1 00:00:01,600 --> 00:00:07,880 Speaker 1: The Sure Report on ninety six airm Is that the 2 00:00:07,920 --> 00:00:09,920 Speaker 1: sort of intro she gets as well? Or is that 3 00:00:09,960 --> 00:00:12,600 Speaker 1: a special one for me? No, only for the last 4 00:00:12,720 --> 00:00:16,279 Speaker 1: uptheen years. Sounds like you've been paying attention. You're taking 5 00:00:16,280 --> 00:00:18,759 Speaker 1: the mickey out of me. There no very serious bloke, 6 00:00:19,320 --> 00:00:20,079 Speaker 1: rich the famous. 7 00:00:20,200 --> 00:00:20,880 Speaker 2: Sorry, we've got. 8 00:00:20,840 --> 00:00:24,320 Speaker 1: A more serious news theme for you to the rich, 9 00:00:24,440 --> 00:00:28,040 Speaker 1: the Famous and the unrelatable Barres edition of the Shore Report. 10 00:00:28,440 --> 00:00:31,240 Speaker 1: So there's a documentary about and I love this about 11 00:00:31,240 --> 00:00:34,760 Speaker 1: comedian and actor John Candy coming out. I absolutely love 12 00:00:34,840 --> 00:00:37,800 Speaker 1: John so many movies he was in He is me 13 00:00:38,040 --> 00:00:41,599 Speaker 1: in movies John Candy, I Like Me is directed by 14 00:00:41,640 --> 00:00:43,600 Speaker 1: Colin Hanks. How is that son of Tom Hanks? 15 00:00:43,640 --> 00:00:44,120 Speaker 2: All right? 16 00:00:44,240 --> 00:00:48,159 Speaker 1: So Tom starred in Candy with in Splash and Volunteers, 17 00:00:48,159 --> 00:00:50,360 Speaker 1: so they worked together early years. Do you have a 18 00:00:50,360 --> 00:00:51,640 Speaker 1: favorite John Candy movie? 19 00:00:52,200 --> 00:00:54,720 Speaker 2: I was. I really liked Uncle Buck. 20 00:00:55,280 --> 00:00:57,680 Speaker 1: I remember I remember going to see that at the cinema, 21 00:00:57,800 --> 00:00:59,040 Speaker 1: not really knowing much about it. 22 00:00:59,040 --> 00:01:00,760 Speaker 2: It was kind of a one of those movies. It 23 00:01:00,840 --> 00:01:02,240 Speaker 2: wasn't a big deal made of it, and I went 24 00:01:02,280 --> 00:01:03,800 Speaker 2: and saw it one day and came out of when 25 00:01:03,880 --> 00:01:04,320 Speaker 2: I loved that. 26 00:01:04,600 --> 00:01:06,400 Speaker 1: Yeah, I loved it. And I showed the kids that 27 00:01:06,840 --> 00:01:08,600 Speaker 1: probably about three or four months ago, and they loved 28 00:01:08,600 --> 00:01:10,319 Speaker 1: it as well. I've got a bit of Uncle Buck 29 00:01:10,360 --> 00:01:13,360 Speaker 1: in me, I can tell you. And and Barf got 30 00:01:13,360 --> 00:01:17,720 Speaker 1: a bit of Barf in me as well from Spaceport. 31 00:01:17,920 --> 00:01:21,800 Speaker 1: I love that guy. The documentary will cover his life, 32 00:01:21,880 --> 00:01:24,280 Speaker 1: the impact he made on those around him, and features 33 00:01:24,319 --> 00:01:28,120 Speaker 1: several interviews with celebrity friends like Bill Murray, Steve Martin, 34 00:01:28,200 --> 00:01:31,880 Speaker 1: dan Aykroyd, Catherine O'Hara. He died, of course, in ninety 35 00:01:31,880 --> 00:01:33,880 Speaker 1: four from a heart attack. Yeah, while I was filming 36 00:01:34,680 --> 00:01:38,080 Speaker 1: a movie, aged only forty three wagons east. So it's 37 00:01:38,400 --> 00:01:41,200 Speaker 1: on Prime from this Friday. And yes there is a 38 00:01:41,240 --> 00:01:44,560 Speaker 1: devil's costume in there as well. And he didn't like 39 00:01:44,560 --> 00:01:48,360 Speaker 1: getting his shirt off either. I believe probably it would 40 00:01:48,880 --> 00:01:51,880 Speaker 1: he never come on telethone then would he probably probably 41 00:01:51,960 --> 00:01:53,800 Speaker 1: wasn't keen on it. I'm in that. I'm at that 42 00:01:53,880 --> 00:01:57,320 Speaker 1: stage of life too now. An avid op shopper has 43 00:01:57,360 --> 00:02:01,000 Speaker 1: stumbled on a large piece of Australian TV history. 44 00:02:03,880 --> 00:02:07,600 Speaker 2: Everybody, Yeah, so Rebecca found Harold. 45 00:02:10,320 --> 00:02:14,079 Speaker 1: Rebecca Bruin was in the This and That community op 46 00:02:14,080 --> 00:02:17,239 Speaker 1: shop in Melbourne where she stumbled upon a significant amount 47 00:02:17,280 --> 00:02:21,720 Speaker 1: of neighbours props. There were multiple school bags and uniforms 48 00:02:21,720 --> 00:02:26,359 Speaker 1: from the fictitious Erinsborough High School. Did they find Kylie's 49 00:02:26,360 --> 00:02:31,800 Speaker 1: old bag characteriz Charline Charlene, a key ring from Lassida's 50 00:02:31,840 --> 00:02:36,360 Speaker 1: spa and Carl Kennedy's briefcase? Mate, what a revelation. This 51 00:02:36,440 --> 00:02:38,960 Speaker 1: is a treasure trow So the thrift store was stunned 52 00:02:39,000 --> 00:02:41,400 Speaker 1: to find a long line of people waiting to buy 53 00:02:41,440 --> 00:02:44,840 Speaker 1: all their stuff and getting inquiries from overseas. Would have 54 00:02:44,840 --> 00:02:48,680 Speaker 1: been especially in the UK and New Zealand. The briefcase, 55 00:02:48,720 --> 00:02:52,280 Speaker 1: school bags and neighbors themed umbrellas, among other items have 56 00:02:52,400 --> 00:02:54,639 Speaker 1: not yet been sold and will be auctioned off now 57 00:02:54,720 --> 00:02:57,480 Speaker 1: now they've worked out what they're worth, auctioned off at 58 00:02:57,480 --> 00:03:00,800 Speaker 1: a special event and they remain in storage for charity. Eh, 59 00:03:00,880 --> 00:03:01,440 Speaker 1: what do you reckon? 60 00:03:01,480 --> 00:03:02,640 Speaker 2: That would be the right thing to do. 61 00:03:02,919 --> 00:03:03,840 Speaker 1: Now, listen to this. 62 00:03:03,840 --> 00:03:04,520 Speaker 2: This is important. 63 00:03:04,560 --> 00:03:06,720 Speaker 1: Listening This is it's not really that important, but it's 64 00:03:06,720 --> 00:03:10,720 Speaker 1: important in the sense of the sure report. Zelda Williams. 65 00:03:10,760 --> 00:03:13,360 Speaker 1: Not to put it down, you know what I mean, Like, 66 00:03:14,800 --> 00:03:17,079 Speaker 1: it's not a world, it's not changing yet now, Yeah, 67 00:03:17,080 --> 00:03:20,360 Speaker 1: but we get the message of this, Zelda Williams Okay, 68 00:03:20,400 --> 00:03:21,520 Speaker 1: the daughter of Robin Williams. 69 00:03:21,560 --> 00:03:21,800 Speaker 2: Yes. 70 00:03:22,160 --> 00:03:25,320 Speaker 1: She recently took to her Instagram to tell people to 71 00:03:25,360 --> 00:03:30,160 Speaker 1: stop sending her AI generated videos of her late dad, Robin. 72 00:03:30,960 --> 00:03:33,240 Speaker 2: It's really upsetting. A lot of that stuff going on, 73 00:03:33,560 --> 00:03:34,760 Speaker 2: and a lot of it. 74 00:03:34,800 --> 00:03:37,880 Speaker 1: Can't tell, you know, So she says, please stop sending 75 00:03:37,960 --> 00:03:41,200 Speaker 1: me AI videos of dad. Stop believing I want to 76 00:03:41,200 --> 00:03:43,840 Speaker 1: see it or that I'll understand. I don't and I 77 00:03:43,920 --> 00:03:47,040 Speaker 1: won't if you're trying to troll me. I've seen worse, 78 00:03:47,080 --> 00:03:50,960 Speaker 1: so get stuffed. I'll restrict and move on. But please, 79 00:03:51,120 --> 00:03:53,720 Speaker 1: if you've got any decency, just stop doing this to 80 00:03:53,800 --> 00:03:57,360 Speaker 1: him and to me, to everyone's full stop. It's dumb, 81 00:03:57,680 --> 00:03:59,960 Speaker 1: waste the time and energy. And believe me, it's not 82 00:04:00,840 --> 00:04:04,400 Speaker 1: what he'd want or what I want exactly. So even 83 00:04:04,400 --> 00:04:06,680 Speaker 1: if it's a tribute, just don't do it. You don't 84 00:04:06,680 --> 00:04:08,600 Speaker 1: want to be reminded. You know, it's a painful part 85 00:04:09,000 --> 00:04:11,360 Speaker 1: to watch the legacies of real people. She goes on 86 00:04:11,480 --> 00:04:16,440 Speaker 1: to be condensed down to this vaguely something that vaguely 87 00:04:16,520 --> 00:04:19,520 Speaker 1: looks and sounds like my dad's. That's just not on, 88 00:04:19,839 --> 00:04:24,080 Speaker 1: And you know, I hate this TikTok TikTok slop puppeteering. 89 00:04:24,160 --> 00:04:27,359 Speaker 2: She calls it. It's mad and a pretty accurate description. 90 00:04:27,560 --> 00:04:30,760 Speaker 1: We're not making art, you're not making anything. You're making 91 00:04:30,800 --> 00:04:34,719 Speaker 1: disgusting overprocessed hot dogs, out of the lives of human beings, 92 00:04:35,279 --> 00:04:37,200 Speaker 1: out of the history of art and music, and then 93 00:04:37,240 --> 00:04:40,839 Speaker 1: shoving them down someone else's throat, hoping they'll give you 94 00:04:40,839 --> 00:04:44,520 Speaker 1: a little thumbs up and like it your grass. So 95 00:04:44,640 --> 00:04:46,680 Speaker 1: I guess she needs to block them, not watch them, 96 00:04:46,720 --> 00:04:49,320 Speaker 1: not talk about it anymore, and we won't talk about 97 00:04:49,360 --> 00:04:50,640 Speaker 1: it anymore. 98 00:04:50,400 --> 00:04:51,240 Speaker 2: Just to shut him down. 99 00:04:51,320 --> 00:04:54,000 Speaker 1: He died in twenty fourteen. Of course he did twenty fourteen, 100 00:04:54,279 --> 00:04:59,240 Speaker 1: eleven years ago. Robin Williams alfelies a month and then 101 00:04:59,320 --> 00:05:01,800 Speaker 1: let's finish bang. Ed Sheeran, I loved him when he 102 00:05:01,839 --> 00:05:03,400 Speaker 1: was here at Optics. Did you go and see it? 103 00:05:03,520 --> 00:05:04,760 Speaker 2: I did see him a OPTI. Yeah. 104 00:05:05,320 --> 00:05:09,120 Speaker 1: People just dancing like no one was watching. Fantastic, you know, 105 00:05:09,200 --> 00:05:10,000 Speaker 1: dads and stuff. 106 00:05:10,080 --> 00:05:11,880 Speaker 2: Is that a good thing? Have you seen that? 107 00:05:12,000 --> 00:05:14,599 Speaker 1: Mate? Have you ever done that? Dance like no one's watching. 108 00:05:15,480 --> 00:05:17,360 Speaker 2: I would only dance if no one was watching. 109 00:05:17,720 --> 00:05:20,360 Speaker 1: Kind of cut loose, mate, come out of yourself. 110 00:05:20,360 --> 00:05:21,000 Speaker 2: No one needs that. 111 00:05:21,240 --> 00:05:24,800 Speaker 1: So Ed Shearon announced a new Netflix special, One Shot 112 00:05:24,960 --> 00:05:27,400 Speaker 1: with Ed Sheeran, and it's from the director of that 113 00:05:27,440 --> 00:05:29,760 Speaker 1: great drama Adolescence. Did you watch that? 114 00:05:30,160 --> 00:05:33,120 Speaker 2: No? I didn't, but I know well it scooped it 115 00:05:33,240 --> 00:05:33,680 Speaker 2: the Emmys. 116 00:05:34,360 --> 00:05:37,719 Speaker 1: Did I find out about kids in adolescents, particularly about 117 00:05:37,760 --> 00:05:39,320 Speaker 1: emojis and social media? 118 00:05:39,640 --> 00:05:40,839 Speaker 2: That was a big learning thing for me. 119 00:05:41,200 --> 00:05:44,000 Speaker 1: So this groundbreaking show will be captured in one shot, 120 00:05:44,040 --> 00:05:47,760 Speaker 1: which has become the trademark of the director, Philip Barantiny. 121 00:05:48,040 --> 00:05:50,480 Speaker 1: So it was all one shot, adeless, It is all 122 00:05:50,480 --> 00:05:53,719 Speaker 1: in one shot, same thing. So Barantini will feel film 123 00:05:53,760 --> 00:05:56,000 Speaker 1: shear and as he travels the streets of New York City, 124 00:05:56,040 --> 00:05:59,640 Speaker 1: playing his best known songs in impromptu performances on sidewalks 125 00:06:00,120 --> 00:06:03,560 Speaker 1: and in trains, all the while interacting with his fans 126 00:06:03,720 --> 00:06:06,800 Speaker 1: and passes by. Starts on Netflix in November twenty one. 127 00:06:07,200 --> 00:06:09,640 Speaker 1: How good does that sound? I'm watching that. 128 00:06:10,760 --> 00:06:12,920 Speaker 2: Jeez, he's a big he's a big head fan. 129 00:06:13,200 --> 00:06:16,040 Speaker 1: Okay, that's the sure report. The rich, the famous, and 130 00:06:16,040 --> 00:06:17,160 Speaker 1: they're totally unrelatable. 131 00:06:17,200 --> 00:06:19,640 Speaker 2: From Barron, I'm looking through to the producers. Did he 132 00:06:19,680 --> 00:06:22,160 Speaker 2: pass the audition? Is that a thumbs ups out? All right? 133 00:06:22,240 --> 00:06:25,400 Speaker 1: That's what that's what it. Sounds like Robin Williams doesn't 134 00:06:25,400 --> 00:06:26,320 Speaker 1: want it, but we want it. 135 00:06:26,320 --> 00:06:27,640 Speaker 2: Sounds like you might be back tomorrow.