,279
Speaker 2: Thank you for coming out.

846
00:35:41,640 --> 00:35:44,680
Speaker 3: Go work great story. Thank you, go work with Joel

847
00:35:44,719 --> 00:35:45,160
Speaker 3: as well.

848
00:35:46,280 --> 00:35:46,560
Speaker 2: Thank you.

849
00:35:46,680 --> 00:35:47,359
Speaker 1: That's very nice.

850
00:35:47,680 --> 00:35:48,640
Speaker 2: Wow, she just hair flicked.

851
00:35:49,200 --> 00:35:51,719
Speaker 8: That was that was so good.

852
00:35:51,800 --> 00:35:53,799
Speaker 3: She's got she's got a lot of attitude at the moment.

853
00:35:54,880 --> 00:35:55,719
Speaker 3: Great to see your mate.

854
00:35:55,760 --> 00:35:58,040
Speaker 2: You're still good to babysit Remy on perfect.

855
00:36:02,520 --> 00:36:04,279
Speaker 3: See you next time. Do you want to finish the

856
00:36:04,320 --> 00:36:05,400
Speaker 3: podcast with Darren Hayes.

857
00:36:05,960 --> 00:36:10,880
Speaker 2: Huhm, Darren Hayes. Oh, I just play play the interview.

858
00:36:11,280 --> 00:36:13,319
Speaker 3: It's a great chat. Have a listen to the great men.

859
00:36:16,760 --> 00:36:22,239
Speaker 3: Great so nice here. It's so good to be here.

860
00:36:22,280 --> 00:36:24,040
Speaker 7: And I love the fact that when when I walked in,

861
00:36:24,160 --> 00:36:25,080
Speaker 7: you both went so.

862
00:36:25,239 --> 00:36:31,040
Speaker 3: Nice to finally meet you. And that's great, that's wild crazy,

863
00:36:34,600 --> 00:36:34,880
Speaker 3: I get it.

864
00:36:34,960 --> 00:36:37,720
Speaker 7: But you are literally my favorite people in the radio.

865
00:36:37,760 --> 00:36:40,000
Speaker 7: And I did say that to several people who can

866
00:36:40,280 --> 00:36:40,759
Speaker 7: vouch for that.

867
00:36:41,239 --> 00:36:44,680
Speaker 3: Thank you of course, because you're sensitive men that are

868
00:36:44,719 --> 00:36:45,640
Speaker 3: not afraid to cry.

869
00:36:46,239 --> 00:36:47,000
Speaker 2: Thank you, thank you.

870
00:36:47,360 --> 00:36:51,440
Speaker 3: So let's do jokes. You're because you're also a sensitive

871
00:36:51,440 --> 00:36:57,560
Speaker 3: man who's not afraid to cry and does jokes. I

872
00:36:58,400 --> 00:37:00,320
Speaker 3: love comedy. I mean the thing is is like I

873
00:37:00,520 --> 00:37:03,520
Speaker 3: just you know, I studied, Yeah you did improv. It

874
00:37:03,560 --> 00:37:04,840
Speaker 3: didn't for five years.

875
00:37:04,920 --> 00:37:07,600
Speaker 7: And I did a book launch in Sydney last night

876
00:37:07,760 --> 00:37:11,040
Speaker 7: and then someone came up and I signed books for

877
00:37:11,200 --> 00:37:15,279
Speaker 7: three and a half hours after the event, right, you know,

878
00:37:15,280 --> 00:37:18,239
Speaker 7: I would never not, But someone came up and went,

879
00:37:18,640 --> 00:37:18,960
Speaker 7: didn't you.

880
00:37:19,080 --> 00:37:21,680
Speaker 3: What happened to your comedy career? Remember? And I just went,

881
00:37:21,880 --> 00:37:26,600
Speaker 3: were you not entertained? Because I was hilarious on that stuff.

882
00:37:28,040 --> 00:37:30,480
Speaker 2: And you did a very very famous improv school as well.

883
00:37:30,800 --> 00:37:33,480
Speaker 7: Yeah, the Groundlings. Yeah, I was a step away from

884
00:37:33,640 --> 00:37:38,319
Speaker 7: auditioning for SNL. And the girl in my class, her

885
00:37:38,360 --> 00:37:43,080
Speaker 7: name is Chloe Fineman, she's in SNL now, won't return Michael,

886
00:37:43,280 --> 00:37:44,719
Speaker 7: I know, but.

887
00:37:46,080 --> 00:37:48,120
Speaker 3: No, that's how far I got. I did get pretty fust.

888
00:37:48,120 --> 00:37:48,359
Speaker 7: I think.

889
00:37:48,400 --> 00:37:50,160
Speaker 4: I remember the first time I saw you sort of

890
00:37:50,239 --> 00:37:55,200
Speaker 4: outside of music was on Speaks and Specs, and you

891
00:37:55,360 --> 00:37:58,480
Speaker 4: were really funny because at that time, you know, there

892
00:37:58,520 --> 00:38:00,759
Speaker 4: was no YouTube to watch you on. It's not like

893
00:38:00,800 --> 00:38:02,799
Speaker 4: I had social media as a kid or even really

894
00:38:02,840 --> 00:38:05,279
Speaker 4: access to the internet. So like, I remember seeing you

895
00:38:05,320 --> 00:38:07,239
Speaker 4: on Spigs and Jacks and I couldn't believe that it

896
00:38:07,560 --> 00:38:10,719
Speaker 4: was you because it was so different to what you'r

897
00:38:11,520 --> 00:38:14,400
Speaker 4: the vibe or the tone that your music was portraying.

898
00:38:14,840 --> 00:38:16,600
Speaker 4: And all of a sudden there was this guy taking

899
00:38:16,600 --> 00:38:18,800
Speaker 4: the piece out of himself and everyone else on the panel.

900
00:38:18,960 --> 00:38:20,759
Speaker 3: Yes, and I was thinking of everything here like, Wow,

901
00:38:20,880 --> 00:38:23,839
Speaker 3: Darren Hayes, I didn't that just didn't. No, I can

902
00:38:23,920 --> 00:38:29,720
Speaker 3: hang then, Darren.

903
00:38:30,080 --> 00:38:32,160
Speaker 2: If you had a magic wand eighteen year old you

904
00:38:32,680 --> 00:38:36,399
Speaker 2: if you were told so, obviously, the music career takes off, yeah,

905
00:38:36,600 --> 00:38:40,239
Speaker 2: compared to a career doing comedy and on the stage

906
00:38:40,280 --> 00:38:41,439
Speaker 2: and let's say Saturday Night Live.

907
00:38:41,640 --> 00:38:41,839
Speaker 8: Yeah.

908
00:38:42,520 --> 00:38:45,720
Speaker 7: No, music, absolutely music, I mean I was. I always

909
00:38:45,760 --> 00:38:47,759
Speaker 7: knew that I would be a musician. I thought when

910
00:38:47,840 --> 00:38:49,360
Speaker 7: I was like five or six, that I.

911
00:38:49,480 --> 00:38:50,840
Speaker 3: Was totally famous.

912
00:38:51,480 --> 00:38:53,680
Speaker 7: I thought the whole world was a movie about me.

913
00:38:54,640 --> 00:38:57,719
Speaker 7: Let's get out some sad violins. Though not because I

914
00:38:57,920 --> 00:39:01,320
Speaker 7: was just this egotistic a little tear it because my

915
00:39:01,440 --> 00:39:02,480
Speaker 7: world was horror.

916
00:39:02,640 --> 00:39:04,640
Speaker 3: It was a way of protecting yourself absolute.

917
00:39:05,880 --> 00:39:10,200
Speaker 7: But I always related to something that comedians have, which

918
00:39:10,360 --> 00:39:15,200
Speaker 7: was this ability to turn tragedy into comedy. So Robin

919
00:39:15,239 --> 00:39:18,040
Speaker 7: Williams was somebody that I was obsessed with as a kid,

920
00:39:18,520 --> 00:39:20,520
Speaker 7: but I secretly knew that he was very sad. There

921
00:39:20,560 --> 00:39:22,640
Speaker 7: was a sadness behind his eyes. One of the first

922
00:39:22,640 --> 00:39:25,959
Speaker 7: popstars I loved was Michael Jackson, well before anyone knew

923
00:39:26,280 --> 00:39:29,719
Speaker 7: anything about him. I could see the sadness in his eyes.

924
00:39:29,760 --> 00:39:30,759
Speaker 3: And I related to.

925
00:39:30,960 --> 00:39:33,319
Speaker 4: Yeah, right, you know, given what I note about your

926
00:39:33,400 --> 00:39:36,320
Speaker 4: upbringing as well, I mean like you're someone like NSNL.

927
00:39:36,360 --> 00:39:41,120
Speaker 4: You're on a stage, ultimate affirmation, ultimate people, all you

928
00:39:41,200 --> 00:39:42,759
Speaker 4: want as a kid. Well, I was reading that you

929
00:39:43,160 --> 00:39:46,319
Speaker 4: sort of found yourself needing more therapy while you're reading

930
00:39:46,320 --> 00:39:48,160
Speaker 4: the book because he's sort of just unearthing all of

931
00:39:48,239 --> 00:39:51,600
Speaker 4: this stuff along the way, which is its inevitable. Yes,

932
00:39:51,880 --> 00:39:54,319
Speaker 4: everyone spends their whole life running away from where they

933
00:39:54,400 --> 00:39:55,880
Speaker 4: come from, so to go back.

934
00:39:55,960 --> 00:39:58,400
Speaker 3: And dig that up is really courageous. So you should

935
00:39:58,440 --> 00:39:59,759
Speaker 3: be really proud of yourself that it was.

936
00:39:59,760 --> 00:40:02,480
Speaker 7: Hard, And it's hard to segue from just how hilarious

937
00:40:02,600 --> 00:40:06,719
Speaker 7: I and sometimes you have been during this chat. But no,

938
00:40:06,880 --> 00:40:09,320
Speaker 7: it was hard because some stuff I had buried. And

939
00:40:10,440 --> 00:40:11,880
Speaker 7: there's a form of therapy called.

940
00:40:11,800 --> 00:40:18,160
Speaker 3: E M d R yes movement displacement reprocessing process. I've

941
00:40:18,160 --> 00:40:18,400
Speaker 3: done that.

942
00:40:18,480 --> 00:40:22,000
Speaker 7: It's really cool and for the casual listener, basically it's

943
00:40:22,120 --> 00:40:27,399
Speaker 7: just reprocessing a traumatic memory that you've actually never processed. Yeah,

944
00:40:27,960 --> 00:40:30,400
Speaker 7: And in writing the book, there were things that I

945
00:40:30,600 --> 00:40:33,120
Speaker 7: had blocked out and forgotten, and my big sister and

946
00:40:33,200 --> 00:40:34,480
Speaker 7: my mom helped to help me.

947
00:40:34,520 --> 00:40:37,120
Speaker 3: Remember because you can't you can't remember the whole memory,

948
00:40:37,200 --> 00:40:38,359
Speaker 3: can you, or any of them?

949
00:40:38,520 --> 00:40:38,719
Speaker 10: Yeah?

950
00:40:38,880 --> 00:40:41,200
Speaker 7: Ah right, yeah, Okay, So there were things that I

951
00:40:41,320 --> 00:40:43,880
Speaker 7: witnessed that happened to my mom because.

952
00:40:43,680 --> 00:40:44,680
Speaker 3: Your dad was an alcoholic.

953
00:40:45,000 --> 00:40:49,640
Speaker 7: It was an alcoholic and extremely violent to you too,

954
00:40:49,800 --> 00:40:53,160
Speaker 7: to the whole fame, but mostly to my mom. And

955
00:40:53,320 --> 00:40:55,880
Speaker 7: some of the things that I saw, they were pre verbal,

956
00:40:56,160 --> 00:40:58,120
Speaker 7: so I didn't have language for it, but I had

957
00:40:58,160 --> 00:41:02,080
Speaker 7: witnessed it. And what happens when when you're traumatized is

958
00:41:02,200 --> 00:41:08,440
Speaker 7: if something is so just incomprehensible, the brain's incredible, it

959
00:41:08,719 --> 00:41:14,319
Speaker 7: just decides you're not going to process. I'll just I'll

960
00:41:14,400 --> 00:41:16,239
Speaker 7: just put this in a ZIP file.

961
00:41:16,960 --> 00:41:18,600
Speaker 3: Yes, I'm just going to put that away.

962
00:41:19,160 --> 00:41:20,000
Speaker 5: Yeah.

963
00:41:20,120 --> 00:41:22,640
Speaker 7: But as I was writing, what was happening was my

964
00:41:22,800 --> 00:41:26,440
Speaker 7: brain was getting closer and closer to those unopened files,

965
00:41:26,480 --> 00:41:28,080
Speaker 7: and I was getting very, very sad.

966
00:41:28,200 --> 00:41:30,919
Speaker 3: Enough, and so yeah, I got needed help to Yeah,

967
00:41:31,080 --> 00:41:33,560
Speaker 3: I got to process them and make peace with them.

968
00:41:33,760 --> 00:41:35,080
Speaker 4: Part of the other relations I want to talk to

969
00:41:35,080 --> 00:41:38,479
Speaker 4: you about is is your late relationship with Daniel Jones

970
00:41:38,520 --> 00:41:39,440
Speaker 4: from Savage Garden.

971
00:41:39,760 --> 00:41:41,319
Speaker 3: You guys as a music.

972
00:41:41,200 --> 00:41:43,719
Speaker 4: Duo, was how I knew you before I knew you

973
00:41:43,880 --> 00:41:46,439
Speaker 4: obviously and I've seen you talk before about the fact

974
00:41:46,440 --> 00:41:49,320
Speaker 4: that people knew you, whether they had the CD or

975
00:41:49,440 --> 00:41:52,040
Speaker 4: you were also at this time of music when CDs.

976
00:41:52,200 --> 00:41:57,480
Speaker 3: Was it so nostalgic for everyone? Yes, me too. Yeah,

977
00:41:57,719 --> 00:42:00,239
Speaker 3: it's wild, but for emotional Yeah. And then you have

978
00:42:00,320 --> 00:42:02,560
Speaker 3: this relationship with this guy. You make two records. They said,

979
00:42:02,600 --> 00:42:05,560
Speaker 3: twenty three million copies worldwide they.

980
00:42:05,560 --> 00:42:06,480
Speaker 2: Put together with Daniel.

981
00:42:06,560 --> 00:42:07,680
Speaker 3: Were you fransered an ad?

982
00:42:07,760 --> 00:42:09,680
Speaker 7: He he was very clever, so he wrote an ad

983
00:42:09,760 --> 00:42:11,239
Speaker 7: in a paper that said that he was in a

984
00:42:11,320 --> 00:42:14,840
Speaker 7: band currently financed by a major publishing company LI but

985
00:42:15,160 --> 00:42:17,560
Speaker 7: it was good and I answered the ad and it

986
00:42:17,719 --> 00:42:20,120
Speaker 7: was essentially he and his brother and a couple of

987
00:42:20,200 --> 00:42:24,200
Speaker 7: session players, and eventually his brother very awkwardly got kicked

988
00:42:24,239 --> 00:42:26,400
Speaker 7: out and I became the singer.

989
00:42:26,680 --> 00:42:28,680
Speaker 3: That relationship is not a friendly relationship. It was not

990
00:42:28,719 --> 00:42:29,880
Speaker 3: one that you look back on fondly.

991
00:42:29,960 --> 00:42:32,920
Speaker 4: And it's one that he said multiple multiple times that

992
00:42:33,160 --> 00:42:34,360
Speaker 4: you were sort of the one that ended it. But

993
00:42:34,440 --> 00:42:36,680
Speaker 4: you've said recently that that wasn't the case at all.

994
00:42:36,840 --> 00:42:36,880
Speaker 12: No.

995
00:42:37,080 --> 00:42:39,600
Speaker 7: He yeah, he actually held a press conference and said

996
00:42:39,640 --> 00:42:41,240
Speaker 7: that I ended it, Yes, which.

997
00:42:41,120 --> 00:42:44,120
Speaker 3: Is a lot how I remember it. I remember hearing yes, Yeah,

998
00:42:44,120 --> 00:42:45,640
Speaker 3: it would have been really years later.

999
00:42:45,800 --> 00:42:49,920
Speaker 7: He now says, he admits now that he left right right,

1000
00:42:50,200 --> 00:42:52,160
Speaker 7: and he probably admits this now.

1001
00:42:52,560 --> 00:42:55,560
Speaker 3: He left the band a week before the second album

1002
00:42:55,600 --> 00:42:57,480
Speaker 3: came out because he's now a real estate agent. Is

1003
00:42:57,520 --> 00:42:57,799
Speaker 3: that right?

1004
00:42:58,040 --> 00:42:58,600
Speaker 7: I don't care.

1005
00:42:58,840 --> 00:43:02,200
Speaker 3: I don't know how is that between the two. It's

1006
00:43:02,200 --> 00:43:03,160
Speaker 3: not nastiness.

1007
00:43:03,320 --> 00:43:07,239
Speaker 7: It's that he was so unkind to me, both in

1008
00:43:07,440 --> 00:43:10,759
Speaker 7: the band, the way the band ended, and the fact

1009
00:43:10,840 --> 00:43:14,600
Speaker 7: that I suffered so much because of the fact that

1010
00:43:14,760 --> 00:43:20,680
Speaker 7: he chose actively never to clarify those statements. He had

1011
00:43:20,760 --> 00:43:23,600
Speaker 7: told everybody in Japan a week before the album was

1012
00:43:23,680 --> 00:43:27,799
Speaker 7: being released, I'm leaving. I was devastated. We were all devastated,

1013
00:43:27,840 --> 00:43:30,480
Speaker 7: but we loved him, and we just said, would you

1014
00:43:30,520 --> 00:43:34,160
Speaker 7: consider maybe doing the world tour? And he reluctantly said yes,

1015
00:43:34,440 --> 00:43:36,480
Speaker 7: And I said, let me do all the press and everything,

1016
00:43:36,560 --> 00:43:39,640
Speaker 7: but please promise me at the end of it, you'll

1017
00:43:39,680 --> 00:43:42,160
Speaker 7: tell everyone this is your idea, because I will be blamed.

1018
00:43:42,520 --> 00:43:43,600
Speaker 3: Oh my god.

1019
00:43:45,040 --> 00:43:47,400
Speaker 7: They said, we hear that Savage Garden broke up, and

1020
00:43:47,520 --> 00:43:50,120
Speaker 7: he said, that's the first I've heard of it. That's

1021
00:43:50,200 --> 00:43:55,080
Speaker 7: the one one freebie he gets from that. Now clarify it.

1022
00:43:55,200 --> 00:43:57,200
Speaker 3: Yeah, yeah, yeah, yeah, what's happened?

1023
00:43:58,080 --> 00:44:00,960
Speaker 7: And he held a press conference. The guy who was

1024
00:44:01,600 --> 00:44:03,800
Speaker 7: so miserable that he had to leave the band because

1025
00:44:03,800 --> 00:44:08,040
Speaker 7: he hated fame, held a press conference and he told

1026
00:44:08,120 --> 00:44:09,040
Speaker 7: the world whatever.

1027
00:44:09,120 --> 00:44:09,960
Speaker 3: He told the world.

1028
00:44:10,719 --> 00:44:15,080
Speaker 7: And I suffered for probably five or six years.

1029
00:44:15,239 --> 00:44:19,560
Speaker 3: Oh my, Darren. Yeah, no, it was very, very uncomfortable.

1030
00:44:19,560 --> 00:44:22,440
Speaker 7: And yet I was a gentleman for many, many years,

1031
00:44:22,840 --> 00:44:25,839
Speaker 7: and I respect fans and I know people don't ever

1032
00:44:25,880 --> 00:44:27,320
Speaker 7: want a band to look like they're fighting.

1033
00:44:27,360 --> 00:44:29,760
Speaker 3: And it was incredibly difficult.

1034
00:44:30,560 --> 00:44:33,800
Speaker 7: And then just one day during interviews, he just started

1035
00:44:33,840 --> 00:44:36,200
Speaker 7: casually saying, yeah, yeah, when I left the band, I

1036
00:44:36,239 --> 00:44:38,680
Speaker 7: didn't want to do it anymore and whatever. And I

1037
00:44:38,920 --> 00:44:42,080
Speaker 7: was just like, wow, this is just fact now that

1038
00:44:42,200 --> 00:44:43,040
Speaker 7: you left the band.

1039
00:44:43,160 --> 00:44:46,279
Speaker 3: Wow you But you don't know that.

1040
00:44:46,480 --> 00:44:49,479
Speaker 7: Behind the scenes, I'm someone that's in contact with every

1041
00:44:49,520 --> 00:44:52,280
Speaker 7: single person that I used to work with. He left

1042
00:44:52,440 --> 00:44:56,000
Speaker 7: the music industry, he's chosen a different path whatever.

1043
00:44:56,120 --> 00:44:59,000
Speaker 3: Bless him, But that was not a healthy relationship. Yeah,

1044
00:44:59,560 --> 00:45:00,279
Speaker 3: how did it work?

1045
00:45:00,920 --> 00:45:03,880
Speaker 2: And how are you so successful when clearly there was

1046
00:45:03,920 --> 00:45:06,040
Speaker 2: some tension in the relationship between the two of you.

1047
00:45:07,200 --> 00:45:09,759
Speaker 7: We were both very ambitious, Yeah, so we were We

1048
00:45:09,880 --> 00:45:13,560
Speaker 7: had an incredible songwriting chemistry, and I've never taken that

1049
00:45:13,640 --> 00:45:14,239
Speaker 7: away from him.

1050
00:45:14,360 --> 00:45:16,880
Speaker 3: Interested, I would never have left that band. Interesting.

1051
00:45:18,880 --> 00:45:22,040
Speaker 7: It worked because we were successful and by the time

1052
00:45:22,120 --> 00:45:24,239
Speaker 7: I realized I was in a band with somebody that

1053
00:45:24,800 --> 00:45:27,440
Speaker 7: didn't really want to be there, didn't really want to

1054
00:45:27,480 --> 00:45:28,680
Speaker 7: have a relationship with me.

1055
00:45:29,680 --> 00:45:31,000
Speaker 3: If what do you do?

1056
00:45:31,400 --> 00:45:34,880
Speaker 4: Yeah, it's interesting that you can have really good creative

1057
00:45:34,920 --> 00:45:38,120
Speaker 4: chemistry with someone but dislike them.

1058
00:45:38,400 --> 00:45:39,640
Speaker 7: I can sense it between the two of you.

1059
00:45:39,800 --> 00:45:45,319
Speaker 4: Yeah, when the marks are off, my god, oh man, Darren,

1060
00:45:45,360 --> 00:45:47,320
Speaker 4: I could ask you this. There's so many questions, but

1061
00:45:47,440 --> 00:45:49,120
Speaker 4: I think they should probably go and read the book.

1062
00:45:49,760 --> 00:45:51,840
Speaker 4: It's called Unlovable. You're gonna get a copy of all

1063
00:45:51,880 --> 00:45:54,400
Speaker 4: good bookstores now, any books, any bookstore. It might be

1064
00:45:54,440 --> 00:45:58,919
Speaker 4: a poor bookstore, be a bad book, be a good book.

1065
00:46:00,320 --> 00:46:01,879
Speaker 4: It's so good to see you for the first time

1066
00:46:01,960 --> 00:46:04,040
Speaker 4: in studio. I thought, it's so.

1067
00:46:06,000 --> 00:46:08,439
Speaker 3: Thanks for coming in. Congratulations, Thanks guys,