1 00:00:05,000 --> 00:00:07,520 Speaker 1: Christian O'Connell Breakfast Show podcast. 2 00:00:07,920 --> 00:00:11,119 Speaker 2: Hey, thank you very much for downloading show two of 3 00:00:12,080 --> 00:00:14,600 Speaker 2: you know what Second Term and O TV show have seasons. 4 00:00:14,760 --> 00:00:17,560 Speaker 2: I think this show it's more terms. This is our 5 00:00:17,560 --> 00:00:21,680 Speaker 2: second show back after the Easter break. On today's show, 6 00:00:21,720 --> 00:00:24,840 Speaker 2: then you'll hear about Douna wars. Douna is what they 7 00:00:24,920 --> 00:00:27,760 Speaker 2: call a douve in Australia. On the first words, I 8 00:00:27,800 --> 00:00:30,800 Speaker 2: had to unlearn and relearn. You know what we're talking about, 9 00:00:30,840 --> 00:00:32,920 Speaker 2: the dove douna wars that you have with your other half. 10 00:00:33,320 --> 00:00:36,000 Speaker 2: Also asking to upload your fuss. You'll find out what 11 00:00:36,120 --> 00:00:39,360 Speaker 2: that is on today's show. On topic Tuesday. We're still 12 00:00:39,360 --> 00:00:42,320 Speaker 2: getting stories coming in about when did your life become 13 00:00:42,360 --> 00:00:45,720 Speaker 2: a scene from a sitcom? Claim to Fames, an amazing 14 00:00:45,720 --> 00:00:49,280 Speaker 2: story about Clint Eastwood on today's show, and also I 15 00:00:49,440 --> 00:00:51,440 Speaker 2: made it worse and if you've got any stories about 16 00:00:51,479 --> 00:00:54,280 Speaker 2: changing names. Thank you very much to downloading the show. 17 00:00:54,320 --> 00:00:56,920 Speaker 2: As always, the email is Christian at gold one I 18 00:00:57,000 --> 00:00:59,280 Speaker 2: four three dot com dot au. Wherever you are in 19 00:00:59,320 --> 00:01:01,240 Speaker 2: the world, You're safe, Take care. 20 00:01:01,600 --> 00:01:05,200 Speaker 1: The Christian O'Connell Breakfast Show podcast. 21 00:01:05,200 --> 00:01:11,319 Speaker 3: The Neighbour's Tea is going on in there I think 22 00:01:11,360 --> 00:01:13,479 Speaker 3: I'd go hungry before not wiping my bumm? 23 00:01:13,880 --> 00:01:16,480 Speaker 2: Can I control alderly the house? 24 00:01:17,000 --> 00:01:20,759 Speaker 1: Welcome to the Christian O'Connell Breakfast Show, Melvin's Gold one 25 00:01:20,800 --> 00:01:22,240 Speaker 1: O four point three. 26 00:01:24,160 --> 00:01:26,760 Speaker 2: Hey, come on in Tuesday morning, three minutes past six. 27 00:01:27,600 --> 00:01:30,320 Speaker 2: We took on board all the comments yesterday the show 28 00:01:30,480 --> 00:01:33,880 Speaker 2: would always start at six a m. Good morning. It's 29 00:01:33,880 --> 00:01:36,880 Speaker 2: to Christian O'Connell Breakfast Show, as always, joined by my 30 00:01:37,080 --> 00:01:40,200 Speaker 2: radio soul mates. Found one of us my radio soul mate, 31 00:01:40,200 --> 00:01:43,480 Speaker 2: the other one is my radio soul nemesis. 32 00:01:44,720 --> 00:01:45,880 Speaker 4: What the which one that is? 33 00:01:45,959 --> 00:01:46,240 Speaker 2: Jack? 34 00:01:46,800 --> 00:01:49,000 Speaker 3: It just depends on the day, I guess, link by link. 35 00:01:49,080 --> 00:01:53,960 Speaker 2: Actually, come morning, Jack Post, Come morning, Patrina Jones. 36 00:01:53,680 --> 00:01:55,600 Speaker 4: Good morning, Good morning Christian. 37 00:01:55,720 --> 00:01:58,080 Speaker 2: And how are you guys working from home? Can you 38 00:01:58,120 --> 00:02:00,800 Speaker 2: tell me this then, because obviously your routine different to mine. 39 00:02:00,840 --> 00:02:04,560 Speaker 2: So Jack and Pants are broadcasting from home. We're still 40 00:02:04,640 --> 00:02:07,520 Speaker 2: social distancing and keeping safe, which is the right thing 41 00:02:07,520 --> 00:02:09,359 Speaker 2: to do at the moment moment. Yesterday, good news, some 42 00:02:09,440 --> 00:02:12,400 Speaker 2: Janny Andrews at the numbers are doing Australia's doing an 43 00:02:12,440 --> 00:02:15,040 Speaker 2: incredible job. Let's hope that continues over the next couple 44 00:02:15,080 --> 00:02:18,839 Speaker 2: of weeks. So Jack, you must be getting up later now. 45 00:02:19,960 --> 00:02:23,160 Speaker 3: Yeah, I'm still getting up early ish though the alarm 46 00:02:23,240 --> 00:02:26,760 Speaker 3: goes off at five now and I'm in the car, 47 00:02:28,440 --> 00:02:31,040 Speaker 3: and now I just take more time in the morning 48 00:02:31,120 --> 00:02:34,400 Speaker 3: to have a shower, having proper sit down breakfast and 49 00:02:34,440 --> 00:02:36,600 Speaker 3: then sort of scooching here at five to six. 50 00:02:37,560 --> 00:02:39,480 Speaker 2: Patsy, what are you doing? Don't give us that old 51 00:02:39,639 --> 00:02:42,560 Speaker 2: I get up at two am and I'm chipping away 52 00:02:42,600 --> 00:02:46,720 Speaker 2: at the news. You know what can go any briefings 53 00:02:46,720 --> 00:02:49,000 Speaker 2: I need to be this, give me ten with the 54 00:02:49,000 --> 00:02:49,480 Speaker 2: big guy. 55 00:02:50,520 --> 00:02:53,079 Speaker 3: I drive around a different couple suburbs of Melbourne doing 56 00:02:53,080 --> 00:02:55,200 Speaker 3: my own investigative journalism. 57 00:02:55,200 --> 00:02:56,040 Speaker 2: Scoop Jones. 58 00:02:56,760 --> 00:02:59,840 Speaker 5: You know what the trouble is My body clock still 59 00:03:00,560 --> 00:03:02,320 Speaker 5: rouses me at two forty five. 60 00:03:02,480 --> 00:03:04,960 Speaker 4: So yes, I'm up. No, I'm in the shower by 61 00:03:05,000 --> 00:03:05,640 Speaker 4: about three. 62 00:03:05,919 --> 00:03:07,519 Speaker 2: But why there's no need? 63 00:03:07,560 --> 00:03:10,720 Speaker 5: Because no, there is a need, because I feel I'm 64 00:03:10,760 --> 00:03:13,959 Speaker 5: not properly switched on and at work unless I've showered, 65 00:03:14,520 --> 00:03:16,000 Speaker 5: done hair and makeup. 66 00:03:15,800 --> 00:03:17,799 Speaker 2: Three hours to get ready to do what you do. 67 00:03:17,919 --> 00:03:20,080 Speaker 4: It's not three hours have to write my news. 68 00:03:20,160 --> 00:03:22,680 Speaker 5: I don't have a little magical series. 69 00:03:23,440 --> 00:03:28,480 Speaker 2: Well magic, I'm seeing you already this morning. She's going 70 00:03:28,480 --> 00:03:30,639 Speaker 2: to love here and that you write your own news. 71 00:03:31,160 --> 00:03:34,640 Speaker 6: I do, Come on, you write my own news. I 72 00:03:34,720 --> 00:03:37,560 Speaker 6: tell Rachel you can go home right off your go. 73 00:03:37,960 --> 00:03:40,920 Speaker 6: I see what happens, then I write it. This is 74 00:03:40,960 --> 00:03:42,080 Speaker 6: what happened at six thirty. 75 00:03:43,800 --> 00:03:45,400 Speaker 2: Geez, what do you go? CNN or something? 76 00:03:46,920 --> 00:03:47,320 Speaker 4: Stop? 77 00:03:47,920 --> 00:03:50,080 Speaker 5: I ride up to six o'clock and then Rachel gets 78 00:03:50,120 --> 00:03:51,400 Speaker 5: into the office. 79 00:03:53,320 --> 00:03:58,360 Speaker 2: I can hear you. I heard you adjusting that chair 80 00:03:58,400 --> 00:04:02,520 Speaker 2: for five minutes and like financial News, doing all your 81 00:04:02,640 --> 00:04:05,800 Speaker 2: vocal warmups. Financial news, Financial. 82 00:04:05,200 --> 00:04:07,600 Speaker 4: News, red yellow. 83 00:04:07,400 --> 00:04:10,840 Speaker 2: Virgin Airlines, the Virgin Airlines. 84 00:04:13,000 --> 00:04:18,400 Speaker 3: The administration, voluntary administration. 85 00:04:17,720 --> 00:04:19,839 Speaker 2: The dog faced human, the human face dog. 86 00:04:21,560 --> 00:04:24,279 Speaker 5: There was a famous reporter in Melbourne on Channel ten 87 00:04:24,360 --> 00:04:28,039 Speaker 5: once who said the body of the headless man was 88 00:04:28,040 --> 00:04:31,599 Speaker 5: found face down in the gutter. That was a classic 89 00:04:31,720 --> 00:04:34,080 Speaker 5: from the eighties, Poor old Harry Potter. 90 00:04:34,160 --> 00:04:35,200 Speaker 4: His name was Harry Potter. 91 00:04:35,400 --> 00:04:40,520 Speaker 2: It's a classic, isn't it. Jackie Well that yeah, I know. 92 00:04:40,920 --> 00:04:45,320 Speaker 2: I love her classic headless news story. Don't have nightmares? Kids? 93 00:04:45,680 --> 00:04:48,880 Speaker 5: What the kids are listening at six am? 94 00:04:49,480 --> 00:04:51,159 Speaker 4: Shouldn't be listening with you? 95 00:04:52,279 --> 00:04:59,960 Speaker 2: Ready for this story? Jackie was a classic Top. 96 00:04:59,839 --> 00:05:03,000 Speaker 7: Five Tomorrow I am going to crawl out of bed 97 00:05:03,279 --> 00:05:06,760 Speaker 7: in my Flanny jarmis, I won't shower, I won't do 98 00:05:06,920 --> 00:05:08,960 Speaker 7: my hair on makeup, or we switched on her in 99 00:05:09,040 --> 00:05:10,719 Speaker 7: the zone, I'll just. 100 00:05:10,600 --> 00:05:16,719 Speaker 2: Flop into the peats based down Harry Potter. And that 101 00:05:16,839 --> 00:05:21,320 Speaker 2: was they there is this a file on your desktop? 102 00:05:21,960 --> 00:05:29,920 Speaker 2: Classic news stories or headless stories? When were the classics return? 103 00:05:31,200 --> 00:05:32,840 Speaker 3: It's not like the good old days. 104 00:05:34,680 --> 00:05:38,320 Speaker 2: Anyway. So about the early morning routine. Thank god that 105 00:05:38,360 --> 00:05:41,279 Speaker 2: Pats gets ready for three hours to get this in 106 00:05:41,279 --> 00:05:43,239 Speaker 2: the right headset this. 107 00:05:43,080 --> 00:05:46,000 Speaker 4: Place, breakfast, get ready, get in the zone. 108 00:05:46,040 --> 00:05:48,360 Speaker 2: I told you, And then they just reminisced there out 109 00:05:48,400 --> 00:05:55,240 Speaker 2: the window about those classic stories that headless already should 110 00:05:55,440 --> 00:05:59,640 Speaker 2: be quiet well, I said earlier. Radio Nemesis Radio Soul 111 00:05:59,720 --> 00:06:01,640 Speaker 2: Nemos says, welcoat, which one it is? 112 00:06:01,640 --> 00:06:06,799 Speaker 1: The christ Johanna o'carmel breakfast Show podcastny. 113 00:06:05,240 --> 00:06:19,240 Speaker 8: Kay wackall, Okay, he sat. 114 00:06:21,360 --> 00:06:26,880 Speaker 2: It tramped on time, jump back. 115 00:06:36,040 --> 00:06:48,040 Speaker 8: Canny as wat wontay way o wack. 116 00:06:49,920 --> 00:06:51,160 Speaker 3: W did it ju time? 117 00:06:52,400 --> 00:06:55,880 Speaker 2: Hey, just my man, we jump back. 118 00:06:58,640 --> 00:06:58,960 Speaker 1: Here you go. 119 00:06:59,560 --> 00:07:02,120 Speaker 2: Hey, one of the greatest living rock and roll bands 120 00:07:02,240 --> 00:07:04,520 Speaker 2: in the world. Maybe have a rolling Stones. You can't 121 00:07:04,520 --> 00:07:07,800 Speaker 2: always get what you want. That is from their separate 122 00:07:07,920 --> 00:07:11,040 Speaker 2: homes over the weekend, playing together that they started all 123 00:07:11,080 --> 00:07:13,680 Speaker 2: those years ago in the sixties. You can still hear 124 00:07:13,760 --> 00:07:16,240 Speaker 2: the joy they have in playing together. Mick in his 125 00:07:16,320 --> 00:07:19,200 Speaker 2: front room, Charlie didn't have drums. He's sort of playing 126 00:07:19,280 --> 00:07:21,280 Speaker 2: various percussion instruments. At one point in the video you 127 00:07:21,360 --> 00:07:23,680 Speaker 2: see him tapping along just to get a rhythm going 128 00:07:23,720 --> 00:07:26,680 Speaker 2: on his couch. Keith is sat on his couch in 129 00:07:26,760 --> 00:07:31,120 Speaker 2: a beautiful looking library, and Ronnie Wood is stood up. 130 00:07:31,320 --> 00:07:33,640 Speaker 2: It looks like he's in his front room with his 131 00:07:33,760 --> 00:07:36,920 Speaker 2: electric guitar plugged into the amp. A massive act that's 132 00:07:36,960 --> 00:07:38,880 Speaker 2: in his front room. And at one of the point, 133 00:07:38,920 --> 00:07:40,640 Speaker 2: I think he's got his shoes off, because obviously you 134 00:07:40,720 --> 00:07:42,560 Speaker 2: might be a forourm or a wild man of rock 135 00:07:42,600 --> 00:07:44,160 Speaker 2: and roll, but we all respect. If you've got a 136 00:07:44,240 --> 00:07:46,800 Speaker 2: nice plush carpy, he's got a couple of quid Ronnie boy, 137 00:07:47,080 --> 00:07:49,000 Speaker 2: then you kind of have shoes on indoors. We all 138 00:07:49,080 --> 00:07:52,560 Speaker 2: know the rules. But that's an amazing, amazing highlight. Can 139 00:07:52,600 --> 00:07:55,680 Speaker 2: you believe Jagger is seventy six? You know, ten months 140 00:07:55,720 --> 00:08:00,000 Speaker 2: ago we had a major heart operation, five valve heart operations, 141 00:08:00,240 --> 00:08:03,680 Speaker 2: and his voice there, you know, singing from home at 142 00:08:03,720 --> 00:08:06,160 Speaker 2: seventy six. You wonder how many of the bands that 143 00:08:06,240 --> 00:08:08,360 Speaker 2: playing around today could still be able to sound out 144 00:08:08,400 --> 00:08:11,600 Speaker 2: that morning to Jack's chains at seventy six. That's incredible. 145 00:08:11,680 --> 00:08:14,160 Speaker 2: I love that, Absolutely love that song. It's a brilliant 146 00:08:14,200 --> 00:08:16,560 Speaker 2: song from nineteen sixty eight, still sounding brilliant there from 147 00:08:17,200 --> 00:08:19,200 Speaker 2: from their homes. Like I said, you can, you can 148 00:08:19,280 --> 00:08:20,880 Speaker 2: want to watch that again some of the other amazing 149 00:08:20,960 --> 00:08:22,960 Speaker 2: highlights to check it out on the website from the 150 00:08:23,080 --> 00:08:25,880 Speaker 2: One World Together at Home concert over the weekend. Gold 151 00:08:25,960 --> 00:08:28,520 Speaker 2: one four three dot com dot au is where you 152 00:08:28,560 --> 00:08:31,440 Speaker 2: can find it. Watch it whoever you want. Jackie, you 153 00:08:31,560 --> 00:08:33,240 Speaker 2: were yeah, as a music man like me. Are you 154 00:08:33,400 --> 00:08:36,199 Speaker 2: a melodies man or a lyric man? Which do you 155 00:08:36,640 --> 00:08:37,600 Speaker 2: normally hear more? 156 00:08:37,720 --> 00:08:37,880 Speaker 1: Oh? 157 00:08:38,000 --> 00:08:42,520 Speaker 3: Good question. I think I would fall into the melody category, 158 00:08:42,600 --> 00:08:45,520 Speaker 3: because often, even if I've listened in love songs for 159 00:08:45,640 --> 00:08:48,959 Speaker 3: years and years, I'll still pick up new lyrics as 160 00:08:49,000 --> 00:08:52,240 Speaker 3: I red listened. So I think I appreciate the melody. 161 00:08:52,000 --> 00:08:54,760 Speaker 2: First, Yeah, I do. There's so many times when songs 162 00:08:54,760 --> 00:08:56,880 Speaker 2: that I've loved for ages, I hear them on the 163 00:08:56,960 --> 00:08:59,640 Speaker 2: isolated vocal because everything else is stripped away. The melody. 164 00:08:59,679 --> 00:09:02,800 Speaker 2: Really you just hear the actual words and the emotion 165 00:09:02,960 --> 00:09:05,400 Speaker 2: behind it. You suddenly hear certain lines and you go, 166 00:09:05,520 --> 00:09:08,240 Speaker 2: my god, that's a great lyric. There's a poetry to 167 00:09:08,320 --> 00:09:12,160 Speaker 2: that more than just mere lyrics. But that Rolling Stone 168 00:09:12,200 --> 00:09:13,840 Speaker 2: song is one of the few songs that I can 169 00:09:13,920 --> 00:09:16,080 Speaker 2: actually remember. There's a line in there you can't always 170 00:09:16,120 --> 00:09:18,360 Speaker 2: get what you want, but if you try, sometimes you 171 00:09:18,480 --> 00:09:21,320 Speaker 2: might just find what you need, which is a great line. 172 00:09:21,320 --> 00:09:23,040 Speaker 2: There's a difference in life, so it's about thinking what 173 00:09:23,160 --> 00:09:25,719 Speaker 2: we want and then actually what we really need. 174 00:09:25,960 --> 00:09:28,240 Speaker 3: Yeah, you didn't exactly do a deep dive into the 175 00:09:28,360 --> 00:09:31,520 Speaker 3: lyrics though, that's the way I thought you were going 176 00:09:31,559 --> 00:09:33,480 Speaker 3: to pick out one of the gems from the verses. 177 00:09:34,000 --> 00:09:35,480 Speaker 2: No, No, that's the main one for me. I love 178 00:09:35,559 --> 00:09:37,520 Speaker 2: that one. It's got life advice in the Like Kenny 179 00:09:37,600 --> 00:09:40,439 Speaker 2: Rodgers The Gambler. There's another line in I Love radioheading 180 00:09:40,760 --> 00:09:44,040 Speaker 2: one of their songs, just you do it to yourself? 181 00:09:44,080 --> 00:09:46,360 Speaker 2: You do and that's what's really sad. I love that line. 182 00:09:46,400 --> 00:09:48,480 Speaker 2: It's about the inner torment we put ourselves through, which 183 00:09:48,480 --> 00:09:50,599 Speaker 2: is often far worse than anything that could happen to 184 00:09:50,679 --> 00:09:53,040 Speaker 2: us in real life. Can you remember any lyrics that 185 00:09:53,160 --> 00:09:58,440 Speaker 2: actually stand out in songs. I'm trying to Patsy, can 186 00:09:58,480 --> 00:10:02,760 Speaker 2: you while were asking, remember we did that quiz for 187 00:10:02,840 --> 00:10:04,240 Speaker 2: the Brian Adams Superpower. 188 00:10:06,760 --> 00:10:09,600 Speaker 4: That's harsh. There's lots but none. 189 00:10:09,679 --> 00:10:13,480 Speaker 2: That's there's lots, but there's just too many. There's so 190 00:10:13,640 --> 00:10:18,800 Speaker 2: many hard on the spot. Isn't it to think of 191 00:10:18,880 --> 00:10:20,240 Speaker 2: lyrics that you actually can't remember? 192 00:10:21,280 --> 00:10:21,600 Speaker 1: All right? 193 00:10:21,640 --> 00:10:24,160 Speaker 2: There's other lines on this nine four one four one 194 00:10:24,200 --> 00:10:26,000 Speaker 2: o four three. You might just listen to songs and 195 00:10:26,040 --> 00:10:28,280 Speaker 2: melodies I mainly do. There's only one or two songs 196 00:10:28,320 --> 00:10:31,160 Speaker 2: I can recall one line or two lines. If you 197 00:10:31,280 --> 00:10:33,720 Speaker 2: can remember a line. If there's something that always sticks 198 00:10:33,760 --> 00:10:35,440 Speaker 2: in your mind, a line from a song, it might 199 00:10:35,480 --> 00:10:37,240 Speaker 2: be for no reason, or sometimes it just caught you 200 00:10:37,280 --> 00:10:39,280 Speaker 2: in a moment and it meant something to you would 201 00:10:39,280 --> 00:10:40,439 Speaker 2: attack some kind of meaning to it. 202 00:10:40,960 --> 00:10:44,440 Speaker 1: But Christian O'Connor Breakfast Show podcast lyrics. 203 00:10:44,120 --> 00:10:45,839 Speaker 2: And songs that do stand out to your mind. We 204 00:10:45,920 --> 00:10:47,800 Speaker 2: were just playing the brilliant Rolling Stones song that they 205 00:10:47,880 --> 00:10:50,360 Speaker 2: did all from their separate homes. It's part this One 206 00:10:50,440 --> 00:10:53,640 Speaker 2: World Together content online over the weekend, and it's one 207 00:10:53,640 --> 00:10:55,959 Speaker 2: of the few songs where I can actually recall a 208 00:10:56,080 --> 00:10:58,160 Speaker 2: line from it, And if you've got any moments like that, 209 00:10:58,320 --> 00:11:00,199 Speaker 2: just a line or a lyric from a song that 210 00:11:00,360 --> 00:11:02,120 Speaker 2: always sticks in your mind, let me know this morning 211 00:11:02,200 --> 00:11:05,040 Speaker 2: nine four one four, one oh four three. Let's take 212 00:11:05,080 --> 00:11:07,719 Speaker 2: some calls. Now, let's go to Peter in amount of 213 00:11:07,800 --> 00:11:10,199 Speaker 2: lions A good morning, Peter, Christian. 214 00:11:10,240 --> 00:11:10,480 Speaker 7: How are you? 215 00:11:10,600 --> 00:11:12,320 Speaker 2: Yeah, I'm good, Peter, hope you well this morning. Thanks 216 00:11:12,360 --> 00:11:14,160 Speaker 2: for a calling. And what's the line in a song 217 00:11:14,240 --> 00:11:14,400 Speaker 2: for you? 218 00:11:15,480 --> 00:11:17,880 Speaker 9: I go walk out in the rain so no one 219 00:11:18,040 --> 00:11:18,840 Speaker 9: sees me cry? 220 00:11:19,400 --> 00:11:21,800 Speaker 2: Oh man, that's it. That's like that. That is a 221 00:11:21,840 --> 00:11:22,960 Speaker 2: great one. What's that from? 222 00:11:23,760 --> 00:11:25,320 Speaker 9: Am I ever going to see your face again? 223 00:11:25,400 --> 00:11:27,000 Speaker 2: And we all know the angels? Yeah? 224 00:11:31,800 --> 00:11:32,199 Speaker 1: Do you know what? 225 00:11:32,280 --> 00:11:33,839 Speaker 2: We've played that song quite a lot. We've played it 226 00:11:33,920 --> 00:11:35,720 Speaker 2: quite a few times. I wasn't familiar with it until 227 00:11:35,720 --> 00:11:37,959 Speaker 2: I moved here. It's a great song. But again, you 228 00:11:38,080 --> 00:11:39,719 Speaker 2: just get caught up in the noise sometimes in the 229 00:11:39,760 --> 00:11:41,400 Speaker 2: melody of a song. I didn't know that line was 230 00:11:41,440 --> 00:11:43,839 Speaker 2: in there. Peter, perfect, Thank you very much, have a 231 00:11:43,880 --> 00:11:47,960 Speaker 2: good day. Let's go to Olie. Good morning, Ollie. 232 00:11:48,120 --> 00:11:49,000 Speaker 10: How are you Christian? 233 00:11:49,080 --> 00:11:51,160 Speaker 2: I'm good, Olie. I hope you well this morning. Olie 234 00:11:51,200 --> 00:11:53,080 Speaker 2: what's the line that you always remember from a song? 235 00:11:53,400 --> 00:11:56,319 Speaker 11: It's uh, he's a simple man with a heart of 236 00:11:56,440 --> 00:11:58,240 Speaker 11: gold in a complicated land. 237 00:11:58,640 --> 00:12:09,880 Speaker 2: It's Jimmy Barnes classic Cold Chisel. Yeah, it's a great line, 238 00:12:09,960 --> 00:12:12,240 Speaker 2: isn't it. Yeah, it's a brilliant one. That's awesome, Thank 239 00:12:12,280 --> 00:12:13,120 Speaker 2: you very much, Ollie. 240 00:12:13,160 --> 00:12:13,400 Speaker 1: What is it? 241 00:12:13,520 --> 00:12:14,760 Speaker 2: Is it one of those ones that sticks in for 242 00:12:14,800 --> 00:12:17,320 Speaker 2: a reason or just one that you can always remember recall? 243 00:12:17,480 --> 00:12:20,000 Speaker 12: Ah, it reminds me of an old guy I used 244 00:12:20,000 --> 00:12:21,960 Speaker 12: to work with, and he was a pretty simple fellow. 245 00:12:22,040 --> 00:12:24,559 Speaker 10: But he was a just very down to earth and 246 00:12:24,640 --> 00:12:25,320 Speaker 10: grounding guy. 247 00:12:25,640 --> 00:12:28,000 Speaker 2: Oh that's lovely. That's really nice, olly perfect, Thank you 248 00:12:28,120 --> 00:12:29,400 Speaker 2: very much. You callo. Have a good day. 249 00:12:29,720 --> 00:12:33,640 Speaker 1: Welcome Christian O'Connell Breakfast Show podcast. 250 00:12:33,280 --> 00:12:36,120 Speaker 2: Talk this morning about lyrics. Can you remember? Is there 251 00:12:36,120 --> 00:12:38,920 Speaker 2: a certain line from a song that stands out? Might 252 00:12:38,960 --> 00:12:40,719 Speaker 2: have no reason why it does, or there might be 253 00:12:40,720 --> 00:12:43,040 Speaker 2: a reason why that one line in particular you can 254 00:12:43,080 --> 00:12:46,880 Speaker 2: always remember? And emails has come in from an anonymous listener. 255 00:12:46,960 --> 00:12:48,120 Speaker 2: You'll find out in a minute at the end of 256 00:12:48,120 --> 00:12:51,480 Speaker 2: the email why she wants to remain anonymous. Christian, Jack 257 00:12:51,520 --> 00:12:53,559 Speaker 2: and Pats, good morning, Welcome back, a couple of years ago, 258 00:12:53,640 --> 00:12:57,320 Speaker 2: I busted my partner cheating behind my back. A few 259 00:12:57,400 --> 00:12:59,800 Speaker 2: days later, I heard a Rihianna song, Take a Bow 260 00:13:00,040 --> 00:13:02,240 Speaker 2: the Radio. Worst song to hear at the time is 261 00:13:02,320 --> 00:13:06,360 Speaker 2: the whole song is about breaking up with a cheating partner. However, 262 00:13:06,520 --> 00:13:10,280 Speaker 2: one line suddenly really struck with him. It still does 263 00:13:10,320 --> 00:13:12,800 Speaker 2: to this day. Don't say you're sorry when you're not, 264 00:13:13,160 --> 00:13:15,640 Speaker 2: when you know you're only sorry because you got caught 265 00:13:16,240 --> 00:13:24,720 Speaker 2: a non modern day poet, I'm sorry that almost gave 266 00:13:24,760 --> 00:13:27,000 Speaker 2: her name way there. I'm sorry anonymous that you had 267 00:13:27,040 --> 00:13:29,240 Speaker 2: to go through that. That's incredible. And what a line 268 00:13:29,280 --> 00:13:31,079 Speaker 2: in a song as well from Rihanna. All right, let's 269 00:13:31,120 --> 00:13:35,520 Speaker 2: go to the lines now, Lee, good morning, good morning, 270 00:13:36,040 --> 00:13:36,440 Speaker 2: good morning. 271 00:13:36,520 --> 00:13:36,640 Speaker 9: Lie. 272 00:13:36,720 --> 00:13:38,920 Speaker 2: So what's the lyric that you can always remember? Mate? 273 00:13:39,480 --> 00:13:43,320 Speaker 13: Okay, Thompson Twins hold me now, it's you say I'm 274 00:13:43,360 --> 00:13:43,800 Speaker 13: a dreamer. 275 00:13:44,240 --> 00:13:47,120 Speaker 14: Were two of a kind, both of the searching for 276 00:13:47,240 --> 00:13:49,640 Speaker 14: some perfect twiled you know we'll never find. 277 00:13:50,200 --> 00:13:52,280 Speaker 2: Wow. Yeah, how has a big fan the eighties of 278 00:13:52,320 --> 00:13:54,439 Speaker 2: Thompson Twins. Can't remember any of the lyrics, but that's 279 00:13:54,480 --> 00:13:56,920 Speaker 2: a great one. And did it did it just happen 280 00:13:57,000 --> 00:13:58,319 Speaker 2: to come on to you at a certain time in 281 00:13:58,360 --> 00:13:59,840 Speaker 2: your life, or you just like the lyric. 282 00:14:00,960 --> 00:14:02,880 Speaker 13: I grew up with it and didn't really think much 283 00:14:02,920 --> 00:14:06,480 Speaker 13: about it, and as I was getting older, I'm like, yeah, 284 00:14:07,120 --> 00:14:07,839 Speaker 13: I really get it. 285 00:14:09,520 --> 00:14:11,319 Speaker 2: Ts hang on, I think we just mostly get a 286 00:14:11,360 --> 00:14:12,240 Speaker 2: hold of the song. Here we go. 287 00:14:14,679 --> 00:14:15,640 Speaker 1: You say I'm a. 288 00:14:15,760 --> 00:14:20,840 Speaker 2: Dreamer kind. 289 00:14:23,840 --> 00:14:27,840 Speaker 3: Both of the searching for some perfect world in the 290 00:14:28,000 --> 00:14:29,640 Speaker 3: will never fine. 291 00:14:30,600 --> 00:14:32,440 Speaker 2: That's a great song, Thompson twins, hold me, now, do 292 00:14:32,480 --> 00:14:33,560 Speaker 2: you know what I'm going to dig that out. I'm 293 00:14:33,560 --> 00:14:35,040 Speaker 2: going to stick it on after the air break we've 294 00:14:35,080 --> 00:14:35,840 Speaker 2: got coming up now. 295 00:14:36,720 --> 00:14:37,920 Speaker 15: Brilliant. Thank you so much. 296 00:14:39,320 --> 00:14:41,760 Speaker 2: With you awesome, Lee, thank you very much. She called 297 00:14:41,840 --> 00:14:45,320 Speaker 2: us a great one. Thanks guys, all right, Hailey, good morning. 298 00:14:45,880 --> 00:14:48,880 Speaker 13: Good morning, Christian, Hi, Pats, Hi Jack, welcome back. 299 00:14:49,400 --> 00:14:52,200 Speaker 2: Hey, Hey, thanks Honny, and thanks Colling. What's the lyric 300 00:14:52,320 --> 00:14:52,480 Speaker 2: for you? 301 00:14:53,320 --> 00:14:53,360 Speaker 1: So? 302 00:14:53,560 --> 00:14:57,040 Speaker 13: Mine is from the song A Million Dream by Pink 303 00:14:57,320 --> 00:15:00,400 Speaker 13: who readid it? And it's let them let them call 304 00:15:00,520 --> 00:15:04,480 Speaker 13: us crazy, let them say we've lost our mind. And 305 00:15:04,640 --> 00:15:07,080 Speaker 13: it just sort of sticks out with me because it's 306 00:15:07,800 --> 00:15:09,400 Speaker 13: I think, if you don't take a risk, and if 307 00:15:09,440 --> 00:15:13,120 Speaker 13: you don't do what everybody else is doing, it's only 308 00:15:13,200 --> 00:15:16,480 Speaker 13: been that you get the rewards that maybe not everyone 309 00:15:16,520 --> 00:15:17,160 Speaker 13: else is getting. 310 00:15:17,400 --> 00:15:19,680 Speaker 2: Yeah, that's lovely, Hailey. That's very true in life, isn't it? 311 00:15:19,960 --> 00:15:22,240 Speaker 2: Often the other side of all that frustration and what 312 00:15:22,320 --> 00:15:25,280 Speaker 2: feels like stepback is something magical. Let's ever listen to 313 00:15:25,360 --> 00:15:25,920 Speaker 2: this from Pink. 314 00:15:27,080 --> 00:15:33,880 Speaker 7: They can say they can see ourselves crazy, they can 315 00:15:34,000 --> 00:15:34,760 Speaker 7: say they can. 316 00:15:34,800 --> 00:15:36,760 Speaker 4: Say the last mind. 317 00:15:38,240 --> 00:15:38,520 Speaker 1: Hayley. 318 00:15:38,600 --> 00:15:40,160 Speaker 2: That's great. Thank you very much for that one. 319 00:15:40,200 --> 00:15:42,120 Speaker 13: Have a good day, Have a good day. 320 00:15:43,680 --> 00:15:47,160 Speaker 2: Let's go to Ian. Good morning, Ian, Hi, Christian. 321 00:15:47,320 --> 00:15:47,920 Speaker 11: I love the show. 322 00:15:48,080 --> 00:15:50,080 Speaker 2: Oh thanks mate, and I thank you very much for 323 00:15:50,200 --> 00:15:50,520 Speaker 2: calling in. 324 00:15:50,880 --> 00:15:51,120 Speaker 1: Ian. 325 00:15:51,160 --> 00:15:52,720 Speaker 2: What's the lyric for you that you love that you 326 00:15:52,760 --> 00:15:53,560 Speaker 2: can recall? 327 00:15:55,120 --> 00:16:01,200 Speaker 11: It's delemitary, nothing ever happens. It's the line can businessman 328 00:16:01,400 --> 00:16:03,600 Speaker 11: snap up then golfs for the price of a hospital, 329 00:16:03,840 --> 00:16:07,080 Speaker 11: which I leads probably one of the most powerful works 330 00:16:07,120 --> 00:16:08,760 Speaker 11: in the song of I heard it just sort of 331 00:16:08,760 --> 00:16:11,840 Speaker 11: stuck it. It stood out when I first heard them. 332 00:16:11,880 --> 00:16:14,760 Speaker 11: I just think it speaks volumes for here, Grady, we 333 00:16:14,880 --> 00:16:17,880 Speaker 11: are never we get our priorities wrong so often. 334 00:16:18,600 --> 00:16:21,040 Speaker 2: Yeah, I mean in the news right now, Sir Richard Branson, 335 00:16:21,040 --> 00:16:23,840 Speaker 2: who's got a personal fortune around four point seven billion, 336 00:16:24,000 --> 00:16:27,520 Speaker 2: is asking various governments to bank roll Virgin Obviously, thousands 337 00:16:27,520 --> 00:16:29,880 Speaker 2: of people required the company for their job, so I 338 00:16:29,960 --> 00:16:32,600 Speaker 2: get that. But yeah, tell me it's a great underrated 339 00:16:32,600 --> 00:16:34,720 Speaker 2: Scottish rock band from the nineties. Here's a bit of it. 340 00:16:34,800 --> 00:16:36,120 Speaker 2: Then the marriage and. 341 00:16:37,720 --> 00:16:42,640 Speaker 1: Playing the Price of Hospital? That's it? 342 00:16:42,680 --> 00:16:43,120 Speaker 2: What's the song? 343 00:16:43,200 --> 00:16:43,320 Speaker 1: Is it? 344 00:16:43,640 --> 00:16:44,720 Speaker 2: Nothing ever happens, isn't it? 345 00:16:44,760 --> 00:16:45,040 Speaker 3: The song? 346 00:16:45,680 --> 00:16:45,880 Speaker 1: Yeah? 347 00:16:46,200 --> 00:16:48,200 Speaker 2: Yeah, that's a great one. Ian, Thank you very much. Cool, 348 00:16:48,240 --> 00:16:51,160 Speaker 2: have a good day, thanks, Hella. And good morning. 349 00:16:51,920 --> 00:16:52,440 Speaker 14: Good morning. 350 00:16:54,000 --> 00:16:55,560 Speaker 2: That's great. And it sounds like you're already on the 351 00:16:55,640 --> 00:16:57,000 Speaker 2: road heading off to work for someone. 352 00:16:57,880 --> 00:17:01,880 Speaker 16: Yeah, seven, so twenty minutes away, and what do you do? Hell, 353 00:17:02,800 --> 00:17:05,800 Speaker 16: I worked for a transport company in the office. So 354 00:17:06,080 --> 00:17:08,400 Speaker 16: I'm very lucky that I've still got a job full time, 355 00:17:08,560 --> 00:17:11,480 Speaker 16: so very appreciative of being able to go to work 356 00:17:12,000 --> 00:17:13,600 Speaker 16: and do my job. 357 00:17:13,800 --> 00:17:15,600 Speaker 2: So yeah, and who do you work for? Give them 358 00:17:15,640 --> 00:17:16,160 Speaker 2: a shout out. 359 00:17:16,160 --> 00:17:19,119 Speaker 16: Then I worked for a company by the name of 360 00:17:19,359 --> 00:17:23,640 Speaker 16: Jet Couriers. I've worked there for fourteen years and wonderful 361 00:17:23,680 --> 00:17:24,840 Speaker 16: company and wonderful boss. 362 00:17:25,640 --> 00:17:29,840 Speaker 2: The name again, Jet's Couriers, Jet j Et, got it, 363 00:17:30,400 --> 00:17:32,639 Speaker 2: jet by name, jet by nature. Get on it with 364 00:17:32,800 --> 00:17:33,480 Speaker 2: Jet Couriers. 365 00:17:34,760 --> 00:17:35,119 Speaker 14: Thanks you. 366 00:17:36,080 --> 00:17:38,120 Speaker 13: I've absolutely I've actually gotten true. 367 00:17:38,800 --> 00:17:42,359 Speaker 16: And they're both cold Tizsel songs. One is when the 368 00:17:42,440 --> 00:17:46,119 Speaker 16: War is over, and the line that sticks in my 369 00:17:46,240 --> 00:17:56,480 Speaker 16: head is ain't nobody going to feel this hardway? And 370 00:17:56,600 --> 00:18:00,560 Speaker 16: the other one is flame Trees. Kids are driving Saturday 371 00:18:00,840 --> 00:18:09,880 Speaker 16: night just passed me by. So it's more or less 372 00:18:10,000 --> 00:18:13,359 Speaker 16: kids in a country town driving around in their cars. 373 00:18:13,400 --> 00:18:16,080 Speaker 16: And it happens at happening when I was drying up, 374 00:18:16,200 --> 00:18:19,879 Speaker 16: and it still happens today. And Don Walker and Stupress, 375 00:18:19,920 --> 00:18:21,919 Speaker 16: which brilliant, brilliant songwriters. 376 00:18:22,160 --> 00:18:24,560 Speaker 2: Yeah, there's a great book of all of Don Walker's 377 00:18:24,680 --> 00:18:26,840 Speaker 2: songs and it's like a poetry book. He is one 378 00:18:26,840 --> 00:18:30,000 Speaker 2: of the world's best songwriters, not just Australia's great genius 379 00:18:30,080 --> 00:18:33,639 Speaker 2: writer captures so much of the true Australiana nature as well. 380 00:18:33,640 --> 00:18:36,119 Speaker 2: I love Don Walker songs. Those cultures and songs are brilliant. 381 00:18:36,400 --> 00:18:38,400 Speaker 2: That's brilliant head, and thank you very much of those two. 382 00:18:38,400 --> 00:18:42,240 Speaker 2: A real treat. That's you have a great day. Jet Couriers, 383 00:18:42,320 --> 00:18:44,159 Speaker 2: Jet by Name, Jet by Name, Sure, get on it. 384 00:18:44,320 --> 00:18:48,080 Speaker 1: Jet it today for Christian O'Connell Breakfast Show podcast. 385 00:18:48,280 --> 00:18:50,399 Speaker 2: If you want to keep the conversation going about lyrics 386 00:18:50,960 --> 00:18:53,600 Speaker 2: that stand out for you in songs. You can email 387 00:18:53,680 --> 00:18:56,880 Speaker 2: me Christian of Gold one O four to three dot com. 388 00:18:57,000 --> 00:18:59,840 Speaker 2: Do AU can always email this show about anything we've 389 00:19:00,000 --> 00:19:03,320 Speaker 2: talked about in the past. It's called late la party, 390 00:19:03,320 --> 00:19:13,639 Speaker 2: where no topic is ever left completely dead light. With 391 00:19:13,800 --> 00:19:15,800 Speaker 2: the show being off for two weeks, quite a few 392 00:19:15,840 --> 00:19:17,680 Speaker 2: emails have come in through a late law party. Thank 393 00:19:17,720 --> 00:19:19,879 Speaker 2: you very much. This is a Bobby Dassler. It's a 394 00:19:19,960 --> 00:19:22,200 Speaker 2: two for two for one. We're going back three weeks. 395 00:19:22,680 --> 00:19:26,119 Speaker 2: Christian has listened to the podcast from the end of 396 00:19:26,240 --> 00:19:29,919 Speaker 2: March and thought i'd share my two stories end of April. 397 00:19:30,320 --> 00:19:33,000 Speaker 2: No he think, he means the end of March. Two 398 00:19:33,560 --> 00:19:36,200 Speaker 2: stories of when I was chatting to someone famous didn't 399 00:19:36,200 --> 00:19:38,640 Speaker 2: have an idea who it was. First one was when 400 00:19:38,680 --> 00:19:42,879 Speaker 2: I worked as a flight dispatcher for a budget UK airline. 401 00:19:43,440 --> 00:19:45,480 Speaker 2: I was getting everyone on board for a flight to 402 00:19:45,560 --> 00:19:48,160 Speaker 2: go to Italy from London. The plane wasn't quite ready 403 00:19:48,160 --> 00:19:50,760 Speaker 2: for passengers to get on board, but the gates staff 404 00:19:50,800 --> 00:19:54,040 Speaker 2: has started to send passages down the wrong way down 405 00:19:54,080 --> 00:19:56,359 Speaker 2: the little tunnel. I held them at the bottom of 406 00:19:56,359 --> 00:19:59,200 Speaker 2: the aircraft's steps and this American chap at the front 407 00:19:59,200 --> 00:20:01,920 Speaker 2: of the queue started making small talk with me about 408 00:20:01,960 --> 00:20:04,520 Speaker 2: the plane. I thought he was a plane spotter and 409 00:20:04,600 --> 00:20:07,000 Speaker 2: amused him for a couple of minutes, talking about the 410 00:20:07,040 --> 00:20:10,960 Speaker 2: plane various really boring bits of information, and then went 411 00:20:11,040 --> 00:20:13,399 Speaker 2: up to the gate to get the final passenger figures 412 00:20:13,560 --> 00:20:15,920 Speaker 2: for the flight. Noticed a lot of the checking girls 413 00:20:15,960 --> 00:20:18,000 Speaker 2: hanging around were normally they're nowhere to be seen by them. 414 00:20:18,040 --> 00:20:20,439 Speaker 2: They've gone for coffee. They all burst out laughing when 415 00:20:20,440 --> 00:20:21,800 Speaker 2: they said, do you know how that was? I won't 416 00:20:21,960 --> 00:20:23,840 Speaker 2: know and shrugged my shudders. They stead I have been 417 00:20:23,920 --> 00:20:32,159 Speaker 2: chatting to Orlando Bloom for the last five minutes. A plane. Wow, 418 00:20:33,160 --> 00:20:36,119 Speaker 2: there's another one from the same guy, Pete Murray Christian. 419 00:20:36,440 --> 00:20:38,639 Speaker 2: After that job by trained to become a London cabbin. 420 00:20:38,680 --> 00:20:40,320 Speaker 2: And I've been doing a London cabby for two years 421 00:20:40,359 --> 00:20:43,720 Speaker 2: and obviously picked up my fair share of famous faces. 422 00:20:44,080 --> 00:20:45,879 Speaker 2: I had an account job from a big house in 423 00:20:45,960 --> 00:20:48,400 Speaker 2: North London and a bloke and his wife came out. 424 00:20:48,720 --> 00:20:51,000 Speaker 2: The bloke had booked it and it was in his name. 425 00:20:51,280 --> 00:20:54,000 Speaker 2: I thought there was something familiar about him, couldn't think 426 00:20:54,040 --> 00:20:55,919 Speaker 2: of it where I knew him from. He certainly had 427 00:20:55,960 --> 00:20:57,920 Speaker 2: the look of a musician about just about way he 428 00:20:58,080 --> 00:20:59,960 Speaker 2: was dressed, and that I had his name on the book, 429 00:21:00,200 --> 00:21:02,160 Speaker 2: but it still didn't ring any bells. Once I dropped 430 00:21:02,160 --> 00:21:03,680 Speaker 2: them off, I had a quick Google on his name. 431 00:21:03,960 --> 00:21:06,480 Speaker 2: He was a keyboard player from a indie band the UK. 432 00:21:06,720 --> 00:21:09,000 Speaker 2: You Jack, you might know them the Claxtons, a couple 433 00:21:09,000 --> 00:21:11,080 Speaker 2: of hits in the UK. They're good, ye sense. From 434 00:21:11,800 --> 00:21:14,120 Speaker 2: then it was having a read of his Wikipedia profile 435 00:21:14,200 --> 00:21:17,280 Speaker 2: and it was definitely him. My heart then sank when 436 00:21:17,320 --> 00:21:19,840 Speaker 2: I saw the name of his even more famous wife, 437 00:21:20,119 --> 00:21:22,280 Speaker 2: who'd been in the back of the taxi. I hadn't 438 00:21:22,280 --> 00:21:25,280 Speaker 2: even given her a second glance. It was Kiera Knightley. 439 00:21:26,200 --> 00:21:29,840 Speaker 2: Oh wow, had Kiera Knight in the back of his 440 00:21:29,960 --> 00:21:34,040 Speaker 2: taxi was still just coming out. Husband's familiar A minor 441 00:21:34,560 --> 00:21:38,080 Speaker 2: indie band called the Clasons. That's putting the two for 442 00:21:38,200 --> 00:21:38,920 Speaker 2: one deal. Thank you. 443 00:21:39,040 --> 00:21:41,000 Speaker 3: He's almost collected the whole set of Pirates of the. 444 00:21:41,040 --> 00:21:46,080 Speaker 2: Caravan, and who knew today we've already learned the Orlando 445 00:21:46,240 --> 00:21:48,359 Speaker 2: bloom as a plain spot. If you've got any more 446 00:21:48,440 --> 00:21:51,119 Speaker 2: emails so late to the party, the email address so 447 00:21:51,200 --> 00:21:53,159 Speaker 2: get me directly is Christian at gold one oh four 448 00:21:53,200 --> 00:21:56,119 Speaker 2: to three dot com. Dot au can I always talk 449 00:21:56,160 --> 00:21:58,520 Speaker 2: about anything from old podcasts or anything we've talked about 450 00:21:58,560 --> 00:21:59,000 Speaker 2: on the show. 451 00:22:00,000 --> 00:22:03,879 Speaker 1: Hello the Christian O'Connell Breakfast Show podcast. 452 00:22:04,040 --> 00:22:07,119 Speaker 2: I just got a flashback to covering it first, like 453 00:22:07,200 --> 00:22:09,920 Speaker 2: we've covered a lot of ground this hour? Was it 454 00:22:10,040 --> 00:22:12,919 Speaker 2: really this hour we heard about Harry Potter the Headless Corpse. 455 00:22:14,240 --> 00:22:16,920 Speaker 2: Even though I'm calling JK Rowling, I don't know any 456 00:22:17,000 --> 00:22:19,320 Speaker 2: details for let's play along with this bit. I'm calling 457 00:22:19,480 --> 00:22:21,520 Speaker 2: JK Rowling and telling her there's another Harry Potter But 458 00:22:21,800 --> 00:22:26,080 Speaker 2: Harry Potter and the Headless Corpse. The headless Now, that's 459 00:22:26,119 --> 00:22:29,040 Speaker 2: it even better. I must just say load to someone 460 00:22:29,040 --> 00:22:31,359 Speaker 2: who was listening to us yesterday. No, yesterday, I was 461 00:22:31,520 --> 00:22:35,200 Speaker 2: concerned that my driving for sixteen whole minutes of the driving, 462 00:22:35,240 --> 00:22:36,800 Speaker 2: I didn't see another car. And I was that we 463 00:22:37,160 --> 00:22:39,120 Speaker 2: knowing around and maybe we need to do with other 464 00:22:39,160 --> 00:22:41,520 Speaker 2: shows are looking at doing and moving their shows back 465 00:22:41,600 --> 00:22:44,159 Speaker 2: and starting at seven or eight am. We're not doing that. 466 00:22:44,240 --> 00:22:46,439 Speaker 2: We's done at six or not. That's when the show starts. 467 00:22:46,480 --> 00:22:48,800 Speaker 2: But yesterday I was generally concerned that there might not 468 00:22:48,880 --> 00:22:50,760 Speaker 2: be anyone around, but a lot of you around, and 469 00:22:50,760 --> 00:22:53,120 Speaker 2: a lot of you actually were at work finishing works 470 00:22:53,160 --> 00:22:56,840 Speaker 2: and are also a lot of nurses and frontline workers 471 00:22:56,920 --> 00:23:00,879 Speaker 2: working really long hours in really really tough situations right now, 472 00:23:00,880 --> 00:23:03,080 Speaker 2: the toughest you've probably ever known, and then we've certainly 473 00:23:03,119 --> 00:23:05,719 Speaker 2: ever lived through as well. One of them was our 474 00:23:05,760 --> 00:23:09,160 Speaker 2: good friend Sharon Logan. You know Sharon Logan, Pete's wife. Yeah, 475 00:23:09,440 --> 00:23:11,320 Speaker 2: and obviously Peter Logan, a dear friend of this show, 476 00:23:11,520 --> 00:23:14,040 Speaker 2: sadly lost his life in his fight to cancer in 477 00:23:14,119 --> 00:23:17,040 Speaker 2: the early start this year, one hundred and four days ago. 478 00:23:17,560 --> 00:23:21,200 Speaker 2: And Sharon sent me a text yesterday after the show saying, 479 00:23:21,280 --> 00:23:22,960 Speaker 2: I almost called in, but I was wired that I 480 00:23:23,000 --> 00:23:24,560 Speaker 2: start to cry it woud all get a bit too much. 481 00:23:24,880 --> 00:23:27,240 Speaker 2: But I was listening and she's retrained to be a 482 00:23:27,320 --> 00:23:29,520 Speaker 2: nurse and she just started two weeks ago. She's working 483 00:23:29,560 --> 00:23:32,320 Speaker 2: at a hospital in an emergency department, I mean, right 484 00:23:32,520 --> 00:23:34,560 Speaker 2: in the thick of it, but loving it. So it's 485 00:23:34,600 --> 00:23:36,040 Speaker 2: just what she needs in her life right now. She 486 00:23:36,160 --> 00:23:38,480 Speaker 2: tries to, you know, put her life together, and the 487 00:23:38,600 --> 00:23:40,879 Speaker 2: kids are doing the same as well, missing dad, the 488 00:23:40,960 --> 00:23:43,600 Speaker 2: great Peter Logan. But anyway, she always called in yesterday, 489 00:23:43,640 --> 00:23:46,159 Speaker 2: but she was telling me about this great website and 490 00:23:46,640 --> 00:23:49,800 Speaker 2: Shann's an amazing woman, very strong, selfless woman, and she 491 00:23:49,840 --> 00:23:52,000 Speaker 2: was telling about this amazing website. So it's not a website, 492 00:23:52,040 --> 00:23:53,720 Speaker 2: it's on Facebook. I don't know if either of you 493 00:23:53,800 --> 00:23:55,720 Speaker 2: two have heard about this. I'm going to mention this 494 00:23:55,800 --> 00:23:57,080 Speaker 2: quite a bit this week. I think this is an 495 00:23:57,080 --> 00:23:59,000 Speaker 2: amazing thing. I couldn't believe it when I found it 496 00:23:59,080 --> 00:24:02,119 Speaker 2: yesterday on Facebook. It's another one of those things that 497 00:24:02,200 --> 00:24:04,440 Speaker 2: we saw this come out of the bushfires, where people 498 00:24:04,600 --> 00:24:06,560 Speaker 2: just suddenly want to try and help each other out. 499 00:24:06,840 --> 00:24:11,320 Speaker 2: It's called adopt a healthcare worker, and healthcare workers are 500 00:24:11,359 --> 00:24:13,240 Speaker 2: putting on they going, look, I'm working really long hours 501 00:24:13,280 --> 00:24:15,159 Speaker 2: at the moment, and they are they're tired, they're exhausted 502 00:24:15,160 --> 00:24:16,840 Speaker 2: that they haven't got to do some basic stuff like 503 00:24:17,119 --> 00:24:19,480 Speaker 2: it might be cut their own grass or just a 504 00:24:19,520 --> 00:24:22,080 Speaker 2: little DIY projects outside the front of the house. And 505 00:24:22,240 --> 00:24:24,080 Speaker 2: other people are going on there going well, I can 506 00:24:24,160 --> 00:24:27,080 Speaker 2: do that for you. I live nearby. I'm two suburbs over. 507 00:24:27,200 --> 00:24:29,240 Speaker 2: I'll come over and do that. There are other people 508 00:24:29,400 --> 00:24:31,320 Speaker 2: get this bit. I'm looking on the yesterday right, I 509 00:24:31,440 --> 00:24:33,560 Speaker 2: was almost moved to tears. There are other people who 510 00:24:33,600 --> 00:24:35,600 Speaker 2: are out of work at the moment. Who've lost their jobs, 511 00:24:35,880 --> 00:24:37,640 Speaker 2: who are going on there. Look, I can do these 512 00:24:37,760 --> 00:24:40,880 Speaker 2: basic skills. I'm here, I can travel to the hearing. Here. 513 00:24:41,240 --> 00:24:43,080 Speaker 2: Is there anything I can do for anyone who's a 514 00:24:43,080 --> 00:24:46,080 Speaker 2: frontline healthcare worker right now? It is so moving. Have 515 00:24:46,160 --> 00:24:48,840 Speaker 2: a look on there, put it up there on your 516 00:24:48,920 --> 00:24:50,840 Speaker 2: Facebook feeds as well, and get people to go on 517 00:24:50,920 --> 00:24:52,800 Speaker 2: there that might better help out all you know, anyone 518 00:24:52,960 --> 00:24:55,280 Speaker 2: is a healthcare worker front and worker that actually does 519 00:24:55,400 --> 00:24:57,760 Speaker 2: need a bit of help right now or might need 520 00:24:57,840 --> 00:25:00,439 Speaker 2: them help it. So it's on Facebook. It's called Adopt 521 00:25:00,600 --> 00:25:03,320 Speaker 2: a healthcare Worker. It's a great thing. And hello to Sharon. 522 00:25:05,040 --> 00:25:07,639 Speaker 1: The Christian O'Connell Breakfast Show podcast now. 523 00:25:07,760 --> 00:25:09,560 Speaker 2: Yesterday on the show, it's talking about how a lot 524 00:25:09,600 --> 00:25:11,840 Speaker 2: of men at the moment are growing out facial hair 525 00:25:12,240 --> 00:25:14,399 Speaker 2: and some of them they think they're sort of, you know, 526 00:25:14,520 --> 00:25:17,560 Speaker 2: got that wilderness look about them, like they Tom Hanks 527 00:25:17,640 --> 00:25:20,200 Speaker 2: in Castaway. And some of them can grow a beard. 528 00:25:20,240 --> 00:25:23,040 Speaker 2: And some men despite they might be deluding themselves us 529 00:25:23,119 --> 00:25:26,240 Speaker 2: men do. It doesn't look good some of them, when 530 00:25:26,240 --> 00:25:28,680 Speaker 2: they grow a beard, it looks good. It retains a structure, 531 00:25:28,960 --> 00:25:32,520 Speaker 2: a solid structure. The foundations are good. It keeps itself 532 00:25:32,600 --> 00:25:36,840 Speaker 2: contained others. It starts to get wispy and also start 533 00:25:36,920 --> 00:25:45,000 Speaker 2: to resemble the more wilder outgrowth of you know that, 534 00:25:45,119 --> 00:25:45,600 Speaker 2: can I go on? 535 00:25:46,200 --> 00:25:46,440 Speaker 1: They know? 536 00:25:47,359 --> 00:25:52,119 Speaker 2: Excuse me, it's trying to bleep out the wors. It 537 00:25:52,280 --> 00:25:53,520 Speaker 2: starts to become. 538 00:25:55,040 --> 00:25:58,560 Speaker 4: Hair that resembles the nether regions. 539 00:25:58,680 --> 00:25:59,920 Speaker 2: Thank you, Pats, thank you. 540 00:26:00,080 --> 00:26:02,200 Speaker 3: Yes, yes, now I've put a photo on my beat 541 00:26:02,280 --> 00:26:04,040 Speaker 3: up yesterday and it was the first time that you've 542 00:26:04,080 --> 00:26:05,240 Speaker 3: seen it in a few weeks. 543 00:26:05,320 --> 00:26:08,159 Speaker 2: This is why we are doing now this new feature. 544 00:26:08,760 --> 00:26:10,920 Speaker 3: I would say I'm in a sturdier I'm in the 545 00:26:11,000 --> 00:26:11,920 Speaker 3: sturdy category. 546 00:26:12,760 --> 00:26:15,600 Speaker 2: What it is to be, what it is to be deluded? 547 00:26:15,920 --> 00:26:16,200 Speaker 3: Pats? 548 00:26:16,400 --> 00:26:18,720 Speaker 2: Have you met the geography teacher that now works on 549 00:26:18,840 --> 00:26:19,360 Speaker 2: the show. 550 00:26:22,160 --> 00:26:26,280 Speaker 4: Geography, Simple janitor? 551 00:26:26,440 --> 00:26:28,719 Speaker 2: Yeah, what you had before looked really good, that kind 552 00:26:28,760 --> 00:26:30,879 Speaker 2: of stubbily not quite a bed. It looked good. It 553 00:26:31,080 --> 00:26:34,520 Speaker 2: suited you. That thing I saw yesterday is a geography 554 00:26:34,600 --> 00:26:37,320 Speaker 2: teacher who's got an acoustic guitar who plays at the 555 00:26:37,359 --> 00:26:41,840 Speaker 2: weekend in a folk band Mulligan and O'Hare. There's a 556 00:26:41,960 --> 00:26:42,919 Speaker 2: touch of with. 557 00:26:43,040 --> 00:26:47,080 Speaker 3: A hey Nanny, Nan, Hey kids, why don't we sing? 558 00:26:47,200 --> 00:26:51,080 Speaker 3: The capitalist of the world will retain the information easier. 559 00:26:50,760 --> 00:26:53,639 Speaker 2: And please don't call me mister post. I'm Jack to you, guys. 560 00:26:56,240 --> 00:26:58,280 Speaker 2: Doesn't seem like he sits on the corner of his 561 00:26:58,400 --> 00:26:59,120 Speaker 2: desk as well. 562 00:27:00,640 --> 00:27:04,960 Speaker 4: The mustache doesn't quite join up with the beer, does it? 563 00:27:05,119 --> 00:27:05,320 Speaker 2: Check? 564 00:27:05,920 --> 00:27:06,920 Speaker 3: I think it's the lighting. 565 00:27:07,040 --> 00:27:12,080 Speaker 2: The no, no, trim it, please, it doesn't. 566 00:27:12,119 --> 00:27:12,639 Speaker 1: It's not you. 567 00:27:13,320 --> 00:27:15,480 Speaker 3: You were As long as we're, as long as we're 568 00:27:15,520 --> 00:27:17,320 Speaker 3: working from home, I'm keeping it growing. 569 00:27:17,480 --> 00:27:17,600 Speaker 1: Well. 570 00:27:17,600 --> 00:27:19,560 Speaker 2: Do you know what yesterday the wife and kids are 571 00:27:19,600 --> 00:27:21,240 Speaker 2: all saying to me, So how does it all work 572 00:27:21,280 --> 00:27:23,440 Speaker 2: with the show? Is a checking pats on zoom and 573 00:27:23,480 --> 00:27:25,600 Speaker 2: you're looking at them like that went. I hadn't even 574 00:27:25,680 --> 00:27:27,720 Speaker 2: thought about that. That will that would make it easier 575 00:27:27,720 --> 00:27:29,280 Speaker 2: at the moment. It's kind of working with them down 576 00:27:29,320 --> 00:27:31,560 Speaker 2: the line. And then when I saw that facial fuzz. 577 00:27:31,800 --> 00:27:33,480 Speaker 2: If I saw you looking out that every day, I'd 578 00:27:33,520 --> 00:27:39,480 Speaker 2: get annoyed. I was going to move the camera so 579 00:27:39,560 --> 00:27:42,639 Speaker 2: I just see your eyes or something. So anyway, it 580 00:27:42,720 --> 00:27:44,560 Speaker 2: means that we've started this new feature that I'm going 581 00:27:44,600 --> 00:27:52,000 Speaker 2: to call upload your fuzz Jack. Today, I need you 582 00:27:52,119 --> 00:27:54,560 Speaker 2: to re record there some superglass called by the fuzz 583 00:27:55,119 --> 00:27:57,520 Speaker 2: and it needs to be upload your fuzz Okay, Ken 584 00:27:57,600 --> 00:28:02,479 Speaker 2: do upload your fuzz and then guests take track at 585 00:28:02,480 --> 00:28:05,080 Speaker 2: the moment put your Jackie boy. Kay. Another brand new 586 00:28:05,080 --> 00:28:09,040 Speaker 2: commission coming in the hot for Jackie Road Studios. So 587 00:28:09,480 --> 00:28:11,760 Speaker 2: this is how it's going to work. Upload your fuzz. 588 00:28:11,840 --> 00:28:14,200 Speaker 2: You go to our Facebook page. Some of you started 589 00:28:14,200 --> 00:28:15,679 Speaker 2: to do this yesterday evening. We put it up there 590 00:28:15,720 --> 00:28:17,760 Speaker 2: to see if you wanted to do this. There are 591 00:28:17,760 --> 00:28:20,280 Speaker 2: a lot of photos already, some from men themselves going 592 00:28:20,280 --> 00:28:22,400 Speaker 2: I'm not sure, what do you think? Team, other people 593 00:28:22,480 --> 00:28:24,720 Speaker 2: I thought this might have happen, women going this is awful. 594 00:28:25,040 --> 00:28:27,639 Speaker 2: He likes it. I can't stand it. What do you think? 595 00:28:27,680 --> 00:28:29,680 Speaker 2: We're going through the next You can play along as well. 596 00:28:29,760 --> 00:28:33,440 Speaker 2: Head to our show Facebook page at you'll find it 597 00:28:33,520 --> 00:28:36,760 Speaker 2: at OC one O four three the worst Facebook title 598 00:28:37,040 --> 00:28:39,560 Speaker 2: in the world OC one O four three. Go and 599 00:28:39,640 --> 00:28:41,680 Speaker 2: have a look there if you can. We're playing next. 600 00:28:41,760 --> 00:28:46,600 Speaker 2: We'll start to go through Upload your fuzz, Jack, Patsy, 601 00:28:46,680 --> 00:28:48,560 Speaker 2: what's your instant decision on Jack's fuzz? 602 00:28:48,880 --> 00:28:50,760 Speaker 4: Oh no, it's got to go, Jack, trim it? 603 00:28:50,880 --> 00:28:54,560 Speaker 2: Jack, please yep, geography teacher, mister post. 604 00:28:55,680 --> 00:28:58,600 Speaker 1: The Chris Jian O'Connell Breakfast Show Podcast. 605 00:28:58,720 --> 00:29:02,320 Speaker 2: One four three is our Facebook page also coordinates to 606 00:29:02,400 --> 00:29:04,800 Speaker 2: my longitude and latitude. If you need to rescue me. 607 00:29:06,800 --> 00:29:09,440 Speaker 3: And make Saying we're live on Facebook makes it sound 608 00:29:09,520 --> 00:29:11,760 Speaker 3: like we're streaming live. What we're just doing is pointing 609 00:29:11,800 --> 00:29:12,600 Speaker 3: people to a post. 610 00:29:12,720 --> 00:29:15,920 Speaker 2: What have I told you about? When I upgrade something, 611 00:29:16,120 --> 00:29:18,040 Speaker 2: just go with it, even if it has no basis 612 00:29:18,120 --> 00:29:18,800 Speaker 2: in reality. 613 00:29:19,320 --> 00:29:23,560 Speaker 3: But then people say, hey, live Facebook. 614 00:29:23,400 --> 00:29:28,920 Speaker 2: Live on FM. We are asking you to upload your buzz, 615 00:29:31,200 --> 00:29:33,920 Speaker 2: upload your facial growth right now. We will rate and 616 00:29:34,080 --> 00:29:38,120 Speaker 2: review instantly. All right, you guys are on Facebook. Yeah, yep, 617 00:29:38,200 --> 00:29:41,120 Speaker 2: we're live on it right now. Zuckerberg's just logged me in. 618 00:29:42,080 --> 00:29:47,000 Speaker 2: All right. We see our first customer, Francis Khan. We're 619 00:29:47,040 --> 00:29:49,000 Speaker 2: looking at Francis Khant the top of the comments. 620 00:29:49,080 --> 00:29:50,800 Speaker 3: Yeah, I'm looking at uh. 621 00:29:52,800 --> 00:29:58,000 Speaker 4: Hang on, I've got Dona Suckling is the first one. 622 00:29:58,080 --> 00:29:59,120 Speaker 2: I've got. Francis Khan. 623 00:29:59,680 --> 00:30:02,800 Speaker 3: What are you sorting by most relevant, newest or all comments? 624 00:30:03,000 --> 00:30:04,000 Speaker 2: Just went for a page? 625 00:30:05,320 --> 00:30:06,800 Speaker 4: Yeah, domin all comments? 626 00:30:06,840 --> 00:30:09,640 Speaker 2: All right, so I've got comments. We've got Dinna Suckling then, 627 00:30:09,680 --> 00:30:12,560 Speaker 2: and then underneath that someone called em mass attack. 628 00:30:12,880 --> 00:30:14,640 Speaker 3: Yeah, okay, we're looking at the same thing now. 629 00:30:14,520 --> 00:30:16,560 Speaker 2: All right, Poor old Francis Kahn, I come back to you. 630 00:30:16,640 --> 00:30:19,320 Speaker 2: Lead it, buddy, only I could see you Dinna suckling. 631 00:30:19,720 --> 00:30:20,240 Speaker 7: Whoa wee. 632 00:30:21,200 --> 00:30:27,400 Speaker 2: And that is a beautiful ginger beard. Great head Santa, Yes, 633 00:30:27,520 --> 00:30:31,800 Speaker 2: ginger Santa. What do we think upload your fuzz? It 634 00:30:31,920 --> 00:30:33,720 Speaker 2: just needs a slight trim. He suits it. 635 00:30:33,800 --> 00:30:37,400 Speaker 4: He wears it well, slush trim trim. 636 00:30:37,520 --> 00:30:41,959 Speaker 3: I'd say he suits a beard, but it's too mangy. 637 00:30:42,320 --> 00:30:46,120 Speaker 2: If you had to pick a job, music teacher. Another 638 00:30:46,160 --> 00:30:50,000 Speaker 2: one music teacher used to be in a heavy metal 639 00:30:50,080 --> 00:30:52,200 Speaker 2: man doesn't like to talk about it, got thrown out. 640 00:30:52,200 --> 00:30:53,120 Speaker 2: It used to be the drummer. 641 00:30:54,320 --> 00:30:57,040 Speaker 3: And the heck of the fringe cut needs to be 642 00:30:57,120 --> 00:30:58,480 Speaker 3: fixed up as well. I know we're meant to be. 643 00:31:00,160 --> 00:31:02,600 Speaker 4: Oh no, I think it's quite a nice harecati boy. 644 00:31:02,680 --> 00:31:05,120 Speaker 2: You cannot be discussing a man's fringe. It's not right. 645 00:31:05,240 --> 00:31:06,640 Speaker 2: Let's keep it. Let's keep it. 646 00:31:06,880 --> 00:31:08,600 Speaker 3: Upload your below the belt. 647 00:31:09,640 --> 00:31:12,400 Speaker 2: It's above the belt, I hope. Let's go down to 648 00:31:12,440 --> 00:31:16,720 Speaker 2: the photo beneath that. Then someone called EMC mass Attackers 649 00:31:16,800 --> 00:31:19,480 Speaker 2: uploaded picture of her husband. This is three to four 650 00:31:19,520 --> 00:31:22,479 Speaker 2: weeks growth my husband. This man looks like he's come 651 00:31:22,520 --> 00:31:25,840 Speaker 2: off a fisherman's boat. He's a trawlaman. It looks like 652 00:31:26,160 --> 00:31:28,160 Speaker 2: he once came very close to the great big White 653 00:31:28,160 --> 00:31:29,600 Speaker 2: and he almost got it. You should have seen the 654 00:31:29,640 --> 00:31:30,720 Speaker 2: size of one that got away. 655 00:31:31,480 --> 00:31:34,720 Speaker 3: So we're looking at a silvery beard, a silvery mustache. 656 00:31:34,920 --> 00:31:37,520 Speaker 3: I love. The mustache is thicker than the beard. So 657 00:31:37,920 --> 00:31:40,480 Speaker 3: he's let the mustache grow and then trim the beard 658 00:31:40,520 --> 00:31:42,520 Speaker 3: back a bit. I would say that's a thumbs up. 659 00:31:42,720 --> 00:31:44,360 Speaker 2: Yeah, I love this guy. I love the look of him. 660 00:31:44,360 --> 00:31:46,320 Speaker 2: He's got like a guy who's got a lived in face. 661 00:31:46,360 --> 00:31:48,200 Speaker 2: He's a good looking dude. I'm going to call him 662 00:31:48,240 --> 00:31:52,920 Speaker 2: Captain Barnicle. He's covered in barnacles. Captain Barnacle here right. 663 00:31:53,120 --> 00:31:55,080 Speaker 2: If I was, if I had any kind of influence 664 00:31:55,160 --> 00:31:58,680 Speaker 2: or swam Captain Barnicle the husband to EMC mass attack, 665 00:31:58,720 --> 00:32:01,400 Speaker 2: I'd get him to just that big old tash. He's 666 00:32:01,400 --> 00:32:05,240 Speaker 2: got a proper orus Murphy rid of the wrestler beard. 667 00:32:05,280 --> 00:32:08,240 Speaker 2: It's a supporting band. He doesn't need anymore go acoustic. 668 00:32:08,920 --> 00:32:12,600 Speaker 2: Let that big old gray walrus be the main star. 669 00:32:15,360 --> 00:32:16,520 Speaker 4: It's playing catch up. 670 00:32:16,560 --> 00:32:19,600 Speaker 5: Though I reckon the mo was original, and he's thought, 671 00:32:19,680 --> 00:32:22,200 Speaker 5: I'm going to add the beard to that one thing. 672 00:32:22,280 --> 00:32:25,840 Speaker 5: I really admire about mass attack. Though about this man 673 00:32:26,120 --> 00:32:28,720 Speaker 5: is that he's trimmed the neck. The secret to a 674 00:32:28,800 --> 00:32:30,560 Speaker 5: good beard is trimming the neck. 675 00:32:30,640 --> 00:32:31,920 Speaker 4: He can't have it all, Missy. 676 00:32:32,280 --> 00:32:36,560 Speaker 2: Yeah, interesting, interesting, Jack, keep that trimming, going to trim 677 00:32:36,640 --> 00:32:42,720 Speaker 2: all of it? Neck, neck, chin, ches, cheek bones. Okay, 678 00:32:43,480 --> 00:32:46,480 Speaker 2: what about how we the guy? I'm sorry, but he 679 00:32:46,560 --> 00:32:48,240 Speaker 2: looks like someone from a police composite. 680 00:32:48,280 --> 00:32:49,400 Speaker 4: Folks terrifying. 681 00:32:49,680 --> 00:32:53,400 Speaker 3: This guy's on the run, So we're looking at Chris Clement, 682 00:32:55,800 --> 00:32:56,880 Speaker 3: say for legal reasons. 683 00:32:56,960 --> 00:33:01,080 Speaker 2: He has not done anything illegal. I'm meaning speculating about 684 00:33:01,120 --> 00:33:04,240 Speaker 2: the photo. Yeah, but he's again the hair looks good. 685 00:33:04,280 --> 00:33:07,920 Speaker 2: He's a good looking man, solid looking man. It just 686 00:33:07,960 --> 00:33:09,800 Speaker 2: needs a bit of tiding. He's got another sort of 687 00:33:09,920 --> 00:33:12,280 Speaker 2: drop handlebar tash side. 688 00:33:13,120 --> 00:33:18,240 Speaker 3: It looks like sideburns as handlebar mustache. You taking his 689 00:33:18,320 --> 00:33:19,760 Speaker 3: side burns and put him on his chin. 690 00:33:19,960 --> 00:33:26,880 Speaker 2: Ginger Bronson, Ginger Bronson, I'm gonna call you. No, has 691 00:33:26,920 --> 00:33:32,040 Speaker 2: he got to go? Oh, Jared, I loved red. 692 00:33:31,880 --> 00:33:37,960 Speaker 3: Beard and just an isolation project that wasn't around before. 693 00:33:38,080 --> 00:33:42,320 Speaker 2: No, it doesn't. Okay, one last one. Let's go to Hollyoaks, 694 00:33:42,480 --> 00:33:45,680 Speaker 2: my husband after three weeks to see the guy there. 695 00:33:45,840 --> 00:33:48,120 Speaker 3: Wow, yep, I love that these are all we asked 696 00:33:48,120 --> 00:33:50,440 Speaker 3: people to just upload their beard, but it's all wives 697 00:33:50,520 --> 00:33:51,880 Speaker 3: uploading their husband's beds. 698 00:33:52,560 --> 00:33:54,400 Speaker 2: And let me anchor know by the way your wife 699 00:33:54,440 --> 00:33:56,239 Speaker 2: that she just needs to go to o C one 700 00:33:56,320 --> 00:34:01,400 Speaker 2: O four three upload miss to post a geography teacher's 701 00:34:01,480 --> 00:34:03,880 Speaker 2: latest effort at wispy beard. What do we think of 702 00:34:03,960 --> 00:34:04,479 Speaker 2: this guy? Then? 703 00:34:05,240 --> 00:34:08,520 Speaker 4: I think he looks great. It really suits his face shape. 704 00:34:08,719 --> 00:34:11,440 Speaker 2: Yeah, it looks like someone who's into brand management. 705 00:34:11,960 --> 00:34:14,000 Speaker 3: Yep, I reckon, we got in pluster here. I reckon. 706 00:34:14,080 --> 00:34:16,680 Speaker 3: This is an always bearded man. It is, and it's 707 00:34:16,760 --> 00:34:18,319 Speaker 3: not hard, just an isolation beard. 708 00:34:18,360 --> 00:34:21,520 Speaker 2: I think he's he's gone thicker. He just needs to 709 00:34:21,560 --> 00:34:23,920 Speaker 2: trim it a bit. That's all. Looks like there's an 710 00:34:23,960 --> 00:34:26,080 Speaker 2: old bit of Christmas dinner stuck in there as well, 711 00:34:27,400 --> 00:34:29,440 Speaker 2: a little bit of trimmage going on there. All right, 712 00:34:29,480 --> 00:34:31,880 Speaker 2: if you want to upload your fuzz or is this 713 00:34:32,000 --> 00:34:34,719 Speaker 2: looking so far? Upload your husband or your other half 714 00:34:34,840 --> 00:34:39,120 Speaker 2: fuzz head to Facebook oh C one four three The. 715 00:34:39,200 --> 00:34:41,440 Speaker 1: Christian O'Connell Breakfast Show podcast. 716 00:34:41,640 --> 00:34:43,239 Speaker 2: Thank you very much to everyoneh has been a good 717 00:34:43,239 --> 00:34:46,960 Speaker 2: sport uploading their fuzz from on our Facebook page or 718 00:34:47,280 --> 00:34:50,279 Speaker 2: facial fuzz. I should just say hello to someone because 719 00:34:50,320 --> 00:34:52,759 Speaker 2: I've still got my Facebook up, which I don't know 720 00:34:52,760 --> 00:34:54,759 Speaker 2: when he have you on the show, because people now 721 00:34:54,800 --> 00:34:56,480 Speaker 2: they know when you're active, they sort of find you 722 00:34:56,560 --> 00:34:58,759 Speaker 2: on there, and it's not sending me these messages, and 723 00:34:58,800 --> 00:35:00,600 Speaker 2: some of them are all over the but this is 724 00:35:00,640 --> 00:35:05,440 Speaker 2: a great one, Dom Wiggly Hello, he's listening right now, Christian. 725 00:35:05,440 --> 00:35:07,560 Speaker 2: I'm looking at some of the photos of the shocking 726 00:35:07,680 --> 00:35:10,520 Speaker 2: facial fuzz that men are growing out there. I've got 727 00:35:10,640 --> 00:35:14,680 Speaker 2: cerebral palsy and i hate shaving. However, I hate stubborn 728 00:35:14,719 --> 00:35:17,680 Speaker 2: and refuse to let my facial fuzz get this bad. 729 00:35:18,719 --> 00:35:21,759 Speaker 2: I watched a Tiger King after your recommendation, and I'm 730 00:35:21,800 --> 00:35:26,120 Speaker 2: thinking about growing a Joe exotic mustache. Any advice, Dom, 731 00:35:26,239 --> 00:35:30,200 Speaker 2: my friend, go for it one hundred percent, even it 732 00:35:30,280 --> 00:35:32,320 Speaker 2: means you need to diet if that's not your natural 733 00:35:32,400 --> 00:35:34,799 Speaker 2: hair color. I think it'll give you a powerful look, 734 00:35:34,840 --> 00:35:43,560 Speaker 2: my friend. I backed this one hundred percent. All right, 735 00:35:43,600 --> 00:35:45,920 Speaker 2: five time of a Tuesday, We're back. It's back. Five 736 00:35:46,000 --> 00:35:48,920 Speaker 2: phone is running at the same time. All you do 737 00:35:49,080 --> 00:35:52,080 Speaker 2: is listen to the roll call. If you hear something, 738 00:35:52,120 --> 00:35:54,399 Speaker 2: you've got a story about then give us a call. 739 00:35:54,480 --> 00:35:56,320 Speaker 2: This is all this all about, is your stories. We 740 00:35:56,440 --> 00:35:58,880 Speaker 2: love doing this feature every week. It's all about you 741 00:35:59,000 --> 00:36:01,680 Speaker 2: calling in and sharing a SES nine four one four 742 00:36:01,880 --> 00:36:05,480 Speaker 2: one o four three. Got a nice little spot prizes 743 00:36:05,480 --> 00:36:07,360 Speaker 2: today as well for some of the great stories we like. 744 00:36:07,960 --> 00:36:11,200 Speaker 2: Disney plus three year's got loads of all the Disney movies. 745 00:36:11,239 --> 00:36:13,680 Speaker 2: Some great TV on there as well. One hundred dollars 746 00:36:13,680 --> 00:36:17,080 Speaker 2: delivery voucher, one hundred dollars worth of meat from the 747 00:36:17,160 --> 00:36:20,960 Speaker 2: awesom Burned City Smokers, one hundred dollar eBay voucher as well. 748 00:36:21,960 --> 00:36:24,439 Speaker 2: All right, first up, changing names? Have you ever changed 749 00:36:24,480 --> 00:36:28,120 Speaker 2: your name? Change the name of something? My daughters were 750 00:36:28,360 --> 00:36:30,759 Speaker 2: ten week old puppy she changed in twenty four hours 751 00:36:30,800 --> 00:36:35,239 Speaker 2: from Reggie Today back to Reggie and Amy Schumer, very 752 00:36:35,320 --> 00:36:37,719 Speaker 2: very funny comedian Amy Schumers had a little baby boy 753 00:36:37,760 --> 00:36:40,040 Speaker 2: here and a partner. They went and registered him on 754 00:36:40,080 --> 00:36:45,160 Speaker 2: the birth certificate as his name. Jeane Aatel Fisher, obviously 755 00:36:45,320 --> 00:36:48,080 Speaker 2: being a comedian, load of her comedian friends when she 756 00:36:48,160 --> 00:36:52,000 Speaker 2: posted this on Instagram went gene a tel Genital, You've 757 00:36:52,040 --> 00:36:56,680 Speaker 2: gotta change. She went back. She went back. She really didn't, 758 00:36:57,440 --> 00:37:00,000 Speaker 2: you would. Within twenty brows. She went back with no, no, no, no, 759 00:37:00,280 --> 00:37:02,520 Speaker 2: wait wait wait, get the farm back out, don't rub 760 00:37:02,600 --> 00:37:07,200 Speaker 2: a stand bit, not Jean a towel Fisher, Jean David Fisher. 761 00:37:09,440 --> 00:37:12,520 Speaker 2: So yeah, changing names. Have you got any stories about 762 00:37:12,600 --> 00:37:16,000 Speaker 2: your claim to fame? My mate, Steve, I can't go 763 00:37:16,040 --> 00:37:20,440 Speaker 2: into any more details, but this guy spent three days. 764 00:37:20,960 --> 00:37:24,760 Speaker 2: He's in a specialist armed unit of the London Metropolitan Police. 765 00:37:24,800 --> 00:37:29,480 Speaker 2: He's armed diplomatic protection. It means he guards the MPs 766 00:37:29,520 --> 00:37:33,160 Speaker 2: and the politicians and cabinet ministers. For three days, he 767 00:37:33,360 --> 00:37:37,320 Speaker 2: was Boris Johnson's bodyguard when he was in hospital, obviously 768 00:37:37,400 --> 00:37:41,000 Speaker 2: recovering from the coronavirus. Oh wow, what a claim to 769 00:37:41,120 --> 00:37:41,600 Speaker 2: fame is that? 770 00:37:41,680 --> 00:37:44,480 Speaker 3: I mean his bedside or just staying aide his. 771 00:37:44,560 --> 00:37:48,080 Speaker 2: Bedside with the gun and obviously because Boris you couldn't 772 00:37:48,080 --> 00:37:50,800 Speaker 2: really go and visit him. They spent a lot of 773 00:37:50,840 --> 00:37:53,120 Speaker 2: time talking together and stuff like that. He said, it 774 00:37:53,200 --> 00:37:57,000 Speaker 2: was an amazing three days, just fascinating and just already 775 00:37:57,040 --> 00:37:59,840 Speaker 2: in a job that's interesting enough but mainly a lot 776 00:37:59,880 --> 00:38:03,080 Speaker 2: of standing around looking scary. But then obviously he's in 777 00:38:03,080 --> 00:38:06,919 Speaker 2: the hospital, Boris Johnson at his bedside for three days. 778 00:38:06,960 --> 00:38:08,400 Speaker 2: So your claim to fames? 779 00:38:08,600 --> 00:38:10,880 Speaker 3: Now, does he really need a security guard? There is 780 00:38:11,239 --> 00:38:13,200 Speaker 3: anyone coming to assassinate somebody? 781 00:38:14,640 --> 00:38:16,960 Speaker 2: Well, I guess that's when they're really vulnerable, aren't they. 782 00:38:19,960 --> 00:38:22,400 Speaker 2: I mean, where do we go with this conversation? Jack Now? 783 00:38:22,440 --> 00:38:22,799 Speaker 1: I mean. 784 00:38:26,160 --> 00:38:29,520 Speaker 3: Assassination friend is a very valued member of the place. 785 00:38:29,560 --> 00:38:31,640 Speaker 2: Are you saying that my friend Steve was putting on 786 00:38:31,680 --> 00:38:33,719 Speaker 2: that because they thought? Look, I mean, it's not really 787 00:38:34,160 --> 00:38:39,920 Speaker 2: getting you guys bringing Steve. Steve's going to do it? 788 00:38:40,000 --> 00:38:41,879 Speaker 2: What are you saying? All right? Your claim to fame? 789 00:38:41,960 --> 00:38:43,719 Speaker 2: And I hope we get some good stories about this. 790 00:38:44,120 --> 00:38:47,800 Speaker 2: When did your life become a scene in a sitcom? 791 00:38:47,960 --> 00:38:51,800 Speaker 2: Sometimes something so bizarre, so odd, someone's darkly funny that 792 00:38:51,920 --> 00:38:53,879 Speaker 2: happens in real life. It's almost like a scene from 793 00:38:53,920 --> 00:38:54,440 Speaker 2: a sitcom. 794 00:38:54,800 --> 00:38:56,719 Speaker 3: Jackie got this great story about something happened to a 795 00:38:56,760 --> 00:38:59,960 Speaker 3: friend of yours yesterday. He and I thought this really 796 00:39:00,120 --> 00:39:03,560 Speaker 3: only happened on TV and in movies. He is packed 797 00:39:03,640 --> 00:39:06,719 Speaker 3: up all this stuff and hired a removalless fan to 798 00:39:06,880 --> 00:39:08,840 Speaker 3: drive it back to his mum and dad's place. And 799 00:39:09,040 --> 00:39:12,520 Speaker 3: he did that thing where you put the petrol nozzle 800 00:39:12,640 --> 00:39:15,120 Speaker 3: into the tank, and then he forgot it was in 801 00:39:15,239 --> 00:39:17,719 Speaker 3: there and drove off and it pulled the whole hose up. 802 00:39:21,880 --> 00:39:24,880 Speaker 3: So he's got photos of it. He's even got footage of. 803 00:39:24,880 --> 00:39:28,600 Speaker 2: His photos everything Jack said, it's not an exaggerated story. 804 00:39:28,719 --> 00:39:29,320 Speaker 2: It happened. 805 00:39:29,760 --> 00:39:31,960 Speaker 3: He's got footage of his brother in the passenger seat 806 00:39:32,040 --> 00:39:34,520 Speaker 3: filming the review mirror with the hose dragging along. 807 00:39:36,640 --> 00:39:39,120 Speaker 2: He's done with that. He's cheered up other people as well, 808 00:39:39,320 --> 00:39:41,440 Speaker 2: because they've gotta be honest. If I saw something that happening, 809 00:39:41,920 --> 00:39:44,160 Speaker 2: you'd be cheered up. You tell everyone you knew that 810 00:39:44,280 --> 00:39:47,239 Speaker 2: you saw someone that had actually done that. So this 811 00:39:47,400 --> 00:39:49,160 Speaker 2: is like a scene from a sitcom, isn't it? 812 00:39:49,239 --> 00:39:49,279 Speaker 1: So? 813 00:39:49,840 --> 00:39:52,520 Speaker 2: This morning then we're looking for stories about changing names, 814 00:39:53,280 --> 00:39:57,400 Speaker 2: claim to fames, not being bodyguards, claim to fames? And 815 00:39:57,640 --> 00:39:59,920 Speaker 2: when did your life become a scene from a set? 816 00:40:00,600 --> 00:40:04,320 Speaker 2: And one last one, I made it worse, that's the 817 00:40:04,440 --> 00:40:07,360 Speaker 2: line from your story. I made it worse, you know. 818 00:40:07,440 --> 00:40:09,080 Speaker 2: And sometimes in life we go in we try and 819 00:40:09,160 --> 00:40:11,320 Speaker 2: fix something, we try and make it better, and actually 820 00:40:11,400 --> 00:40:14,040 Speaker 2: just makes it worse. Those are your stories today on 821 00:40:14,120 --> 00:40:17,440 Speaker 2: nine one O four three five Time a Tuesday. Stories 822 00:40:17,440 --> 00:40:20,919 Speaker 2: about changing names, claim to fame, When did your life 823 00:40:21,000 --> 00:40:24,080 Speaker 2: become a scene from a sitcom and I made it worse. 824 00:40:24,400 --> 00:40:26,640 Speaker 1: Christ John O'Connell Breakfast Show podcast. 825 00:40:26,800 --> 00:40:29,759 Speaker 2: First up this morning, we speak to Tim. Good morning, Tim, Hi, 826 00:40:29,880 --> 00:40:31,919 Speaker 2: how are you. I'm good Tim, Thanks for calling the show. 827 00:40:32,200 --> 00:40:35,200 Speaker 2: And you got one about a claim to fame. Yeah. 828 00:40:35,280 --> 00:40:38,439 Speaker 12: So I had a with Clint Eastwood for a couple 829 00:40:38,480 --> 00:40:42,480 Speaker 12: of hours, just being him. I was a bartender in 830 00:40:42,560 --> 00:40:43,799 Speaker 12: Vancouver and. 831 00:40:44,080 --> 00:40:44,560 Speaker 1: He walked in. 832 00:40:46,719 --> 00:40:51,440 Speaker 17: When was this, Oh he was nicely ten maybe twelve 833 00:40:51,520 --> 00:40:55,000 Speaker 17: years ago, and I knew what he was in town 834 00:40:55,040 --> 00:40:58,160 Speaker 17: and his daughter and had an action a fire. So 835 00:40:58,680 --> 00:41:02,279 Speaker 17: I actually there was only about people Sunday night, and 836 00:41:02,520 --> 00:41:05,400 Speaker 17: so I shut the bar without him knowing and locked 837 00:41:05,440 --> 00:41:06,040 Speaker 17: the front door. 838 00:41:06,360 --> 00:41:11,000 Speaker 2: Scary hung out with him and. 839 00:41:12,600 --> 00:41:18,480 Speaker 3: Choice, Yeah, I like to leave now. 840 00:41:18,719 --> 00:41:23,800 Speaker 2: They can't lock this door. Is it a stiff or 841 00:41:23,840 --> 00:41:26,440 Speaker 2: something too? Which is it a polar open? Sometimes you 842 00:41:26,480 --> 00:41:31,080 Speaker 2: can't down when we're in Vancouver one another drinked him 843 00:41:31,640 --> 00:41:35,520 Speaker 2: go out and see my daughter. That's amazing though. And 844 00:41:35,880 --> 00:41:37,239 Speaker 2: what was he like? Was he good to talk to? 845 00:41:38,400 --> 00:41:40,920 Speaker 12: It was really good, you know, he was actually just 846 00:41:41,000 --> 00:41:44,440 Speaker 12: a nice guy and yeah, pretty normal. We we Actually 847 00:41:44,520 --> 00:41:46,600 Speaker 12: I knew he smoked cigars and they were legal in 848 00:41:46,640 --> 00:41:50,759 Speaker 12: the state. So I actually had some stuban cigars and 849 00:41:51,080 --> 00:41:54,359 Speaker 12: uh yeah, so if you had a had a couple 850 00:41:54,360 --> 00:41:55,319 Speaker 12: of it was really good. 851 00:41:56,480 --> 00:42:02,480 Speaker 2: Then can I go? It's like misery and the King 852 00:42:02,560 --> 00:42:03,200 Speaker 2: of Comedy here. 853 00:42:05,600 --> 00:42:05,880 Speaker 1: Thank you? 854 00:42:06,239 --> 00:42:10,760 Speaker 2: What you called me too? It's the locked door keyword 855 00:42:10,840 --> 00:42:12,920 Speaker 2: that without him knowing. If I was in the bar 856 00:42:13,400 --> 00:42:15,560 Speaker 2: and you just heard someone casually going, you hear a 857 00:42:15,680 --> 00:42:20,279 Speaker 2: door lock? What I don't want any cigars? I just 858 00:42:20,400 --> 00:42:22,080 Speaker 2: came into you know that thing we go just to 859 00:42:22,239 --> 00:42:25,480 Speaker 2: use the toilet, You go, yeah, lemonade and then selling 860 00:42:25,560 --> 00:42:30,600 Speaker 2: the doors locked? All right, thet's go to Peter's on 861 00:42:30,640 --> 00:42:34,160 Speaker 2: the line. Now, good morning, Peter, good Christian, here you going. 862 00:42:34,200 --> 00:42:36,000 Speaker 2: I'm good Peter. Thanks for calling the show mate, And 863 00:42:36,400 --> 00:42:37,680 Speaker 2: what's your story for us this morning? 864 00:42:37,880 --> 00:42:42,200 Speaker 9: I made it worse by young black who's a keen fisherman, 865 00:42:42,880 --> 00:42:44,400 Speaker 9: came running out to the shed one day and so 866 00:42:44,520 --> 00:42:46,560 Speaker 9: you've got to come upstairs. Mum's in trouble. So I've 867 00:42:47,000 --> 00:42:49,719 Speaker 9: run upstairs and mum was cleaning up some of the 868 00:42:49,800 --> 00:42:52,600 Speaker 9: stuff and she got a fishing treble caught in her 869 00:42:52,719 --> 00:42:55,520 Speaker 9: finger and she was panicking. She thought she'd had to 870 00:42:55,560 --> 00:42:58,440 Speaker 9: go to hospital. Uh, you had to get it out, 871 00:42:58,440 --> 00:42:59,800 Speaker 9: and I said no, no, no, no, I said, what 872 00:43:00,080 --> 00:43:01,759 Speaker 9: do We'll get a pair of flies and we'll just 873 00:43:01,960 --> 00:43:03,839 Speaker 9: pull it out. It'll just it'll come out. It's only 874 00:43:03,880 --> 00:43:07,520 Speaker 9: in a little bit. So I've got my young like 875 00:43:07,600 --> 00:43:09,960 Speaker 9: to hold her hand, and I've got the flies on there, 876 00:43:10,000 --> 00:43:11,640 Speaker 9: and I said, I'm three, I'm going to pull it out. 877 00:43:11,719 --> 00:43:13,520 Speaker 9: So I'm two. I pulled it out and I reached 878 00:43:13,560 --> 00:43:16,319 Speaker 9: it straight up and sink myself all the way out 879 00:43:16,400 --> 00:43:17,200 Speaker 9: to the shenk. 880 00:43:20,040 --> 00:43:21,640 Speaker 3: Waiting you. 881 00:43:21,880 --> 00:43:23,359 Speaker 2: Yes, is it stuck in you now? 882 00:43:23,440 --> 00:43:27,040 Speaker 9: Peter, it's stuck in me all the way you need 883 00:43:27,120 --> 00:43:30,239 Speaker 9: to make it worse. Oh yeah, my wife's finger didn't 884 00:43:30,280 --> 00:43:32,200 Speaker 9: hurt after that. She can stop herself laughing. 885 00:43:32,560 --> 00:43:34,920 Speaker 2: That's the sacrifice of a brave and fearless husband there. 886 00:43:35,239 --> 00:43:36,800 Speaker 2: And then how did you get it out yourself? 887 00:43:37,520 --> 00:43:39,560 Speaker 9: I had to actually cut it and pull it back through. 888 00:43:39,719 --> 00:43:41,239 Speaker 1: Oh no, no, no no. 889 00:43:44,880 --> 00:43:46,239 Speaker 2: And have you still got a little scar and there 890 00:43:46,239 --> 00:43:46,759 Speaker 2: now to prove it? 891 00:43:47,320 --> 00:43:50,120 Speaker 9: Oh, that's many scars on my hands. I couldn't tell 892 00:43:50,120 --> 00:43:50,800 Speaker 9: which one it was. 893 00:43:52,080 --> 00:43:53,840 Speaker 2: All right, Peter, thank you very much. She killed me. 894 00:43:53,920 --> 00:43:57,719 Speaker 2: Have a good day, stay safe, Thanks so mate. I 895 00:43:57,800 --> 00:44:03,160 Speaker 2: still can't go over Clanswood looked and stay with me today, Alysia, 896 00:44:03,280 --> 00:44:05,960 Speaker 2: good morning, Hi, how are you. I'm good Lisa and 897 00:44:06,000 --> 00:44:07,879 Speaker 2: I hope you're well this morning. Thanksgiving us a call. 898 00:44:07,920 --> 00:44:09,760 Speaker 2: So you've got a story about changing names. 899 00:44:10,600 --> 00:44:14,480 Speaker 14: Yes, my husband's changed his name with his thirtieth birthday. 900 00:44:14,640 --> 00:44:18,600 Speaker 14: He went to a feed of restaurant and he thought 901 00:44:18,680 --> 00:44:25,960 Speaker 14: that his name would not be raised Douglas Gardener, so 902 00:44:26,200 --> 00:44:28,200 Speaker 14: they took the mickey out of Doug in the garden. 903 00:44:29,560 --> 00:44:29,719 Speaker 1: Right. 904 00:44:29,920 --> 00:44:32,319 Speaker 2: Oh, I see right, okay, gotcha, all right, Alicia, thank 905 00:44:32,320 --> 00:44:33,600 Speaker 2: you very much. Cool, have a good day. 906 00:44:34,120 --> 00:44:34,239 Speaker 15: Hi. 907 00:44:35,920 --> 00:44:36,239 Speaker 1: What was that? 908 00:44:36,640 --> 00:44:44,640 Speaker 2: No idea mate? Hashtag producers. It's a classic comedy name 909 00:44:44,719 --> 00:44:47,840 Speaker 2: here Australian Douglas Gardener. Anyway. 910 00:44:48,440 --> 00:44:50,560 Speaker 1: Jane, good morning, good morning. 911 00:44:50,640 --> 00:44:51,480 Speaker 15: How are you Christian? 912 00:44:51,600 --> 00:44:54,040 Speaker 2: Yeah, we're definitely back rocking all over the place together 913 00:44:54,040 --> 00:44:56,880 Speaker 2: this morning. Yes, Jane, what's your story? Mate, Welcome to 914 00:44:56,920 --> 00:44:57,200 Speaker 2: the show. 915 00:44:58,040 --> 00:44:58,400 Speaker 1: Thank you. 916 00:44:58,680 --> 00:45:02,120 Speaker 15: So I sixteen from a sit comedy. Just when you 917 00:45:02,280 --> 00:45:05,719 Speaker 15: thought homeschooling couldn't get any worse, My husband and I 918 00:45:06,040 --> 00:45:08,840 Speaker 15: were up to like midnight on Sunday night, getting the 919 00:45:08,920 --> 00:45:11,520 Speaker 15: kids all sorted with their books and their computers and 920 00:45:11,640 --> 00:45:14,560 Speaker 15: their zoom codes. Just before I go to bed, I 921 00:45:14,600 --> 00:45:16,960 Speaker 15: think I'm going to sharpen all of the lead pencils 922 00:45:17,040 --> 00:45:19,840 Speaker 15: that really take it up a not so off. We 923 00:45:19,920 --> 00:45:22,080 Speaker 15: go to bed, I get up early the next morning 924 00:45:22,160 --> 00:45:24,840 Speaker 15: and go off to work, only to get a phone 925 00:45:24,880 --> 00:45:27,520 Speaker 15: call from my husband at about ten am to say 926 00:45:27,600 --> 00:45:30,879 Speaker 15: the five year old has got really excited with homeschooling 927 00:45:31,000 --> 00:45:33,840 Speaker 15: and stabbed him in the eye with the lead pencil. 928 00:45:34,320 --> 00:45:40,160 Speaker 15: What he's threw off his hands in exclamation and look 929 00:45:40,200 --> 00:45:43,680 Speaker 15: how amazing my work is. Bang the lead pencil straight 930 00:45:43,760 --> 00:45:48,080 Speaker 15: into my husband's Oh no, only about three months earlier 931 00:45:48,200 --> 00:45:50,839 Speaker 15: he'd broken into my husband's nose on the trampoline. 932 00:45:51,640 --> 00:45:53,600 Speaker 2: Well, he's got form. I mean it comes in threes. 933 00:45:54,640 --> 00:45:56,120 Speaker 2: Get that kid in a bubble or something. 934 00:45:57,480 --> 00:46:00,399 Speaker 15: Last it was like something from science and I could 935 00:46:00,480 --> 00:46:02,000 Speaker 15: just see Cramer with the lead pencil. 936 00:46:05,120 --> 00:46:07,359 Speaker 2: I can't. I'm concerned about your husband. How is his eyes? 937 00:46:07,400 --> 00:46:09,640 Speaker 2: You were an eyepatch for life or no? 938 00:46:09,840 --> 00:46:11,920 Speaker 15: I had to take him to the GP. He said, Well, 939 00:46:12,000 --> 00:46:14,960 Speaker 15: apparently lead pencils aren't made from lead anymore, so he 940 00:46:15,120 --> 00:46:15,920 Speaker 15: was quite lucky. 941 00:46:16,000 --> 00:46:22,239 Speaker 2: But you know he's getting were lucked in that part. 942 00:46:22,320 --> 00:46:23,200 Speaker 2: What's going on today? 943 00:46:24,080 --> 00:46:27,400 Speaker 15: I think it's just homeschooling has really hit the pinnacle 944 00:46:27,480 --> 00:46:28,040 Speaker 15: at our house. 945 00:46:28,080 --> 00:46:28,880 Speaker 12: It's not working. 946 00:46:29,000 --> 00:46:30,760 Speaker 14: It's clear to say it is not working. 947 00:46:31,400 --> 00:46:33,239 Speaker 2: Tell me tell me this engent. Does he go to 948 00:46:33,400 --> 00:46:35,040 Speaker 2: the hospital with the pen I mean it's on the 949 00:46:35,080 --> 00:46:36,080 Speaker 2: GP with the pencils. 950 00:46:37,080 --> 00:46:39,719 Speaker 15: No, it went in and came straight back out. 951 00:46:41,040 --> 00:46:43,000 Speaker 2: What happened? It's not like putting your finger in jelly 952 00:46:43,120 --> 00:46:43,600 Speaker 2: or a trifle? 953 00:46:43,719 --> 00:46:46,840 Speaker 1: Is it? Back? Up? Like? 954 00:46:46,960 --> 00:46:50,120 Speaker 15: The poor kids were really upset, but then eventually saw 955 00:46:50,200 --> 00:46:52,000 Speaker 15: the funny side of it when we realized that he 956 00:46:52,080 --> 00:46:54,720 Speaker 15: was actually going to be Okay, Yeah, very dramatic. 957 00:46:55,040 --> 00:46:56,879 Speaker 2: I just love the idea of being a GP's waiting 958 00:46:56,960 --> 00:46:59,000 Speaker 2: room and there's a guy with a lead penciler as 959 00:46:59,040 --> 00:47:01,399 Speaker 2: I would, I would actually say to him, what you're 960 00:47:01,400 --> 00:47:05,839 Speaker 2: in for? Jen? Thank you very much a call. That's 961 00:47:05,880 --> 00:47:08,839 Speaker 2: a great one. Hey, Jen, Jen, stay there, stand there, 962 00:47:08,880 --> 00:47:12,160 Speaker 2: stay there. Put Jen back on fighting here it is Jen. 963 00:47:12,200 --> 00:47:14,040 Speaker 2: What would you like You can have a year? You 964 00:47:14,080 --> 00:47:15,520 Speaker 2: can have a year of Disney Plus. Do you want 965 00:47:15,520 --> 00:47:16,080 Speaker 2: that for the kids. 966 00:47:16,920 --> 00:47:17,960 Speaker 13: We've already got that one. 967 00:47:19,200 --> 00:47:21,640 Speaker 2: Okay, what about do you want one hundred dollars delivery voucher? 968 00:47:22,320 --> 00:47:24,000 Speaker 15: Yeah, that'd be fantastic. Christian. 969 00:47:24,080 --> 00:47:26,160 Speaker 2: There we go, happy customer, all right? Jen, Thanks you 970 00:47:26,239 --> 00:47:28,359 Speaker 2: coolk had your. 971 00:47:28,360 --> 00:47:32,120 Speaker 1: Husband Psyclops The christ Jan O'Connell Breakfast Show podcast. 972 00:47:32,280 --> 00:47:35,200 Speaker 2: We're looking for stories about I made it worse. You know, 973 00:47:35,320 --> 00:47:36,960 Speaker 2: in life, when you try to fix something, you try 974 00:47:37,040 --> 00:47:39,200 Speaker 2: to make it better, and then you actually make it 975 00:47:39,280 --> 00:47:41,200 Speaker 2: a hell of a lot worse. You wish you'd never 976 00:47:41,360 --> 00:47:43,239 Speaker 2: started trying to make it better. I made it worse. 977 00:47:43,719 --> 00:47:46,880 Speaker 2: When did your life become a scene from a sitcom? 978 00:47:47,320 --> 00:47:50,200 Speaker 2: What is your claim to fame? Story? And in stories 979 00:47:50,239 --> 00:47:53,600 Speaker 2: you've got about changing names? Nine four one four one 980 00:47:54,120 --> 00:47:56,839 Speaker 2: four three. Let's go back to the calls now, Chris, 981 00:47:56,960 --> 00:47:59,960 Speaker 2: good morning, good morning. How are you? I'm good, Christ, 982 00:48:00,040 --> 00:48:00,960 Speaker 2: see you well this morning? 983 00:48:01,920 --> 00:48:02,120 Speaker 17: Yes? 984 00:48:02,239 --> 00:48:03,360 Speaker 18: Some fighting teaching? 985 00:48:03,560 --> 00:48:03,759 Speaker 1: Yeah? 986 00:48:03,760 --> 00:48:05,200 Speaker 2: And are you want the way to work? I can 987 00:48:05,239 --> 00:48:07,399 Speaker 2: hear that you're on the road. It sounds like, yeah, 988 00:48:07,680 --> 00:48:11,160 Speaker 2: I am. What do you do? That's the spirit? 989 00:48:11,320 --> 00:48:11,680 Speaker 9: Great? 990 00:48:12,080 --> 00:48:13,680 Speaker 2: And what are you reluctant to go and do? 991 00:48:13,840 --> 00:48:14,160 Speaker 1: What do you do? 992 00:48:14,280 --> 00:48:16,840 Speaker 2: Chris? You wouldow to say, ah, yeah, I. 993 00:48:16,960 --> 00:48:18,320 Speaker 18: Work in the medical industry. 994 00:48:18,920 --> 00:48:20,360 Speaker 2: And what do you do in the market industry? 995 00:48:21,000 --> 00:48:21,080 Speaker 1: Oh? 996 00:48:21,120 --> 00:48:23,040 Speaker 18: I was just a medical receptionist. 997 00:48:23,760 --> 00:48:26,120 Speaker 2: Okay, we say just it's obviously an important job right now? 998 00:48:27,000 --> 00:48:27,120 Speaker 1: Oh? 999 00:48:27,200 --> 00:48:27,480 Speaker 2: It is? 1000 00:48:27,680 --> 00:48:30,719 Speaker 18: It is that you get all sorts. Unfortunately, you get 1001 00:48:30,760 --> 00:48:33,080 Speaker 18: some really good ones and then you get some really 1002 00:48:33,160 --> 00:48:33,680 Speaker 18: bad ones. 1003 00:48:33,760 --> 00:48:34,719 Speaker 12: But that's all good. 1004 00:48:34,760 --> 00:48:36,359 Speaker 15: Did part of the course, I bet? 1005 00:48:36,400 --> 00:48:38,560 Speaker 2: All right. Well, listen, Chris, what's your story for us 1006 00:48:38,560 --> 00:48:38,879 Speaker 2: this morning? 1007 00:48:38,920 --> 00:48:39,120 Speaker 1: Mate? 1008 00:48:39,960 --> 00:48:42,719 Speaker 18: Now I'm one of those people that their whole life 1009 00:48:43,000 --> 00:48:47,080 Speaker 18: is a comedy sitcom. I was moving some furniture. It 1010 00:48:47,239 --> 00:48:49,200 Speaker 18: was an armchair, and I was moving it up some 1011 00:48:49,320 --> 00:48:53,840 Speaker 18: steps through the back door and didn't realize that the 1012 00:48:54,160 --> 00:48:57,920 Speaker 18: armchair and my fingers would not sit through the door frame. 1013 00:48:59,239 --> 00:49:03,640 Speaker 18: So as I've done that, I've crunched both fingers against 1014 00:49:03,680 --> 00:49:07,359 Speaker 18: the door frame in pain. I dropped the arm chair 1015 00:49:07,719 --> 00:49:11,160 Speaker 18: on my chins, which then made me fall down on 1016 00:49:11,280 --> 00:49:14,840 Speaker 18: the stairs. And as I'm sitting there thinking surely you 1017 00:49:14,920 --> 00:49:17,759 Speaker 18: can't possibly get any worse, it started to rain. 1018 00:49:22,520 --> 00:49:24,880 Speaker 2: It's like three parts. It's a comedy in three parts, 1019 00:49:24,920 --> 00:49:31,000 Speaker 2: there they so they're all of threes. I was waiting 1020 00:49:31,040 --> 00:49:32,799 Speaker 2: to say, like an a Lauren Hardy moment you saw 1021 00:49:32,800 --> 00:49:34,959 Speaker 2: of then toppled down the stairs, and then the couch 1022 00:49:35,040 --> 00:49:38,000 Speaker 2: came tumbling on top of you. I was I was poised. 1023 00:49:38,040 --> 00:49:39,360 Speaker 2: I want to know what happened next. And then the 1024 00:49:39,440 --> 00:49:42,600 Speaker 2: rain came down Chris, that's incredible. Thank you very much 1025 00:49:42,640 --> 00:49:45,759 Speaker 2: for giving us a call. No problems, all right, stay safe, 1026 00:49:45,760 --> 00:49:50,040 Speaker 2: Thanks a lot, Tony, good morning, Good morning, now, Tony, 1027 00:49:50,120 --> 00:49:53,080 Speaker 2: before we go any further, are you the guy with 1028 00:49:53,280 --> 00:49:54,920 Speaker 2: the German surname? 1029 00:49:56,520 --> 00:50:02,719 Speaker 10: I have a German surname. Yes, my father's cousins had 1030 00:50:02,840 --> 00:50:06,000 Speaker 10: a German surname of sickadyck. 1031 00:50:08,080 --> 00:50:10,320 Speaker 2: This is what and rather producer buzz through right, and 1032 00:50:10,400 --> 00:50:13,000 Speaker 2: I couldn't quite you know that cheap o microphone he's got, guys, 1033 00:50:13,280 --> 00:50:14,600 Speaker 2: so you have been in the studio for a while 1034 00:50:15,880 --> 00:50:22,640 Speaker 2: and line and uh I bicker bick. Yes, I didn't 1035 00:50:22,640 --> 00:50:26,759 Speaker 2: realize actually what it was. So the surname was sick Day. 1036 00:50:28,520 --> 00:50:30,840 Speaker 10: No, it was actually pronounced well, I'm not sure how 1037 00:50:30,880 --> 00:50:33,879 Speaker 10: they would have pronounced it in Germany, but yes, here, 1038 00:50:34,000 --> 00:50:38,040 Speaker 10: of course it was pronounced as it's spelled Sickady. When 1039 00:50:39,440 --> 00:50:41,279 Speaker 10: the oldest one got married. 1040 00:50:42,000 --> 00:50:46,760 Speaker 2: So we're talking about the oldest senior, say, yes, gotcha. 1041 00:50:47,600 --> 00:50:50,880 Speaker 10: When he got married to a girl with the surname Lewis. 1042 00:50:51,200 --> 00:50:53,800 Speaker 10: She didn't want the didn't like the name Sad, so 1043 00:50:53,880 --> 00:50:59,399 Speaker 10: he changed his surname to Lewis. His two brothers thought 1044 00:50:59,440 --> 00:51:01,440 Speaker 10: that was a real good idea. So they changed their 1045 00:51:01,520 --> 00:51:02,560 Speaker 10: name to Louis as well. 1046 00:51:03,680 --> 00:51:05,239 Speaker 3: Well, they took his wife's name. 1047 00:51:05,360 --> 00:51:09,000 Speaker 2: I never heard of this. It doesn't work like that. 1048 00:51:09,200 --> 00:51:10,640 Speaker 2: You can't sort of let the people of the hands 1049 00:51:10,680 --> 00:51:12,920 Speaker 2: are going. Yeah, actually i'd prefer their new name. I'll 1050 00:51:13,360 --> 00:51:15,760 Speaker 2: have some of that as well. They've titched the whole rebrand. 1051 00:51:15,840 --> 00:51:18,440 Speaker 2: I don't want a whole rebranding Antlers formally known a 1052 00:51:18,520 --> 00:51:19,960 Speaker 2: sick Dick. I don't want any more of that whole. 1053 00:51:20,600 --> 00:51:22,160 Speaker 2: I'm sick of that name. 1054 00:51:24,200 --> 00:51:28,319 Speaker 3: What a story, Tony, when you signed the nuptials after 1055 00:51:28,400 --> 00:51:31,080 Speaker 3: a wedding and the priest coast, does anyone else want 1056 00:51:31,120 --> 00:51:31,680 Speaker 3: this surname? 1057 00:51:31,760 --> 00:51:36,120 Speaker 2: Come up now, tiny little bit of room left in 1058 00:51:36,160 --> 00:51:38,000 Speaker 2: the box and put anyone else but just squash it 1059 00:51:38,080 --> 00:51:38,400 Speaker 2: all In. 1060 00:51:41,239 --> 00:51:44,200 Speaker 1: The Christian O'Connell Breakfast Show podcast. 1061 00:51:43,840 --> 00:51:46,440 Speaker 2: Tell of emails that have come in. Christian could hear 1062 00:51:46,480 --> 00:51:48,800 Speaker 2: the showback whilst we were off us catching up with 1063 00:51:48,880 --> 00:51:51,080 Speaker 2: some of the old podcasts. If you want to go 1064 00:51:51,160 --> 00:51:54,239 Speaker 2: back over the shows number show we up to now 1065 00:51:54,360 --> 00:51:57,640 Speaker 2: three hundred and something. Forever three hundred and seventy two 1066 00:51:57,680 --> 00:52:02,240 Speaker 2: today is show number. Were just three hundred and seventy 1067 00:52:02,280 --> 00:52:04,440 Speaker 2: two shows old. That's all. You can find them all 1068 00:52:04,480 --> 00:52:07,280 Speaker 2: on the iHeart platform wherever you get your podcast, Kenjon, 1069 00:52:07,400 --> 00:52:09,560 Speaker 2: you were talking about unusual names just you work. A 1070 00:52:09,560 --> 00:52:11,839 Speaker 2: couple of weeks ago after I saw in American TV 1071 00:52:11,960 --> 00:52:15,160 Speaker 2: news an extraordinary name of a lorry driver talking about 1072 00:52:15,440 --> 00:52:19,600 Speaker 2: the Rona d'Artagnan Raspberry, and we were trying to find 1073 00:52:19,640 --> 00:52:22,200 Speaker 2: other names, extraordinary names. Many years ago, I was working 1074 00:52:22,239 --> 00:52:23,520 Speaker 2: for a company. He got a phone call from a 1075 00:52:23,560 --> 00:52:26,200 Speaker 2: customer who wanted a place in order for pare parts. 1076 00:52:26,680 --> 00:52:28,480 Speaker 2: Took the order and asked him for his name and address. 1077 00:52:29,000 --> 00:52:33,080 Speaker 2: The name it was a double barreled name, mister pine Coffin. 1078 00:52:33,640 --> 00:52:38,640 Speaker 2: He actually pronounced it, said as in pine coffin. What 1079 00:52:39,120 --> 00:52:42,200 Speaker 2: I know, that's the name pine Coffin. It was spelled 1080 00:52:42,520 --> 00:52:44,520 Speaker 2: the pine. The first one wasn't guy like the wood. 1081 00:52:44,520 --> 00:52:48,440 Speaker 2: It was p yne hyphen coffin, as in bury in 1082 00:52:48,480 --> 00:52:50,800 Speaker 2: the ground Coffin. But you changed your name, surely you 1083 00:52:50,840 --> 00:52:53,960 Speaker 2: wouldn't want to go around pine Coffin. It's kind of act. 1084 00:52:54,400 --> 00:52:57,840 Speaker 2: Want someone my old agent when I was leaving to 1085 00:52:57,880 --> 00:52:59,359 Speaker 2: come and move here two and a bit years ago, 1086 00:53:00,000 --> 00:53:02,160 Speaker 2: a goodbye because they've been with him for years. They 1087 00:53:02,239 --> 00:53:04,480 Speaker 2: got member wife a really nice stay in London hotel 1088 00:53:04,880 --> 00:53:06,200 Speaker 2: and right in the middle of so it was a 1089 00:53:06,200 --> 00:53:09,719 Speaker 2: beautiful hotel like five star. And what we got in 1090 00:53:09,880 --> 00:53:11,239 Speaker 2: is one of those where they've got your name on 1091 00:53:11,280 --> 00:53:15,959 Speaker 2: the TV screen and they got welcome, welcome here, mister missus. 1092 00:53:16,040 --> 00:53:18,600 Speaker 2: Christian O'Connor. There was a letter from the manager and 1093 00:53:18,640 --> 00:53:19,879 Speaker 2: I was about to put it in the bin until 1094 00:53:19,920 --> 00:53:24,120 Speaker 2: I saw the name. I was what his name was, 1095 00:53:24,160 --> 00:53:28,000 Speaker 2: Andy Death? Right? Andy Death? But he done it like this, 1096 00:53:28,280 --> 00:53:34,520 Speaker 2: Andy d apostrophe ar Andy Dar, Now you mean Andy Death? 1097 00:53:34,920 --> 00:53:39,080 Speaker 2: Hey Death? No, no, no, it's actually Andrew Diarre hotel 1098 00:53:39,200 --> 00:53:42,839 Speaker 2: manager Andy Dear. I couldn't believe it. That is from 1099 00:53:42,920 --> 00:53:44,880 Speaker 2: Dave Jilli. Thank you very much for that email. Christian. 1100 00:53:45,000 --> 00:53:46,360 Speaker 2: Last week on the show when you pop back in, 1101 00:53:46,400 --> 00:53:48,600 Speaker 2: you were talking about worst prize you've won. When I 1102 00:53:48,680 --> 00:53:51,120 Speaker 2: was a kid, I rode to Hampton Street shops and 1103 00:53:51,200 --> 00:53:53,800 Speaker 2: a local butcher. The local butcher was stood at the 1104 00:53:53,840 --> 00:53:57,520 Speaker 2: front shouting people in the street. He had a spinning 1105 00:53:57,960 --> 00:54:00,440 Speaker 2: prize wheel out the front of his shop. I stopped 1106 00:54:00,480 --> 00:54:02,759 Speaker 2: to check it out. The butcher asked me would I 1107 00:54:02,880 --> 00:54:05,760 Speaker 2: like to give it a spin? I spun his wheel 1108 00:54:05,800 --> 00:54:11,080 Speaker 2: of meat and prices. Who was eleven years of age, 1109 00:54:11,680 --> 00:54:13,759 Speaker 2: and he stopped him. Well, well look what you've won. 1110 00:54:14,160 --> 00:54:17,840 Speaker 2: I'd won myself a frozen chuck, which are then actually 1111 00:54:17,920 --> 00:54:21,760 Speaker 2: carry home under my arm, much of my mom's utter surprise. 1112 00:54:21,880 --> 00:54:23,759 Speaker 2: She wouldn't even believe me that I'd want it from 1113 00:54:23,840 --> 00:54:27,440 Speaker 2: the wheel of meat from our local butcher. Come on, butchers, 1114 00:54:27,560 --> 00:54:29,439 Speaker 2: this is what we need on the week off. 1115 00:54:30,040 --> 00:54:31,480 Speaker 4: We need a wheel of meat. 1116 00:54:32,600 --> 00:54:35,120 Speaker 2: If there are any butchers right now listening, and you'll 1117 00:54:35,160 --> 00:54:37,560 Speaker 2: be up for giving away prices on the show, spinning 1118 00:54:38,120 --> 00:54:40,640 Speaker 2: live from your butchers a wheel of meat. We'll line 1119 00:54:40,719 --> 00:54:43,800 Speaker 2: up the carders, you line up the meat. Please contact 1120 00:54:43,880 --> 00:54:47,160 Speaker 2: the show asap. This is what radio needs right now. 1121 00:54:47,520 --> 00:54:51,840 Speaker 2: He's spinning revolving neon wheel of meat. Seriously, if butcher's 1122 00:54:52,000 --> 00:54:54,840 Speaker 2: nine four one o four through, let's bring back the 1123 00:54:55,120 --> 00:54:55,759 Speaker 2: wheel of meat. 1124 00:54:56,440 --> 00:54:58,880 Speaker 1: Christian O'Connell Breakfast Show podcast. 1125 00:54:59,400 --> 00:55:02,560 Speaker 3: You guys have been long long relationships. Tell me if 1126 00:55:02,600 --> 00:55:04,880 Speaker 3: we ever grow out of this. Bianca and I have 1127 00:55:05,000 --> 00:55:07,399 Speaker 3: been married now for five years, and you would think 1128 00:55:07,440 --> 00:55:10,560 Speaker 3: we've passed the point where we steal each other's covers 1129 00:55:10,640 --> 00:55:14,160 Speaker 3: during the night, but it propped up again during the 1130 00:55:14,280 --> 00:55:17,240 Speaker 3: night last night, and it's not a thing that happens often. 1131 00:55:17,760 --> 00:55:20,399 Speaker 3: But when it does happen, you would think we would 1132 00:55:20,400 --> 00:55:24,320 Speaker 3: have coordinated sleeping side by side. After many hundreds of 1133 00:55:24,440 --> 00:55:25,359 Speaker 3: nights together. 1134 00:55:25,640 --> 00:55:27,680 Speaker 2: We're still I mean last week now, you actually we 1135 00:55:27,760 --> 00:55:30,279 Speaker 2: still would having another argument. I've been married, a month 1136 00:55:30,320 --> 00:55:33,600 Speaker 2: away from twenty two years we were married, and we 1137 00:55:33,719 --> 00:55:37,480 Speaker 2: are still having that argument about blaming the other person 1138 00:55:37,840 --> 00:55:39,239 Speaker 2: hogging the douve the do. 1139 00:55:40,080 --> 00:55:44,120 Speaker 3: Everybody always takes the side of I was just reacting 1140 00:55:44,200 --> 00:55:46,120 Speaker 3: to what you were doing. I only pulled it back 1141 00:55:46,160 --> 00:55:49,520 Speaker 3: because you pulled it off me first. Everybody takes that stance. 1142 00:55:49,880 --> 00:55:51,840 Speaker 3: And we had that argument again as we woke up 1143 00:55:51,880 --> 00:55:52,320 Speaker 3: this morning. 1144 00:55:52,480 --> 00:55:56,319 Speaker 2: But be honest, you're a fair man's women. They steal 1145 00:55:56,360 --> 00:55:58,520 Speaker 2: the do, they're still the doner they do. It's a 1146 00:55:58,640 --> 00:55:59,319 Speaker 2: genetic thing. 1147 00:56:00,120 --> 00:56:03,560 Speaker 3: How in my recollection of the night, that's how it happened. 1148 00:56:03,560 --> 00:56:04,960 Speaker 3: And it was a cold night last. 1149 00:56:04,800 --> 00:56:08,960 Speaker 2: Night, almost like on a cliff edge. We're on the 1150 00:56:09,239 --> 00:56:13,239 Speaker 2: edge of the bed and I've got no doner. It's 1151 00:56:13,320 --> 00:56:15,600 Speaker 2: all when taking and then you try and put it back, 1152 00:56:15,920 --> 00:56:18,200 Speaker 2: and then I clasping onto it with a closed fing 1153 00:56:18,719 --> 00:56:20,480 Speaker 2: my dead cold hands, and. 1154 00:56:20,520 --> 00:56:23,839 Speaker 3: It feels watching it is that she's trying to get 1155 00:56:23,880 --> 00:56:25,719 Speaker 3: to as far away from the other edge of the 1156 00:56:25,760 --> 00:56:28,080 Speaker 3: bed as possible, Like she's trying to roll off the 1157 00:56:28,120 --> 00:56:30,040 Speaker 3: bed with the cover onto the floor. 1158 00:56:29,960 --> 00:56:30,640 Speaker 2: Chop and roll. 1159 00:56:31,600 --> 00:56:34,080 Speaker 5: We have two Doners on our bed for that very reason. 1160 00:56:34,480 --> 00:56:36,680 Speaker 5: Two king size got a football. 1161 00:56:36,320 --> 00:56:43,160 Speaker 2: Pitch or something. Two king size, We've got one, the 1162 00:56:43,239 --> 00:56:43,920 Speaker 2: double Doner. 1163 00:56:44,600 --> 00:56:46,360 Speaker 4: No, it solves your problems. 1164 00:56:46,400 --> 00:56:48,200 Speaker 5: So you have the proper douna with the cover, and 1165 00:56:48,280 --> 00:56:50,680 Speaker 5: then I have just like an old Doner that goes 1166 00:56:51,239 --> 00:56:54,000 Speaker 5: under the proper dona and eventually through the night, the 1167 00:56:54,080 --> 00:56:56,799 Speaker 5: two shells separate like parting seas. 1168 00:56:56,560 --> 00:56:58,719 Speaker 4: In the night, and we have one each. 1169 00:56:59,280 --> 00:57:00,640 Speaker 3: So you have three all together. 1170 00:57:01,280 --> 00:57:02,520 Speaker 4: No, too, totally true. 1171 00:57:02,680 --> 00:57:05,160 Speaker 3: I thought you have one encapsulating everybody else. 1172 00:57:05,160 --> 00:57:06,480 Speaker 2: Before we move on, I just want to make sure 1173 00:57:06,520 --> 00:57:08,400 Speaker 2: I understand this, like Jackie boy, because this could be 1174 00:57:08,560 --> 00:57:11,319 Speaker 2: a relationship game change of pantsy. You need to call 1175 00:57:11,400 --> 00:57:15,760 Speaker 2: k Mart now and trademark this. This is your Eureka moment, 1176 00:57:16,120 --> 00:57:18,920 Speaker 2: the double Doner system. So you've got the big overall 1177 00:57:19,280 --> 00:57:20,920 Speaker 2: sort of dony. You're not the rainbow. 1178 00:57:21,000 --> 00:57:22,640 Speaker 4: Let's call it yes with the cover. 1179 00:57:22,920 --> 00:57:26,280 Speaker 5: Yeah, and then just just a spit, just one of 1180 00:57:26,360 --> 00:57:28,760 Speaker 5: the old doners we used to have king size as well, 1181 00:57:28,880 --> 00:57:31,640 Speaker 5: doesn't have a cover or anything, but just slips in 1182 00:57:32,000 --> 00:57:33,560 Speaker 5: secretly under the other one. 1183 00:57:34,080 --> 00:57:36,000 Speaker 3: And then do you know who is who's when you're 1184 00:57:36,000 --> 00:57:36,440 Speaker 3: parting in. 1185 00:57:36,720 --> 00:57:39,200 Speaker 5: It doesn't matter, it doesn't matter. But usually I end 1186 00:57:39,280 --> 00:57:41,240 Speaker 5: up with the old one for some reason. 1187 00:57:42,120 --> 00:57:43,880 Speaker 2: Where we love God, he knows what he needs, he 1188 00:57:43,960 --> 00:57:44,760 Speaker 2: needs that new one. 1189 00:57:45,320 --> 00:57:47,840 Speaker 3: I think you're almost onto something. I would coordinate the 1190 00:57:47,920 --> 00:57:51,560 Speaker 3: two doners coated. Yeah, I wouldn't have a free for all. 1191 00:57:52,600 --> 00:57:54,200 Speaker 3: And also if you got two on at the start 1192 00:57:54,280 --> 00:57:54,920 Speaker 3: and you too. 1193 00:57:55,240 --> 00:57:57,760 Speaker 2: Hot, too hot, then I'm worried about in the night 1194 00:57:59,160 --> 00:58:01,560 Speaker 2: in grasping and then you back into grasping for what 1195 00:58:01,840 --> 00:58:02,960 Speaker 2: they're one your one. 1196 00:58:05,640 --> 00:58:07,200 Speaker 3: Dog as well that sits on the end of your 1197 00:58:07,200 --> 00:58:07,840 Speaker 3: bed during. 1198 00:58:08,080 --> 00:58:09,720 Speaker 2: I think that's what she means by one of the 1199 00:58:09,800 --> 00:58:13,400 Speaker 2: donuts jackets the actual dock. Chris leaves with a dog 1200 00:58:13,520 --> 00:58:14,640 Speaker 2: raps to me like a cave man. 1201 00:58:16,600 --> 00:58:19,440 Speaker 1: The Christian O'Connell Breakfast Show podcast. 1202 00:58:19,120 --> 00:58:21,400 Speaker 2: It's about to take you through today's that were time waster. 1203 00:58:21,720 --> 00:58:30,520 Speaker 2: Beautiful prize this morning, Deeportelly Wine and pasta pack. Deep 1204 00:58:30,560 --> 00:58:35,920 Speaker 2: Botelly wine and pasta pack. I'm talking homemade pastas just 1205 00:58:36,120 --> 00:58:40,240 Speaker 2: like Oh Postman pretends to make for us knock e Rigatoni, 1206 00:58:40,520 --> 00:58:46,320 Speaker 2: pork and fennel, ragoo, Napoli sauce, parmegiano or two bottles 1207 00:58:46,360 --> 00:58:49,520 Speaker 2: of Yarrow Valley State grown wine. It's a nice prize 1208 00:58:49,560 --> 00:58:52,040 Speaker 2: with someone this morning on the time waster with all 1209 00:58:52,080 --> 00:58:54,160 Speaker 2: this talk. This morning, we start a new feature where 1210 00:58:54,520 --> 00:58:57,280 Speaker 2: you can upload your fuzz, urging you to upload your 1211 00:58:57,320 --> 00:59:00,760 Speaker 2: facial fuzz. Guys, upload your face fuzz if you're not 1212 00:59:00,800 --> 00:59:03,720 Speaker 2: sure whether it's working it. If we're looking for facial 1213 00:59:03,800 --> 00:59:05,960 Speaker 2: hair that's on a hot fuzz or not, all you 1214 00:59:06,040 --> 00:59:07,800 Speaker 2: got to do is head to Facebook O C one, 1215 00:59:07,880 --> 00:59:10,560 Speaker 2: O four three. Mainly a lot of women doing this 1216 00:59:11,000 --> 00:59:14,440 Speaker 2: and putting up photo of their husbands because they don't 1217 00:59:14,520 --> 00:59:16,600 Speaker 2: like the facial fuzz has been grown out at the moment. 1218 00:59:16,800 --> 00:59:19,720 Speaker 2: You'll also see a picture of Jack Post, the geography teacher, 1219 00:59:20,480 --> 00:59:22,400 Speaker 2: with the beard that he's rocking at the moment. So 1220 00:59:22,480 --> 00:59:25,560 Speaker 2: we're looking for hair movies. Bonus if there's any facial 1221 00:59:25,720 --> 00:59:28,200 Speaker 2: mentions of all the various facial stelings where it's Goatey's 1222 00:59:28,280 --> 00:59:32,600 Speaker 2: or whatever, but hair movies today, all right, I've got 1223 00:59:32,760 --> 00:59:37,760 Speaker 2: hairy Poppins. Great start, very different kind of movie. Go 1224 00:59:38,000 --> 00:59:44,760 Speaker 2: Tea Fellas Gangster Movie, Go Tea Fellas a Doctor Shave Argo, 1225 00:59:45,520 --> 00:59:52,640 Speaker 2: Dr Shave Argo, Civil plus Day Afro tomorrow. I'll leave 1226 00:59:52,680 --> 00:59:56,280 Speaker 2: it there then, Harry Poppins and Day Afro tomorrow, Jackie boy, 1227 00:59:56,360 --> 00:59:56,840 Speaker 2: what have you got? 1228 00:59:57,480 --> 01:00:02,680 Speaker 3: Pems of endearment? Ah nice one gold The Follicles of 1229 01:00:02,760 --> 01:00:08,560 Speaker 3: Narnia Bronze plus, Men who Stare at Goaties gold plus. 1230 01:00:09,960 --> 01:00:14,480 Speaker 3: And The Curious Kate Sorry, the Curious Case of Benjamin Mutton. 1231 01:00:14,880 --> 01:00:18,680 Speaker 2: Oh yeah, mun Shops, mun Shops very good. Another gold plus. 1232 01:00:18,600 --> 01:00:22,760 Speaker 1: There, Christian Christian O'Connell Breakfast. 1233 01:00:22,400 --> 01:00:26,680 Speaker 2: Show Podcast, Tray Special. Somebody in my life and you 1234 01:00:26,840 --> 01:00:29,200 Speaker 2: know who you are? A new love that I found 1235 01:00:29,240 --> 01:00:30,600 Speaker 2: in my life, and that is Larry. 1236 01:00:34,560 --> 01:00:37,000 Speaker 3: We haven't talked enough about your Noah's ark at home? 1237 01:00:37,120 --> 01:00:39,000 Speaker 3: How is it going with the puppy and the new 1238 01:00:39,160 --> 01:00:40,880 Speaker 3: kitten and the original dog. 1239 01:00:41,840 --> 01:00:44,120 Speaker 2: If you're in the studio right now, you know me 1240 01:00:44,200 --> 01:00:46,360 Speaker 2: by now, jack you know that red mists was coming 1241 01:00:46,440 --> 01:00:49,400 Speaker 2: up in my eyebilds. Let's get into it tomorrow and 1242 01:00:49,600 --> 01:00:52,919 Speaker 2: this goes we're struggling moment. It's been a tough two days, 1243 01:00:52,960 --> 01:00:56,920 Speaker 2: a little if you wonder what Jackson just asked me 1244 01:00:57,040 --> 01:00:58,800 Speaker 2: is the fact that in the last four weeks we've 1245 01:00:58,880 --> 01:01:02,440 Speaker 2: taken on a kitten and a puff and it too much. 1246 01:01:02,800 --> 01:01:04,480 Speaker 2: We just say it's too much. How are we love 1247 01:01:04,520 --> 01:01:06,040 Speaker 2: them all? But it's just been a bit too much? 1248 01:01:06,280 --> 01:01:06,680 Speaker 2: All right? 1249 01:01:07,320 --> 01:01:08,320 Speaker 1: Where were we? Ayes? 1250 01:01:08,560 --> 01:01:11,640 Speaker 2: Hair movies, hair movies? Okay, you're ready to Mark? 1251 01:01:11,760 --> 01:01:12,479 Speaker 3: Jack Ready? 1252 01:01:12,880 --> 01:01:15,320 Speaker 2: Okay? Beverly Hills Chops. 1253 01:01:17,120 --> 01:01:22,120 Speaker 3: Bronze Colin Laverton, The Good, the Bad and the Fuzzy Silver, 1254 01:01:22,600 --> 01:01:25,400 Speaker 3: Greg and Dandenol mustachha do. 1255 01:01:25,560 --> 01:01:30,320 Speaker 2: About Mutton two for the two for gold plus very good? 1256 01:01:30,840 --> 01:01:33,960 Speaker 2: They bring them Smart and Brunswick Damien very good. He's 1257 01:01:34,000 --> 01:01:37,720 Speaker 2: short in his own name, d man him Brunswick Giango 1258 01:01:38,000 --> 01:01:42,720 Speaker 2: unshaved silver plus Josh very good, No country for old 1259 01:01:43,000 --> 01:01:48,160 Speaker 2: man buns bit long, bit long silver, Yeah but nice. 1260 01:01:48,160 --> 01:01:50,680 Speaker 2: Try and Mark in Frankston South, the Perminator, the perm 1261 01:01:51,000 --> 01:01:54,960 Speaker 2: Innata Gold, Gilsey and mill Park Go Teas in the 1262 01:01:55,040 --> 01:02:03,440 Speaker 2: Mist gold plus Tanya very smart, Comba a Comba Alone Silver, 1263 01:02:03,720 --> 01:02:08,080 Speaker 2: Ashley and Croydon Big Stubble in Little China Silver plus 1264 01:02:08,320 --> 01:02:12,960 Speaker 2: Danny McCormack Can Bend the East, Braid Runner silver plus, 1265 01:02:13,160 --> 01:02:15,160 Speaker 2: Janet and Epping Dude, where's my Chin? 1266 01:02:17,880 --> 01:02:18,400 Speaker 3: Gold Plus. 1267 01:02:19,480 --> 01:02:22,920 Speaker 2: It's him again. D Man's back in Brunswick. He's on 1268 01:02:23,000 --> 01:02:25,400 Speaker 2: a tear. See Michael Phelps of this this morning. He's 1269 01:02:25,400 --> 01:02:28,760 Speaker 2: picking up so many goals. Uh, Fluffy the Vampire, the 1270 01:02:28,880 --> 01:02:30,240 Speaker 2: Vampire Styler. 1271 01:02:31,840 --> 01:02:34,200 Speaker 3: Didn't need the mpart silver plus. 1272 01:02:34,480 --> 01:02:41,000 Speaker 2: Ashen Croydon, Sorry you annoyed Jack go tebusters silver. Apocalyp says, 1273 01:02:41,200 --> 01:02:42,960 Speaker 2: now a pocket clippers now. 1274 01:02:44,280 --> 01:02:47,080 Speaker 3: Oh bad delivery bronze or I'm feel. 1275 01:02:46,920 --> 01:02:48,600 Speaker 2: Signed for that person. I'm muddered it for them. 1276 01:02:48,960 --> 01:02:55,480 Speaker 3: The Fringes of Madison County Silver, Lord of the Ringlets bronze. 1277 01:02:55,600 --> 01:03:00,280 Speaker 2: To pay it forward. Come on, that's brilliant gold too, 1278 01:03:00,360 --> 01:03:05,520 Speaker 2: paid forward, Andrew, that's very good. Mullet impossible silver, Tango 1279 01:03:05,600 --> 01:03:06,280 Speaker 2: and tash. 1280 01:03:07,760 --> 01:03:08,080 Speaker 3: Silver. 1281 01:03:09,200 --> 01:03:13,480 Speaker 2: Shame on, Dominic Pube. Fiction is not accessible for a 1282 01:03:13,560 --> 01:03:16,960 Speaker 2: highbrow show like that. Don't give him any marks, no medals, 1283 01:03:17,400 --> 01:03:23,120 Speaker 2: No medals for you, Daddy haircare, no bruns and the 1284 01:03:23,280 --> 01:03:28,040 Speaker 2: unnecessary one here. This is not nice shaving, miss Daisy. 1285 01:03:33,160 --> 01:03:35,640 Speaker 3: We it has to be Dude wears much in demand. 1286 01:03:37,720 --> 01:03:41,000 Speaker 2: You're picking the deeport tony wine and pasta pack that 1287 01:03:41,400 --> 01:03:44,120 Speaker 2: is yours, deep portly yarravanny their shaws. 1288 01:03:45,880 --> 01:03:47,720 Speaker 1: The Christian O'Connell Breakfast Show. 1289 01:03:47,640 --> 01:03:50,320 Speaker 2: Podcast okay before we tell it titled Today's show and 1290 01:03:50,360 --> 01:03:52,960 Speaker 2: bow out. Okay, So a lot of stuff has been 1291 01:03:53,040 --> 01:03:55,520 Speaker 2: kicked up on today's show, and so much stuff gets 1292 01:03:55,600 --> 01:03:57,320 Speaker 2: kicked off on any normal show. We always think at 1293 01:03:57,320 --> 01:03:59,120 Speaker 2: the end, maybe we could do a to be continued, 1294 01:03:59,200 --> 01:04:00,800 Speaker 2: so we'll get back here to morrow this because at 1295 01:04:00,800 --> 01:04:03,560 Speaker 2: the moment, I've already got like five to ten emails 1296 01:04:03,600 --> 01:04:05,880 Speaker 2: coming in about doodle Wars that are primed and ready 1297 01:04:05,880 --> 01:04:08,640 Speaker 2: to go for tomorrow's show. So I've asked the producer 1298 01:04:08,680 --> 01:04:10,320 Speaker 2: they can make some production for this check. Have you 1299 01:04:10,400 --> 01:04:11,120 Speaker 2: heard here this yet? 1300 01:04:11,560 --> 01:04:11,600 Speaker 8: No? 1301 01:04:12,160 --> 01:04:20,360 Speaker 2: Okay. Two possibles to be continued. One, why are we 1302 01:04:20,440 --> 01:04:20,960 Speaker 2: at war? 1303 01:04:22,800 --> 01:04:23,520 Speaker 3: Is there any. 1304 01:04:25,600 --> 01:04:27,520 Speaker 2: Hang on a minute? You go mumble at the end. 1305 01:04:27,920 --> 01:04:30,040 Speaker 2: We've got to go through ten seconds to get the 1306 01:04:30,120 --> 01:04:34,680 Speaker 2: idea we're meant to pay. I'm always late at the 1307 01:04:34,760 --> 01:04:36,720 Speaker 2: end of every shop. It's going to make me late 1308 01:04:36,760 --> 01:04:37,200 Speaker 2: and look. 1309 01:04:39,560 --> 01:04:39,840 Speaker 1: To be. 1310 01:04:41,400 --> 01:04:42,160 Speaker 2: What's up with him? 1311 01:04:43,080 --> 01:04:43,360 Speaker 3: Visitor? 1312 01:04:43,840 --> 01:04:47,280 Speaker 2: Or there's this one to be it does at the beginning, 1313 01:04:50,400 --> 01:04:51,040 Speaker 2: where do you like? 1314 01:04:52,360 --> 01:04:53,160 Speaker 3: I thought it would be. 1315 01:04:54,200 --> 01:04:57,760 Speaker 2: Like me too? Why so serious? Why is the epic? 1316 01:04:57,800 --> 01:05:01,040 Speaker 2: There's nothing epic about this show. Let's go with this, 1317 01:05:03,560 --> 01:05:05,680 Speaker 2: this is this show? This is not our show? 1318 01:05:06,400 --> 01:05:09,200 Speaker 1: Really? Now? Is this. 1319 01:05:11,320 --> 01:05:12,439 Speaker 2: Dougie Gardner. 1320 01:05:16,280 --> 01:05:17,040 Speaker 3: Two of that story? 1321 01:05:21,160 --> 01:05:21,560 Speaker 1: All right? 1322 01:05:21,920 --> 01:05:23,120 Speaker 2: To continued? 1323 01:05:23,560 --> 01:05:24,520 Speaker 1: Do know wars? 1324 01:05:24,600 --> 01:05:27,040 Speaker 2: A lot of people are loving Patsy's thing that she 1325 01:05:27,120 --> 01:05:30,840 Speaker 2: mentioned about the double Douner system. Also, will we find 1326 01:05:30,880 --> 01:05:34,440 Speaker 2: a butcher on tomorrow's show? He's happy to operate a 1327 01:05:34,520 --> 01:05:38,400 Speaker 2: wheel of meat I've forgotten about. I really hope we 1328 01:05:38,440 --> 01:05:40,600 Speaker 2: can do this. Please, if you know a butcher, give 1329 01:05:40,680 --> 01:05:42,720 Speaker 2: him a call, tell her call us tomorrow or email 1330 01:05:42,760 --> 01:05:44,800 Speaker 2: me today Christian at gold one O four three dot 1331 01:05:44,880 --> 01:05:48,320 Speaker 2: com dot au mark in the subject heading Yes, I 1332 01:05:48,480 --> 01:05:50,400 Speaker 2: will do a wheel of meat. And I know straight 1333 01:05:50,480 --> 01:05:52,080 Speaker 2: away this is knee money to respond to me. 1334 01:05:52,920 --> 01:05:54,960 Speaker 3: But we spin the wheel or they spin a wheel? 1335 01:05:55,960 --> 01:05:58,400 Speaker 2: I think butcher's like hairdressers. They run their own empire. 1336 01:05:58,400 --> 01:06:00,360 Speaker 2: I don't think you can ever go and spin a 1337 01:06:00,440 --> 01:06:02,560 Speaker 2: man's wheatmeal whatsoever. I think that's his question. 1338 01:06:02,960 --> 01:06:05,480 Speaker 3: Do we spin a wheel in the studio and give 1339 01:06:05,480 --> 01:06:08,400 Speaker 3: away their meat or no? They have to have the wheel. 1340 01:06:08,480 --> 01:06:10,320 Speaker 2: Now, I think the butcher has the will They own 1341 01:06:10,360 --> 01:06:12,080 Speaker 2: the wheel, they own the meat, They spin the wheel 1342 01:06:12,120 --> 01:06:16,600 Speaker 2: of meat. Okay, to be continued with this whole meat 1343 01:06:18,080 --> 01:06:21,880 Speaker 2: also to be continued. More of your facial fuzz in 1344 01:06:22,160 --> 01:06:25,280 Speaker 2: upload your fuzz head to our Facebook page. Upload a 1345 01:06:25,320 --> 01:06:27,360 Speaker 2: picture of your fuzz, your facial hair that you're growing 1346 01:06:27,400 --> 01:06:29,439 Speaker 2: at the moment. We will decide if it's hot fuzz 1347 01:06:29,680 --> 01:06:32,640 Speaker 2: or not. Head on to Facebook. O C one O 1348 01:06:32,760 --> 01:06:34,720 Speaker 2: four three. Thank you very much for all the emails, 1349 01:06:34,760 --> 01:06:37,920 Speaker 2: the stories and calls today. Outstanding stuff. Title of today's 1350 01:06:37,920 --> 01:06:39,920 Speaker 2: show could have been anything. I'm going to go with 1351 01:06:40,000 --> 01:06:42,600 Speaker 2: a story that will stay with me all year. Trapped 1352 01:06:42,920 --> 01:06:45,920 Speaker 2: Paint Eastwood is the title of today's show. We're back 1353 01:06:45,920 --> 01:06:48,400 Speaker 2: tomorrow morn when you wake up. Have a great, safe day. 1354 01:06:49,840 --> 01:06:53,280 Speaker 1: Hell Christian O'Connell Breakfast Show Podcast