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Speaker 1: Hello, it's artzimone here and I am officially the luckiest

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Speaker 1: drag queen in the entire world. Welcome to the Balot Cleanser.

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Speaker 1: Let's get into it. Yes, we are still here in

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Speaker 1: Edinburgh for the Fringe Festival. It is the tail end

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Speaker 1: of the Edinburgh Fringe Festival. We've been here for oh

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Speaker 1: my goodness, four weeks now a bit longer than that,

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Speaker 1: and we have been through it. I have stories for you,

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Speaker 1: I have updates for you. It's been a really fabulous experience.

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Speaker 1: But a lot of things have happened, okay, and the

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Speaker 1: first one is that I am the most luckiest drag

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Speaker 1: queen in the entire world. I've decided because while I

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Speaker 1: was dressed as cath day night on the Royal Mile

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Speaker 1: where famously there's all the buskers during Fringe Festival, the

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Speaker 1: Raw Male, you know, you walk all the way up

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Speaker 1: to it, and there's Edinburgh Castle, but there's also all

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Speaker 1: the peaceeople that have to fly for their show. So

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Speaker 1: pre or post show performers will go out there with

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Speaker 1: flyers and sell their wares, try and get people bums

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Speaker 1: on seats, et cetera, et cetera. So we were there

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Speaker 1: a post show. We're actually there for a bit more

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Speaker 1: of a celebration one, but we said, you know, we'll

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Speaker 1: go out in our Kath and Kim Brigalia for fountain

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Speaker 1: Lags in lockdown our show, and we'll passive flyer, which

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Speaker 1: is a term we coined because you have to have

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Speaker 1: a lot of confidences to walk up to someone and

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Speaker 1: hand them a flyer and say come to my show.

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Speaker 1: So we decided if we just look like we're having

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Speaker 1: a great time, people might come up to us and

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Speaker 1: grab a flyer off us. So we decided that the

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Speaker 1: best place for us to have a good time would

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Speaker 1: be in a pub out on the street, drinking some

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Speaker 1: lovely prosecco and celebrating a wonderful show. And if people

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Speaker 1: came along and wanted a fly or a photo, we'd

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Speaker 1: do it then. And we were sitting at this lovely

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Speaker 1: year old Scottish pub. I mean it's probably been there

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Speaker 1: for three years, but it looked old. And I felt

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Speaker 1: something on my head and I said, what's that. Bear

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Speaker 1: in mind, I am dressed as casday night here, so

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Speaker 1: I've got a perm wig one, I've got a jumper,

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Speaker 1: but I feel something in my head and I touched

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Speaker 1: my wig and I pull out my hand and there

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Speaker 1: is neon green fluid on my hands, and I go, oh, no,

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Speaker 1: it's happened, hasn't it. Yes, that's right. A seagull, a

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Speaker 1: giant Scottish seagull, shat on my head while dressed as

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Speaker 1: catesday Night. And some people may go shock in horror

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Speaker 1: and be like, oh my god, that's the worst thing

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Speaker 1: that could ever happened to you. And sure, but the

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Speaker 1: good news is it's a week and I can put

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Speaker 1: it in the washing machine, so that's good. But it

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Speaker 1: was so random of all the people for a seagull

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Speaker 1: to poo on it was me. It even had little

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Speaker 1: seeds in it. It was fail but we did record it.

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Speaker 1: So if you want to see the aftermath of me

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Speaker 1: realizing I have bird poo in my hair dressed as

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Speaker 1: catthday Night, jump on the socials and you'll see it there.

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Speaker 1: But look, I think that is maybe a telling sign

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Speaker 1: of what the Edinburgh Fringe experience has been, because we

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Speaker 1: have had our ups and downs. I tell you what

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Speaker 1: the biggest thing, of course, is that our lovely Maxine

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Speaker 1: Laurie shield our Sharon in this sea and she got

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Speaker 1: sick at the beginning of the fourth week and was

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Speaker 1: rushed to hospital. It was very dramatic. There was blood,

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Speaker 1: there was fluids, there was an ambulance. It was all

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Speaker 1: very scary and luckily Maxi is stable and safe at

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Speaker 1: the moment, but there was drama a plenty because we

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Speaker 1: still had a week full of shows. After we got

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Speaker 1: her into the hospital and under some good care and stable,

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Speaker 1: we realized we've got five more shows and we don't

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Speaker 1: have a Sharon. And you know, although the show is

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Speaker 1: called Kat and Kim, there's also a Sharon involved. So

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Speaker 1: we had to dredge through the talent of Edinburgh Fringe

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Speaker 1: and luckily there are a lot of out of work

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Speaker 1: actually well they're in work, but they're gig hungry Australian performers.

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Speaker 1: So we luckily found a wonderful performer from another parody

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Speaker 1: show which is called Breaking the Musical, which is a

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Speaker 1: musical about an Olympian that may or may not have

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Speaker 1: a name that sounds like spray Gun ray Gun. They

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Speaker 1: did get sued by her so that they can't use

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Speaker 1: that name whatsoever. But we got this lovely pfomer named

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Speaker 1: Jaredy came in learnt the show within twenty four hours

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Speaker 1: and jumped on stage as Sharon's tressluckly and has been

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Speaker 1: doing an absolute fabulous job while we've been here. The

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Speaker 1: only thing is Sharon now has a beard, and I

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Speaker 1: don't know if that's on canon. We've just been telling

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Speaker 1: people that Sharon forgot to take her hormones over to

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Speaker 1: Scotland and that's why it's happened. But it's been absolutely crazy,

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Speaker 1: but we've had such wonderful audiences. I've been able to

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Speaker 1: do some nice tourism while I've been here, which has

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Speaker 1: been really cool, because you know, I did used to

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Speaker 1: make a Draculas and I'm a bit of an uky

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Speaker 1: spooky person. I got to go and do the Edinburgh

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Speaker 1: Dungeon Experience, which is basically where I would say very

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Speaker 1: young UNI students taking a class in acting would be working.

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Speaker 1: It was so camp. There was like rides in it,

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Speaker 1: there was uky spooky scenes, so just drama student galore.

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Speaker 1: But they didn't allow photos in it, so I couldn't

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Speaker 1: even show you any of it, but it was so

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Speaker 1: so much fun. I went to Mary's King's Close, which

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Speaker 1: is like an underground like street I don't know, and

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Speaker 1: then I also I went up to the Edinburgh Castle,

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Speaker 1: which was nice to be on top of the world.

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Speaker 1: But safe space here, it's safe space here. I was looking.

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Speaker 1: I was standing on at the castle looking over. They

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Speaker 1: did the one pm cannonball shop thing, all exciting, and

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Speaker 1: I looked over Edinburgh and I looked again, and I thought,

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Speaker 1: this place is kind of ugly, isn't it like lovely?

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Speaker 1: Like old and cool, but like kind of ugly anyway,

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Speaker 1: But it's been a really great experience. I am excited

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Speaker 1: to come home, though, because you know me, or like

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Speaker 1: to be at home. I locked it in a place

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Speaker 1: where I understand that understand me. And I did get

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Speaker 1: some really bad news while I've been here, and that's that.

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Speaker 1: And just like that, you know, my favorite show to

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Speaker 1: hate has been canceled. They're not renewing the season, which

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Speaker 1: has really upset me because I think the only reason

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Speaker 1: that they've canceled it is because I haven't been able

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Speaker 1: to watch it because I can't get bloody HBO Max here.

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Speaker 1: I'm't able to watch HBO Max. So I think they've

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Speaker 1: canceled it because I haven't been in the country. So

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Speaker 1: for everyone that loves to hate watch that show, I'm

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Speaker 1: apologizing because I think it's all my fault. I really

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Speaker 1: think it's all my fault. But anyway, I'm coming home.

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Speaker 1: I'm very excited to see you all, and I'm very

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Speaker 1: excited for this episode because we have a very extra

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Speaker 1: special guest.

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Speaker 2: Hi. My name is Lazy Susan. I am the winner

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Speaker 2: of Drag Race down Under and I once lit myself

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Speaker 2: on fire in the Kick on set.

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Speaker 1: Hello, miss Lazy Susan. We're going to unpack that in

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Speaker 1: just a moment, because this is news to me on

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Speaker 1: the famed Kick on set. But if people don't know

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Speaker 1: you are obviously the current reigning winner of Drag Race

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Speaker 1: down Under, can't relate. I don't know how it feels.

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Speaker 1: Q sad Violey.

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Speaker 2: If you want to taste so what, you can buy

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Speaker 2: Spanky Sceptor at the moment.

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Speaker 1: Yes, Spanky Scepter is and that's not a euphemism. Her

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Speaker 1: sceptor is currently up for grabs at the moment.

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Speaker 2: Three thousand n z D. You could be part of

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Speaker 2: drag Race history.

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Speaker 1: Unfortunately I don't have enough money because I didn't but

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Speaker 1: the crown from me. That's true, I'll put on load.

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Speaker 1: But people don't know. We knew each other way before.

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Speaker 1: The world of drag Race connected us. Gosh, how long

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Speaker 1: ten years? Maybe it's been a long at least a

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Speaker 1: decade that I know, and the tables have turned today

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Speaker 1: because you're in full geiche and I am in goblin mode.

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Speaker 2: I love it.

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Speaker 1: I know because we've worked on many projects that would

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Speaker 1: have worked on Amy.

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Speaker 2: We've worked on the Wiggles for.

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Speaker 1: Yes, or we did so to stream campaign together, the

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Speaker 1: Art Therapy series.

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Speaker 2: Oh my god, how could we forget? We've really done

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Speaker 2: it all.

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Speaker 1: But traditionally you've been on the other side of the

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Speaker 1: camera in goblin mode as a wonderful rider, director, editor,

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Speaker 1: and just all around kook. Now people may not also

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Speaker 1: realize this, but if you have gone and watched Highway

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Speaker 1: to Heel, of which not many people.

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Speaker 2: Have the Presents app and you go into the d

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Speaker 2: do you arcove.

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Speaker 1: Yeah, you have to search for it to actively go

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Speaker 1: out and find it. I do have a link on

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Speaker 1: my link tree, so you could go and look at there.

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Speaker 1: I think it still works. But if you do happen

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Speaker 1: to see it, you actually feature in every single episode.

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Speaker 1: It's true.

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Speaker 2: I'm the hidden MICKI.

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Speaker 1: Yeah. People don't realize this because we shot this entire

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Speaker 1: mini series on the inside of a car during COVID

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Speaker 1: when it's all we could do, and it was a

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Speaker 1: crazy game show esca thing.

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Speaker 2: We were like the conceit is like it's just you

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Speaker 2: driving to your gig and so and you're always taking

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Speaker 2: a different drag queen to go and perform at piano bar. Yes,

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Speaker 2: and we like each one had a theme. So it

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Speaker 2: was like a cooking show in arts car, a quiz

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Speaker 2: show in arts card show.

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Speaker 1: Yeah, yeah, yeah.

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Speaker 2: We were just like doing a spoof of different reality

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Speaker 2: shows and be like what can fit inside of arts

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Speaker 2: Yaris and I would sit in the backseat of the car,

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Speaker 2: but we built this like faux wall, junk drag wall

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Speaker 2: that kind of looked like it was a pile of

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Speaker 2: stuff that was actually just a very thin veneer and

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Speaker 2: I would sit behind there in the heat of the

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Speaker 2: arras with like three human adult bodies sometimes four, just

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Speaker 2: like roasting, and I'd be monitoring the sound and dying.

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Speaker 1: And then every now and then a little goblin mode

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Speaker 1: hand would come out and as for a little snack

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Speaker 1: or a little tree.

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Speaker 2: I just want a little tree, but also batter is out,

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Speaker 2: Like we really didn't have the budget clearly I think

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Speaker 2: we got I'm sure we can say this now, but

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Speaker 2: like I think we've got like five thousand dollars for

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Speaker 2: that to make six episodes of that shah.

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Speaker 1: Yeah, and that wasps that we didn't.

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Speaker 2: I still have those.

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Speaker 1: No, they're just on loan, yeah, because we're kicking them

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Speaker 1: for the season two. Yaway.

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Speaker 2: You've got a new car now, though.

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Speaker 1: I know it wouldn't really match, but I still have

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Speaker 1: the mirror that film a box ripped off the side

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Speaker 1: of my car, and I still have your box enclosure.

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Speaker 1: I saved it to the case just the case well,

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Speaker 1: because they changed the laws in Victoria and you can't

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Speaker 1: film while anymore at all.

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Speaker 2: Yeah, and we were not always the most conscientious drivers.

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Speaker 1: Some of those shots were getting those shots of the

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Speaker 1: car from the outside, and we had our videographer, Peter,

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Speaker 1: and it was literally like hanging out the side of

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Speaker 1: a car while someone else was it was.

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Speaker 2: It was the one. It was the eighties. I don't know,

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Speaker 2: it was crazy.

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Speaker 1: But we've both got a lot of things. Yeah, And

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Speaker 1: one of those shows is kick Ons, Yes, which is

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Speaker 1: above your garage lush atrium loft.

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Speaker 2: I am in like a you know, a north side chateau,

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Speaker 2: and like many North Side chateaus, it has places that

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Speaker 2: were clearly once inhabited by like a small orphan child. It's,

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Speaker 2: you know, kind of a ring situation. So there's this

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Speaker 2: weird loft garage that like is just musty and dust.

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Speaker 1: And it's unaccessible viral ladder and like, and it's big enough.

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Speaker 2: It's like a really high ceilings. It's got like three

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Speaker 2: and a half meter high ceilings. And so when it

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Speaker 2: came time, when season two of Drag Race down Under

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Speaker 2: was coming out, we were like we should do something,

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Speaker 2: and so then we set up a whole backyard in

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Speaker 2: the shed and shot it on like three pretty shitty

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Speaker 2: cameras and just two mics, and it was like it

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Speaker 2: became a kind of fabulous time.

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Speaker 1: Well, everyone said it was produced better than drag Raced.

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Speaker 2: Well, when people come up to that shed, because that

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Speaker 2: haunted backyard is still there, obviously because we're done three

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Speaker 2: seasons there, they're like, it's shot here.

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Speaker 1: And you're like, yes, it's very glamorous. You know, there's

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Speaker 1: a piece of black tarping that falls down and you

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Speaker 1: have to do a lot of day shoots. Last season,

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Speaker 1: the sunlight would just coming and hit.

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Speaker 2: Yeah, and it's like corrugated iron, like it's not the

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Speaker 2: mod cons it has no air con, it has no

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Speaker 2: heating and what happened? Okay, so here we arrived? When

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Speaker 2: was this Ashneiko? Are you familiar with the artist Eshneiko?

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Speaker 2: She's one of the like kind of z here TikTok Like, sorry, Shneaker,

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Speaker 2: I don't want to come for your spot, but like yeah,

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Speaker 2: but like occasionally Warner Music Australia will reach out and

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Speaker 2: be like, will you consider doing like a list to

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Speaker 2: the song? Yeah, but this was like it predated like

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Speaker 2: the expensiveness of TikTok. So it was like, would you

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Speaker 2: consider sending us a video of you lip syncing to

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Speaker 2: Ashneiker's new song Daisy? And I was like yeah, and

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Speaker 2: they like to go into like a video yeah, and

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Speaker 2: then they'll.

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Speaker 1: Do a video.

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Speaker 2: It was like, I want to Australia like attempting to

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Speaker 2: do something viral. But it's clearly like one in turn

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Speaker 2: who's like I like drag and I'm going to book

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Speaker 2: a bunch of drag queens to do this and pay

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Speaker 2: two hundred dollars.

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Speaker 1: Because you got paid. I once got offered to do

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Speaker 1: something similar. They're like, can you use this artist sound

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Speaker 1: on TikTok? And I was like, oh, I guess because

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Speaker 1: they're trying to make it a viral sound. And they're like,

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Speaker 1: we'll pay to sponsor the post and I was, oh,

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Speaker 1: You're like.

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Speaker 2: Wow, I get like three hundred you'll pay for the

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Speaker 2: advertisement of your so beautiful. That was the other thing

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Speaker 2: we worked on when during I think it was like

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Speaker 2: mid like a break between two lockdowns in Melbourne, you

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Speaker 2: were booked to do the Amazon release of Cinderella Picture Content.

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Speaker 1: Oh god.

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Speaker 2: The only reason that I know that film exists because

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Speaker 2: we had to really think about, like the worst adaptation,

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Speaker 2: what was it? Dina Monzelle and then it was that

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Speaker 2: little one Lavender marriage Sewn Mendees and Camilla Cabeo. Camila

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Speaker 2: Cabeo and James Corden was one of the main diva

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Speaker 2: that was haunted.

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Speaker 1: Okay, so let's preface this. So basically this movie was

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Speaker 1: coming out on Amazon Prime. They wanted to get people

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Speaker 1: to watch it. So some intern some in turn, was like,

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Speaker 1: what if you get three drag queens to transfer themselves

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Speaker 1: into different characters from the So I knew someone wouldn't

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Speaker 1: want to be like Cinderella. Someone want to be the beautiful,

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Speaker 1: you know, fairy godmother. So I was like to be

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Speaker 1: an ugly step sister and they're like okay, So I

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Speaker 1: was like, yeah, I canna do prosthetics, look really ugly

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Speaker 1: and everything. But what the idea was as we did

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Speaker 1: this makeup tutorial you can find it's online, but they

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Speaker 1: would ask you questions to talk about the film and

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Speaker 1: be like, I really loved how James Cotton did this,

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Speaker 1: and it was like full flashbacks of Drag Race sell

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Speaker 1: these things. And it was shot during lockdown and COVID

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Speaker 1: and everything, so I had like a video call on

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Speaker 1: and then two cameras running and then like trying to answer.

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Speaker 1: It was just so painful, but we had to watch

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Speaker 1: the film. We got to watch it earlier. It was

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Speaker 1: just so bad, so bad.

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Speaker 2: So the good people who paid us all paid you

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Speaker 2: to advertise that that was not a good movie.

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Speaker 1: I made you and our good friend Mum the Drag

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Speaker 1: Queen watch as well, to like try and come up

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Speaker 1: with some quips or jokes.

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Speaker 2: What could the script be? And like that anyway, very funny,

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Speaker 2: But this was one of those situations. So once again

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Speaker 2: I enlisted Mum sage Queen Mum to come up, and

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Speaker 2: I was like, okay, this song is like this is

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Speaker 2: on the ninstance you like, and I was like yeah, okay,

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Speaker 2: And so I was like, you know, when, like I

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Speaker 2: don't know, a forty eight year old man shows up

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Speaker 2: at a kid's like schoolies event with a hat on backwards,

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Speaker 2: like that was the energy I was doing. And I

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Speaker 2: was like, I'm like, ashneiko a very cool like TikTok girly.

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Speaker 1: Yeah.

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Speaker 2: And so I was like, I'm gonna pull out this

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Speaker 2: like daisy from Bunnings Warehouse and then I'm gonna have

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Speaker 2: it like lid on fire and like holding it in

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Speaker 2: my hand as I'm like singing this like quite lyrically

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Speaker 2: complex song. And if you've seen the finale episode of

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Speaker 2: Drag racend Under, perhaps you know that I'm not the

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Speaker 2: world's greatest lip singer. And so this whole thing was

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Speaker 2: going on, and I was like, uh huh. Anyway, so

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Speaker 2: we're up in the shed, up in the kick on set, and.

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Speaker 1: Well, because it does, it ends up being like a

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Speaker 1: bit of a studio for you, yeah, you know when

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Speaker 1: we're darn Yeah exactly.

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Speaker 2: It's like how they shoot the block in the down

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Speaker 2: Under bet if you don't know this. In Drag Race

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Speaker 2: down Under, they have this like set in New Zealand

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Speaker 2: or the Shed and they just put up like mask

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Speaker 2: seeming walls over the pink walls and then they shoot

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Speaker 2: the block, but it's still like haunted by Like imagine

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Speaker 2: just like the walls over RuPaul's smiling face in the

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Speaker 2: dusk and.

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Speaker 1: The archaeologist that go back there to finally get ready

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Speaker 1: for season when it happens, trying.

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Speaker 2: To feel it back and be like, whoa, these people

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Speaker 2: must have lived. But yeah, so I'm like, okay, I'm

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Speaker 2: gonna soak this in like a methylated spirit. Wouldn't I

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Speaker 2: I could have anyway, So Mum Drag Queen Mum is

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Speaker 2: filming and I'm like, for safety's sake, I'll have like

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Speaker 2: a like a milo tin metal beneath it so I

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Speaker 2: can just drop it if it like the fire is

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Speaker 2: going too crazy. And like I'm trying to remember the

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Speaker 2: lyrics this song and it's like I'm like quickly dousing

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Speaker 2: it in something and it's like metholated spirits running down

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Speaker 2: my arm and then I'm like light the match, lip

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Speaker 2: syncing singing on this green screen with a fan in

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Speaker 2: my face, just trying to like serve it, and then

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Speaker 2: you know, a metholated spirit flame is like so it's

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Speaker 2: like blue, it's almost invisible. And the second it hits

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Speaker 2: my hand, it drips down onto where there's like a

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Speaker 2: puddle of metholated spirits from where I've just poured it

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Speaker 2: casually and nonchalant, and then it like runs off my

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Speaker 2: head lights that on fire, and then it runs along

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Speaker 2: the stream of metholated spirits that are dripped down across

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Speaker 2: the wooden floorboards in the second story, one room, one

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Speaker 2: escape room.

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Speaker 1: How do you get out of there? You can't, you die,

360
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Speaker 1: There is no safety, there is none.

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Speaker 2: And then it runs across to the bottle of methylated

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Speaker 2: spirits that is full and the lid is off, and

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Speaker 2: immediately is around the bottom of this giant one point

364
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Speaker 2: two to five liter bottle of metholated spirits and it

365
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Speaker 2: melts the bottom and then the whole bottle tips.

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Speaker 1: As quick as this happening, or it's like one of

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Speaker 1: those movie things where you're just watching one.

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Speaker 2: Everything. Then he's like, and the thing is, we have

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Speaker 2: footage of this and it's me going and then you

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Speaker 2: hear like we get up and I'm like, we're running

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Speaker 2: out of the room, out of the like one exit

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Speaker 2: trap door. Mom grabs the camera, picks it up, walks

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Speaker 2: five steps and just throws it into the corner and

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Speaker 2: like fuck that, we're out. And then we get out

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Speaker 2: and the camera just turns and you see everything is

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Speaker 2: engulfed in flame, and we're like and then we run

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Speaker 2: and we're also very drunk, like we've been dating. Yeah,

378
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Speaker 2: because I'm like, and there is like one hose that's

379
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Speaker 2: in the backyard looks down stairs, which is famously where

380
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Speaker 2: like a man named Greek Daddy on Grinder wants douched

381
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Speaker 2: in my backyard with.

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Speaker 1: That hose this story, I know, fuck.

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Speaker 2: God love him.

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Speaker 1: He was in my house.

385
00:19:00,840 --> 00:19:03,320
Speaker 2: Saints were asleep inside. He couldn't go in. We didn't

386
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Speaker 2: have the shower shot.

387
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Speaker 1: No, I understand. I've got some very interesting stories about

388
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Speaker 1: tomato sauce bottles for another another day.

389
00:19:11,640 --> 00:19:14,399
Speaker 2: But so we run the hose upstairs, but it like

390
00:19:14,440 --> 00:19:16,880
Speaker 2: does that thing where it like goes to the final

391
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Speaker 2: step and like you know, you're just not to the fire,

392
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Speaker 2: Like it's about two meters away from the fire and

393
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Speaker 2: the waters gushing out, but it's not getting to the fire. Also,

394
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Speaker 2: you don't spray water on a chemical fire kids at home,

395
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Speaker 2: oh like, because it just sits on top of it,

396
00:19:31,720 --> 00:19:36,840
Speaker 2: still on fire. It's a chemical fire. Anyway, everything is burning.

397
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Speaker 2: I'm spraying the fire with my little finger over the

398
00:19:39,359 --> 00:19:41,320
Speaker 2: nozzle like I'm doing a kid's fire, like you know,

399
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Speaker 2: water fire.

400
00:19:42,480 --> 00:19:44,960
Speaker 1: Now you're doing like a bachelorette.

401
00:19:45,000 --> 00:19:47,520
Speaker 2: I look crazy as well, because I looked so busted.

402
00:19:47,520 --> 00:19:49,919
Speaker 2: I had this like little ribbon wig made out of

403
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Speaker 2: blue ribbon because I was.

404
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Speaker 1: Like an actually.

405
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Speaker 2: Anyway, so like, and then like seemingly the fire is out,

406
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Speaker 2: I can't downstairs, Me and mam are just looking at

407
00:20:02,560 --> 00:20:07,720
Speaker 2: each other like, and they were like it was smoke everywhere.

408
00:20:07,760 --> 00:20:09,920
Speaker 2: Like We're just like, I'm just gonna go back up

409
00:20:09,960 --> 00:20:13,320
Speaker 2: and check because I think the fires are still going.

410
00:20:13,960 --> 00:20:18,040
Speaker 2: And then I go upstairs and it's like, you're still

411
00:20:18,080 --> 00:20:20,639
Speaker 2: on fire? Was it? Use store so much of your

412
00:20:20,720 --> 00:20:24,360
Speaker 2: drag up there, and it's all synthetic, so it's melting

413
00:20:24,400 --> 00:20:27,280
Speaker 2: into like a gooey pile. But then I remember that

414
00:20:27,359 --> 00:20:31,040
Speaker 2: my friend's mom had gifted me the woolen suit that

415
00:20:31,240 --> 00:20:34,119
Speaker 2: her ex husband had worn in their wedding day. You

416
00:20:34,160 --> 00:20:36,680
Speaker 2: know how mums will do these vengeful shit. Ye, take

417
00:20:36,760 --> 00:20:41,200
Speaker 2: this weird in drag fuck that guy, and I remember

418
00:20:41,240 --> 00:20:44,200
Speaker 2: it's one hundred percent wool, And I'm like, wool wool

419
00:20:44,359 --> 00:20:47,960
Speaker 2: versus fire always a good way because because like I

420
00:20:47,960 --> 00:20:49,919
Speaker 2: grew up in the hills and like there are fires

421
00:20:49,960 --> 00:20:52,440
Speaker 2: all the time, and they tell you like put on

422
00:20:52,480 --> 00:20:54,520
Speaker 2: a woolen jumper and soak it in water if you're

423
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Speaker 2: like ever in a fire.

424
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Speaker 1: Oh yeah, wow, you've missed your calling. I think you

425
00:20:59,040 --> 00:21:01,240
Speaker 1: need to start doing brand and best of a ship

426
00:21:01,359 --> 00:21:05,080
Speaker 1: for the bush firefety years. Yeah, you go into schools

427
00:21:05,119 --> 00:21:07,560
Speaker 1: and be like all up now, kiddies, Yeah you remember,

428
00:21:07,800 --> 00:21:08,600
Speaker 1: very knowledgeable.

429
00:21:08,680 --> 00:21:12,119
Speaker 2: And so I throw this like seventies woolen suit over

430
00:21:12,160 --> 00:21:15,879
Speaker 2: the flame and like start like smothering it just with

431
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Speaker 2: my hands, and managed to get this entire large area.

432
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Speaker 1: Of island drag.

433
00:21:20,560 --> 00:21:23,880
Speaker 2: Yeah, well debatable. I don't think i'd call it drive now,

434
00:21:24,440 --> 00:21:27,240
Speaker 2: but I'm definitely in like make of a challenge shake,

435
00:21:27,680 --> 00:21:30,640
Speaker 2: and like it finally goes out and the smoke has

436
00:21:30,720 --> 00:21:33,199
Speaker 2: just got nowhere to go because the room is just

437
00:21:33,280 --> 00:21:37,359
Speaker 2: like completely sealed. And then we go downstairs and we

438
00:21:37,520 --> 00:21:39,960
Speaker 2: just stare at each other for a while, and I

439
00:21:39,960 --> 00:21:42,240
Speaker 2: think because it was like a chemical fire didn't actually

440
00:21:42,280 --> 00:21:44,680
Speaker 2: like get into the wood or anything like, it didn't

441
00:21:44,720 --> 00:21:46,760
Speaker 2: burn through the floor. Oh okay, Like it was like

442
00:21:46,800 --> 00:21:50,240
Speaker 2: sitting on top like a flombay kind of situation. It

443
00:21:50,320 --> 00:21:53,520
Speaker 2: was so over dramatic that fire. She was too much.

444
00:21:54,720 --> 00:21:56,360
Speaker 2: And then for the next few nights I just had

445
00:21:56,520 --> 00:21:57,920
Speaker 2: like moments where I'd wake up.

446
00:21:57,800 --> 00:22:02,160
Speaker 1: And liked, now did you did you get the shot

447
00:22:02,200 --> 00:22:04,000
Speaker 1: in the end? Yeah? Oh good?

448
00:22:04,160 --> 00:22:06,199
Speaker 2: And then it went together and I was like, that

449
00:22:06,320 --> 00:22:12,080
Speaker 2: wasn't worth it.

450
00:22:12,480 --> 00:22:19,359
Speaker 1: Soapbox, all right, It's time for the soapbox Miss Lazy Suasan,

451
00:22:19,400 --> 00:22:22,080
Speaker 1: where you get to pitch whatever you want. You get

452
00:22:22,080 --> 00:22:24,879
Speaker 1: to use my airspace to promo whatever you feel like.

453
00:22:24,960 --> 00:22:27,480
Speaker 1: It's my gift to you. You've got thirty seconds on

454
00:22:27,520 --> 00:22:28,760
Speaker 1: the clock. Let's go.

455
00:22:29,640 --> 00:22:32,000
Speaker 2: Okay. You can follow me now on Miss Lazy's Suasan

456
00:22:32,080 --> 00:22:34,320
Speaker 2: on Instagram and TikTok. You can also listen to no

457
00:22:34,440 --> 00:22:37,880
Speaker 2: podcasts sorry cross promotions, but here we are Death to Everyone,

458
00:22:37,960 --> 00:22:41,480
Speaker 2: which is on where other podcasts are found, and you

459
00:22:41,520 --> 00:22:43,480
Speaker 2: can also just go and find me out in the scene.

460
00:22:43,480 --> 00:22:46,040
Speaker 2: I'm going to do lots of you know, bingos with

461
00:22:46,040 --> 00:22:49,320
Speaker 2: Miss Gabrielle bouchie at the moment, that's hues. I'm going

462
00:22:49,320 --> 00:22:52,280
Speaker 2: to Edinburgh with my new show in the Fountain Legs

463
00:22:52,280 --> 00:22:55,080
Speaker 2: in lockdown. You know they don't know that yet, but

464
00:22:55,119 --> 00:22:57,679
Speaker 2: I have been cast in the roll of carry and

465
00:22:58,200 --> 00:22:59,399
Speaker 2: just come and see me in heaven.

466
00:22:59,440 --> 00:23:05,600
Speaker 1: When you die. Time is Time is goddamn upset. Though

467
00:23:05,640 --> 00:23:08,560
Speaker 1: you didn't promo your film, I thought you give a

468
00:23:08,560 --> 00:23:11,439
Speaker 1: little plugged your film. Okay, well it's because we're doing

469
00:23:11,520 --> 00:23:13,919
Speaker 1: extra five seconds for the film because I'm gifting you

470
00:23:13,960 --> 00:23:14,960
Speaker 1: that cue.

471
00:23:14,960 --> 00:23:17,320
Speaker 2: We were like in the midst of securing funding for

472
00:23:17,400 --> 00:23:19,560
Speaker 2: a film that I'm trying to make, which is very exciting,

473
00:23:19,760 --> 00:23:23,280
Speaker 2: which has been now misreported in three gay publications, not

474
00:23:23,320 --> 00:23:26,000
Speaker 2: our greatest journalist as I went and had my film

475
00:23:26,000 --> 00:23:28,960
Speaker 2: premiere at the can Film Festival. And I love the

476
00:23:29,040 --> 00:23:32,320
Speaker 2: lack of research and I love that. Yeah, I guess

477
00:23:32,320 --> 00:23:34,080
Speaker 2: I did premiere at can this year and no one's

478
00:23:34,119 --> 00:23:34,800
Speaker 2: seen this film.

479
00:23:34,840 --> 00:23:37,960
Speaker 1: That's all that it takes. It's incredible. These guys like, yeah,

480
00:23:37,960 --> 00:23:39,439
Speaker 1: I'm sure it happened over there. I didn't go there.

481
00:23:40,080 --> 00:23:42,560
Speaker 2: Maybe it exists. I'm like, do you think that? When

482
00:23:42,600 --> 00:23:46,920
Speaker 2: do you think I made the feature film during what time? No?

483
00:23:47,480 --> 00:23:49,360
Speaker 1: And what is a film called? You know, how can

484
00:23:49,400 --> 00:23:50,160
Speaker 1: we supportently?

485
00:23:50,280 --> 00:23:52,720
Speaker 2: I mean, I don't know. This is going to change

486
00:23:52,720 --> 00:23:55,080
Speaker 2: over the okay, but currently we're trying to get a

487
00:23:55,160 --> 00:23:57,879
Speaker 2: drag queen horror film, not starring myself, but written and

488
00:23:57,920 --> 00:24:01,080
Speaker 2: directed by myself. It's a horror feature called Skin Side

489
00:24:01,160 --> 00:24:03,879
Speaker 2: Up and where you know in the midst in the midst.

490
00:24:03,960 --> 00:24:06,640
Speaker 2: So hopefully there's more news to come there. And once

491
00:24:06,640 --> 00:24:08,640
Speaker 2: we kick off production, I'll stop being a human being

492
00:24:08,680 --> 00:24:10,760
Speaker 2: and start just being a riddled mess.

493
00:24:11,000 --> 00:24:15,200
Speaker 1: Hey, all things come back to normal. That's right, everything turns,

494
00:24:15,400 --> 00:24:18,159
Speaker 1: it's beautiful. Well, thank you miss lazy Susan popping in,

495
00:24:18,320 --> 00:24:20,879
Speaker 1: sharing some stories and being an absolute menace.

496
00:24:21,440 --> 00:24:23,520
Speaker 2: This is the shortest podcast I've ever been on, and.

497
00:24:24,160 --> 00:24:27,159
Speaker 1: It's nothing compared to your two hours and five hundred minutes.

498
00:24:27,400 --> 00:24:30,600
Speaker 2: Yeah, no, enjoy this. This is a gorgeous snack. This

499
00:24:30,640 --> 00:24:32,640
Speaker 2: is a fabulous snack to doing the gym.

500
00:24:32,680 --> 00:24:33,480
Speaker 1: A little teaser.

501
00:24:33,600 --> 00:24:35,480
Speaker 2: Yeah, we'll see you in hell.

502
00:24:35,600 --> 00:24:42,040
Speaker 1: Art Simon, thank you so much for joining us here

503
00:24:42,040 --> 00:24:44,760
Speaker 1: you're at the Palate cleanser. It's been an absolute pleasure

504
00:24:44,800 --> 00:24:47,480
Speaker 1: being in your e holes once again. Don't forget We've

505
00:24:47,480 --> 00:24:50,320
Speaker 1: got a regular episode of concealed again next week, and

506
00:24:50,520 --> 00:24:54,040
Speaker 1: our special guest is someone called Tim, and for the

507
00:24:54,040 --> 00:24:56,639
Speaker 1: first time in a long time, I actually recognize this

508
00:24:56,680 --> 00:24:59,800
Speaker 1: person the minute they popped onto my screen, and maybe

509
00:24:59,840 --> 00:25:01,280
Speaker 1: you we will recognize him as well.

510
00:25:01,560 --> 00:25:03,920
Speaker 2: Tim was once an earring, wants to.

511
00:25:03,880 --> 00:25:07,399
Speaker 1: Be hit by a bus, and has contributed to some

512
00:25:07,440 --> 00:25:11,560
Speaker 1: of the most iconic imagery in Australian pop culture history.

513
00:25:12,040 --> 00:25:14,439
Speaker 1: Oh who could it be? Anyway, I don't forget. If

514
00:25:14,440 --> 00:25:16,080
Speaker 1: you want to send it in a soapbox or an

515
00:25:16,160 --> 00:25:19,000
Speaker 1: Arts Advisor voice note, jump into the show notes and

516
00:25:19,040 --> 00:25:21,159
Speaker 1: you can click a link there, or jump onto the

517
00:25:21,200 --> 00:25:24,080
Speaker 1: socials can steal with utsman. But anyway, I'm gonna go

518
00:25:24,200 --> 00:25:29,560
Speaker 1: by. Produced by Indianna Symons Lost in Sound